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forwhump · 4 months ago

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a/n; I’m sorry I keep posting 😭😭😭 remember when I hated it more than anything ?? now I can’t stop

I actually have a list of requests now (!!!!! 🥹 !!!!!!) & I swear I cross my heart I pinky promise if you asked me for something I WILL post for you !!! if you were kind enough to request smth from me I’ll actually write & post anything you want forever just not chronologically in any form at all, that’s all LOL

I found this first when I was perusing the wren folder so that’s why this one is up but NEXT TIME, next time it will be softer & there will be caretaking I promise

just a little bit of wren’s first night in the district first, that’s all <3 (spoilers : it’s horrible) @ doughnut this one’s for you 😚

tw/cw: kidnapping, captivity, rape, noncon, humiliation, psychological torture, sexual torture, misgendering, transphobia

sexual servant whumpee, creepy whumper

There are a glorious few moments, when Wren first opens his eyes, that he isn’t scared.

He’s in pain — the pain starts before consciousness does. But he isn’t scared. It’s a small mercy.

Instead, he wakes to that pain. Groggy, it’s hard to tell exactly what hurts, a sort of fog much the same as trying to wake from unconsciousness. As he wakes, as the fog of sleep clears, the pain settles and Wren couldn’t tell exactly what was hurting because everything hurts. He groans, and even his jaw hurts. He tries to groan, anyway, but the sound is muffled because he’s gagged, a strip of cloth pulled tight and knotted at the back of his head.

For a second, for a split second, Wren doesn’t really think about it. Still barely conscious, he barely considers the gag, and thinks, instead, of the knot at the back of his head. He can feel where it’s tangled in his hair, tugging at his scalp with each exhale. He’s face down, and as he blinks his eyes open, he doesn’t really notice the concrete, but the sheet of his hair.

Wren doesn’t wear his hair down. Wren hasn’t worn his hair down since he was a very small child, a child beauty pageant queen, and his mother would spend hours brushing and oiling and meticulously braiding it for him. He doesn’t think he’s had a haircut since only a few years after that. By the time he was old enough to decide for himself what to do with his hair, he was proud of it. He has great hair. But he also has really long hair, and it’s a pain in the ass. Really impractical, at times.

This is what Wren thinks about. He doesn’t wear his hair down. Why is his hair down? It’s pooling on the concrete around him, and why would he have —

The concrete?

Everything hurts.

Wren’s gagged.

That’s when he gets scared.

It’s the most scared he’s ever been in his life.

Wren’s been scared before. He would be lying through his teeth if he said he hadn’t. He’s never been scared like this. He’s never felt anything like this.

It’s an infection, a parasite that burrows deep into his chest, into his core, and it spreads through him quickly, churning through his bloodstream, just under his skin. He’s shivering, and he doesn’t notice, not right away, that it isn’t only because he’s scared. It’s only when he rolls onto his back that he realizes just how cold it is, so cold his breath clouds the air above him. His hands are tied behind his back, and he traps them against the ground beneath him as he rolls over. It’s why his arms, his wrists, his hands, his shoulders ache — his hands are tied so tightly at his back his fingertips are buzzing with static.

There’s only a single light in the ceiling above him, something fluorescent. Its glow is orange and its flicker, irregular, buzzing with shorted electricity. Something starts to burn low in Wren’s stomach, and the contrast to the cold in here and in his bloodstream is enough to make him gag.

The room is empty, except for him and that fluorescent bulb. It’s concrete on all sides, an empty concrete cell, and the only door is an iron slat carved out of one wall, the bolted, armed doors of a military hanger.

Wren can taste his heartbeat. His hair is down. What the fuck is —

And he can still barely keep his eyes open. Blinking slowly, he braces his hands behind himself and manages to push himself up from the floor, not far but far enough that he can lean heavily against the wall across from that door. His skirt is flouncy, red and white gingham layered with tulle, and it settles in a fan across his lap as he sits up. His eyes close on their own, too heavy to be —

They fly open again just as quickly. His skirt?

No, it’s —

No, he’s not wearing a skirt. It’s a dress, and only then just barely. It’s short, and it’s so tight around Wren’s waist that it hurts, and it hurts a little worse each time he breathes. It’s a child’s dress, and something about that makes Wren more uneasy than anything else. He tries to swallow, and it makes him sob.

He’s wearing cowboy boots. They aren’t his boots.

What the fuck is going on?

It’s so fucking cold.

Wren tries to stand, leaning his weight against the wall, but his legs are shaking too badly and they give out from under him. He falls hard. This time, it has nothing to do with the cold.

He tries to take a deep breath and it catches on something in his throat, something that makes him sob. He isn’t sure when he started crying, but his tears are cool on his face.

What the fuck is going on?

He isn’t so fortunate that he has to wonder for long. Huddled against the wall, shaking so hard he might be pulling himself apart at the seams, Wren cries. He tries to stand, to pull his hands free, to make any sense of his surroundings, and he can’t, and he cries. For a time, the only sounds are the hoarse, panicked hitching of his sobs and the constant, droning hum of the fluorescent bulb above him.

It starts with a chirp, with a weird, technical sort of beep. Wren doesn’t even get the illusion of relief, of somebody coming to his rescue — something is really, really wrong. What’s going on? There’s another beep, then a series of more beeps, and then a sound, through the door, like muffled thunder.

Wren’s heart beats at the back of his throat.

When the door opens, it opens slowly. A man fills the doorway, and he makes Wren’s blood run cold. He looks like something from a nightmare, something so horrible Wren can’t even really fathom him. He doesn’t look real. He can’t be. All black, a monster, the shadow of a monster, except for the cowboy hat, perched low on his head.

For a second, for a naive, blissful second, Wren doesn’t recognize him. He doesn’t recognize the dreadful black uniform or the macabre silhouette. He doesn’t remember how limp Robin had been.

Beneath his cowboy hat, he’s wearing a mask. It’s just as dreadful as the rest of his uniform, but when he pulls it down, it’s so much worse.

He knocks the wide brim of his hat up, out of the way, grinning down at Wren. Looking up at him, into his face, at his eyes, it’s like looking into the eyes of a violent animal. There’s nothing human in his eyes. Wren recognizes those eyes.

He lurches without meaning to, pressing himself a little harder into the wall.

There’s an intensity in the way he watches Wren that makes Wren’s stomach bubble, acidic. He grins a little wider, and something in the way it pulls at his face is grotesque. Unnatural. He doesn’t have a human smile, either. “Why, good mornin’, sugar,” he says, and he says it with an equally unnatural twang. Is he mocking him? The dress, and the hat, it’s — “I’ve been waitin’ on you.”

So, this —

This can’t really be happening, right? It isn’t. This is — what is this? What’s — who is this? What is he — gingham. This is — gingham. Why is Wren wearing gingham? What the fuck is happening? This can’t be happening.

The train of thought must show on his face and the soldier doesn’t try to hide how much he loves it. His grin stretches. The way he angles his head is predatory. Something in Wren’s chest gets very, very tight. “Why, shucks,” he mocks. “You’re awful pretty when you’re scared, girl.”

Heat spreads beneath Wren’s face and trickles down the back of his neck. When the soldier takes a step closer, he flinches back against the wall again. He doesn’t mean to. His hands are shaking at his back, trapped against concrete so cold his fingers are starting to numb with it.

There’s an even colder, unfiltered terror in the way his grin is fixed to his face, in the way he isn’t looking at Wren, not really, but at the hemline of the dress. Gingham. He stalks towards him like a predator, and he crouches down in front of him, too close.

He’s big. He’s massive, in fact. Wren’s never been a particularly big guy, but this guy would tower over even Robin, all six feet and three some odd inches of him. His shoulders are probably double the width of Wren’s own. When he crouches in front of Wren, he blocks the light with the bulk of him, and tears blur his silhouette.

When he speaks again, he speaks without twang, but with a smug, probably militant sort of confidence that makes Wren shiver, try as he might to help it, try as he might not to let this man see. “My men call me Point,” he says, and there’s something almost condescending in how he says it. “You will not. You will not speak unless you’re spoken to. If you must refer to me, you will refer to me as daddy. If you disobey, you’ll be punished, cowgirl, and I won’t take it easy on you. I don’t care how purty you are,” and he puts the accent back on. “Y’understand?”

Wren can’t breathe. His chest is too tight. The lump in his throat is too big. The soldier — Point? — looks like he’s expecting an answer, and Wren doesn’t have one. He can’t breathe. Against the wall, he shakes his head.

“No?” Point asks, sickly sweet.

For such a big guy, he’s fast. He grabs Wren by the face, so fast Wren can’t do anything to stop it. He cracks his head back against the wall behind him so hard that for a moment, Wren loses consciousness again.

It’s a glorious moment, but it’s only a moment. When he blinks his eyes open again, Point is leaning in, leaning too close, and the back of Wren’s head is wet. Warm.

“You will behave,” Point warns, and the accent is gone, replaced by something lethal, unamused. “You will do exactly as I tell you, cowgirl, or I will hurt you very, very badly.” Wren makes a soft, involuntary sound, and that grin flickers back to life on Point’s face, a thousand watts. “I took a big risk taking you out of there, girl. You were supposed to be put down. You owe your life to me, and I’m not about to let you get away without paying your debt.” He lifts the cowboy hat from his head, placing it on Wren’s. Wren shivers, trying to shake it off, and the soldier moves again, that same sort of movement, too quick for the human eye. He grabs Wren by the throat and pins him back against the wall. “Behave.” He thumbs slowly along the underside of Wren’s jaw as he holds him there, and the way Wren’s skin crawls almost aches. His fingertip catches on the gag. “Now I’m going to take this out,” he explains, “because I want to hear you beg. But if you wanna scream, cowgirl, you can go right ahead. Y’know why?”

Wren doesn’t want to know. He tries to sob, and it gets stuck beneath Point’s hand.

Point, who angles his head and whistles.

The door swings open again barely a full second later, and it’s still more than enough time for the fear to build, and build, and build, and burst into something that Wren shudders with, so hard his ribs rattles against each other. Another soldier fills the doorframe, another macabre silhouette. Another follows it, then another still, shadows that crowd the dim concrete cell, an army that filters into the room, blocking out the light.

Point grins at him. “Because the only men that will hear you,” he explains, for good measure, “are my men, and they want to hear you scream. The only men that will hear you are my men, and they’re just waiting for me to be done so they can have their turn with you. I’m not usually much for sharing,” he adds, finally sliding the cloth from Wren’s mouth, “but we’ve never been allowed a plaything down here. It would be cruel not to let them have my sloppy seconds.”

Cold seeps through Wren’s skin and forms crystal in his bloodstream, a cold that aches from the inside. “Please,” he blurts, and it’s weird the way the words come, not from his brain but from the festering, infected panic in his chest. “Please, don’t, don’t —”

But Point only grins, leaning in so close Wren can feel his breath. “I knew it,” he says, sickly sweet, laying the accent on thick. “You’re prettiest when you beg, cowgirl.”

“What?” Wren breathes, and he’s dizzy. He doesn’t think it has anything to do with hitting his head. “Please, I —”

He’s interrupted by a groan so low Wren can feel the rumble of it in his bones. His mouth tastes like bile and his own heartbeat. “That’s it,” Point coos softly. “There’s a good girl.”

Wren’s breath hitches, caught somewhere high in his chest. He doesn’t mean to, but he whimpers around it and Point makes another, lower sound, so low the hair on the back of Wren’s neck stands up. He leans away, only far enough to peel off one of his gloves with his teeth. Bared, he flexes his fingers, and something serpentine beats around the inside of Wren’s stomach. “Please,” he breathes, and one of the other men audibly snorts. Wren isn’t even sure why, but it makes him sob. His hands are curled into fists so tight the bones in knuckles are grinding together. “Please,” he whispers, and Point slides a hand beneath his skirt, warm against the inside of his thigh.

Wren reacts with his entire body. He jerks away so hard he knocks his own head, still bleeding, back into the wall. Point, for such a big guy, is fast, he’s too fast, and he has his other hand curled around Wren’s thigh before Wren sees him move. He makes this embarrassing, hiccuping sort of sound, trying to shake him off, to push him away, but Point, without sweat or struggle, pulls him away from the wall by his leg, onto his back on the concrete. As he pushes Wren’s thigh up towards his chest, he coos softly. “Good girl.”

Wren doesn’t even get the chance to plead again. Point leans in close, too close, cheek to Wren’s cheek, and forces three of his fingers inside him with a groan like a man dying.

Wren doesn’t scream. Wren doesn’t do anything, actually. He freezes, so tense he can feel the ache in every one of his bones. His mind blanks, a whiteness, a sort of emptiness he’s never experienced before. It’s like everything stops, all at once, narrows to Point’s fingers and the pain he pushes inside Wren and the rumble of his approval against his chest.

“Stop,” he hears himself say, from somewhere outside himself, from somewhere really far away. “Please.”

Point coos at him again. “Oh, cowgirl,” he says. “We’re just getting started.”

When he does ease out his fingers, it’s to push up his dress, the gingham and the tulle, shoving it up and around Wren’s waist. Panic surges and it tastes like bile. He doesn’t think, not really, not coherently, he only panics, and he tries to kick and Point catches him with a vice grip around his ankle. He hauls Wren closer and the concrete is so cold against his bare skin.

“No,” Wren says, and his voice isn’t his own, too breathless, too loud, too high. “No, please, please, don’t —”

Wren would dare say he’s a strong guy — he’s a lot stronger than he thinks he looks like he would be, at least. He’s no match for Point. Not at all.

And it’s strange, almost, or it would be, anyway, if Wren had the capacity to ponder the strangeness of it. He was already scared, a suffocating, delirious sort of scared, a kind of scared he didn’t think would be possible. And still, somehow, Point forces his thighs apart, and Wren can’t stop him, he can’t fight him, he can’t struggle, he can’t do anything Point doesn’t want him to do, helpless, and it’s like Wren hadn’t been scared at all. It’s like Wren, until that moment, didn’t know what it meant to be scared.

Something new rises, crests, and crushes him. He can’t breathe under its weight. He does scream, then, and he doesn’t recognize the sound of his own voice.

Point grins widely. He isn’t looking at Wren’s face. He holds his thighs apart and kneels between them.

This isn’t happening. This can’t be happening. How is this happening?

“Please,” Wren gasps, this hitching, horrible thing, “please.”

Point shifts, pinning Wren to the ground with his weight. Whatever his uniform is made out of, it feels like gravel against his skin. He moves slowly, taunting, as he pulls his belt loose, as he pulls himself free from his pants.

Wren isn’t breathing, not even hyperventilating, just making these hitching, gasping sort of sounds he can’t control. There are so many men in here with him, crowding this concrete cell, and none of them help him. There are so many men in here with him and they all just watch him beg. There are so many men in here with him and Wren has never been so alone, not once in his life.

He wants his big brother. He wants his mom. He wants to go home.

“Please,” he cries, desperate, frantic, almost a wail, most of a scream. “Please, pleasepleasepleaseple—”

Wren, in the end, screams himself hoarse.

It doesn’t fucking matter.

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thedrotter · 5 months ago

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Re:Kinder Fun Facts of the day☺️!!! Have you ever wondered who talks the most from the main cast in Re:Kinder?? Well, I did😊. Today I'll be answering this question with some graphs and as a bonus telling you what words each character uses the most! I will warn you, this will be a bit long and I don't know how to be less verbose so, yeah!!!

First, I've made some basic rules as to what I counted regarding how much the characters speak. Not all lines really count as speaking, after all.

Any of the incoherent screaming lines don't count. There's a lot of screaming since the characters die a lot (as expected for a horror RPG game), but I don't really count that as speaking unless they're saying proper words. In that same vein, I didn't really count any of the panting or sniffing and such that are conveyed through words. Again, I don't really see that as a character actively speaking their thoughts!

If I cannot tell who a line belongs to, I will not give it to anyone. This happens for certain lines, so I felt this rule was important.

I won't be counting repetitions of the same line if it's on a variation of the same scene. This may sound a bit strange, but when a character dies, the game goes on to the same next scene it would regardless (unless the scene that follows it is an ending), with variations and new lines here and there to account for the dead character, but a lot will be reused and placed in the exact same beats it normally would have been in originally. So, this rule is here for that. Oh, and also the scenes with bits of Yuuichi's backstory that appear in Shunsuke's head won't be counted twice, because some appear twice line by line.

Of course, the "..." lines won't count. I am so sorry Aya!!!!😞

Now that the ground rules have been set, there's just one thing I want to mention. Though I will count all the total lines for Takumi and Yuuichi like any other character, I just want to mention that first I will have two separate counts for them! Takumi | Takumiel and Yuuichi | Yuuichi's Heart respectively.

Takumiel is separate because I was curious about how much Takumi spoke as an archangel compared to when he was alive. Yuuichi's Heart is because he speaks so much he feels notable enough to be given his own division, even if he and Yuuichi at the end of the day are one person

(I count the silly mind telepathy where Shunsuke is being directly spoken to [and being told things normal Yuu would avoid saying at that point] and the comical theater as Yuuichi's Heart. I clarify in case one assumes he only starts being counted the moment he's directly labelled as Yuuichi's Heart. Any line that can't be distinguished between Yuuichi's Heart and Yuuichi will be given to Yuuichi by default.)

With nothing else to be clarified let's get to the numbers!!!😊😊

First, the line counts with Takumiel and Yuuichi's Heart counted individually!! Here are the rankings:

Shunsuke (With a lead of 535 lines over second place!!)

Yuuichi

Rei

Yuuichi's Heart

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

You may be thinking— woah, does Shunsuke really speak that much?! You could say that, for a good chunk of those lines are from how he describes interactable points around the map and his inner thoughts, so they aren't all exactly said out loud. The benefit of being the protagonist, I suppose ww

Funny enough, Yuuichi's Heart has almost as many lines as Yuuichi does for not having that much time in the game, being on the higher end between the characters that don't get the benefit of being a protagonist (lol)!

Admittedly I had expected for Rei and Hiroto to have a more similar amount of lines given their nearly equal amount of presence, but for what it is Rei surpassed Hiroto by 51 lines! I also had expected for Takumiel to speak a little bit more than Takumi but turns out the opposite is true.

While the lack of lines of Takumi and Takumiel are to be expected due to their short time on the game, what stands out is Aya not even reaching triple digits between her other peers who are in there for most of the game. This is because a good chunk of Aya's lines in game are silence!^^" And thus weren't counted. If ellipses were a word, she surely would have reached triple digits, but unfortunately they're not.

Now the line count with combined sums of Takumi | Takumiel and Yuuichi | Yuuichi's Heart!!!

In here, the ranking isn't affected, with Yuuichi remaining second place and Takumi being last place. But the disparity of everyone's numbers compared to Takumi's feels a bit more clear to see when Takumiel isn't individually counted.

With Yuuichi's line counts combined, Shunsuke remains 318 lines ahead of him, but it also means Yuuichi has a 59% the amount of Shunsuke's lines; and impressive feat for someone who doesn't get the benefit of being the point of view for everything you press... Although he does also have an upper hand over everyone by essentially being the plot of this game ww

But maybe line counts do not suffice to tell how much a character speaks. Yes, Shunsuke has a bunch of lines from everything he interacts with, but is it really reliable to say he speaks all that much in all those lines? A good chunk of those could easily have 3 words each! So with this in mind, let's do a word count.

Even in a word count, Shunsuke has the lead, having a lead of 2,247 words over second place. But we'll see about that when we combine Yuuichi's numbers. Anyway, here's the ranking!

Shunsuke

Yuuichi's Heart

Yuuichi

Rei

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

This time, Yuuichi's Heart is the one at second place!!! It's pretty funny that he speaks more than his physical counterpart ww. I genuinely didnt think he'd out yap himself that way when I chose to count for him individually 😭!!! He has a lead of 63 words over himself, but a lead nonetheless.

In here, Rei and Hiroto are more even than in the line counts, with the difference seeming more minimal when put into words. But it also showcases that despite Rei having more lines than Yuuichi's Heart in the line count, those only get to have a bit over half of the amount of words he talks (To be fair he does get to infodump a lot in his section of the game).

And here's the combined word count!!! Suddenly Shunsuke's lead is only by a mere 55 words! So Yuuichi speaks about as much as he does with 318 less lines.

I must admit that I genuinely did not expect it to be that close. When I chose to count the lines for when you interact with things for Shunsuke, I thought he was granted to speak an absurd amount more than anyone else. But turns out that Yuuichi speaks about the same amount out loud when most of Shunsuke's are his own thoughts ww. But it does make sense! He is still the plot of this game.

So, after all those charts, here's the average/middle point of lines and words for characters to have, because why not, it's fun.

Average Line Count (YH and Takumiel counted individually): 197 lines

Average Line Count (When combined): 247 lines

Average Word Count (YH and Takumiel counted individually): 1,333 words

Average Word Count (When combined): 1,666 words

So there it is. That's how much the characters in Re:Kinder speak!

But wait!!! I am not done. I will share with you an additional fun fact... Did you ever want to know what word each of these characters said the most?! This one will be quicker, I do promise.

When it came to counting these words I did not count stop words, that being common words that are used all the time by everyone in English. "I, you, me, the, to, a, my, your, yes, no"... Words like that! Otherwise everyone would have one of those as their most said word and it'd be rather boring to look at. With that said, here are the words these characters say the most!

Shunsuke: Yuuichi - said 40 times! (this genuinely confused me so much im sorry he uses interjections so much I had expected it to be something like "huh" or "um" but no i dont know how this passed by me as i was rounding up all the lines he says or proofreading or writing all of those lines WHAT?!?! its been two days and it still takes me out)

Ryou: Shunsuke - Said 14 times

Sayaka: Murderer - Said 7 times (All in one sentence!)

Takumi | Takumiel (counted in one for how little he speaks.): Takumiel - Said 3 times (That name is so important, he said it thrice.)

Aya: Sorry - Said 5 times

Rei: Hell, gonna, look, Yuuchi - said 8 times (Most of the repeated words she says are stop words for she doesn't tend to speak about the same things repeatedly.)

Hiroto: Shunsuke - Said 17 times

Yuuichi (separate from YH): Problem - Said 17 times

Yuuichi's Heart: Mama - Said 24 times

Yuuichi (Overall): Mama - Said 31 times

So that is finally it. That is the fun fact of today.😊😊 Use this to woe your friends at parties!!!

I am aware Mami speaks about enough to be counted in, but this is pretty time consuming to do and I'm not sure anyone is invested on her enough to count her in. But if there's enough curiosity regarding that, I'll try counting her in. But for now this suffices.☺️ Thanks for reading!

#re:kinder #rekinder #not art #fun fact!!!#i talk!!!#ive been at this for... two days how yall doing😊#ive thought of doing this since when i started by transcript of rekinder but i wasnt ready to do that after finishing that beast of a scrip #so here it is later than i anticipated! it is more time-consuming than i thought considering i have the benefit of the transcript #so when i was getting to doing mami i was already tired ww 😭 love her but this is just a silly bonus thing i throw out #so im not as ready to spend more than the several hours i already spent than with other funny silly proyects #i have more things i want to work on more😊!!! and also the semester is ending soon ww #ANYWAYYY #THIS WAS FUN THOUGH!!!#originally i wasnt going to count the things you can interact with for shunsuke but they are so obviously said by him i just had to #I WAS GOING TO IGNORE IT BUT THEN MY CONSCIOUSNESS TOLD ME... NO.... YOURE ROBBING HIM OF PERFECTLY FINE LINES!!!! 💔💔#so now his numbers are absurdly high #i still cant believe he said yuuichi more than huh i cannot believe that . like. he says huh 5 times less BUT STILL #i really wrote a whole transcript proofread it for 30+ hours then went back to do a line count for several more hours #and didnt notice the protagonist of this game said the name of my favorite character a million times #I NOTICED A “HUH” MORE THAN A NAME COME ONBRUEJWJFNNW #i dont really make any comments regarding ryou or sayaka in here as much because their numbers are exactly as i had expected #about the same amount not too much... its nothing groundbreaking to make a comment out just saying #if anyone is curious yuu says vamos cantar only 6 times #no one's most said word is particularly surprising to me after shunsuke but i did have a stroke seeing problem pop up for yuu #the document i was writing all of this info in before doing this post was very tidy and organized very well articulated until thay happened #i was perfectly expecting him to mention one of his parents the most overall but when separated from Yuuichi’s heart i did not knwo what #so when problem popped up my gut reaction was thinking that i wasnt making it to the end of the document no one speak to me i felt #IT . IT MAKES SENSE but it isnt fun💔#i wasnt even going to count yuuichis heart most said word until he out yapped himself admittedly #I SEPARATED HIM FROM USUAL YUU FOR THE LOLS I DIDNT THINK HE'D SPEAK THAT MUCH

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