#and intentional storytelling

[deadnatura11]

I think we need to deconstruct the 'Risky Business' scene and take a step back -

I just watched a video where someone put Ryan's dancing and the actual scene with Tom Cruise side by side for comparison and it was... pretty spot on. Like maybe a 95% accuracy rate.

Now from a production perspective, we write this off as a fun homage and reference to an older movie that was probably pretty popular with the writer's room, which tracks given what we know about the bts workers for the show.

However, if we think about it from a story perspective -

Why would Eddie, in his first allowed moment of actualized joy, recreate the Risky Business dance scene?

On its face, Eddie has probably never lived alone in his life. He went from his childhood home to the army to then sharing a house with his wife and child to then only his child. That man has never had an actual moment of privacy. Here he is essentially 'alone' and he is learning how to be by himself, how to be okay with being alone, which he would have had to learn how to do anyway once Chris goes to college. Chris being in Texas is making Eddie reckon with this much earlier. And in doing so he is learning how to take care of himself and his needs. Circling back to the airplane disaster earlier this season, he needs to put his own mask on before he can help anyone else with theirs. He can't be a good parent to Chris without working on himself. And part of that is giving himself the space to be alone in his house, dancing in his underwear, naked. He is learning to let go of his shame, which we see happen by not even bothering to put pants on when he sees Buck. Usually, when this scene was recreated in other shows, the person "caught" dancing in their underwear feels immediately embarrassed and tries to walk it back. Eddie did no such thing. This is a step in the right direction.

Furthermore, Risky Business was a movie that came out in 1983 (and also was the catalyst for Tom Cruise's long-standing rumors that he was a gay man, which I won't get into here, discuss the validity of these claims, nor how it also relates to Eddie's journey). Given what we know about Eddie, he is a 90s baby. He was born a decade AFTER this movie came out. So by the time he saw it, it was not at the height of its popularity.

Like I've mentioned, this scene has been recreated throughout media since its debut, so there were many opportunities for him to learn about the movie on his own.

But the choice of pulling a Risky Business allows us to infer:

- dancing around is something he has wanted to do

- dancing the Risky Business dance was something he has wanted to do for a long time

Furthermore, the step by step recreation means that Eddie has had to have watched the movie, watched that scene, hundreds of times to do it so flawlessly.

Now imagine a young Eddie Diaz... sitting in front of his living room tv... late at night... the movie muted... rewinding the tape in his VHS to watch Tom Cruise dance around in his underwear and wondering why he can't stop watching and why it makes him happy.

I'll end by including this link to an OUT article about the cultural significance of Tom Cruise in 'Risky Business' to the queer community.

Tl;dr - Eddie saying he is straight means nothing as he was able to flawlessly recreate the 'Risky Business' dance scene from memory.

[anne-is-confused]

Captain Francis Crozier, at Furthest North.

[peachcott]

letters, unread. ✉

[icyblueroses]

My favorite detail in the Fionna and Cake finale? In the original flashback when Simon and Betty get together, he spins her and she lands on the step below Simon

And when Simon tries to change the past by offering to go with Betty instead, this time when he spins her she lands on the same step

[vanityangel]

Solo's smug smirk at Roman versus the immediate drop in expression and quick head turn when he glances towards Jey

[veerbles]

the end of ck is like, if you are a protagonist whose main character arc is being haunted by your dead brother and your friend has just recently developed powers allowing her to raise people from the dead, is it really a coincidence or is it just the doomed narrative coming for you?

[vaguely-concerned]

so for obvious reasons, rye is not generally all that popular with most of the senior watchers. however. I think there is a certain type of younger watcher to whom he is The ultimate hot badboy icon and fantasy. (we're talking about a group of extreme indoor kid goth nerds who've barely been outside. it doesn't take a lot ot achieve bad boy status in this context and the only thing in this world that lasts forever is a bad reputation in a small insular group like the watchers.) it's SO funny because rye thinks of himself as such a disappointing fuckup of a son of the grand necropolis. and meanwhile there are novices kicking their feet and giggling as they're like

'Ingellvar is so cool. no one knows where he's from he was found down here as a baby. mysterious orphan appeal. he could be a secret dalish prince or something for all we know. (*annoyed extra nerd watcher novice voice*: umm actually the dalish don't have princes, merrivar?? read a real book sometime maybe???) he's a rebel. he doesn't care what the senior watchers think no time for politics he just gets the job done. (*small sad rye voice* I care a lot what the senior watchers think actually. a pathetic amount, in fact. it just rarely seems like it helps anything at all) I heard he graduated almost top of his class even though he spent all his time as a student partying up in the city and having a torrid affair with the son of a noble family. sometimes in his spare time he wears a cool punk leather jacket but like the fantasy version of that. he has tattoos apparently but no one's seen them for years. yuh-uh it's true too, I know someone who knows someone he dated once. they say he saw a knife fight once. like, in a bar brawl, with living people. all that, and he's even sneakily emotionally unavailable. *starry-eyed sigh* what a dreamboat'.

needless to say this only grows worse with the events of the game, after he takes out the formless one and rumours start to spread that he maybe killed a god or something too???? and this being nevarra, more importantly he's out there killing dragons with his sworn companions?? like a fucking fairytale prince but with that devil-may-care rebellious streak???? he's the safely unavailable first crush at a distance of many a young watcher. now imagine the reaction when he shows up home for the first time in a year after the war of the banners accompanied by The one true bad boy fantasy to rule them all: literally the sad brooding crown prince of the crows of antiva in leather pants who has WINGS and a dark tortured side of his nature that he has to constantly battle against for the sake of those he loves.

(the perception vs. reality situation for both of these characterizations is. so unspeakably hilarious needless to say. consider how much of the above lucanis characterization is accurate to the person he actually is and then you've basically found the level of distortion lens being applied to rye as well. is most of it technically true? sure. 'technically' is having to do a whole world of heavy lifting there tho fhdfska)

what I'm really saying here is that there is a subsection of this group that's been ferociously writing rye/lucanis rpf from the moment they were seen trotting down into the necropolis depths together (other pairings within the lighthouse gang as a whole, caught in tantalizing glimpses as they visit the necropolis, of course having their own devotees), and when this fandom subgroup eventually discover they were right it's with all the insane glee of a sixteen year old fanfic writer on wattpad (is that still where the kids are these days. idk i'm getting old folks) finding out that their dark mafia prince AU is basically true. varric might be gone but the legacy of friendfiction lives on after him. the king of thedas rpf being the shoulders of titans that young watchers are standing on to write fevered WILDLY inaccurate depictions of the private life of two of the most low-key domestic quietly devoted and undramatic people on the continent, one of them being varric's own poor little meow meow slash mentee, is something that can actually be so personal. rye does not end up terribly famous in the end considering the shit he manages to get done in this game, and he thanks his lucky stars for it. but to a tight-knit community of mourn watch fic writers he is blorbo from my apocalypse. it's all I could have wished for him.

(funniest possible outcome of all this: myrna gets so fucking tired of trying to understand what the novices are being so tittery about that she asks rye 'watcher ingellvar with the realization that this is a long shot and the admission that vorgoth and I have exhausted all other avenues of investigation: do you possess secret insight about what an 'x reader' is. and also 'ship war'. your name seems to come up in this context a surprising amount'. 9000000 points of incoming psychic damage about to hit the fan.)

[bogkeep]

it fascinates me how often a choice of first or - gasp - second person storytelling can create so much derision and discourse. having preferences is fine obviously, and as a writing choice it Does matter, because all writing choices matter. i don't really... notice?? anymore??? or like, i DO notice, but more in a "what information will the narrative give me access to" kind of way.

i know second person especially can be jarring if you're not used to it, because it's "he would not fucking say that" but for yourself. but it's also like... so many song lyrics have "you" and "i" and to me they're just. a story that exists separate from me. (to the degree lyrics exist to me at all as something other than Sounds that are part of a music piece, but that's the audio processing disorder/'did not grow up with english as a first language and never bothered to decode lyrics' of it all speaking)

i suspect a lot of derision towards first person narratives comes from a derision towards the genres in which it is a staple, rather than that it's somehow uniquely bad. there's really not much difference between a first person perspective and limited third person perspective??

[incorrectfatui]

one thing I find really interesting, and kind of sad, about Scaramouche/Wanderer, is that, despite currently being in his healing era, he's still concerningly nonchalant about a lot of his backstory. Let's take Dottore for an example. The Wanderer says, in hs voicelines, something along the lines of being disappointed that he has destroyed all his segments, because he would have liked to destroy them by himself, and in Inversion of Genesis, he says he will seek revenge on Dottore eventually. Should be a sign of him confronting his trauma, and to an extent, it is, but the way it's portrayed in game makes it seem like his desire to get revenge on Dottore is primarily motivated by what happened to Niwa. Which is valid, it was Dottore who did that, but it's a little concerning that we don't really hear Scaramouche/Wanderer complain about the whole human experiment thing, no? Sure, he agreed to it and states that he participated voluntarily, but it's a little disconcerting that Nahida describes it as genuine torture, and for Scaramouche, it's kind of just a secondary thing. Of course, if we go with the three betrayals, obviously Niwa's death messed him up a lot as well, but after Inversion of Genesis it kind of seems like getting revenge on Dottore is part of his whole self-atonement thing, since Dottore killing Niwa led to Scara eventually killing all those blacksmiths. I do wonder if they'll elaborate on any of this when we get their confrontation ingame- because I do think there will be one. I'd really like to know whether Wanderer's reasoning for revenge is really anchored primarily in Dottore's murder of Niwa, like it seems to me rn, or if we'll get some lines about the experiments as well. I think it could honestly be part of the healing process, having him want revenge for the sake of others at first, and later accepting that he can want it for himself as well. I think maybe he's still a lil hung up about the fact that his other attempts at getting revenge turned out to be him hurting innocent people, since Niwa never did betray him, so he might need to take some time to accept that he can still want revenge for himself as well

[canisalbus]

Look, I know it's supposed to end badly. But I need to admit that in my head, they declared a mutual "fuck this shit" to the world and society. Packed all the stuff they could one late night and escaped to a remote open plain in the middle of some thick woods where they spent the rest of their lives healing and living freely in nature.

I've been having a lot of intense feelings about them as well. The tragical elements are so baked in to their story and setting, it's hard to imagine a happy ending for them. But every now and then I find myself thinking of scenarios and AUs where they both live and grow old together. For coping purposes, I suppose.

[stay-funky-ponyboy]

One day I will make a video because the parallels, themes, etc of dorym need to be in a compilation and I would love to see it all in one place

[lynzishell]

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Transcript below the cut:

Spencer: Where’s Asses? Asher: Spence, I know you know how to say ‘Atlas’. Spencer: Uh-uh. Asses!

Asher: [laughs] Well, Atlas had to stay home and work. Spencer: Will he come over soon? Asher: Not today, kiddo. Maybe you should ask him to come visit you next weekend. Ask your mom to help you call him.

Spencer: MOMMY!! Asher: Not right now, goofball. Tonight. After dinner. Do you know how to ask him in French? Spencer: [nods] viens me rendre visite!

Asher: I’ll take your word for it. Don’t forget to say please. Spencer: s'il te plait. Asher: Right. Ask him just like that. [winks]

[aroaessidhe]

2024 reads / storygraph

Lockjaw

YA horror

set in a small town, where a boy died tragically in an old abandoned mill

a group of 11yos on bikes are determined to find the monster and hunt it down - while facing the monsters and prejudices haunting their small town

and some teens, including one of the kids’ sister, a genderqueer guy who tried to get out of town but was drawn back, a homeless trans guy and his dog, and the police captain’s son who get drawn into the web of it all against their will

shifting timelines and perspectives from various kids and residents of the town (plus the dog)

[tubbytarchia]

Dear anonymous. I talk about characters. I'm not hating on Pearl and I'm very much not hating on Pearl the CC. Her POV literally just hurts me on a deeply emotional level because I'm invested in her character. I thought I made that clear

[knockknockitsnickels]

For Equality (#Women), here's a Princess tierlist (already did a voices one). I was hesitant to make one bc all of the princesses are different facets of my beautiful wife whom I adore, but I also love to yap so let's do it. Full disclosure I like all of them a lot for different reasons so these rankings are based almost entirely on vibes. For the sake of brevity I'm gonna be counting unique chapter 3s alongside their respective chapter 2s and counting the shared chapter 3s separately. I know that makes no sense but c'mon there's like 22 of these ladies

EDIT: I completely missed Razor!!! 😭 I'm sorry babygirl. Updated to add her.

Spectre/Princess and the Dragon: Spectre my beloved. My most anticipated route after playing the demo, and she met all of my expectations. The themes of forgiveness in her route are wonderful, I love how reluctant she is to hurt you, even when you deliberately antagonize her. Princess and the Dragon was also great - getting to see from her perspective feels so fitting I'm surprised it wasn't in the original game, and the moment of quiet you get just chatting with her was a delight.

Nightmare/Moment of Clarity: One of the most tragic characters in the game. I adore the way Shifty's description of her completely recontextualizes the route, taking Nightmare from a quirked up lil villain to just a sad person trying to find a connection after being rejected. Another wrinkle is that no matter what route you take - whether you get Wraith, M.O.C, or set Nightmare free - there's not really a way to give her the connection she wants. I got M.O.C for the first time via choosing to stay with Nightmare, not wanting to release her after she admitted to wanting to destroy the world, but recognizing she just wanted a friend. After the vision she shows us, I felt bad for what I chose - I wanted to apologize to her, but there were no options left.

Prisoner/Cage: First princess I ever got, hence subject to first-princess bias. I've already talked a lot about how much I love her in another post so I won't repeat myself, but she truly is the 3rd best Princess in the game.

Fury: My babygirl It's really hard to write about why I love this girl so much. I've talked about it a bit before, but there's a special kind of horror in how you destroy Fury's original sense of identity (whether you got there via Adversary or Tower), and how upset she is by what she becomes. I think she also ties in really well with the overarching themes of the game. Her insistence that you are not your body and her desperation for you to understand her (in one route destroying herself in the process) remind me a lot of what Shifty has to say in the final fight.

Adversary/Eye of the Needle: My lovely wife whom I adore, my bestest friend. Adversary is such a fun and underrated character, her respect and genuine care for the player is so good AND she's hot. Eye of the Needle is also extremely underrated, her dialogue during the Shifting Mound fight - especially the variation when you free her - honestly gets me a lil emotional.

Wraith: A star, she's done nothing wrong, she is a girlboss and she is slaying. I've already written a bit about how tragic her route is & how I think she's one of the best shared chapter 3s in how she changes depending on the context, so instead i will say: banger design.

Witch/Thorn: Yeah im basic. Thorn was something I was hoping for basically as soon as I realized I couldn't get through the game without hurting the Princess, and it really met my expectations. Witch is a fascinating character - she's so desperate for revenge she'll end up destroying herself in the process, yet despite reveling in how awful she believes the two of you are, her chapter 3s show there's a part of her which wants to reconcile with you.

Damsel/Happily Ever After: Damsel on her own I found to be a pretty funny route - Smitten's dialogue, her happily agreeing to end the world, & Narrator suffering throughout the whole route makes it a lot of fun. Honestly even the more unsettling moments like the deconstructed Damsel are kind of funny - like OK I think it's fascinating thematically (we're trying to help her by asking what she wants but in questioning the only desire she knows we strip her personhood away), but also her turning into an anime doodle is hilarious I'm sorry. Despite that, there is this underlying, deeply uncomfortable horror to the whole route which comes to the surface in HEA and Burned Grey (we'll get to her). HEA is genuinely the most tense I've ever felt playing this game lmao. I think she adds a lot to Damsel - she gives her another dimension of personhood, and whether you choose to pursue it or not, I think the route feels incomplete without it.

Razor: Hilarious, showstopping, spectacular. Her route is a lot more lighthearted than the others, which helps her stand out and can be a nice break on some of the rougher playthroughs. It's hilarious that she was originally going to be a bit more sinister - I'm glad BTG made the best decision anyone has ever made and changed her to her current version. There's also some interesting stuff going on with her thematically, esp in how she parallels Stranger she stole Stranger's ch 3 that's why she's the only route with 4 chapters and how she kind of flips the script on the player and so the slain becomes the slayer. Also, I just love the concept behind her design - her exploding into the perfect woman a knife monster is something I will never forget. She probably has some of the same problems with linearity as some of the routes I talk about later (you're always going to see almost the exact same 4 chapters, after all) but there's enough variation in dialogue and outcome to make me always happy visiting my dear friend Razor.

Stranger: I love her but she's probably one of the routes I replay the least, just because it always plays out the same. Either way, I love the lil peak behind the curtain her chapter gives us, and I love getting to reunite with her & having a real conversation for the first time if you get her as the heart princess.

Tower/Apotheosis: God forbid women do anything. Pristine cut really did wonders for her - honestly in hindsight I think part of the response to her might have had to do with how brief both of her Ch 3s could be. Getting a chance to see (both via Apotheosis & Fury) how much she clings to to her divinity adds a lot to her character.

Wild: Wild really hits different after all of the tension in Beast & Witch. I'm not sure how intentional this was, but I like how both of the no-knife princesses (Beast & Witch) have ch 3s where there's an option to reconcile. I'm guessing the devs knew players would probably eventually be forced to backstab the princess & wanted to give them a chance to make things right? Either way, I love she. The dissonance between the peaceful atmosphere of this route & her desperation to stay together makes this one of the most anxiety-inducing routes in the game.

Drowned Grey: Extremely cool design, extremely cool environment, I love the whole "widow/bride" thing the two greys have going on, unfortunately her route is extremely short & linear. I think part of my trouble with the greys is I don't entirely understand how anyone would get them naturally lol. You stabbed the prisoner? Jail for you. Jail for 100 years.

Burned Grey: My thoughts on her are basically identical to my thoughts on the Drowned Grey but she's lower because I think Drowned Grey looks cooler. Sorry bestie.

Beast/Den: She's one of the most horrifying princesses to me, which is probably part of why I try to avoid getting her route, lol. The themes of dehumanization & the way she's reduced to a base instinct of wanting to consume you just so she can be "whole" again freaks me out. Also the part where she rips you in half & is like "lol oops" is so funny. Legend.

[hannahssimblr]

Hey, sorry that I haven't responded to your email from last Wednesday. I was hiking with some friends and had no reception.

You asked about the room. It is free from August. So that should go well with your move. I'm assuming that you can't come and see it in person beforehand. I've attached a few photos for you so you have a rough idea of ​​what the apartment looks like. Sorry for the poor quality, my camera is quite old and I'm not exactly the best photographer.

Unfortunately, the bedroom is still pretty chaotic at the moment. When Marie moves out next month, everything will of course be cleaned. Please let us know if you're still interested!

Thank you for telling me a little bit about yourself. I'm also really into sports and music. I'm actually in the gym almost every day and I also really enjoy bouldering and hiking. Otherwise, I like to go to parties or my friends and I hang out here. If that's not your thing, the shared apartment probably wouldn't be for you...

Please let us know if you would prefer us to write in English. I don't speak fluently but my English is ok.

I'm looking forward to hearing from you,

Jonas Osterhaus

Hello Jonas, 

Thank you for your email. The apartment is nice, and I would like to take it.

How can I send you the money? Please send your bank details.

I can pay in August, because that is when I will sell my car. 

It is good that you like sports and music. I am okay with your friends coming to the apartment. I like meeting new people and spending time with them.

I hope camping was fun. 

Jude. 

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