#and instead wrote his whole backstory

[boatboys]

actually on the topic of old drawings; the first-ever drawings I did of Rich, Liam, and Sol turned up on my deep-dive of old discord messages and I was compelled to redraw/compare!

Rich very much predates the worldbuilding of the Michigan Fleet universe, as one of Key/rollerskatinglizard's oldest OCs, and was originally just a normal amount of un-tweaked big and buff dude, although I also sucked at drawing people with body mass back when I drew these lol. It does make me laugh that the huge crooked nose and sad, downturned eyes have been a constant from sketch one!

Liam predates the Michigan Fleet as well and was originally mine! He..... hasn't changed much actually haha. Although his size/prettiness/temper being a genetic modification is new, from the first lengthy discussion of mods where fourhands and hastings both got established (although not by those names). It looks like I coined the mod name "Babydoll", which I do NOT remember doing.

Sol was the most Group Effort of these three, looking back at the messages: Key invented a salty little gorgeous asshole with modded hearing for a snatch of interaction in a wildly different context than his new introduction; roach was the one who suggested the elf ears and iridescent hair to go along with it, I was the one who suggested he was from New York and threw several large pinches of "a big tsundere about Rich" into the mix, and a lot of the much later patrician worldbuilding was roach.

[bitegore]

ngl i think i kind of was a genius for being like 'yeah this character is a scary killyou cannibal scary killer who scary kills you' and then realizing that the way my worldbuilding works out is that there's a nonzero chance that if you leave literally any body parts over they can just come back, depending on what they believe in their heart of hearts can kill them. Of course she'd start eating her kills. She probably tried normal stuff first and then realized it didn't work and she had to try harder if she wanted to actually keep them dead.

[alllgator-blood]

'FOGGY STREETS AND CHRISTMAS LIGHTS'

(part 3/3)

I'm gonna infodump about the backstory of this comic, don't feel obligated to read it because it's not cotl related it's just personal stuff, I just want to be able to write about it somewhere cause I can't really talk to anyone about it.

As always, thanks for reading this far, sorry my stuff has been such a bummer so consistently. This comic goes out to all my "christmas induced depression" homies, I left my house maybe like ~5 times all month and it was NOT pleasant hearing "IT'S THE MOST WONDERFUL TIME OF THE YEAR!!" on the radio when I'm so ready for it to be over. Gonna take it reaaaaal easy til the year ends, you guys take it easy too!! Got some asks I have to respond to when I'm more stable but probably no new comic pages til january

Alright uhhh so this part of the comic is pretty much taken directly from the last time I saw my great-grandma alive, a few days before christmas. She didn't remember me, but at the nursing home there was a piano, and I sat down and played some stuff because I didn't know what to say. I was really into lisa the painful rpg at the time, and I played that "I've got the joy" song that the villain sings without realizing it was an old christian campfire song. She didn't really say much or move that whole night, just kind of gave me a polite blank smile, but started singing the words when I played the notes to that song.

I kinda stopped in shock, my dad frantically asked me to keep playing, so I did. While the comic I made is way more sappy than the actual moment was, I wish I'd cherished the moment longer. I didn't know it was the last time I'd see her alive. Every family christmas was held at her house when she was around, so it's been weird the past few years. I actually lost another dementia-addled grandma to cancer on christmas eve in 2009, so the holiday was already kind of weird for me on top of everything else that makes me sad this time of year. That's what part 2 was about, I'll spare the details but I wrote leshy to act out how I felt back then. Why are we all sad? This is supposed to be a happy time, all the decorations are up and we're almost all here, so why is everyone smiling yet everything feels so wrong? I feel like since leshy's canonically the most ignorant one to things lurking below the surface, he'd be the one to try and make everyone feel better but not quite understand why everyone is so miserable. My first memory of having self injurious behavior came from then, hence why I had leshy pull his leaves off in the last comic. It was confusing and frustrating and I was just old enough to comprehend something was wrong, but not old enough to understand the depth of it, it DEFINITELY didn't help that nobody helped me back then so I made leshy's siblings actually come in clutch instead of grabbing him/yelling at him.

That night with the piano was something that's stuck with me the few years she's been gone, but I felt kind of strange when I asked my dad and my sister about it and neither of them remembered it. The room we were in was completely empty so nobody else witnessed it but us three. I myself have a history of head trauma and memory loss (plus, native americans are disproportionately more likely to develop dementia... lucky us) so if I ever forgot about that moment, there'd be nobody left to remember it. Sometimes when I do comics, it's my way of going "this happened at some point, and the only evidence it ever happened was me witnessing it, so if something happens to me I want the memory to stay alive in some form."

Anyway. The autistic urge to overshare, am I right? Idk what my religious ass great-grandma would think of me drawing demonic comics about my last memory of her, she'd probably think it's funny though cause she raised my dad whose interests have always been "death metal and devil worship". I'm not sure if anyone read this far, I just hope my dumb comics can convey the things I can't say with my voice and struggle to say through text. None of this was supposed to be "feel bad for me!! Woe is me!!", it was supposed to me more like...cathartic? Healing? I almost didn't post this comic because it felt kinda weird, but seeing people connect with it made it worth it imo. Thank you

[rosenclaws]

Restless night | Variant!Logan x reader

summary: Logan has nightmares about his world and you want to help.

warnings: angst, hurt/comfort, descriptions of bodies (not graphic), sad logan, possibly ooc bc ive never written for him im sorry dfslj. Reader has like, memory manipulation powers? Ig that's how you'd explain them??

a/n: Hello! This is my first Logan fic ever and I am very nervous but after watching Deadpool I have fallen in love with wolverine, particularly this wolverine. I don't know if I'll ever write again for him but I wrote this and felt like sharing so I hope you like it too <3

wc: 1.7k

"Logan!" You yell angrily. He grits his teeth as you slam the door wide open. Curious heads turn towards the two of you as you storm after him. 

"What." He bites back as he continues to walk. 

"Can you just stop for one fucking second!" Your fists clench at your sides as you stop right in front of the front doors. "You are a real asshole, you know that? You're a mutant whether you like it or not. So how about doing something good and helping us." He pulls out a cigar and lights it, blowing the smoke directly into your face. 

"For the last fucking time, I don't want any part of your X-Men bullshit." You sigh and shake your head. So fucking stubborn. 

"We need you Logan, please. I need you please." You place your hand on his arm, rubbing your thumb over his leather jacket. For a moment you think he might stay. Maybe he'll admit for once in his life that he wants the family that waits for him here. Instead he pushes your hand off. Rolls his eyes and walks straight past you. 

"Fuck off." He walks out the doors, letting them slam loudly.

Those were the last words he ever spoke to you. Well, the you that he knew.

"Logan?" He flinches hard as your voice snaps him from his spiral. 

It makes his stomach turn to see you. You look exactly how he remembers. Except you have a scar on your forehead. His eyes focus on that, a reminder that you're not the you he knew. No, in this universe you're Wade's next door neighbor. A mutant who retired from teaching at the mansion and lives a quiet, happy life. At least you're happy in this world. 

"M'fine." He mumbles as he stands up from the table. No one was really paying attention to the two of you as dinner was dying down. You want to say more but he leaves before you can. Sighing, you watch him retreat into his room. He's barely said two words at a time to you. No matter how hard you try he refuses to speak to you. At first you thought you had done something but the few times you've caught him staring you see a terrible sadness in his eyes. You know he's from another timeline and that something went terribly wrong. Your room shares a wall with his and as hard as he tries he can't hide his nightmares.

"Don't worry about him, he's got that tragic backstory kind of character development going." Wade comments. "God knows he could use some therapy but I doubt Marvel would ever green light that movie." You nod absentmindedly, not really listening to Wade's rambling. 

You float around for a little longer until you can silently excuse yourself and go back to your own apartment. Logan stays on your mind the whole time. You wonder if he knew you in his world. If something had happened that made him like this. As you lay in bed you close your eyes and listen, you can hear him tossing and turning. He settles and you silently hope that for once he can sleep through the night. 

It's eerily silent as he stumbles back to the mansion. He stops right outside of the door. His ears alert for the sound of you to see if you were awake yet. Except no matter how hard he listens he can't hear anything. A horrible scent fills his nose and it makes him sick. The smell of blood. Barging through the door's he's met with destruction and bodies.

This is a nightmare, it has to be. He calls your name frantically. Racing through the mansion, begging for anyone to be alive. Instead he finds body after body. Until he stumbles upon yours. He falls to his knees, his hands ghosting over your face. You look so peaceful but you're cold to the touch. Maybe if he had been there, he could have saved you.

His claws unsheathe themselves as white hot rage bubbles to the surface. Without another word he walks out of the mansion with only the thought of killing on his mind. Blood for blood.

Logan's voice is what wakes you up. Even through the walls you can hear him. You can't quite make out what he's saying but it's clearly a nightmare. He's turning wildly. You knock on the wall, hoping maybe it would wake him somehow. Worry builds as he gets louder. 

Suddenly through the walls you hear a resounding shout before metal claws burst through your wall. You can't help but scream as they miss you by only a few inches. Breathing heavily you slowly reach out to touch them but they retract before you can.

"Fuck!" You hear him shout. The sound of scrambling and frantic footsteps following his outburst. A loud knocking fills your apartment as you shake off the shock. Quickly you rush to the door and open it, finding a shirtless Logan standing before you. His eyes scan you for injuries, injuries that he would have caused. He grabs your arms firmly and pushes you inside, closing the door behind him with his foot. 

"Logan I'm okay, just a little startled." You try to reassure him but he doesn't hear you. His mind is snowballing out of control. 

"Logan!" You say louder and he finally looks at you. 

"I'm okay." You say softly. Slowly he loosens his grip as he lets his body relax, but only a little. 

"Another nightmare?" You ask and he nods. His eyes drift to your open bedroom door. He can see the holes left by his claws. Just how close they sit next to your pillow. Guilt floods him as he deflates.

"I..." He doesn't really know what to say. This would be your first real conversation since he came to this world. For years he's thought about what he'd say to you if he was ever gifted the chance. Yet, he stands here completely silent. 

"They're getting worse." You say, breaking the silence. 

Cautiously you reach to take his hand. He closes his eyes as he feels your thumb rub along the top of his hand. He lets you guide him to your bedroom. When you let go he almost reaches out to take it back, but he doesn’t. Instead he turns his attention towards your wall. He’s ruined a fair amount of bed sheets before but this was new. He traces the holes with his hand. Wincing as he notices just how close he was to cutting you open. 

"Sit." You gesture to the empty side of your bed. He hesitates and you huff. 

"Humor me." You plead and he can't find it in himself to say no. 

It's almost too much as he sits down, everything smells like you. Your hands move towards his temples but he grabs your wrists before you can go any further.

"Logan, let me help." He half smiles at that. 

"You were always so persistent about that." Your eyes widen as you realize he's talking about his universe’s you. 

"I told you I didn't want you poking around in my head but you just wanted to help the nightmares. I never let you though" He admits. 

"I should've. I should've stopped being a stubborn ass and just listen to you." His voice wavers and you have a feeling he's not talking about dreams anymore. 

"Then listen to me and let me help you." He lets go of your wrists and looks up at your face. Savoring the look of kindness in your eyes. 

"You don't want to go in here, once you do..." Wordlessly you place your fingers on the side of his head. Suddenly you're overcome with visions of bloodshed and anger. A tear slips down your face as you see flashes of Logan's memories. 

The rage, the hopelessness, the darkness that plagues his mind. Through all of that there was a lurking feeling of indescribable guilt. So much pain, so much sorrow. Logan knocks your hands away as he watches more tears pour down your face. You open your eyes and wipe the tears away. 

"I told you baby," He waits for you to move away from him. To call him a monster. It's what he deserves. To his surprise you wrap your arms around him instead. He buries his face in your shoulder and hugs you tight. 

"I'm so sorry." It’s the last thing he expects to hear and it nearly breaks him.

"What I did.." 

"You were in pain, so much pain." You know it's not easy for him to see but all of this pain led to him becoming the hero he never thought he could be. 

"You saved the world Logan. You're a hero whether you like it or not." He winces as he remembers you say something similar to him before. "And a hero deserves to sleep peacefully, for one night at least."

"You won't stop will you?" You shake your head and he finally relents.

He sinks down into your bed, resting his head on your lap. You bring your fingers back to the side of his head and use your powers to calm his mind. Searching for happy memories and temporarily suppressing the bad ones. Calmness washes over him, a feeling he hasn't felt in years. He's already drifting in and out of sleep but something nags at him from the back of his mind. 

"I loved you. My universe's you." He admits in a whisper. The words he never got to say. It's been eating him alive for decades. He never got to say them to you, he was too much of a coward. 

Your heart skips a beat at his confession and he can hear it. You don't respond, instead offering a comforting hum. He doesn't know you. The similarities are there but he knows you're two different people. But he wants to know you and he hopes you feel the same way. For a moment he thinks that maybe the universe is finally giving him what he's always wanted, a second chance.  

"Sleep well Logan." You watch his breathing slow and his mind settle. Though you could stop using your powers now, you hold on for a while longer.

And for the first time in a long time, Logan sleeps.

[simpforsolas]

i wrote up this whole rant yesterday about how I didn't find the Solas arc satisfying in this game, and seeing the ama and interviews today, I think I understand why that is lol.

yes, Solas carried this game. Yes i loved every time he was on the screen. yes his arc made me cry. NO it was not satisfying. and i'm just gonna go ahead and copy paste my rant explaining my feelings the best i can.

(i wrote this yesterday before all the revelations)

Solas's writing wasn't successful to me not because I think he was written out of character, necessarily. I think that every individual instance of his character being written on-screen was fine, but to me, his character was missing the wider context that put the isolated actions we saw of him in the game into perspective

The entire point is that the Dread Wolf/Fen'Harel persona that we see is a mask he wears. And that's fine, I like it! But what makes a mask interesting is to see what it's masking, and Rook doesn't really get to see that unless you choose the reedem ending. I guess what I'm getting at is that I craved to see more Inquisition-style Solas, in particular Trespasser Solas who was so remorseful but stuck in his ways, who stuck to his path but said stuff like "I would treasure the chance to be wrong once again, my friend." All these different sides are real sides of Solas, but because the game didn't really show us all these sides then we're left with a lopsided picture and now I have to deal with all these fools misinterpreting him all over the internet

I can still interpret it my way well enough, but the thing is that's my interpretation and it's a valid interpretation of the source material itself, but other people's interpretations are also valid because the game didn't really get more into his motivations other than "it's all mythal." But if you go back to inquisition, you can see how passionate Solas is about his ideals! His banter with other party members and his approval and dialogue you get with him really suggests that he actually CARES about his goal at an idealistic level, it's not just about regret. I like the regret! I like the history with Mythal!! I just wish it was more of something in his backstory that shaped him to who he is today and is something he needed to work through in order to finally see things clearly, instead of being the one magical thing that had to happen for him to get his "redemption"

I'm also rather frustrated that the right answer was just going straight back to the status quo, when we KNOW the veil is falling apart and shattered and an unnatural wound inflicted on the world that turns spirits into demons, prevents the world from achieving the magical/technological wonders it once had, keeps elves from immortality, and creates this fear and class difference between mages/non-mages and people who understand the fade and those who don't. Like when I replayed Origins i was struck by how many plot points are basically "the veil is weak here which means that there are demons here and they killed hundreds of people!!!!!!" Things like that are still going to be a problem hello why was none of this addressed 😭😭😭 I wish we could've validated the problems Solas's plan resolved to fix instead of saying "you just need to move on man this is just you taking your issues out on the world" because it WASN'T THAT

'm also really frustrated that we don't see a SINGLE big plan of Solas's go right because I know my man, I BELIEVE in my man, I know that he was smart and clever and had wins!!! I don't mind him fucking up but when all we ever see of him are major fuck ups it annoys me because COME ON. He's the DREAD WOLF. He knows how to make plans and carry them out. He saved thousands of slaves during his time, he fought and won countless battles, he locked away the Evanuris! Sure things fell apart in the actual veil part but he was able to trick all of them and did succeed in locking them away. The only thing we actually see him accomplish in this game is escaping regret prison, which is instantly seen as less cool because Rook gets out after like five minutes, and taking down the archdemon which was pretty hot but that wasn't about trickery, that was him engaging in straight up physical fighting in his wolf form. Anyway it frustrates me because now people in the fandom can rightly laugh about him being stupid and having bad plans. Yet I can't help but go back to inquisition and listen to his advice, dialogue, etc, and he's always so thoughtful and wise! So i just find it hard to believe that this man is incapable of taking a win. even if he kept all the Ls in this game but they had included a few more wins i wouldn't even be mad but it was literally just a collection of Solas's Ls and it frustrates me because I think he's better than that

i'm just worked up about this because i've been seeing takes about solas from people who used to like him but this game made them hate him, and the fact that the source material from datv as an isolated game actually supports their perspective is driving me insane. cuz if you ask me a lot of solas's character and motivations between dai and datv are actually at odds with each other. even if the surface characterization is absolutely on point, there was just so much context and scope that we're missing in this game. i can't handle it

[thefandomenchantress]

DRDT Character Popularity Poll Results

The results have been tallied! It's finally time to find out who the most popular DRDT Character really is! (...According to this specific format on this specific website).

For those unaware, this poll was conducted by asking people to write down their top 5 favorite DRDT characters in no particular order. Each time that character's name was written, it counted as one vote towards them. And, without further ado, these were the results!

---

18th Place: Elliot Cuevas/Felicity Giles/Unnamed Classmate

Elliot, Felicity, and Unnamed Classmate managed to receive exactly 1 vote each, putting them in last place. I can't say I'm too surprised, since there are so many excellent characters in the main cast to choose from. Still, Felicity, a character mentioned only in an ask game, managing to tie a character with a whole-ass MV dedicated to them as well as a character featured in two bonus episodes, is pretty impressive! So props to her!

(Someone wrote 'Relaxation Room Fish' in one of their slots, which I considered including to be funny, but I decided not to. One day the minnows will get the bonus episode they deserve).

17th Place: Mai Akasaki

Mai managed a whole 5 votes. I was a little surprised by that, since she only really has a hypothetical personality, but hooray for Mai! She's the most popular non-main cast member. I can totally see why people would be intrigued by the mystery surrounding her.

16th Place: MonoTV

MonoTV, self-proclaimed most popular DRDT character, is the least popular main cast member. How sad. With only 6 votes, it barely outranks Mai, and ties with her if you count Unnamed Classmate and Mai to be the same person. While it's silly emoticons and lore implications won a few people's hearts, it still can't compete with the human main cast members.

15th Place: Hu Jing

...I doubt many people are surprised by this. While Hu may have been one of the characters helped most by my decision to make people write down their top five characters instead of only their favorite, she still couldn't gather enough votes to get out of last place within the (human) main cast members.

Hu gathered 26 votes. While that came pretty close to 14th place's number, she ended up here. Like I said earlier, this isn't surprising. Hu's behavior is supposed to be flawed, but unfortunately, it doesn't seem to be the kind of behavior that most people enjoy watching as much as the more cartoonish character's antics. Still, she has her fans (including me, in case you couldn't tell haha).

Well, if there's one thing we can all agree on, it's that Hu should definitely slap the shit out of David next chapter. /j

14th Place: Min Jeung

Min barely managed to beat out Hu for 14th place with 28 votes. Her low placement, sadly, also isn't a surprise.

Min died in chapter one, and her screentime being limited definitely hurts her here. Not only did she have only a few mentions in chapter 2, but she also didn't haunt the narrative quite like Xander did. Xander managed to leave quite an impact on both David and Teruko. And to put it bluntly, Xander is a conventionally attractive male character with a ton of screentime during his time alive. With the way fandom is, he was almost definitely going to have more staying power than a female culprit, especially one with as little screentime as Min.

That doesn't mean she has no fans, though! There's a ton of cool Min content on this website, and she is one of few characters I have never seen anyone say they vehemently dislike. And how could they? She's such a charming little bookworm.

13th Place: Arturo Giles

Arturo received 33 votes. His relatively low placement isn't exactly something I didn't see coming, seeing as he spent all of chapter 2 stalking J and being generally pretty creepy.

That's not to say he's devoid of charm, of course. His backstory was also expanded on, and I don't think we'll ever forget "Shut your whore mouth!!!!". Arturo's a pretty interesting character, but until we see his full potential in chapter 3, this position in the ranking is pretty understandable. At least Aceturo was confirmed canon in the last five minutes of chapter 2 (/j).

12th Place: Levi Fontana

Oh, Levi. Such an interesting little guy who may or may not have committed multiple felonies.

Levi received 41 votes, beating out Arturo by a good margin. He seems to have gained a little popularity after his backstory was expanded on at the end of chapter 2, and I'm sure we're all excited to see where his character goes in chapter 3! Well, if he survives, but I refuse to admit him not surviving is a legitimate possibility haha.

Overall a decent showing, about what I expected for him! Our next character, however...

11th Place: Xander Matthews/Nico Hakobyan

Attentive readers may have noticed that, despite there being 16 main cast members not including MonoTV, there were only 15 slots when we started ranking them.

And that's because, against all odds, Nico and Xander managed to tie each other at 44 votes each, 3 votes above Levi.

Not only am I a little disappointed I managed to get a tie in these results, but I'm also rather surprised! I was always under the impression Xander was a rather popular character, so I was fully prepared for him to break the top ten. Seeing him underperform like this wasn't what I expected. I suppose the popularity of Xanvid may have always been what carried Xander's popularity, not Xander himself. After all, one of the few things keeping Xander relevant right now in canon is David.

As for Nico, they performed closer to my expectations. I was prepared for them to be somewhere in the middle ground when it came to popularity. I suppose them being alive longer than Xander was evened out by them almost committing murder...Except Xander also did that, but that's a whole other can of worms. A shame neither they nor Xander can make it to the top ten, but maybe next time.

10th Place: J Moreno

Woohoo, J makes it to the top ten! She got a total of 47 votes, and was one of the hardest to count since she has so many name variations haha.

J managed a pretty good showing. With more backstory details and her based-ness during the trial, I'm not surprised she was able to score a top ten spot. As someone who thinks non-violent tsunderes are very fun and amusing, I totally get the appeal.

9th Place: Eden Tobisa

Eden managed to also make it into the top ten with 49 votes, beating J by only 2 votes.

I'll be honest, I'm pretty impressed with Eden. I think she probably benefitted from the top five rule, since she got a lot of points from the 2nd to 5th slots. While the first slot didn't have to be your favorite character, most people probably did put their favorite there. So even if she isn't always people's most favorite, how could they possibly dislike such a sweet character?

8th Place: Arei Nageishi

Next up, Arei Nageishi, the Ultimate Bowler with 63 votes. That's quite a gap between her and Eden. But they still ended up next to each other, which can only mean one thing: Areden is canon /j.

Arei doing well is something I expected, since she's a bit of a wild card. If you like jerk characters, she's got you covered. If you like nice characters, she tried so hard to be good at the end. If you like crying, she died before she could achieve her dreams. Truly a character that pleases everyone, haha.

7th Place: David Chiem

...Holy shit. Seriously? Only 7th place? He barely made it into the top half of the main cast? Damn.

David got 64 votes, only beating Arei by one measly vote. Gotta say, David barely getting to the top half of the main cast in this list surprises me. I mean, he's so popular, right?!? Everyone was so obsessed with him right after chapter 2 ended! Who knows, maybe the hype died down a bit after people got used to his new act--I mean totally 100% real personality reveal.

6th Place: Rose Lacroix

After David shit-talked Rose, I'm sure we're all very amused to see her beating him, haha.

Rose gathered 66 votes, scoring 6th place by only 2 votes. Rather impressive, I didn't expect to see her up so high, but I'm pleased! After her little angsty speech during the second trial, I have to say I'm more endeared to her as well, so it's nice to see her defy my expectations. But then again, she's yet another character I've never seen a single person say they particularly dislike, so maybe I should've expected this.

5th Place: Whit Young

Whit makes it to the top five! Yay! He got here with 69 votes, a number I'm sure he'd have at least one joke about.

This is pretty expected, since I think most people are aware Whit is decently popular. A seemingly happy jokester who's secretly depressed is an archetype that usually endears a lot of people, in my experience.

Though I would like to give a shout-out to the person who wrote: "1. Whit, 2. Whit (mastermind version), 3. Whit (traitor version), 4. Whit (psychotic kanade version), 5. Whit (pinkie pie version)". I considered counting it as only 1 vote, since voting for the same character five times is against the rules, but I decided it was too funny to not count and counted it as 5 instead. So If you want to get technical, Whit is technically only 6th, without me breaking the rules. Sorry Rose.

4th Place: Charles Cuevas

See, my intervention allowed Whit to be next to Charles, it was meant to be. /j

Charles got 71 votes. I expected him to do well, but almost on the podium of top three? Wow! Congratulations, Charles. Like I said with Arei, people who like jerk characters and those who like nice characters are both appeased by characters like this, so it makes sense that he's rather popular. Especially since he has a bunch of cute sprites.

3rd Place: Veronika Grebenshchikova

Our top three begins with...Veronika, who got 72 votes! She barely managed to get past Charles by a singular vote!

I'm impressed with Veronika! I knew she was popular, but not top three popular! I suppose she is basically every Danganronpa fan to the extreme, so it makes sense most people like her at least a little bit. Not only does she have a super awesome design, but an interesting dynamic with many cast members as well.

2nd Place: Ace Markey

HOLY SHIT???? SECOND?!?!

Ace received a total of 77 votes, beating Veronika by a solid number, though not a crazy amount. And I'm...Super impressed with this! I knew more people started to like Ace after he died, but second? Wow! I guess I can never claim he's not one of the top three most popular characters ever again, haha.

Though...Since I hosted this poll, and I'm an Ace Markey-centric account, I should recognize Ace probably had a liiiiittle bit of an unfair advantage, since many of the people guaranteed to see the post the poll was in had to like him at least a little. Whoops! If a completely neutral party hosted this poll, maybe he would've ended up losing to Veronika or Charles, but I suppose we'll never know.

Anyways, Ace probably benefitted the least from this format, since he took an early lead in the first slot only to get closer to the others as time went on. A stark contrast from our champion, the most well-liked DRDT character...

1st Place: Teruko Tawaki

Congratulations, Teruko! She won by a HUGE landslide, getting a whopping 104 votes and blowing everyone else out of the water!

Teruko started out well, but not super well during the first slot, only to consistently get high numbers all the way through the 2nd to 5th slots. She was probably the character who benefitted the most from my top five system. While she may not be everyone's favorite, a lot of people still really like her! Making her the most well-liked, popular DRDT Character!

Since you see so many people saying that Teruko is hated on too much, it's nice to see her being able to pull out a victory on this one! There were 185 voters, which means more than half of the people who participated wrote down Teruko as one of their top five favorites. Her luck truly pulled through on this one!

---

And that's the end! Sorry this took so long, schoolwork has been mean to me lately. That's the reason I haven't posted in general that much either. But the results are finally complete! I hope you enjoyed this little experiment, and one of your top five did well!

[felassan]

July 22nd DA:TV Game Informer article (their last DA:TV coverage article) on Everything we Know about Bellara - cliff notes:

Bellara is Dalish elf (played by Jee Young Han as we know). There might be more to her than meets the eye

"Now, with two of [the elven] gods on the loose, magic has poured back into the world in a big way"

CC is expansive

Bellara is the first companion we will recruit (Neve and Harding join automatically it seems)

She is a mage, a Veil Jumper (who she represents), quirky, energetic, effervescent, optimistic, bubbly, academic, a tinkerer, an explorer of ancient elven ruins

John Epler wrote her and led her development, and collective team effort from lots of departments brought her to life

The BW team really love her

Gary McKay quote: "I love Bellara, I think she's fantastic. I see people that I know in her and so that's how she really resonates with me. I love the whole tinkerer aspect to her. It was a collective to bring that character to life. It was everything from the writers, to the editors, the animators, to character modelers, to the texturing, to how we light her. I'm really proud of that character."

She is a good choice in combat for both support and elemental combos. She starts out as a support character, but can be built in other ways

She attacks with a bow at range using electrically-charged arrows. She can also cast time-slow and healing spells (she can be built to heal Rook autonomously). She does this by channeling magical energy into her gauntlet

As such she leans into electrical damage

Damage type matters a lot in the strategy and tactics of combat

She can unleash a devastating vortex to pull enemies into an electrical storm (an AOE spell)

She can debuff enemies with the shocked affliction, which makes them take passive damage

Corinne Busche quote: "Oh my goodness, she is amazing. [The Veil Jumpers] investigate the ancient ruins of Arlathan. Everything about her character as a mage leans into that, but she also challenges the kind of archetypal idea of a mage."

The Veil Jumpers journey through Arlathan where the ancient empire used to exist and left a lot of artifacts and magical technology behind when it disappeared

Bellara represents this yearning to find the truth of who the elves were after they lost their magic, immortality and a lot of their history

"they still left a lot of their artifacts and a lot of their, for lack of a better term, magical technology behind"

John Epler quote: "A lot of what they know of their past is based on myth, it's based on rumor. Bellara is a knowledge seeker. She wants to find out what's true, what's not; she wants to find the pieces of who the elves used to be and really understand what their story was, where they came from, as well as figure out where they're going next, and find a future for the elves. And within the context of The Veilguard, she joins the team, first of all, to help stop the gods because Bellara feels at least partially responsible since they are elven gods, but also to maybe find a little bit more of who they used to be. Because again, you're dealing with these elves that were around millennia ago that have now reemerged into the world, and who better to teach her who the elves used to be than them."

Magic's place in the world in DA:TV differs from prior games. In Tevinter and other spaces in DA:TV it's much more present by definition and the lore (though the devs wanted to make sure magic didn't violate previously-established lore rules)

Solas is a "determined and tragic character" who "tends to wallow". [nb, these are quotes from the article]. in contrast, Bellara has seen a lot of tragedy in her backstory (we will see this as we get into her arc), but instead of wallowing, she has forced herself to push past it. "She looks at her regrets, and she tells herself, 'I don't want to feel regret'

John: "Whereas again, Solas tends to wallow in his to a large degree. And it allows us to create a very big differentiation. Part of it is also because Solas is an ancient elf, whereas Bellara is a Dalish elf, but she just sees a problem and wants to solve it. She feels a tremendous amount of responsibility to her people [...] to the Dalish, and to the Veil Jumpers, and that drives her forward. That said, she does have her moments where she has doubt, she has moments where she has a more grim outlook, and there are moments where you realize that some of her sunny, optimistic outlook is kind of a mask that she puts on to hide the fact that she's hurting, she's in pain. But in general, she doesn't see any benefit to wallowing in those regrets."

[source]

[meowzcw]

I finally drew my oc A-Sans normally on here instead of kawaii doodles 🔥🔥 (By the way he stole that jacket off a coat rack like a hermit crab, that's why it's like size asgore)

(I HAD TO FIX HIM SO THIS IS A REPOST OF MY OWN DRAWING 😭)

Reblogs are appreciated ‼️

His/au backstory down below if you wanna read 🦟 just a warning it's not original or anything and there's obv a lot of hcs and things picked from the multiverse because why not I just made him for fun 🎉

it's missing some info but those parts are mostly from Frisk's side of things since they're what caused everything to happen 🐺

Frisk basically got trapped in the underground for 7 years since the barrier wouldn't open due to one of the souls dying out and one day they selfishly yet desperately decided to go through with a genocide route for the first time, they didn't want to but they felt as if there was no other way

Sans met Frisk in judgment hall to stop them obvi and he tried to talk them out of continuing but Sans sucks at saying the right things so Frisk continued on anyways- Frisk struck first and got him on the face and Sans in return charged up his very op everything attack which is a one shot kill (can explain in another post if anyone's interested 🌹 it's a bit long but in short Frisk hopped into the core and some things bugged out bad, including stats of some monsters) and Frisk struck him again in the last second.

They died at the same time and due to the fact Sans shouldn't be able to use a move like that he ended up glitching out of the timeline into a battle sequence like out-code where the fight couldn't progress or end because Frisk wasn't there to do any actions. While Frisk continued into the judgment hall, except Sans wasn't there and things started to glitch out when they tried to go past the area. so they were forced to give up and go back to how it was before the genocide route. Just without Sans there

Sans got stuck in there for a few months until Error accidentally opened up the area during a silly fight with Ink- which Ink swiftly ditched Error to go check it out

Sans grew paranoid after being in there for so long so he started fighting Ink the second he saw movement thinking it was Frisk, but he was even more confused when he saw someone that looked exactly like him just in different clothes so he panicked and teleported outta there. And since he had dust all over him at the time Ink obvi wanted to know what happened, so he went to go look for him.

Ink soon found him and reassured him that he didn't need to worry about anything since everyone in his AU was alive, but advised him not to go back since Frisk might try another genocide run and succeed.

Sans accepted that and took his advice, Ink then explained the whole multiverse business, AU's and such, since Sans was pretty confused. He then asked Sans for his name since they didn't do a proper introduction, which Sans decided to call himself "A-Sans" because pretty much everyone that's usually out of their au is a sans.

A-Sans took Ink's advice the wrong way and forced himself to stop worrying about anything involving his AU since everyone was alive unlike those in the multiverse that were more unfortunate. which was hard to do since he missed everyone, felt guilty for leaving them behind all miserable and such so he took up drinking to help him stop worrying about it all.

Now he just hangs around in busy areas to nap all day by himself, people avoid talking to him because of the dust on his face and assume he killed someone.

-End 🔥

Personality wise A is very laid back and friendly, usually sleepy. He doesn't hold grudges and he forgives easily if it isn't too bad. He doesn't blame Frisk for what they did, he just wishes he was able to do something sooner to help them out before they got to that state.

And sorry if I repeat things or explain it all weird 🙏 it was 11am when I wrote this and I didn’t slept a wink but Imk if you have any questions!

[endiness]

not to go off on this again (and because of a bullshit clickbait article from screenrant as if that isn't their entire business model in the first place) but it's still so fucking mindboggling to me just how much henry cavill was able to brainwash people. like, the idea that he was the one that made the show and he was the only good thing about it and the only good casting choice when he was very noticeably the worst actor on the entire show and meanwhile the rest of the cast is extremely talented and easily acted circles around him. not to mention that he has all the charisma of a black hole sucking all of the chemistry out of the room.

and the whole idea that he is some uber fan of the franchise and the only person on the entire show that knows anything about the source material and cares about it which is also always said in conjunction with the idea that he's the one who made the show. when he didn't even know that the books existed, he only read them once after lauren told him about them, he's only played tw3 (and not even the dlc for it), and by his own admission he didn't do any research for the role. and then meanwhile you've got joey who wrote a whole ass song in ~24 hours and showed up in costume with a lute to audition and who's read the entire series at least 3 times as of 2023; therica, whose books are all annotated and she tries to go back and reread the series before each season and even goes on youtube to watch video essays to refresh her memories; cassie, who has a binder full of notes on philippa and her backstory and everything; and many, many other cast members who've done a lot of research into the books and their characters and the universe and the franchise. but somehow henry cavill is the massive superfan. because he said that a lot in interviews. while never actually giving any examples of that beyond, like, having said he played tw3 for a ton of hours. (which, duh, 'cause a playthrough of that game can easily clock in at +100 hours.)

and speaking of the idea that he just cares SO much about the source material and that's why he ragequit the show because the writers weren't following the books closely enough, likE. he is the one who made geralt's characterization book inaccurate in s1 because he would cut his lines and either just say nothing or grunt instead. (and he also gave his scene partners zero indication he was going to do this and just left them hanging and wondering what was going on and if he was actually going to say his lines and put them into the position of having to improvise and take his lines just to move the plot forward.) and the only reason why he suddenly started to advocate for a more book accurate geralt come s2 is because he got dunked on by reddit for his performance in s1. (which he also took virtually no responsibility for whatsoever and just passed all of the blame off onto the writers for HIS acting choices. wait, that's not entirely accurate. he also blamed yennefer and ciri's prominence on geralt's lack of dialogue even though ciri's scenes were the ones that were cut in s1. yennefer's, too, btw.) he also fucked up geralt and jaskier's friendship by cutting his lines in s1 (and imo there is a lot of implication that the things he was cutting in their scenes was actual affirmation on geralt's side of things that he actually cares about jaskier) and by his own admission, he didn't want to play them as being all buddy-buddy with each other. and his refusal to play geralt struggling with fatherhood and with any negative character traits in s2 led to the domino effect of eskel's death (which in itself led to vesemir trying to create new witchers and lambert's harsher attitude toward ciri), yennefer's betrayal, and voleth meir being the big bad of the season. he also cut a sex scene between geralt and yennefer in s2 because he didn't think it would be in character of them to have sex after reuniting (lolwut) and he cut a scene between geralt and triss of even them just platonically finding comfort in each other (that's what happens in the books.) but yeah, HE just cares about the source material SO MUCH. that's why everything he had a hand in went against the books.

(not to mention that the thing he was clashing with lauren over was that he was not the main character (ciri is the main character of the main books, btw) but rather co-lead with two women and he was mad that the show heavily revolves around women (the books heavily revolve around women) instead of men.) (in s2 interviews, he goes on about how important men being three dimensional characters is to him as if women being three dimensional characters on the show somehow means that men can't be. which is ironic of him to say anyway, tbh, considering he didn't want geralt to be a three dimensional character. as three dimensional characters have flaws. and he didn't want geralt to have any.) (oh, and just to mention but when talking about how violent men can be three dimensional and caring, henry cavill lists who men can be caring towards: other men, family, children. weird he doesn't mention women at all. i'm sure that's not an indication of anything especially when it's said by someone who's a self-professed nerd, lorebuff, redditor, and gamer. because they're always known for non-rancid takes about women. especially when they've already gotten flack for their "i'm afraid to flirt because i'll be accused of being a rapist" #metoo takes. ���)

(also, just with the conspiracy theory that henry cavill ragequit the show because it wasn't following the books closely enough. like, that is just a conspiracy theory though. the only "proof" there ever was of it was henry cavill going on about how important adhering to the source material is to him. except everything he had a hand in went against the books, so that can't be true. and the thing he and lauren were clashing over was how he was not the main character (geralt is not the main character) and the prominence of women in the series (the women in the books drive the plot forward in massive ways). so that can't be true. and s3 was the closest adaption of the books anyway, so yeah. that really can't be true. and the only other thing that's "proof" is the rumor that the writers hate the source material. which was started by henry cavill's buddy, a writer who was fired from the show for allegedly being emotionally, physically, and sexually abusive. so i'm sure his word is totally trustworthy and he wouldn't have a vested interest in lying and creating a rumor to incite the fanbase against his former co-workers whom he was allegedly fired for mistreating in the first place. (btw, witin the past year, the same writer was fired again for allegedly the same kind of reasons.) also, i'm sure it's jut a coincidence how that rumor, which was started by henry cavill's friend, to disparage the show and the writers dropped about a week before henry cavill announced he was no longer going to be on the show. like, it definitely couldn't've been a coordinated effort between them or anything.) (psst, the rumor that hc was fired for being sexist actually has the most evidence supporting it. js.)

[thealexandriaarchives]

If you're one of the people who haven't read the Dune novels or haven't read them since the Villeneuve adaptation brainrot set in, just a couple friendly reminders I haven't seen yet!

The scar on Gurney Halleck's face is from an Inkvine Whip, the same type used by (and possibly the same one as) Glossu Rabban when he was a slave on Giedi Prime.

Despite this killer backstory we don't get Gurney vs. Rabban in the book! Rabban dies offscreen in the battle and both we and Gurney are denied catharsis. Frank loves that.

But almost Not! Because you see, Muad'Dib was in full 'IDGAF about War Crimes' mode at the end of the book, and he'd promised his boy a present of equal or lesser value with the same name. Wrote him a little coupon. 'One Harkonnen to Kill in a Brutal and Humiliating Fashion, exchange for one Nuclear Warhead'

Which leads us to the final scene, where it turns out the only Harkonnen left alive is Feyd-Rautha and Gurney is really eager to remind Paul of what their deal was.

But as we know, Paul is the Duke, the Boy-Messiah, The Emperor to be, and he can absolutely take backsies on promised Good-Boy Points atrocities.

I'm not going to get into all the ways Feyd-Rautha is differently portrayed in the book and movies, but in what is either a 'cowardly move' or the Harkonnen thought process of' 'oh hell no this guy has a serious grudge against my family, I just got free of my uncle for 20 seconds, now I'm about to spend my whole Barony getting tortured-raped to death that ain't how I wanna go out', Feyd-Rautha invokes the ancient vendetta between the Atredies & Harkonnen clans that the Harkonnens put forward a claim to call off (in bad faith but on the record) while Leto on the Record sent back a reply saying 'suck my balls you snakes it's been 10,000 years, it's on sight', which means Paul has to fight him instead in 1:1 combat.

Of course in the Villeneuve adaptation there are many many minor and larger changes that alter Feyd's character for the better, but removing a lot of his more explicit sexual abuse and manipulative pleasing behaviors to survive means we lose a lot of his internal dialogue and his best actions. He is no longer the one to have the slave not be drugged at the fight, he doesn't get to try to kill his uncle with a harem boy that looks just like Paul Atredies and have it backfire miserably. But he does get to stand up and announce himself as the Emperor's champion when he doesn't need to, simply because he wants to and he has things to gain.

It may, with the rewrites, be the only time this version of Feyd-Rautha gets to make a meaningful choice about his destiny.

Plus, Gurney got to kill Rabban, so everyone got something!

[starry-bi-sky]

I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.

Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.

Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.

Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.

Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.

I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.

[Okay, hold onto your hats because this is long. Naturally lmao.]

Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.

But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.

I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.

Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.

But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.

Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.

Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.

.

Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.

However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.

So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)

If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.

(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)

Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.

.

Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.

(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)

So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.

But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.

Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.

He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.

Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.

Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."

He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.

He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.

Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.

Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.

"Have you been spying on me?"

Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"

His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."

A roundabout way of saying, "I was worried".

Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.

"Why would you do that!" She exclaims, "That's way out of line, Danny."

"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."

"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."

"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"

"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)

"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."

Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.

I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.

"I know you do not like me."

"You're right; I don't."

"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."

"...That's correct."

"Good! Because I am going to ask her out."

"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"

"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"

In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."

The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.

(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)

After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.

Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.

The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.

Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.

My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.

So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.

Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.

But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.

Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"

Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.

.

Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.

Hope you enjoyed! Thanks for the ask :]

[am-i-the-asshole-official]

AITA for killing my character and quitting a D&D game I was part of?

Apologies in advance but this is going to be rather long, I'll put a TL;DR at the bottom.

So this all started about eleven months ago when I (14, she/they/he) started getting into D&D, and joined a D&D group thanks to a friend of mine we'll call T (14, he/they). The group was made up of about five people total, but the main people in this situation are me, T, and the DM who we'll call N (15, he/him).

Now when I was making my character, T was helping me out by letting me describe what sort of character I wanted and suggesting different races, classes etc to make it work how I wanted, and what we ended up with was a Pact of the Undead warlock. The backstory of my character was that their older brother died defending them from an invasion of the village they lived in.

My character managed to make contact with their spirit in the afterlife and formed a "pact" with them, gaining power in exchange for letting him "look after them" (i.e. keep watch over them from the afterlife, protect them from harm, all that sorta thing). T told me to run the final concept past N but that they were sure it'd be allowed and that the pact idea was really sweet.

So I told N about my character and the backstory idea like T suggested and N seemed really on board with the whole thing, though he wanted to make a few slight changes to things in secret that would come up during the campaign, to make things more exciting I guess.

I told him I was alright with that, as long as nothing about who the pact was with and what it was for changed too much. He assured me that it wouldn't and that he'd get back to me on what changes he was planning, but he never did, and at the time I just put that down to him being busy.

The campaign starts, and for the first few months things are going pretty good. I do notice that a lot of NPCs, in fact nearly every non-child NPC, seems to be flirting(?) with my character, but I don't think too much of it at first, she is a young elven woman with blonde hair and silver eyes and everyone in the group has said that she's very pretty.

It isn't until one of the others who is also playing an elven character points out that they've been on the receiving end of essentially racism towards elves from NPCs who have simultaneously been showering my character with compliments that I start realizing how frequent and honestly rather obsessive it is, and as mentioned, just how many of the NPCs are doing it.

Then we get to T's character arc, exploring his character's backstory and helping them with things that come up. However, there are certain characters that are introduced that, out of character, T reacts rather negatively to, and when I ask him outside of session what's going on he confides in me that N is changing elements of his backstory that he'd told him he didn't want changing. As an example, T wrote that their character's mother was never part of their character's life growing up.

One of the characters we met was the character's mother, who was instead apparently a very prominent part of their life and cared greatly about them "not that they ever noticed". He also changed the character of T's father from "kind and caring man who did his best to raise his child alone and teach them how to defend themselves" to "stubborn, angry and neglectful father that is constantly disappointed in his son", which completely blindsided and upset T.

T also said that he'd tried talking to N about this but that the response had ended up being, to put it bluntly, "I'm the DM so I have the final say in things". This started to worry me, especially when I realized that N had never gotten back to me with his "proposed changes" to my backstory.

So I sent him a message, but because I didn't want to drag T into my own business with N I decided to say something along the lines of "hey, did you ever figure out what you wanted to change about my backstory?". He messaged back and said that he'd figured it out, but that things with school were so busy that he hadn't had time to sit down and properly write it all out to send to me yet, but assured me that he would by the time T's arc was over.

Several more months passed with no further word from N about my character's backstory, and as T's arc wraps up there's this idea that starts getting brought up, of how demons often exploit the grief of mortals to latch onto them and claim their souls by impersonating the dead person.

The others in the group all latch onto this and start speculating about how exactly the demons use impersonation to claim souls, except for T who gives me this rather worried look from across the table, and it suddenly hits me that this is probably meant to be the opening of my character arc.

I pull N aside after the game is over for the night and ask him directly if this is the opening to my character arc, and he says that it is, but not to worry because the demon thing is, to quote, "just being brought up to get the others interested". I remind him about what I told him about not wanting anything to change about who the pact was with and what it was for, and ask him again what changes he's made to my backstory.

He promises he'll have a full list to me by the start of next session, that we'll have time to sit down together and discuss it all even, and that he won't do anything I don't want him to do. Despite my concerns and the fact that he has already said several times he'll send me this list without doing it, I decide, like a fool, to trust him, even though in hindsight I had absolutely no reason to by this point.

The next session rolls around, and of course there's no list, instead a lot of NPCs who start voicing concern whenever my character brings up the fact she's a warlock, or her dead brother, especially if the pair come up in quick succession. One of the other characters figures out what's going on and asks if they can basically cast some sort of spell to determine if a demon's got control of my soul, which N agrees to, and the spell determines that yes, that's exactly what's going on.

I immediately confront N, mid-session, and tell him outright that this isn't fair, that I told him I didn't want him to change this part of my backstory, and I wanted him to change it back immediately or I wasn't going to play anymore. He started on this long-winded response basically summarizing as "I'm the DM, I can do what I want".

This is the part where I may be the asshole, because well, I saw red in that moment, and decided I not only wanted to follow through on my threat of quitting, but also do something to ensure that my point was driven home.

I fired off a quick message to T on my phone warning him what I was about to do, and while the others were talking about what to do to help me I loudly announced that my character was stabbing herself through the heart, which N had previously ruled would be an instant method of death if carried out.

Silence falls over the group. N tells me that I need to roll to see if I even hit, which I argue (with T backing me up) that if my character is willing to get hurt then it's automatically a hit. N tells me that I need to roll to see if I even pierce my heart. Okay, fine, I roll, and as luck would have it I roll a Nat 20. N attempts to send me just to death saves, but I remind him (again, with T backing me up) that he'd ruled that this was an instant death.

So then he tries to have an NPC cleric show up and revive my character, but T brings up that the soul has to be willing to return to life for that to work, and I immediately say that my character wouldn't even be able to consent to that if her soul was held by a demon, nor would she even be willing if she could. Then I tell N directly that he can consider this my official resignation from the group and walk out, and T follows along behind me after a few minutes.

Ever since then N's been blowing up my phone, fluctuating between begging for me to rejoin the group and promising that he'll do things differently this time, and calling me a selfish bastard for "ruining the fun". T still goes to sessions occasionally, though I think now it's just to spectate, and he's said that maybe things went a little far with the character death in hindsight. And honestly, I'm not exactly proud of how I acted now either.

TL;DR -- I joined a D&D campaign where the DM has made unwanted changes to my character's backstory, despite my attempts to communicate with him, so I retaliated by killing my character mid-session and refusing to let him revive her before quitting. AITA?

[yayakoishii]

Hello, I’ve loved seeing all of your One Piece content recently! Could I request a Sanji and a fellow straw hat reader who recently got married? I saw something recently about how once Sanji gets married, there would come a moment where someone would call ‘Vinsmoke’ and both would turn their heads and it would just cause Sanji to get emotional because he finally shares a last name with someone who doesn’t see him as worthless. Someone who instead looks at him like he single-handedly placed every star in the sky. If you don’t end up writing this that’s alright, I at least wanted to share this little scenario.

Vinsmoke | Sanji x Reader

Fandom: One Piece

Pairing: Vinsmoke Sanji x Reader

Word Count: 600

Genre: Fluff, minor angst?

A/n: *laughs in still haven't read past Ch. 526* Hey there requester <3 Firstly, I'm happy to hear you enjoy my writing! Thank you so much for this absolutely lovely request. You actually requested it when they were closed but I found it too cute and wanted to write it– even though I haven't reached that part in the manga yet. But, I wrote based on the things I learnt from fanfics (and whatever I got spoiled about, lol) so this might be inaccurate? I would have loved to expand but I need to know the entire backstory properly before I could do that TT Still, I had a fun time writing this cute drabble! Hope you enjoy it ♡

also available on ao3!

Sanji woke up to the most beautiful sight in his entire life– you lying next to him, curled up against his chest from where he could see your hair spilling over the pillow and your relaxed face. This was the sight he was going to wake up every day to, from now on, and the thought of it made him feel like the most blessed man on Earth.

You shifted a little, burrowing closer into him, as if you two were already sticking to each other. He could feel your skin on his own, reminders of the night before but all he could feel at the moment was overwhelming love. He couldn't hold back when he saw your hand with a ring come up to lie above his heart. The choked off sound he let out woke you up, and you looked up at him with sleepy puffy eyes.

"Sanji…?" You mumbled, humming in contentment when he wrapped you up in his arms. "What's wrong?"

"Nothing, my love," he said quietly, gathering you into his arms, his own wedding band grazing your back as he did so. You shivered at the sudden cold touch but looked at him with dopey eyes full of so much love that he felt blinded. "Just thinking of how lucky I am."

The two of you eventually rolled out of the hotel bed and got ready to leave for your trip. You were on your honeymoon, a week long trip to a famous vacation island that had a lot of fun activities. Sanji had gotten ready first and gone down to the lobby to discuss something with the staff. You hurried up and joined him there after you had made sure that all the marks he left on you were hidden well under your clothes. You were not embarrassed by them – but you were also a private person who preferred to keep certain things to yourself. The love Sanji made to you was something no one else has to see or know. It was something just for you to experience.

You checked out at the reception since you had the room key and were about to make your way to Sanji when the hotel staff behind you suddenly called out, "Vinsmoke-san?"

"Yes?" You turned around automatically, feeling a little giddy. You had been preparing for this ever since Sanji proposed to you. To be called by his name, to be called his…

You didn't notice Sanji's reaction because of your own thoughts. The blonde had turned to answer the call only to be left dumbfounded when he realised the staff had called for you. You, who were now Vinsmoke (Y/n), had replied back with so much ease, like you had been answering to it your whole life.

And it was like someone had pulled his heart out of his chest and clenched it– it was both painful and pleasing to him that you were a Vinsmoke now. The first one to always be by his side, the first one to protect him even though he was clearly no longer the weak boy he once was. The first one to look at him like he hung the stars in the sky, the first one to love and accept him for who he was– you were now his first, real family. The family he had chosen and started. The family who loved him.

"Sanji?" Your concerned voice jolted him out of his thoughts and he blinked, feeling his eyes wet suddenly. His face was cradled gently in your soft hands as you looked up at him, silently asking him why he was about to cry. "What got you like this?"

Sanji swallowed the heavy lump he could feel in his throat, like his emotions had turned into a ball and were trying to come up his throat. He blinked away the last vestiges of his tears, instead wrapping you up in his arms again.

"You being mine now," he whispered, knocking his forehead gently against yours. His clear blue eyes looked straight into yours as he added, "In heart, mind, name and life."

°•❀•°

[hestzhyen]

Analysis: Hakuri & Abusive Backstories

Hello dear void. Hakuri is a character that is near and dear to my heart so I wanted to yap about him and why his story is so important to me on a deeply personal level.

This is a LONG yapfest- the Tumblr Edit Post UI is hitching and lagging while I try to type this little notice there's so much word vomit in here. I honestly don't expect anyone to read it all the way through. I just wrote this to figure out why I was so goddamn attached to a fictional character. I spent too many hours on this to just delete it all once I found my answers though, so... if you wanna strap in, go ahead. But maybe make sure you've got a decent chunk of free time and high tolerance for extremely subjective interpretations first.

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DISCLAIMER: This is purely my opinion- I can't speak for anyone's experience but my own.

First, this isn't a trauma dump. Not for me at least. I'll be talking about what Hakuri endured and how it shaped his character in relatable ways thanks to the quality of the writing. But there won't be anything discussed outside of what happens in Kagurabachi canon, so rest assured on that front.

Second, fictional characters don't have to be 1:1 mirrors in terms of type or severity of trauma the reader experienced themselves to be helpful self-reflection tools. Please take care if you choose to read this, and make sure you're in a good frame of mind if parts of Hakuri's struggle could send you into darker places.

Third, I started writing this around chapter 53 and it's being posted as of chapter 58. If it ages poorly, well, I'm not saying I'm smart just because I yap a lot.

Without further ado... prepare for an expansion of massive proportions under the cut.

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All too often we see shounen characters have an abusive sob story background to give them a sympathetic hook and a reason to start from zero. There's little to say about them other than they go from zero to hero for the good vibes and catharsis. They begin their story as a victim first and foremost, and there are little or no lingering effects from trauma once they have their moment of triumph. In the "good" cases they're healed and whole. In the "bad" cases they have negatively warped personalities for the rest of the story. There's not much in between the two extremes.

Portraying the abuse characters endure in such a shallow way is not the best way to write about it, from my point of view. Writing it as something that can be overcome with strength of will alone is harmful. So is writing the victim as a permanently damaged, defective person. Instead, we need more characters like Hakuri that are shaped but not wholly defined by their abuse, and aren't completely healed by putting the manifestation of their torment in the dirt.

Hakuri is the first character the [abusive past] attribute that actually worked as a hook for me. This is largely due to two key writing decisions: not centering Hakuri's entire narrative around overcoming the abuse he suffered, and carefully depicting how trauma influences his actions. It's necessary to read between the lines of what he says and does to see how much he hasn't said about himself- what he won't admit or recognize, despite how core it is to his character.

Chapters 19-23, Meeting and Getting to Know Sazanami Hakuri

Mantis imagery for courage!

The very first things we learn about Hakuri are as follows:

1) He pushes through hardship with sheer force of will 2) He lost his whole family and has probably been on his own for a while 3) #1 is a lie

I've brought it up before, but food symbolism is all over the place in Kagurabachi- it's often a short-hand for comfort and connection. So Hakuri spilling that metaphor out of his mouth right after telling us he's able to "push through" is a sign that he actually isn't coping with his situation that well. His thoughts about himself and his actual status don't match up. But it's ridiculous imagery that puts us off and pushes us towards thinking he's kind of pathetic rather than making us feel sorry for him. And the rest of his introduction, while accurate to his character, buries the lede on how much he's suffering.

As for his backstory: he was disowned, yes. He says his family will kill him if they see him, yes. But it reads more like Hakuri was punished for being a moral black sheep after he himself framed being disowned as punishment for "being weak" and "getting in the way of business". There's no hint of foul play on his family's part other than being low-life criminals to be fought as the arc villains. So he's primed for some sadness but probably nothing on Char's level. The only hints we have towards something serious until the chapter 24 reveal are not exactly obvious:

-He has a fatalistic mindset and thinks it's natural for him to be overpowered and kicked around because he's weak. (Could just be typical zero-to-hero shounen character things.)

-He's generally unafraid and highly tolerant of pain. He gives no shits about his condition after being kicked around by the Yakuza, smears the blood from his nose while casually talking to Chihiro, and willingly takes a strong hit and is able to yell encouragement to Chihiro while lying bloody on the floor. (Doesn't really stand out in a series as violent as Kagurabachi; this is kind of the bare minimum for being involved in the plot if you aren't a child to be protected.)

-Perhaps the only big tell-tale sign: we zoom in on his trembling fist when describing his older siblings as "strong and scary" in chapter 23. (Could be inferred as fearing for his life since he also says they'd kill him on sight in the same chapter.)

Hakuri's not written like a typical abuse victim in this intro. We don't get commentary from other characters about how much pain Hakuri seems to be in- they comment on how weak and dopey he appears instead. Nor do we get shots of him looking sad, flinching away from touch, or being hesitant to connect with other people. He's actually kind of unhinged with how passionate and eager he is to join forces with Chihiro. He's intense and ridiculous and gets used like a wholesome gag character more than anything else.

So there's not much to suspect here. Hakuri's got more to reveal to us but there are no signs of what we should brace ourselves for. Then the nightmare starts.

Chs. 24-26, The First Glimpse

This page goes from 0 to 100 REAL quick.

Well, shit.

Behold the understated reveal of Hakuri's status as a victim of abuse. The revelation at the bottom of the page only to see his suicide attempt on the page turn is an extremely effective "oh shit- OH SHIT-" two-hit combo that arrests the reader's attention, and I really wish that it was the most memorable part of the chapter for more people. Because holy hell, this recontextualizes everything we know about Hakuri. He's still a passionate, silly, and slightly insane guy, but damn he actually suffered more than he let on.

To find out like this is unusual, isn't it? Char's situation wasn't shown right away either, but meeting her as a scruffy orphan clued us in that she was going to have a tough past from the start. Hakuri, by comparison, gave us very few obvious hints about it. It's like he doesn't want to be seen that way. He openly admits to being "weak" and "useless" but his own pain? The suffering he endured? He's totally fine pushing past it all (lies).

But we're not even close to done yet.

Note how Hakuri's focused on Soya's hands...

Hakuri's first instinct being to jump to his death says a lot. Unlike standing up for the little girl or jumping in to save Chihiro, this is a purely reactionary response. There's no room to think back to Chihiro's bravery for inspiration as those memories overwhelm him. He's terrified. So he jumps and trembles in fear as Soya tries to talk him into coming back to relive his nightmares.

We laughed at the soda spilling out of his mouth and his expressions after he got hit in the face by Hiyuki, but this is deadly serious. Hakuri isn't okay at all. He's actually in very bad condition and the way he thinks about Soya says so much.

The panel explaining Soya's expression of "love" on the page above is important, but it's not emphasized in the same way as what's happening in the present. It feels like an unpleasant detour into Hakuri's inner thoughts for extra context while the main focus is on him and Soya in the moment. Hakuri doesn't even describe what happened to him directly- he says "punching and kicking" like it could be anything from hazing to broken bones, but the backdrop lets us know that it's probably closer to the latter. It gives the impression that Hakuri (understandably) doesn't want to think about this at all.

He also frames Soya's aggression towards him as an expression of "sincere" affection. That's preposterous and heart-breaking to most people- violence isn't love. Even most victims will acknowledge that... to a point. Violence hurts, it's unwanted, but it's still a valid expression of emotion to be acknowledged. It's something they earn or deserve. The rational people are correctly screaming NO IT'S NOT! And most victims would agree again... to a point. Somehow they're the exception to that mindset. Other people don't deserve it, but they do.

So despite it all, Hakuri is still able to be brave for Hinao's sake. He's not going to let Soya hurt anyone else if he can help it, even if it means putting himself back in harm's way. This adds an interesting layer to his character. He's laden with trauma, but he's still able to show courage for others. He thinks he's weak and won't prevent whatever abuse comes his way, but he will put himself at risk to stop others from experiencing the same or worse.

Why is he so devoted to protecting other people at his own expense? Sadly, it's not uncommon for victims to advocate harder for other people than they do for themselves. It also has something to do with the merchandise woman that was mentioned this chapter, but that reasoning won't be revealed for a while yet.

"This pathetic wretch was born a Sazanami, but he can't even do sorcery. He's useless. Worse, he's a hindrance. His life is worthless."

There's another thrill of panic when Kyora summons Hakuri to use his life as a bargaining chip. Hakuri's at his most pathetic here- he's on the ground, helpless under Kyora's foot, not even trying to resist or escape. None of the fire we saw when he saved the little girl, took that hit for Chihiro, or defended Hinao is present. Hakuri can't be brave for himself. He's quite literally trampled by what passes for the Sazanami version of "love" and "basic human decency". It doesn't need to be spelled out any clearer than this: Hakuri's woes come from his family, especially his father. The Sazanamis are fucked up even when it comes to how they treat their own flesh and blood. They're rotten from the head down.

It's obvious then why Chihiro's words and actions affect Hakuri so much. Hakuri thinks he has no value whatsoever- his father says as much, and he falls for Shiba's bluff implying the same. Only Chihiro steps in to directly repudiate Kyora's toxicity and say yes, Hakuri does have value. So much, in fact, that he's willing to trade the precious memento of his father (and the majority of his strength) to prove it. So they're able to leave, but not without Hakuri encumbering himself with a huge amount of guilt for how things went down.

The face of someone ready to spiral down and out.

It's telling that reassurances don't do much to help Hakuri feel better. Shiba tries to help by offering generic comfort (ice cream) and Chihiro tells him it's alright, but it's not until Hakuri hears that he's still needed that he's able to bring himself out of the mire of self-hate.

Of course it's extra effective for Hakuri because he was considered totally useless, but this is very relatable even for folks who weren't told they had no value on a daily basis. Offers of comfort only make the self-hate worse for some people who think they're utterly worthless. Even simple gestures like Shiba's twist the knife and reinforce the idea that the person doesn't deserve any kindness whatsoever. It just piles on the guilt. But being given something to do -especially if it's believably framed as something only they're capable of doing- feels incredible. They might have some value after all, even if only for this one thing.

It's something that I really appreciate the author doing since it's a touch that didn't need to be added. Hakuri could have just found a bit of solace in Shiba and Chihiro's words, which would have given more time for other things to be addressed in the chapter. But it's important to show that Hakuri struggles with accepting kindness because he took his father's words to heart. His feelings of worthlessness and uselessness are essential to who he is.

After this we see him at Chihiro's beck and call, prioritizing his requests over everything- relaxing with Char and Hinao, even his own comfort with another ice cream/food metaphor. It's framed as something silly and dog-like for the laughs, which once again encourages us to downplay the severity of this issue for him. None of the other characters ever directly point this out either. It's one of those informed traits that influences Hakuri's actions without any acknowledgment from himself or others, but just like the soda spilling out of his mouth, we're invited to treat it as a gag.

From here, the focus shifts entirely to building tension for the raid on the Rakuzaichi. Hakuri's circumstances are put on the back-burner to simmer for 5 weeks in real time until he confronts Soya in chapter 30.

Chs. 30 & 32-34, The Soya Rematch (what Chihiro and Shiba know):

Hakuri puts his fear of Soya aside to bait him out to help the mission. Chihiro and Shiba gave him a job to do, so he'll see it through no matter what. Unfortunately things don't go as planned and he ends up all alone with his biggest tormentor.

I'll have more to say about Soya himself in his own section with Kyora later, but it's very clear what his role as Chief Bully is, narratively speaking:

In a lot of ways, Soya is more object than actual character. He's our almost cartoonishly evil device to represent everything that's been repressing Hakuri. He's the demon in his head telling him he's useless, pathetic, weak, and so on. So Hakuri trying to square up to Soya is also him facing off against the things he's internalized that hold him back.

Hakuri's struggle against Soya before he awakens seems very hopeful and standard shounen. He's fighting the internal battle at the same time as the external, telling his brother to "shut up" while his mind races to figure out what he should do now that the situation went belly-up. He could keep playing the victim and take Shiba up on his offer to help since he can't reach Chihiro, or he could play dead and wait for it all to be over... or he could try believing in himself. Because Chihiro saw something in him and even if he can't bring himself to think he's strong and capable, he can at least have faith in Chihiro's words that they would end the Rakuzaichi together.

This time it works and he's able to shove Soya close enough to the tree wall so that Chihiro can give us a great visual metaphor to show us what just happened to Hakuri:

Chihiro is the one who broke Hakuri's mental barrier for him. He couldn't do it himself, but someone he admired believing in him in return made all the difference. Hakuri just needed a little support to start coming into his own.

He stays behind to handle the rest of the fight on his own while Chihiro goes ahead to meet up with Shiba- he can do this himself now that he's awakened thanks to their help. Very wholesome, extremely shounen. But there are deliberate writing choices which make it obvious that there's more going on beyond the surface that winning this fight won't fix or even fully address.

In Chapter 32, Hakuri tells Chihiro and Shiba a slightly condensed version of his experience as an uncomfortable reminder for the reader. Oh, right, Hakuri was abused- at least that explains why he survived a Flame Bone punch to the face. Anyway, let's move on to ditching John Hishaku and kicking Soya's ass.

The framing is so interesting to me. Chapter 32 uses preexisting panels that are cropped and presented slightly differently compared to how they originally appeared: Ch. 24

Ch. 32

Full page for reference.

When Hakuri recounts a version of the abuse flashbacks, they're not merely downsized to fit. They're cropped to downplay the gang-ups and are smaller in size compared to the rest of his story, almost as if he doesn't think it's that big of a deal compared to being unable to keep up with his siblings. We don't even see his own words describing what happened despite him talking freely about everything else. Instead, the abuse sequence is treated like the panel where he describes Soya's "love"- Hakuri talking to Chihiro and Shiba about his suffering is an unpleasant aside to give context rather than the main event.

Seriously. The dialogue of him explaining why his family gave up on him over the reused backdrop of the Sazanami estate is given more time than him being hit and kicked. Chihiro and Shiba get the "it wasn't so bad" version of events compared to what Hakuri remembers experiencing, and we're invited to treat what's normally the foundation of a character's entire existence as a convenient explanation for why he's so goddamn sturdy.

Neither of them noticeably react to his story too. We got a bit from Shiba in the car in Chapter 26 when he realized Hakuri was probably stewing in self-hatred, but we've never seen any of Chihiro's thoughts or reactions since he was disgusted by Kyora using Hakuri as a bargaining chip. He does reassure Hakuri that they'll be there to help him, but isn't it strange we don't see Chihiro's reaction to this information at all? We see little panels of his concerned faces all the time for less than what Hakuri talked about here:

Chihiro cares a hell of a lot, and he's very attentive to boot.

Obviously we don't see Chihiro and Shiba's reactions because they aren't important. This isn't about Hakuri's abuse- we already knew about it. The focus is on Hakuri's awakening and his faith in Chihiro, not the past.

This is a victim's mindset manifesting as clever visual storytelling, in my opinion. Of course it's not that bad when he has to talk about it; he invited it by being weak and not living up to standards. It wasn't a big deal though. There's more important stuff to do right now anyway. And the story moves on as if to agree with him- we go right back to our regularly scheduled action scenes interspersed with some flashbacks to contextualize other characters, namely Tenri and the Sazanamis before Hakuri was rejected.

That's right, Hakuri once again dodges abusive past cliches by being doted on and cared for before he was found lacking. He knew what it was to be loved, even if the Sazanami version is manipulative to the point of being abusive all by itself. There's more to say about this under Kyora's section but no wonder Hakuri's so fixated on being useful- he wants that affection and sense of belonging back more than anything. It's fucked up, but it's all he knows. So Hakuri was abused twice over: emotionally and physically. Damn. He turned out pretty alright despite it all, huh? Wonder how that happened...

Well, it's time to move on now so he can ascend and overcome it all. He's gotta yell "Isou!" and prove himself, and the next two chapters seem to be putting him on course to do just that, albeit with some difficulty. Can't make a character's awakening too easy or it won't feel earned. He's got some serious trauma to overcome thanks to his family's bullshit.

Then chapter 35 hits and we get the nightmare fuel.

Ch. 35, The Real Backstory (what Ice Lady knew):

Chapter 35 is that long-awaited full-chapter delve into Hakuri's painful past with the mysterious woman, and boy does it have some unsettling revelations.

Ice Lady's tragedy is framed as the important driving force for Hakuri as we know him- she broke him free from his family's grip and motivated him to seek help to end their evil ways. She's the entire reason we meet him in Chapter 19. Everything Hakuri is doing this arc ties back to how badly he fucked up with her, setting the stage for him to become the savior he tried to be when we met him. Oh yeah, we got more Hakuri abuse lore. Can you believe that WSJ let the author get away with showing someone slitting their throat in front of a kid?! And make it at least partially his fault? Jesus Christ. Now it's truly time for him to come into his own, though- oh man that cliffhanger at the end of the chapter...! Wait, what do you mean there was more to his suffering besides the situation with Ice Lady?

I was being a bit facetious there but the point stands. We didn't get a tear-jerker reveal chapter dedicated solely to Hakuri's pain and suffering at long last just to make us feel bad for him and nothing else. Instead, we got a full-blown tragedy caused by the Sazanami cycle of abuse. The nightmare of Ice Lady killing herself in front of Hakuri overshadowed the reveal that damn, Hakuri actually had it super rough. Because yeah, that was unexpectedly brutal even compared to Chihiro being baited with Char's severed leg last arc. It really drove home just how fucked up the situation with the Sazanami family was and how it affected everyone that got tangled up in their bullshit.

So the presentation of what he endured is once again subdued even though the panels showcasing the tools took up half the page. Soya breaking Hakuri's finger was called "bullying" (いじめ[ijime], not 虐待 [gyakutai, abuse]). A single flash back frame off to the side seems small compared to the emphasis on Hakuri telling Ice Lady (and us) that it's "not that bad" because Soya keeps losing the tools and going back to using his fists (the terror in Hakuri's expression in that panel is completely at odds with how calm is explanation is, though). It's also not unreasonable to presume that the jump rope, peeler, and wrench were shown for the audience's benefit to clue us in that Hakuri's holding back again, much like the panel describing Soya's "love" in chapter 24. He's always saying the bare minimum and trying not to think of the rest- he buries that shit deep.

But he has to if he wants to keep going. There's no way he can sit down and process all of this right now:

Hakuri: "It's normal for my brother to break my bones and worse before he loses the tools. He usually only hits me anyway, so it's not like this happens all the time."

Woman betrayed by the man she loved to be sold at an auction as merchandise to the boy overseeing her captivity: "That's messed up!"

"This is as close as I can get to being cherished by the people who are supposed to care for and support me."

He even misses the point when he finally does open up:

"You're the one who's trapped in a cage."

This part is the hardest for me to write about, honestly. Again: I was never tortured or anything, much less hit. But this chapter is the one that made me take a good, hard look at what I went through and connect some dots. Hakuri's mindset, the things he says, the way he phrases things- that's someone who doesn't want to acknowledge that they're in a bad situation that's not their fault.

Hakuri will talk about his own worthlessness and all his defects that "invite" the abuse, but he won't acknowledge that he doesn't deserve what's happening to him at all. He's not the kind of shounen character who understands that his situation sucks and uses it as fuel to become better. Instead, he's stuck in that oh-so-relatable spiral of self-deprecating negativity that keeps victims trapped.

It's easier for Hakuri to think he deserved it for his own failings. This wouldn't be happening if he hadn't earned it somehow. He's in this situation because he's weak and any "love" is better than none at all. Then it's reinforced by the genuine helplessness and vulnerability of being too isolated to escape or know better, compacting down into dense layers of denial and self-hate that act as defensive armour against emotions that are too difficult to face. Like anger or the desire for something better. Like hope. Those are only felt on behalf of others, not himself.

At any rate, it's a bit distressing that so many people forget that Hakuri's actually a hell of a lot more complex than he was hinted to be before this chapter. He's not an innocent in all this like Char was, which is incredibly smart and realistic writing from the author. Hakuri was also an abuser himself. An accidental one, but doesn't matter when you talk to someone the way he did to Ice Lady. He didn't swing the knife but he did kill her with the same mentality that was crushing him down on the inside.

He doesn't use his suffering as an excuse for anything he does, good or bad. Not even in the sense of wanting to save others- that's all about Ice Lady and his family's terrible legacy. What happened to him isn't worth mentioning or acting on. Yet another distressingly accurate facet of a victim's mentality, unfortunately.

But this must be it. This chapter was a depressing surprise but surely there's nothing left to reveal. We had his big moment of sadness so it's only going up from here. Hakuri's going to overcome everything and it'll all be okay! Back to standard shounen powerups!

Chs. 36-43, Putting the Past to Rest (things only Hakuri knows):

Oh.

In chapter 36, the storehouse reveal somewhat overshadows all the instruments of abuse Hakuri unwittingly stored inside it. There are a lot of people who completely forgot about the objects in there during the hype of the moment, and I never get tired of seeing "WTF?!" posts and comments from folks doing re-reads of the arc. It's so easy to overlook the rope and sticks and all the other tools when you're cheering hard for Hakuri to finally, finally overcome his tragic past by putting Soya down. Worst Big Bro is gonna pay and Hakuri's ascension will be complete! ... Wait, was that a goddamn chair?

There's also a point made of Soya's defeat not being a resounding victory.

Still framing Soya's abuse as love, but it's got a bitter feel to it this time.

Hakuri is the one who gives Chihiro strength in the moment despite everything he's just been through.

We're cheering when he awakens and pressurizes Soya's guts, but then these panels remind us that there's nothing to celebrate from Hakuri's perspective. He doesn't savor finally overcoming Soya as his abuser or the manifestation of everything that's messed up about his family. There's no immediate sense that things will be okay from now on either. To Hakuri, this isn't a personal victory. It's just something that needed to be done for Ice Lady and all the victims of the Rakuzaichi.

This is a sort of capstone to Hakuri's backstory. The second-to-last new thing we learn about him is that the abuse was still somehow worse than we thought. He really, truly buries the lede when it comes to what he suffered and the writing is in cahoots with him on it. He won't even take the time to smile or feel a little relief- he's not ready for that yet. Instead he just walks past Tenri's mutilated corpse to pull Chihiro along to get the job done.

If this was a different series we might get a little more catharsis- even just the barest hint that Hakuri's gonna be just fine from now on. But this is Kagurabachi and the author fucking gets it so there's still a little more to unpack before Hakuri can have an opportunity to begin the healing process.

In chapter 37, the pain of Kyora looking away was framed as just as important to Hakuri as the fond memories of when he was loved and wanted:

"... I still wanted you to praise me, Father."

The very last thing we learn about Hakuri is that he wanted his father's love despite it all.

Hakuri ended the torment from Soya- he'll never have to worry about his skin being peeled off or getting beaten with a pipe ever again. But the cycle that caused it- and the complex feelings for the people who hurt him- aren't so easily dealt with. It's not so simple as being hurt and flipping a switch to stop feeling affection for the perpetrator. So Hakuri acknowledges that he still wanted his father's praise in spite of the years of torment the man knowingly enabled.

In the end, Kyora grants Hakuri's secret wish and acknowledges him at the very last as the chaos fades away so that they're the only thing in each other's view. He really, truly won it all. He doesn't rejoice in victory, though. Once more there's no triumph for Hakuri to celebrate. Killing his father was just another thing that had to be done so that there would never be another Ice Lady.

It's hard to say what exactly Hakuri's feeling about Kyora's death since it's yet another thing we haven't seen him talk about- and may never. It's not too much of a stretch to think he's got a complex mix of sadness, relief, and guilt going on, though. At least the moment when their eyes met was intensely cathartic after all the times Kyora deliberately looked away. But Hakuri's still not okay yet.

It's not like life suddenly gets better when the abuser is gone for good in some cases. Hakuri's still struggling in the immediate aftermath of seeing his father die at last. It's a relief that there won't be any more pain caused by the Sazanami clan -and Kyora in particular- but it still fucking hurts to lose someone so important to you. It's also frightening to suddenly be thrust into the unknown without a guide of any kind.

Fortunately for him, Hakuri is able to find new purpose with Chihiro. He gets to walk away from his family and stay with the people who believed in him. This is another thing that I can't praise the author enough for. It's far, far too common for writers to frame victims reforming their abusers as some kind of ultimate victory.

No, no, no!

The most charitable way to explain this is that the survivor is so saintly that they'll even reach out to the ones who hurt them to help them become better people. But that is such utter bullshit I don't even have the words to express myself properly. It's terrible messaging for survivors. They don't have any obligation whatsoever to help the people who hurt them. They don't even have to keep tabs on how the abusers are doing in a general sense. They get to fucking leave and find happiness with people who treat them well. That is the true ideal.

Hakuri being given a clear out to leave is where the rest of the catharsis in his story comes from. He doesn't have to stay and fix things even though he absolutely could as the first person since the clan's founder to have both Isou and the storehouse powers. Kyoura and Soya are gone- he could have stepped in to make the clan right their wrongs and atone as a family. But there's not even a hint of guilt tripping from the author about Hakuri's decision to follow Chihiro. It's framed as the best possible thing for him to do, in fact.

If he stayed, he'd never work on the other issues around self-worth that he's burying so deep inside. Switching from villainy to good deeds won't resolve the issues with the clan's mindset about being living tools for a greater cause either. Not to mention the fact that there's nothing his siblings can offer him even if they treat him like a king for the rest of his life- the damage was already done long ago. There's nothing left for him there except more misery and stagnation. He needs to go with Chihiro, his new north star, to learn how to heal.

But lest this outcome be too heartwarming, Hakuri's still not directly facing everything that he went through. Hakuri phrases working alongside Chihiro as "proving the value that [Chihiro] saw in him", not "starting over" or "making the world a better place together" or even "paying Chihiro back" by helping him on his mission. He's still trying to be useful in the service of someone else like a tool.

Hakuri's bruises are already fading; or at least they were until I had to edit this part in light of the events of chapter 56 onward. But the mental scars of the abuse are still guiding his actions and thought processes even if he doesn't acknowledge it. And that's where we come back to the torture implements still hidden in his warehouse.

Hakuri's not home free despite us collectively sighing in relief that he got his Happily Ever After, subdued as it was. He needs to face what he's been avoiding and burying so that he's not endangering Chihiro's plan and the people around him by throwing himself in danger just to be even the slightest bit useful.

Oftentimes, trauma is an invisible scar that needs to be worked around for the rest of someone's life- hence why he's still got those physical manifestations stored deep inside where only he can see and grant access. Hakuri's only just started out on the path to redemption and recovery. He needs to start addressing the guilt over Ice Lady and learn some tough lessons about self-worth before he can even begin to look further inside to those Visual Metaphor Tools.

After that, if the author's interested in continuing this part of Hakuri's character, is exposing them and what they mean to someone who can help Hakuri get rid of them. Whether that's Chihiro, Shiba, or someone else doesn't really matter. Hakuri's got a long road ahead dealing with the lingering after-effects, unlike so many of his fictional fellow survivors. He's still very much in need of a lot of support from his new found family- now more so than ever after what happened in chapter 58.

Soya and Kyora

There's something to be said about the writing for the primary abusers, too. The Rakuzaichi arc was well-received in large part to Kyora being an incredible villain and Soya being... Soya.

Soya

And the "Worst Big Brother" Award goes to...

Soya serves two primary purposes in the narrative: to contrast Hakuri's character, and be the manifestation of everything that was wrong with the clan.

Soya and Hakuri share similar looks, hand gestures, and extreme expressions but they couldn't be more different. Soya has the inverse of Hakuri's character framing: he's shown to be competent and strong, and almost everyone in-universe acknowledges him as such-we're even told he's smarter than Kyora. But he's actually quite the pathetic loser due to his freakish obsession with his "weak" little brother.

More obviously, Soya is the rotten core of the family. He's obsessive over Hakuri to an extremely alarming degree- he even refuses his duties as the next clan head and a member of the elite Tou to find and stay with Hakuri. Kyoura tells him to "stop fixating on that failure" but Soya's having none of it, he just can't let go of his "endearing" weakling of a little brother. Bullying Hakuri is what he lives for and he does it all in the name of purest love. Just like the clan lives for the Rakuzaichi and are devoted to it mind, body, and soul. They're both extremely toxic and Soya's the guy who gets to represent the deleterious effects of cleaving to abusive mentalities on individual members.

Soya's fists and words to Hakuri are the blatant messaging about what the Sazanami mindset did to him. He had that mental block preventing him from using his sorcery because he was constantly being told he was weak and useless. It was literally beaten into him as a form of love, but not all abusive mentalities need to be reinforced with violence. Soya was just there to make the point too obvious to be missed.

Hakuri's final words to Soya say it all. Soya throws a tantrum over Hakuri refusing to lay down and take the abuse any more and screams "Why won't you go down?! Why won't you die?!" Hakuri simply responds that it's because Soya "always loved [him]" and deals the final blow. He was able to recognize the strengths his family gave him through Soya's "love" but he's not grateful in the slightest (and he shouldn't be). He's simply ready to sever all ties and move on with tearing it all down now. Hakuri was finally able to accept that he didn't want or need that kind of love in his life any more.

Kyora

And the "Worst Dad" Award goes to...

Obviously, Kyoura is the key to this whole mess. He's the one who instilled his children with corrupt values, enabled Hakuri's abuse, and generally Fucked Up Big Time when it came to loving his kids properly. But he thought he was doing the right thing because what's what he went through. He was both abuser and victim himself, just like Hakuri.

This is the key part of abusive backstories that are so often missed. Abuse doesn't always come from deadbeat caretakers that hate the innocent little kid. That scenario is actually way too over represented in fiction, honestly. Abuse isn't always constant malice- it can start later in life. It can even be born from love. Ultimately, it's all too often the unintended consequence of a family haunted by the specter of the cycle. And Kyora is the perfect summary of how and why it echoes through generations.

Hakuri was loved and wanted for at least half of his life. His family might not be wholesome or have healthy attitudes about affection, but he wasn't born hated and mistreated just for existing. He was cared for to the best of his dad's ability just like Tenri and his other siblings.

Even when Hakuri failed to live up to expectations, Kyora didn't just write him off and turn him loose. He kept Hakuri around for years feeding and clothing him and let him try to do what he could. Kyora simply couldn't justify protecting him or showing love since the family ideals were so warped around being able to serve the clan's tradition. He wasn't "allowed" to love a failure, no matter how much he wanted to.

Kyoura struggled about his feelings for his "worthless son" in the flashback we saw through Tenri's PoV- he wanted Hakuri to succeed. He acted like Hakuri forced his hand to punish and marginalize him for failing too hard, not out of ill-will. And during the raid itself he was actually "bent out of shape because he used Hakuri's life as a bargaining chip", according to Enji. It wasn't even until Hakuri showed up to break into the storehouse that Kyora truly cast everything away to prioritize the Rakuzaichi. He really did love Hakuri in his own way.

Kyora was a shitty dad and person, don't get me wrong. No one should put family tradition over their child's well-being and he more than earned his death just by being a human trafficker. But it's clear that Kyora wasn't written to be a shallow, irredeemable monster of a person- he didn't exist in the story just to be a villain and to make us feel bad for Hakuri. He's a tragic character in his own right.

He couldn't even understand why his wife's final words about the auction ruining their lives was replaying in his head near his final moments. The what-if scenario of his happy family sitting down to eat dinner in an apartment somewhere showed his longing for something that he could have had, if not for the goddamn auction. If not for the abuse that made him into the person he chose to be until the very end.

It's why Hakuri getting to walk away is such a poignant end to the Rakuzaichi arc. He's the one who gets to break the cycle on his own terms, and that's the true end of the Sazanami dynasty. The auction hall doesn't collapse until he decides to stand tall and follow a new path. Whatever Hakuri's siblings do with the Sazanami legacy isn't his concern any more- he's free.

What About Char?

Char's story was also well told! It's the earliest evidence that the author actually gets it when it comes to depicting abuse victims. She's reticent despite her desperation, unable to open up even when Shiba and Chihiro tell her she needs to or they'll send her to an orphanage. Eventually Chihiro wins her trust through his altruism and she comes to believe in him. She and us are the only ones who know exactly what happened with her mom, but it's not important for the rest of the cast to be in on it. She's safe and happy now and that's enough.

Even though Char's arc ended close to that overly-simplistic "everything is k now" scenario that I hate, there's one key difference that sets it apart to let us know that no, she's not truly okay yet.

Char's still got some attachment issues, which makes perfect sense. She lost her mom in a traumatic way so of course she's happily surprised that Chihiro came back to her. Char's on the path to healing- she's able to thrive thanks to Team Goldfish's care- but her abusive past still shapes who she is in small ways like this.

I doubt we'll see more development of her beyond checking in now and then. She's too young to be consistently involved in the heavy themes of Kagurabachi's story, much less the fights. But it's good to know that the author includes little details like this so we don't assume Char's 100% fine now. He understands that trauma doesn't just vanish when the victim's safe in their Happily Ever After scenario. That's why he made sure we knew that she's going to be okay in the long-run.

Ch. 26, right after Chihiro trades Enten for Hakuri

But Hakuri's not there himself yet.

Food as a metaphor for comfort, security, and/or connection is constant in this series. It's very obvious symbolism to let the author convey a bit more context in the scene than dialogue alone can. So when Hakuri rejects food here, he's rejecting reassurance from Shiba. Meanwhile Char's already comfortable enough to accept it. Good for her, truly!

Hakuri's situation wasn't necessarily worse than hers, but it was a lot more complex. So even though he's safe now, he's not really able to pursue his happiness yet. All those tools he keeps locked up inside, the mindset of being one himself- they're still issues for him to work through. But there's hope for him too.

The author went out of his way to show us that Hakuri's also on the path to healing here. The last time Hakuri shared food with someone, he was forcing his abusive ideology on Ice Lady. She started finishing the meals and truly internalizing the hopelessness of her situation. He fucked up the food as comfort/connection metaphor bad with her.

Yet in Chapter 47, we see Hakuri sharing some snacks with Chihiro on the train. Sharing food isn't connected to the situation at hand or the information dump it's serving as backdrop for, so it's definitely a deliberate choice on the author's part to depict this instead of literally anything else. It was shown to let us know that Hakuri's on his way to his own Happily Ever After.

He's able to connect to Chihiro and not worry about the repercussions. This is a huge step for his character and speaks volumes about the level of trust between them; this is the first time Chihiro's willingly accepted food from someone else too. Hakuri's not only still reaching out to other people, he's still able to provide warmth to others despite it all.

What's Next?

I'm not going to pretend that I can predict what Hakuri's story will look like from here on out. He'll have a hard time for as long as he's slated to get development though- Kagurabachi takes the adage "suffering builds character" very seriously. We're only 58 chapters in as of finally posting this so it's best to strap in and expect a lot more pain.

That said, I feel like Hakuri's self-sacrificing mindset is going to be addressed first. As of chapter 55, he's set up to fail and cause problems by throwing himself into danger despite not being fully healed or rested. The root of this issue would likely be his atoning savior mindset. Hakuri needs to protect and save others very badly after what happened to Ice Lady. He also loathes the idea of others making sacrifices for his sake. So he's willing to throw his life away even when it would be better for his allies if he stayed out of the fighting.

There's also a good reason we met the Makizumi clan in the arc immediately after the Rakuzaichi fell- Hakuri needs to start dismantling the "tool" mindset that was drilled into him. He's only switched his fervor from serving the Rakuzaichi to serving/saving others. This is extremely toxic when combined with his guilt over Ice Lady and drives him to go to extremes to do good, to the point where he's ignoring everyone trying to get him to rest and heal for the sake of the mission if nothing else.

In essence, I believe we are going to finally address the lie of his introduction- that he can keep pushing through hardship with sheer force of will. Because that is not how overcoming trauma actually works.

After that, only the author and his editor know exactly where things will go. But I hope that no matter what happens, Hakuri's lingering trauma is exposed and dealt with. It's informing all of his actions, positive or negative, whether he wants to acknowledge it or not. I have faith that this author can tackle this subject compassionately and realistically- he's already done it twice with Char and the Rakuzaichi arc.

So that's that. If you read all this... thanks. Take care, and choose kindness for yourself for today.

[rifulofthewest]

My take and analysis on why MTP anime adaptations is so bad

(I recently rewatched anime and wrote a whole list of reasons)

1. Intentionally left out details

At its core, MTP is a detective anime.

The details in a detective stories are very important. The writer left them there on purpose, they all lead to something

• Starting with the biggest change: only Albert kills a human being during the first burning of the estate (with his own hands; all the residents died from the fire they created)

Which, from the perspective of the progress of plot, cancels out all Albert's internal conflict.

All the time he worries that it's his fault that Will has become murder. That their joint murders are the only thing that keeps Will and Louis close to him, otherwise they would have long since forgotten about his existence.

This is the reason why Albert moves Jack to their estate, to give Louis more free time to participate in the murders and to convince himself that they will stay with him until the end BECAUSE all 3 of them are killers now.

None of this makes sense if Will only broke a chair for him and Albert was the only one who killed somebody that night.

This is also the reason why adult Albert is almost always absent from the anime. His character no longer makes sense.

2) Ignoring the political component (in political anime, hilarious)

There are many examples here, so I will mention just a few.

• The case of poisoning:

1. For some reason, Mr Burton is working in the aristocrat's garden instead of representing the interests of farmers

2. The whole rent storyline simply doesn't exist when it is Moriarty's main weapon to win good publicity from the townspeople

• the Kidnapping chapter, which was a direct continuation of Will's investigation into drugs at the university (the pregnant girl on opium who was thrown off a bridge)

3) Missing characters and missing backstories of characters who are present in the anime

Moneypenny

The Man with the Golden Army chapters (Sebastian's backstory)

3) The change in perspective was not replaced by anything

In the manga, we - readers - observe everything from the 1st person perspective: right from William's head.

We see his thoughts (sadness, empathy, planning), even if he cosplays a rock and shows no emotion

In anime, we observe from a 3rd person perspective: we act as a surveillance camera.

The characters either have to voice their thoughts in dialogue with others or do something to let us know what they are thinking

Which William does not do. His whole point is that he lies to everyone around him.

Therefore, the adaptation had to either make him more open with one of the characters (Albert was right there❗❗) or keep the first-person perspective and give the voice actor opportunity to voice over silent, emotionless William

In general, rewatching I got the impression that while the manga was actually focused on Moriarty's plan (albeit not to the desired level but still), the anime's goal was to adapt Sherliam only (even here they missed a couple of moments)

[blueteller]

The birth of a hero was originally written for choi jung soo right? It was passed to roksoo coz jungsoo " died " right?

We are not actually 100% sure! Everything regarding TBOAH series is speculation coming from Cale. We know that "Nelan Barrow" is Choi Jung Gun's pseudonym, and Cale saw CJG write a book in the Sloth Test, aka. the illusion of his own past when he was 17. So we know for a fact that this book series was written by CJG, and it was given to KRS on purpose so he would have knowledge about the world he was about to transmigrate into... But that's pretty much it. Everything else is speculation. There are so many unaswered questions about TBOAH. Such as:

Why did CJG originally write the books? Did someone order him to, requested it of him, made a comission for some reason? And HOW did CJG write this series? Where did he get information from, how could he know the future before time regression happened? Did someone else give him the information? Was it TBOAH!Choi Han? Who was responsible for the time regression, was it God of Death? Or did he have help? How many people know that time regression of Nameless 1 happened? Do any of the Hunters know about it? Can time regression happen a second time? If it can't, why? How was it possible in the first place?

And how would CJG plan on makeing KRS read TBOAH anyway, did he sneak the books into the library himself? How was KRS manipulated into grabbing those exact books? How did he know KRS would pick that series on that day specifically? Did he know KRS's preferences and made the book in a specific way to appeal to him, or was it just a lucky shot?

Why did CJG write all those side-character details? HOW did he find out those details? There's no way TBOAH!Choi Han ever found out about stuff like Harol's parents' backstory, or the fact that Mueller even existed and died. Why did CJG simp so much over King Shickler, did he ever meet him in person? And why does he compare the elves to the squids or bash their dragon-worshipping tendecies, does he have a grudge against them or something?

And did CJG ever find out about KRS becoming a transmigrator instead of Choi Jung Soo, anway? We assume that we knew, but do we actually know that for sure? For all we know CJS could have been the one who sneaked the TBOAH series into that library where KRS found it. How much CJG was involved in the whole process aside from writing the books in the first place? Did he even know that there were meant for CJS originally? Did he know who he needed to write them for?

...My point is, we know almost nothing about Choi Jung Gun, or the books he wrote, aside from context clues and what Cale speculates about it. My original assumption is just like your own; that CJG wrote it for CJS, then CJS died, and the books went to KRS. But did it actually happen like that? I guess time will tell!

...If Choi Jung Gun doesn't have the audacity of dying on us before he can answer any questions, that is. -_-