#and it makes me feel like maybe I'm a bad person?

[featherandferns]

my thoughts on the rudy/madison discourse and obx 4 generally (spoilers):

I watch obx 4 for the characters. I appreciate the actors, find their behind the scenes moments entertaining at times, and indulge in the occasional interview or Instagram post, but I do not 'follow' the actors. My fanfics are about JJ Maybank as a character, not Rudy Pankow. I appreciate Rudy Pankow's attraction, especially when playing JJ's character, but writing fanfic about Rudy himself (or any other actor) is, for me, uncomfortable. That isn't to shame anybody who does write or read such content, it just makes me personally feel uncomfortable.

All this to say: I don't care about the drama. I don't care about why Rudy left the show, whether this was his decision or the writer's. I think Rudy's girlfriend seems lovely, but I am highly aware neither myself nor anybody else knows her. Rudy is a grown man. He's in his twenties. He can decide who he does and does not want to date, and who he does and does not want to spend his time with, both on and off set. An Instagram post Rudy made on his story on Canadian Thanksgiving I think summed it up perfectly: he loves his girlfriend, and if people can't get behind that, then get out.

Furthermore, Madison and Rudy do not owe anybody anything. I don't find interest or want to engage in the toxic debate of the 'he said, she said'. They're all adults, they all have their own lives, this is all between them. The speculation and pressure from fans is cruel and uncalled for. They don't owe anybody insight into their private lives. Maybe they aren't friends anymore - that's okay! People drift apart, people fall out. Yes, it's sad to see the change from season 1 in terms of dynamics, but a lot can happen behind the scenes. That's life! Also, I don't like the comparison between Rudy and Madison, and Madison and Chase. People saying 'but the actual ex-couple can work together fine' are forgetting that every situation is different! I had an ex-boyfriend at an old job; I was pissed at him for a few months but civil at work, and then I got over it and he apologised and we became actual friends about a year after the break-up. However, I have other ex-friends and ex-lovers who I could not ever tolerate or be near, and I can't imagine what it would have been like having to work with them after a falling out. If this is the case for Rudy and Madison, that's a really tough thing to navigate! Give them grace - yes they're actors, but they're humans too! The bottom line is: it's their life, leave them alone.

Following on from that, stop placing blame! We don't know why Rudy left the show. There's all different opinions and sources about who said what, who did what, who is the 'bad guy'. Nobody knows the truth but the three involved and, as I said before, they owe this to nobody to disclose.

I think Rudy leaving the show, whilst sad, is a fair decision. OBX began filming in 2019. You do a lot of growing from there and, especially with changes in writing, you can want a change. I think actors can sometimes be too tethered to their characters and it limits their future work abilities, because nobody can picture them as anything other than that character. You can still have successful careers because of this (think Camila Mendes and Riverdale; Matt Le Blanc and Friends; Ellen Pompeo and Meredith Grey), but Rudy clearly wants to explore other areas and other characters, like theatre and Indie movies. Good for him! We should support him! I don't love this 'I'm sorry we couldn't save you from your actor, JJ' stuff, because Rudy gave his heart and soul to that character and that performance. He doesn't deserve to be punished because he craves a change. It's the same as any other job/career; we all want a change sometimes.

The writers and show creators have been getting a lot of backlash too. Here's my thoughts on season 4: was it their best season? No. Did it do some of the other seasons and previous plotlines/character development justice? No. Did JJ have to die? Not necessarily. However, it is easy to lose sight of the small picture when you have increased demand and increased budgets. Netflix like 'bigger and better'. When people are given more creative freedom, sometimes things can veer off course. We can forget the original character motivations, dreams and desires by getting caught up in the spectacle. The only show I've ever seen that really keeps the characters true and consistent, whilst developing, and never forgetting a plot point, is Bojack Horseman. To me, that is the only show. It's a shame, yes, that it veered so far from season 1's aesthetic, but that's how it is.

As a fellow creator, I feel it's cruel sending so much blatant hate to the writers and creators for making the show. If Rudy did want to leave, they had to find a way to make this work for JJ. Yes, I've seen some say 'he didn't have to die' but I sort of disagree. JJ is too loyal and attached to his friends to just 'go off' on his own to somewhere else. That would also be out of character. I think the way he died, and the build-up and plot points that didn't get resolved prior to his death, is a little annoying. I don't like how it wasn't in Kildare, in his home, and in a different country. But hey - that's just me.

I know, that if I took so much time and energy and money, working and building something that I am proud of just, just to receive so much black-and-white hate, I'd be crushed. Constructive criticisms and opinions are good - we can be upset about a character dying - but saying 'fuck you' and 'we hate you' is a bit mean, in my opinion. The time and energy and work gone into this season is astounding. The travelling and set design is incredible! I mean, the shop is the most awesome thing I've ever seen!

I also respect that they killed JJ. I'm not saying I wanted him to die. I'm saying, it pisses me off when shows give plot-armour to the main characters. It lowers the stakes. You know they're going to be fine because they're always fine (think the majority of Stranger Things - there's a really good video essay about that here btw that articulates this point a bit better). JJ's death was shocking and upsetting, that's how a death (in a show, at least) should be, but it means hey, there are real stakes here. It's not fair he died! He didn't deserve to die! But he did, oh my God. It takes guts to kill of a beloved, main character. I agree, JJ was my favourite part of the show, but I respect the choice, personally.

I liked season 4. It wasn't as good as season 1, I wish they stayed more grounded and didn't start so many plot points without resolving any/all of them, but I liked it. It was entertaining. The acting was pretty decent, though the chemistry and acting when Rudy and Madison had scenes together was a little disappointing (again, I don't want to point blame at a certain individual; it's hard to have good on-screen chemistry, especially when you don't feel like it matches your character's true motivations).

Was it unrealistic at times? Yes, but OBX usually is haha. It's a show about finding EL DORADO at this point, like I can accept that they let Sarah and JJ get swept into the sea during a storm and come out fine, without a single earring out of place. Sure, whatever, I'll take it (so unrealistic, 90% would drown and you'd at least shed your clothes to help you swim and stay afloat but WHATEVER. Also put your life jackets on guys wtf it's a STORM).

I wish there was more development on the plots, done by having less plots at once, and more conclusions for JJ before his death. I felt as though we were building up to a big blow-out/resolution with Pogues which never really came. Also, don't love how they handled JJ and his biological dad. I don't think he'd be that willing to trust a random man who abandoned him so easy. Yes, he's reluctant, but COME ON. JJ has the biggest trust issues. I just don't buy it. Also, explain, please, how Luke went from being so wonderful and gentle with JJ to full on abusive? Just a bit of explanation would be nice, please. Not a huge fan of the pregnancy plotline but hey, sure, whatever.

So, yes, that's my thoughts on everything: leave the actors alone; the writers have balls for killing JJ but that isn't necessarily a bad thing; give people grace; treat people with kindness; I'm going to keep writing for JJ; and season 4 altogether gets a 6/10 from me.

I'm open to different opinions, further thoughts, or just general musings/ideas. I hope this doesn't upset or offend anyone, I'm not trying to spark drama or shame a certain person or people: these are just my thoughts and views! So, I won't be participating in any 'who's the bad guy' discourse surrounding the actors. I'm just here for JJ and the Pogues. Take care of yourselves and spread positivity in this crazy, difficult time <3 and, of course, rest in peace, JJ Maybank <3

P.S. These are my season-by-season ratings: season 1 - 10/10; season 2 - 8/10; season 3 - 6/10; season 4 - 6/10.

[vigilskeep]

there are so many things in veilguard that have made me go "wait what??? okay i guess i have to totally rethink the character i'm roleplaying now" that it's literally impossible to guess what thing you're referring to as The Thing That Happened. obviously extremely curious to hear what it is once you've detangled it

it’s kind of like that but it’s also less that and more... okay i should probably just say it, i’m being weird and unhelpful and i need to write it out anyway so i can think

MASSIVE SPOILERS UNDER THE CUT for a companion quest, do NOT say i didn’t warn you. also please don’t respond to this if you know more than me i am in distress but i still don’t want spoilers

so i just finished lucanis’ “a murder of crows” quest. and lucanis. first talon. for some reason. (this is the writing choice i’m ??? on. also i’m ??? on lucanis’ whole storyline, frankly. the writing was. well. like i said, we’re not unpicking that right now, i don’t want to get into it at this point, not the conversation i’m having.)

lifelong trauma of being in the crows and fighting to get someone in a talon’s position and keep them there -> the thing that gave sol all their diseases and made them, to be frank, fairly suicidal

viago: ultimately can handle it without them, especially with teia’s backing.

lucanis: CANNOT handle it without them. holy fuck. for like twelve hundred different reasons, unthinkable, completely laughable, that he can handle this. who is going to protect him. the only reason this could be better at keeping sol mentally stable than watching viago’s back is that they will never feel purposeless or need to go looking for an adrenaline rush, because forget crows, an ambitious blackbird could eat that man alive. he can’t scheme. he can’t even SCHEME and the very fact that he trusts sol DE RIVA demonstrates this. sol is a crow! from another house! does he have no memory at all of the fact that his own parents died in crow infighting? sol could have been playing him this whole time, it wouldn’t have even been hard, and if they were that kind of person, then right now the first talon’s house would have just fallen directly in their hands like a gift from the maker, and they can’t even say a part of themself they can’t shut off isn’t thinking about it that way! how is sol supposed to keep someone like that alive?

you see what it’s like trying to sleep while sol is having this discussion in my mind.

ahem. anyway. pathways for sol’s life assuming they indeed make it through the game:

becoming lucanis’ guard dog the way they were for viago, which (even if they could mentally handle that, which they can’t. or can they??) means switching house loyalties which would surely destroy them eventually -> bad

somehow trying to persuade lucanis to give this up, as if that wouldn’t be throwing house dellamorte completely to the dogs, which at least sol can’t imagine any crow is capable of, let alone someone so dedicated to clinging to what remains of his family that he couldn’t even kill a traitor -> bad

going ahead and leaving the crows, but sol now has to leave BOTH viago and lucanis behind and also lucanis is going to die in there because they left him to do this alone -> bad

solution: sol is back on their original “if a blighted dragon eats me by the end of this, i don’t have to experience consequences” train

and maybe they’re right and i should not worry about this because i’m painfully aware it’s VERY bold to start deciding what happens after the game at this point, when they might still get trapped in the fade or turned into paste or something. and admittedly they did know and dread the possibilities from the first moment they felt something for lucanis, which was why they so wanted it to be anyone else, because anyone else in that lighthouse could have given them a different world, and he is the one who regardless of his best or worst intentions can only tie them tighter to a burning building. and SURE, i see the solas/mythal breakup parallels of sol still leaving, i’m looking at them, that doesn’t mean i have to LIKE them

he hasn’t even kissed them. they’re doing all of this unkissed. lucanis dellamorte when i get you

again please absolutely do not respond to any of this with even the vaguest of hints if you know more about the rest of the game than me 🙏 it’s probably best if no-one responds to this at all lmao i am just thinking out loud. you can reply with a “that’s rough buddy”. for sol

[jupitermoontarot24]

POV: You're In a Scary Movie 🎃 Villain or Victim?🔪

HI guys! Just a snippet from my Patreon from back during halloweek. Come Join Me For More Fun Readings Over There Weekly!

THANKS & ENJOY 💗 Patreon linked: HERE

Piles 1-5 and oh yea... BOO

Pile 1🤬

You would be the villain. I think you would be the villain because you're sexy and you bring all the cats to the yard.  you provide food and comfort. It's like if everybody in the neighborhood had cats and dogs and you put dog treats in your yard everyday, you know you will be attracting everybody's dog. like can you stop? lol and you might just be like oh well I'm just giving the dogs a treat but everybody else is like no. Yeah it's like you're so connected with people that people are like getting hypnotized. In this scary movie you could be seducing somebody's wife or seducing a couple. So the reason why you would be a villain in this is because maybe people wouldn't know what you're doing with the people that are seduced. like where do they go and what happens to them? Yeah it gives you collect souls or you do something with them. Okay so it could be like this couple has joined a cult. they look to you as a savior, as a guidance for them. It could be somebody else who's trying to get away from being hypnotized in this movie because they're afraid that it will cause them to  spiral. But honestly it seems like it's real true guidance from Spirit though. like in this movie you are looked at as a villain but it's just because this person is scared of the real truth. okay it seems like this person could be watching a couple be seduced by you or alert by you so this person is on high alert because they're like pile four is alluring people into them. So the only reason you're the villain in this movie is because you're the magician. So kind of like how people will burn witches at the stake but all witches are not bad witches. Pile 1 doesn't just have one person, they have two people, they have multiple people so what are they doing behind the scenes? They could also be getting Karma in this movie but it's weird because they don't see you doing anything like they can't see what you're doing so it could be like maybe you're doing magic. So in this scary movie this person is suspicious of you. They don't come to you and fight you but they might go to the man in the couple and see why or they might get in contact in some type of way. for some people the couple that you seduce is not together anymore because they both like you were one of them likes you more. Okay so to this person in this movie your villain plan would be to send out a frequency that reaches people and makes them loyal to you and then you harvest their energy or their souls and it makes you more abundant in the physical world. I think you do send out a frequency that goes to people, it brings them to their higher self it brings them to a piece of Nirvana and helps them gather resources for themselves strength…or it’s a evil ploy. It gives dr.doofinsmirk

Victim: none?/ everyone

Uzumaki

Pile 2 🔪

Okay so you would be the victim. they're going to be somebody who is obsessed with you or really really likes you. but the thing is this person wouldn't want you to be out they wouldn't want you to be a hot girl. no other girl no other person would be enough for this person but you.This person can already have a partner/girlfriend but they don't satisfy them enough. like this gives Joe energy from the show where it's like he might be obsessed with somebody but then once he gets them he becomes obsessed with somebody else. they would try to trap you but I feel like you would trap them instead. The crazy thing is is that you do know this person but it's not like you guys were ever in a relationship like you could have just worked together you could have went to school together, you could have mutual friends that ended up at the same places but this is not somebody who you romantically were involved with.I don't like this energy like that like the other pile was a little bit lighter but this person is kind of dark. So in this scary movie this could be a group of people or just a specific person but I feel like they feel that getting you would even the odds like it would make whatever situations balanced. Okay so this person probably did have a accomplice. it seems like this person could have manifested through their third eye basically evil eye because the third eye is very significant so this person could have been sending evil eye and trying to infiltrate you through the mind. The villain was trying to infiltrate you from the inside so you would basically unravel and be lost. Yeah, it seems like you were very hot girlish because this is Bratz rock angelz as the picture so I feel like you're somebody who was on the go, who was cool, who really left a impression on people and on this person specifically. so this is somebody that you could have just met on your adventures like not somebody that you really deep involved with. The accomplice could have made it their mission to make you cry. Maybe they didn't see you as emotional,  maybe you didn't come off like that and this person could have come up as emotional but you give steady and calm and balanced. They tried to plant things in your mind that weren't true basically make you crack,make you sweat. Okay so you're the main goal of the villain could have been to knock you off play with your head maybe close down certain chakras. Basically make you scared/ scare you off. I feel like everything dark comes to light and this person didn't want you to shed light on them so they were trying to cloud your judgment. They could have tried to do this through accomplice.So you definitely beat this villain by playing the switcheroo. you could have lured them to a certain place expecting you to be there but you aren't and instead you got them accomplished. it seems like they get offed energetically though I think you and your lover so maybe you can have like a surprise lover in this movie but they come and you guys energetically kill them off so it almost gives like couple versus couple or just accomplice versus accomplice like Kim Possible. Checkout pile 3

Villian: associate, could have been one your friends.

Blink twice, Bratz rock angelz ,death proof

Blink twice

MAJOR TRIGGER WARNING FOR THIS MOVIE

Pile 3 👻

Unfortunately pile three you would be a victim. You would be a victim for being the it girl/boy. Have you watched this movie form the picture Love Don't Cost a Thing ? The girl in the middle and her friends were kind of mean. So this could start off with somebody liking you romantically. This could also be a situation where your friend is obsessed with you like obsessed with you being The It Girl. In this scary movie I think you could be coupled up with somebody so you could be dating somebody and the whole time one of your friends is plotting to mess it up. it gives me Mean Girls. Regina George was looked at as the bad guy, it could be said that that was her karma but Cady pretended to be her friend to sabotage and then she fell in love with her boyfriend that's messed up lol. in this scary movie you're just doing your thing being perfect, being beautiful, dressing amazing, being the main character and you attract someone's attention :a guy/girl?. but you have a whole bunch of Love offers because you're the most popular good looking person around and there's a particular person that proposes something to you and one of your friends sees it and they're like I don't like this. they're like that offer should be made to me? why does this person get everything? Why do they look so good? Why are they so alluring. so they gather up weaponry maybe not literally but different things to make this downfall. Yes so this could be a situation where this friend is only popular because they're around you..  the person that wants you romantically could be real popular as well they could be really good looking and they can have a lot of money.  I feel like this person was already maybe shallow in the first place but when you got with this person it was too much. So I think it would be two people because it is two friends in the picture but one specific person could have been the one trying to really seek out the revenge. The thing is that I feel like realistically it wouldn't work like this person wouldn't succeed at this plan. but you would still be the victim because the plan was made for you but I feel like you will get out of this in such a smooth way that it's funny. I feel like the universe will protect you to the point where you might notice something is off, but it works out like you might not have to do much to get this person away. this is not the type of scary movie where you are fighting to the death at the end with the killer no. this is the scary movie where you do know there's something off and you sense something's off and maybe you're having some type of paranormal experience but it ends up getting solved and the two people kind of disappear or disintegrate off. So in this scary movie it's like one friend would actually have been doing something and you can feel it and the other person probably will try to gas light you. so you could be like something's wrong I feel something is off and it could be specifically this person and the second friend is like you're crazy I don't like when you act like this I don't know if I can be friends with you anymore.Orrrrr they could have just been like you're overreacted its nothing take a chill pill, yeah this person could have been shallow like I said so they could have just been worrying about their looks and how they feel when you were likenreally going through it.So I think this villains plan was almost unknown to them I don't think they really knew where they were going with this they just wanted to be you.

They could have wanted to Destiny swap with you and also by doing that made you be with somebody else. Yeah so maybe they didn't really like their partner like that so they're like I want to be pile 3 and I want their partner and they can have my partner. Their boyfriend/girl could have been involved. check out pile 2.

villains:  a Duo ? a couple, two friends.

Gothika, Love Don't cost a Thing, the craft

Pile 4👿

I think you would be the victim. it gives one of those movies where you know those scene where its this couple out on the town,having fun and they're just in the moment and little do they know it's somebody up on the balcony staring at them. yeah you could be just minding your business and there's somebody who is hot! behind the scene. somebody who doesn't want you to be as abundant and Luscious as you are. This could be the type of scary movie where it's like a wolf in sheeps clothing around. so this person might present something to you but it's like a gag gift. They want you to be stuck somewhere. So you could just be minding your business having a good time and maybe a specific person starts pursuing you and now you're dating this person and they're treating you well  maybe you guys even get married? And the whole time it's this person in the back upset! do we know why? It's because they broke up. Honestly this person could have broken up with their partner but usually their partner comes back like a dog but they didn't because they found you. So you will be the victim because this person will now be on the bottom and their use to being a top priority. This person will be upset but I don't think they would do anything to you per say. I feel like they might try to protect you as a couple? like they don't want anybody else to date  your partner so they'll make sure that you guys stay together or at least make sure nobody else gets in between the relationship but they will be also trying to put themselves in situations to talk to your partner. Yeah like maybe not trying to outwardly get them but say they have the kids together like oh I need you to drop off some paperwork to me, or we need to talk about signing the bills off on my name now. something to where they have to speak. Your partner is really loyal in the scary movie so it's like they're not going for it like they don't want to be with them but it seems like they're always there so they could be following you guys around. you might look up and you guys are at Disneyland with your kids and you're like is that them in sunglasses and a hat? then the villain is like it's no way  pile 5 is this perfect like it's something about them thats going to come out, they're not perfect.  you come off really perfect and balanced. They could have seen you as a villain. They could feel like you were trying to erase them and what they've done but they're plan was to erase you especially if you guys haven't been together that long. they were just trying to get rid of you so they can focus on what they had, the history they have or the relationship/kids. Even make you mad to the point where you leave like you get fed up with the situation and you're like I'm just going to leave. Villian:an ex, stalker

Obsessed

Pile 5 🥵

Definitely the villain. something is shady about you pile 5. Not going to lie you are the sexiest villain to ever be. the villain but this gives a crime of passion. is it a crime? sade voiceYeah like this is more sexy than anything else. so in this scary movie you and your lover can have a lot of eyes a lot of suitors. and that could drive you to do certain things. I heard evening the playing field. this could be a situation where you just get your get back. Okay this is the type of scary movie where it's a psychological war on your partner. so maybe you make them go crazy, they don't know who's really you, is this the real you or if you're playing a game with them maybe they just aren't sure about anything.  it only drives you even more. it makes you raise your level of taunting. yeah the movie for you guys is basic instinct. people could be or your partner could be almost paranoid being with you because it's like are they going to kill me? are they going to do something to me when I'm not looking. but it seems like this is if they did something to you. this doesn't seem just unproved kind of like if they broke your necklace, is pile 5 going to break my neck. are they going to slit my throat? You're the villain because people are scared of you especially if they do something to you. you're like the Grim Reaper.  that type of energy where it's like the reaper is looked at to be really scary but he only comes when it's your time to die it's not really his fault. yeah and you could be nosy or just know a lot of information, see a lot of things, have a lot of eyes, find out things about people really easily so that makes you even more scary. yeah people are like if I do something pile one, if I make them mad.. they go blow out a candle and end my whole life. If I'm not nice they can find out my secrets. Maybe people have received really bad karma surrounding you, like maybe they totaled their car and then somebody walks up to them and issues them a government official debt collect on top of that and the person that presents it has the same name as you or has the same initials something like that. so people like dang there go my karma from pile on. like you have voodoo dolls and you poke them when they do something bad to you or if they were just a bad person. Also people could feel like you're the villain because you are good at seducing people even if it's not on purpose like people might try to seduce you into seducing them. people could lose their partners and be like dang what a villain. so in this scary movie you're a hot Queen / King that everybody is scared of and steals people partners. Either way you give crazy psycho hot person. I would say that your plan as a villain would be to give Karma to people that did you wrong. But honestly I do feel like you would use their energy to become hotter and smarter and faster. 

victim: could have been ppl who weren’t there for you during a tough time, a person left you to drown in your own stuff. 

Scary movie: Jennifers body, american psycho,

💗💗💗💗💗XOXOXOXOXO💗💗 💗🕺🏽🕺🏽🕺🏽🕺🏽

SEE U THERE ;)

[lamentationsofalonelypotato]

@zepskies

Girl, it's not just an emotional rollercoaster it's a full on emotional CARNIVAL 🤣

I love this observation. That's exactly what I felt inherently when I was writing that line. It felt more powerful to me than "I told you so" or the like. It has the feeling of that, but with more of an edge, even though you know he cares about her.

The line is devastating. It ''bites." It's more than just telling someone that they messed up, it's also kinda catty lol.

LMAO I remember someone saw the preview of Part 2 and commented, "the quiet, but devastating anger he'd be reckoned with if he said that to me." And I was like, YEP, that's exactly it. Mans playing with his life. 😅😅😅

He really bet it all. And I'm in love with the person who said "the quiet, but devastating anger he'd be reckoned with if he said that to me." 😂

That's precisely how I intended it! Now looking back, I feel like I should have had her leave him by himself in his room to sleep in another room. But at the time I was writing, I was thinking that for her in particular, despite this being the biggest fight they've had so far in their relationship, he's still the one that makes her feel safe after a bad hunt. 💙

I think it would have been a bigger gut punch to Dean if she didn't stay in the room with him, but I still think that the her turning her back on him and not letting him touch her kinda hit the nail on the head pretty well too.

Aww thank you! 😭😭 Weirdly enough, that was one of my favorite parts to write? Maybe I just like the heartfelt hurt/comfort breaking into fluff moments. The "better off alone" thing I thought was implied throughout the later seasons of the show after Dean lets go of Lisa and Ben, so I wanted to explore that deeper here, even though it hurt my heart to write it. 💙

It's not weird, I think that it's really fitting! And I also really like writing the heartfelt hurt/comfort breaking into fluff too lol. But you're absolutely right, Dean really does adopt that mentality after Lisa and Ben and it is really heartbreaking to see him like that.

Everyone's crying!! 😭 YES ABSOLUTELY SHE DOES -- and she's a verified crier. I see a lot of fics where the reader is tough as nails, "doesn't cry very often," but I wanted to create a reader character who is a badass, but still has a soft heart. (Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL. 🤣🤣)

As much as I do love the readers who are "tough as nails" and "doesn't cry very often" I love the readers who are strong but are allowed to break. It makes them seem more real. Because as much as I believe that there are people who are completely just insane badasses, they've gotta have some kind of emotion or compassion or else they don't seem human. Also "Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL" I'm DEAD 😂

Sorry for jerking the angsty chain again there! 🤣 Poor guy, he went through an ordeal just as much as she did.

Please never apologize for the angst. I LOVE IT! And I really did also love how emotional this fic made me. It was wonderful lol.

Fun fact on her confession! When she says I love you twice, she's actually saying it in two different ways:

I love you, you’d said. I love you ("te amo," you're my love) and I love you ("te quiero," you're my family), more than you can believe and understand.

GIRL WHAT?! OH MY WORD THAT IS JUST SO MUCH BETTER! Thank you for explaining that to me!

Thank you SO very much!! Honestly you don't know how happy it makes me that you're enjoying this series so far -- and spoiling me with such lovely and thoughtful feedback. 🥰💕💕

No, THANK YOU for writing this wonderful fic/series! 😊

Devour Me - Part 2

Pairing: Dean Winchester x Plus-Sized/Latina!Reader 

Summary: When you and Dean start to press each other’s buttons, both of your tempers ignite. To make up for it, you give him an impromptu salsa dancing lesson…one he didn’t exactly ask for. (18+)

AN: Here's Part 2! **Read Devour Me: Part 1

Song Inspo: “Yo No Se Mañana” by Luis Enrique. But really it’s “Ven Devórame Otra Ves” by Lalo Rodriguez. (You’ll see why.) 🤭

Word Count: 5,400

Tags/Warnings: 18+ only! Blood, character death and violence, smutty smut, angst, Dominican slang, and tons of sexy fluff.

☕ Midnight Espresso Masterlist

Part 2: "Telenovela Style"

Your resulting scream of agony is as unforgiving as the ground when your knees buckle, hitting the hard cement.

Andy grips you with the strength of a monster. 

Then he holds you down as he drinks your blood. 

No matter how you struggle and whimper, you can’t push him off, and you’re getting weaker by the second.

Until Andy is ripped away from your neck, and is taken care of the way all vampires must be. He doesn’t even feel the blade coming. 

When you’re able to look up, Dean stands above you with thinly veiled fury. He doesn’t have time to consider what he’s just done. 

He bends to gather you up into his arms, all the while trying to stamp down the panic clenching his heart. He calls your name, but you can only make weak sounds as your bleary eyes meet his. 

“Dean,” you manage. The ragged wound in your neck is bleeding profusely down your chest and shoulder, seeping into your shirt. He takes your hand and clamps it hard against your neck, even though it makes you whimper.

“Gotta stop the bleeding,” he says, apologetic but firm. “Keep pressing.”

In your stupor of pain, you don’t realize that your screech woke the entire nest. Dean has to lock up his worry; he looks up and finds his brother and Cas already fighting a hoard of angry vampires. 

Dean carries you over to them and lays you down against the wall with the other humans. He keeps a protective line in front of you, but he decapitates a vampire before she can sink her fangs into Sam next.

The two of them work together, and with Castiel’s smiting power behind them, the angel and the two men are able to clear the rest of the nest. 

By the end, only you and two of the women being held captive are still alive. The third girl’s heart just finally gave out. Sam takes the survivors to the nearest hospital. 

Meanwhile, Castiel approaches where you sit up against the inside of the barn, barely awake, while Dean kneels with you, holding you to his chest. He meet’s Cas’s blue-eyed request with a nod. So Cas stretches out a hand and touches two fingers to your forehead. 

You’re healed in an instant. Dean marvels, like he always does when Cas displays his power. Dean is able to breathe a little easier, the vice grip on his heart easing as he touches your neck.

The tan skin is once again smooth, if still stained with blood. You blink back into wakeful consciousness. 

He shifts so he can see your face. “You okay?” 

You meet his eyes but can only nod. His jaw is still tight and tense, and you can’t blame him. 

You know you’ve messed up. Big time. You nearly got everyone killed, including yourself…and now, you have to tell a mother that her son is dead. 

Dean helps you up, holding you by your arms and waist until you’re steady on your feet. You have a hard time meeting his eyes, but when open your mouth to apologize, he beats you to it. 

“I hope you’ve learned your damn lesson,” he says. 

Your gaze snaps up to his. “Excuse me?”

Dean’s hands go to his hips as his brows raise at you. 

“Next time, when I tell you to hang back, I mean that shit. Hang the hell back,” he all but growls. 

You tilt your head at him as your irritation begins to spark. Meanwhile, Castiel is the one who backs up as he glances between you and Dean uncertainly.

“I made a mistake, but that doesn’t give you the right to tell me what to do,” you shoot back. “I was a hunter long before I met you.” 

“Yeah, well, color me surprised that you’ve made it this long,” he snaps. 

Your temper flares hotter. “You know, you’re not so goddamn perfect either.” 

“Never said I was,” Dean says. “But when my gut tells me something ain’t right, I need you to fucking listen. Otherwise, we get a day like today.”

His words are edged with grit by the end of his little rant, and you don’t appreciate it. Your lips purse in anger.

“I don’t care what that legendary gut tells you,” you sass back. “I’m not a little girl, and you’re not my damn father!”

Dean raises incredulous brows at the way you’re shouting at him. He crosses his arms. 

“What’s this, some kind of Latina temper?” he asks snidely. 

You truly become incensed at that. 

“Oh, you want to take it there?” you ask, as your eyes narrow. “Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Dean won’t admit it, but in that moment, he’s a bit intimidated by the quiet threat in your voice. Still, his fuse is lit, and he’s way beyond curbing his internal filter.

“Oh, I’m sorry, does this telenovela-style tongue lashing come with subtitles?” he snarks. 

You let out an incredulous breath. Your eyes begin to sting.

“You’re such an asshole!” you shout back. There, understand that?

You turn away from him before your frustrated tears can fall, but you stop short once you notice Castiel dragging out the bodies of the dead…including Andy. Your throat constricts, and you begin to stalk out of the barn. 

Dean calls your name in frustration. 

“What?” you hiss. 

The only thing that makes him hesitate is seeing the state of you when you turn back around. His anger crumbles, and maybe something in him breaks when he sees your tears. They’ve welled up in your eyes, and a few of them carve a path down your cheeks. 

You’re still covered in your own blood, and he hates it. He hates it more than anything. 

Later, you see the state of yourself when Sam returns with the Impala. In the reflection on the backseat window, you see the blood dried down your neck, staining nearly half of your shirt.

You see the black rings of your mascara and eyeliner around your eyes. You look a mess, and you try to wipe underneath your eyes. It’s a fruitless effort.

After you all finish burning the bodies, Dean starts the long drive home. You insist on stopping to tell Rachel Campbell about her son, but Sam says he already took care of it when he drove into town. 

You frown, but you no longer have the energy to be angry. You further withdraw into yourself, and your lower lip trembles as you look out the window. Through the rearview mirror, Dean sees more tears slipping down your face.

What Sam told him (but he won’t tell you), is what one of the survivors said. One of the mated pairs had taken Andy…to “adopt” a son of their own. 

That night is quiet and tense in Dean’s room. You have to wash your hair all over again, and scrub the blood and grime from your body until only your skin remains. But you don’t have the energy to do more than braid your wet hair afterwards and pull on your lucky Journey shirt, which is still full of holes. 

Dean knows that it’s bad when you need the “dreamcatcher,” as he’s called it in his head. You’ve never had a nightmare while wearing that shirt, or so you claimed a while back. 

You wear it over some long pajama pants instead of your usual shorts, or better yet, nothing at all. But he can see what kind of mood you’re in. Things are unsettled as you both get ready for bed in silence. 

He notes the way you turn to face the other side in bed, maybe to avoid him. Though if you really wanted to do that, you could’ve gone to your old room.

So in more ways than one, Dean takes some solace in the fact that you’re still next to him. And he decides to give you some time and space. 

He goes to bed and tries in vain to sleep.

In the morning, Dean’s woken by the familiar smell of coffee…and the less familiar sound of loud salsa music. 

What the fuck?

After he brushes his teeth, he puts on his robe and slippers and heads down to the kitchen, where he finds you in a seemingly better mood. You’re mopping the floor, of all things. You’re out of your pajamas, instead wearing a loose shirt that falls off your shoulder and some spandex shorts. 

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo,” you sing softly along with the music as you dance from the kitchen to the living room. Your phone is connected to a Bluetooth speaker on the coffee table. 

Dean starts to smile, crossing his arms as he leans against the doorway to watch you.

At an instrumental break with a run of conga drums and trumpets, you pause in your mopping to do a little twirl as you dance, with a soulful roll of hips and a flair of salsa steps. It makes Dean’s smile kick up into a smirk.

He walks in on purposefully light feet until he’s sidled up behind you in the living room.

“Nice moves, Shakira,” he quips. 

It startles a shriek of surprise out of you as you whirl around. Dean’s smile hikes up into a grin, but it soon fades when he remembers the way your scream rang through his ears last night. The way his heart dropped into his stomach, and his head swiveled at the sound. And he saw you go down hard. 

Then the rest of it tumbles through his mind—what he had to do afterwards in order to save you. How he’d did it without really thinking, his panic and determination blocking out almost everything else when he’d grabbed the kid. The monster, he forcibly reminds himself. 

“You trying to give me a heart attack?” you ask with a hand on your heart. 

Dean forces himself to smile a little. “Sorry. But might I remind you, not everyone here’s an early bird.”

You give him a wry look.

“You’re the only one around here who sleeps past 10 a.m. Cas dipped out a while ago, and Sam’s on a run.” 

But you graciously grab your phone to lower the music to a more bearable level. Dean doesn’t yet know this about you, but this—listening to music, dancing, cleaning—it’s all your way of coping…and releasing as much of your pain, terror, and regret from yesterday as possible. 

You then look up at him more guarded. The two of you exchanged a lot of unsavory words last night. In fact, it may just be the worst fight you two have ever had in almost three years of knowing one another.  

Dean senses the shift in you, and his amusement fades. He just can't let things stay like this. He won't.

He hazards drawing closer and touching your arm.

“Look…I’m sorry for snapping at you yesterday. I know I was being a dick,” he says. “You’ve just gotta understand something.”

You wait for him to continue with furrowed brows, sensing that whatever he’s about to say is hard for him. 

“There’s a reason I don’t do this. The uh, relationship thing,” Dean continues, clearing his throat. His thumb swipes along your arm. “It’s not just this job. It’s my fucked up life. I tried to warn you before—” 

“Dean,” you say with a sigh, but he raises his hand. 

“Please, just…let me say it,” he says. “You know the spiel. But things can change on a dime. Even on a damn milk run, like a dusty nest of vamps.”

You know that. You know you could’ve died yesterday, and he doesn’t need to remind you of that fact. Before you can start to get petulant again though, Dean continues. His jaw is working, like this next part is more difficult for him to admit.

“Trust me when I say, us being together is dangerous, for both of us,” he says. “For a while I, uh…I started to think Sam and I were better off alone.”

That casts you into dismay. Because you know Dean isn’t lying. He’s really contemplated spending the rest of his life devoid of love, so he won’t have to lose it. 

Dangerous, for both of us.

You realize then what Dean’s really saying. He’s afraid…afraid to lose you. You see it in his furrowed brows, the downturn of his lips, and whatever pain he’s trying to hide in the depths of his eyes. 

And just like that, the water works start. You can’t quite keep your tears at bay as you hold onto his shirt. He lets out a resigned sigh as he holds you by your arms. 

“You don’t have to cry for that,” he says, a bit teasing. 

“Have you met me?” you sniff. But you manage to look up at him with your glassy eyes. “I’m sorry too. God, I’m so sorry, Dean.” 

Your fist clenches in his shirt when you remember Andy, latched onto your neck, and how Dean had to save you. You know he’s remembering it too when his brows furrow, and his gaze falls away. You reach a hand for his cheek.

“I know I fucked up,” you admit. “I was working with my heart, not my head. I just…”

You wanted so badly to help that kid and his mother. You also know that Dean understands; you see it in his eyes. He holds your hand to his cheek and brushes his thumb across the back of your hand.

“I know,” he says. “I really am sorry, baby.” 

The problem is, you didn’t just see your own mother in Rachel. She hadn’t been much older than you. And when you imagine a life beyond hunting, more than anything (no matter how much you shove down the idea), you really do want a family of your own someday. 

It’s just…days like yesterday remind you why that could be a very bad idea. 

More of your tears bubble over, and you head willingly into Dean’s arms. “Me too…”

He holds you tighter than ever. His hands rub down your back, tangle in your hair, and he drops his lips onto your hair. You sniffle, wiping your face dry in his shirt. And for a while, the two of you have peace in the relative quiet. 

Music still plays from the speaker though. And when another salsa song starts to play on your playlist, you start swaying. A smile works its way onto Dean’s face. 

“You can’t help yourself, can you?” he teases.

You smile into his chest. “We should go dancing sometime.”

Dean just laughs. “Oooh, no.”

“Oh, yes,” you reply, batting your lashes up at him. You slip a hand on his shoulder and into one of his hands. He’s forced to hold you as if the two of you were about to start Fred Astair-ing across the living room. 

“Have you ever danced before?” you ask. “Like real dancing.” 

“Not salsa, I’ll tell you that,” he quips. 

“That’s okay. I’ll teach you,” you reply with a coquettish smile. “It’s just a few simple moves.”

Dean gives you a wan look. “You made it look anything but simple.”

You blush at that, but you meet him with a pout of disappointment. You don’t let up, even when Dean frowns. He huffs at you in resistance.

“No,” he insists. You just brush a gentle thumb along his neck, biting your lip in askance.  

But the longer he stares at your beautiful, hopeful eyes, the more cracks form in his resolve. 

Eventually, Dean breaks with a sigh, and a shake of his head. 

“You’re too much, you know that?” he mutters.

It’s then that you know you’ve won.

So with a happy squeal of excitement, you clap your hands and move to stand next to him so you can show him the basic steps of salsa dancing. 

You make him take off his robe and slippers, leaving in his shirt and plaid pajama pants. Then you instruct him for a few minutes, correcting his footing and getting him to move on a beat. You’re pleasantly surprised that he has some rhythm.  

Dean sighs once again. How the hell did we get here? Heat crawls up the back of his neck as embarrassment starts to set in. 

“This is fucking ridiculous,” he grumbles.

“You’re doing good,” you encourage, with a growing smile. “Now come on, feel the beat in threes. One, two, three. One, two, three…”

Once he sort of has the basic steps and turns down, you move to stand in front of him. There you show him how to hold you, how he’ll move forward, and you’ll move back. It takes a little while, but you slowly move through the combinations, then do a little twirl underneath his hand. 

When he pulls you back in without faltering, you give him a beaming smile. “Very good!”

A subtle grin raises his lips at your enthusiasm. He also feels his face heating up at the praise.

But you pause when a certain song filters through the speakers. It’s an old one (and it never fails to make you blush), but you love it.  

“Ooh, yes,” you exclaim with delight, and you turn up the volume.

“What’s this one?” Dean asks.

“Ven Devórame Otra Ves,” you inform him. Not that he knows what that means. You sing along a bit with the first couple of verses while you encourage Dean to lead you in the dance. 

This song is just slow enough for him to attempt it, and the funny thing is, he doesn’t feel all that uncomfortable with the steps now. He’s starting to get a feel for how to move, both with his feet, and with his hands as he guides you by your waist, holding your hand close to his chest. Still, Dean’s also curious about the lyrics you’re singing. 

“What does it mean?” he asks.

You huff in amusement. “You sure you want to know?”

Dean raises a brow. “Well, now I gotta know.” 

You giggle at that, though you correct his steps when he leads with the wrong foot. 

“Okay. It’s about a guy who’s pretty much a player,” you say with a smirk. “His bed has been a revolving door of hot ass, but he keeps thinking about this one woman who used to have him turned inside out…”

Dean’s lips curve at the familiar image you’re conjuring. He manages to turn you under his hand, then pull you back to him in one smooth motion. He looks down at you with a deeper gleam in his eyes. You bite your lip, soothing your hand from his shoulder and down his arm.

As the song’s verses come, you translate for him. And for Dean, your voice in itself is a spell.

“Even in my dreams, he says, I thought I had you devouring me. And I dampened my white sheets remembering you,” you begin. Your words are smooth like black velvet. “In my bed, no one is like you, who draws my body on every corner, without a piece of skin left over.”

Dean is getting hot under the collar as you push away, dragging your fingertips along his back as you turn around him. When you come back into his line of vision, his attention is attracted to the sway of your hips, clad just in those little spandex shorts. He has to clear his throat a bit. 

You eventually return to him with a warm hand against his chest. 

“Ven, devórame otra ves. It means, come devour me again,” you continue, looking up at him from under your lashes, “Come punish me more with your desire. Because I kept my love for you…because my mouth has the taste of your body.” 

You smile at the laser focus of his green-eyed gaze. “Come devour me again.”

You push off with another little spin. When you reach for his hand, Dean yanks you back into him, eliciting a gasp. The move disorients you for a moment, but you giggle and hold onto his arms. Your hands glide up to rest on his shoulders. 

He’s holding you flush against him, and as you shift a thigh between his legs, you unintentionally graze against his hardening length. You look up at him with a smirk.

“You’re a little…stiff,” you say, both flirtatious and teasing. “Let’s loosen you up.”

You shake his shoulders out and try to get him to relax. Dean raises a wry brow, because you know damn well whose fault it is that his body is coiled tight. But you place his hands on your hips as you move back into the dance. 

“Feel what I’m doing there?” you ask. He looks down on you with growing heat.

“If I could do that, we wouldn’t be together,” he rumbles. 

You try to stifle a laugh as he pulls you in close again, just swaying for a bit. Soon enough, you grin knowingly when his hands start to slide lower on your ass. His head bows to yours, ready to meet you with a kiss. 

You stop him with your finger on his lips.

“Question: do you consider yourself more of a tits or ass man?” you ask him. You’re half teasing, but still curious. Dean snorts at the question. 

“More of a connoisseur,” he replies, smirking. 

“Ah.” You nod sagely, and you point between him and yourself. “So this is like a ‘sample the menu’ situation.”

Dean’s smirk deepens. “Sweetheart, you’re a goddamn buffet.”

You splutter laughing…and that’s when he finally pounces. He claims your lips with greedy passion. His hand winds into your hair, gripping tight and ruining what’s left of your loose ponytail. The strands coil around his hand in messy curls while he also gets a healthy grip of your ass through your thin shorts. 

You smile into his lips, even as you acquiesce to him guiding your head to the side, so he can slip his tongue against yours. You grip his arms more for stability while he manhandles you, kneading soft flesh and making pleasant tingles run up your spine. 

After a little while, his mouth burns a hot path away from yours. He noses down your neck, skimming his lips across your skin. It sets your nerve endings on fire and gets you breathing more shallowly in his ear. You cling to the back of his shirt, holding him close. 

Often he’s one to leave love bites of varying degrees, wherever he sees fit. But for a moment he stops at the crook of your neck, just pressing a lingering kiss.

He lets out a deep breath, and you realize he’s probably thinking about where you were bitten. The wound is gone, but it doesn’t change what’s imprinted in both of your minds.  

A softer smile grows on your face. You trail your fingers up into his hair, massaging the back of his neck. 

“I’m okay,” you remind him. Dean hums deep in agreement. You know, however, that he’s still thinking far too much.

So you slide your hands down, slow between the dips and planes of muscle in his back, and rest at his hips. Your thumbs delve under the hem of his shirt and tease the skin there. 

And you start slow, pressing wet, nipping kisses of your own to his neck while you inch his shirt up. You feel his smile on your neck. His grip on your hip flares to life. Still, he lets you tug his shirt up and over his head. Your loose shirt comes next, revealing the same black satin and lace bra you wore the first time he ever got you topless in his arms. 

A fan favorite. Dean grins. He reaches around to go for the clasp, but your firm push on his chest takes him by surprise.

He falls back onto the couch with a grunt, looking up at you then with raised brows. You’ve got a mischievous little smirk on your face that heats his blood and makes his cock twitch.

You take out the rest of your falling ponytail, shaking your hair out wild. Then you let your hands drift down your neck, over your clothed breasts, and finally to your little shorts.

Dean rubs his palms down his thighs and watches. A smirk forms across his lips as you slide the fabric down the curve of your hips. It leaves you in a red thong, familiar to him by the little tear it has on the front. (Again, his fault.)

You climb aboard his strong thighs to straddle his lap, using his shoulders as leverage as you sink down. You make sure to rub yourself teasingly against his clothed erection. He groans in appreciation. His hands fly to your soft, thick thighs and squeeze. 

“Aw, I like this,” Dean says, half on another moan as you grind down a bit harder on him. 

“Yeah?” you tease. You take his face in your hands and capture his lips with your own. Your tongue invades his mouth, and he welcomes you with a deep hum. It’s slow and hot at first, but Dean feels the loss of you when you break from his lips.

Instead, you treat him with the same trail of kisses he gave you, along the curve of his jaw and down his neck. But you don’t stop there.

Your hands move over his chest with purpose, tweaking over each hard nipple while your mouth burns a wet line down and down his sternum. Dean groans at your ministrations, but lets you leave his lap to slide down to the ground, between his thighs. 

“What’re you up to, baby?” he asks, despite having a very good idea of it. He catches the playful, yet determined gleam in your eye. 

You pause, briefly leaning back up to give him a heated kiss. You part from him with a grin. 

“Isn’t it obvious?” you ask. “I’m gonna devour you.”

Dean stares hard at you as goosebumps break out across his forearms. 

Oh, fuck yeah. 

A giggle bubbles in your throat at the expression on his face. But you continue, taking his pants down his legs first, before his boxer briefs. 

Dean’s body tenses in anticipation. You’ve gone down on him before, but somehow it’s different this time. He feels like every single one of his nerve endings stands at attention along with his dick. And you’re taking your sweet time working him up. 

Even when his cock is finally free, you sooth your hands down his legs first, maybe teasing him a bit as you drag your nails down his inner thighs. Dean makes a strained sound, though he tries to hide it by clearing his throat.

Your gaze flicks up to his with a little smile. He’s holding the back of the couch; his fingers are digging into the old cushion in effort to keep still for you. But his eyes stare into yours like a man starving. You know what you’re in for after you have your way with him, but for now, he’s quite literally under your control. 

So you take him in your hands first. Dean groans as you tease him with light touches, soft movements, your thumb slowly circling over the sensitive, weeping head of his cock. It's torturous enough to make him drop his head back against the couch, closing his eyes tight.

And suddenly, he blinks them open again.

“Shit,” he utters, when you finally take him into your mouth. Your tongue is soft and wet, your lips move over him steadily, and your hands caress whatever your mouth can’t take, even teasing his balls. 

You work him over relentlessly, until he can’t help but spill everything he has to give into your waiting mouth. When you suck off and swallow whatever remains, Dean’s heart stutters like syncopated conga drums. 

He shudders and struggles for breath afterwards, watching your every movement—from wiping your mouth to shooting him that satisfied little smirk. 

You press one last kiss to the inside of his thigh before you raise from where you’ve been kneeling on the hard ground. 

Dean manages to lean forward and helps you up by your elbows. But then he pulls you back into his lap and kisses you deeply. He doesn’t let up until you’re panting with him.

“Fuckin’ hell, sweetheart,” he manages to say. His voice is deep and laced with grit. 

He’s still panting heavily. You giggle and press your warming face into his neck. 

“What, now you’re shy?” he remarks. And he has to laugh. “Come back here.”

He brings your face back to him with a hand on your cheek. For a second, he just looks at you. His thumb strokes across your full, thoroughly kissed bottom lip.  

“Say it,” you encourage softly. “Whatever you’re thinking. Right now.”

A smile tugs at his lips. He can’t help but oblige you. 

“You’re too damn much,” he says again, both gruff and fond. Despite how you drive him up the fucking wall sometimes, he doesn't think it'll ever be enough for him, what he has with you.

Because this is something he'd almost given up on. Didn't think he'd get to have it. And it almost scares him, how much he wants you. How much he...

“I love you,” he says. His thumb traces along the familiar curve of your cheek.

It hasn’t been all that long, but he knows. You weaseled your way in without even trying. The least he can do for you is be honest.

Your fingers curl around his wrist, holding his hand in place. You tilt your head at him.

“Oh, yeah?” you ask. 

Dean hesitates, but he nods. “Yeah.”

A smile grows across your face. “Eh, I’m still on the fence.”

At his flat look, you laugh and lean in for a kiss. He allows it, a little petulantly. But you make up for it with sweet affection. Your gentle hands stroke down the column of his neck, down his chest. You then lean back so he can see your face.

“Yo te amo,” you whisper. “Te amo y te quiero, más que tú puedes creer y entender.”

Dean smiles. He doesn’t understand all of it, but he gets the important bits. He hears it in the tone of your voice. He sees it in your eyes. They shine with emotion, but mainly with love. 

Dean kisses your hand. He lets go, just so he can slip his hands around you to finally unhook your bra. He tosses it across the room without bothering to see where it lands.

You do though, and you meet him with a slightly narrowed gaze. 

“Are you making a mess of my clean bunker?” you tease. 

His lips curve as he kisses you again, while his hands each get a generous handful of your breasts. 

“Ah, hello, ladies." He grins. "Miss me?”

You can’t help but laugh. He’s such a dork sometimes.

But you hum when his thumbs brush over hardened nipples, then drag deliberate circles over them, and pinch just hard enough to make you whimper in pleasure. The sensation zips through you, enhancing the flood between your legs. 

“I fucking love that sound,” Dean mutters, and licks a hot path in the valley between your breasts. His lips move against your dewy skin when he says, “Do that for me again.”

When he takes a nipple in his mouth and nips a bit hard, you have to oblige him. Your voice rising high is music to his ears.  

So he goes for your panties next. You help him get them off and return to his lap. With a breathy moan, you revel at the feeling of his fingers probing into your wet heat.  

However, you and Dean have been too engrossed in one another to notice the door of the bunker unlocking, and heavy steps down the spiral staircase. 

It’s Sam who’s back from his run. Unfortunately, he soon has to shield his eyes upon reaching the living room. 

“Damn it, Dean!”

You yelp in surprise, but Dean laughs and holds you close to shield you from view. As a bonus, it presses your breasts against his chest. 

“All right, Sammy. Go to your room,” he chides playfully (but he means it). “The adults are havin’ a moment.”

Sam scoffs. “You’re having a moment on the goddamn couch!”

“Sorry,” you say, though it’s muffled in Dean’s neck. Your face is red hot with embarrassment. 

Sam rolls his eyes heavenward and tries not to see anything else on his way to his room. 

But Dean’s chuckle reverberates through your chest as his hand goes to your cheek. He encourages you to pull back, so he can see your face again. 

When he does, he smirks at the scarlet blush dusting your cheeks and neck. You bite your lower lip, but despite your embarrassment, you’re happy.

Your own words replay in your mind when you lean in for another kiss.

I love you, you’d said. I love you and I love you, more than you can believe and understand. 

AN: Yay! I hope you enjoyed Part 2 of the “Midnight Espresso”-verse! I loved writing this one so much. I know we're just doing fanfic here, but I genuinely put my heart and soul into this one. ❤️

Also, here are a couple of Spanish translations:

(Note: other Spanish-speaking countries may interpret certain words differently.)

[During their fight]: 

“Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Translation:

“You’re shameless. Keep messing with me, damn it. Then you’re going to see who I am (<- This is Dominican slang. It essentially means fuck around and find out what I'm made of.).”

[Song lyrics: “Yo No Se Mañana” by Luis Enrique]: 

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo.”

Translation:

“I don’t know tomorrow. I don’t know tomorrow. If we’ll be together, if the world will end.”

Keep Reading:

Next in this series is "Chico Malo" ("Bad Boy"):

Summary: You catch Dean red-handed—with one of his favorite episodes of Casa Erotica.

▶️ Next Story: Bad Boy (Chico Malo)

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[illiterateaffairs]

a simple favor | stiles x reader

masterlist

pairing: stiles stilinski x f!reader (enemy/witch)

word count: 7,120

warnings: language, banter, minor blood, allusions to sex *gasp* but no smut (sorry!)

summary: despite being self-proclaimed "enemies", you manage to drag stiles to your house for help with a spell...and maybe more.

author's note: hi friends! hope everyone is doing as well as they can be, and hope i can offer up a small distraction. i'm back with another witch!reader x stiles fic but this exists in a universe in which you are a "bad guy" and stiles can't stand you...for now ;) more deets at the end! also please just roll with me on any witch stuff idk if anything is accurate to witch lore, i feel as if with magic the rules are made up anyway so i'm doing what i want :)

“Hi!”

“AH- Jesus, what the hell are you doing here?” Stiles jumps before his face contorted in annoyance. 

He was on his way to pick up Scott. For some god forsaken reason his best friend wanted to get a tattoo before they started junior year and Stiles was meant to “supervise”. However, just as Stiles hops into the driver’s seat of his jeep, he’s greeted in the passenger seat by you. 

And you may or may not be Stiles’s least favorite person in the world. 

“I was waiting for you,” you state, point blankly like it was normal for you to have broken into his car. 

Stiles rolls his eyes, “God, do I want to know why?”

“Doubtful,” you sigh, turning in the seat to start putting on the seatbelt, “You should probably start driving.”

Stiles slowly narrows his eyes, “Why?”

“I need your help with a spell.”

“My help? What makes you think I’m going to help you?”

“Because you know I could kill you with the snap of my fingers.” you roll your head in his direction with a pointed look, “Besides, you owe me.”

Oh yeah. Because you saved his life this past spring when Gerard Argent kidnapped him after his lacrosse game. 

Stiles inwardly groans. You had a point. He had a feeling though no matter how many favors he paid you, you’d never let that go. 

You may have saved his life, but the thing was, to him and his friends you were still the “bad guy”. You were still the same witch that pretended to befriend him and Scott when Scott first became a werewolf, just for them to find out you were playing them to help Peter, who had enlisted your help to regain his strength and heal from the Hale fire. Stiles had barely tolerated you since the day you met, but after that, any ounce of trust and respect he had for you vanished. 

From that point on, Stiles decided he hated you. And despite defeating Peter, your presence loomed. For some reason, Derek leaned on you when he was building his pack of betas, giving Stiles more reason to despise you. But shortly after that, out of nowhere, Scott sought your help to try to stop Jackson as the Kanima and figure out who was controlling him. There was a brief moment where Stiles thought you could become an ally but admittedly he fucked that up when Peter came back from the dead and he jumped to the conclusion that you, once again, aided and abetted him. Turns out, in fact, he was wrong, and it was actually Lydia - his hopeless crush for nearly a decade - and he had accused and berated you for nothing. So any shot at you guys finding common ground was dead in the water. And you had decided to be petty and align yourself with the Argents just to piss him off. 

He hadn’t seen you since that night. He’d heard off hand from Isaac who’d heard from Derek you were spending the summer on the East Coast, doing some witch training or coven bonding shit with your family. 

That was until right now, in the front seat of his jeep.

“Scott is waiting for me.” Stiles finally responds; a half-hearted attempt to get you to go away.

You make a face, “Scott can go one night without being codependent.”

Stiles rolls his eyes, but he finds himself starting the engine. “Where are we going?”

“My house.” 

“You’re taking me to your lair?”

“Ha ha.”

“I don’t even know where you live.” 

“I’ll give you directions as we go. It's just right on the outskirts of the preserve.” 

“You live in the woods?”

“Just drive.”

Stiles should question how quickly he concedes but there is in fact the possibility of you hexing him or something. Which you’ve yet to do in any serious or fatal way. But another part of him is admittedly curious; to know what exactly you want, to see how you actually live. 

From the little information he’s learned about you the past year, he knows you live with your aunt and were home schooled up until recently when you enrolled in Beacon Hills High during the winter semester. But other than that, you were just the mysterious witch he hardly knew anything about. Aside from knowing you were a pain in his ass and someone he’s hesitant to trust. 

But he thinks he can survive one evening with you. 

The drive is quiet with just you providing simple directions. At one point he tries to make a feeble attempt at small talk, but you instantly lunge forward to turn on the radio. 

You turn to look at him in disbelief when the channel that’s on is the police scanner he rigged up. He shrugs sheepishly before you shake your head and turn the dial to some indie station. 

Stiles puckers his lips and nods as soft music fills the car. “Arctic Monkeys, nice-”

“Turn left at the stop sign.”

“Right.”

You turn to him with an amused look. “You don’t know how to act when we’re not at each other’s throats.”

Stiles scoffs, “Can you blame me? I barely think of you as a real person half the time, I don’t know what to say to you.”

You chuckle as you stare out the window, “Well we’re almost there.”

“What kind of spell do you need my help with anyway? And why me?”

“Because you’re a human.”

“Okay…?”

“And I need your blood.”

“Oh great.”

“It’s a spell to make a protection amulet. So I can wear it and not be found by other witches.” 

“And why do you need that?”

“Now that is none of your business.” You sigh, unbuckling your seatbelt, “And we’re here.”

Stiles observes the road they’re coming to the end of. Your house is indeed at the edge of the woods: a modest victorian-gothic style home hidden by trees. 

“I didn’t even know there were houses out here.”

“Not many,” you reply as the two of you hop out of the jeep. 

Stiles glances between you and his phone as you lead him to the front door, also texting Scott that he’ll need a raincheck on the tattoo adventure and he’ll explain later. 

“Is your aunt home?”

“Nope, she’ll be gone until late.” You answer, unlocking the door for you both to enter. 

Stiles takes in what he can from the foyer. He can’t get a full view of the space but he can definitely tell witches live here. The living room is lined with wooden bookshelves and candles and trinkets. He doesn’t have much time to observe when he watches you head for the staircase. 

“Um, where are we going exactly?”

“My room,” You call without turning around.

“Woah,” Stiles huffs nervously, “We’re doing this in your bedroom?”

“Don’t get too excited Stilinski, you’re here for business not pleasure.”

Stiles is grateful you still haven’t bothered turning around to look at him, because he feels his face heat up as he finally follows you up the stairs.

No surprise, your room also fits right in with the aesthetic of the house. Moody colors, wooden bed posts, and candles on every surface. He watches you flick your wrist and every candle lights up, casting a warm glow around the room. It's the first time he’s thought your powers were cool, but he’d never admit that out loud.

“Is this the lair you were expecting?” you ask, turning around to face him while standing in front of your desk, which is littered with books, potion bottles, and a large pot. 

Stiles shrugs, “It’s a little underwhelming.”

“Were you expecting me to live in an underground dungeon?”

“Something like that.”

You hum and turn back to face your desk, taking stock of the potion ingredients on hand.

Stiles wanders over to stand beside you, his hands in his pockets. “So explain to me what you mean by needing my blood.”

You pick up a necklace from your desk: a silver chain with an empty vial hanging on it. “I’m essentially making a potion to put in here. And if I wear it, it will make it harder for witches searching for me to track me or my magic. And human blood is on the recipe.”

“But why me?”

“I told you, because you’re human. Not a werewolf or a witch; a human. And humans have the purest form of blood. It's basically the secret ingredient.”

Stiles rolls his eyes at your nonchalance. “Okay I get that I guess, but why me? Couldn’t you have found some other schmuck to help you? Or have you scared off every other person in Beacon Hills with your shining personality.”

You turn to Stiles with a tight smirk, “As you may know, not many people are even aware that the supernatural is real. I know you do, and unfortunately you’re my best option. Allison is still in France from what I’ve gathered, Lydia is something but I haven’t quite figured that out yet, and using my aunt would require me having to explain what I’m doing and why. So you’re it buddy.”

“Oh so I’m literally your last choice. Boy am I honored.”

“You should be.”

“Wait, do you mean your aunt isn’t a witch like you?”

“Nope,” you shake your head, focusing back on the bottles on your desk, starting to add ingredients to the pot. “She’s not even technically my aunt. She was a family friend that took me in when I was young.”

“Why? What happened to your parents?”

You swallow, “You’re nosy.”

“Fine don’t tell me, but I think it's fair I get a little information since I’m the one helping you.”

“You’re the one who owes me, remember?”

“Yeah but it sounds like you can’t complete this spell without me and it seems pretty important so…thinking that gives me some leverage.”

You glance over at him with a glare and Stiles shoots you an innocent smile that makes you want to wipe it off his face. 

You let out a deep breath, “My parents fled to god knows where when I was five. Apparently, my family has a centuries long feud with another coven and they’d evaded them for years until then. They decided leaving me with Jules was better for my safety. So I’ve been in Beacon Hills ever since. I actually didn’t know most of that until this summer. I sort of…had a run in with a member of that coven without realizing and now I’m afraid they’re going to find me here. Hence the protection amulet we’re making. Is that enough background information for you?”

Stiles raises his eyebrows as he absorbs everything. “Wow that’s…heavy. There’s some witch coven out there that's been trying to kill your family for centuries. No wonder you’re the way that you are.”

I let out an unamused huff as I add the last of the pre-prepared ingredients. 

“Wait, is that unicorn dust- are unicorns real?”

I smirk as I pour it in, “Like I’d give away that information to you for free.”

I bite back a laugh as Stiles mutters dammit. 

Turning back to him, I hold up a tiny needle. “Your turn.”

Stiles’ eyes widen briefly, holding up his hands as he steps back from you, “Woah, woah, be careful with that thing.”

You scoff, “Stiles, it's a sewing needle.”

“Well, I still haven’t completely agreed to this. How do I know you’re not tricking me into draining all of my blood?”

You roll your eyes, “Stiles I just need one drop. And then you’re free to go off on your date with Scott.”

Stiles rolls his eyes this time.

I try to fix him with a genuine look for the first time in the months we’ve known each other. “Come on. Haven’t I made it clear enough that this is important to me? I seriously would not have brought you here if it wasn’t. Don’t make me beg.”

“I’d kind of like to see-”

“Reminder, I can kill you.”

“Alright,” he groans, “Let’s just get this over with. Did I mention I hate needles?”

“Aw poor baby’s scared of a tiny needle,” you fake pout.

“Oh my god shut up, like you’re not afraid of anything.”

“Yeah, I’m afraid of admitting something embarrassing like that.”

“Okay, just stab me already.”

You chuckle and take another step closer to him, holding out your left hand. Stiles takes a deep breath and apprehensively places his hand upwards into yours, and you gently hold the tip of his pointer finger. Stiles glances around the room, wanting to look anywhere but you pricking him with the needle, as minor as it is. 

“Jesus, I can feel your pulse, you need to calm down.” you comment. 

“Sorry that I’m a generally anxious person.”

“Yeah I gathered that over the last year from the fact that you literally never stop talking,” you snicker, “Have you always been like this?”

“As long as I can remember.”

“And it doesn’t drive Scott crazy?”

“Well, I think Scott, like most sane people, finds it endearing.” 

“Oh. Does Lydia find your constant yammering endearing?” 

“Woah, okay, there’s no need to bring her into this,” Stiles sighs rubbing his head, “Can you just prick me?”

“I already did,” I reply, making Stiles whip his head back, staring at his finger between yours, and sure enough, a red drop of blood was already forming. 

“When did you…” Stiles whispers.

I shrug, dropping the needle into a bin beside my desk. “I kept you distracted.”

Stiles watches you quietly, his lips slightly parted in disbelief, while you guide his hand over the pot and gently squeeze his finger so three drops of his blood fall into the potion with a hiss. Stiles grimaces at the pressure but it's not as bad as he thought. He’s trying to get over the fact that you tried to make this a little less painful for him by pricking him with the needle while he wasn’t thinking about it. It was surprisingly…thoughtful?

“There, the final touch,” you murmur. You turn back to face him, his hand still in yours.

“Great. Do you happen to have a bandaid for the patient?” He asks. 

“No need,” I reply, grabbing a small piece of gauze from the table and placing it over his finger to stop the blood. 

Stiles once again watches you carefully. As you apply the pressure to his finger, he takes note of the way you bite your lip while you concentrate. After a few more quiet moments, you toss the piece of gauze away and gently press your thumb into his pointer finger and close your eyes, murmuring something under your breath. Once you open your eyes, you look back down at his finger and suddenly there is no puncture wound. 

“There, good as new.” 

You finally look back up at him - his face closer to yours than you remember - and he’s still staring at you silently. 

“What? Were you expecting me to kiss it better?”

Stiles shakes his head, snapping out of his stupor. “Wha- no! No. Just…not used to you using your powers for good.”

I shake my head and finally release his hand, turning back to the pot and start mixing it all together. 

Stiles clears his throat and glances over your shoulder. “So what now? You mix everything together in the pot and boom, you’re good to go?”

“Cauldron,” you correct, “And I also have to pour it into the vial and cast an incantation to activate it.”

Stiles nods, genuinely intrigued by the process. He watches you quietly mix everything for another minute or so, before you reach for the tiny vial, and then you basically ladle an ounce of it into the small tube.”

“Wow, that’s a lot of potion you’re not using. Do witches care about waste?”

I fix Stiles with a hard look and he holds up his hands in surrender. He continues watching you close your hand around the vial tightly and hold it to your chest, once again quietly reciting an incantation. Stiles is almost certain the words you are saying are in Latin, and again, he’d never admit it to anyone, but he was kind of impressed. 

When you are finished, you open your hand and look down to study the vial. From over your shoulder, Stiles sees the vial now has a slight green glow to it. 

“Assuming it worked?” Stiles comments.

You shrug, “I guess the only way to truly find out if it didn’t is if one of those witches show up here.”

Stiles nods and then proceeds to stand there and watch you struggle to get the chain clasped around your neck. 

He snorts, “What, is there no spell to put on a necklace?”

You roll your eyes, “Shut up.”

He can’t help but chuckle as he stands up straighter. “Look, do you- I mean, would you want…I could..”

You groan, tired of listening to him ramble, “What?”

“I could help you, you know!” Stiles exclaims in annoyance. “God I don’t even know why I offer.”

You frown, too stubborn to stop trying but also too frustrated to keep going. Sighing, you remove your hands from around your neck and forcefully place it in his hands, “It's one of those stupid, teeny tiny clasps that aren’t meant for human sized fingers.”

Stiles chuckles as he takes each end of the necklace into his hands, while you turn around and move your hair out of the way. “Are you saying you know of non-human fingers that handle necklaces because if so I’m crossing my fingers for a tiny mouse because that would be adorable.”

You bite back a smile, thankful you’re not facing him, “Shut up.”

Stiles keeps chuckling to himself as he brings the necklace around your neck, and carefully works to clasp it. He definitely also doesn’t use the time to inhale your scent and start to wonder if you use some kind of fragrance or if witches have a naturally alluring smell. 

As you impatiently hold your hair and try not to think about the cramp forming in your arm, you also definitely aren’t thinking about the feeling of his warm breath on the back of your neck and praying he doesn’t see any goosebumps form on your skin. 

“There,” Stiles whispers unintentionally soft, making him clear his throat in surprise, taking a steep step back, “All done.”

You let out a quiet sigh of relief, dropping your hair and turning around. “Thanks. For the assist and the blood donation.”

Stiles snorts with a nod, “Yeah.”

I look down at the amulet I created and gently hold it in my hands, “Seriously though. You know I wouldn’t ask if it wasn’t important. So…thank you.”

Stiles swallows and nods firmly, a little unsettled by the sincerity of the last few minutes, “...You’re welcome.”

You nod as well, unsure of where to go from here. “Well, I guess now your services are no longer needed and you are free to go, and we are free to proceed with business as usual; only speaking when we see each other against our will.”

Stiles huffs, crossing his arms, “What if I want to stay a little longer?”

You raise your eyebrows, “Why?”

“I have a few more questions.”

“Haven’t I told you enough?”

“I think I’m entitled to some more information,” Before you retort, he barrels on, “Look if some evil coven could potentially be invading Beacon Hills - ideally not since that spell should prevent that from happening, so you say - I think I have the right to know more about what's going on so I can be prepared for it.”

“And how exactly will you, Stiles Stilinski, prepare for that?”

“By…telling Scott…”

You snort and nod. Well fair enough I guess. “What else do you want to know?”

“How dangerous are we talking? Like, how badly do these people want you dead?” 

You shrug, “I’ve only heard stories about how the feud originated. Supposedly, my family at some point in time, did something to steal powers from this other family.”

“Well it sounds like you guys are the bad guys in this scenario. Which tracks knowing you.”

“Well I’m pretty sure they did it in retaliation to them killing someone in my family in cold blood.”

“Oh.”

“Yeah, oh. So this thing goes back generations but I’m pretty sure something must have happened between my mom and this woman from that coven. I don’t know what, but she in particular has a vendetta against her and our family.”

“Is she the witch you had a run in with this summer?”

“No,” you frown looking down, “It was her son.” 

Stiles’s eyebrows raise, “Oh. And did he immediately try to kill you with some spell at first sight?”

I shake my head, “Nope. He just…pretended to be someone else to gain my trust and subsequently asked me out just for me to find out none of it was real and he was trying to get to my magic the whole time.”

Stiles widens his eyes with each new piece of information, his stomach dropping as he learns that this guy used and manipulated you. Yeah you definitely weren’t the bad guy in this scenario. 

“So, fun summer for me. How was yours?” You ask looking back up at him with a blank look on your face.

Stiles ignores your attempt to diffuse the conversation. “So you were seeing this guy all summer thinking he was some innocent…fling…and the whole time he was actually plotting to, what, kill you? Take your powers?”

“Something like that,” You shrug, “I didn’t stick around long enough to find out the end game with that one.”

“How did he even track you down in the first place if you’ve been hiding away here your whole life.”

“Apparently they’ve been biding time in Salem, hoping one day I’d find my way there to train with other witches. And I didn’t even know there were people to look out for until a few days ago, when I was talking to another witch I had met, who recognized his mom in a picture. I left on the spot and haven’t seen him since.”

“Did you tell him where you were from?”

“Nope, was trying to go for the whole, casual, mysterious summer fling thing.” you chuckle humorlessly. “That worked out so well for me.”

Stiles sighs, “So he has no idea where to look for you, and that amulet should keep him from getting any hints.”

“Yup.”

“And after all this…your parents are still out there hiding from them, too?” 

You nod, looking down again, “Yeah…sometimes I wonder if they’re even still alive.”

Stiles frowns, “Jesus…now I’m almost sorry for…”

“No, no,” You shake your head, your face twisting in discomfort. “Don’t do that. This isn't what we do. You don’t feel sorry for me. You despise me. And honestly I prefer that version of us, I can’t stand the thought of you sympathizing with me.”

“Okay, okay,” Stiles holds his hands up, “I get it. You know maybe I’m not sorry, because a fucked up childhood doesn’t excuse the shit you did to us last year with Peter, and the generally annoying shit you’ve done since.”

You make a face but don’t argue with him.

Stiles continues staring you down, with an unfamiliar look on his face. “But…that shit that guy pulled on you this summer…even you don’t deserve to be taken advantage of like that.”

Your eyes slowly revert back to looking at his face, trying not to give away how vulnerable you felt sharing that information; not to mention how vulnerable you were this summer just to have that blow up in your face. You shift slightly, still uncomfortable with the atmosphere surrounding you two right now. You cross your arms tightly across your chest. 

“Thanks…”

The two of you let the moment hang in the air for another few seconds before you clear your throat, not being able to stand the sincerity any longer.

“Well I guess next time I try to have a casual fling, I shouldn’t do it with a stranger I knew for all of a day before going out with him.”

Stiles chuckles dryly, “Guess not. Maybe you’d be better off getting to know a guy for a while first. If you can keep one around long enough without driving them up the wall.”

“Ha ha. Because you’re the picture of a guy with a successful love life. Remind me of the last time Lydia gave you a second look?”

Stiles glares at you, as he starts to sputter, “She…was looking at me when I was playing in that lacrosse game.”

“Oh so over three months ago? Wow you’re making huge strides.”

“Look, I’m playing the long game alright?” 

I shake my head, “God, I don’t know why you even bother.”

Stiles' jaw teeters open and closed, “What? Is it that out of the realm of possibility that she could ever like me?”

“No, I just meant you could do better.”

Stiles stutters but no words immediately form in response to that. He stares at you blankly for a few beats. “I can do better? Me? Can do better than Lydia Martin?”

You roll your eyes, “You say that like she’s God's gift to this Earth.”

“Yeah, well…she’s still nice - sometimes - and highly intelligent, not to mention gorgeous.”

“Stiles, I’m not trying to disparage your precious Lydia, I just think you could do better than someone who doesn’t give you the time of day.”

“What…What do you mean?”

“Well for one it's kind of pathetic you’ve been hung up on her for so long with no reciprocation whatsoever.”

“Okay, I wouldn’t say-”

“And second, I don’t understand why a guy like you can’t find a girl who actually likes him back.”

“Well you say that like I’ve got a parade of girls waiting in line to date me.”

You shrug, “Trust me, there are some.”

Stiles scoffs, “Yeah right.”

“I think you're underestimating how many girls just want a sweet guy who will treat them well with a moderately nice face.” 

Stiles shifts awkwardly, “Is that your type?”

“My tastes are a little more refined than that.”

“Well how do you know most girls see me that way?”

“Because objectively speaking, you do have a moderately nice face. Maybe even a step above that. And look at you, you grew your hair out this summer. Do that to impress Lydia?”

Stiles flushes, “Well not just…”

“Because I’m sure it will work on plenty of other girls when they see you at school next week.”

Stiles lets out a deep breath, looking at you curiously, “Why are you saying all this?”

You uncross your arms and sigh, taking a step towards him, “Look I’m just stating facts, and maybe I can spare you a compliment since you helped me out tonight. You deserve better than waiting for someone who may never come around. And maybe, who knows, I’m wrong and one day Lydia will come to her senses and see what's right there in front of her. But don’t waste all your time doing nothing. You could at least have fun in the meantime. And I’m sure there are plenty of girls who would jump at the chance.”

You give Stiles’ shoulder what should be a supportive squeeze, but because it's the two of you it feels wrong. You awkwardly lift your hand and pat him a couple times before retracting your arm all together.

Stiles stares at you, once again in awe, confused why you’re being so civil with him…let alone…kind? His eyes hone in on the way your nose scrunches up when you instantly regret touching his shoulder, and the way your lip curves up in amusement as you look back up at him. Your eyes have a warm glow amidst the candles lighting up your room. And he’s once again in close enough proximity to you to inhale your scent; a mix of vanilla, berries, and amber. 

Yeah it definitely must be a witch thing, because he somehow finds himself being drawn closer to you. And before he knows it, he’s leaning completely in and kissing you. 

It's a rare occurrence for you to be taken by surprise, but you do jump slightly when his lips touch yours. He did it so fast you didn’t even have a chance to process it, let alone prevent it from happening. You don’t immediately kiss back but you don’t immediately pull away either, chalking it up to the shock. 

Stiles very quickly realizes what he’s doing and the fact that you’re not reciprocating as he pulls away slightly to take in your full reaction.

You narrow your eyes at him slightly, “I didn’t mean me.” 

Stiles’ eyes widen and his lips part, once again struggling to form words as he starts to pull back.

For some reason you’ll probably never understand, you instinctively reach out to hold his arms to keep him in place. He looks at your hands and then back to your face curiously. 

You quietly breathe out, “I also didn’t say to stop.”

Stiles breath hitches, his lips curving up just slightly before he dives towards your lips again. 

This time you instantly kiss back, pulling him closer by cupping either side of his face, as his arms come to snake around your waist. 

As the kiss becomes more intense, Stiles reluctantly pulls away for oxygen. 

“We shouldn’t be doing this,” he murmurs breathlessly, pressing his forehead against yours.

“You started it,” you muse, chasing after his lips.

He laughs softly, letting you kiss him deeply another few minutes before he gently caresses your face, pulling away.

“And I don’t hate what we’re doing but it's also very out of character. For both of us.”

“To make out with a hot person?”

“No,” Stiles sighs, but can’t fight the blood rushing to his cheeks, “I mean making out with each other. Honestly, this whole night has been out of character. We normally can’t stomach being in each other’s vicinity for more than five minutes.”

“Well if you haven’t noticed, this activity doesn’t require a whole lot of talking so I’m finding it easier to tolerate you.” 

You watch Stiles roll his eyes, trying to rationalize what’s happening between you two. So you take a deep breath.

“Look, we’re not going to suddenly stop despising each other but there’s nothing wrong with two consenting people having a little fun. And you know…probably never speaking about it again.”

Stiles shifts the weight between his feet, becoming overwhelmed by the situation and the possibilities of where it could go; possibilities that both scare and excite him. And he can’t figure out what emotion is winning out. 

“This probably won’t come as a shock to you,” Stiles speaks up again quietly, not meeting your eyes, “But I’ve never really…been with a girl…like this.”

The corner of your lips curl up. It wasn’t new information, but there was something about seeing this boy who usually goes toe to toe in insults with you be so open and honest with you.

You place your hands over his where they still rest on either side of your face. “We don’t have to do anything you don’t want to do. We can go as far as you want. Or we can stop now and pretend like this never happened. You are more than welcome to go.”

“I don’t think I want to go,” Stiles whispers hoarsely.

“Then don’t go,” You whisper back, leaning closer again.

“You’d really want to do this too?”

“Yes-”

“Because I know why I want to but why do you want to? After the guy you were with this summer I would have thought you’d be more…selective.”

“Oh that's exactly what I’m doing.”

“And you want to be with me? Why?”

“Because unlike the last guy, I know what I’m getting with you Stiles,” You state simply, “You’re a good guy. This has no chance of going anywhere. Absolutely no feelings whatsoever to get in the way. It’s perfect.”

Stiles stares at you, taking in your expression for any sign of uneasiness or lies. But he can tell you’re dead serious. His skin starts to burn in anticipation. 

“So we’re doing this,” He says softly, somewhere between a question or a statement. 

“I’m in if you’re in.”

“We do this once and we never talk about it again.”

“Sounds like a plan.”

“And no one, and I mean no one finds out about this. I mean it, you can’t tell anyone.”

You scoff, “Trust me, I plan to take this to the grave. You should be more concerned with yourself. I can’t see you going five minutes without squealing to Scott that you’ve finally seen a girl naked.”

Stiles closes his eyes and groans, praying you can’t see him blush again. He also can’t even process the fact that he is indeed about to see a girl naked.

After a moment, Stiles finally says, “I don’t have to tell Scott everything.”

“Okay, if you really believe that.” He rolls his eyes, making you chuckle. “So are you game, Stilinski?”

Stiles’ eyes flit across your face, before settling back on your lips. “Fuck it.”

He kisses you deeply and the two of you tug at each other like your bodies are never close enough. Your hands wander over his body until they end up at the buttons of his flannel, and you haphazardly start to undo them before he pulls away briefly to help you get it off of him. He shivers as your cold fingertips trace the contours of his chest and stomach, but he doesn’t get a chance to linger on the feeling as you kiss him again. He takes his turn to pull off your jacket, before sliding his fingers under the hem of your shirt, which you help him maneuver over your head. You once again only let him have a few seconds to take in your exposed skin, only your bra separating you two from complete skin to skin contact, before you’re pulling him back to you again.

“Do you have…” you mutter against his skin as you start to kiss down his jaw and neck, “Protection?”

Stiles’ stomach twists with nerves and excitement as he nods. “Yeah, I have a condom in my wallet.”

You smile against his skin, trailing down to his collarbone, “Been hoping one day Lydia would want to jump your bones?”

Stiles groans, tangling his fingers into your hair, “God, shut up.”

You chuckle darkly before gently pushing against his chest so you can move onto your bed. 

Time passes in a hazy blur as you and Stiles finish undressing each other between sloppy and heated kisses. You try to go at a moderate pace with him, despite your own eagerness. To your pleasant surprise, Stiles is a quick learner as you talk him through how to touch you and make you feel good. And he makes you feel very good. And despite his own timidness and learning curve, he is very attentive to your needs as well as your comfort levels, constantly checking in and making sure you’re okay. 

You’re more than okay by the time you’re done, the two of you collapsing back onto the bed, sweaty and panting.

“Holy shit,” he breathes out staring at the ceiling. 

You smirk, pulling the sheet up to cover yourself, “Yup.”

You lay in silence for a few moments as you catch your breaths before Stiles speaks again.

“I hope tonight makes us even, because I think that counts as two additional favors,” He says teasingly, but when you don’t immediately respond, his head turns to you quickly, “You finished both times right?”

You chuckle softly and nod, turning your head towards him as well, “I did.”

“Good,” he sighs in relief, “I did, too.”

“I know you did.”

Stiles rolls his eyes but laughs softly, “Right.”

“And I’d say I was the one doing the favor,” You muse, “Now the next time you find a girl willing to sleep with you, you’ve got some tricks up your sleeve.”

He huffs with a nod, “I guess you’re right.” Another few moments of silence pass between you when Stiles looks at you again, and asks softly, “But seriously, it was good for you?”

You roll your eyes, “Yes.”

“Like, you’re not just saying that to make me feel better?”

“When have I ever worried about preserving your feelings? Trust me, if it was bad or you were doing something wrong I would have told you.”

“Yeah I guess that’s true,” he sighs. Another beat. “But like on a scale of one to ten?”

“Stiles!”

“I know, I know.” he regresses. “Can I ask for real though - and full permission to punch me if this is insensitive - but compared to the last guy…was I better?”

He watches you stare at him blankly for a few seconds before he starts to back pedal. “Probably not right? He was probably way more experienced even if he..”

“This was better.” 

He turns to you again in surprise. 

“You were better.”

Stiles stutters, “R-really?”

You nod, “You’re not an asshole who only thinks about himself. Don’t ever lose that quality.”

Stiles smiles softly, his cheeks warming up again. 

“Seriously, it was good. Great even,” You continue, “If that’s what you’re like with me, I can’t imagine how good it would be with a girl you actually like.”

That last statement was like a bucket of cold water splashing over him. Right. You guys hated each other. And you were still the same girl who made his life inexplicably harder this year. But those things were easy to forget while he stared at you, your messy hair splayed across your pillow, your bare skin lit by the soft glow of the candles in your room, with a few noticeable marks across your collarbone that he was responsible for. 

But this would be the first and last time this ever happened. And he will probably have complicated feelings about it for the foreseeable future, knowing the memory of his first time will always connect him to you. But he surprisingly feels less guilty than he would have thought.

“I should probably go,” He whispers after another few seconds of taking her and the moment in. Part of him wishes he didn’t have to leave at all and continue living in this bubble of false reality and denial. But he thinks his brain takes over in an act of self preservation to get out of there before he gets in too deep. 

“Yeah, you probably should,” You whisper back, taking a deep breath. 

He watches you sit up, dragging the sheet covering you up with you. He sucks in a breath as you grab a dark purple robe off of your bedpost and slip it on, covering the rest of your body and taking the image away from him. With that, he also forces himself up, locating his boxers and jeans on the floor and pulling them on. 

You circle your bed as he starts to pull on his flannel again. He feels nervous under your gaze, and about how to act right now, making him fumble with the buttons. Without a word, you reach out and slowly and quietly help him finish buttoning it. He takes this one last opportunity to watch your face at this level of proximity, knowing he’ll probably never have the chance to do that again. 

As you finish the top button, you look up at his gaze still laser focused on you, and for some reason he doesn’t feel compelled to look away. 

“Thank you for tonight,” You say softly with a small smirk playing at your lips, “Thought I just needed a protection spell after the summer I had, but I guess I needed that as well.”

Stiles feels himself smirk too, “Happy to be of service to both.”

You slide your hands across his chest, smoothing out his shirt before taking a deep breath and step back. 

“So, business as usual? I’m sure we’ll run into each other again once Scott gets himself into some more supernatural shit, and we’ll be back at each other’s throats in no time.”

Stiles chuckles, “I look forward to it.”

You give him your version of a tiny genuine smile. “Do you need me to walk you out?”

He shakes his head, “I’m sure I can find my way.”

You nod, also taking in his appearance under the glow of the candles while you can. You decide to take the opportunity to close the distance between the two of you and kissing him chastely one last time. 

Stiles closes his eyes and reciprocates automatically, but the kiss is over before its even begun. He watches you pull away from him, unable to tear his eyes away from yours.

“Goodnight, Stiles,” you whisper before stepping away and walking around him towards your desk again to clean up.

With his back towards you now, he smiles to himself, huffing in disbelief at the night he’s had. 

“Goodnight,” He says back softly as he takes steps towards your door. He glances back at you one last time, before leaving and finding his way back downstairs and out your front door. 

Once he shut the door after sliding into the driver's seat, he lets out a long deep breath and rubs his face. Losing his virginity to his self-proclaimed mortal enemy was not on his bingo card for the night - or ever. But the more he sits with it, the more he’s weirdly pleased that it happened. Honestly, it was like best case scenario. Figuring out sex with someone he’s not trying to impress - well, to a certain degree - took some of the pressure off. And now he doesn't have to think about it anymore. Unfortunately, it was really good. Extremely good. Too good to just have been a one time thing, and part of him is disappointed there’s no chance of ever experiencing it again. 

It was for the best. The moment hell freezes over is when he’d have actual feelings past irritation and mild rage when it came to you. So he shakes his head, putting their night together behind him as he pulls out of your driveway.

Still in your bedroom, you lean against the wall watching him drive away from the window. You smile to yourself, having a sneaking feeling this wouldn’t be the last time the two of you do this. Stiles just didn’t know it yet.

author's note: dying to know what people think of this, not the type of stuff i usually write. firstly, sorry for the lack of steam, i've never written smut and not sure i ever will but hope it alluded to enough for yall. also again, took my witch idea and flipped it into an alternate universe where the reader is a lil evil. there are elements of the other pieces i'm writing that assumes similar lore/backstory for the witch, but in this version, you don't grow up as stiles & scott's bff, you're isolated leading to some villianous tendancies. i also know i hinted at a lot of back story with some pieces from seasons 1-2, with this ultimately taking place right before season 3. so i have some ideas of writing other parts that dive into some of those moments, plus more parts that come after this of course. so let me know what kind of stuff you're interested in seeing from evil!witch x stiles (evil being used pretty loosely) THANK YOU FOR READING!

[fiona-fififi]

You know, the more I think about it, the more I do actually think a storyline about Buck fucking around (or at least dating around) would be interesting. Like, my first instinct was that it would be bad for Buck, specifically, because he's always used sex in unhealthy ways and because I really do think he's seeking a permanent kind of love.

But, you know, that's not working for him right now. He's spent 8 years entering what he hopes to be long-term, forever kinds of relationships and they just keep falling through. Abby, Ali, Taylor, Natalia, Tommy. Five failed relationships, all of which he clung to beyond their expiration date (well, all except Ali, I guess). That's a lot for him to just want to try to jump in with another person he doesn't know and try to make it work, and he has just discovered this new part of his identity—which, of course, for some people, they wouldn't need to explore—but I do think it's something a single, unattached Buck would want to explore.

And I don't even necessarily think this would have to be a backslide. But if it was, that would be okay, too, because healing isn't linear and people fuck up and do things that aren't good for them all the time, and Buck feeling hopeless and going back to his old ways because what he really wants isn't working, makes a lot of sense to me. I will admit, my first instinct was that I didn't want him to backslide, but actually, I do think there would be an interesting story to tell there, and it might even sell the way his character has stagnated in the same boring, unfulfilling relationships over and over again by calling attention to it and recognizing that Buck is feeling it, too—not just that the particular most recent relationship has failed, but that he's feeling like he's not worthy, can't make things work, isn't meant to be loved because it keeps happening. Which I don't think they've ever explored in depth before.

So having Buck backslide, or even just take a step back and decide he wants to have some casual sex for a bit while he tries to figure himself out (and by that, I do not mean his sexuality, but rather what he needs to make him happy), then I think there actually could be a really interesting story to be told there that would be both very true to the character and would serve to break this broken record of storylines for him (because yeah, it's been done before, but at least not since s1, really).

And honestly, I'm not sure where else they would go with Buck right now. This does actually feel like a logical progression for him, and I can't think of anything else they could do with him unless they decide to speedrun buddie and/or intertwine him fully with the Eddie and Chris plot (which I could see happening, and I also think could work). But beyond that, I don't see an obvious logical story progression for Buck at this moment, and I would rather see him backslide a bit with this than have them slap some completely random new plotline on him without warning, because we've all seen how poorly those have been handled lately.

And as an aside, I could also see a Buck backslide potentially causing some of the tension they're talking about for Buck and Eddie. Because Eddie's never directly known that part of Buck, and last season, he was ensuring Buck that he'd seen the growth in him and trusted him to talk to Christopher because of his past and his growth beyond it. And I could see Eddie struggling a bit with a side of Buck he's never actually encountered before, and maybe (if it is a legitimate backslide for him, and he's using casual sex as an unhealthy coping mechanism) with a part of Buck he doesn't know how to help.

[chillicoded]

Lando Norris is NOT an underdog.

This is NOT Lando hate. I don't endorse or tolerate hate towards ANY driver. This is just an opinion.

I had a conversation with somebody on Bumble about the Norris/Verstappen championship battle this season. I was for Verstappen, he was for Norris - no problem whatsoever in itself. After Max's absolute dominance last season, I really can't blame anyone for being bored of Max winning and wanting to see a new driver succeeding. But what Got My Goat is that he said the reason he wants Lando to win the WDC is because "he's an underdog". I sent a (pretty lengthy) message back on why I really don't think Lando qualifies as an underdog, and he never got back to me to defend his position. Maybe I scared him off, or maybe he just wasn't on Bumble to debate the nuances of what it means to be an underdog. Either way, I figured the topic would make a good first opinion post because I'm more likely to get a discussion out of it here, plus I have extra thoughts to add.

To me, an underdog is somebody who is disadvantaged because of the external resources available to them, in comparison to those they are competing against. For an F1 driver, that's the car, the team, the strategy, the experience they have in F1, the track (not just condition, but whether or not it suits their car) and momentary bursts of luck, among countless other variables. A good "underdog coming out on top" narrative comes from a person or character (in this case a driver) performing well or succeeding despite lacking the ideal resources to do so.

It's important to note that I don't think skill counts as an external resource. I also think skill is hard to measure. I personally would measure it in terms of results, consistency and versatility, but even within that, I feel like you need to take all of the external factors into account. For example, DNFing or dropping way back because of a collision, bad luck with the car or a botched pit stop would make a dent in a driver's consistency and results, but it doesn't mean they're less skilled.

Underdog narratives do exist in F1. The Alpine double podium in Brazil was a great underdog narrative. The Alpine car is hardly competitive most of the time. At the start of the season it was an absolute tractor. I don't know enough about the team, strategies, pit stops, etc. to comment on those, but regardless, I don't think anyone was expecting a double podium from them this season because Alpine just hasn't been competing at the front of the field. Yet, despite all that, both drivers finished on the podium and scored mad points in easily the most unpredictable race of the season.

Franco Colapinto performing well and scoring points, despite being dumped into Williams mid-season with a firmly midfield car and no experience, is also an underdog narrative. He's far outperformed Logan Sargeant already and has been battling with some of the most experienced drivers on the grid, and coming out on top. I don't think anyone was expecting all this from him when he was first brought into F1. Personally I saw a lot of people saying that they were booting out one underprepared F2 driver, and replacing him with another underprepared F2 driver. I was part of that crowd too. Sorry Franco. I was not familiar with your game.

Even Carlos Sainz's win at Singapore last year could be considered an underdog narrative. Sure, he started on pole and he's an experienced driver, but everyone was an underdog compared to Red Bull (mainly Max) last year, and Ferrari didn't have a great car or great strategies. He did have the luck of Max being practically out of sight, having been outqualified by Liam Lawson in an AlphaTauri (another great underdog moment, by the way), but it still takes skill to keep the lead, and his strategic use of Lando goes to show that even further than just the win itself.

These are just a few recent examples. Think about them. Seriously deep them. Revel in how they make you feel.

Now think about Lando's performance this season.

His first win in Miami was great. At the time, I was still a hardcore Lando supporter and I was absolutely thrilled. A few laps before the end of the race, when it became apparent that he was almost definitely going to win, I was already celebrating for him. It had been a long time coming and it was amazing to see him realising the potential I knew he and McLaren had. He's won twice more this season so far, and both times he was ahead by a country mile at the chequered flag. Aside from that first ever win, though, his other impressive performances this year haven't quite evoked the same emotion as my previous examples. That sense that he's overcoming disadvantages and delivering even when the odds are stacked against him just isn't there for me. Why is that?

There's no denying that he's a skilled driver. Three wins in a season with 7 different race winners (6 of whom have won multiple races) isn't too bad at all. He's also been relatively consistent throughout the year, never finishing a race outside the points. He's even been able to adapt to a range of tracks and weather conditions. For example, he finished P6 after the rain and chaos of Brazil, which threw off even some of the other skilled drivers mentioned above like Sainz and Colapinto.

But we're not here to discuss whether or not he's skilled. We're here to discuss whether or not he's an underdog.

Honestly, did you even read the title?

Anyway. Skill doesn't make someone an underdog. I established that earlier. If skill makes someone an underdog, Max Verstappen is probably the underest dog on the current grid, and that's obviously not the case. We need to look into those external factors I mentioned above: things like car, strategy, luck and experience, in comparison to what other drivers have had to work with this year. The less he has, the more of an underdog it makes him.

First and foremost, McLaren's strategies this year have been pretty abysmal. The terrible calls made in instances like the Hungarian Grand Prix and the lack of calls made in instances like Monza lap one have been enough to make me stop supporting McLaren as a team altogether. They insisted that they weren't prioritising the drivers' championship, but with the constructors' practically secured, I honestly find that hard to believe. If it is true, they've been doing a disservice to both drivers: to Lando by not giving proper attention to his very real championship chances, and to Oscar by ordering him to give up positions for Lando and act as a second driver at certain points, apparently for no real reason. Overall, McLaren's strategies have been in Lando's favour at times, but they've rarely been good. It's hard for me to compare McLaren's strategy calls to other teams, though, simply because I don't know enough about other teams' strategy calls. Maybe all the teams have been equally rubbish with strategy this year, so it technically hasn't been putting Lando at a disadvantage. I wouldn't know. If you have any insight on this, let me know and I might make a second, more definitive post about this.

As for luck, Lando has had bouts of both good luck and bad luck so far this year. He had some good luck in Miami, ultimately facilitating his first win, and he had some hard luck in Austria with his collision with Verstappen and Baku with qualifying. I'm not at all suggesting that Lando didn't deserve his first win (honestly, I don't believe that "deserving" matters in this sport at all), but I don't think he would've won that first race without the luck of the safety car, and I'm not sure he would've performed as well as he has without the confidence boost from that first win. With the car he's had this season (and I'll talk about that next), it would've come eventually, but I really do think that momentary burst of luck has been a really important factor in shaping this season for Lando. It has definitely had more of an effect than his moments of poor luck. I think few other lucky instances have had as much of an effect for a team or driver, except maybe Alpine's performance in Brazil.

His car has been a seriously influential factor, too. Of course, no driver's success is all because of the car; the driver and the car always go hand in hand. A less skilled driver can't properly handle a good car (see Pérez) and even a good driver can rarely drag performance that isn't there out of a tractor (see Bottas at Sauber). But, like his luck, the MCL38 has massively facilitated Lando's ability to perform this year. It's a car that has been capable of winning races by over twenty seconds, creating final laps that are reminiscent of Max's dominance last season. That alone begs the question, why has Lando not been performing consistently at that level? Where exactly does the balance of success lie between Lando and his car?

It's definitely worth taking into consideration that top teams this year have certainly given Lando a lot of competition to deal with this year. Even with a dominant car, with around six other drivers able to put up a fight against Lando, he's not in as dominant a position as Max was last year. But there is a difference in skill in certain areas, and it shows in moments like Lando's first lap bottles from pole compared to Max's perfect starts last year, for example. Lando is just not as polished a driver as some of his competitors, and that is something that naturally comes with more experience.

It's hard to say Lando lacks experience, though. 2024 is his fifth season in F1. He's not always had a great car, but now that he does have one, it's clear to see that he knows how to handle it decently well. Compared to Oscar Piastri, though, it doesn't look like his experience is giving him the competitive edge you'd expect. With four years of experience over his teammate, you'd think Lando would be performing at a much higher level, but that just isn't the case. As a quick example, Oscar's average finishing position this season is 4.9. Lando's is only 0.8 higher at 4.1. With that difference in experience, you'd expect a much higher gap in performance... or at least I would. Maybe I'm wrong for that. Let me know.

Overall, I really don't think Lando is at any kind of serious disadvantage that would make it fair to call him an underdog. He has issues thanks to McLaren's strategic blunders, sure, but the rest of his problems are pretty much skill issues. Call me back with the notion of an "underdog narrative" when Ollie Bearman is in the championship fight in a Haas next year.

[dors-ee]

Oh yeeees it's the one where he's like "lots of mouths and teeth, yes so good" 🤣 Still laughing at it. And if I remember correctly you find it like on the island to kill Ghilan'Nain? Tension is high, you are toward the end, and you find that 🤣 (or in his temple which... same thing. Extra tense and stressful and you get him saying that 🤣) "my big dragon" "she wrong but eh. Will concess cause she sad.", "Give my drgaon lots of mouths and teeth. and bigger. Yeah so cool. My dragon is so cool. My dragon is the coolest" (him with Davrin and Emmrich, speaking of their kids. "Mine can fly!", "Mine learnt to talk!", "Mine is big and he'll get lots of mouths and teeths!") and showing a strange form of care for Ghilan'nain.

Some side thoughts -not joking :

like... for me it strips him of some of his prestance, BUT also gives him something more. and even this act of "taking" some mythos out of him thematically works bc well we are told again and again : they are no gods.

It is shown that he cares in a weird way when he gets Ghilan'nain in Hossberg, and here when he, in his weird and a bit condescending way, cares for her mood... There's also the codex fragment with Ghilan'nain, answering to him about Andruil. I don't remember what she says exactly, but it seems she answers him about... a concern? about this. Or just that he spekls of bringing back Andruil (I believe that's what she answers "no let her be" or something like that, for me, is a way of showing a sort of care.).

He also cares about his dragon size, "mine is the biggest! nah!" and seems to share at least a fragment of Ghilan'nain's love for "lots of teeth and mouths". Which if they really are siblings, I thought it was a nice touch to show that one. Both freaks... and both brilliant, even if now blighted.

He is a bit thicker of a cardboard with those elements. More so than when Mythal speak of him having been twisted too, as a spirit.

And I'd rather fight with such an opponent rather than just a cardboard villain that is just vile. Elgar'Nan has a bit of depth, even in his talk with Solas, it is interesting how he reacts. It isn't just pure villain mocking his opponent. Or at least didn't feel like it. speaking of this talk the subject of the other evanuris also for me there was something in how Elgar'nan reacrs and speaks, of that, of the past, etc. Does he only wants to bring his empire back for the sake of power and his ego as a god, like a pure villain... or bc he misses it and misses the other evanuris too? Maybe I'm reaching with this one.

It also is this dialogue bringing how Elgar'nan was brilliant too. and maybe it's just me but I did feel something at the mention of his descent and the dulling of his mind with the blight. Of the loss of this core element of him, and the brillance of him -representation of the brillance of the eleves, also lost?-. He lost his empire, his fellow gods and himself. Like... even what made him a good opponent, a good bad guy, is lost now. He lost himself first when he got twisted as a spirit, thrn became a god/slaver, where he still had lesst was a good bad guy apparently and would-be-wrong-God. But now he doesn't even have that. What a fall eh? for a "risen god".

Don't know if this passage is clear sorry. Writing not confusing and clear literary analyzes is hard enough in my language (my big issue I had during my bachelor degree in literature. Managing to write my thoughts clearly and with structure) so in english x).

Although why having a dulled mind would make him speak the common tongue? shouldn't it be rhe reverse and he's speak his native tongue only? (aka elven) isn't common a learnt secondary language for them?

Yet again : just a tad more development and scenes with him to flesh him not only as this very threatening scary guy but also as a character, as in more of a person, that would have been nice. Helped with the build up too.

elgar'nan, all-father, the eldest of the sun, he who overthrew his father, god of sun and vengeance: NOPE MY DRAGON WAS DEFINITELY BIGGER, HE SHRUNK IN THE WASH

[revscarecrow]

hi rev i just wanted to come here and rant for a second because i feel like you'll understand. i hope you dont mind.

i'm really, REALLY frustrated that a lot of the current culture around artists complaining about ai is people being like "ugh artists are so sensitive, this use case isnt even that bad, its just funny, its just a meme, etc etc"

as an artist myself i feel like i cant even complain about it in my current online social circles because i will be met with people being like "its not that serious when its used to make memes"

i fucking hate seeing ai. period. it doesnt matter if its google gemini, or chat gpt, or some rancid ai meme, or an ai voice. i hate ALL of it because it reminds me that the ONE THING i thought couldn't be taken from me by robots (my ability to make art/video) is being taken from me in front of my eyes.

even my other artist friends partake in this culture. i seriously dont understand it. it is DEEPLY upsetting and makes me feel so hopeless and powerless.

maybe it's an "if i dont laugh, i'll cry" situation. i dont know. i want to hear your thoughts on it. much love

I talk about AI "art" on my art youtube channel. Suffice to say that generative AI and neural nets can be used for good things like mapping the human brain to help better understand the systems at work and how to help with dementia (this is a real thing that's being done and it's rad btw). While this tech does a lot of energy I think it's worth it to learn how to cure horrible diseases. The tasks that this can do helps solve problems that are either too complex or time intensive for humans to do. Art is about expression to some degree. Some people are just about the aesthics but for me personally I think that the process of coming to and finishing the idea is the art and the canvas is the record of the process happening. As such the spirit behind the creation of an object is core to the aesthic of the piece. If I make a painting out of shit or blood it's going to have a very different vibe than one done with paint. Why was that choice made? Artists make these choices at every step. Some just pick things as a default but that is in itself a choice. I use acrylic when I paint canvases because of the drying time and because I fear my cats will attempt to eat the sugary smelling liquin medium used with oil. The nature of my work area I have means the canvases I paint are smaller. These are choices that change how my work looks but also speak to who I am as a person. AI art does not consider this because how could it? It does not think. It's a disgusting similacrum of the human experience. Memes still gross me out I'll be honest.

[geekgirl101]

More 8x06 thoughts. Still processing

I've been trying to express my feelings about 8x06 on paper, and there's still so much swirling in my head. So apologies if this is too long and ranty.

The GA isn't happy for a lot of reasons. One was that Tommy did fit with the 118, he was friends with Eddie and Chim. Two: they were happy Buck was in a relationship, and it seemed like (at least in season 7) that he was finally off the hamster wheel. And they like Eddie and Buck's friendship and don't want to see them together. After all the BS takes I've seen from you-know-whos, I can't say I disagree at all.

It's like neither Buck nor the writers have learned anything from past love interests. Tommy is the one with the most potential because of how well he fits, and he clearly has a lot of abandonment issues. Hey, so does Buck. That could have been a great point to explore.

I don't think Buck needs to sleep around to explore himself. But I do think Buck never fully processed anything.

It's wild that Buck and Tommy dated for six months and NEVER had any real conversations about exes? Tommy does strike me as the kind of person who keeps people at arm's length, who maybe doesn't say much about his past unless he has to. He could have also held back because he was letting Buck set the pace. I know Tommy isn't a main character. But they could have done so much more with this and with him. Hopefully its not the end.

The show also did nothing to show Buck's growth in a relationship, aside from the fact that he kissed a boy and liked it.

8x01 showed us that Buck was competent, professional, and mature, and stupidly I was hoping that would extend to his relationship too.

I think Buck has to figure out what he wants out of a relationship, I hope we see more of Buck talking to Josh or Hen and then he and Tommy work on making a relationship that's lasting, honest, and full of love (if we're grudging up Abby, we can continue the red string here and make that nod too)

What also bothers me is they took 3 episodes to build Buck and Tommy and show us that they have chemistry and that Tommy shows up for Buck, they had two more moments where it was clear they were getting to know each other and were solid in season 7.

And then it took them 1 episode to tear it all down without ever showing Buck showing up for Tommy. They were supposed to be getting to know each other. But six months in, it's like they didn't even know each other at all... or actually. It's like Buck didn't know Tommy at all.

I find it frustrating that we got to see so little of them, and most of it was Tommy doing things for Buck, showing up for Buck, complementing Buck, and taking care of Buck. A relationship has to be a two-way street. You show up for me, I show up for you.

And I'm glad Tommy showed up for Buck. Buck deserves love. But so does Tommy. Tommy was clearly looking for love, IDk if he was looking for a family or anything long term. Maybe he was dealing with a bad breakup and Buck was adorable, and he thought, maybe this could be a thing for now, but he ended up falling for him, clearly, and panicked. But I think on some level he was looking for someone to show up for him too, even when things got hard. And maybe this is foreshadowing. I hope it is. But I refuse to get my hopes up about it, or about Buck's love life ever again.

[ray935sworld]

Son of divorce Rosquez AU. David has already confirmed to us that Valentino actually sent him a DM congratulating him and thanking him for the celebration. If that happened in the AU how would David feel? Because it has been quite private and hidden while, for example, a few weeks before he republished Alex Albon's (f1) helmet that he made in his honor. I'm between whether he would take it as a step forward or badly. I mean, in the sense that a stranger deserves that he make public his thanks but his own son can only have an MD?? Although an MD is also more personal. Idk. I feel that Marc, upon finding out, would also be conflicted, because its another way of not publicly recognizing David as his son but at the same time he has recognized his son even if it is in private.

Oh my god, Calia, I am so sorry that it took me an eternity to answer. I swear I didn't mean.

Thank you so much. I think you nailed it pretty good. Honestly, I think David would be pretty happy because he just wants to be aknowledged by his dad so he spents a good 10 minutes just jumping around and being happy. Sure, I think he'd be disappointed about not getting a public review like so many other did already but he knows the situation is complicated so he takes everything he can get and digs his claws in. I also think he wouldn't answer right away. I think he would tell Marc and Alex, maybe his grandparents and ask them what they think he should reply because he doesn't want to seen eager and annoy Vale. (Seeing how nervous and excited he is, breaks Marcs heart a little bit cause he is once again reminded that he is not David's everything. David still wants more. He still wants his other father even after everything Vale put him/ them through)

I'd say Marc is more concerned because he doesn't get what it means. Does Vale want to start making amends? Is this a way to get back in touch? Like an olive branch? And what does the 2nd part with the 'hope see each other soon' mean? Does he want to invite him to the ranch? Or is it all just publicity? He doesn't trust this whole thing. But it makes David happy so maybe it isn't that bad... Right? And Luca is at the ranch too. Luca surely influenced Vale. (he send him a text - yes, Luca helped Vale phrase the message and Uccio has no idea which calms Marc A LOT) So... Maybe it isn't as bad as he expected.

Nonetheless he can't know what will happen. He doesn't want David to get his hopes up too high. What if Vale was just being polite but didn't mean anything if it? What if this is a one off and then they'll never hear anything (good) from him again? What if this whole thing just ends up hurting his baby?

Oh yes he is very conflicted about this message.

[snownorites]

Some disjointed thoughts on Sua and her sister that I had yesterday cause I've seen some people on twt being really adamant that Sua was in the "loved before anakt" category and I don't think that's what the point of Heavenly Garden is personally

For one, I don’t think she's actually looking out for Sua here. (using WhataFruit's translation)

I think her intention was to make Sua feel bad about herself. The word choice is extremely deliberate: "you're so unkempt" "that is unseemly" "you're already dumb enough as it is". That last one is obvious but those first two I think are super important to understanding the kind of competitive environment "being" a doll must have fostered. She's trying to put Sua "in her place" here and make her feel like she doesn't actually deserve any of the favouritism Nigeh gives her because she's "stupid" and can't even play her part properly.

And Sua has every reason to believe what her sister tells her. Outside of her cruelty she's so nice, so gentle, she even plays with her and tickles her. Ofc Sua would assume that she has the best intentions and to me that's the point of why her sister acts that way. It's not about affection or love really, it's something closer to bullying. This way every insult, every instance of belittling however small stays with her and hurts her. Her pity of Sua may be "genuine" but it seems to be more mocking? Saying that she loved Sua to me feels a bit like buying into the performance.

The framing of the comic to me is also very interesting because the contrast between Mizi and Sua's sister is telling us that we need to consider their affects on Sua in relation with each other. Sua did not feel loved before she met Mizi.

Her saying this is supposed to show that her sister was all she ever knew in terms of human connection. "Back then" as in before meeting Mizi.

Sua thinks that her sister was actually the pitiful one all along but something really interesting is that it's not because she finally found self worth or because she knows that her sister was wrong about her being unkempt or "stupid", it goes right back to love. Her sister is pitiful because she didn't know love.

That heavenly garden, Mizi, loving and being loved. If Sua felt love before anakt I don't really see why it'd be framed like this.

And the thing is that love is a super big theme in Alien Stage. You could very well argue that this is just how her sister shows love and since we don't have her pov the way that we do Io's or Ivan's there's absolutely no way to refute that the same way there's no way to prove that. But to me including Sua in the same category as Mizi and now Till feels really disingenuous. Mizi and Till felt loved before anakt and carried forward that love in all their actions. Sua did not and her actions reflect that.

I think that Sua's feelings of self hatred are a pretty important thing to also consider when analysing anything to do with her (and I'll probably have to do a seperate post about that because this is already so fucking long lmao) People don't pay enough attention to this and how a lot of it comes from the bullying she experienced

Before Mizi, Sua was objectified by everyone around her, humans and segyein alike. And maybe her sister was different and we'll see that in another comic but to me heavenly garden's intention is to reinforce that this bullying wasn't just the very overt kind that's shown above. Like with the new Till comic, all the material we get builds onto each other, Heavenly Garden gives context to just how sinister the bullying was.

And I don't say all this to say that people are wrong about her sister potentially loving her, maybe she did, but Sua did not feel loved or experience that love. It's weird that I'm seeing more justification and rationalisation of her sister's behaviour than people actually taking Sua's narrative into consideration and trying to understand how her sister fits into it.

[neverpathia]

fuck this shit

have my voice of the broken

and please ignore how elementary my art looks

it's not the full design unfortunately, but a little guy is a little guy, I hope. + the original pencil-and-paper lineart.

now I was gonna go by a specific order, like starting from voice of the hero and all, but broken just resonated with me too much and I thought we could make a pretty neat design out of him so there we have it.

okay I have quite a bit to say about him

come on, the fact that he's the most like me out of all the stp voices surely says something. tower route isn't exactly how my very first playthrough went, true, but once she beat the ever loving crud out of me and the rest of the route unfolded

I had to do a double take he's so real wtf

everything Broken says is something that has definitely passed through my mind at some point or another, especially when it came to a few relationships of mine. the way he just defaults to surrendering. taking the easy way out, the ONLY way out, which is in fact only digging yourself deeper into the problem. somewhere in your subconscious, maybe you know this. but what other choice do you have? she's above you in every way possible. don't you want to please her? isn't this how it's all supposed to go? and, besides, you don't want to taste the alternative.

defiance can't be an option anymore. it's a path fraught with danger and fear and the Broken is blindly submissive because it's the only thing he can be. he can't let himself think like a person or feel like a person or even be a person anymore if it's all just going to get taken away from him.

maybe he's bitter. maybe he hates the world. maybe he wants to let himself feel something that's not simply her, and her, and her.

but it's too risky, too dangerous. and it's so much 'easier' to just...not. just do what she asks, because there's a course of action put before you, and you won't be hurt if you do what she says. and you don't want to be hurt. and everything she's already doing to hurt you is so much better than everything she CAN do if you defy her.

and she loves you. in this twisted, unbalanced, unfair way of hers, she loves you. call it love because you don't want to know what else it can be.

you hate this love. it suffocates you. it drowns you. it seeks out the cracks in your soul. it enters them. it expands them. but it's the only thing left in there anymore.

it may look like a choice when you reciprocate it in the same unjust way. it's turned against you and you're just blocking off your escape, that's what they see. but what does the Broken see? safety. protection. an escape from whatever she can and has thrown upon you if you don't.

you can have "whatever you want" at the cost of a "you."

I feel so bad for him, but I can't help but feel that I...am him. Just 'choosing' to submit and keel over and accept your comfortable little prison is kind of real. It's 'choosing' safety and sloth at the cost of my autonomy, but since when had it even been a choice? external circumstances nudge you towards a corner. your own willpower, or rather lack thereof, backs you further into that corner. the Broken is too familiar.

and yet the way he always makes it a point to hear others out. he empathizes. he soothes. because he doesn't want them to be Broken like he is, or rather, he's the only other one who's just as Broken and he knows how much it sucks. to be at war with yourself all the time yet you yourself are stuck and stagnant and unmoving in everything you know you hate as much as you try to pretend you love. everything you do, every second you live, as wrong as it always feels. he wishes for a choice where he has never had one himself and he can, in a way, live that choice through others.

maybe I'm just projecting idk

fyi there's a reason I gave him that particular hairstyle. it's tied together and weighed down with two teardrop-shaped ornaments. like how he's so restricted and it's heavy, it's so heavy, being sad all the time is a bitch and you can only be tired. yet the braids are still ornate. still straight and silky smooth, still beautiful. but what then? and what if a few strands threaten to escape? it means nothing, it's still what it is. helplessly fixed in place, but who would think about it.

[maxfieldparrishes]

Some Thoughts™ about PUSSS (Potential Upcoming Sex Scene Scenarios)

Oh god I'm dying of curiosity oh god

These scenarios depend on 2 factors: 1) when the scene happens in terms of the 3-act structure, and 2) who, specifically, is getting nasty. Is the sex scene going to be in Act 2 specifically, or is that a blanket warning for the next 2 acts together? I'm not sure 🤨 🤔

So, in response to these incredibly pressing questions, I have come up with the following ideas:

If it's in Act 2 and...

Caitvi: I highly doubt it's going to be real - I'd be willing to bet it's a drunken dream or hallucination of Vi's after her downward spiral starts, which... you know, totally understandable 🥺

Not Caitvi: I doubt it'll be Mel/Jayce 2.0 as they appear to be otherwise occupied 😬 Sevika, maybe (I wish), but I don't think so, I don't think they'd allocate screentime and resources for that, as much as I'd love it because I KNOW in my SOUL that Sevika can FUCK... As for Timebomb - they'd need to do a LOT of heavy lifting wrt their relationship in, considering the quick pacing of this season, a very short amount of time to sell that, and I don't see that happening, I just don't think it's possible to execute it that well. There's also Ambessa and whichever twink she's choosing to obliterate. Last option, and one that pains me to consider, is Caitlyn and a rando. She's also dropping straight towards rock bottom and making bad and impulsive choices - meaningless breakup rebound sex with a random hot girl is something I can see her doing tbh ¯\_(ツ)_/¯ (I think Vi is going to be too busy fighting, self-isolating, and frankly too drunk for this to be a choice that she makes, compared to Cait)

If it's in Act 3 and...

Caitvi: I'd be willing to bet on it happening after they reconcile, or near the end of the series - maybe even in the last episode. Who knows?

Not Caitvi: idk, could be anyone

Looking at all this, I'm willing to bet, say... 85 to 15 that it's going to be Caitvi. The question I have is when, because that's going to drastically affect and set the tone for the scene. I will say that, personally, I hope a Caitvi sex scene isn't a dream without something (like a real sex scene happening in Act 3 👀) to soften that impact - "it's not real!" would feel like something of a cop-out to me, and I'm sure a lot of viewers would be hurt by the writers making that choice, but... we'll see.

Thoughts? Comments? Let me know what you think is going to go down (aside from the lesbians on each other at some point 🥰)

[archive-of-wax]

I don't even know where to start with my love for this post, I've literally been rereading it over and over all day. This is by far the best interpretation of Trudy's parenting I've ever seen. It really captures the complex family dynamic we see onscreen with the twins, both with their mother and each other.

It's easy to focus on Trudy's evident abuse of Bo in the opening scene, but I think this is the first time I've seen anyone really analyse her interaction with Vincent. It's also one of the few times I've seen anyone speculate about his perspective or thoughts regarding his mother and her parenting, and I think you're spot on. Vincent wasn't showered with unconditional love while Bo got constant abuse. He was smothered with overbearing attentiveness that probably caused more issues than it fixed. Helicopter parenting certainly lines up with many traits fans have inferred from Vincent's portrayal, such as perfectionism, overdependence, and an anxious disposition.

I also felt that his perception of their mother wasn't as idolised as Bo's, and would go as far as to say that during his and Bo's kitchen convo I felt a hint of...exhasperation? Even weariness. At Trudy, at Bo's idolised view of her that he seemingly can't reject out loud, maybe even the purpose of their murderplot. I always imagined his feelings towards her to be something like 'I love you but please stop I'm begging you, why are you like this, why can't you be better for us', and I feel like part of that frustration came from knowing that none of the hovering and fussing was ever really for him as much as it was for her to feel better about herself, so any conversation about his feelings on the matter would have been pointless. If not immediately dismissed it would have just caused an argument, and this family has enough of those already, right? No need to rock the boat.

I have also never seen that newspaper clipping about Victor?! Could I ask where you found it? It completely throws loads of backstory theories out the window. Your version makes the lead-up to the murderplot make so much sense too. Bo and Vincent didn't just wake up one day and choose violence for no reason, but rather the pressure slowly built up: their father passing, the mill shutting down and all the jobs disappearing, then the town's inhabitants leaving, and lastly their mother's death. I imagine they found themselves alone in their now dead hometown, feeling washed up, lacking the practical and social skills to set off on their own (Vincent in particular), grieving the most pivotal person in their lives, and fit to burst with rage at the world. With their minds already cracked from their upbringing, and nothing to lose, it's easy to imagine how one thing led to another...Maybe some lost jackass gets a little too cocky with Bo at his mechanic shop, a fight ensues, Bo doesn't quite pull his punches like he knows he should and accidentally kills him. And then all it takes is a 'Yes, I know this is bad, Vince, but listen. You know how you've been having trouble sculpting like mama used to...?'

Anyway yes all this is to say this was a fantastic read! Thank you for sharing your thoughts, hope you don't mind me going on a mad ramble on your post haha. (Also could I ask you to link that study of a similar conjoined case? I've been looking for a real life counterpart to the twins' condition and could not find one for the life of me!)

Trudy refills Vincent’s cereal. He’s 2-3 years old and blind in one eye. He doesn’t need more cereal, he just needs his bowl rotated so he can see the cereal that was left over on his blind side. Not that we necessarily know how Vincent communicates without speech, but she hardly gives him time to answer her question about more before she’s refilling the bowl anyways. This is her approach to parenting her boys in general.

There’s no interest in fixing their actual issues. Rather than help Vincent to see what he already has in front of him, she’d rather add more, inadvertently also adding more onto the side he can’t see. At some point, this would just add to the issue. Overcompensation into overwhelm. Bo is brought in for breakfast kicking and screaming and it’s sort of evident why Trudy puts all her love into Vincent to the point of it being suffocating and unhelpful. Sure it could be a simple case of favoritism, but with the aspect of overcompensation specifically, it seems that she wants to balance her guilt over failing to parent one of her sons by pouring more effort than necessary into Vincent. Rather than giving the extra attention to Bo, it’s refilling a non-empty bowl of cereal.

I don’t think that necessarily mean she loves Vincent more. She finds him easier to parent. Fill the bowl whether or not he needs it because that’s easier than unpacking where Bo’s massive emotional outbursts are coming from. It seems more like love-bombing than genuine kindness. He’s “being such a good boy today,” but the implied part is an unsaid comparison to Bo. As twins, and conjoined twins at that, they’re not independent of each other. Vincent’s behavior exists only to contrast Bo’s, from her perspective. “Fix” his needs, and she can fix them both. Hence, preferring just to duct tape Bo to a chair than help him any.

Then Vincent grows up to become her protege, starting in his childhood but lasting until even after Trudy’s death. Over thirty years have passed since they were toddlers in those high chairs, but Bo gives a hint about why Vince got that ‘special privilege’ to not be as physically abused. “She always said that your talent would make up for what God took away from you.” Only, God didn’t take anything. Victor Sinclair doing illegal, unqualified surgery on his babies is why Vincent lost half of his face. Trudy only uses God’s name and religion as a shield for her own guilt about how her boys turned out. But it’s more likely she included Vincent in the wax business because she again, was dumping affection onto him over and over as her strategy.

Otherwise there isn’t as much favoritism between the boys. In their childhood photos, they both play piano, both play pool and baseball, both get to sit at the table with their birthday cake (without highchairs or bindings) and they play on the floor together. It's not entirely divisive between them, though it’s still obvious from which brother she’s slapping across his face and which brother she’s love-bombing which she’d prefer to deal with. Just not which she actually cares for more. Vincent wasn’t somehow spared from abuse in a house like the Sinclair household.

Interestingly, when Bo tells the story of Trudy and Victor, he mentions that once the Doc died, they were alone. Except, there’s at least one version of a prop newspaper stating that Trudy created a wax memorial for Victor. So this is just a false version of events most likely. Sure it could be that a decision changed, but there’s also the fact that, in the guns and ammo store, there’s a sign that says “Trudy’s Town or Wax.” And Bo tells Vincent, “We almost finished what mama started.” She’s also much older than the Trudy we see in the family photos and articles (even with the amount of cigarettes that woman smoked.) Ambrose is confirmed to have been abandoned for a decade, but to be turned into wax, Trudy would’ve had to die sometime between the abandonment of Ambrose and the present. Else she would’ve been properly buried most likely. The plan to fill Ambrose was hers, it’s just Bo that suggests using real humans (according to his apology to Vincent, he takes credit for the idea anyhow.)

Which makes her boys at least in their mid twenties when she died. In an older version of the script, Bo had killed her and Victor, but knowing it would put them all in foster care, that doesn’t quite make sense unless they were older. So the order of events is, Doc dying, the sugar mill closing, Trudy planning to reimagine Ambrose, and then dying herself.

The reason that’s important is because it’s emblematic of just how much pressure she was putting on both of her boys. And that’s not love. With two mentally ill, abused sons, (maybe three, since Lord only knows how they treated Lester once he came along,) that’s just manipulation. Victor and Trudy aren’t cartoon super villains for being bad to their boys. But when you can’t even just rotate a bowl slightly for your half blind little one, it’s shallow. Trudy has her cigarettes right in the boys faces in the opening and in most of the photos. Smoking was in one study linked to about 1/3rd of conjoined pregnancies, and in a similar case of conjoinment to the boys, one of the twins had lost an eye and had a prosthetic, but with minimal scarring because of the surgery being done in an actual legal hospital. It’s not about God taking anything, or about which is a little monsted and which is a very good boy- it’s about Trudy and Victor both messing up from the very beginning and causing the boys losses, then refusing to take accountability for it. Or, in the symbolic sense, to just do the right thing and turn a damn bowl of cheerios towards your blind kid.

[auclairedetoru]

Hello!! Your aot fics are so adorable!! Especially that Eren one, I really loved it. Since you said you would expand on it in the future, I was wondering if you'd want to do something like they get into a fight or something? Maybe one of them gets too busy with work/classes and just ends up neglecting the other and it leads to some hurt but hey, they're soulmates. They find their way back. If not though, just some more college! Eren x best friend! Reader? I love it!!

This happened before they got together, a moment that made Eren realise he would rather chop an arm and a leg off than make his best friend upset again.

At the time, y/n had a falling out with her group of friends, a misunderstanding happened and one of them blamed her which made everyone else turn their backs on her and unfriend her.

Eren on the other hand was saving up money so he could spend the three months of summer break at a specific beach he wanted to surf at, so he was trying to balance long hours of school and work and whenever he had free time he was extremely tired and most likely sleeping. He didn't know what was going on with y/n, in fact, this was the longest they went without talking to each other. He's embarrassed to say this but he would've forgotten about her if it wasn't for the fact he was constantly getting notifications from her.

If he was honest, he did get annoyed, but he tried to ignore it all. She was bombarding him with calls and texts, asking him where he was and why he wasn't answering her. What he didn't know was that y/n was trying to seek comfort from the only person she knew wouldn't hurt her the way the people she used to call her friends did, and was panicking when he kept leaving her on read or delivered.

One evening, there was a frantic series of knocks on Eren's door which woke him up in a panic thinking something was wrong. He opened the door to find his best friend standing on the opposite side, a grin on her face, “Eren! I've been knocking for so long, why didn't you answer?”

He let out a shaky sigh when he realised nothing was wrong and let her in, “fuck, y/n... I thought something bad happened.”

“Probably has something to do with the fact you look like you haven't slept in a decade.” Y/n raised an eyebrow while taking off her shoes, “what's up with that ?”

She was trying her best to cover up the fact she was crying an hour ago. She stumbled across a picture that her ex best friend posted of all of her old friend group together with the caption that was clearly shady towards her. It made her have a full blown break down and she couldn't think about being with anyone after that other than her best friend.

Eren ignored what she said and tried to wipe the tiredness from his face. The day wasn't going well for him, he forgot to turn in his assignment, he messed up at work multiple times which made his boss scold him at the end of his shift, and many other things happened that ruined his day more and more. But he couldn't let her know, he didn't want to seem weak in front of her.

“Nothing, just... Long day.”

He sighed when she took a seat on his couch, he was hoping to finish his nap at least until dinnertime, but it seemed like she had other plans.

“Sooo, What have you been up to? other than ignoring my texts and calls.”

“You know I wouldn't ignore you on purpose, y/n.” he murmurs softly, a hint of frustration present in his tone.

She shrugs, arms folded tightly across her chest as though she was holding herself together. She thought after spending over an hour crying she would stop feeling so emotional, but clearly she thought wrong because a new wave of emotions hit her again. She can feel her throat tighten and the sting of tears pricking her eyes once more.

“I don't know, you've left me on read a lot for someone who's not doing it on purpose,” she mumbles and looks away from him, a slight tremble in her voice, “but why did I expect more, since that seems to be the treatment I'm getting from everyone.”

“alright listen,” The sudden shift in his tone made her head snap towards him, his voice was sharper now, she never heard him talk to her like that before, “I don't know what bullshit made you catch an attitude, but I'm not in the mood to tolerate it. You've got plenty of friends so go complain to them instead of bothering me, god!”

She watched him with wide eyes as he slumped back against the couch and threw an arm over his eyes followed by a long and frustrated sigh. She couldn't hold back anymore and silently let the tears go. She never expected such harsh words to come from Eren, someone who she trusted to never break her heart and hurt her She went to stand up, but he quickly put his other arm out to stop her,

“No, sit down, we have a lot of talking to do.”

“There's nothing else to say-” she tried to say while holding back her son's, but he cut her off.

“I need to apologise, so sit.”

She wiped the tears from her cheeks despite the fact she was still crying. He removed his arm from his face and sat up to face her. He could tell now that something happened that led to what she said, and he needed to get to the bottom of it, but he needed to address his actions first.

“I'm sorry I said that, I promise you I don't mean any word that came out of my mouth,” he gently took her hand in his, and she let him, too weak to fight him off, “I've just had a rough day, everything that could possibly go wrong did and it all pissed me off.”

She nodded and opened her mouth to speak, but he lifted his free hand, stopping her gently. He held her gaze to make sure he had her full attention before he continued speaking.

“With that being said, I shouldn't have let it out on you and I am willing to apologise a million times to show how much I regret my actions.”

“No it's okay, once is enough,” her voice was strained as she tried to keep her emotions in control so she wouldn't burst out in sobs, "it's just-” she looked down at their interviewing hands and sniffed, “I've had a couple of bad days, so many things kept piling up and you weren't with me like usual,” her voice broke, unable to hold back anymore as the tears flew down, “I felt so alone.”

Eren's heart shattered at the sight of her breaking down and immediately wrapped his arms around her to pull her to his chest, “shh, it's okay, let it all out, I've got you now.”

He let her cry for as long as she needed, offering her comforting touches and words, and slipping an apology here and there because despite her telling him one was enough, he still felt very guilty over what he said and as she told him what happened with her friend group and all the horrible things she heard them say behind her back, his guilt grew so heavy it brought tears to his eyes.

His best friend, his sweet angel, his entire world, how could anyone think she would do anything to hurt others? One time she felt bad because she didn't turn on her TV for over a month and she didn't want it to feel useless, how would someone who thought that try to harm a close friend of hers? He felt so mad, so angry, how could he not? They hurt his most precious person.

He tried to comfort her in any way he could to make up for the days he wasn't there, and it seemed like being held and heard was all she wanted from him, so he did, the only time he separated from her was to pick up the food delivery. She ended up spending the night and fell asleep on his chest after venting her heart out to him.

As he held her sleeping body close to his, he started thinking about all their previous arguments, and how they always resolved them on the spot, never going to sleep mad at each other. That ended up being brought up in a conversation while he was out with friends and how he doesn't like making or seeing her upset because he could physically feel her pain, like he was the one hurting.

“damn bro, that's some soulmates shit,” Connie said before taking a huge bite of the fried chicken they were eating but kept his mouth open to cool it down while huffing "ah fuck, too hot" which made Eren laugh.

“he's right though,” Armin chimes in, a soft smile on his face, “remember when you got mad at each other and stormed off but ended up both going to the same spot? Or how you both caught the flu at the same time even though you were in two different cities? Or how she was out of town but knew something bad happened to you when you broke your leg? I don't think those are normal things that happen to everyone.”

Soulmates... Yeah, they're right. He couldn't describe them in any better way. They're meant for each other, whether they like it or not.