#and if my stuff inspires people to be creative then I think i have achieved a life goal :)

[kyeterna]

Yeah sex is cool and all but nothing tops the sheer joy and satisfaction of having people around you time and time again show genuine interest in the stuff you are creating, even people who don't know you well enough to benefit from complimenting your work.

Seeing them get hyped about the stuff I make, and hell, sometimes even tell their friends about it is like an experience I wish all creatives get to taste first hand.

[willowpains]

introducing…

latina actress reader!

mexican to be exact, born and raised. sings and dances, but has decided to focus all her efforts into acting and breaking through Hollywood, fighting closed doors due to her nationality, always with a good attitude and ready to work her ass off to achieve her dreams to be the next it girl and big thing around the world.

she’s…

big hearted. soft. sensitive. hardworking. multilingual. singer. dancer. warm. family girl. fangirl. super friendly. the one that makes everyone feel included. a listener and big yapper around the people she trusts. a bit shy at first. loves a good party. cinephile. tequila lover.

loves…

going out with her friends and fellow costars. traveling back home whenever she can. the beach. taking photos of everyone and everything. speaking spanish in front of people that don’t understand. doing karaoke. her dog. reggaeton. doing tiktok dances. reading romance and fantasy. going to the movies at night. posting photo dumps on instagram. doing pranks. her mexican food. makeup. her alone time.

can’t stand…

horror movies. people that don’t love animals. over bearing and noisy paparazzi and press. liars. smoking and cigarettes. loud chewing. small spaces. rats. not wearing perfume. losing her favorite lip gloss. online spoilers. missing out on stuff. people talking on the movie theater.

wikipedia…

-her first big role outside of her country was as a pogue, with a trope of slow burn enemies to lovers with Drew Starkey’s character, and member of the main friend group in the highly acclaimed Netflix series Outer Banks, still ongoing now with a just released season 4.

-she was casted and is part of the wrapped up and upcoming movie: Wake Up Dead Man, sequel to the famous murder mystery movie Knives Out.

-uploads covers and snippets of originals songs on her YouTube channel, as well as see social media accounts such as TikTok and Instagram.

-had a big role besides actor Jacob Elordi in last years hit project Saltburn, making it one of her biggest movies in her repertoire to this day.

-she was seen attending a Niall Horan concert previously in the year, and was brought up on stage by the artist to sing a duet, as she claimed one of her favorite songs, “You could start a cult” during the show.

-she is rumored to take part in the role of Susan Pevensie in upcoming Narnia Series directed by Greta Gerwig, nothing has been confirmed yet but both the actress and the director have been hinting at it in different interviews and events.

loading more…🎥🎞️🎬🍿

***

I am so freaking excited about this concept that I came up with! I had been wanting to continue writing for drew and this idea just landed on my lap didn’t it? *wink wink*

I have so many plans for this universe with mexican/latina actress reader, from moodboards, blurbs, headcanons, specific scenarios, sooooo so much! if you have any questions, things you wanna request or know about reader please feel free to ask or let me know, you’ll be feeding into my motivation to write more about her and drew and the rest of the obx cast<3

credits and inspiration to all the writers out here that come up with these concepts of ___ reader! if ate up most of them and I think they’re creative and amazing af

about time my writer personality came back, and as always, English is not my first language, so I apologize in advance for any grammar or writing errors there may be!

stay tuned👀

[felassan]

Snippets. 🐺💜

Corinne: "PC has been a priority for us! It’s heartening to see so many PC champions on the team working hard to make this a great experience" [source]

Corinne: "Enjoy shield-bashing and drop-kicking hurlocks off the ramparts! Don’t forget to toss that shield around too" [source]

User: "I love that they chose a no mage party to showcase. 😂 The two companions thing had me a little worried that I’d have to take a warrior and a mage into battle with my Rook rogue all the time." / Corinne: "We know players get attached to certain characters, so while there are benefits to having one of each class, it’s completely viable and intended that you can find synergies with a variety of party comps" [source]

Each Background has a specific last name, very much inspired by the approach in Origins [source]

Corinne: "We’ve put a lot of effort into ensuring our gameplay and customized difficulty options allow players to find something comfortable and engaging for themselves. I’m sure you’ll do great! It was one of the biggest challenges in designing the combat system, as we know the Dragon Age player-base has a wide range of motivations and expectations." [source]

Corinne mentioned to a user who said that they prefer a warrior/mage experience but without all the slash and spin of rogue attacks that they might enjoy the Warrior Reaper spec [source]

Hrungr noticed that it looks like you can hide your armor as well as your helmet [source]

Mary: "True fact: For the longest time, in the DA writers' pit, we had "It has been __ (usually 0) days since someone mentioned cannibalism" on the whiteboard." [source]

Gabe, posting the release date reveal trailer: "My friends, I have made an effort to avoid shilling too much here so that when I do, it'll be worth it. I love this game and the team that brought it to life so much." [source]

Bryce: "if I may workpost for a sec, I'm forever grateful for days like today when I get to gush about dragon age with the fans this community is so welcoming and my heart is so full today 💜" [source]

The ray-tracing NVIDIA video from earlier this week that showed mage combat was showing early-on mage combat [source]

Blair: "the achievement names include some personal career highlights for me." [source]

Trick on the podcast: "The [DA:TV game] writers were pretty tapped with other stuff at the time, sadly, but I think it came together great." [source]

Though neither option is wrong or evil, making Cole more human in DA:I leaves him sadder [source]

John: "honestly it’s a very strange feeling to go from a half decade of ‘dragon age? maaaaybe we’re making a new one? tee hee’ to actually being able to talk about it" [source]

John: "been busy all day so I just got to read some of the reactions to the DATV combat showcase. I am incredibly proud of this team and I’m thrilled to see people excited about it. even after spending every day with it for the last 5 years I still love playing it." [source]

John: "being creative director means i work with pretty much every single department and team on the project. everyone brings creativity and innovation to their roles and the project would be nothing without them (and it)" [source]

John: "am I playing our game for fun on a Friday night, I certainly am. romancing my own companion to do one last check to make sure all the conditionals work. folks it is a very strange thing" [source, two]

[marciaillust]

How long does it take for you to finish drawing?

I'm an artist (beginner) and i unconsciously set unrealistic goals for myself and need a reminder of how long it takes to complete a drawing, Thanks.

Hi! In the context you presented it in, that is a really interesting question, so I'll try to approach it thoroughly. I hope I won't make you roll your eyes too much.

Where to start, where to start... I guess the first thing I should say is that there is a difference between time I spend preforming the action of <drawing>, and the time I spent <working> on a particular piece. The first would be counted in hours, the second one - days. I'm a big believer in slowing things down, and giving things time - going through options, gathering research and references, taking breaks every 1h of sitting and drawing - and seeing things through until I achieve the goal I set at the beginning of the process.

The goals are usually different each time: "quick design", "character exploration", "analysis of an artist's linework and experimenting with the knowledge gained", "creating an aesthetically pleasing image", and so on and so forth. Of course I don't write these down like it's a school assignment, but knowing in the back of my head what I'm actually doing helps me manage my expectations. I also enjoy being conscious of why I create - when I was younger regardless of what I was doing I had the thought "AND IT MUST LOOK GOOD AND PRESENTABLE! BECAUSE PEOPLE WILL LOOK!" ...and I think that obsession is the cancer of creative process.

Since the goals for each picture are different, the time I'll spent on achieving each one will be different as well, because the "satisfactory results" lay in different places. For example, the Marcile sketchpage was created in one afternoon, and took approximately 3 hours. The goal was to play around with a brush that has no opacity forcing my lines to be more decisive. I did that and so it is "finished". There's nothing else I want from it.

On the other hand, the cover of Asterism took about 10 days to create, the goal of which was to make "an aesthetically pleasing cover picture taking colour inspiration from the works of (specific list of artists)". I took my time designing it so that it looks aesthetically pleasing, made sure the anatomy is "correct" (a nebulous statement when it comes to stylised humans), took my time masking, and picking colours, and shading. I wanted it to "look good" to my own eyes so if something was not working I would go back, change it, alter it, move it around... that's the wonderful thing about personal art, you can take as long as you like making something satisfactory.

The funny thing is, with what the Asterism cover actually is (a cellshaded image), it could have been done probably in 4 days by the me 4 years ago. But that person was willing to sit 8-10 hours a day to draw with no breaks, she had little social life, and treated herself as a little circus seal performing tricks so that people clap around her, and the clapping was soooo nice because it meant that people remembered her and she mattered. And it worked for her! For long 10 years! Until her arm gave out, and the reality of never being able to draw again became more tangible than ever, and it's been following her like a fog ever since for the past 4 years. The me today works about 4 hours a day and every hour I take about a 30 minute break. I also don't post half the stuff I draw. There is also another aspect that dictates the speed of creating and that is familiarity with the subject matter. The less you know something, the fast you'll draw it! But as you get to know the intricacies of the process, and see all the building blocks, it will start taking *longer* because you will start accounting for every block. But then you'll eventually get familiar with the blocks and so the time spent on a picture will go down again! The cool yet overwhelming thing about art is that, there are always hundreds of building blocks. Form, composition, ambient occlusion, saturation, hue, light balance, line form...... and those are just the *some* of the generalised *categories*. And each category will have it's own subsection of building blocks! And then those blocks will interact with each other to create completely new area of expertise! This is crazy! Marcille sketch page took me only 3 hours to create because I am already quite familiar with linework - I have drawn 3-4 comicbooks worth of linework. This also means I am familiar with believable anatomy, more or less, which got utilised in the Asterism cover - the main bulk of linework got created during a 3h livestream. So.... what's the answer.... "It's all relative" is so unsatisfactory and probably not what you looked for. But you can draw something in 3 days and kill your body over it. Or you can become an expert in a field and dish the same picture out effortlessly in 8 hours. You can also split that 8h block over multiple days bringing you back up to 3 days. You could even add a whole day of visual research which might make your picture only marginally better. And even if we calculate it in terms of raw working time, pen-to-paper, like a self-inflicted capitalist tumor, that time can fluctuate still due to personal visual library and knowledge base. If I asked Tom Fox how long it takes for him to create his sketch pages his answer would probably be downward of 30 minutes. Yet I need whole 3 hours to create something *less* anatomically correct than him. And so here we are at the end of this perhaps unnecessary essay. And all we learned is this: it depends. Dry, not nuanced tl;dr, my personal timings: single sketch - 30mins; single linework pic 1-2h; Cellshaded illust - 16h; Rendered illust: 20-25h.

[tobbesdiscordkitten]

How did Pamela manning, Adriana and barbie meet Gnr they’re so lucky

I’m glad you asked because I learned today that Pamela Manning was Barbi Von Greif’s ROOMMATE and they were the ones who were gonna make their own band called Rocket Queen.

Pamela Manning

I’ve also heard Barbi was a stripper, as well as Adriana Smith, so the three might’ve worked at the same strip club and got acquainted. It’s interesting how the universe works - you meet new people for a particular reason in order to achieve a certain destiny. Then once the band came along…the ladies were set in stone.

In 2014, Pamela did an interview and she discussed what her experience as a dance girl for GNR entailed while recounting her relationship with Izzy, and her friendship between Axl and Steven Adler:

“Well, I had been dancing with Guns N' Roses on stage even before Guns N' Roses. I came out in a cute outfit, it had guns on them, some cute cut-off jeans, and a cowboy hat. Axl had chaps where his butt would hang out the back. It was like playing house to me but we played rock star; it was all about music, how cool you can look. It also was a shock factor back in the 80's - anything to get attention.

If that meant being wild and crazy on stage, well, that is what you got! And, so, when I was on stage, I had a blast with the band; our energy was magic! We would feed off each others’ energy, yet we would all be in sync with each other. It was so automatic, the music was the main energy. You tap into that stream and you got Guns N’ Roses: that is what fed the audience, the energy that went with the band. After the show, we would talk about how the audience’s reaction was.

Pamela Manning and Axl Rose at the Whisky a Go Go (1986)

I am also a drummer, so Steven would teach me some drums, and we would move on to more creative stuff; we'd sit around and play some more music. Barbi Von Greif, who was my roommate at the time, we were in a band together for a short time. I was the drummer and she was the singer, and Barbi wanted to name the band Rocket Queen.

Pamela Manning with Steven Adler

Guns N’ Roses were a music inspiration to us; heck, we inspired each other. This is how we all met up; it was all about music, not hanging with the guys. I did wind up dating Izzy, but Barbi broke us up, not being a true friend to me, as she wanted him. One day he asked me to let him play with Barbi, and when I said no, well, you can guess the rest. That was the end of Izzy and I.

Axl has always been a true friend to me, telling me his deepest secrets and, yep, I have kept them today. I can't and will not talk about the deep secrets he told me. That is just not me. But wow, if you only knew...I am sure some would understand him a little better. People judge him, and I can understand why. He has not been the best example, but I think if Axl would stop bottling all the secrets, he could be a great spokesperson and could help many.

It was like with any band: sex, drugs, and rock 'n roll, but the drug thing…I never liked drugs or alcohol, so I can't relate in that department. But I had some good times.”

“I got branded (as a groupie) because I was wild and crazy on stage, and made my living working with rock bands as well. My interviews I agreed to be in were cut into pieces to make me sound like a groupie, like talking about being a cheerleader, and things like that. I have always been one to inspire, male or female. Rockstar or not, I love to inspire, to bring back hope, to help people get their creative juices flowing and that doesn't mean groupie juices…I had friends who were (groupies). I never hung around with them, but there were times where I would work with them. Some were mud wrestlers. Groupies were there, back in the '80s, for sure. It was hard because you become friends with them, and then they would try to snatch your man. And I really hated dealing with them. I’d guess groupies are the same today as yesterday. The only difference is that there is not an explosion of rockstars rising to the top like it was in the '80s.” - Pamela Manning

Not only was Pam a dancer for the band, she was a roadie who handed out flyers, did the men’s hair, makeup, and their wardrobe. Pamela still keeps in touch with both Axl and Steven.

[getgored]

hhai... i wanna get into art (to start drawing my sonas n ocs....)

do you have any tips?? ur art is so so yummy :3

Thanks man

My top tips for people who want to improve their art skills are

A. Study anatomy and realism.

Yeah, boring as fuck i know. But let me tell you, after years of art schooling, the things that most impacted and improved my style were the things i learned from drawing from life.

It doesn't have to be crazy htperrealistic drawings, i used to do figure studies once a week, drawing a model/person, no online images, just a plane body in front of me and my sketchbook. That shit did wonders for me.

B. Start cheap

As in, dont splurge on high-quality art supplies you won't know how to use. The supplies dont make an artist. the artist makes the supplies. I started drawing bullshit with a 2B pencil and a school notebook, and even now, i still use ibispaint x on my phone drawing with my finger. The only difference is that now i have premium.

But seriously, dont waste money on supplies you won't know how to properly utilize, this includes high-quality paper, fancy liners and pencils, premium drawing apps, digital pencils, etc. That stuff should come AFTER you get your footing and know you're serious about art

C. Be inspired

I always recommend people look at artists they love, analyze their style, what makes their art appealing, and apply it to ypur own style. Don't copy and paste an artists style, but take bits and pieces and frankenstein it into a personalized style that you love, every time i try to improve the way i draw something i look at artists or designs that inspire me so i can grasp what it is im trying to achieve in my art.

It can be as simple as the types of colours you use to how the body is proportioned or stylized, creativity breeds creativity, so be creative and dont be afraid to be inspired, ESPECIALLY as a beginner

D. Learn your basics

Wasn't originally going to add this, but to improve you NEED to learn the basics, i honestly dont recommend learning these things at the very start, but more towards when youre vomfortable with art and are trying to develop it.

By basics, i mean things like colour theory, point perspective, the elements of art, etc etc. Again, all very boring stuff that im sure everyone has heard of before.

I think trying to learn some of things by trial and error is great but it can only get you so far, you need to know at least a LITTLE about the basics, to be able to fuck around with them and be able to let loose with it.

Just also remember art is meant to be messy. it's meant to be disgusting and offensive, and human. Art is a wonderful thing i genuinely believe everyone should try in some form or another, but don't beat yourself up bevause it didnt turn out the first time, itll take a few lifetimes for it to be "perfect", so until then just enjoy the ride.

I am ALWAYS open to art tips and advice, even critique and red lining, i can even explain some concepts I've learned in school, mever be afraid to ask, sharing knowledge is punk rock.

[koboldfactory]

Oh dear, I was sleeping when you needed asks to lift your spirits… I’m so sorry. However, I don’t think it’s too late to make you feel better. With that said, here’s a short essay on why you are an amazing artist deserving plenty of support and care.

First of all, your artistic skills is among the best I have ever seen. There’s no denying your character designs are stellar; from their wide range of body types to their intriguing backstory, they never get old. However, your creativity doesn’t stop here. It seeps on concept art and writing. I remember when I saw your desert concept art (with Rad on it) on Patreon; it was so good that I let out an audible “WOW!”. I know you haven’t published any concrete story, but the lore, world building and character backstory scattered in your posts got me hooked! I consider myself pretty picky when it comes to writing, but yours is among the only one I enjoy to the fullest.

Second of all, kobolds. Kobolds are great. Don’t you think kobolds are great? I love kobolds. Kobolds are amazing creatures: kobolds can yip, kobolds can scream, kobolds can run really fast, kobolds can roll really fast, and kobolds can kobold. I think kobolds should be admired. Kobolds are loyal to their Kobold-hoarding dragon, no matter what happens to the kobolds. Kobolds are such fascinating creatures. Did I tell you how much I love kobolds? Kobolds are great. Don’t you think kobolds are great? I love kobolds. Kobolds are amaz-

Last but not least… you (no, this isn’t some weirdo’s confession, please keep in mind it’s just platonic compliment from a fan). I don’t know you outside social media, but what I have seen on tumblr and twitter, I can tell you are an amazing individual. Despite being caught by adult life shenanigans, you still find time to defend your friend’s and other’s NSFW content from purists. You have so much stress burdened on your shoulders, yet I see you reblog/retweet fan art and write a compliment to artists. Your mental resilience is something to behold!

In conclusion, you are a wonderful person who deserves all the love and support. As mentioned previously, your creative characters, music, art and writing is something I and others inspire to achieve, and your ability to held your head on tempestuous waters is worth looking up upon. Finally, just so you know, most of us (your followers) will root you and your journey until the end of time, be it with money of praise.

May you have a wonderful December, full of joy.

PS: y’all should sub to her patreon, you won’t regret a single penny. Great WIPS, in-depth game-dev updates and glorious concept art!

But most importantly…

Giant Women

This is genuinely so heartfelt and sweet I don’t even know what to say. Like I do my best to make stuff I like and it’s not lost on me that a lot of other people like it too, but seeing stuff like this put into words has me all the more motivated and encouraged to keep making as much art as I can for as long as I can. Y’all are awesome for real. And thank you so much for all the support!!

[bryce-bucher]

.50 Caliber 3D Platformer Post #7

Environment AAAAAAAAAAAAAAAAAART:

Finally, I've gotten around to making the environment art for the one level that I've got rn. I've been playing the system shock remake, and I really love how that game creates the illusion of grungy detail that reveals itself to be very low-resolution textures up-close. I knew I wanted the game to look like of grungy for a while now, but I didn't know exactly how I would go about achieving it. I toyed with the idea of layering photocopy textures over everything, but I eventually settled on using low resolution textures that are dithered with web colors. I'm quite happy with how it ended up looking. I think it has a source engineish vibe that reveals itself to be more colorful and strange up-close.

The Textures:

The process for making these is a lot simpler and less time consuming that how I usually make textures. This is mostly because I'm relying a lot more on the baked lighting to make things look good in this particular game, so the textures can get away with being less detailed. I'm mostly just grabbing stuff off of websites like textures.com and adjusting the contrast / coloration before shrinking them down and lowering the color depth. Here are some examples of how they look wowee wow:

Lightinggg:

For this game I'm using baked lighting as opposed to vertex based or realtime. I really like how it looks, and it ends up saving me a lot of time. If you don't know how baked lighting works, basically I place lights around a scene in unity, and then I use anything but unity's built in lightbaker that is bad and sucks (I use bakery) to essentially turn the lighting into a texture map that is placed on the mesh. It turns lights into textures basically. It is a lot more performant than real-time lighting, and it usually looks a lot better as well. With this game's particular art style, everything really ends up coming together with the lighting, and it would look pretty trash without it.

Cameo Skinz:

I've always really liked putting cameos in my stuff from artists that I'm friends with and/or take a lot of inspiration from. In this game, I plan to include a lot of unlockable skins for the player character that are characters from games / animations / whatever that I like. So far I've made a couple to breakup my time working on environment art. Check um out:

This one is Peter Shorts from an upcoming game called You Are Peter Shorts. I loved this dude at first sight and it was the first skin I ended up making. He was really fun to make because he has no body or hands, so I ended up making his head/torso one big thing that is attached to the head bone. You are Peter Shorts is made by the talented ondydev who I don't think I've actually asked permission to include this skin yet. If it doesn't end up in the final game pretend I didn't post about it lol. You should check out their previous game Tres-Bashers if you haven't.

This one is Appy from Brawlers World! Brawlers World is one of those creative projects that is so great that it gives me envy. I'm honestly so excited to be able to have this little dude in my game, and I think he ended up fitting into the art style super well. Those are the only two skins I've made so far. I have a lot more planned including Nova from Anodyne 2, Frog from Jamphibian, Knight of Trye from Knight's Try, Orbo from Peeb Adventures & Orbo's Odyssey, and some characters from my own stuff. They aren't a high priority right now because I have to actually make the game first, but I'll probably make a few here and there to curb burnout, and I'll show them off whenever I do. I am v passionate about the cool shit my peers are making, and I hope other people are too.

Conclusion:

idk it's like 8 am and I haven't slept. I've just been workin a lot while listening to the magnus archives. I guess I can turn this conclusion into me talking about the magnus archives. I'm on episode 197 while writing this so im almost done. It is p cool and I like how much it changes tonally overtime. It really feels like a big long journey, and I like media that can do that kinda thing. It is now a series that I will forever associate with the development of this game considering I listened to it all while working on it. It's kinda funny how that happens. Sometimes I'll be in a location in one of my games and it'll make me think about some video essay or w/e that I was watching while making it. Anyway, have a good day every1 pls tyty

[missninapea]

My pet peeves of being an average Hazbin Hotel fan:

•The hatedom: The hate and negativity towards the show and Viv honestly gets under my skin. Like it's totally fine if you simply dislike it and let people enjoy things that are not your cup of tea, but if you seriously HATE this show and the creators other work with a BURNING passion, I suggest that you don't interact with my blog or maybe even block the tags and stuff. Like, if you despise Viv, just ignore her stuff and move on with your day.

•Redesigns: Redesigning/reimagining characters can be a great thing for putting your own twist in them. Also for character design practice, expressing creativity, and for having fun. However, it can also be used out of pure hate, saying they "FIXED" them, or saying that their art is "BETTER" than Viv's which bothers me a little. Saying "OMG THIS LOOKS SOOOO MUCH BETTER THAN THE ORIGINAL" "I REALLY PREFER THIS DESIGN THAN VIV'S. SHE LITERALLY CAN'T DO CHARACTER DESIGN FOR SHIT!" "LOOKS SO MUCH BETTER OMGGG!"🙄Like, you can still critique the designs of the characters while being respectful and constructive, that's fine. I have a few critiques myself actually.

•Vivziepop: Vivzie is one of my favorite artists. Her art really inspired me so much ngl. But I'm very aware that she's flawed and not perfect. I hate when people dig up all of her controversies just to make her a villain and make her look bad. I really don't. She also responded to criticisms from antis on Twitter. In my opinion, I don't think she should've replied to them. It could be draining and also unhealthy for her mental health. I'm honestly worried for her. Maybe she should hire a social media manager or something idk. I very much care about her well-being. And some even don't support her because of her controversies.

I know you can like a show, but not the creator. I like Viv. I only support her dreams and achievements for making awesome cartoons, but maybe not her as a person. I hope she can improve and do better so she wouldn't receive any more hate.

•Guilt: Every time I see so much bashing and negativity towards Hazbin or Helluva, I would end up dwelling on it, feeling extremely guilty, ashamed, embarrassed for being a little fan. It can be very draining for me and a risk for my mental health if I constantly dwell and soak up their negative opinions. And I hate that feeling. It makes me question why I shouldn't enjoy the things I love. And it hurts.

So yeah..I don't normally post things like this, but I just needed to get that out of my system. Don't worry, I'm okay.❤️😊

[phoenixfire-thewizardgoddess]

hey, so, putting it out there... this kind of comment isn't cute or flattering or whatever the fuck you think it is.

You could have just said you liked it, without the guilt trip.

Sure, they couldn't know my house burned down, or the multitude of other smaller nightmares... but what the FUCK

This is like the fourth PM or comment I've gotten over a number of fics like this. Some last updated 10+ years ago, like... come on people, authors are doing it for free and have other responsibilities. Also holding onto creativity and inspiration is hard, long-term, so maybe the tide comes back in for the fic you're dyinng for someday... maybe you hit a drought that doesn't break.

But comments like these? It sours the stomach and doesn't make you want to write more.

A lot of older fics of mine fell by the wayside, but I meant to finish them at some point. However unfortunately, their main files were on a laptop that they couldn't recover anything from. So that's a moot point until i recall the storyline, if I ever want to, which you know people fall out of love with fandoms or something new comes along.

And that's okay.

There's a TF2/Silent Hill fic I fell in love with over a decade ago and it was abandoned, I liked the characterisations... I've said so in a comment or two over the years when I come back to read it, but would I ever demand it be finished? No, because they might've moved on, and that's okay.

We all have an unofficially abandoned WIP or twelve.

People have lives. Work, School, Families and their drama, Health issues, unexpected shituations, a lack of creativity because it's never a forever streak of frantic typing, you never know who's behind the fic. Consider chilling.

I've seen people send this stuff to other authors too, its just like... what are you hoping to achieve?

Because it sure doesn't spark the desire to finish something, knowing people care, it's just an anchor of not so subtle guilting you're doing there.

Was this the nastiest little comment I've received? No. People have straight up told me to 'fucking finish it, I see you posting other fics you lazy cunt' to another story, and similar statements, which are easily deleted but drive the desire to finish a fic waaaaaaaay down the list.

but it also doesn't make little digs like this okay, either.

Was it necessary? Would it spark inspiration or joy? Did you comment just to share what you liked about the fic or were you aiming to get something out of it?

Is it so hard to just say 'Noice M8.' and move on with your life.

Also some of the fics I've been harassed over were written in high school, long abandoned and came over from ff dot net with me... so like, after a decade, people should maybe settle down.

[enbye]

PHROLLSONAS

It's apparently 2014 again because I just made Dan and Phil as Homestuck Trolls. I don't know what possessed me to do this in the year of our lord 2024 but I don't think any of ya'll are in a position to judge me

DANIEL HOWELL

Muse of Heart, Derse, Sign: GEMO

PHILIP LESTER

Lord of Time, Prospit, Sign: AQUIUS

EXPLANATIONS UNDER CUT:

I am in no way a classpect expert. I'm going based off what I've read and my Homestuck knowledge. I didn't get the classpect DLC when I got the homestuck autism- I got the Alternian Culture special interest instead. In any case, here's my best crack at it:

DANIEL HOWELL: MUSE OF HEART, DERSE DREAMER, GEMO

Derse dreamer- skeptical, rebellious, self-aware, “But as so much of their identity is built on control, they will do their utmost to hide any insecurities, often with false humility or self-deprecating humor.” 

Aspect: My first instinct was Time, but in order to be a Time player you have to have the ability to “go with the flow” just a bit. Not overthink things. They’re very action oriented, yes, but Time players should be able to rely on their instinct a bit. Even though the aspects are sometimes what the player would struggle the most with, I just can’t see Dan getting a good grip on Time at all. He’d have way too many existential crises, and he’d overthink things way too much. Also, Dan’s “ultimate self” is more about accepting himself, loving himself. Learning to appreciate where he is at the moment, rather than learning to take action without overthinking.

For that reason, I went with the HEART aspect. 

Class: I was tempted to go with Page for the whole “slowly start, but when they finally achieve it’s probably the most powerful class” but I don’t think the end result quite matches. I don’t think Dan’s ultimate self is about *using* his aspect. I think it’s about understanding and inspiring. For that reason I was tempted to go with either Mage or Muse. I know Muse is pretty much a “female only class” Or, at least, the paradox space tends to label it as such, but Sister Daniel does seem to be a big part of Dan’s journey to understanding and inspiring with his aspect so I went with Muse, cause fuck it.

For their blood colors I just went with what their zodiac sign was bc I didn’t feel like getting too wet and wild with the hemospectrum stuff so he’s a gold blood. 

PHILIP LESTER: LORD OF BREATH, PROSPIT DREAMER, AQUIUS

Prospit: Optimistic, reactive, intuitive. “They solve problems with creativity rather than cold logic” “When making decisions Prospit Dreamers tend to rely on gut instinct and whatever emotions they are experiencing at the moment.” “They have trouble thinking things through, and their feelings toward specific situations and decisions can change from day to day.” Idk it just fits

Aspect was a bit tricky. For a second there I thought Hope, but I didn’t think the “black and white” thinking fit very well. I was very tempted to go with Blood, but ultimately decided to go with Breath instead. I think the “”flaws”” for Breath fit better than the “”flaws”” for blood. Phil is, surprising for nobody but him, a great leader and inspirational, charismatic. He leaves Huge impacts in people’s lives without even realizing it. Without even considering it a possibility, even. Not became he’s insecure, but because that’s not his intention. Phil’s ultimate self is about the bonds he makes, which is why I was so tempted to go with Blood, but it’s also about finding a place that he is happy in, and about doing what he loves. The ultimate goal for Phil’s ultimate self is about enjoying the journey and motivating himself to be looking ahead, straight forward, and taking the actions to get there. 

Class was really hard to choose, I ended up going with Lord. I think Phil’s power for inspiration and adaptability is best utilized when he’s dominating a space he’s in. When he��s using his talents on purpose to achieve his goals. I think *that’s* what his ultimate self is really about. Using his gift for charisma, inspiration, motivation, and adaptability to achieve his goals in a very intentional way. 

Again, went with their actual zodiac, so violet blood.

lmk what ya'll think. Hopefully my explanations made sense? I spent WAY too long on this so I'm gonna go eat now

[aimportantsheep]

Well...

The truth is, I was very hesitant to publish my drawings and selfship stuff because it made me sad to think I wouldn't get any interaction or that people would make fun of me. I don't like how I draw, I still don't know how to color well, and on top of that, I get so excited about something that, in the end, I feel like I annoy everyone. I still get really frustrated when I don't achieve the results my mind imagines... but today I felt better about myself. I was gentler with the Lou from the past and the Lou from the present because I'm starting to notice some progress. It's not much, of course, I still have a long way to go to reach the level I want, but I know that one day I'll be able to do it with more confidence.

So, I want to thank everyone who interacts, even a little, with what I post, and I also want to apologize because I still have a lot on my mind. I also want to thank Darius, because you have no idea how much he inspires me. I love him, genuinely, because when I love him, I also love myself. He makes me more creative, more outgoing, and honestly, a lot happier.

Bueno...

La verdad es que dudaba mucho en publicar mis dibujos y cosas de selfship porque me daba tristeza pensar que no recibiría ninguna interacción o que se burlarían de mí. No me gusta cómo dibujo, aún no sé colorear bien, y además, me emociono tanto con algo que al final siento que canso a todos. Aún me frustra mucho no lograr los resultados que mi mente imagina... pero hoy me sentí mejor conmigo misma. Fui más gentil con la Lou del pasado y con la del presente, porque empiezo a notar que hay progreso. No es mucho, claro, todavía me falta bastante para llegar al nivel que quiero, pero sé que algún día podré hacerlo con más seguridad.

Así que quiero agradecer a todos los que interactúan, aunque sea un poquito, con lo que publico, y les pido disculpas también porque tengo muchas cosas mas en mi cabeza y también quiero agradecer a Darius, porque no tienen idea de cuánto me inspira. Lo amo, genuinamente, porque cuando lo amo, también me amo a mí misma. Me hace más creativa, más extrovertida y, honestamente, mucho más feliz.

[theinstagrahame]

It's been a wild few months here at theInstaGrahame HQ, but what never fails to make me happy is the rad games I get from the mail. I'm getting over a cold, so I'mma work on this instead of anything productive I could be doing!

Here's my month of RPG mail calls, and why I'm hyped!

Coriolis: The Last Cyclade: I've been curious about Coriolis' Middle Eastern-themed sci-fi vibes for a while, so I put this on a Secret Santa wishlist; and this is what I got! Excited to dive in.

Curios: Albrecht Manor and Jasper Park: Good Luck Press is one of those game design teams I'll try anything from, and the pitch for this is really unique. It's not an RPG per se, as much as a collection of books, papers, maps, and other materials that point toward a mystery you get to figure out. Playing it is just... looking through stuff.

Salvage Union: I am a big fan of post-apocalyptic media, and a fan of the mecha genre. So, yeah, this was an easy sell. It's built on the Quest system, which I've been meaning to get more into anyway, and it looks like a mech repair manual!

The Zone (which I apparently thought people would just recognize): This game is available for free online, but the box set is gorgeous, and features some designers I love. Trying to set up an online session soon, but I do really want to play it in person.

Deimos Academy: Honestly, I picked it up because of the creative team, but also the pitch is great. I skipped my high school reunion, but if there was a chance to go back and face a monster? I might've thought about going.

Brindlewood Bay + Nephews in Peril: I was originally just going to get the super popular Elderly Detectives Solve Eldritch Crimes RPG, but the title of the expansion/mystery book was just too perfect.

Rebels f the Outlaw Wastes: I've already mentioned I like post-apocalyptica? Well, this took a neat approach to achievements/leveling that I was super intrigued by, and I just dig the fun vibe. The reason I like post-apocalyptic media is that it's hopeful, and this feels moreso than a lot of other stuff.

Skyrealms Almanac and Creatures and Folks: I've been into setting guides this past year. And like, this one is also a coloring book? Hell yeah.

Stoneburner: I've been following the creator on Twitter and elsewhere for a while, so I was curious about this title. But definitely sold when they talked about some of the inspiration being the original Starcraft games.

Forgery: Again, picked it up because I really like Banana Chan's work, but this is a paint-by-numbers solo RPG about forging a demonic painting. So like, yeah. That's rad.

Vast Grimm: Space Cruisers: Vast Grimm is Mork Borg in Space, but I'm also a big fan of ship catalogs, so I really wanted to check this one out.

.Dungeon: Everything Snow makes is beautiful, queer, and nostalgic, so when they mentioned a re-release of .Dungeon was coming, I really wanted to check it out. I have a lot of nostalgia for the

Cloud Empress (everything, including a patch!): I mean, you say Nausicaa and I'm listening. This has some roots in that world, but also does some really interesting things with the Mothership game engine. I'm especially intrigued by the notion of replacing racial traits with age traits, and having a series of pretty mundane jobs as the classes.

Layers of Unreality: The first of this month's Zine Club deliveries! I keep hearing about Liminal Horror, and this particular module I've heard nothing but incredible things about. So I'm really hyped to check out what happens in these backrooms.

Fear the Taste of Blood: My second Zine Club book this month! Kayla Dice is one of those really rad creators who I think deserves more attention than she gets, so I'm really hyped to dive into this take on classic movie monsters.

I also got this from my partner's family's Secret Santa.

Okami is one of those games that sticks with me, and has ever since I first saw images from it, and played it. It's a genuinely beautiful experience, and while it's maybe not a game everyone will like, it's one that I really enjoy, and the art is a big part of that.

It stands out as an example of what you can do with a video game that's nearly impossible with most other art forms, and also a reason that I don't think the Arms Race for More Photorealistic Graphics in video game consoles is worth the effort.

[unscrupulousartist]

Kickstarter Update #2

Cross-posted from Kickstarter:

A few things I'm looking forward to in October...

Hullo, hullo! Welcome to Update #2.

First and foremost, thank you to everyone who's supported my campaign so far. :) This first week I was hit by an influx of spam marketers and questionable conversations that, while a shitty achievement badge in general, I was unprepared for emotionally; but each and every one of you has been a reminder that there are real people out there who want to support real art.

Speaking of supporting real art... there are some exciting things coming up in October that I'm looking forward to supporting in my life, and perhaps it'll be stuff you'd want to support, too.

IN CHRONOLOGICAL ORDER 

October 15th—Confluence ft. Publishing Goblin | @publishinggoblin

Confluence is on my radar because of my low-key obsession with Publishing Goblin—'cause come on, how great of a name is that? I've supported previous Publishing Goblin projects and will likely support more of their projects in the future. Publishing Goblin brought me The Alleyman Tarot, will eventually bring me The Hot Housewife Tarot, and has been steadily working through several poetry projects. As a bit of a goblin myself, I've got a starry eyed vested interest in seeing another cool creative make art and succeed in this world; for it's art that makes the rest of it worth living.

Confluence has beautiful artwork, a trusted artist working with a diverse team, and is a perfect excuse to throw dice into trays and laugh with friends. Full disclosure: this is likely to be a nice little gift for my TTRPG loving step-son, and we'll see about bullying him into running a little campaign for me and his dad. 

October 22nd—A Fool's Errand by J Strautman | @strautmaskreplica & B Marsollier | @b-marsollier

In other TTRPG news, your friends and mine over at Planet Arcana have designed their own tarot-based system.  A Fool's Errand puts your party into the world of Planet Arcana, with it's lavish landscapes, brilliant beasts, and arcane insight. You don't need to be familiar with the podcast to enjoy the game; but if you're looking for an award-winning group of Canadians playing through a unique Tarot-Inspired universe, it's definitely worth a listen. 

Playtesting our own little calamity has been a highlight of my still-very-novice RPG experiences. I get to live out my piscean fantasties as an angry waterbreathing aquean composite, and weave a tale of prophet and mystery with some storytelling friends. We're only a few sessions into our campaign, but it promises to be a fun experience. 

Sometime in October, Probably—Refugium by Simon Roy | @simon-roy

And I would be remiss not to include my favourite comics on my list. Refugium is the third book in Simon Roy's Griz Grobus series, following the eponymous first book Griz Grobus and the second, Miramar. Simon's a fantastically detailed comic artist and works with a wonderful colourist, Sergey Nazarov, to bring this galaxy-spanning universe to life. It's already funded, but you can buy the backlog or support Simon on Patreon while you wait for whatever he makes next. I'm trying to be patient while I wait for my copy of Refugium to arrive—hopefully sometime this month.   

Can you think of anything else exciting happening this month? Let me know. :) I always like finding new artists to swoon over. 

Stay Rested, Audrey

[kit-the-dreamer]

♧ LittleBigMovie ♧

°.• The Plane of Wonders •.°

(I'll change the image to something more original later ;w;)

It is here!!!

The LittleBIGPlanet Movie Project is officially here!!!

•.°•.° ♤ °.•°.•

• What am I talking about?

During the last few days, the idea of making a LBP Movie hasn't abandoned my mind (Post 1, Post 2). However, being fully aware that doing it on my own is something basically imposible, I decided to call the Fandom/Community to achieve it. That way, the project will be more meaningful since we'll unite to make our collective dream true!

• Can I join even if I have no experience nor talent?

Who said something about experience or talent? Who needs that when we have dreams to achieve. Experience, I think no one here really has it (regardings the topic of movie making I mean), and about talent, I personally believe more in hard work than talent itself. So yeah, you can definitely join! A helping hand is always needed, wether it be something small or big, from mere ideas and themes to the animation itself, it's up to what you feel comfortable doing here!

• How is it being developed?

Status Update (21/02/2023): We currently have some ideas of how the story could progress, along with some character ideas and arcs. However, the details of each scene and such are still in discussion, but the general idea of the plot is pretty much stablished. We have voicecall meetings every now and then (which are announced with lots of anticipation) to discuss our ideas put in various Google Documents we have created for each purpose, so we can get to an agreement and move on.

If you want to be part of the brainstorming process but don't want to join the Discord Server, it's alright! Don't doubt joining the Jamboard (click here for more info. about it) to let us know what ideas could be introduced in the movie. I can't promise that they'll be featured, but could probably inspire us as well to come up with more ideas, so don't be scared to let us know your thoughts!

Join the Jamboard! ⇝ https://jamboard.google.com/d/11SvE3aRxIhm0N21to5eUcZWpMjrmYa8c_WvoOjYzTRQ/edit?usp=sharing

• Where can I join the Server?

Right here! First we'll start slowly, familiarizing ourselves with the environment as we wait for more people to join. Today (June 3, 2023) we won't exactly work on anything, but the channels for chilling and brainstorming ideas and themes are open to chat. Once people actually join (and we have a decent amount of them around) we'll be able to officially start organizing some stuff for real. I hope this isn't an inconvenience for anyone... I'll see you around!

• Any questions?

Drop them by on the comment section below!

•.°•.° ♤ °.•°.•

To end this post,

Please spread the word among the Fandom, Dreamers, and let everyone know that we're about to make LBP history!

•.°•.° ♤ °.•°.•

When I read/hear this quote, I can't help but think of this project. Might as well leave it here for all to see:

"One can gaze upon something and see the wonder in it. Two can gaze together, and share that wonder. We are forever imitating sparks of imagination. So, let's spark together. In every mind, is a piece of code that operates our creative functions. It forms a conduit, called the cerebrumbilical cord that extends to the farthest reaches of imagination. So let's build. Together, we can push back the boundaries until they are a mere speck on the stellar horizon. Lets fly! Lets put our minds together and create. Everyone on this orb of dreamers contributes ideas. They ascend the cerebrumbilical cord to congregate in the Imagisphere: the natural home of our creative wanderings. So join us, for you have always been, and always will be most welcome...In LittleBigPlanet."

— Stephen Fry, LittleBigPlanet 3 introduction narration

[spearxwind]

Hiya, I’d like to put some thoughts out there on my blog (my house) bc I need to yarf some intense feelings or I fear I will explode on a nuclear scale. This is about hollowridge (not in a negative light!! just explaining + reminiscing of old stuff and talking about new stuff. Pouring my heart out more than a little bit.)

I will put them under a readmore of course, this is PRETTY long winded, so you can read or ignore at your leisure -w- 

I was in my adri tag a while ago looking for some images and ended up going through the whole thing and seeing the evolution of him as a character and HR as a story. Additionally, I recently organized my external memory where all my art files are stored and also saw my old stuff, old concepts, old documents with info and ideas, etc etc and like other times where I have looked through my old stuff I have been WRACKED with so many emotions about it. It’s always a dangerous game to go back into my folders/tags to look because I always end up feeling this whooole spiel all at once and very intensely.

Seeing my content shifts is jarring. Very much so. It always is. I don’t think I can pinpoint causes, some of my better creative highs were at really low points in my life, and then other times my creativity and worlds were subsequently really hardly hit during similar lows. I like to think that I am on the up now though, both mentally and creatively. I’m getting back into a lot of things I love, and I am surrounded by people who I love dearly and who love me back, and things in general are really good! I feel less… I wouldn't say wrathful, but way less frustrated when looking back at my old stuff and more inspired to go back to these concepts with a healthier more open mind + knowing that I have improved nonetheless. 

Specifically for hollowridge. Hollowridge feels like a home to me, simple as that. It's something immensely dear to me and I think this is clear by how much effort I have put into it over time, not all of it well placed or with good results, but effort to make it the best that it could be (at best) and effort to keep it afloat (at worst). HR is a strange thing to look back on because it has gone through so many iterations that its hard to pinpoint just one when looking back, but there's a specific time slot (2017-2018 roughly… I’m not gonna check) that I believe is where it was at its best, and that is specifically the vibe that I am trying really hard to go back to with the newest iteration.

I’ve always struggled with it a lot, I've often voiced this publicly, or to friends who would hear my woes out (god bless them for hearing me go on and on about this like a bass boosted and emotional broken record), often because there was so many possibilities that I could run with and I had a lot of really, really conflicting ideas that I wanted to explore. I also had a lot of trouble with lore in general because for many years I was haunted by the absurd need to “make things make sense”, whatever that means. Having things grounded so that people wouldn't be able to poke holes into the watertight plot.. which I never achieved of course. It was less watertight and more of a welded together pringle shaped monstrosity (This was not only true for hollowridge, but was true for everything I have ever made. like in general. It’s been a consistent creative problem for me). 

Eventually what happened iteration after iteration was that I throttled myself too much with rules, random limitations, all in favor of making something cohesive and deleting all the fun bits off the project in the process.

For this reason I also can’t just up and go “yeah i'm gonna turboscrap everything and go back to what worked in 2017” because it also DIDN’T work then. But that vibe specifically is what I am aiming for. The “classic” vibe, if you will (if that means anything to you as it does to me.)

What didn't work for me back in the day was giving everything a reason for existing, which is something I no longer wish to do (it’s better that way) and also something that failed back then both in HR, and in extinction (earlier drafts) and just about any version of a story I ever tried to make was THE SCOPE. It always spiraled out of my hands. God entities always escape me. Magic systems always escape me. How cities and such would be regulated in these scenarios escape me. Its just things I’m not comfortable writing about in general

So that’s why I have made changes to it currently (the whole lens of technology over it) because it makes it easier to think about, and easier to handle. Post apocalypses are fun to handle, and also easy to handle (for me, in this context). Technology going awry feels like its easier to think about than just vague “magic”, even if in the end the aesthetic looks literally exactly the same. Does that make sense? I hope it makes sense.

To give an example: Magic spells and circles → programs and code lines. That can be shot into machinery or meat (recodes your fucking genome in real time and gives you super brain hemorrhage idk). I guess it just gives my brain something to latch onto that isnt just vague rules of a magic system that could potentially be anything and everything? It essentially works the exact same way… its just the lens of looking at it is changed.

Mimics are their own thing now (nanotechnology, instead of vague.. shadow things). Adri is his own thing while still connected to mimics (an angel array made of the same stuff, instead of.. whatever else). Connected to the world. AND all the conflicting but dearly beloved concepts I had for him actually fit (snake, scarf, smoke, usurper of a body that is not his. Hey remember when he was made out of ashes/smoke and eventually out of goop. Well all of that is true at once now! It’s ALL canon! Bitch! The concepts have been reconciled!!)

There are also more “normal” creatures besides these, animals that have either evolved aboveground due to fit into new world niches (so I can design Whatever without being too limited) and there’s also machine/biomachine chimeras, and purposed grown organisms, and just Weird Shit made by machines in the belly of the earth (meat is just complex machinery. you know this. your heart is a piston and your blood gasoline. but I digress.) So I have the space to Get Weird if I so choose, on my own terms this time. And it will have a proper place in the world.

There used to be a lot of concepts that were cool that I missed a lot when I had to shift away from them. Like mimics infecting people and pretending to be them, and then being able to break the hosts bodies apart to make bodies for the mimic itself. That did not fly in pretty much 80% of the later versions of HR but I was able to bring it back for this one. I’ve tied mimics to the epidemic and to Adri in a way that MAKES SENSE but lets me go wild anyways

I guess… the short way of explaining is that. Instead of it being very vague supernatural stuff of dubious origin, now it's a ‘manmade horrors beyond your comprehension’ type deal (still of dubious origin). Which obviously neither the characters nor I would be able to explain to you the details of its origins but the distinction MATTERS to me (to my brain).

Something else about HR is that it’s made up of me having rounded up a bunch of ocs who’s stories were empty or were left to the void so that they could have a fitting home where they could shine. At the end of the day I just wanna do my characters justice. I don’t want to just relegate them to nice set pieces (even though they ARE cool set pieces), but each of them has years of backstory stuff that I would like to keep to not lose the essence of said character and its where I put the bulk of my writing effort into.

I want their connections to the story to be solid, but I also want their base vibes and the vibes I am familiar with for those characters to BE THERE too. So if I’m slow with revealing info, or writing in general, its literally because all the processing power in my skull is being used to think of how to best approach that and not just throw low quality spaghetti at a wall. (Sometimes the spaghetti method works very well, but often. It does not. And only makes things more complex in the long run, so I have learned to be more careful with it)

Dianne and Nirven are over 12 years old now as characters. That 's insane. And she still has the same core concept of how her magic works as I created it ages ago.

Same for Bei. He still has his same vibe back when I made him 10 years ago.

And Adam when I made him 9 years ago. Though I’m working out stuff for him still in this new edition, but I’ll get there. I promise. 

Sooo……….. What I’m really trying to say is that I’m learning to have fun again. And at the same time (re)realizing I used to have some super swag ideas that I have never fully let go of that I am VERY adamant on keeping. And my aim is to go back to that unhinged unbridled joy of creating for a world that is just So Fucked Up but it Works somehow. And yeah, if you’ve ever been frustrated at my changes don’t worry: me fuckin’ too buddy. A thousandfold. And if you’ve ever been curious as to the why of everything, then I hope this rant serves as some sort of explanation?

So yeah, if you’re an old fan and missed old stuff, I hope I am able to do it justice once more and from now on. I promise I am trying my best, I always have been. It just works better sometimes. And if you are someone new and dont know what the fuck I’m talking about, 1. thank you for reading this far and 2. I hope you enjoy the ride regardless

And who knows…. knowing me in a few years I might see this all changed again. Or maybe this will be the one, finally, that sticks. We’ll see. At the moment like I said, I am focusing on loving my characters, their world, their and my original intentions, and just having as much fun as I can with it. If I create confusion in the process then that’s something I will have to accept. I’m not a big media corporation with a team or writers, or even just one (1) accomplished author with a huge brain. I’m not tolkien. I’m just some guy having fun with made up guys in my brain

Thank you for reading this far, if you did, if there’s anything you’d like to comment or discuss (if anything, I don’t expect it) please feel free to reply or DM me, I try to respond in a timely manner when possible <3 

Thanks for sticking around too. It means the world to me that you have. Have a really good week, cheers