#and i've been thinking of all the people i used to love who aren't in my life anymore

[scoriarose]

There's something important I've been wanting to share with fellow snake caretakers, and it's that if you have been sweet to your snake and love them, they have probably told you hundreds of times they love you- but because we speak different languages most won't understand. It makes me a little sad thinking how hard they try to tell us, and some folks just don't recognize that and they hope their serpentine friends love them but never know for sure- or even believe the lie snakes aren't even capable of love at all. They are, they have brain structures similar to birds and not only are physically capable of feeling love, they also regularly display traits associated with love including empathy and self sacrifice to protect others they care about both in captivity and the wild.

Snakes express love through touch. Through cuddling, and vibing (being near someone not touching just happy to be in their company). There's another outdated lie that snakes cannot and will never enjoy being pet - likely this comes from someone seeing cats and dogs lick their young and enjoying being pet because it feels similar to what is natural to them but since snakes do not lick their young it was believed they could not enjoy this sensation outside of their nature.

But that's wrong. It IS their nature! They just don't use their tongue, they use their whole body! Thing is, a lot of people who see them slither over another snake don't realize it's more than just them going somewhere, and they think they're carelessly going over another snake. Sometimes that may be the case, but touch is also how they bond. I read an article detailing how a mother snake was tolerant of her babies climbing all over her. Tolerant? It's like if a toddler hugged their mommy and said they loved her- tolerant would be such a strange word to use. They are telling their mommy they love her through their very limited means of communication.

Isn't it incredibly sweet that a creature who is so so limited in communication made sure to have a way to say, "I love you." I think that's just the best news ever.

If you doubt what I'm saying well, a number of snake keepers can vouch for me they've also accidentally discovered that touch can also be romantic if you touch the wrong place where most wouldn't expect it to be.

But the point I'm trying to make is, I bet there's tons of people with pet snakes who are telling them over and over they love them, hoping their human understands. If your snake doesn't do this action it doesn't need they don't love you- it would come from them not having figured it out. They learn not just from instinct, but from each other. Not having a parent snake to teach them (like some species including rattlesnakes) they have to figure out everything on their own for the most part.

Many figure out how to express, "I love you" through touch. Most snake caretakers I imagine don't recognize the attempt to communicate as anything more than the animal slithering around- but if you look for it you might see your pet telling you! If they are on you and start slithering around but not going anywhere in particular (sometimes back and forth) ESPECIALLY if you pet your snake and they relax/enjoy it- they are probably trying to pet you. And in doing so, show they care about you too, that they love you.

Scoria pets me with her chin, and I've never heard of anyone else's snake do this. She has, however, taught this to her sister who now pets me both ways.

It would be neat to hear if anyone sees their snake doing this and realizing what it really means. (Your snake might have even learned another way if you don't pet them and show them love another way- sometimes they learn by copying us too.)

Hope this helps someone- please share if your snake has a way they show they love you, I see very little on this from other caretakers and would be so happy to hear if others have similar experiences.

[chimggukchim]

Share our @s so we can be bullied in our inboxes till kingdom come and be ostracized by you lot? No, thank you. I'm a Jikooker too and I've seen it happen to other Jikookers too many times just because their view of Jikook isn't "they are 100% together and practically married and monogamous towards each other for more than 10 years now"

Unfortunately this space has become too cult-like where one just can't have a slightly differing opinion about Jimin and Jungkook's relationship or express how they personally truly observe it without Jikookers losing their minds or accusing them of things, the way you guys are doing right now.

There's literally no difference between this community and the Taekooker community anymore - I've seen that crazy side turn on their own just because they had the audacity to point out the ITS talk made sense to them because for a while prior to that even they felt things weren't the same between Taekook anymore. And now it's Jikookers doing the same to other Jikookers🤦🏻‍♀

People can believe that Jikook is real while still pointing out the things they feel contradict that belief, or they can believe they were together and no longer are but still think they are special to each other, or they can believe they aren't together in what one would consider the "conventional, traditional" sense.

Taekook can never be real. That is a ship that has no real substance and was literally formed on aesthetics and vibes and had a whole false narrative attached to it that became lore over the years. A lot of people say just Jikook's existence alone cancels out Taekook, but I think even if Jimin and Jung kook didn't have the kind of dynamic they have and/or they didn't exist as a duo, Taekook still wouldn't be real. Please there's fuckall there.

I am someone who believes there's something more than platonic between Jimin and Jungkook and that Jungkook is deeply in love with Jimin, but still I agree with everything the last anon's(s') said. They *are* different from how they were before and the last few years make it hard to believe in the kind of image of them that Jikook shippers have painted for years.

We are Jikookers, we are here, we exist. Accusing us of being Taekookers won't make that shit true. We don't have to be a monolith.

First thing's first - YOU may not be a taekooker in disguise, but the other anon most likely was. And most with dumb takes are as they have a knack of using the SAME rhetoric and examples every single time, not to mention, always managing to slip in Tae somehow. Let's get that out of the way.

Now, here's the thing, anon.

I understand completely, the feelings of confusion and second-guessing whether jikook are really together or not. I have been there before, on multiple occasions. There were things in the past as it happened that made me doubt whether my suspicions about the true nature of their relationship was right. I get it.

So don't go putting words into my mouth and think that you can assume 'what kind of jikooker' I am.

Cause like I've said on multiple occasions now, I did not start out in the ARMY fandom space either as a jikooker or as a shipper. I had no clue what shipping was. And til this day, I remain an ARMY supporting all of our boys as a group before any sort of shipping enters my mind. Whenever I watch BTS content, jikook as a couple is never at the forefront of my mind. I watch them as a part of Bangtan.

There are certain moments that jikookers put on a pedestal as concrete 'proof' of a relationship, that I side-eye and hence, make no post or comment on because it does not make sense.

If tomorrow, Jimin and Jungkook were to announce they were both dating other people, I would still be happy for them because before anything, I want them to be happy. If that's with other people, so be it.

So I know me and how I perceive Jimin and Jungkook's relationship. I trust my objectivity of their relationship over yours, thank you.

Now to what you have accused most in this community of...I have honestly yet to see to the extent that you have indicated. Harassing? Bullying? Cult-like? Well, I've got news for you. You're in the wrong side of town, deary. And people who go looking there, clearly want to find what they're looking for. (toxicity, by the way)

And the way you spoke of taekookers and knowing how they behave and treat each other?...Honey, the 'normal' jikooker would NEVER EVER find themselves anywhere near taekooker spaces willingly. But you have apparently. That says a lot.

You're looking for trouble. You're going to find it.

Also...my sympathy for you lessened when you compared jikookers to the cult. Because the last time I checked, jikookers didn't go around literally harassing Tae's and JK's FAMILIES AND FRIENDS in real frigging life. So miss me with that similarity nonsense. Point out all you want about SOME jikookers not being able to handle different takes of others all you want, that's fair. I'm sure there may be the immature ones like that in this community, I'm not denying it. I assure you, they're in the minority. But the minute you go comparing any shipping community's behaviour to THAT CULT...it clearly shows loose objectivity.

So with my sincerest heart, I would advise you to change your space. You're clearly in toxic spaces, jikook and taekook-wise. This is bound to influence how you view not only jikook but more importantly, the jikook community.

There is a reason why I don't answer or comment on toxic asks. It's because it brings negativity to the jikook space. And I don't want that. I have found myself probably treading on that territory these days with this discourse. But I'll work it out to bring back the space to positivity and just focusing on Jimin and Jungkook.

Anyway, the final thing I'm going to bring up is that you all keep speaking about Jungkook and Jimin's relationship changing with no actual evidence. You all simply point out things happening now but fail to actually show a proper comparison to the past to highlight the 'CHANGE'. That's not how that works.

For instance, I can say their relationship changed in that Jungkook became a lot bolder with JImin publicly as opposed to years ago. He actively flirts with Jimin on stage when, for instance, during the Red Bullet Tour (back in 2014-2015), he didn't. Jimin did. See how easy that is? Comparison.

If you have any sound comparisons...with proper context, by all means, share. I'm up to hearing it.

PS. This does not include "they don't see each other as much" because we are not privy to how much they actually saw each other back then nor how much they did in 2022/2023.

Anyway, that's all from me. Peace!

[arom-antix]

Link to the other thread about this topic for anyone who hasn't read that version of the post. It explores stuff about Japanese spelling, unfounded expert bias, accepting mistakes, accepting other people, the whole acephobia discourse, etc. including responses from @rikeijo. Massive thanks to them for their take on the situation.

Anyway, I've been thinking about this reblog for a bit, and it's also not 4am now, so I'd like to add some context to this whole "off-putting attitude" discussion for those who aren't in the trenches. First, here's a link to the anon ask and answer mentioned by prev in case anyone hasn't seen that. If Samurai is reading this and is rushing to delete or alter that post, too late, I have it all as a screenshot. If anyone wants that screenshot, feel free to DM me. Feel free to DM me about anything regarding this or anything else tbh, whether it's to get a deeper explanation, to share your own screenshots without wanting to become part of the drama publically, or to rip my head off and call me a bigot. Use your free speech. Chop chop, Filip and give this debunker boy a treat to read (if you get that reference, I love you).

As has been established, Samurai cares a lot about engagement and has publically posted about this many times, specifically lamenting their inability to retain readership and whining about people not being eternally loyal to their fics. See below screenshots from their BlueSky to get an idea of what I mean:

(Fig. 1, 2, 3, 4, 5, 6, 7, 8, 9)

Break for those who want a usable dash.

Now, you might be wondering why I'm going so hard on this. Everyone wants engagement online, why is this bad? And you're right, it's not bad if that's the whole story. The issue I have with this is the eternal whining about people not paying enough attention but then also not actually acknowledging when people give you genuine criticism about why your way of posting is off-putting. And like prev said, there's absolutely nothing wrong with using your social medias however you please, but you also have to be aware that the readers you're trying to retain read these posts too. They see all of them just like they see the story updates and funny posts. That sucks, yeah, but that's the nature of posting everything on the same socials. If you want to separate your personal posts from your writing posts, you have to actually physically do that by having different accounts. Then the people who only want the writing updates can just not follow the personal update account.

And you have to realise that if a reader continuously gets updates from you that whine and moan about how you can't retain readership and how maybe you're just boring or how your fics are flops, they're going to feel accused. I don't care that you don't intend to do that. That's how it comes across. If a loyal reader is inundated with posts about how the support currently being given isn't enough and that that's making the author sad, then that reader is going to feel ignored and like their support is being belittled. I'm sorry, that's just how it is. You cannot both insist that you're an ignored underdog (see Fig. 16) that no one likes and hope to retain a large fanbase. That's not how humans work.

(Also the (I'm not fishing for compliments) addition under a post that's about AO3 bookmarks being treated like the end of the world is quite rich to me. You're allowed to be upset, of course you are, but removing a bookmark isn't necessarily a personal attack. People's tastes change. They clean up. Maybe they just don't like you anymore. With how many posts and statements you have about blocking people you don't like, I'd expect you to not take offence to others doing the same)

I'm also going to put these posts here. They just amuse me a lot considering who's posting/reposting them.

(Fig. 10, 11, 12, 13)

For anyone wondering about the post being referenced in Fig. 10, this is the one. I've already talked about the ace stuff in this post so I'm not going to repeat myself here. I just thought y'all should have the full context.

(Fig. 14)

And then there's this repost which is RICH coming from someone who routinely insults and belittles other members of the fanbase for simply having different takes. Yeah, Samurai. Stop being so critical. It's boring.

(Fig. 15)

Am I being petty? Probably. Do I care? Not really considering real people have been really hurt by this person's actions. They belittle the fandom they claim to be a part of, they criticise people for simply not approaching fandom like a master's degree, they claim to be so mature and yet is far more immature themselves to the point where I thought they were a teenager due to their seeming inability to take accountability and understand that their word is not law. I don't care that you like academic approaches. I don't care that you're sad you missed the "top-tier analyses" (Fig. 16) made in the past. This does not give you the right to demean an entire community simply because you're so high up on your horse that you can't just let people be and enjoy fandom however they please. You champion your own right to approach fandom how you like. Stop belittling other people's right to do the same.

If anyone is questioning their attitude towards the current YOI fandom and their percieved place in it:

(Fig. 16, 17, 18)

(Side note: Fig. 18 is such an underhanded dig at the fandom, I'm slightly flabberghasted that someone would actually type this with such a post history and general attitude. This is honestly embarrassing and kind of hurts to read. Don't even get me started on Fig. 17.)

And then this is the end of their pinned post on their blog:

(Fig. 19)

I'm sorry, but you can't whine and hide behind "I'm insecure" when people get mad at you for treating them like rubbish. If they have to be kind, so do you. The rules apply to you just as much as they do to other people. I unfortunately don't have a screenshot, but on BlueSky (iirc roughly a month or so ago?) you at one point posted about having anxiety and depression, and that's too bad, but I really do not care. Having a mental illness is not an excuse to treat others poorly (have diagnosed and highly medicated anxiety myself and don't look down on others for not doing what I want. Funny how that works). It might explain poor behaviour, but you're still responsible for your actions and rectifying any bad behaviour you display. You have to say sorry even if you did something on accident or while in a bad headspace. Just to make it extremely clear to you:

YOU DO NOT GET TO PICK AND CHOOSE WHEN THE RULES APPLY TO YOU.

They either apply to everyone equally, or they don't apply at all. And don't come in here going "But what about this very specific case?" That's called whataboutism, and I frankly do not have the patience for your whining attempts to derail the discussion. I don't know whether you're even reading this, Samurai, and I don't actually care that much. I don't believe you have enough ability to introspect to understand what I'm trying to tell you, and this post is a lot more for the people who you've used and manipulated than it's for you. I don't believe I can get through to you. But I do believe I can get through to your mutuals and followers and anyone else who might be reading this, because they don't deserve to be dragged into whatever this shitshow that is your online presence is.

It's frankly embarrasing for you that you're in your 40's. If you were a teenager, I'd just have ignored you, because you'd probably have learned how to not be utterly insufferable with time. However, you might be a parent to people the age that you act like, and while I doubt this thread will make any real impact on your behaviour, I'm hoping someone else can take this information and use it to make sure they don't fall for your tricks or anyone else who might be more dangerous. You're not a dangerous person. You're frankly just an immature embarrassment, and I cringe at the though that any children you might have have to deal with having a parent as childish as you. Do better. You owe the world at least that much. And if you can't change, then don't come whining to the fandom you belittle when you get what's coming to you.

In case anyone isn't familiar with Samurai's type and how they present themselves, here's an introduction Samurai wrote in a Tumblr comment section (that I unfortunately don't have a link to but you get the idea):

(Fig. 20)

Don't fall for this. Regardless of whether Samurai believes they're actually like this, it's not how they actually act. "[...] try to dispel the myths that have been circulating in the fandom for ages." is code for "I don't respect other people's opinions and interpretations of canon." Samurai likely disagrees but I'm sorry, Samurai, that's what this is. That's what this means in terms of your behaviour. The same applies to "You won't find any weird takes on my blog." This is a classic example of someone having absolutely no selfawareness of the fact that their opinion of "weird" is not universal. It's an absolutist statement of an opinion as if it were fact, and as I mentioned in my original reply to Blonndiec's ask, that's not a new thing for Samurai to do. It's very much a pattern. Don't fall for it. If ANYONE (including me or people you trust) says stuff like their blog being free of "weird takes", do not listen, and do not believe them. That is an opinion. It is not a fact. Don't take it as one.

And just to add some more fuel to the fire, here Samurai is accusing someone of plagiarism:

(Fig. 21, 22)

(Link to Vic's analysis btw)

What's so bad about that, you may ask? Plagiarism is bad and should be called out and yes, that I agree with. The issue is that the plagiarism being alleged is, and let me make this very clear, an analysis of a canon event that is just about the most analysed even in a 12 episode show. I'm not saying plagiarism isn't real just because a scene is popular or a show is short, but this scene is literally about a minute long and is, again, a very talked about scene. Coming to the same conclusions about the same one minute of runtime is basically guaranteed to happen every once in a while, especially when you have eight years of fans doing this. These two analyses being posted close to one another in time is just as likely as it being intentional plagiarism. Calm down. You're not important enough for people to bother plagiarising you.

And considering Samurai believes their interpretations are the most correct according to canon and that anyone who doesn't share those views is illiterate (I can't find that screenshot rn, you're free to doubt my claim), shouldn't it be good that Vic came to the same conclusions? Doesn't that mean that Samurai's analysis is being backed up and that Vic is not illiterate? But Vic's analysis gained more traction and that's apparently enough to accuse the fandom of being a waste of time and energy (Fig. 22).

I'm sorry, Samurai, but as someone who claims to not be new to all of this, I thought you'd know that sometimes traction is random and doesn't have anything to do with quality or correctness. Sometimes you're just unlucky, and that's no one's fault. Or maybe the world is actually out to get you, and you're a victim of the universe and everyone in it. I can't prove or disprove that. But I will say that I don't blame anyone for not wanting to interact with your posts. I haven't seen your version of this analysis so I can't comment on how you phrased yourself or whether Vic was directly lifting your words into their own analysis, that could very well be, I have no proof for or against that. If anyone has a link to Samurai's meta (I didn't happen upon it in my scrolling for whatever reason), I'd love to read it and compare it to Vic's. But regardless of Vic's behaviour, I would not be surprised if the reason people aren't interacting with your post is because they find your tone and general demeanour off-putting. And, to be very clear: you do not have a right to people's engagement. People can choose to engage or not for literally any reason and they don't have to explain that reason to you. It is not a crime to simply not interact with people you don't like.

You talk about blocking the haters and yet when the haters block you, you get your nickers in a twist. Why do you care? Don't you hate them? Why do you want them to interact with you? In Fig. 8 you hypothesised that the person who took you off their "super-duper fic rec list" was a "dick" so why are you upset about no longer being in the recommendations of someone you personally dislike? I wouldn't want to be recommended by someone I dislike for the same reason I don't want to be associated with bigots. I don't want my name in any way tied to them or their awful behaviour. It feels like you're crying about nothing and making it everyone else's problem. But feel free to explain yourself if you want (assuming I'm not already a blocked hater which would only prove my point that you absolutely understand just removing things/people you don't like from your life. But apparently that's only okay when you do it. Funny how that works).

Oh and just as one last thing before I end this giant reblog for now, and because I'm petty. They've repeatedly talked about how you don't need an account to view their Tumblr posts (Fig. 22) but this is what pops up when you access it without an account now. Not so confident people won't see you for what you are anymore, are we?

(Fig. 23, 24)

Oh wait, right, you have less confidence than Katuski Yuuri (Fig. 18). I wonder what could be the reason for hiding your blog then if it isn't your confidence rapidly crumbling. You're just a little anxious fella who likes academia afterall (yes, I am being exceedingly petty, thank you for noticing, I hope you enjoy).

Hey, just wanted to reach out to say that I found you pointing out and calling this person was really great and you shouldn't have apologized. It was incredibly true what you said, and to be honest it seems out of touch with the reality of a great deal of the japanese fandom, the nuances and their culture. Also, it was as you pointed out, extreme and may I say rude. I want to mention too that the way it was written, as if entitled of the knowledge and the 'explanation' made it all worse in context of the 'fucked up'. The original poster always gets away by using the 'well-written academic'' statement of their 'metas' as an excuse to do or say and make everyone else agree and if not, uses victim narrative and discourses exactly selecting wording for people to agree on it or feel bad.

I don't know if they tagging you in the way they did made you reblog and apologizing/backing up, but no one thought bad about you pointing it out. On the contrary, a lot of people had been bullied and discriminated by this person when they called them out/disagreed going onto lenghts of sending their friends to harass people, and the other persons can't even defend themselves because they are effectively blocked. To quite a few people in the fandom has been done, even accusing them as 'acephobes' (when they're not) or even Nazis by spreading lies. So yeah, I just wanted to say that. I think you were right to call them out publicly.

Thank you very much for this ask. To be completely honest I agree with everything you said here and don't actually feel bad about pointing anything out. I mainly apologised because I didn't want any potentially poor phrasing from my side to cause unnecessary hostility and because I myself have gripes with this person's behaviour but didn't want to cause a scene.

My honest opinion is that they have a serious issue with taking accountability for their own mistakes and highly overestimate their own intellect. If you're reading this, @thegirlwhorideslikeasamurai, sorry if I seem harsh, but it's true. I saw your post lamenting how you're the only academic meta writer / fan in the fandom and I didn't interact then because I honestly do not care enough to start that drama but with the information Blonndiec has just given me, I think it's necessary that someone calls you out.

You're not an academic. You're not beyond the mental capabilities of other fans. You're actually incredibly childish in your metas and analyses and I am not kidding when I say that I was halfheartedly writing essays more academic than every analysis I've seen from you when I was barely a teenager. I don't know how old you are and I frankly don't care. You're not as clever as you think you are.

Also, don't think I didn't notice that you didn't reblog my correction (link here to my correction and here to their "response" for those who didn't see that exchange) of your post so that you could control what your followers saw of the exchange. You're the opposite of an academic. You control information to tailor the narrative, you don't cite your sources properly if at all, you don't format your posts in anything close to how an academic analysis would be, you make unbased claims, you reference posts and canon material without in any way indicating where that information is from, you reference your own (equally unacademic) metas and your conclusions from them without indicating what post it's from or that it's your own theory this new one is based on and instead present it as a common fact, and I could go on and on and on. Your posts are also riddled with logical fallacies and you talk in absolutes and opinions when there's no canon basis to claim such things. I'm sorry, but that's not academic in the slightest.

To be clear, you don't have to be an academic to post on the Internet. You don't have to be anything at all. You could up front be a genuine idiot with no remorse and that's fine. But when you claim to be an academic and also put down the rest of the fandom for not being on your level, you have to be able to back that up. It'd still make you sound like a prick but at least your arrogance would have a basis. It currently does not.

I haven't personally seen the discussions that Blonndiec is referencing and I'm not going to claim anything definitive (because that would be unacademic of me, take notes) but if what they're saying is true and did happen as described, which I have empirical, if anecdotal, evidence to believe could very well be (a friend of mine has personally been blocked by you after they criticised you without actually mentioning your name which I of course can't prove is the reason for the block but the timing is awfully convenient), you should know that you should be ashamed of yourself.

If there's context missing, feel free to enlighten me and call out any incorrect accusations. You have every right to defend yourself. However, I encourage you to cite your sources since you're such an academic. If you don't, then it's just your word against Blonndiec and anyone else who might comment's word and that doesn't prove anything. Don't misunderstand, acephobia and nazi rhetoric should absolutely be called out but only if it's actually happening. False accusations can ruin lives. I hope you know that.

I'm not a fan of calling people out publicly and, again, thank you for this ask, Blonndiec. But considering many of the issues I've personally seen and those I've been informed of by second hand sources were posted publically, I don't really feel bad about calling this out. I could do a full breakdown of just the insulting "academic" comments alone and how there's no academia to be found in said academic metas and, Samurai, if you give me reason to, I will show exactly what I mean point by point (and academically just to give you an example of even low level academia).

If you respond to this, do it in a reblog. That's what a real academic would do. If I'm wrong and you can prove it, you'd have no reason to not show my post in your rebuttal. If I'm right, you'd have every reason to be upfront about your mistakes and how you intend to rectify them. There's nothing wrong with being wrong but there's a lot wrong with refusing to admit to it in a way that lets others peer review you (academic thing, look it up) and come to their own conclusions about the situation. That's what you did when you just @'ed me instead of reblogging my response. A true academic wouldn't hide a peer review. You'd know that if you were one.

I swing in many academic spaces and yet that doesn't make me any kind of expert and I don't claim to be one because I'm not. But since you want to be one so badly, reblog this with a response and show us all how smart you are. I'm dying to know what your academic take on this is.

[buckysteve]

art/patrick + old childhood best friends motif

[horsemage]

I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂

[averlym]

which is gayer? SIX or Adamandi (real)

adamandi

[sarah-sandwich-writes]

HOLD ON WAIT UP HOLD THE PHONE

I KNOW I WAS GONE FOR A FEW MONTHS THERE BUT HAS BLUE LIKE DON'T FORGET ABOUT ME ALWAYS BEEN A PART OF A SERIES OR IS THAT A NEW DEVELOPMENT???

I FEEL LIKE ITS CHRISTMAS ALL OVER AGAIN FUCK Y E A H

Okay so

I...

have been cooking

by which I mean illusions of grandeur and

schemes

And I have not been forthcoming lol Everyone kind of disappeared all at the same time so I kind of stopped talking about what I'm doing but I have been biding my time, quietly putting mechanisms into motion and plotting and occasionally cackling over my cauldron.

I finished the first draft of Blue like don't forget about me and didn't like it so I cut out all the sci-fi fantasy stuff (bye bye aliens farewell superpowers) and in November wrote a new first draft that's all contemporary romance babeee and I'm so in love with it I'm turning it into a little 3-part (possibly 4 if I can't control myself) series.

The original childhood years have been split off into a prequel novella called Red like my bleeding heart in your hand. Then Blue like don't forget about me will take place 20 years later. Nash works at Cherished Hope Nursing Home

“And what is it you do? At the nursing home, I mean.” I wipe shit off of old people. And Teddy’s a hockey player. What’s Luke, an underwear model? He shouldn’t have come.

Teddy comes back to town for a funeral and

Teddy looks at him for the first time in twenty years and every ounce of warmth leaves his expression. Message received. He should not have come.

OKAY SO AND THEN the next book will be Jo's POV and is called Violet like these delights. and MAYBE there will be a 4th from Luke's POV bc he gets to live this time by the grace of god (me) but it'll depend on how Violet goes (its current state is mostly vibes and a single overarching theme so, stand by).

Red needs a clean-up round of edits to snip out the few little threads that connected it to OG blue. And rewritten blue is basically done. I've done the major revisions and am about to start line edits and after those are done I'm sending it out to beta readers (lmk if you're interested).

There are concise actual summaries in my pinned post btw lol

WHICH REMINDS ME

The series title is Wildflowers of Deliverance. Which I'm extremely proud of. Did you notice did you notice how each title incorporates a wildflower did you did you? and the town they grew up in where Nash and Teddy first met is called Deliverance!!! It's okay I know I'm a genius.

And this brings us to the meal okay? because like I said I've been Cooking™ quietly but steadily for a few months now. ANd what have I been cooking? PLOTS and PLANS

I've decided on a pen name: Sarah B. Elisa

I've created a(nother) side blog for it that will be exclusively centered on my og writing and geared more toward readers rather than writers like this blog is: @sarahbe-writing

I'm going to create a website (as soon as I convince myself to spend money)

and a newsletter (as soon as I convince myself to spend money and do work)

I'm still waffling between trad publishing and DIY. I really like all my hats and it would be a shame to have to share them but oh my god I don't want to do all the marketing but trad pub seems hit or miss on how well they market you so I might get half of my hats taken away and still have to do the marketing bullshit UGH

anyway

OH YEAH and the OG draft I wrote for Blue? I'm going to spin it back to its OG OG roots [parkner, naturally--Return of The childhood friends to estranged almost lovers to super-powered rivals to reluctant allies to friends to lovers finally wip!!! AKA: We Were Gods (we were kids)] and that will fix all the things that went wrong and I didn't like 😌 so it's basically like double Christmas I think

[teaboot]

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)

[evangelifloss]

Thinking about a certain scene in Dungeon Meshi that completely encapsulates the Autistic experience of making friends as an adult and how hard it is to try and navigate it without ending up getting hurt.

Like IDK about y'all, but this is a common problem ALOT of Autistic Adults face when trying to make friends with other people, because unlike children who aren't good at keeping their opinions to themselves, Adults ARE. In society, we're even encouraged to "keep the peace" "be polite" and etc, which commonly leads to awful scenarios as shown above when Laois finds out his buddy has come to resent who Laois is without actually telling him. All too often the friends that we love to hang out with, people that we're so happy to spend time with, don't feel the same way and in many cases, come to blame us for our social cues or lack thereof.

And when/if we do eventually find out how our friend feels, Dungeon Meshi hits us with another painful panel of how that usually ends up playing out.

It's hard for Adults with Autism to make friends, and even harder to maintain them because alot of the ways Neurotypicals tell other Neurotypicals that they don't like a certain behavior is by quietly disengaging. Whether that involves having one sentence answers, going quiet, or having a certain tone in their voice, all those things signal annoyance or disapproval, but for the Neurodivergents, those subtle cues are completely missed.

And yet when we inevitably discover we DID do something, it is natural to ask "well why didn't you tell me?" because in our minds, it should've been the next step in the equation. However for the Neurotypicals, that's NOT something to bring up. Its important to be SUBTLE about the issue at hand and rely on signals to tell the other person. Blame is placed on us for not noticing the "obvious" signs of disapproval rather than the idea of talking it out as such things are uncomfortable and harder to do. Alot of the time what ends up happening is resentment due to the idea that it was "obvious" and the fact one didn't notice indicates a deliberate ignorance rather than a complete unawareness. It ends up calling into question our quality as a person and our sincerity. We get called "fake" or "malicious" or even "stupid" for failing social cues rather than questioning the decision to be indirect and vague.

For a manga about exploring the dungeon, it seems that the artist would rather explore very real and prevalent dynamics in society with the adventuring premise as a backdrop. I felt VERY seen in these panels, and many others, because it happens so suddenly and dare I say it, plainly. There's no dramatic build-up or spectacle made and in essence, it just Happens.

I think that's what makes the scene hit even harder. It seemingly comes out of nowhere for Laois, like how it always comes out of nowhere for alot of people, and it's never a dramatic twist either. It's always mundane and hurtful. A sudden unforeseen bump in the road that ends up calling into question one's entire friendship with someone and consequent other friendships. It asks "what if other friends feel the same. What if the people that I really like actually hate me and I don't know it?" Or at least that's what I came away with after reading the chapter. I've been where Laois was and the only reason I'm not there now is because I lost the naivete I had and doubt everyone else's sincerity.

[bhaalsdeepbat]

just to add:

Using Poe rather than any other Dark Romantic writer that was his contemporary to pull a quote from was such a good choice. Of his sotries, "The Tell-Tale Heart" was the perfect one for Astarion, but Poe very specifically believed stories should be written in a circular manner - like a snake biting its tail - which fits so perfectly with all the little ways Astarion's story and romance references itself.

Direct quote from my source:

Poe believed in “fashioning a tale like a kind of ouroboros, with its tail in its mouth, beginning with the final effect and working backwards to that the story’s beginning is a natural derivation of its conclusion.”

It's the setting up of the Romantic Astarion in act 1, finding out he's not as fine as he keeps insisting as the narrative swings into Dark Romantic territory, the paranoia starts to really come out (relating back to tell-tale heart), and then he is literally given a choice: continue the cycle or break free. The cycle of abuse is literally a circle here. He can take up Cazador's place in the ritual and step into his role entirely, reentering the ouroboros I mentioned earlier.

The "Thank you" when he first bites the player being referenced later when they see past his paranoia and how unreliable of a narrator he is about his own feelings and seeing that he doesn't want power. He wants safety in a world that he believes isn't capable of kindness or good.

I love how Astarion quotes The Tell-Tale Heart every once in a while. It's a rarer line, and initially I thought it was out of place (Neil is very well versed in theater, so I assumed it was a riff from him), but since reading an analysis of the work I think it was pretty purposeful.

The piece is all about fear and paranoia, things we know Astarion is plagued by despite how he might act. Similarly, the narrator of the story also tries to convince the reader that they are not as troubled as they seem. In the end, the narrator is consumed by the beating of the heart of the old man he killed and dismembered, the sound growing louder and louder until in a fit of rage he reveals the body to the police to absolve himself from the persistent beating.

Except the police never heard the heart beat, because it wasn't the old man's heart at all. The narrator was consumed by the sound of his own heart beating more and more rapidly in his chest from fear. He was the owner of the thing that forced him to reveal his true nature, he is the owner of the tell-tale heart.

And what happens with Astarion after you romance him? He realizes over time that, while he tried to deny his feelings and was initially only interested in manipulating you for his own means, he actually has grown to care for you. You have done something to his heart that hasn't happened in centuries, you have made it feel as if it has started beating again.

Therefore, his tell-tale heart leads him to admit his transgressions, which were committed out of fear and paranoia for his safety.

So the line is actually very, very apt. His confession during Act 2 is his own version of "Villains! Dissemble no more! I admit the deed! Tear up the planks! Here, here! It is the beating of his hideous heart!" Except, of course, it is his own heart that he is unearthing for us (and it's not so hideous, after all).

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[changeling-droneco]

Hi I'm that person who made the original post about "no doesn mean no" when a small bit of the mr beast company document was leaked, well, now we have the full document (thanks rosanna) so I'm going to go over it. Please note I am not a lawyer or a business man, I'm in college for psychology, so I might misunderstand some things or make the wrong conclusion. However, if this is a document made for the average mr. beast employee, if I cannot understand it properly, then im sure some employees also struggled

First of all, the opening paragraph. Like I get it's supposed to be like, to put people at ease, but

This is so strange? Like, first of all, this is your EMPLOYEE MANUAL, you should have run it through like, a spell check? Or had someone edit it? This is already incredibly unprofessional. Also the promising of a thousand dollars if you pass a quiz on it? It's bizarre and I'd love to see if it's an actual quiz.

Jimmy, hun, please god get an editor for this you're already trying my patience.

YOU SHOULD, you genuinely should, while interconnected these are all COMPLETELY different jobs, if you think you could write a separate manual for each branch you SHOULD

I'm sure I'm about to get an answer but what the fuck is the best YOUTUBE video then? If it's not comedy, its not production, its not quality, its not look, then what the hell is left? (monetization, it's monetization)

First of all, Jimmy, why are you using internet lingo in this, it's not a text message, this is not a place for, idc, and lol, and not capitalizing your headers correctly??? Also like I said, he's chasing trends for monetization, and also he's just wrong, there are plenty of hollywood level shows and the like on youtube. You fully admit you do not care about trends and actively rush things?

This is just fucked??? Like of COURSE IT MATTERS??? Results based company is bullshit, your employees that worked for five weeks and failed aren't "lesser" then James, it's a structural failure! They still worked for HOURS to try and succeed?? That shows merit and loyalty??? What the fuck???

Rosanna covers this one in her video but it's worth restating that this is FUCKED??? It's clear overwork "your job is your family" culture. Especially the use of the word obsessive? If you do not OBSESS over your work, you are considered poisonous. NO WONDER we have so many reports of employees doing things they feel is dangerous or unsafe, if they don't they're considered POISON to the company.

The formatting in this doc continues to fucking kill me, what are you DOING man GET AN EDITOR

This feels like such an easy fix of just...make the thumbnail after the fact? Or only make a rough draft of one first? Like if production makes a red bouncy castle instead of a yellow one, that feels like an easy fix to the thumbnail OR a communication error, and again, that's on management

A lot of the next stuff is like analytics stuff that for the most part I can't really speak on as someone who does not do any of this stuff. There are a few things though

Which like???? what??? a lull??? what do you mean "watching a video without even realizing they are watching a video??" That doesn't scream good or even mediocre content to me. If I'm actively tuning out as I watch a video, that's bad. Especially because there have been plenty of times I've been like half way through a video i go "hey this sucks actually" and click off. They actively want their audience to not be paying attention to the video so it runs all the way through, that's kinda pathetic.

I don't actually know if this is common or not in this industry, but as an outsider this seems INCREDIBLY micromanaging to me, to an immense degree.

Jimmy why are you putting swears in your employee manual?? sir??? and also something about this whole thing icks me out, I don't quite have the words but the whole emphasis on "im different im special no one else can be me" just reeks of something kind of manipulative

Why is production changing so much Jimmy??? Infinite growth is the mindset of a cancer cell Jimmy! This is incredibly unstable working conditions! Also again with the word obsession, if you take time out of your own day on your own time to watch hulu, that's seen as not being obsessed enough for the company. This is nonsensical!

Again, this is INSANELY micromanaging, and also so fucking unhinged??? "God himself couldn't stop you from making this video on time" is NOT a healthy work mindset, things HAPPEN!!!

In this segment he's actually talking normal things but I did just want to highlight his use of "freaken" who the hell puts that in an EMPLOYEE MANUEL

Again with the micromanaging, and the immense pressure on employees for problems OTHER people do. While he's not fully wrong that you should be in more contact with the contractor then the example, this is too much in the other direction. How much time in the day does he think people have?!

My kingdom for a fucking paragraph break dude, my fucking eyes. Also this is a lot of "im so great and do everything and you should do more for me and if i dont know something that's your fault" for something titled "I am not always right"

I'm getting lazy with my highlighting, but again, the micromanaging? If you're SOOO busy, the first question should be the ideal? it's quick and makes a quick decision, while the second one meanders and meanders

Again, Jimmy is pushing blame for HIS mistakes on OTHER PEOPLE. For again, a section called "i am not always right" hes taking NO accountability for that and just making the SAME excuses he's berating in other places.

I can't even tell what he means here AN EDITOR JIMMY

Autism Hell tm, PLEASE email me so I can DOUBLE CHECK IT, things in writing are SO useful

Again the language towards "C-Players" which as mr beast has said, are the people who y'know, are NORMAL employees who DON'T live and breathe this company

Okay first of all, a Lamborghini is like 300k so that's already A REALLY hard task, and i sure hope don't usually put typos in the tasks. SECOND of all the fact he thinks its okay to go "hey if the studio is literally on fire around you and you stop working to get the Lamborghini, you're not doing good enough" even if he claims it as a joke is NOT OKAY what the FUCK

We've covered this before, but to reiterate this segment is named after a sexual assault reference when it could have been named ANYTHING ELSE and harasses employees and pressures them to break rules, don't do that.

I'm not an editor, so maybe this is normal, but as someone from the outside it seems strange to put this much emphasis on dividing focus between so many videos at once.

Jimmy, hun, are you paying extra for this? Because if I'm an editor and you want me FILMING stuff then i want to be paid more for doing TWO jobs and I probably still wont be as skilled a TRAINED CAMERA MAN

First of all now THAT'S a type, consteatants. Also the fact they are aware that leaving contestants out in the sun is bad, why are you not doing MORE TO STOP IT BEYOND "hey maybe giving them three hours of heatstroke is bad, try only two next time"

Don't we love favoritism, more shitty unprofessional writings, and a completely unstable work environment?

If your people have to pull all nighters period something is wrong, and if something happens to an employees car that could have seriously hurt someone, i sure hope you care more then just "LOL FUNNY" Who's picking up the broken glass? Who's reimbursing the car owner? That one meme of "your first care should be commitment to the bit" is a MEME jimmy, it's not ACTUAL ADVICE

Ah shit I hit image limit, well, you've seen enough screenshots to know these are screenshots, we're almost done I'll put them in as quotes

"Let’s say you are tasked with finding us a castle to live in for 50 hours and while doing research you find a castle and a number to call for the owner. So you do call, and he answers. Only problem is he says he quit the castle renting business to pursue his dream of building a 100 foot tall lego catapult. You can obviously tell where i’m going with this. Ideally you’d recognize that’s badass as fuck and try to convince him to let us use it when we do find a castle. This is a bad example because it’s so obvious but if you’re doing your job right you will be doing an absurd amounts of calls and data collecting. While trying to complete your prios and prepare for the video you should always be on the lookout for new things you can bring to your creative team to inspire them. Because just like me, they don’t know what they don’t know and you can’t just say “i’m in production and i’m not very creative” because that’s literally the equivalent of saying I suck at what I do. You also need to apply this same mindset when problem solving because many people lose sight of this stuff when in the weeds. If a problem appears, always always always ask yourself if your new plan is whats best for creative, not just the easiest bandaid."

First of all it's really funny seeing all the red lines pop up, second of all this insistent blurring of everyone's job seems so strange? Again maybe this is normal, but it really feels like Jimmy wants everyone working every job, instead on focusing on what they are actually hired to do.

"What is the goal of our content?

To excite me. The goal of our content is to excite me. That may sound weird to some of you, especially if you’re new but to me it’s what’s most important. If I'm not excited to get in front of that camera and film the video, it’s just simply not going to happen."

That's fucking weirddddd, like I get that he's trying to be like "im authentic" but it always feels like a bad sign when the goal of a company is literally just "What amuses the boss" like...bad sign

"this is youtube and there are constraints. You know the video can’t be a minute so you’re obviously going to need a story to hold the viewers and there are rules to storytelling. Our audience is massive and because of that you have to be simple, for 50 million people to understand something it must be simple. Content can be anything but there is structure and rules that we must mold it into that I want to teach you about, because virality doesn’t just happen. Every frame of our videos will be seen by 10s of millions of people"

Gross

"I'd say the average MrBeast viewer is a teenage memer that likes video games."

Mr Beast is completely aware of his demographic and puts screen shots of it, he is very aware his stuff is aimed at kids, even when its about gambling or hiring people not around near minors

"I feel silly for having to write this but all the time I talk to 32 new people that have at most seen like 5 or 6 of our videos and it’s mind blowing that they don’t see a problem with that lol."

It's almost like your audience is teenage memer and that people who working here are not in fact, teenage memers.

"What you consume on social media, when you watch youtube, tv, the games you play, etc. are what I like to call your information diet.

How do you stay up to date on the latest memes? How do you know what’s going on with celebrities? What’s trending on youtube? What other creators are doing? What’s popping on tik tok? Your information diet. Consume things on a daily basis that help you write better content."

If my job as a creative writer had my boss tell me to have to see whats "popping on tik tok" as part of my job i'd quit also again, the micromanaging of someone's life as well pops up again, it's weirddd

"It’s okay for the boys to be childish

If talent wants to draw a dick on the white board in the video or do something stupid, let them. (assuming they know all the risks and arn’t missing context on why it’s not safe) People like when we are in our natural element of stupidity. Really do everything you can to empower the boys when filming and help them make content. Help them be idiots"

More favoritism

"If you’ve made it this far you are probably at least semi interested in this being your career. So I wanted to chat about it. Because if you're ambitious and want to dedicate your life to work, you picked the best company in America to do it at. I really don’t care to hoard a bunch of money and I deeply believe in rewarding the people that help this business get where it needs to be. But before I get into that, let’s talk about the future. As I write this we have 2 teams, that will grow to 4 in the next year. (and possibly 8 in the next 2 years but I can’t talk about that cause james will kill me haha). We need more leaders in the company. Weneed hard working, obsessive, coachable, intelligent, grinders that can step up and take some of these leadership spots over the next 2 years. Every single department has an opportunity for you to grow in and you’re in luck because we don’t do yearly reviews. We do whenever the fuck you want reviewes"

Lack of communication from management, and more emphasis on grinding and crunch culture, goodie, all while riddled with typos! God.

"I see a world where this company is worth billions and one day 10s of billions. And those of you that help build this will be rewarded. I want nothing more then for you to go all in, obsessive all day everyday, and become so god dam valuable this company can’t operate without you. And in return for becoming so valuable I hope to give you incredible experiences, a fun place to work, and of course, more money then you could ever dream of making at any other company."

I feel like I'm reading a fucking pyramid scheme document here, "youre so so valuable spend literally every minute of every day on this company haha" good GOD man

[room-surprise]

New Ryoko Kui interview dropped!!!

(This is a quick and dirty translation made using machine translation, and which I've lightly edited to add clarity. I'm not fluent in Japanese so I may have gotten things wrong. I'm sure others will do a better job later.

ADDITIONAL CONTEXT: This article is from a Japanese gaming magazine, like the previous interview in Famitsu, so they focus on video games and don't discuss other influences, even though they do get mentioned and are clearly pretty major.)

Kui was able to write "Dungeon Meshi" because she was not good at eating food and participating in human relationships. In this interview, we dig deeper into the influence of games, and how Ryoko Kui focuses on things she likes and dislikes while writing. [Writers of the Gaming Generation]

Dungeon Meshi.

This manga is attractive for its unique theme of "dungeons, defeating monsters in the labyrinth, and cooking them," as well as the unique characters, detailed human relationships, and deep worldview depicted in the labyrinth. It is currently being made into an anime, and adventurers from all over the world are fascinated by the world of "Dungeon Meshi."

So I thought , "I wonder if this work was drawn by someone who loves food and people." The depiction of such delicious-looking food and the construction of delicate human relationships and characters. Surely, it must have been drawn by someone who absolutely loves it.

However, in reality, the author, Kui Ryoko, says that she "is not good at either food or relationships."

So why was he able to continue drawing things she was not good at?

During the roughly 10 years of serialization, Kui has continued to confront "things she dislikes." This interview delves into Kui's unique creative techniques... and at the same time, it also delves into her "favorite things."

That's the "game"!

Those who are familiar with the subject may already know this, but Kui is also a big gamer. And it seems that "Dungeon Meshi" is heavily influenced by RPGs such as "Wizardry."

As a result, this interview turned out to be "I asked Kui a lot about her likes and dislikes." Likes and dislikes. They are the source of all interests and curiosity.

So how do we use this knowledge in our creative endeavors? How does this knowledge manifest itself in Dungeon Meshi?

How were those charming characters and the deep world created? We spoke to the original author, Kui Ryoko, and the editor, Masaru Hiroi, about things they could only talk about after the series was completed.

This is a game with the volume of a great labyrinth. I hope you will explore it all the way to the final floor!

Dungeon food. It's eat or be eaten. There is no superior or inferior, to eat food is simply a privilege of the living. Dungeon food. Ah, dungeon food.

First, I want to ask about how Kui first encountered video games.

--What are some influences from games in Dungeon Meshi? What was your first game, Ms. Kui?

Ryoko Kui (hereinafter referred to as Kui): I played traditional RPGs such as [blank?] and "Final Fantasy."

I think the first game console I ever played was a Famicom, which my parents won in a lottery . So before I knew it, we had a Famicom at home. I think my parents bought me the Super Famicom and PS1 after that...

After that, I took a break from games for a bit around the time of the PS2, but around the time of the PS4, I was finally able to buy games with the money I had earned myself .

--Why were you able to stay away from games around the time of the PS2?

Kui: I was too busy with exams, so I thought, "Well, I shouldn't be playing games," and left. When I started living alone after that, I couldn't play games because I didn't have a TV. My computer was also a Mac. [Macs aren't compatible with many games.]

--What was the trigger that made you think, "I want to play games" again?

Kui: I think the biggest thing was starting the serialization of "Dungeon Meshi."

Fantasy stories all have different settings, but at the same time, there are also things they share in common. For example, if you want to create a fantasy work, but you only know "Dragon Quest," it will end up resembling "Dragon Quest." It's scary to copy the setting of only one work.

So I just wanted to play a ton of different fantasy games and get an idea of ​​what the most common general understanding of fantasy is.

--Did you start playing it while you were still developing the concept for Dungeon Meal?

Kui: That's right. If I'm going to talk about "eating food," I have to play a game that has a system for eating food .

So I was interested in "Dungeon Master." However, at the time there was no easy way to play "Dungeon Master" on a real machine, so I played "Legend of Grimrock", which can also be played on a Mac.

["Dungeon Master," is a computer RPG released in 1987. Time passes each time you take an action in the dungeon, such as moving, fighting, or resting, so its biggest feature is that the game progresses in real time according to the player's actions. "Legend of Grimrock," is an action RPG released in 2012. It has a game design similar to "Dungeon Master."]

Until then, I had felt that overseas games and games played on PC were too difficult, but I felt like I had overcome one obstacle there. I thought, "Oh, this is pretty easy," and started playing a lot of different games.

-- Those two games are quite heavy even among RPGs, I think, so did you actually have that much difficulty with them?

Kui: No...I would say that my impression is more that best-selling games are easy to play (laughs).

I'm not that good at games myself, so I usually play games that allow you to adjust the difficulty on a super easy setting. So, games that allow you to lower the difficulty are always a lifesaver.

-- I've heard that apart from RPGs , you also like games such as "13 Sentinels: Aegis Rim" and "Paranomasite FILE23: The Seven Mysteries of Honjo ." Do you have a favorite genre, Mr. Kui?

Kui: I guess I'm just not very good at games that require you to use your brain through trial and error.

But in RPGs, if you just level up and keep tapping, you can win and progress in the game. Also, in novel-type games, if you read the text, you can progress. By this process of elimination, I quite like RPGs and text-based games .

Personally, I like games like Disco Elysium the most, which are text-heavy, top-down, and have maps to explore.

...Even I think that's a pretty negative reason (laughs).

Everyone: (laughs).

Hiroi Masaru (hereinafter referred to as Hiroi): But, Ms. Kui, you have really played quite a lot of games, haven't you?

Kui: No, the reason I'm able to play so much is because I play in a pretty callous way ...

I often buy a game, play it, and then just don't play it. So there aren't that many games I complete... I only complete a few a year. I play around 40 games, and if I complete 5 or 6, that's good.

When I asked if I could draw at Comitia, I got scolded.

-- Have you had any exposure to fantasy outside of digital RPGs?

Kui: I think it's not just games, but also the fact that I've always loved foreign fantasy novels . I was given books like "The Neverending Story," "The Lord of the Rings," and "The Chronicles of Narnia."

-- Dungeon Meshi gives off an atmosphere of Western fantasy like gamebooks or tabletop RPGs, rather than the typical Japanese fantasy games like Dragon Quest.

Hiroi: I think I went to Kui's house before the series started. At that time, we were discussing the name of a sci-fi manga called "Drawing Inside the Brain," which I had rejected many times.

Ms. Kui said she wanted to serialize this sci-fi manga... and when he was on the fourth draft, he said, "No, this isn't going to work," and when I looked at the scribbled notes next to her desk, she had already drawn the original version of "Dungeon Meshi" ! (laughs)

Kui: ……………No, I don't remember much (laughs).

Everyone: (laughs).

Kui: But I had wanted to draw a manga about exploring a dark dungeon, like Wizardry .

Since I was in elementary school, the manga I drew in pencil in my notebooks were all fantasy stories about swords and magic, so I had always wanted to draw a proper fantasy manga. However, there weren't as many fantasy manga in bookstores at the time as there are now, so I wondered, "Maybe fantasy doesn't sell."

Hiroi: At the time, there were a lot of people in their teens and twenties posting fantasy illustrations on online communities for artists, such as pixiv, and Kui was one of them.

I thought, there are so many people who want to write fantasy, so if she writes a fantasy aimed at this generation, it might sell.

And when I saw Kui's notes, I thought to myself, "Let's make a straight-forward fantasy manga, without making it weirdly twisted."

Kui: I originally thought of making this "dungeon exploration manga" as just a hobby... When I asked Hiroi if I could draw it at Comitia first, he got angry.

[Comitia is a comics convention in Japan for original self-published comics.]

Everyone: (laughs).

Hiroi: I said, "If you're going to draw at Comitia, then make sure you draw it as a proper serialization!" (laughs)

However, at that time, Kui had already published two collections of short stories, and they were being reprinted. In other words, she had a certain number of fans even before the serialization began.

So I decided, if Kui creates a pure fantasy for those fans, we can't fail badly. If it doesn't work, we'll just learn that fantasy is difficult to sell after all.

--By the way, were there any discussions between you and Ms. Kui about the fact that fantasy doesn't sell?

Kui: I remember vaguely talking about how fantasy manga doesn't sell well and how difficult it seems. I don't know much about light novels, so that might have been there for a while.

However, since a lot of fantasy manga were coming out around the same time, it was probably a "transitional period ." Maybe it was just when people started to feel more and more like they wanted to draw and read fantasy.

Not everyone is that interested in the things I like

-- I feel that "Dungeon Meshi" is a title that has breathed new life into the fantasy genre. How did you go about creating the setting and world when dealing with fantasy?

Kui: I try to think, "Not everyone is that interested in the things I like."

I like to think about pointless settings endlessly, but there are times when I think , "When this setting is actually made into a manga, people probably won't be interested in this story." So I try to include things that will make people interested, and cut out things that will distract people as much as possible.

For example, in "Dungeon Meshi" I initially wanted everyone to speak various languages. On top of that, I wanted to make the characters "only able to communicate with each other in one language"... but Mr. Hiroi said "Don't do that" (laughs).

Everyone: (laughs).

Kui: Even when I'm drawing it myself, I think, "It takes more than six panels to explain this setting...", and if I explain the setting more than necessary, it slows down the pace of the story.

Moreover, since "Dungeon Meshi" was a monthly serialization, unlike a weekly series, there wasn't much time for extraneous stories. Specifically, I had to draw one episode of about 30 pages per month.

In that case, there was no time to add in settings like "Actually, he was thinking about this behind the scenes" or "Actually, he can speak two languages." So, rather than there being any clear choices, there were quite a few times when "there was no time to do things normally." If it had been a weekly serialization, I might have included more.

--Does the scene where Chilchuck yells insults in his own language feel rather "forced"?

Kui: That's right (laughs).I thought, this only takes one frame...it's my chance [to include information about language]!

--So you haven't thought through all of these "fictional languages" yet?

Kui: If Dungeon Meshi were to be my life's work and I were to spend my whole life creating this world, I think it would be more fun to think about it...but initially, I thought that Dungeon Meshi would end in a few years.

Hiroi: Initially, I said, "It'd be nice if it continued for about five volumes" (laughs).

However, Kui's first draft really had a lot of material... so the editors cut out a lot of it. I understand that it's the parts the readers want to read, but I cut out the parts that deviate from the main story. So it's a battle between the "author who doesn't want to be cut" and the "editor who wants to cut."

--By the way, what kind of discussion took place between the "parts you want to cut" and the "parts you don't want to cut"?

Kui: There were a lot of them every time, but I can't remember them specifically now...it was just small, unimportant details that got cut.

In the scene where the hams made by the Red Dragon go back into the pool of blood, I remember saying, "You don't need these," and they were about to cut them off, but I remember desperately stopping them by saying, "We'll need them later!" I'm glad they weren't cut off.

But once I think of the setting, I want to include things, and then they get cut out, so at first I didn't want to expand the world too much.

I also wanted to complete the story within the dungeon. I didn't want to reveal the name of the country, and I didn't want to give the characters surnames. But in the second half, Hiroi-san told me, "The world is too small, so you should make it bigger," and I was like, "Are you sure?"

--Mr. Hiroi, why did you say that?

Hiroi: As the story progressed, it became clear that "Dungeon Meshi" was no longer just about saving a sister in a dungeon. So I decided that it would be unconvincing if the story had no involvement with the outside world, since what was happening in the dungeon was something that would affect the fate of the whole world.

For example, in real life companies, the more important a decision you make, the higher your superior's rank becomes, right? When I thought about it that way, I felt something was off about the idea of ​​Laios and his friends deciding the fate of the world on their own. "How can they make that decision without anyone knowing about it?"

The fact that the Canary Team was there meant that there must have been a system of reporting, contacting, and consulting here, because that's how "society" and "organizations" work.

In short, I think we were thinking about the situation and asking, "If an organization were to get involved in saving the world, how persuasive could they make it given the society that exists in the story?"

Kui: Well, the plot hasn't changed at all.

From the beginning, I had intended to write a story about saving the world, but I also thought it was possible for the world to be saved by only a select few people in the dungeon who knew the circumstances. Changing it was what Hiroi-san thought would make it more persuasive.

When I was drawing the first half, Hiroi told me, "You don't have to decide anything yet." I was in a hurry to move the story forward and explain the world and story setting, but he told me, "It's better to limit it to introducing the four main characters until about the fourth volume." But in the second half, he said, "Introduce more people and expand the world."

Everyone: (laughs).

Hiroi: Kui-san was like , "That's not what you said originally!" (laughs) But both had meaning...

Kui: I was the one saying, "If we expand the world there, the story will never end, right...?"

After drawing it through to the end, I realized that the balance between holding back and expanding didn't work the way I had expected. I think this is one of the reasons why the serialization of "Dungeon Meshi" took so long.

-- But there are a lot of characters in "Dungeon Meshi," and the relationships between them are complicated. I heard that you also created the relationship diagram for "Taikaishu" [※3] ...

Kui: No, I haven't made one [I didn't do that?]!

[Taikaishu is a full-color web comic by Funako Tsukasa that began serialization on a website in 2005 and is still ongoing. Its unique worldview has earned it a loyal fanbase, especially on the Internet.]

-- Eh? Is that not the case?

Kui: To be precise, I just created an account on the fan wiki.

When I started reading "Taikaishu," I struggled with the complex setting and the large number of characters...and I thought "it would be easier to read if there was an explanation or a list of characters."

So I searched for a bulletin board where readers were sharing their thoughts and asked if there was a summary, but they said there wasn't. So I thought, "Maybe if there was a place where someone with more knowledge could summarize it," and I just made a wiki account.

So I didn't actually edit it. It seems like I've been given credit for someone else's work, and I'm sorry about that...

Dungeon Meshi was created from a sense of guilt about food?

-- "Dungeon Meshi" started off with the catchy theme of "cooking monsters," but little by little the darker aspects and deeper world were revealed. Was the structure of "little by little revealing the darker side" something you had in mind from the beginning?

Kui: I thought I needed a theme to serialize it so I thought I'd try "food education." There were a lot of gourmet manga at the time, but I felt like there weren't many that focused on food education.

-- Considering that the theme is "food education," it makes sense that the nutritional value of the dishes in the story is clearly written down.

Kui: With the theme of "food education," I also thought up a rough outline of the story. Rescue the kidnapped princess, defeat the evil wizard, defeat the final boss, and become king... the framework is pretty simple.

But when I actually tried to proceed with the plan, I realized, "No, this story can't be done so lightly..." At first, I thought I could draw it in a more light-hearted manner.

Hiroi: At first, you were trying to finish the fight against the Red Dragon in one episode, right? I was like, "is that possible?" (laughs).

Everyone: (laughs).

Kui: When I tried to actually tell it in one episode, it ended up feeling like a very brief summary... In order to tell the story I wanted to tell, I had to tell it more thoroughly than I originally thought.

-- Did you have any special thoughts about the theme of "food"?

Kui: No... well... if I had to choose, I'd say I have a strong grudge against food.

Since I was a child, I was a very picky eater, and mealtimes were a pain for me. I hated eating in front of other people, and there was a time when I hated seeing other people eating, so I would look for toilets that were rarely used and eat my meals in the toilet.

When I was doing it, the word "toilet meal" didn't exist, so when the term actually appeared in society I was so happy, thinking "everyone was doing it!"

[Toilet Meals are a social phenomenon in Japan.]

Everyone: (laughs).

Kui: I was thinking, "This is so terrible, right...?" but it was a relief to realize that other people were doing the same thing.

--So what made you choose the theme of "food education"?

Kui: My parents, who were struggling with my picky eating, taught me many things, including the "triple eating" method, but it was no use and I continued to be a picky eater into adulthood. My parents had instilled knowledge about food education in me, but I was not able to put it into practice.

[Kui might be talking about Triangular Eating but I'm not sure.]

So the only thing that remains is that I feel an enormous amount of guilt when it comes to food and eating...

Hiroi: If you think about it objectively, the series starts off on a very negative note.

Kui: But now I've gotten over the habit of eating with other people... or rather, I've come to like it. My editor takes me to lots of delicious places.

--When I was a student, I was trying to leave my udon bowl at school, but my teacher found out and made me eat the packet of udon by myself. There was no soup, and it was really hard to eat the udon by itself.

Kui: It must be tough. I tried to hide it, but my teacher found out and I got really angry.

Hiroi: I've tried to hide it in a drawer before. Then, something dried up came out of the drawer... (laughs bitterly).

How can I draw things I hate?

-- Or rather, is it the fact that you're not good at it that gives you a higher level of insight into the food?

Kui: I think it's because you're interested in it that you either like it or dislike it. Inevitably, you spend a lot of time thinking about it.

Since "Dungeon Meshi" depicts a lot of food, one might think "Do I like eating?", but in fact there are many times when I draw it because I dislike something .

--Aside from food, do you also draw things that you dislike?

Kui: Maybe. For example, human relationships, modern times, fashion...?

-- Perhaps the relationships between the characters in "Dungeon Food" are portrayed so delicately because the author is not good at dealing with human relationships?

Kui: I've always been very curious about things like, "(This person is usually so cold, but has such a charming smile in front of other people)" ...

I feel the same way, but I think people are different in the way they show their true colors. I think it's strange that it stands out to me...

-- I have a simple question. When you draw something you hate, how do you feel? No matter how much you hate something, do you find it fun to draw it?

Kui: The events in the manga don't directly involve me, so I don't dislike the things I'm drawing as much. Also, when I draw while looking for the good parts, it can lead to new discoveries.

Also, I think it's scary to draw only what I like.

In my work, the important thing is "what to capture with the camera," and there's no need to go out of your way to capture filthy things, but at the same time, I think the world will look bigger if you keep in mind that "there are a lot of inconvenient, dirty, and unpleasant things outside the camera." That's the feeling I have when I paint/create manga.

When playing a game, if I have to choose between a game where I only feel like I'm in the world inside the game screen, and a game where I feel like there are lots of people living on the other side of the screen, and that the people in that world could travel anywhere they wanted, I think the latter is more fun to play.

I'm always thinking about how to express that "sense of the vastness of the world" ...and I personally like games that have "a world" to them.

-- Do you ever incorporate elements from the game into your manga?

Kui: On the contrary, I think that is a part that cannot be adopted .

The best thing about games is that each person has a different experience. Games that have lots of endings are also a result screen for what you've done up until that point. When I see something like that, I think, "That's so cool."

Personally, I think that's the game's greatest appeal, and something that could never be replicated in a manga that doesn't have players.

If you're so busy, when do you play games?

-- I'm personally curious, how do you find the time to play games? Even though you're busy with your work as a manga artist, you play quite a lot of games.

Kui: I often use the Steam Deck before going to bed or during breaks between writing manuscripts. In fact, I almost only use the Steam Deck now. I keep it by my pillow, so I can take it and play before going to sleep, or during breaks...

--Is Steam Deck really that convenient?

Kui: I recommend it. The screen is small, but it can run Cyberpunk 2077 .

Also, personally, I've gotten tired of having to turn on my PC to start up a game...with Steam Deck, I can just turn it on and it starts up instantly, even when I'm lying down. How do you writers usually play games? There are times when you have to play games for work, aren't there?

--When it comes to work, I calculate backwards how long I'll be playing before I start playing...If it's a game that can be completed in about 60 hours, I usually estimate that I'll play for 3 hours a day and complete it for 20 days in a row.

Hiroi: It's a lot of work!

Kui: That's amazing... You really are a gamer.

I've always thought that I have a talent for playing games ... but I'm not really good at that. If I'm given a game that's a little difficult, I get tired of it right away, and I'm not very good at trial and error. The range of things I can enjoy is very narrow.

I wonder if game developers around the world are also struggling with the question of "Should I make my games accessible to a wide range of people, even those who aren't particularly gamers?" or "Should I make games that are challenging and can be played deeply?" The same problem exists with manga, too.

When there's a game that I can't play well, I feel happy because it means the creator decided that there's no need to pander to people who can't keep up.

-- By the way, when you play games, do you do it as a normal "hobby"? Or do you play more often to find material for your manga?

Kui: Of course, a big part of it is that I play games as a hobby, but it is alleviated by the fact that playing games might be useful for my work (laughs).

Even if I'm not that interested in a game, if I think "it might be useful for work," I'll find the courage to buy it, and no matter how expensive a gaming PC is, I can still buy it if I think of it as a work tool. So the hurdles for many things related to games are lowered for the reason that it's "for work."

--So, when you read manga, do you feel like you're reading it for work?

Kui: In my case, manga has become my job, so when I read it I can't help but think of work.

However, I still enjoy gaming as a hobby . That's why I don't want to lose this hobby... and I don't think I'll be able to enjoy it as much if I get involved in games as a job, so I don't take on any games-related jobs.

Does the depth of the world come from the fact that it is "not decided"?

-- I heard in advance that "Dungeon Meshi" was written with a clear awareness of "what should be explained" and "what shouldn't be explained," so could you tell me more about that?

Kui: Having read a variety of fantasy novels and games, I thought that the "moment of discouragement" was the "repeated use of foreign words." When you write something like "XX of XX of XX," if there are three or more katakana characters, there is a high chance that it will be skipped over by Japanese readers.

That's why I try to refer to town names as "the neighboring town" whenever possible, and refer to characters who appear in flashbacks as "uncle" rather than by their full names, so that readers can understand without having needing exposition.

The magic used during battles in "Dungeon Meshi" is depicted in such a way that you can "understand what kind of magic it is just by looking at the picture."

-- What other aspects of Dungeon Meshi are there that you deliberately left out of its concrete settings?

Kui: Numbers and language are the settings I avoided touching. For example, just by deciding the month of birth, it is first determined that there is a moon in this world. From there, it is also determined that there is gravity.

What's more, just the concept of a "birthday" means that there is a division into a "year" and that the world is determined to have a 365-day cycle. It quickly becomes complicated.

But on the other hand, if I were to set the details and make it something like "This country's currency is 1 gold, which is worth 5 yen," it would be a burden on the reader. When reading the work, the reader would be forced to convert it into "1 gold = 5 yen" in their minds every time. That's why I try to write it with "readability as a priority" as much as possible.

However, if you're creating a "fantasy" in the truest sense of the word, it would be better to create something that corresponds to that world's calendar or metric system in order to really immerse yourself in that world, so it's difficult to get the balance right...

-- I think that style of "deliberately not giving explanations" is quite amazing.

Hiroi: I think that 's definitely partly because "Dungeon Meshi" is a silly title.

The "mindset" of the reader is a little different...I think that from the very beginning, the reader is made to recognize that "this work isn't going to say anything too difficult."

Kui: Also, we had to give a bit of thought to coming up with the character names.

For example, the main characters in Wizardry are given names that correspond to their professions, such as "Warrior" or "Wizard." The "Senshi" in Dungeon Meshi was taken from that ... I named him after thinking, "I want that person to play an active role."

That's why I wanted the overseas version of Senshi's name to be "Fighter", but I was worried that overseas readers would be like, "What does that mean...!?" so I kept it in my head.

--The character names in "Dungeon Meshi" tend to be around 3 or 4 letters long and fit nicely.

Kui: If the name gets too long, it won't fit in the speech bubble...It's generally said that a line in a speech bubble should be about 7 to 8 characters long to be easy to read.

So "Chillchuck" is really long... I actually thought that the abbreviation "Chill" could be used more, so I named it that way, but it didn't work out so well, so in the end I just kept calling it "Chillchuck". Even I was thinking "that's long" while drawing it (laughs).

Everyone: (laughs).

Kui: Anyway, there are quite a few manga-like circumstances where "maybe four characters would be enough."

--By the way, are there any rules for naming the characters in "Dungeon Meshi"?

Kui: It's not detailed, but there are "settings within the story" and "meta-settings that are just for my own enjoyment."

For example, [if Dungeon Meshi was a game] the Shuro party has names that would be given by a certain type of player. When playing a games, some people give their characters themed names that follow self-imposed rules. In that sense, meta-wise, the Shuro party is played by a player who names their characters with a plant-based restriction.

Also, since the player likes girls, the party members are all girls, and so on... (laughs).

Hiroi: Oh, I didn't know that!

Kuon: ...While it's fun for myself, I also create characters by asking questions like, "Why is the party mainly made up of women?" or "Why do they all have similar names?"

However, even if I revealed these settings in the story, it wouldn't have made the story any more interesting, so they are merely "settings that only exist in my own mind."

-- What are some specific examples of "settings that you deliberately didn't reveal"?

Hiroi: I still remember when I said, "I want you to depict the elven kingdom in more detail," Kui replied, "That's going too far."

The dwarven country was depicted quite a bit, so I personally thought it could have been shown a little more...

Kui: I felt that if I depicted that, it would limit the reader's imagination.

There are definitely "lines that suggest something might happen," and when it comes to parts that are better left to the reader's imagination, I often choose not to draw them.

Also, even when we present settings that readers think they can just skim through, they often try hard to remember them...

It all started with the manga "Eating soba through your nose."

--Let's go back to the topic a little. How did Ms. Kui and Mr. Hiroi meet?

Hiroi: I think we scouted her.

I saw a short story that Kui had posted on Pixiv and sent him an email asking if I would like to draw a manga. I remember that he had a really funny four-frame manga called "Eating soba noodles through your nose ." It was about a character eating soba noodles through his nose and crying out in pain... I think I was drawn to his drawing ability, which made me feel like "Wow, that looks painful" when I saw it (laughs).

And from that point on, we have come to this point.

[This may not be the exact comic that Hiroi is talking about, but it's a comic Kui posted on her blog about someone eating soba through their nose.]

Kui: Oh, is that so? Isn't it something like "Shugaku Tenshi" [※4] ?

Hiroi: No, that's not true! The manga about eating soba noodles through the nose was made before "Shingaku Tenshi". By the way, that manga was planned to be published in "Rakugakihon" , but when I asked Kui-san "Can I publish this?", she was very against it...

Kui: No, that's fine, but... I didn't think other people would find it that interesting.

Everyone: (laughs).

Hiroi: But that was more than 10 years ago...

--By the way, was Mr. Hiroi the first publisher to contact you?

Kui: Before that, an editor at East Press had contacted me. I was originally publishing fantasy manga that I had drawn as a hobby on my personal website. I compiled them into a self-published original comic and exhibited it at Comitia, and they asked me, "Would you like to publish this long manga as a book?"

However, after the editor asked around to various people, it seems he was told that "this will be hard to sell"... so the plan was dropped. Instead, it was decided to release a "short story collection" of short manga that had been published at the same time . This is "The Dragon's School is on the Mountain: A Collection of Works by Ryoko Kui" published by East Press.

I was contacted by a few other people as well, but the two people I still keep in contact with are Mr. Hiroi and the editor at East Press.

-- When you went from drawing short stories and web comics to starting a commercial serialization, did you study anything like "how to draw a serialized work"?

Kui: I learned almost everything about how to draw manga from Mr. Hiroi and the editors and writers at Harta .

I had absolutely no understanding of whether panel layout was good or bad, so up until the middle of the serialization, I would rearrange the storyboards one panel at a time, and I would get lectured like "Don't put a panel like this here."

I was also impressed when I was shown original manuscripts by other artists. They look beautiful in print, but the real thing is even more impressive. This is what it means to be good at drawing manga.

It didn't finish as I expected

-- Speaking of "serialization," you mentioned earlier that you initially intended to end it at about volume 5. Did "Dungeon Meshi" continue longer than you had anticipated, Ms. Kui?

Kui: First of all, I didn't really understand what a "serialized" comic meant, so I didn't even know how much of a story I could get done in how many pages. So, I thought I could wrap up the story nicely in about five years, in five volumes.

But I never quite got around to finishing it. It was so hard... (laughs).

Hiroi: To be honest, when I first heard "Volume 5,"I thought to myself, "(Are you kidding me...?)" I didn't say it out loud though (laughs).

--Honestly, even as a reader, around the time of the fight with the Red Dragon in volumes 4 and 5 I was starting to feel like, "Huh? It seems like it's coming to an end soon..."

Kui: From the beginning, my goal was to "defeat the Red Dragon at the halfway point." However, I was supposed to fight the Red Dragon in Volume 4, even though it was supposed to be 5 volumes. So I thought, "Huh? It's not over yet," and I gradually lost interest.

By the time I got to around volume 10, I felt like no matter how much I drew, it would never end. I didn't want to drag it out, but no matter how much I drew, it just never seemed to finish.

Hiroi: Even from an editor's perspective, it seemed like Kui was getting very anxious from around volume 10 onwards.

-- Having finished the long-running serialization of "Dungeon Meshi," did you experience any changes in your mindset?

Kui: I think it was great to have the experience of learning that it would take 10 years to draw a story of this scale. And when I think about my lifespan and how many more works I can draw... it makes me dizzy.

Hiroi: I feel like I'm constantly fainting...

-- Ms. Kui, are there still any works you want to draw in your mind?

Kui: Not that much. But I love drawing manga, so I want to draw a lot. I don't know if I'll have the stamina to continue for another 10 volumes, but I want to continue working as a manga artist somehow.

But maybe... I don't think it will sell that well next time...

Hiroi: Stop! Don't say that!

Everyone: (laughs).

Kui: In that respect, "Dungeon Meshi" sold well, so I was able to draw what I had imagined to the end. Next time, I think it would be better to consider the opposite scenario of "if it doesn't sell" and make it shorter.

That's the next new challenge.

-- In addition to the expectations for your next work, do you feel any pressure?

Kui: In my case, the first collection of short stories I published was fairly well received. For a manga I drew for the first time, that's about it.

That was a relief, but at the same time, I felt that "Ideally, the reputation of my next work will also steadily increase, but there will definitely be ups and downs." If the reputation of the next work is bad, will I be able to continue drawing without getting discouraged? I realized that the "battle with myself" had just begun , and I was terrified when I read the first volume.

What game has cute illustrations, in your opinion?

Kui: This is a completely different topic, but you 've played SaGa Frontier 2 , haven't you? Aren't the pixel art in SaGa Frontier 2 really cute?

--The pixel art in SaGa Frontier 2 is...the best!

Kui: The illustrations in "SaGa Frontier 2" have such exquisite balance... if you try to express that in a picture, you can't reproduce that cuteness. It's like "exquisite head-to-body ratio."

-- In your opinion, Ms. Kui, are there any games that have cute illustrations?

Kui: The first one that comes to mind is definitely SaGa Frontier 2. Also, I still remember how cute the character designs were in Final Fantasy Tactics.

But back in the day, I used to trace characters from FF7 . I thought, "There are so many cool designs in the world..." (laughs).

Hiroi: Nomura (Tetsuya)'s drawings are amazing, aren't they?

Kui: I traced Cloud and Aerith on tracing paper and quietly said to myself, "So cool..." and got really excited. I noticed something while I was working on the "Dungeon Meshi" anime...basically, games and anime are made by many people, aren't they? So I always thought, "Many people must be giving various opinions to make them."

But when I got involved, I realized that one person's power is quite large. This was quite surprising. I thought that there were multiple people who wrote the script and storyboards, and that each person had their own responsibility, but... the power of one person is quite large.

──No matter how much the work is divided up, it's important to have a director or supervisor who brings it all together.

Kui: Yes, in the end, it depends on the power of the person who takes the lead ...

However, at the same time, I think that the division of labor between scriptwriting and storyboarding is something that would never be possible with manga. In the end, you have to create everything in one person's mind, so "bias" inevitably arises. So personally, I don't like the idea of ​​it becoming a "world created in one person's mind."

Hiroi: However, not only in manga but also in novels, the individual author's personality is strongly expressed. I wouldn't go so far as to say "ideology"... but the person's way of thinking is strongly expressed.

Kui: Speaking of which, people who create games alone, such as indie games, are amazing.

It's often said that manga artists "come up with everything, from the art to the story, all by themselves," but I don't think they can compete with independent game creators who create the music, programming, and art all by themselves.

Moreover, even more than manga, no one can give their opinion until the game is completed. If you think about it that way, making a game by yourself is really a "one-man battle." At the same time, what I like about games is that there are quite a few "works that are not made with much consideration for cost" ... I enjoy it a little bit.

-- Do you ever think, "I want to make a game?"

Kui: I once bought RPG Maker , but it ended up being a complete failure... (laughs).

Everyone: (laughs).

Love for "classic RPGs" was a major influence on "Dungeon Meshi"

-- I'd like to ask you, Ms. Kui, since you play a lot of titles on Steam and other platforms, have you ever had any problems playing a game?

Kui: Simply put, a "game that doesn't work" is a problem (laughs).

This sometimes happens with games made by individuals on Steam... they don't have any reviews, so there's no way to deal with it other than contacting them directly. There have been a few times when I've been stuck and wondered, "What should I do?"

Other times, I'll buy a title that just happens to pop up at the top of Steam's rankings. Sometimes I'll play it thinking, "The graphics are kind of cute, so I'll give it a try," only to find that it's incomplete beyond the framework.

--So now people are playing titles that aren't that major.

Kui: Also, when I played Planescape: Torment, which is said to have influenced Disco Elysium.

While playing, I came across a character who was suffering from a terrible curse that made his whole body smell and become sticky. A quest was triggered to ask the NPC who had cast the curse to lift it, but when I asked them to lift the curse, I ended up being cursed with a curse that made me have constant hiccups ...

So when I was walking around the town, the "hiccup" dialogue started popping up all the time. What's more, every time it happened, I would freeze up for about 0.1 seconds. All the dialogue was filled with "hiccups." Anyway, it was a troubling curse.

I had no idea how to deal with this either, so I decided to just kill the NPC who had put the curse on me. The NPC also challenged me by saying, "Maybe if you kill me, the curse will be lifted?", so I tried killing him, but... it didn't lift the curse at all (laughs).

Everyone: (laughs).

Kui: I thought maybe the quest would progress in other places, so I walked around here and there, but the curse was not lifted after all. I was really curious, so I looked back at overseas information exchange thread online, and I found someone had written a lecture that said "You know what happens if you kill an important NPC without thinking about it, right?"

So I realized that this curse can never be lifted again. Even if I wanted to rewind, it was an auto-save, so I had to go back almost to the beginning... I was really... in trouble!

-- But "Planescape: Torment" hits a pretty impressive spot. Was it something that just happened to catch your eye while you were browsing Steam?

Kui: I originally liked games in the same genre as Baldur's Gate, so I think that's how I got into Planescape.

Also, I saw information that a huge amount of text in Planescape was translated by one person... I'm not very good at English, and games like Planescape have a lot of text to begin with, so I'm at a loss if it's not translated into Japanese .

However, when extraordinary people like those who make Planescape use their precious time from their lives to accomplish great things, I feel very grateful.

-- So, Ms. Kui, do you prefer games that are closer to the classics?

Kui: That's right. The first game I played was The Elder Scrolls V: Skyrim, and it was so much fun that I searched for "games similar to Skyrim" and played a lot of the games that came up.

All of them were completely different games from Skyrim, but they were fun. However, I don't like "old games". I think that newer games are generally more polished and well-made.

-- Wizardry, which influenced Dungeon Meshi, is also a classic work.

Kui: When I was a child, I saw my father playing Wizardry V : The Heart of the Maelstrom. As time passed, I remembered that there was a game called Wizardry. The game I played at that time was Wizardry VI: Forbidden Pencil.

I also played Wizardry V , but it was hard to see the map unless I chanted a spell. I was directionally challenged, so even though I had a guidebook at hand, I couldn't progress.

--By the way, were you more interested in making a manga out of "Wizardry" than the tabletop RPG "D&D" ?

Kui: When I was researching fantasy, "D&D" was often mentioned... but I had never even heard of "TRPG" before. First of all, you can't play it without friends, and I was shocked to find out that lots of people have friends they can play with like this...!?

Everyone: (laughs).

Kui: So when I looked up TRPGs on Wikipedia, I couldn't imagine that people actually played this kind of game. I was more confused and thought, "How can people really role-play in front of other people?"

After that, I watched replay videos on YouTube and it was only then that I understood how games like D&D worked.

Games, manga, novels. What is the purpose of all creative works?

-- What was the last game you played?

Kui: Recently I played a school management game called "Let's School." It's made by a Chinese company that also made "My Time at Sandrock."

Hiroi: You really like that kind of game, don't you? (laughs) Oh? Haven't you played "FF7 Rebirth" ?

Kui: I'm thinking about playing the remake of FF7 once it's completed.

Hiroi: No, no, if we don't do it now, we'll never finish it! It'll be a long time before we do it!

--Honestly, I also thought it would take about 10 years for FF7 Rebirth to be released.

Hiroi: I thought it would take about that long too... I really wanted it to be completed while I could still see. So, please do it!

Kui: Once it's finished...I want to play it all at once (laughs).

--Do you and Ms. Kui often talk about games?

Hiroi: Ms. Kui sometimes says, "I want to talk about this game, so I want you to play it." I played "Red Dead Redemption" because of that. Also, a long time ago, Ms. Kui recommended "13 Sentinels: Aegis Rim."

Kui: Whenever there's a game I want to discuss with someone, I always recommend it to Hiroi.

But maybe I haven't been playing games as much lately. Until now, I've been playing games because I thought of it as "for work," but now that the serialization of Dungeon Meshi has ended, I've been playing less games.

Moreover, I'm not the type of person who gets that into one game...I don't generally play through a game in repeated playthroughs, and I'm usually satisfied once I've finished the story.

Hiroi: Then we have to start [a new ] serialization soon.

Everyone: (laughs).

-- I'd like to ask you personally, do you have any "recommended indie games"?

Kui: I highly recommend "Papers, Please" and "Return of the Obra Dinn."

First of all, "Papers, Please" is a simple "spot the difference" game, so I didn't have high expectations at first. But when I played it, I felt like there was a proper "world" to it . Also, I was curious to see how the story continued.

And "Return of the Obra Dinn" had a great atmosphere. There were hints to solving the puzzles if you looked closely, but there was also a good balance of being able to force your way through, and the music and production were cool.

Hiroi: Come to think of it, you read quite a bit of the novel after the serialization ended, didn't you?

Kui: Ah, you mean "1984" by George Orwell? That was good...

I've always thought that creativity isn't necessary for life... It's entertainment, so it's not essential to life. But after reading "1984," I thought, "I guess creativity is necessary after all."

Humans need stories to experience things that should never come true, to prepare for bad things, and to prepare for understanding other people... You might think, "You should have already learned that when you were younger," but I was deeply moved by this realization.

Anyway, I feel that it would be great if people could learn things they didn't know before through this work.

Hiroi: ...Overall, it just felt like we had a fun time talking about games (laughs).

Kui: We just used the interview as an excuse to talk about the game (laughs).

-- No no, thank you very much for sharing your valuable story! (End)

I think I can understand a little bit about being interested in things you hate.

It's easy to analyze "why do you like something?" when you like it, but it's surprisingly difficult to analyze "why do you dislike something?" When you understand the reason, it seems that "why do you dislike it" is often more meaningful.

Perhaps creative works exist in part to help us understand the things we dislike.

I was able to hear a lot of deep "creation stories" that made me think about such things. Also, Ms. Kui is a huge gamer. Mr. Hiroi also likes games quite a bit. Since serious talk and game discussions alternated, the content may have been emotionally confusing. But I feel like "Dungeon Meshi" has a similar atmosphere.

If you haven't read "Dungeon Meshi," please take this opportunity to read it. It depicts a fun adventure. On top of that, it may help you prepare for difficult things that might happen in your life someday. Of course, it's also extremely interesting as a manga. I think it's definitely one of the best "entertainment" of our time.

Why does the body want to live? What does the mind want?

This is because we have a "desire" to pursue what we like and dislike. In fact, "things we dislike" are just as important as "things we like." By understanding our own "likes and dislikes" through creative works and entertainment, humans can prepare for things that happen in their future lives. Food and creative works are equally important for human growth.

...That said, I'm not sure if it has a nice punchline, or maybe not.

To eat. To experience creative works. These are truly the privileges of life. In order to live, we must continue to eat.

Now it's time to eat. What shall we eat today?

[dapg-otmebytheballs]

Reblogging after having reblogged previous posts on the matter so people can scroll down easier to find them

See, when other fans in our spaces don't back us up, don't engage in dialogue with us about general racism and orientalism, treat our posts talking about our issues as something to politely avoid and wait till it's old news etc, the fandom gets emboldened about saying hateful shit to us, about saying racist shit to us, and a lot more. And that's a collective responsibility, because people are feeling emboldened in your communities to be mask off racist and hateful, and you're being a bystander

I won't hide the name, because this person has come into my inbox to be hateful, you wanna be hateful you get blasted, that's on you. But I sure as hell am I gonna post that fucking sticker a thousand times more now since clearly not enough of you have seen it. Since clearly too many people are still hoping they can stay quite and vague about it and be seen as neither controversial not problematic, nice safe space in the middle there. Well, I'm not feeling particularly safe in your spaces but hey, I like to look on the positive side of things, at least all this has shown me who my allies are and who are completely fine letting this behaviour carry on, which at least is safer than to be left guessing.

Be better for fuck's sake, if there's people in your community on your posts on your tags etc etc feeling comfortable enough saying racist shit and sending hate to poc fans over pointing out racist behaviours maybe you should consider that vague posts about the general spectre of "racism" aren't gonna cut it with the solidarity when you avoid us like the plague while we talk directly about racism in this community. You're showing your face, no matter how much you think you may be flying under the radar rn

[astonmartinii]

forever and a day | oscar piastri social media au

pairing: oscar piastri x fem long distance reader

nothing can separate them, except maybe 9,000 miles and a couple of oceans.

MASTERLIST | TIP JAR

oscarpiastri

liked by logansargeant, landonorris and 893,209 others

tagged: yourusername

oscarpiastri: finally back in the homeland and reunited with my girl

view all comments

user1: oscary/n nation we are so back

user2: australia always does us so well

yourusername: can you convince mclaren that they should keep paying for our dates

oscarpiastri: i think we were technically working

yourusername: were we? it never feels like work being with you

oscarpiastri: you didn't notice all of the people around us and filming us?

yourusername: i only have eyes for you osc, we know this

oscarpiastri: hehehhehehehee

yourusername: also i have to completely commit you to memory before you fuck off for another couple of months

oscarpiastri: you could always just come with me

yourusername: let me get my degree first, one of us has to be educated osc

oscarpiastri: i have my a-levels? lando doesn't even have gcses

landonorris: why am i catching a stray?

yourusername: because my boyf is smart

landonorris: i've got street smarts ���

oscarpiastri: you've been catfished like five times already and nearly had your bank details stole?

landonorris: well ... i like to see the best in people?

user3: thank you mclaren for giving us the oscar and y/n content

user4: and the proof that love still exists

user5: terminally lonely girls block mclaren, oscar and y/n.- it's for your mental health

user6: or if you have commitment issues this is some good exposure therapy

logansargeant: oh who did you force to be your photographer this time?

yourusername: you never learnt reading comprehension in school?

logansargeant: i can read i just choose not to read the soppy shit you and oscar say to each other

oscarpiastri: leave us alone

yourusername: you have a problem with us no matter what 🤨

logansargeant: do NOT make me the bad guy for complaining about hearing your guys' sexy time

oscarpiastri: we spend A LOT of time away from each other

yourusername: and by the sounds of it, you could learn a lot

logansargeant: you know what WHATEVER

user7: they terrorise logan so much from opposite sides of the world, pray for him when she can travel with oscar

yourusername

liked by oscarpiastri, landonorris and 83,409 others

yourusername: i love any piece of you osc but the separation anxiety is kicking my ass

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user9: oscar gave y/n a plush of himself

user10: no cause he's literally such a black cat

yourusername: he blushes just like that as well

user11: oh really?

user12: want to share with the class

yourusername: that's for my eyes only

oscarpiastri: i'm glad he got to you safely

yourusername: i just about tackled the postman 😔

oscarpiastri: poor graham, we should get him a better christmas gift this year

yourusername: yeah sorry graham but you sprayed the kitty with your cologne and i can't be held responsible for my feral behaviour

user13: they get their postman christmas gifts?

user14: they have the same postman?

user15: yes, y/n lives with his family

user16: really?

yourusername: they can't get rid of me

oscarpiastri: they also love her as much as i do (literally, i have to fight my sisters to spend time with y/n)

landonorris: so this is why we were waiting so long for you at the airport

oscarpiastri: well, yes. it's very important i get y/n a souvenir

landonorris: i could've slept for like an hour longer?

yourusername: just because you don't understand true romance lando 🤨

landonorris: i know romance!

yourusername: maccies in a hotel room is not romance

landonorris: you guys are just freaks about each other that's not my fault

user17: y/n hanging out with oscar's sisters is so precious

user18: if they aren't married soon i will no longer believe in love

user19: they're 23?

user20: tbf i forget that because they've been together since they were like 15

logansargeant

liked by yourusername, oscarpiastri and 351,904 others

tagged: oscarpiastri

logansargeant: oscar forced me to post this so y/n could 'remember how hot he is while he's away at war'

view all comments

user21: oh wow... thank you logan!

user22: this is not exactly what i was expecting when i opened instagram but alas i'm not complaining

yourusername: WOOF WOOF WOOF

oscarpiastri: 🤭🤭🤭

logansargeant: someone please remind me why i'm friends with you two

yourusername: because we're your only friends?

yourusername: wait sorry that was mean

yourusername: i just get protective

logansargeant: you're telling me 🤨

oscarpiastri: i'm swooning 🥰🩷

logansargeant: i give up

alexalbon: why am i a part of this oscar thirst trap? why are you posting a thirst trap of oscar?

yourusername: HE'S A GOOD FRIEND

alexalbon: i didn't consent to be part of your weird long distance lust

yourusername: oh girl ain't no one looking at you when oscar is there

alexalbon: you know what you're mean :( i want you to stay in australia

yourusername: i promise i'm a lot nicer when i'm with osc, the distance makes me cranky

alexalbon: i see, remind me to never take oscar out in a race

logansargeant: i think that's wise - i heard her yelling down the phone about carlos

yourusername: i had to block him to stop myself

user23: i am honestly so confused

user24: i think we just let them do it, we'll never understand

landonorris: do NOT ask me to do this @oscarpiastri

yourusername: booooooo you're such a debbie downer

oscarpiastri: he's just s fuckboy he doesn't understand

landonorris: i don't think i'll ever understand you two

yourusername

liked by logansargeant, oscarpiastri and 119,056 others

yourusername: one degree hotter xx

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user26: fucking finally now we can get y/n in the paddock every weekend

liked by oscarpiastri

user27: mclaren social media team seen celebrating just as much

oscarpiastri: and i didn't think it was possible for you to get any hotter

yourusername: maybe a piastri jersey?

oscarpiastri: and a ring?

yourusername: AHHHHHHHHHHHHHHHH

yourusername: you know i'll never say no to that

yourusername: do nOT propose through an instagram comment oscar - nicole

oscarpiastri: noted 😔

yourusername: but name the time and the place and i'll be there baby

user28: so we could defo get a y/noscar proposal this season

user29: i would be so insufferable it's unbelievable

user30: the way i just know it was killing oscar not being able to go

user31: did you guys see the kicked dog eyes in the paddock yesterday 😭😭😭

oscarpiastri: they had to force me on the plane

landonorris: no they legit were about to call mick or pato

user32: did y/n convince you to not run away to australia?

oscarpiastri: maybe ....

charles_leclerc: ummmmm who is this oscar? why hasn't your father been introduced?

yourusername: HI

oscarpiastri: y/n is the love of my life and you SHOULD be able to meet her next race weekend

yourusername: so have i also got another father-in-law?

charles_leclerc: you seem to terrorise the other drivers a lot so - yeah!

yourusername: at your service (unless it's you hitting oscar, then there's no MERCY)

charles_leclerc: okay you are kinda scary wtf

oscarpiastri

liked by alexalbon, yourusername and 1,203,677 others

tagged: yourusername

oscarpiastri: unbelievably proud of you and everything you've done darling. i'm so sorry i couldn't be there to celebrate with you, but i'll make it up to you before you know it xx

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user33: oh to be loved like this

user34: they make me feel lonely like the world apart i can only imagine how insane it'll be when they're back together 24/7

yourusername: i love you so so so much osc. you've done more than you could know by supporting me through my education. we have the rest of our lives to be together, so don't beat yourself about it now

oscarpiastri: but i'm so proud of you and just wanted to be there to celebrate you :(

yourusername: osc i can feel you pouting through the screen baby

landonorris: he really is and it's kinda annoyingly cute

yourusername: of course it's cute it's oscar 🙄

landonorris: right so i'll take back my congratulations then

yourusername: FINE BY ME

user35: obsessed with how y/n and lando already have this weird sibling bond

user36: it's the weird relationship that you kind of love between your gf and friend

user37: it's all cute until they actually fight

yourusername: if he makes any wrong step against oscar i'll crush that loser

landonorris: ahhaaha funny joke

yourusername: you're a 5'5 twig, i could snap you in half

user38: i need them to recreate the last photo when oscar wins his first race

user39: i think pinterest would explode

yourusername: no but no joke, i love you so much osc and i can't wait to start the new chapter of our life

oscarpiastri: i love you too xx

oscarpiastri: sorry to my sisters but they're losing their live in stylist because you're never ever leaving me ever again

oscarpiastri: that makes me sound like a possessive asshole but i just have attachment issues

yourusername: no these years since you started in f3 have been actual hell without you and i never want to leave your side again

yourusername: i just love watching you do what you love

oscarpiastri: i'll always love you more

user40: who's chopping onions wtf

user41: i'm invoicing them for my therapy

mclarenf1

liked by fredvesti, arthurleclerc and 1,256,046 others

tagged: yourusername

mclarenf1: don't tell oscar but we've got a surprise guest for him 🤫

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user45: take me out back and shoot me please and thank you

user46: so real of you

landonorris: is this why his phone is currently hidden in my drivers room?

mclarenf1: maybe ...

landonorris: if he fights me for it that's on you guys

mclarenf1: wait admin has just realised you definitely shouldn't be on your phone

landonorris: LOL

user47: mclaren you better not fuck this race for oscar because i need my big rom com ending kiss in parc ferme

user48: omg romance writers do i have a plot for you

user49: the way this would seem so unrealistic if i read it in a book but these fools really have been together for like eight years and are unbelievably in love

yourusername: heheheheh thanks for flying me out on such late notice xx

mclarenf1: no worries queen

yourusername: you guys better be on top form, you can't hide from me in the garage

mclarenf1: hahahaha 😅😅😅

user50: is y/n the reincarnation of nicole scherzinger? like a wag that goes fucking mental

user51: and wears team merch with pride

yourusername: nicole is a queen (thank you for one direction queen) but you guys do not want me on the microphone

user52: you and oscar karaoke? please?

yourusername: we once did breaking free together but you'll have to bother logan for that video

user53: OSCAR PLEASE WIN AND DO DRUNK KARAOKE

oscarpiastri

liked by landonorris, yourusername and 1,556,308 others

tagged: yourusername

oscarpiastri: i told you she was my lucky charm. overjoyed to get my first win, it's a dream come true and to have the love of my life with me makes it even sweeter. y/n, i'll love you forever and a day x

view all comments

user54: CONGRATS OSCAR 🧡🧡🧡

user55: i'm having such a proud mum moment

user56: tears in my eyes

user57: not as much as y/n that girl was going THROUGH IT

user58: we need her mascara, cause that shit didn't budge

yourusername: I AM SO FUCKING PROUD OF YOU OSCAR

yourusername: I LOVE YOU SO MUCH

yourusername: AND THANK YOU FOR WAITING FOR ME TO BE AT A RACE TO WIN

oscarpiastri: i guess i just knew in my bones you were here and simply had to win

oscarpiastri: i just wanted to see you so bad that i drove the fastest to the finish line

yourusername: well tell them to hurry up and debrief so we can celebrate 👀

oscarpiastri: ON MY WAY

user59: maybe we will get that karaoke?

logansargeant: congrats bro! @landonorris i hope you brought some ear plugs, if not you might want to start drinking now

landonorris: SOMEONE GET ME A DRINK STAT

yourusername: i'll personally buy you a drink because i'm going to rock his world tonight

oscarpiastri: 😎😎😎

landonorris: and here i thought you were my little innocent teammate

yourusername: there's nothing little about him

landonorris: EWWWW GET THE FUCK OUT OF MY FACE

yourusername: all celebrations aside, i'm so proud and i'll love you forever and always x

oscarpiastri: it's always been you and it will always be you

yourusername: i love you

oscarpiastri: i love you too

fin.

note: WOOOOOOOOOO OSCAR!!! (i'm ignoring everything else to do with the race, oscar is my king)

[three--rings]

One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.

It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.

I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.

But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.

We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)

And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.

Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.

The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.

In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.

And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.

But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.

That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.

Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.

Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.

So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.

But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.