#and im full of feelings today

[ghost-of-you]

Its not fair that they call it a ‘ world tour ‘ ‘ or a North American tour’ and it’s truly like one concert in Toronto thats cut in half and than like American tour gets a whole bunch of dates and multiple shows in the same city. I barely have enough money to live let alone buy a plane ticket to and back AND a 100-200 dollar ticket. Its just frustrating

Honestly i wanna slam whoever makes the announcements with a dictionary sometimes. World for them means 40 shows in the us, 2 in Canada, 5 in the uk, 3 in other random cities in Europe. Southern hemisphere gets nothing. Most artist pretend Africa doesn't exist, that playing one show in Mexico is enough for all Latin America, Asia it's made of only Japan and Korea and Oceania it's 2 cities in Australia. Meanwhile New York gets 12 dates. It's unfair to say the least.

And honestly, i was looking things up because i wanted to know how much it would cost me to go to São Paulo for a show, and well, a plane is not exactly doable for me cause there's no flights coming out from my town, so i would have to travel to my states capital, so that's like 6 hours trip all around, it's a 9 hour drive, it's better to just drive or get a bus, so there's the gas or the bus. Then there's a place to stay, cause there's no way I can do a 10 hour trip, whoever long of queueing, whoever long of concert and another 10 hour trip, i need a place to sleep, so a hotel it's also an expense that on top of the tickets that will cost me a kidney if they follow the price trends that I've seen so far. And there's also food. And that's if it's not a festival that costs a month minimum wage to get in. It's undoable.

[lemongogo]

[ganondoodle]

id probably have more success as an elden ring/fromsoft artist but alas, my heart still belongs to the legend of zeldas most unpopular villain, oh well..

chapter 2 rough draft is approaching 70 pages, im confident i can start painting it this week :3

[raineandsky]

Hello, I was wondering if you could please write something where Villain thinks they are under a love potion slipped by hero’s allies. After every moment they see hero they feel they are in love with them. But when they confront the teammate they find, to their surprise that they gave them a ‘speak your heart’ potion to get them to confess their crimes and never expected them to have feelings for their friend. Coming to the shock and realization that they had indeed fallen for hero but had been ignoring it/suppressing it. Now they are at the point where they can deny it no longer. Thank you for your consideration and for reading this! I hope you have an absolutely lovely day! 💕

this was.... such a cute idea??? i liked writing this one, i hope you enjoy reading!! thank you as always for the request!!

Heroes are liars. The villain knows this well. They’ll lie, cheat and bribe their way into anything that might mean another villain in jail, another victory under their belt.

There are telltale signs of lying, of course. Looking away, shifting about, smiling awkwardly. The villain has learnt all of these, because they know that heroes are liars, but also tend to be bad liars.

This hero, from the villain’s deduction, is either an incredibly good liar or telling the truth. God, the villain wants it to be the former.

“Love potion turns blue,” this hero is saying. “When I poured the heart-speaker in your drink it went orange.”

The hero’s looking right at them, stock still, face blank except for what seems a little like horror. Liar, surely. He’s just a damn good one. “Bullshit. You’re— You’re fucking with my head.”

“I’m not doing anything!” the hero cries. “I’ve been following you around with a recorder because I was hoping you’d admit to your crimes! I wasn’t expecting any of this.”

The villain turns away from them—a mistake most villains know not to make, not that the villain particularly cares right now—and heaves a deep sigh. It makes sense, doesn’t it? Does it?

The villain is no stranger to love potions and their effects. How they noticeably warp their victim’s perception of reality, of who they can trust. The villain, subject to one such potion for one of the supervillain’s strange experiments, noticed that everything felt different, that their feelings on certain people had inexplicably changed. The effects also wore off after a day.

The villain’s been feeling like this for a week. Loose, almost detached, like honesty is the best policy even though their colleagues would scream for them to stop talking.

They’ve seen their hero more than once this past week. Carefully stamped-down, begrudging respect has blown up into desperate infatuation. Their hero says some well-practised lines about taking them down, the villain stutters out some of their own about never being caught, and then they fight, the physicality of it entirely overwhelming sometimes.

That’s more than a simple love potion has ever done to the villain.

Their hero is— how long has the villain been calling them that? That hero isn’t the villain’s anything except their nemesis. They need to get out of their own head before the heart-speaker drowns them in their own emotions.

“How… how long does it last?” the villain asks faintly.

“Well,” the hero says, “at least a week.”

“Oh my god. You don’t even know.” The villain scoffs in offence. “Jesus, I— I can’t see [Hero] again like this.”

“You’re freaking out, [Villain],” the hero butts in carefully. “You’re recognising your own feelings for the first time. It’s a lot. I get it.”

The hero doesn’t get it. The villain feels like the world’s about to end. “What the hell am I meant to do?”

“You could tell them.”

“Are you insane? No!” The villain wrings their hands, pacing thoughtlessly. “No, this isn’t right. The heart-speaker will wear off and everything will go back to normal. It’s fine.”

“I mean…” The hero glances down at the little audio recorder in their hand. It looks ancient, as most hardware does that comes from the agency. “I still have a ton of free space on this thing.”

“I’m not saying it out loud and I’m certainly not letting you record it.”

The hero shrugs, the lightest smirk weaving its way onto their stupid face. “I didn’t think you would. I do have some heart-speaker left. Enough for… someone else.”

On any normal day, the villain wouldn’t care too much about knowing what their hero thinks of them. But this day isn’t normal, and with this goddamn potion working its magic on them, the villain is painfully, embarrassingly desperate to know every little detail of their hero’s thoughts.

The villain squints at the hero to make it clear they’re not agreeing to this immediately, although their body language probably suggests otherwise. “Okay, well, it’s not your worst idea.”

The hero nods sagely. “I think I know which idea of mine you think is the worst. I’ll make sure this one isn’t to your detriment, though—it’ll be fun working with you, partner.”

“Don’t call me that.”

“Why, saving it for someone else?”

The villain wants to snap back at them for the tease as the hero laughs, but they can’t deny what the heart-speaker is forcing them to admit.

Yes.

[vanweezer]

sketchbook dump

[zer0point5ive]

ok. yeah sure

[dustykneed]

Hello! Random whipper snipper! Share a WIP of your work!

ooh, with pleasure. six the musical araleyn fanart? in the year 2k24? more likely than you think xDD

i realize this looks finished, but technically i'm still deciding whether to add a background or not lol. still, for the sake of sharing a proper WIP, here's a line or two from an araleyn brainworm WIP that i started reworking yesterday (mild tw for religious guilt and period-typical internalized homophobia from aragon's pov):

She remembers sharing her bed with Anne at Henry's behest, remembers the nights of tossing and turning and trying not to think about Anne asleep next to her-- remembers waking up to dark hair spilling across her pillow and the press of blood-warm bosoms against her own, softer than sin, as hot as the Devil, remembers lying still as death, mouthing prayers into the heat of Anne's neck like an act of penance.

[lover-of-mine]

So I'll keep it all to myself, if you'll keep it all to yourself...

[thebirdandhersong]

Lol

[skunkes]

not an ask, but I saw ur post and relate a lot to it.

anticipatory grief sucks. people will tell you not to think about it, not to let it steal from today, but some days are just so hard. sometimes it feels unavoidable, like it’s some goliath mountain in the distance or even the sky and you can’t not look at it. it’s like you have to keep trying to distract yourself not to think about it, and it’s exhausting, and you’re so fucking scared of the inevitable.

like how does anyone even function? the idea of the world continuing to spin when there’s this terrible, horrible thing that will happen some day is unfathomable but it does, and it’s horrible. Some day will mark the before and the after. nobody can ever be ready for it.

I hope the love you have keeps you strong. wishing you the best.

this is literally it. i know thinking about it Now wont make the actual day it happens any easier. but it's impossible to not think about it, especially since there's no tangible way to preserve memories or feelings or the like forever. i cry easily and get emotional over most anything and everything, which is another layer of difficulty wrt it because I spiral. I want to squeeze out of my body. im not meant for any of it

[pippindot]

Screaming into the void a bit: we were working on Go Outs foundations which, in this class, involves teaching Pip to paw a stanchion from increasing distances. She was doign GREAT with tons of joyful enthusiasm in class this evening. Then on one rep mid-slap she screamed, tucked tail, and almost left the ring. 😭😭😭 i have no idea what happened! Tweak her shoulder? Catch a nail?? Meat bee?!??! SOB

She did come out of her crate eventually and we did other exercises but once it was time to leave she couldnt get off the field fast enough. 💔 we have been doing so well i am just so sad. And my teacher doesn't seem interested in trying a different approach if pip remains worried about the stanchions going forward so 🫠

I'm just so fuckin sad. We can't ever seen to catch a goddamn break. And there is something uniquely awful about watching her do something I've asked with joyful, bouncing enthusiasm and then getting hurt (?). Like I'm brutalizing the trust she puts in me to keep her safe and be fair. I hate it so much.

[wraithsoutlaws]

[chaos--gremlin]

Hey Google how to hold a weapon behind your back cutely?

(No ID)

No story behind this one I just decided to draw intruality

I'm also quite sick right now (tested negative for covid but it sure as hell feels like covid or worse) so drawing the sillies helped distract from the misery<3

[travisdermotts]

2015 blue jays broadcast core

[iratusmus]

having entirely too much fun with old outfit requests

[crescentfool]

i've been doing a bunch of tartarus runs in reload lately, and it got me thinking about how i miss certain ways FES's clunky gameplay can characterize minato… (ramble about the great clock mechanic + leveling up party members in reload vs fes under the cut)

when i got to yabbashah block in tartarus (block 3), i remember commending the developers for adding the great clock mechanic. it's a much more convenient way to keep party members at the protagonist's level- so when you think about p3 from the perspective of trying to make it easier for people to play, the mechanic succeeds in this respect.

but now that i'm in adamah block, and that i've done lots of my once-a-month tartarus runs… i think that i got a little too dependent on it, and the way that i played through reload feels like a vastly different experience from how i played FES.

in reload, my party's levels are very lopsided. minato, yukari, akihiko, mitsuru, and fuuka are all level 90+, meanwhile junpei and aigis are at level 79, and then… poor ken and koromaru are at 71 and 64 respectively. (i never got to have a great clock for them…)

meanwhile, in FES, my party's levels were much more evenly distributed and were at least level 90. i did all of this manually for every monthly tartarus run because i enjoyed having options available for the taratarus guardians and monthly operations.

with how i perceive minato, i feel that the way i played FES feels more in-line with his character than me dawdling around waiting for the great clocks in reload.

FES's gameplay loop left me with the very strong impression that minato has to work twice as hard as everyone else in SEES does. it makes sense because, yeah, he's the leader, but something about having minato run through tartarus multiple times with different groups of people just to make sure that they are adequately prepared speaks volumes about his character, to me.

and while the tired mechanic is present in reload to some degree, most notably with allowing you to freely raise your courage stat when you visit edogawa after school… the tiredness system doesn't hit the same way that FES does, i think.

the way your party members in FES will call it quits when they return to the entrance floor at tartarus when they're tired, versus minato, in spite of all his tiredness and sickness, still pushes through tartarus because it's his responsibility…. idk!!! i miss that! i feel like this really hammers home the difference between minato and the rest of SEES, how minato doesn't really see himself as a human with needs worth respecting as long as he's useful to someone.

i don't think that tartarus being tedious (in FES especially) is not what most people would describe as fun, and i can respect people thinking it's a slog. but, regardless of how it feels to play, it doesn't change that FES's gameplay loop is a fundamental building block in how i perceive minato…

of course, i do recognize that you can just opt to NOT use the great clock in reload (and it's great when players are offered the choice to not partake in mechanics)! i definitely think that if someone really wanted to, they could manually level up party members, but i do feel that kind of playstyle isn't necessarily "incentivized" to the type of people who are into playing games for Having a Good Time. it's kind of like… "why would you do that when there's a much more convenient option available to you."

in any case! despite my woes, i do want to emphasize that i'm glad that reload has a much more smoother gameplay loop than the original P3 did, because it does make the game more accessible to people. having played both FES and reload, it feels very strongly apparent to me how the core gameplay formula of persona has really been refined in the past 18 years (to think og p3 was 2006 and reload is 2024.. time flies!). and reload has made revisiting a story that i love so dearly much, much easier because the gameplay just bops!

at the same time, due to my "i miss characterization informed by weird and dated FES gameplay quirks" woes, i still think that playing FES is worthwhile. (really, i feel this way about all iterations of p3! i think it's worthwhile to see what each version and side media has to say even if it doesn't Land™ for you.) but i also understand why people wouldn't want to play it, so i will keep writing posts about things i liked from FES's gameplay because i'm still very fond of FES (especially in respects to minato. these mechanics are so telling about him!!!) 💪