#and i'm someone who doesn't easily forget

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[eiralunaire]

Headcanons of Damian Wayne. Part Two.

12. His Confusion About Love (But He Feels It Intensely).

Damian never understood how others could talk about love so easily. In his world, love wasn't a priority: it had always been training, fighting, and controlling. But with his girlfriend, things were different. Sometimes, in the midst of his emotional intensity, he didn't know how to handle his feelings. While he remained stoic on the outside, inside his head kept spinning: *“Is this love? Is it normal to want to be with someone all the time? It shouldn't be so complicated...”* However, what he did know, for sure, was that he had never felt something so strong for another person.

13. The Typical, but Different.

Although Damian is a reserved guy and doesn't usually make the typical romantic gestures, when he's with her, he feels weird, but happy to try. For example, one day, without warning, he takes her to an art exhibition that he knows she's interested in, or invites her to a park to see the stars, even if to him it all sounds a bit cheesy. He does it because he knows she likes it, and if it's something that makes her smile, then it's a worthwhile effort. Sometimes he catches himself thinking that, somehow, those little moments can be more important than a fight or a mission.

14. The Warrior Prince's Insecurity.

Even though Damian never says it out loud, there are times when he feels like he's not enough for his girlfriend. It's not because she's done anything to provoke him, but because, deep down, he can't help but compare himself to the perfection of what he thinks he should be. The son of Batman. The leader of the League of Assassins. The best fighter. And yet, sometimes, he feels out of place when he's by her side, because she has that ability to be light, cheerful, and genuine. He, on the other hand, is so used to carrying the weight of the world that it's hard for him to open up completely. But as she accepts him for who he is, he begins to learn that he doesn't need to be perfect to be enough for her.

15. Simple Details (That He Would Never Forget).

Damien is great at noticing details, and it's not just because he learned it as part of his training. In the case of his girlfriend, he pays attention to the little things that, to her, might seem insignificant: the brand of her perfume, the way she strokes her hair when she's nervous, or how she always has a habit of putting her coffee cup in an exact position on the table. While he won't say it out loud, Damian likes to know that, in those moments, he has a kind of silent power. Not just because he protects her, but because he understands what makes her who she is.

16. Escaping the Darkness Together.

Deep down, Damian is aware of the shadows that haunt him. The darkness of his family, of his training, of everything that comes with being the son of Bruce Wayne and Ra’s al Ghul. But in his girlfriend, he finds something that has nothing to do with that. With her, he can just be Damian: a boy who is falling in love, a boy who feels… good, without having to be the assassin or the leader of the League of Assassins. He likes how she gives him space to be himself, how she is able to bring something as essential as fresh air to his life, even when everything he knows is shrouded in layers of gray and complexity. With her, he feels less trapped in his destiny.

17. Any Excuse is Good to Be Near.

Damian is not the type to go out of his way for texts or calls, but when he is on a mission or out, he always finds the perfect excuse to send a message, even if it is just to say *"I'm here, everything is okay."* It is hard for him to admit it, but he needs to know that she is okay, that she is not alone. If she ever mentions something that's bothering her, he'll think about it for hours, searching for a way to fix it, even if it's something as small as the fact that she's out of his favorite marshmallows.

18. "Don't Let Me Go"

Sometimes, when the situation gets more tense or they're on a mission, Damian has moments where he unintentionally shows a more vulnerable side. "Don't let me go alone," he tells her quietly. He doesn't do it to sound weak, but because he doesn't want to face danger without her nearby. The funny thing is that, despite his image of a strong man, those moments serve to remind him that he doesn't always have to carry all the weight of the world. With her, he has an ally, and that's more than he ever thought he could have.

20. His Way of Saying "I Love You".

Damian would never say those two words in a conventional way. For him, love is not expressed with phrases. It is expressed with actions. It may be that, at the end of a long day, he surprises her with a cup of her favorite tea, or that he defends her from anything that bothers her without her asking. And when he finally says it, if the time comes, it will be something like, "I don't care what happens, but I will never let you get hurt." Because, in a way, that is his way of being vulnerable, of saying what he feels without saying it directly.

21. Being Together Is The Only Thing That Matters.

In moments of calm, when they are at home, everything else disappears. It doesn't matter what happened during the day, or the battles that Damian has faced. The only thing that matters is being near her. Whether it's watching a movie, having a coffee in silence or just talking about any nonsense, he values ​​those moments of simplicity. And although he never says it, in his mind, those are the moments that really make it all worth it. Being with her is his way of escaping, and despite all the chaos that surrounds him, he knows that, finally, he has something that truly belongs to him.

[genderqueerdykes]

seeing you're endo posts really got me thinking. why is it so hard for people to realize that the physiciatric system is just as flawed as the health care and justice system? obviously there are many posts about it, but it never seems to be as big an issue for people for some reason? iykwim? or maybe im just not in the right places to see it? thoughts?

you nailed my point dead on: the psychiatric system is extremely flawed, and is just as out for profit as any other part of the modern medical industry. like yes, individual doctors, nurses, assistants, therapists, technicians can all be amazing, wonderful people with compassion who treat their patients right. however, the industry itself does not care about that. at all

the psychiatric industry is literally there for profit. that's it. that's all. it's not there so that we can actually study psychology and learn more about the human brain. it's about making as much money as possible. like i really can't stress that medical studies *have* to allocate funds in order to be conducted. they don't just happen because doctors want them to. there has to be some kind of funding, and if it doesn't seem like it's gonna turn a profit down the road, it's just not gonna get funded.

psychiatric hospitals in specific can be really brutal to people who don't have health insurance, but have been forced into psychiatric care. like i feel like people forget that still, to this day, people can be and are forced into therapy, psychiatric hospital stays, and more, against their will. if someone is considered "a danger to themselves or others," which is an extremely vague concept that can easily be skewed to screw someone over, they can be forced into psychiatric "care" without any stance in the matter. like, y'all, some people are committed to psychiatric facilities for life, whether or not they feel it's necessary. this complex is not our friend.

i'm glad you sent this message because thank you, i'm glad to hear that you understand exactly what i'm trying to put down.

[bibliophilicstranger]

I investigated the TV trope page and noted something you may have missed: there are numerous examples of the same trope far predating the Harry Potter series. The idea of turning a good character bad for one reason or another, including for shipping, is not a new one. It wasn't started by Harmony fans. Someone could easily have named the same trope The Roman's Odysseus, Zeus the Rapist, or Raoul the Alcoholic. The trope may have been used by Harmony fans, and the existence of those fics may have given the name to the trope, but frankly that says more about the media preferences of the people writing the article. If I had to guess, it was created during the heyday of Harry Potter, as that coincides with when TV Tropes was getting popular (there are approximately 24 pages with Harry Potter-related titles, three of which, including "Ron the Death Eater," are fanon terms). Based on the current Trope-naming guidelines, were the same page created today it might well not mention a character at all but be named "Good Guys Go Bad."

I'm going to have to ask you to provide some kind of credible article on Harmony shippers sending death threats as unfortunately Rowling gets so many of them that my searches are turning up more recent events. Were that to be true it would be unfortunate. Disappointment is warranted, and the expression of that disappointment is allowed, but one should not send death threats, especially not over this.

I can't comment on "classist body shaming and look shaming comments" as I've never seen those particular attacks made. Unless you're referring to the bit from canon where he's got dirt on his nose? Ron is canonically tall and thin-- who on earth is body shaming him for that? And in comparison to whom? Harry is also skinny, with knobby knees.

Attacking Harmony shippers for their reading comprehension is another ad hominem attack and I must request that you desist on that front. For one, it's inaccurate to say that someone who ships Harmony lacks reading comprehension. Reading comprehension is simply the ability to read a text, process it, and understand its meaning. Two people can have equally good reading comprehension but reach a different understanding of the text by focusing on different aspects or bringing different theories to bear.

You seem to adhere to the opposites-attract, pigtail-pulling-is-cute, antagonistic-bickering-is-a-sign-of-attraction school. I concede that is a common enough trope of its own. You focus on the expressions of jealousy toward other romantic interests, the virulence of their squabbles and the explicit details provided. The very things you seem to favor, the "love-hate relationship" are the same things which concern Harmony fans, who worry that such a relationship would ultimately be unhealthy and devolve into domestic violence. If the 'hate' part of love-hate got significantly better over time, then it wouldn't be as much of an issue, but as late as book six Hermione has escalated from trading insults with Ron to sending birds to attack him. In book seven, when Ron returns Hermione punches him, yells at him, and wants her wand to curse him. We don't see them practicing a lot of healthy conflict resolution-- Hermione rightfully bears a grudge that doesn't seem to be resolved until after they visit the Lovegoods, and we don't see them have a discussion where they talk it out as much as they just go through another particularly dangerous event and it makes them ignore and forget any previous conflict-- just like books one and three. Once they're no longer fighting trolls, death eaters, and Voldemort, can Hermione and Ron actually resolve their disagreements?

In contrast, I, and many other Harmony fans, look for exchanges of support and comfort, understanding one another, prioritizing one another. I look at details such as Hermione's words to Harry in the Potions Challenge in book one, her bringing him toast the morning after the Triwizard champions are selected in book four, and his trust in her and prioritization of her desires in book five. There are also the details in book six of Harry comforting Hermione and talking her up to Slughorn and her comforting him in book seven when they visit the Potters' grave or when they learn about Dumbledore. There are a variety of times where they display compatibility by knowing what one another is thinking, or how they're likely to act. While Harry and Hermione do argue, they still treat each other with respect and even while at odds Harry usually acknowledges that Hermione's position is well-meaning. There are other examples where he expresses anger around her, but acknowledges he's not angry at her, but the situation or other people.

Before the explicit introduction of romance in book six, there were only hints in either direction. Even after book six, there was a chance that any romance or attraction wouldn't last. There are many couples who make it through all of high school only to break up as they get older. A first attraction between Ron and Hermione could have flared and burnt out, and Harry and Hermione could have gotten together in the end. Neither Harry's attraction to Cho nor Ron's to Lavender lasted, after all.

Now for the Ginny "fanfic" you mentioned. Are you talking about the forum post of that name from twenty years ago? The one that's not a fanfic, but a conception of ways that Ginny could be removed in book seven? That only actually has only 196 ways? I'll grant you they're not the most tasteful, but this has been done for many characters over the years, including Hermione, Draco, and Edward Cullen.

I'd disagree about who the most toxic people in the fandom are. You yourself reblogged a post acknowledging the toxicity of the Romione fans. In addition to having seen numerous attacks on Harmony fans by Romione fans (including yourself), I've often seen incredibly toxic behavior from Marauders era fans (ex: 1 2 3), especially the ones who ignore most of canon. I think there has been a decent amount of hatred towards Tonks and Remadora (ex: 1, 2, 3) but it's also easy for most Wolfstar shippers to ignore her existence, considering most Wolfstar occurs before the Remadora relationship is even remotely possible. I can't be bothered to expose myself to HarryxDeathEater ships to find examples of them being abusive to Ginny-- I have most of those tags blocked-- but I'm fairly certain Drarry fans have engaged in just as much Ginny bashing and the use of that love-potion trope you don't like.

Accusing someone of "playing the victim card" is a common form of gaslighting and I suggest you remove it from your vocabulary before your erroneous use causes harm. You're also applying it in a situation where it's false. To play the victim card, one must be fabricating or exaggerating victimhood. To see two asks where someone called me a bitch, look here and here. I've deleted others. Here's an out of the blue attack on Lily and here and here are some against Hermione. In your above response you validated what I said about attacks on reading comprehension, but here's another example. And here's the call for negativity against Harmony shippers. As you can see, these are neither fabrications, nor exaggerations and therefore your accusation is false.

Further, you would really rather preach that all Harmony shippers should accept being victims of cruelty, simply because some may have engaged in negative behavior in the past (and a past that in some cases is twenty years and a whole generation of fans ago)? That seems a rather slippery slope, don't you think? It's thinking like that which has synagogues in Canada and Australia firebombed, when those with particular views on Israel/Palestine attack all Jews over their disagreement with the Israeli government, even when those Jews have no say in what the Israeli government does. It's one thing to disagree with a particular person holding views you don't like, it's another to call for an attack on all shippers. Such an attitude only perpetuates toxicity in fandom.

Defend your ship if you like, but if you want a less toxic fandom, constrain yourself to arguing over the text. After all, don't you want to sow positivity for yourself, lest you dislike what you reap?

There is one thing in common with the PeterMJ (Spider-Man/Marvel) and Romione (Harry Potter) shippers; both of their pairings are 'canon' and have everything going for them thanks to favoritism by the author (J.K. Rowling)/ comic writers (Marvel). Despite all that, these

'canon' shippers aren't satisfied with having an already huge following and seek/continue to tear down on other ships (Harmione & PeterGwen) just to push their pairings to front and center. People like these are why we hate fandoms.

I can't comment on the Marvel portion of this ask as my knowledge of that universe is limited in scope and I'm not an active member of its fandom.

As for the Harry Potter part...

I think Romione fans have the issue that while their pairing is canon, it's not well developed in the text (very few pairings in Harry Potter are). We're told that they get together, marry, and have children, yet we don't actually see a lot of development of the relationship blocks that would support the longevity of their marriage. Yes, they went through the war together (although Ron abandoned them for a good portion of that) and yes they were friends, but their friendship was highly contentious and they spent significant portions of each year not speaking to one another or not hanging out (first year before they were friends, second year when she was petrified, most of third year, part of fourth where Hermione was more with Harry, part of sixth year, and part of seventh). Now, technically, first and second year don't count, but honestly, the only year they spend the entirety of together where they don't have a major fight is their fifth year. We know they like each other from Hermione's actions in book six and Ron's in seven, but we don't really see why they do, why that would turn into love rather than a teenage crush, or why they'd make it as adults.

Supposedly Hermione likes Ron because he's funny. Supposedly Hermione's maturity makes up for Ron's lack and he gets her to open up. While there's something to her liking someone who can lighten things up, if that's all then she could just as easily have liked one of the Weasley Twins instead. As a Hermione-type myself, I've often liked guys who were funny, but them being funny isn't enough. The guy I dated when I was 17 was funny, but he also lacked drive and dedication and in the end that made us incompatible in the long-run. Yeah, it's nice to have friends that can make you laugh, but in a partner for life you want someone you don't have to nag all the time when you need them to do something.

We also know that JKR admitted that Romione was her personal wish-fulfilment, clinging to her original idea of the plot, whatever that was, rather than a natural outcome of what she actually wrote. She also said they'd have needed counseling and their relationship was further questioned in the Cursed Child.

This puts Romione shippers on a weaker footing than most canon-pair shippers in other fandoms, making them defensive. Yes, they have the benefit of canon, but not the textual support, other than 'well, our people got married.' They can be threatened by Harmony supporters, who have fairly well crafted arguments grounded in the text for why Harry and Hermione make sense as a pairing. This makes Harmony a greater threat than pairings which are more loosely grounded in the books: Dramione, for instance, is never going to happen in a close-to-canon universe, but it takes very few tweaks to make Harmony work. Additionally, many of the arguments used in favor of Romione are equally as powerful for Harmony, such as the length of their friendship. Indeed, many of the arguments regarding Hermione's feelings for Harry specifically are a lot stronger, because we do see instances where she chooses Harry over Ron, such as in the seventh book.

It is unfortunate that these tend to become rather nasty fights that devolve into personal attacks on the sanity, demeanor, or reading comprehension of the Harmony shipper. I've seen many people go after another Harmony shipper on here pretty nastily, and I've heard tiktok and instagram are worse. Some screenshots I've seen are basically Romione shippers vowing to spread negativity about Harmony just because they don't like some of the fanfic people have written. As if it weren't possible to just, you know, not read the fanfic you don't like.

It would be nice not to get people randomly calling me a bitch in my inbox, but you know, such is life. I don't know if they dislike me more for shipping Harmony or Jily at this point but I really don't care.

[winesvein]

May arrives gently; she's perfumed like Aphrodite's gardens. I shouldn't still wonder after anyone who thought I wasn't enough. Spring is slowly becoming Summer and I should be on the rooftops, waltzing with my lover under Diana's gaze. I should be in my own arms, greedy, greedy, greedy, greedy, greedy, desperately greedy with myself.

—Kali

[ame-to-ame]

there are things that you don't do for a year or more and pick up just right where you left off and these days i fear loving you might be one of them

[louisa-gc]

how to start reading again

from someone who was a voracious reader until high school and is now getting back into it in her twenties.

start with an old favourite. even though it felt a little silly, i re-read the harry potter series one christmas and it wiped away my worry that i wasn't capable of reading anymore. they are long books, but i was still able to get completely immersed and to read just as fast as i had years and years ago.

don't be afraid of "easier" books. before high school i was reading the french existentialists, but when getting back into reading, i picked up lucinda riley and sally rooney. not my favourite authors by far, but easier to read while not being totally terrible. i needed to remind myself that only choosing classics would not make me a better or smarter person. if a book requires a slower pace of reading to be understood, it's easier to just drop it, which is exactly what i wanted to avoid at first.

go for essays and short stories. no need to explain this one: the shorter the whole, the less daunting it is. i definitely avoided all books over 350 pages at first and stuck to essay collections until i suddenly devoured donna tartt's goldfinch.

remember it's okay not to finish. i was one of those people who finished every book they started, but not anymore! if i pick up a book at the library and after a few chapters realise i'd rather not read it, i just return it. (another good reason to use your local library! no money spent on books you might end up disliking.)

analyse — or don't. some people enjoy reading more when they take notes or really stop to think about the contents. for me, at first, it was more important to build the habit of reading, and the thought of analysing what i read felt daunting. once i let go of that expectation, i realised i naturally analyse and process what i read anyway.

read when you would usually use your phone. just as i did when i was a child, i try to read when eating, in the bathroom, on public transport, right before sleeping. i even read when i walk, because that's normally a time i stare at my screen anyway. those few pages you read when you brush your teeth and wait for a friend very quickly stack up.

finish the chapter. if you have time, try to finish the part you're reading before closing the book. usually i find i actually don't want to stop reading once i get to the end of a chapter — and if i do, it feels like a good place to pick up again later.

try different languages. i was quickly approaching a reading slump towards the end of my exchange year, until i realised i had only had access to books in english and that, despite my fluency, i was tired of the language. so as soon as i got back home i started picking up books in my native tongue, which made reading feel much easier and more fun again! after some nine months, i'm starting to read in english again without it feeling like a huge task.

forget what's popular. i thought social media would be a fun way to find interesting books to read, but i quickly grew frustrated after hating every single book i picked up on some influencer's recommendation. it's certainly more time-consuming to find new books on your own, but this way i don't despise every novel i pick up.

remember it isn't about quantity. the online book community's endless posts about reading 150 books each year or 6 books in a single day easily make us feel like we're slow, bad readers, but here's the thing: it does not matter at all how many books you read or what your reading pace is. we all lead different lives, just be proud of yourself for reading at all!

stop stressing about it. we all know why reading is important, and since the pandemic reading has become an even more popular hobby than it was before (which is wonderful!). however, there's no need to force yourself to be "a reader". pick up a book every now and then and keep reading if you enjoy it, but not reading regularly doesn't make you any less of a good person. i find the pressure to become "a person who reads" or to rediscover my inner bookworm only distances me from the very act of reading.

[snakes-and-fluff]

Yukari from Persona 3 & Mahiru from Milgram - both are judged way more harshly than if they were guys. Yukari is one of the best-written characters I've ever seen and Mahiru in no way deserved that T1 Guilty people were making up wild stories about what might have happened based on nothing.

You can’t win as a woman in fiction. Be too positive, you become a Mary Sue, have flaws and those flaws are why almost nobody likes you. Be moderate, you have wet-cabbage personality, be exuberant, you are an unrealistic example. Have strong morals, and you’re badly developed, be morally corrupt and you’re hated with such vigour fans will send hate mail to the actress who plays the character. Be kind and soft and in love, you’re a representation of sexism, be cruel, harsh and cold and you’re just a bitch. Be a complex, realistic, ambiguous character, and either your flaws or your positive traits will be ignored or blown out of proportion and into oblivion. There is no winning for female characters.

[asstrolo]

astrology observations for sad people

— the signs who I personally believe are really misunderstood by their peers are often capricorns and aquarius because of their saturnian tendencies where they become the mature, bigger person or are aloof of how they're presenting themselves, they always think they know better or people feel very intimidated by their personalities and, because people don't understand them, they alienate them,

— aries and scorpio as they are very intense, over confident people, other's might feel put-off by them, they can be very controlling and have a "I don't care" kind of personality that doesn't usually goes well with others, their ways of always trying to make themselves clear and understood causes the opposite effect, they are often misjudged as villainous or mean,

— geminis are also put in a place of having to know better, not given a chance or space to mess up as they are very intelligent people and show it, others might have big expectations which are often not met since they prefer to do what makes them happy and makes them curious, they tend to over-inflate themselves, or the opposite, and people take their words too seriously or not at all, very polarizing sign.

— a stellium in 4th can be super difficult to deal with, specially if it falls on not easy planets like mars, or saturn, uranus, or pluto. These people are always dragged back to their family issues no matter how much they try to escape, their parents maybe gave them too much responsibilities as little kids or vented to their child without thinking of the consequences, if these people ever decide to have a family they should always consider if they're doing it because they want to or because it is what's expected of them.

— chiron in social signs as gemini, aquarius and libra feel very alienated at all times, having social interactions is a learning experience for them, whether is good or bad, I also notice people usually get obsessed with them? They don't respect these people¡s space or it could be the other way around, to me is a placement where you'll learn to not be socially inept or teach people how to treat you right for some reason?

— saturn IS a complicated planet, it depends on the person's other planets and aspects how they deal with saturn, a person with moon conjuct saturn has a harder time dealing with their emotions than a capricorn moon. Even when the energies are similar, they don't have the same impact.

— now, a person with a capricornian stellium or dominant does deal with the saturn energy much comfortably than a person with sun trine saturn, because they were born with it. I personally believe you accommodate, or your aspects accommodate to you as you grow and evolve as a person.

— a pisces stellium, specially if is on moon or ascendants, is very perceptive to other's opinion on them, not in a superficial way but more on a "does this person thinks i'm being fair or mean?" Let's not forget the sister sign of Pisces is Virgo, so these signs also share the analytical or more neurotic way of seeing the world. A Pisces Rising is very self-aware of how they come off to people or how they are seen, they might not show it or say anything about it, a Pisces mercury might be self-conscious about how they approach others, how their voice sounds or how they come off when talking.

— I do believe leo's have a harder time being appreciated by people, as they devote to other's so easily they could neglect themselves in the process. Is the kind of person who is always looking out for someone to make happy or to make them feel comfortable because is something they want reciprocated. But this is a thing that can happen to fire signs a lot, they can be overbearing or too kind to people that it ends up backfiring on them, they have a very childlike mentally.

— is true what they say, a 12th house stellium in a natal chart makes the person passive and/or too in their own world, they have premonitions in dreams, but I've also seen these individuals have a really hard time with sleep, they have paranormal experiences a lot that some of them are used to it. They can be in some sort of medication, but not all, and not always these people are medicated or doing substances, they have an easier time to have out-of-body experiences, like lucid dreaming or sleep paralysis, these can occur because these people are super sensitive and get easily drained and stressed. Is important they are taking care of their energy at all times, I've met many that have one, two or more 12th house placement where I've found out some other person has been doing some sort of witchcraft on them, or have a big negative energy that this 12th houser sucks accidentally.

— having a mercurial dominant or rising can be super difficult when it comes to feeling, they tend to rationalize everything too much, are easily distracted and indulgent, they are very, very anxious at all times on all situations, even if they show otherwise. they overthink things too much, are the kind to be incredibly self-aware or completely out of touch with themselves.

— the ascendant aspecting negatively the mercury gives the individual speech impediment or a very shy personality, an almost inaudible voice or a raspy one, people with this placement have a harder time getting their thoughts across, or people might misinterpret them.

— keeping the conversation going, mercury negatively aspecting saturn makes a shy and reserved person, someone who, as a kid or a teen, has problems with being heard, or people simply didn't care or asked for this person's opinions, they might had been very codependent on an adult or somebody else to talk or to get to be seen, as they grow older they learn to communicate rather excellently, they might want to treat their shyness or whatever problem they have with unwanted attention or negligence

— neptune in personal houses like the 1st, 7th, 4th or 10th is really tricky. you might ignore gut feelings bout certain individuals, or on the contrary, believe someone is good when they aren't. these people can be their own worst enemies as they are super perceptive of how they come across to others, or how others make them feel.

— neptune in the 1st is common on actors and models and singers, usually on famous people, because they can create a fantasy of how they want people to see them, or act like chameleons around people, this creates a series of identity crisis during their lives.

— neptune in 7th is prone to feel things that really aren't there? they convince themselves somebody hates them or likes them for just one interaction, these individuals are like a sponge in social situations and they take everything somebody tells them to the heart. they also are known to lie a lot to people on behalf of good manners, they like to be liked.

— neptune in 4th house has a really confusing or unclear family situation, they might adopt the role of the parent when they shouldn't, or are treated as a child even as an adult, something in their family, in what they think is normal growing up, isn't. the most likely to stay in a bad situation for many, many years because they don't know any better, or think it's normal.

— neptune in 10th, although it deals with fame and impersonal relationships, to me, is just as fundamental as the houses listed above. they don't see themselves through their own eyes, or feel like they depend on other's perceptions on themselves too much, they are confident, or pretend it really well. these individuals know how to act the part, how to commit to the bit, they never feel that sense of belonging anywhere, because they might show different parts of their personalities to different people

— for me, the hardest moons to have are capricorn, scorpio and virgo.

— capricorn moon is a strictly analytical sign, they don't feel comfortable in the moon as is where the emotions and insecurities shine the most.

— scorpio moon is a very intense sign, as opposite to the Capricorn, they can be super emotional, or completely numb, very extremist and their emotions are black or white, polarizing.

— virgo moon is extremely difficult, they don't like to have to feel things, they like to think and act with precaution and it's hard for them to let their emotions slip, the kind of friend who'd have the most practical advice to all sort of topics, a helpful hand in all situations, but when it comes to them as individuals, they let themselves be too much, their head is always at a thousand percent. From what I've gathered of this moon is that, yes, they are neurotic when it comes to certain things, but completely careless to others, and it's usually to themselves, you won't ever see a Virgo moon misbehave or dress bad, but they can hold a lot of suppressed shame or anger or sadness, like they tie it with a bow in a box and keep it locked.

— lastly, no aspect or moon or sign is bad, they are just more difficult than others, there are people with easy aspects, like sun sextile or trine jupiter, they are prone to idealization and inferiority complexes. it's true that a person that has the harmonious aspects is lazier or gets unmotivated way easier. nothing is really set in stone, you can have a moon conjunct saturn and a cancer mercury in 9th house, your way of expressing yourself is more reserved, but optimistic and even childlike. when it comes to astrology, every single aspect and sign, and house counts to describe a person.

[kihyunsflavor]

Cold shoulder

Pairing: Feyd-Rautha x f!reader

Summary: You are married to Feyd-Rautha, but on his birthday Margot Fenring follows him in the hallways to lure him into her chambers.

Warnings: smut, heartbreak, angst, pet names, breeding kink, manipulation (not reader)

word count: 4.6k

Author's note: English is not my first language. Feedback is very much appreciated <3

A cold breeze grazes your skin as the door to your shared chambers opens, sending a shiver down your spine. He enters with heavy steps and your breath stops for a moment when you catch a foreign feminine scent in the air. You immediately know.

"I'm back, wife," Feyd Rautha says, slowly approaching where you stand. You don't respond. A painful lump forms in your throat as your emotions are all over the place. Big hands gently grab your waist from behind. The scent of the woman still lingers on his skin. It tightens your chest and turns your stomach. You have never felt so sick before. She had her hands on him and he allowed it.

You don't want to believe your own thoughts, wishing this reality wasn't true. She had taken him from you. Your beloved husband, the person you love more than anyone else, with whom you share everything. He is the center of your world.

You turn to face him. "You're back late..." you say, your voice steady but your lower lip quivering.

For a split second, his expression wavers, confirming your suspicions. Feyd starts to speak, but you cut him off. "Don't bother lying. I can smell her on you."

His eyes widen, a hint of guilt flickering across his face, an emotion you've never seen from him before.

"I didn't want to. The witch invaded my mind," he attempts to explain. But you can't believe him. Not after this. He humiliated you, made you feel worthless.

His hand reaches for your cheek but you push it way. „Don‘t touch me.“

Oh how could he betray you like this? How could he share such an intimate moment with another woman?

„I can't believe you did this," you sway, your voice trembling with dissapointment. Tears well up in your eyes, but you refuse to let them fall. He's not worth your tears. Not a single one.

"I'm sorry," he murmurs. His words pierce your heart, shattering it into pieces.

It kills you.

The room falls into a heavy silence. His eyes plead with you, his hands twitching as if wanting to pull you close. The very thought makes you cringe.

"I never want to see you again," you say as you move past him. He reaches out for you, but you're too quick. Just before disappearing into the dark corridor, you look back at him. "It hurts - so much."

With that, you're gone.

Feyd doesn't follow. He knows he destroyed everything.

You move into a new section of the Harkonnen residence, consisting of a bedroom and a study, far away from your husband. All your belongings and clothes are brought in by your servants to help you settle into your new quarters. You hear whispers among the servants about Feyd's initial anger, refusing to let them move your belongings. Eventually, he seemed to give in and just let them continue, which was unusual for someone like him who rarely yielded so easily. But you pay it no mind, trying to forget about him. He did this to himself.

The first few nights are horrible. You struggle to sleep, feeling alone and haunted by nightmares of him. Each time you see a black veiled woman, luring him into her chambers. When you wake up, your clothes cling to your sweaty skin. You brush your hair back from your face and scan the dimly lit room. It is pretty similar to your old chambers but you've tried to make it feel different with some interior changes.

You hadn't yet discovered who the Bene Gesserit was that had been with your husband, but you were determined to find out.

With your family's influential name, you planned to write to your sister, hoping she could uncover the truth for you.

The days go by slowly, and to your relief you don't see Feyd at all. The pain of looking into his eyes would be too much to bear. Your heart was broken and would take a long time to heal.

You'd never known love before, never had any real crushes growing up. But then, you were sent to marry the na-Baron of Giedi Prime. You hadn't objected, obediently following your father's wishes. Meeting Feyd changed everything. He ignited a passion within you, made you feel enchanted and yearning for him.

Even if he was cold at first, Feyd proved to be a devoted husband. Drawn to your beautiful appearance and your kind but brave soul, it didn't take him long to warm up to you. You could tell he had fallen for you too.

The wedding night marked the peak of your feelings for him, deepening your love. You were nervous he might handle you roughly, especially since it was your first time, so you had asked him not to hurt you. „That‘s what concubines are for. I'd never hurt my wife,“ Feyd had assured you then, having already dismissed his concubines prior to the wedding.

But in the end, his words proved to be a lie. He had kept his promise until now, when he let the Bene Gesserit woman touch him.

It was hard to believe Feyd had done something like this. Loyalty and trust were values he held in high regard. He always looked down on those who lacked loyalty; it was a matter of honor to him.

And now here you are, sitting alone at the table to eat your dinner. You had instructed your servants to bring your meals to your chambers from now on, because there was no chance you'd dine with your husband. Even if he came to fetch you himself, you wouldn't budge an inch. But Feyd hasn't come. Days have passed since you left him, and he still hasn't shown his face, which you're really relieved about.

He knew you well, knew that you needed space, but this time it was different. He couldn't just apologize and gift you something to make amends. This time, there was nothing for you to forgive him for. And if the Bene Gesserit were to get pregnant before you, his actual wife, it would be unbearable.

The thought fills you with anger and jealousy. You wouldn't allow this to happen. You should be the only one to give him an heir.

As you return to your room after a brief stroll through your section, you're surprised to find several packages awaiting you. Despite your reservations, Feyd has still chosen to send gifts. Walking over to inspect them, a servant appears at your side, bowing slightly.

"Na-Baroness, the na-Baron has sent some gifts for you. He hopes you will accept them," the servant explains. Your gaze drifts over the variously sized boxes, and a sigh escapes your lips. "We will send them back. All of them," you declare after a moment. "But let me have a look first." Kneeling down, you carefully open each package, mindful not to damage anything.

Among them are dresses, exquisitely crafted and likely from your home planet. Another holds a perfume you adore, also from your planet. Then there are the traditional Harkonnen jewelry, reserved only for the Baron and his family. You can't help but chuckle at Feyd's selection.

Once you've examined everything, the servants gather the gifts along with your message: Don't ever insult me like this again

Even if this was just the beginning of his attempts to seek forgiveness, Feyd's gesture of sending mere gifts felt somewhat childish.

Days later, you decide to attend the fight held in the Harkonnen arena, knowing full well that Feyd would be present. However, you choose to sit in a secluded area, far removed from his presence.

Your attire consists of a dark red silk dress, a change from your usual colors as the na-Baroness, which typically align with the Harkonnen house's black with silver or red accents. Your jewelry, crafted from rare opal from your home planet, catches the light, accentuating your eyes and lending a radiant glow to your appearance.

Accompanied by two of your favorite servants, you make your way to a seating area. As you settle in, a pair of glasses are provided, allowing you a clearer view of the participants in the fighting circle below.

Slowly, you navigate through the crowd, observing the excitement of the people of Giedi Prime for the fight. Your gaze shifts upward, focusing on the Baron seated high above the arena, his imposing presence making you feel unease. He emanates a terrifying and volatile energy that unsettles you every time.

Continuing on, you reach the spot where the na-Baron and you usually sit. Feyd stands alone in his black suit, his gaze fixed on you. He had waited until you noticed him.

Feeling a twinge in your stomach, you deliberately drop your glasses with controlled movements, concealing the effect his presence has on you. Redirecting your attention to the fighters entering the arena, you're grateful for something to distract you.

Yet, his image replays in your mind. His eyes betray a hint of sadness, dark circles evident beneath his pale complexion. But he had brought this upon himself.

If he hadn't allowed the Bene Gesserit to touch him, you would have been there beside him as always, watching the fight unfold, with his hand possessively resting on your thigh.

Even after a week apart, the pain remains just the same.

The fight was not big spectacle, but it was enough for the crowd. You swiftly retreat to your chambers, after receiving the sign from a servant that the Baron had left. Casting one last glance at Feyd's area, you see his back turned to you. He's likely leaving as well, and you really have no desire to encounter him in the hallways

When you wake up two days later, you notice a basket of fresh fruits sitting on your table. Approaching the gift, you find a small card attached to the handle. Opening it slowly, you read Feyd's handwriting: Please accept these valuable fruits. Feyd.

You stare at the words for a moment, then shift your gaze to the basket. Inside, you see a variety of fruits, many of which are from your own planet and are your favorites —a fact Feyd surely knew. Yet, despite the apparent gesture, you still feel slighted by the simplicity of the gift.

With a dismissive gesture, you instruct the servants to take the basket away. "Share it among the others and send the same message to the na-Baron as before," you command, retreating to your bedroom.

An upcoming event required your presence as husband and wife, na-Baron and na-Baroness. Three days beforehand, you already felt nauseous and contemplated skipping it altogether. However, the Baron's potential anger left you with no choice but to attend.

As the special day approaches, you pace nervously around the room. The prospect of having to play the role of Feyd's wife again fills you with dread. Despite the difficulty, you resign yourself to the task, knowing you must suppress your true emotions and maintain a facade of affection, hiding behind a gentle smile.

In the morning, you receive a package from Feyd, containing a dress intended for the upcoming gathering. The garment, adorned in Harkonnen colors, is tailored to complement his own attire, ensuring a flawless appearance as a couple.

As the servants begin to prepare you for the event, they dress you, adorn you with jewelry, and style your hair elegantly. Avoiding the mirror as much as possible, you can't help but feel a bit of discomfort at the sight of the dress, which reminds you too much of him. The idea that it signifies your connection to him is unsettling, especially since his betrayal with another woman. Prior to that, you had cherished moments when he selected dresses for you or had jewelry crafted from your birthstone.

Once you're ready, you steal a quick glance at your reflection, observing how the dress accentuates your figure. Despite looking beautiful, the nausea persists. You so badly wish to just remain secluded in your chambers, away from him.

Two servants accompany you as you make your way to the grand halls where your husband awaits in front of the towering doors. You catch a glimpse of him, dressed in all black and feel the familiar pain in your chest. It's as if your lungs are pulling themselves together, stealing the air from you.

His gaze is sweeping over you and a faint grin tugs at his lips, but he stops himself quickly. "Good morning, wife," Feyd says, with his deep raspy voice and offers his arm to you. He seems content to see your face up close after two weeks. You halt before him, meeting his towering figure with a glare that could pierce steel. He recognizes the expression, but doesn't show any reaction. You hook your arm into his, taking a deep breath before walking into the grand hall together.

As the event unfolds, nobels from across the galaxy mingle, their voices a symphony of polite conversation. Among them stands the imposing figure of the Baron, his presence commanding attention.

You stand next to Feyd, occasionally engaging in some small talk with others. Despite the pain and betrayal that lingers in between you, you play the roles with practiced ease, upholding the appearance of a happy couple. Yet inside, you feel dull.

In a moment alone, Feyd wraps his arm around your waist. "Let's talk later, wife." He says and gazes into your eyes. You lower your head, staring at his chest and offering no response until he pulls you closer to his body. Slowly, you raise your head and to meet his gaze.

"No, I don't think so," You reply, placing a hand on his chest in an attempt to push him away. But he holds firm, studying your eyes in an attempt to understand your emotions.

"There's nothing to explain, na-Baron," you hiss, putting some distance between the two of you. "I don't want to hear anything. And stop sending me gifts!"

Feyd blinks at your response and takes a step forward. "Just let me finish my sentence. Things have happened that I regret deeply, but I need you to understand why," he begins to explain, but you shake your head. Tears well up in your eyes, and you bite the inside of your cheek to suppress a whimper. "No, no…" Your lips quiver as you respond with a weak voice. "Even just thinking about it hurts me too much." With those final words, you turn on your heel and walk away. Glancing briefly at the Baron to ensure he's occupied, you slip out of the grand hall and return to your chambers.

Your heart races, nearly pounding out of your chest. Feyd's scent made you dizzy, made you longing for him, but you refuse to succumb. You were not one to give in quickly, not even to his beautiful blue eyes. His lips had twitched, after you had raised your head to look at him - his love always displayed so openly for you, unlike his usual expressionless demeanor. And despite everything, you still love him too, but the thought of going back to him, fills you with disgust and pain. He's the one who made you feel this way.

It was not a good night, and the days that followed were just as bleak. The dull ache persisted, and you drift through each day like a ghost. Emptiness pervades every moment, blurring the world around you into a haze. And despite showing not a single emotion to the world, you feel the pain, longing for the warmth of connection that is lost.

After a week had passed since the event, the reply from your older sister finally arrived. You hastily open it, eager to learn whether the Bene Gesserit woman was pregnant. You understood the ways of the Bene Gesserit and didn't object to them, except in this case, where one woman dared to interfere in your marriage. It was all about control.

Since you weren't part of the sisterhood, they needed to ensure a child was born from Feyd that they could raise according to their teachings. However, if they had approached you with a deal for your own child to become a Bene Gesserit, you might not have disagreed.

But this time, you were determined to stand in their way. She wasn't worthy enough to bear your husband's child, especially considering you weren't even pregnant yourself yet.

With trembling hands, you open the scroll and begin to read the message.

Dear sister,

I am deeply troubled by the news you've shared with me. I did not expect this from the na-Baron. But don't worry too much, as I have located the Bene Gesserit. Her name is Margot Fenring, the wife of Count Fenring, the Emperor's advisor. Unfortunately, I couldn't find out why the sisterhood chose her, and I haven't received any updates on a possible pregnancy. Rest assured, I will inform you immediately once I learn more.

With all my love,

Your sister

You stare at the message, sighing heavily. Margot Fenring was a well-known figure in the galaxy, particularly admired for her beauty. Her hair was of a golden blonde with grey-green eyes and attractive figure. However, you weren't concerned about feeling inferior to her; you knew your own beauty had captivated Feyd from the moment he had laid his eyes on you.

The burning question on your mind wasn't why the revered mother had chosen her to seduce Feyd, but rather why she had to intervene at all, and whether she was now carrying his child.

The waiting was unbearable in a situation like this.

A knock sounds on your door, as you put the roll in the drawer of your desk. Curious, you turn around, wondering who could be seeking your attention. Apart from your husband and his two family members, you didn't know anyone else.

With caution, you open the door, only to be met with the sight of Feyd-Rautha. Disappointment flashes across your face, and you sigh, almost closing the door on him again. But Feyd has other plans, his hand holding the door open and making his way into your chambers. Surprised, you walk back a few steps and stare at him. "What are you doing?" you ask, confusion evident in your tone. He doesn't respond, maintaining a cold stare that sends a shiver down your spine. He appears angry or, at the very least, annoyed by your behavior.

As the back of your knees touch your bed, he stops in front of you. "This time, you will listen, wife, or I will tie you to the bed. You can't run away from me every time," Feyd says with a deep, raspy voice. You blink up at him, uncertain of what to do. Part of you wants to escape the uncomfortable situation and to avoid listening to him. But in this moment, he holds full control over you.

A cold finger grazes your jawline softly, lifting your head up. He comes closer, his breath tingling on your skin. "You better listen carefully now. I will explain everything that has happened. Alright?" he tells you, and all you can do is nod your head obediently.

"On this day while I was on my way back to you, I noticed a woman following me. I questioned her about her presence in the area, and she began to manipulate my mind. With a mere blink, I found myself in the witch's room, unable to recall anything except for her whispers in my head," Feyd explains seriously, maintaining eye contact with you.

"She then used the voice on me and forced me to place my hand in a box while holding a sharp object coated with poison to my neck. After passing her test, she continued to use the voice on me throughout the whole time. I couldn't do anything else than listen to her. I tried to break free many times and every time a picture of you flashed in my mind, she redirected my attention back to her," he continues, his eyes darkening as he recounts the experience. You can see the distress he's in as he speaks.

Slowly, your hand raises to cup his cheek, offering comfort. He leans into your touch, visibly relaxing. "Do you know why she came to you?" you inquire, once his nerves are calmed. He nods vaguely. "I am the one who will inherit the title as Baron next, and since you are not a Bene Gesserit, they sent one of them to find out my weakness."

His answer sinks in, and you agree. "That's what I was thinking as well."

Feyd's hands gently cup your face as he leans closer. "I missed you so much, little mouse," he murmurs, leaning down to kiss your forehead. You close your eyes, relishing the sensation of his touch, which you've missed dearly.

"What if she is pregnant?" concern creeps into your voice. Feyd meets your gaze, his eyes filled with determination. "Don't worry, my dear. She won't live to give birth to it, if we receive word that she's carrying a baby," he assures you. "You are the only woman who will give me an heir," he adds with a smirk.

You wrap your arms around his neck, pulling him closer. "I should have listened earlier. I just couldn't bear it. Nothing made sense anymore," you whisper, your lips brushing against his cheek. He hums in reply, pressing his lips to yours in a long-awaited kiss.

It turns into a heavy makeout session. With tender care, he guides you onto the bed, slowly undressing you as if savoring every moment of intimacy. As he moistens his fingers with his tongue and begins to pump them inside of you, a soft moan escapes your lips, reveling in the sensation of his touch.

Your body arches with pleasure as he prepares you for him, each movement sending waves of ecstasy coursing through you. "Feels so good," you murmur, lost in the sensation. Feyd's grin widens as he leans over you, his touch both tender and tantalizing.

When he decides you're ready, he withdraws his fingers, eliciting a soft whine of longing from you. "It's alright, my little mouse. I will give you what you want," he shushes. As he frees himself from his pants, your hand instinctively reaches for him, eager to feel his hardness in your grasp.

A low groan escapes him at your touch, but he gently removes your hand, his own need evident in his impatient tone. "Not now," He says, his voice thick with lust. "I can't wait any longer to be inside you." With a sense of urgency, he positions himself between your legs, ready to claim you completely.

He gazes down at you with love and care. "You won’t be able to walk tomorrow," he warns with a sly grin, teasing as he lets the tip of his arousal slide between your heated folds before thrusting inside you.

Once fully sheathed within your tight walls, he leans over you, his arms caging your head to support his weight. In this position, he is able to see your face much better. "I will make you forget everything that pained you these past weeks. You are mine," he growls possessively with his lips attached to the sensitive skin of your neck as his hips begin to move in a rhythmic thrust.

At first, his movements are slow and deliberate, punctuated by tender kisses, until you relax completely under his touch and he increases the pace. Your legs are lifted up over his shoulders, allowing him to penetrate even deeper, luring whimpers of pleasure from you as your nails dig into the porcelain skin of his back.

"So tight. Taking me so well, little mouse," he praises softly near your ear, sending shivers down your spine. Your walls contract around him, gripping him tighter, causing him to groan in pleasure. "Stop it, I'm not going to last if you keep tightening up like this," he warns you, his head falling back in pleasure.

But the sensation feels too good to stop, and you beg him to just come inside you with your voice hazy with desire. Feyd's eyes sparkle at your pleads. "Touch yourself," He orders, encouraging you.

It doens't take long for you to reach your climax, gripping his shoulders for support and screaming his name. He watches your face intently, praising you. "Yes that's it, good girl. Come on my cock."

Without letting you fully come down from your high, he starts to thrust deeper. “Going to fill you up now, you want that?” You whine at his words, nodding impatiently. “You'll look beautiful with my baby inside of you, all big and swollen.” His words drive you insane and with each thrust, he pushes you both closer.

With a final thrust, he releases himself inside you, bringing you to another climax as the room fills with both of your cries of pleasure.

"Afterwards, he takes good care of you, cleaning your sensitive skin with a wet cloth and ensuring you're comfortable in bed. His arms find their way around your body, pulling you closer.

"I haven't slept well since you left," he admits, nuzzling his face into your neck. You chuckle at the sensation because it tickles.

"I also slept horribly," you respond, your hand caressing the back of his neck. But tonight, you sleep better than you have in weeks, knowing your husband is right there beside you, and you never want to let go again.

Fortunately, it's only a week later when another message from your sister reaches you. As you read through it with full concentration, a lump forms in your throat due to the wave of emotions that washes over you.

"She's not pregnant," you inform Feyd, who stands before you. His eyes visibly brighten with relief and he moves closer to embrace you tightly. No words are needed, you can feel each other's emotions clearly.

"Don't worry, my dear. I'll deal with the punishment for the Bene Gesserit," Feyd assures you after a while of holding each other. His anger still simmers, just as intense as the night Margot Fenring used the voice on him. He won't let it slide easily.

You find comfort in knowing that Feyd will handle the situation, likely with the help of his uncle, the Baron. But for now, you push aside all thoughts of pain, focusing on the relief of the moment.

On the same day, after rearranging the last few items in your shared chamber, which you hastily moved back into, a gleaming blade catches your eye. Your husband possesses a collection of blades in various sizes and styles, but you recognize this one as his favorite - the one he always carries with him. You approach the desk and study the blade intently.

Suddenly, strong arms wrap around your body, and you gasp quietly in surprise. "This one is for you," Feyd whispers behind you. Your eyes remain fixed on the knife, his words sinking in.

This blade holds significant importance to him, having accompanied your husband since his childhood when he first learned to fight. It's a profound gesture of trust and affection that he would gift it to you now. Despite the Harkonnen's reputation for brutality and coldness, they occasionally reveal their emotions to those they love. This blade serves as a metaphor, symbolizing Feyd's gift of his heart to you forever.

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[dontbesoweirdkira]

Platonic Yan! Batboys x Batsis darling

A/N: I want to talk about the concept of batsis having a s/o or a crush and how the family would react to that. I'm sure this concept might've been done but if i may speak-

Warnings: Obsession, relationship sabotage, overbearing family dynamics

Requests: always open.

Masterlist

Dick Grayson

I think he's kind of complex about this issue. I don't think !yan Dick would have a problem with you dating in itself. Like there is so many siblings and no way to keep all of these hormonal teen and young adults at bay. He's been there, he gets it.

But there's some conditions. You have to have a good relationship with dick, first. It you are close, that means you tell him...everything. He can easily monitor you and the progression of things. You'll be trusted to tell him is something goes wrong and he can step in. You won't mind Dick tagging along or being generally invasive. You won't forget about him or the family, he knows that you'll drop everything and come running. His grip is already secured firmly around you and your mind so theres no reason to worry. Have fun, be safe.

If you're anything like my previous posts where batsis is not close with dick in the slightest, he'd sabotage that relationship. He's not having it at all. Your dating is a threat to the family. You already have an apprehension of him, so anyone can swoop in and take his sis away. He doesn't want that. He doesn't trust your judgement or decision making skills enough. Dick knows that if someone hurt you or was dangerous, you'd hid it from him. You refuse to give Dick any sort of access to your life so therefore dating is a no. Sorry baby bat, it's for your own good!

But maybe i'm wrong. Maybe Dick doesn't want any of his siblings dating..especially his batsis. I've said before that Dick has given up his previous relationships among other things for the family. His siblings are his most important priority and he's willing to do whatever it takes to make sure they're properly provided for. What if he expects the same. He's jealous over the fact you all get to go out and date and he cannot because he's stuck playing dad? What if he's jealous that you're spending all your time with someone else? You don't have time for your older brother anymore

He's hurt when you embarrassingly hide your partner from him. You're critiquing everything he does and tells him not to call you by the nicknames he gave you. Yan! Dick hates being discarded. And maybe, none of this happened? Maybe you gladly show off your brother to your partner? Maybe just the thought of you one day getting married and leaving him fills his mind. He overthinks about being left here alone like Bruce was...he doesn't want that. He cannot have that. You cannot date for your own good...for his own good

Jason Todd

I don't think he'll ever vocalize his true feelings. and reluctantly allows it. Jason is rather against you dating, but because he doesn't trust anyone outside of the family. Plus he doesn't like that he gets to see you way less now.

Jason would be the brother that'd be cleaning his guns while you're introducing you partner to him. His tone is sharp and he doesn't embrace them once. He wants them to know there is someone in your life that'll kill for you if they hurt you.

I think if Jason sensed the person you were dating wasn't any good, he'd handle it privately. Your partner ghosts you for three days then sends a "i don't want to see you ever again." text. Weird. Everything was going great. Luckily your brother Jason just got back from his three day trip to comfort you.

If the partner is good but he doesn't really get any time with you, i think he's get a little out of character. Suddenly he's a lot more clingy to you when you're there. He's just following you around the entire house and wanting to spend every second with you. If it gets bad enough he will have to intervene with his other siblings. He misses you. This whole dating things sucks, who needs them when you have a perfect family. They're all you need.

Damien Wayne

He doesn't like change. At. All. This family is perfect as it is.

So don't mess it up by changing the natural order of things. This partner of yours is a nuisance. An incompetent, brain dead loser who is dragging you down with them. You don't need them. Damien is rather offended that you felt like you even needed something more outside of the family. What does this prick have that they don't?

He's weary of the fact that this person wanted to date you. Not that you're not enough but you're a Wayne now. People always wants something, if not money, its something else. You're foolish for this.

On a deeper level, Damien feels like he's loosing a parent. It's clear that your partner doesn't like your younger brother or even want him around. He misses you driving him around, reading together and sneaking out. You've never taken his often impolite banter to heart, you loved him as he was. He felt drawn to you. You were like a mother figure to him..don't do this. He;s sad and thinks you don't love him anymore.

Tim Drake

Maybe the least closest to you. You probably think he doesn't even like you but it's not true. He's just an observer more than a hands on type of person. He's just as yandere as the others, he cares. The second he got the name of your partner, he spends all day searching up dirt on them. He has a file of blackmail sitting pretty on his hard drive in case that person hurts you.

He's not confrontational like the rest. He's a bit too socially awkward for that but if he seriously felt you were in danger, he'd stop you. I think he'd mainly plot with the others to sabotage the relationship.

Like Damien, he doesn't understand why you need someone so badly. The family is more that fulfilling to him so why not for you? Time misses the little things like when you'd bring him food to his desk, or usher him to take a break from his computer. He misses your laughter and interactions with the rest of the family. He doesn't feel safe with you being out so much. The world is a dangerous place, it's safer here, where everyone can protect you. They all love you, and their love combined is far stronger than your partners.

[simpee9000]

Not Just Friends - 10 -

M.List : Prologue : Part 1 : Part 2 : Part 3 : Part 4 : Part 5 : Part 6 : Part 7 : Part 8 : Part 9 : Words 3.1k

Childhood best friends turned into something more, at least with the label. Katsuki Bakugo, a fast-rising hero and fast-learning guy who is ever so slow in getting attached to and loving someone. Even three long years into a relationship, and your friends even forget you're even dating. Nothing happening, spare a few kisses.. like 3 kisses, during high school. Graduated and living together, and you guys have done absolutely nothing to further the relationship. Are you sure you're not just friends? Also not edited!! CW: Smut, brief domestic violence discussion, virginity loss, aggressive flirting from creeps, gore with pro hero stuff (lmk if i missed any) Applies to all chapters regardless of it is in said chapter.

It was a turn back to normal after the long conversation between the two of you. Tears sliding down your faces, majority yours but you saw a couple fall from his. It was a necessary conversation. He opened up about his quirk and apologized for ditching you. You apologize for the same.

Easily enough, the two of you moved on from it quickly. Talking about the past two months when all the overwhelming emotions passed. You blabbed about how many new offers you were getting and he talked about how he was hiring more and more people to his agency.

Despite not being able to ignore the last two months, it was easy to move past.

Growing past it within the night, having everything off your chest. It still didn't make things go back to normal.

You continued to share a bed, but changed your schedules around again to see more of each other. Flipping back into your old routine as much as possible. Not without a few changes though. Lunches would only be once a week rather than daily, and you'd be working for another hour or two after he got home. Since you wanted to sleep in still.

But it still improved your relationship again. Building it back up slowly. You were able to eat a late dinner together each night and share an off day. Sharing your off day made it easier for you anyway. After the break-in it was hard to be home without him, so the last two months were rough. Your therapist said you were doing great though, so that helped.

The first days of going back to normal was rough, having to adjust to seeing each other daily again. Conversations between the two of you felt awkward, mainly on your side. You grew so much in those two months, no longer relying on him. It shifted the dynamic.

"Y'good?" Katsuki's gruff voice broke your train of thought. Your eyes flickered up to him.

"Huh?"

"Been fuckin' playin' with your food," he points his fork at your plate, "Don't like it or some shit?"

"No, I like it," you looked back down. It was definitely not your favorite meal he made, but it was good.

His silverware claddered roughly against his plate, his arms crossing, "The fuck has been wrong with you?"

"Do you have to swear with every sentence?" you avoided, taking a bite of your food instead.

You could feel him roll his eyes along with his heavy sigh, "You've been off since."

"A relationship doesn't heal just like that," you pointed out.

"Will you look at me?" he asked annoyed. A glance up at his expression made you cut your attitude. He was trying, that much was obvious. And after all your talk of communication, you were doing nothing.

"Sorry," you set your fork down, engaging in the conversation, "I'm just lost? I guess. Hard to place it. I've changed a lot in the past two months-"

"How?"

You glared at him for interrupting you. "I've stopped prioritizing you. I'm more focused on myself now. It's hard to go back to normal when the 'normal,' was me running circles around you."

He shuffled in his seat, "That's fine. I'm glad you've moved on in that sense, done you good."

"You're not worried how it'll change us?" you asked softly, it's been all you were thinking of for the past few weeks.

"I'm always fuckin' worried," he admitted, eyes drifting to look at the wall instead of you, "But we'll work it out."

You were glad he still viewed the two of you as a 'we,' heart melting slightly as you reached your hand across the table. "I'm not going to tip-toe around you anymore, Kats."

"Good," he gruffed out, uncrossing his arms and grabbing onto your hand. Changing his focus onto that, "I don't want you to."

"Good," you agreed, smiling at how he let his thumb trace over your knuckles.

"You, um," he fumbled for a minute, eyebrows furrowing, "You're still okay with us not doing shit right?"

"I'd never push that," you confirmed, shocked he even thought you would complain about that.

"Don't get me wrong, I would, just-" he pulled his hands back wiping them on his pants before running them down his face, "my dumb fuckin' quirk."

"You love your quirk," you pointed out.

"Yeah and I'd fuckin' love to touch my girlfriend but no, I gotta be a horny virgin 'cause of it," he groaned, crossing his arms again.

Stifling a laugh was difficult, but you managed, "Maybe we can just work up to it? Get you used to the baseline first before, that."

His quirk went off suddenly, "Can't even fuckin' think of it," he groaned, standing up to go wash his hands off.

"It's cute." You followed behind him to place dishes in the skin, having cleared your plates a while ago.

"Fuck you."

"Hey," you laughed, "At least you can tell Denki and Sero that you beat them at No Nut November. And have for the past 19 years."

He shot you a glare from the sink, "The one challenge I wouldn't want to beat, great."

"It's what makes you number one to me, baby," you teased, kissing his shoulder as you moved past him, wanting to pester him while the mood was light and he was already flustered. It was nice how easy it was to move past something with him. But you wanted to test how much he'd react to you not tiptoeing around him anymore.

With success, his quirk popped off again.

"Fuck off."

You let out a crackle of laughter, "You're too easy."

"Die."

He finally stopped washing his hands, turning to dry them off. You watched from the counter, plotting. "Your back looks nice," you commented, his muscles have been more defined lately and you only got to appreciate it now. His tank top showcases his shoulders nicely.

He froze for a moment, side-eyeing you. "Do you want to get blown up or something?"

"No, do you want to get blown?" you asked back, letting Denki's crude humor influence you.

Like a charm, his quirk sparked off. "Quit it."

"Nah, it's too much fun," you smiled at him, kicking off the counter you were leaning on and moving to leave the kitchen. Hand squeezing his bicep when you walked by.

He didn't let you get even a step away before he grabbed your hand and pulled you into him. His hands grabbing at your hips and moving to push you into the counter. "Where do y'think you're goin'?" he smirked down at you.

Your face bloomed a deep shade, blushing harshly at how close he was. He hasn't been that close since you argued two months ago.

"Nothin' to say?"

You blinked up at him, trying to steady the rapid beating of your heart with the way he was tracing circles onto your hips.

"Might like you but that doesn't mean I'll let you say shit and get away with it," he crowded you closer to the counter.

"What happened to your quirk?" you whispered, losing your voice at the proximity.

"You offered to work up to it, right?" he brushed his hands clean on his shirt briefly before going back to your hips.

"Yeah," you looked down at his hands, trying to make sure the watch was off.

"It's off," he confirmed, twisting his wrist so you could see. When you looked back up at him, he held his gaze deeply, "What happened to that smart mouth?"

"Want me to show you?" you placed your hands on his chest, running over the span of his shoulders. Your body was on fire, the two of you flirted, sure, but this was different. His quirk was fully there. He was fully there.

His eyes lidded slightly, zeroing in his focus on your lips, "Fuck yeah I do."

Your lips closed the gap between the two of you. It wasn't as soft and nervous as all the past kisses, it was something you just threw yourself in. Stomach crazy with butterflies as your mind started buzzing. His hands tightened their grip on your hips as he stepped even closer to you.

Bodies curled into each other to get closer. Your hands digging into the hair at the base of his neck as you deepened the kiss. Full of passion and sexual tension. There was hardly any innocence to the kiss, and if there was, it faded within seconds.

A sigh of relief falling from your lips when his hands slipped under your shirt, brushing over your skin roughly. Fingers being callused and dry from work.

As soon as his hands met your skin he pulled away frantically. Pulling his body from yours completely before his quirk started popping off.

"Fuck me," he groaned in frustration, grabbing a dish towel and wiping his hands off.

"I wish I could," you teased.

He shot you a glare, blush flaring all over his face and coating his neck with a red. "Stop," he grumbled.

"Stop what?"

"Stop looking at me like that," he shied away, washing his hands in water for a moment.

You paused for a moment, considering how you looked. With how flushed his face was you could tell you were no better. Lips plumped and freshly kissed red as your shirt was ruffled up from his hands as you leaned back into the counter. "Why would I? You clearly like what you see?"

The confidence within you came from nowhere. There has been sexual tension between the two of you before, many times before. Even before he had the watch. But normally you had to be drunk as hell to make such obvious jokes towards him, especially ones about sex. Maybe it was the fact that it was on the table, when before it wasn't. You knew he wanted it as much as you did.

"Fuck off," he grumbled.

"Come on, Kats," you pushed your luck.

"I love you, but please stop whatever the fuck you're doing before we need a new apartment," he spoke without thought, freezing the second he realized what he said.

You barked out a laugh, he spoke so plainly. You didn't want him to get wrapped up in his head, so you ignored the rushing butterflies over his admissions. "Fine, fine," you gave in, smiling happily at him, "Hug?"

He looked at you, untrusting of you before he opened his arms, gesturing you near.

Taking the moment, you threw yourself in his arms. Wrapping your arms around his waist he pulled you in fully. Letting you rest your head on his chest as he rested his on yours.

Everything felt secure in your relationship, you'd move one step at a time together. With a lot of teasing between, but that was common between you and him, despite the lack of it lately.

"I love you too, by the way," you mumbled into his chest, having a happy feeling travel through your body at the small number of times he's actually said it.

"I know."

You moved slightly to look up at him, his eyes fell on yours before you spoke, "Are you hard?"

He glared sharply, embarrassment covering his features as you felt him grow hot. You were going to ignore the feeling of him pressing into your lower stomach, but decided you wanted the chance to rub it in his face that you have the upper hand here. He tried to pull away, only for you to keep your grip.

"Stop," he warned, his hands raised away from you.

"It's only a little spark, Kats," you tried to comfort.

With a roll of his eyes he smiled evilly down at you, "You asked for it," before you could protest, he wiped his sweaty hands on your face before rubbing the rest of it off on your sweater, down your chest.

"Katsuki! That's gross," you pulled away from him, using your sleeve to wipe away the damp residue of his sweat off your cheek before you pulled the bottom of your shirt out, seeing if he got sweat marks on it. "You just used that as an excuse to touch my tits," you glared at him, seeing the faint marks of his handprint on your shirt, right over your tits. It surprised you that he sweat enough to leave a mark.

He laughed sharply, walking out of the kitchen, "Got no proof, Brains."

"I literally have the proof of your hands on my tits," you called out to him.

He looked over you, "How do I know those are mine?"

"Really? Cause I'd let a random guy grope me and he'd be sweaty enough to leave a mark like you do," you snarked.

"No way to know," he shrugged.

"You're such an ass," you groaned.

His phone buzzing loudly cut off his laughter.

"This late?" you asked as you eyed his work phone.

"It's PR," he said as he furrowed his brows, answering the phone, "Dynamight."

You heard mumbling for a moment before he huffed and put his phone on speaker. "Can she hear me now?" the lady's voice rang through, the same manager you've spoken with before.

"Hello," you answered for him, "What can I do?"

"You've done quite enough," she spoke abruptly. It took a lot to get her mad, so to have pissed her off five words was a record. "People are spreading pictures of you crying in the middle of the street."

Katsuki's eyes shot to you, concerned.

"They also claim to of heard you talking to Deku, saying you said his name several times."

His concerned look turned to a glare quickly.

"I can explain that," you said quickly before Katsuki added his two cents, "I was having a rough time and decided to call a friend, simple."

She laughed, "It's not the simple. It was the night of your party. And with the lack of social outings between Dynamight and you, people are saying the two of you broken up."

"Why does this matter?" you asked annoyed. It was still a sore subject.

"It matters because bad things are being said about the two of you. It's not just Dynamight's image anymore, but yours too. They're saying he's abusive while also saying that you're sleeping your way to the top."

You've heard that said too many times to count. Both things. So filled with anger, you grabbed the phone from Katsuki's hand and hung up.

"The fuck?"

"I don't know! I'm annoyed," you huffed, tossing his phone onto the couch before pacing, "I'm sick of people talking."

"I get it's annoying but you're gonna hear it-"

"Not helping," you glared at him.

"PR helps get them to knock it off," he pushed.

"She hardly says anything but the obvious," you rolled your eyes, "We can just post a picture of us or something."

"How does that prove I don't hit you?"

You paused your pacing, "Under a truth quirk I said the worst thing about you was your socks. I think if you abused me I would have said that."

He gave up his fight with a shrug, moving to sit on the couch instead.

"Don't get me wrong, it pisses me off that they say that. There is just no way to prove otherwise. Nothing is ever enough for them," you corrected, not wanting him to get the idea that you were only concerned for yourself.

"If you think that, why are you so pissed right now?" he crossed his arms.

You shook your eyes off the flex of his arms, throwing your hands up in frustration, "Because everyone says that, I hate hearing it."

"What do you mean?"

"Everyone thinks you hit me or some bullshit," you huff.

"Everyone?"

"Like people that don't know you," you changed, "you're a softy and they ignore it.

"Who you callin soft?" he sat up straight.

You smiled at him, "Kats, you can't even look mad at me."

He glared at you, eyebrows being the only thing supporting it. His eyes were soft. "Die."

"Let's just forget about it," you sighed, not wanting to talk about the press or your relationship. Nothing stressful.

"Why were you even cryin' to Deku?"

"You," you admitted shamefully, looking away. Talking about this would be stressful.

When he said nothing, you turned back to him. He was staring out the window. The view was filled with city lights.

"I only called him 'cause I couldn't call you," you comforted, stepping closer to him.

"Could always call me," he spoke softly.

"Kats," at this point you were standing right in front of him

"Yeah?"

You swallowed quickly, "We don't need to do everything together."

He took a deep breath, "I know, just want you to know you can call me, no matter what."

"I already know that," you smiled fondly at him. It was one of the best things about him. No matter how mad he was at a friend or family, he would never ignore them if they needed anything, even a random call. He might ignore a stupid text, but he never missed a call from someone close to him.

"Good."

"Maybe," he looked up at you, "We don't do anything publically? If they think I'm dating you then good, if they think I'm not, I don't care."

"If you want," he shrugged.

"You don't mind?" you step closer to him, him making space for you by manspreading further.

"Not really, just don't go making 'em think you're dating that damn nerd."

"Okay."

"Want somethin'?" he looked at you with a brow up. His eyes flickering from your chest to your face.

"Seems like you do," you smiled, inviting yourself more into his personal space by straddling him, both knees by his side.

"What are you doing?" his hands were pushed outwards, far from you.

"It's fine," you hushed him, sitting your weight on his lap.

"We didn't even do this stuff with the watch," he hissed at you, face flushed.

"Yes we did," you looked at him confused, "I made you cum y-"

"Shut it," he huffed, hands popping with the sound of his quirk, "Get off."

"Look, if you really want to, I will, but I don't think you want me to," you didn't want to force him into anything.

"What even put you in this mood?" he glared at you.

"You looked at my tits," you shrugged.

"Cause you still have my handprint on em," he smirked proudly.

You looked down at them quickly, "Bakugo."

"What? It's how it should be."

"Will it stain?"

"Shouldn't."

"I hate you," you glared at him.

"Sure, cause one glance at your tits makes you wanna jump me, cause you hate me," he was too cocky.

"Shut up you can hardly kiss me without losing your mind," you fought back.

"Kissed ya earlier didn't I?"

"Barely, come on, kiss me like a man-"

Forgetting his prior reluctance, he pulled you into him. Connecting your lips in a messy kiss as his hand held you to him by the back of your neck. Slowly losing its grip before sliding down to your waist. Losing himself into the kiss just as you were.

You were shocked he was even kissing you, cherishing the win regardless. Moving more onto him. Wrapping your arms around him, scratching at his scalp as you pulled on his hair.

The groan that left his lips encouraged you to push down more in his lap, wanting something more. You could never get enough of him. Anything he'd give, you'd take.

A rough push of yourself onto him caused his quirk to go off, not just a small spark either.

It singed your top, burning your skin.

You jumped off his lap once he let go, holding your sides.

His hand was placed right over your old scar.

Posted late cause I forgot to finish the chapter, and the tag list is being a bitch rn. (phone is glitching and laptop is weird) if it's fucked up mb.

---

-Next Part-

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[simping-overload]

ᴛʜᴇ ʏᴀᴘᴘᴇʀ & ᴛʜᴇ ʟɪꜱᴛᴇɴᴇʀ

a/n: I'm back! with a gift for my bsf, and my hyperfixation with TF is back full swing :D

tags: fluff, established relationship, robot/human, brief spoilers but nothing major

synopsis: You sit on Sentinels shoulder as he talks about his day.

on ao3!

wanna support me or commison a fic? check out kofi!

You like listening to Sentinel speak, finding his voice rather soothing and almost therapeutic. Most people—cybertrionians—didn't, esspically the ones who have been working for him over the decades. You can easily see the annoyance prevalent on their faces, but they never dared to voice it.

He knows this all too well and simply doesn't care. With his ego and self-confidence, he never lets it bother him. Although, he seems to talk even more when he's around you.

He doesn't talk at you like he does others. He actually talks to you, actively including you in his conversations that he'd normally have for himself.

Just as he is now, in the privacy of your shared habsuite. He sits at his desk, typing away on boring data pads as he talks about his day. You relax on his shoulder, leaning against his vents and enjoying the breeze that warms your cold skin.

"Those two miners- by primus were they something. I never thought I'd see those cogless bots actually try to be... different." Sentinel says, and sarcastic chuckle emits from his voice box.

You nod, flipping a page in your book. It was one of the many that you brought with you on your spaceship when you crashed and landed on Cybertrion.

"Is that a good or bad thing?" You ask as look up from your book and stare at the side of his helm. The gold of his audials still shone under the dim lighting.

He huffed, his vents pushing out a hot breeze of air. "Not necessarily. It did make the race more enjoyable and boosted the work ethic of the other minors, but they broke rank, so they will be dealt with."

A frown tugs at your lips. You didn't like the way he delved out punishments. Finding them too much for even the littlest things.

"They won't mysteriously disappear, right?"

Sentinel turns his head to you, and the striking blue of his optics locks with your eyes. You tense slightly, the stare was intense, and unnerving. You can't read him when he's like this. The unpredictability puts you on edge.

"Nuh uh, they'll just be going to one of the sublevels. Don't worry, you're pretty little head about it, 'kay?" He reassures you and grins, leaning forward to press a light kiss to your lips, the best he could anyway since his face obviously drawfs yours.

His engine rumbles—sounding like a cats purr—, and he pulls back, eyes analyzing your now smiling face. Sentinel raises a servo and his digit through your hair, pushing it back and away from your face. He would touch your hair for days if he could. Its softness brings him a great sense of peace.

Sentinel will probably never admit it, but he likes it when he's with you. With you, he can relax, forgetting about the Quintessons and everything else on Cybertron he has to deal with.

He likes the quietness being with you brings, the comfortable presence you have, of someone who actually wants to be around him and indulge him in a real conversation.

Enjoying the hair stroking, you let your eyes fall shut, leaning back into his digit. The stroke of it is soothing, reminding you of your family back home.

Now he's your family, and you both are content with that.

[cripplecharacters]

Hi! I’m working on an original character project that I want to include a lot of casual representation in (“casual” meaning that the characters don’t need a justification for being disabled/fat/POC/etc, they just are because people can and do exist that way in reality!)

I was wondering if you had any suggestions for finding resources for drawing facial differences(and maybe other visible disabilities), especially in a cartoony style. I’ve looked through the Facial Equality Week tag but would like to see more examples, and since my art is so… goofy, for lack of a better word, I would love any help I can get in integrating differences without being offensive or upsetting.

Sorry if this is a bother, and thank you for all that you do!

Hi!

I'm not aware of any guides for drawing facial differences specifically (or at least, good ones. There's 1 billion tutorials telling you that scars are just a Singular Line, always, but that's not... correct), but perhaps someone in the notes could help out?

For my own advice, you could check out this old post I made. Because you mentioned your art being cartoony, I would specifically urge you to not overexaggerate facial differences the way they often are. Prime example would be how a lot of cartoons portray strabismus;

It's just a funny gag to them rather than, IDK, how some of us look like. Not to mention that one of these is also a mockery of intellectually/developmentally disabled people with "Derp" in the name, but that's beside the point here.

It's the whole "the character is crazy/stupid/wild/whatever and that's why they have it" that's the problem with how it's often shown. You can also see it in how characters who don't even normally have it will be shown with it for a scene where they're saying something nonsensical, etc.

Another example that's nowhere near as rampant is the like... split-face thing with various facial differences being used. Mostly vitiligo but sometimes also facial palsy. I'm talking about this weirdly perfectly halved face that looks extremely different on each side, often used to signal that a character is two-faced or that the author doesn't know how vitiligo looks like.

[note: vitiligo also shows up on lighter skin. I wanted to make sure it's visible here for tutorial clarity purposes.]

This one is just weird because it straight up doesn't look like that? I have no idea where it came from, but it should go back there. Facial palsy doesn't make someone look like the antique comedy/tragedy theater mask.

Unless I'm forgetting some other annoying cartoon trope, these would be the big ones that you should stay away from.

Outside of that, it's really on a case by case basis on how a specific FD should be drawn because they're so different! A birthmark can just be a differently colored patch of skin, but a craniofacial difference would require some more changes to be included. Alopecia is well, lack of hair, and can be done very easily but ectrodactyly can be more complicated to show properly because of the limitations of a cartoony artstyle when it comes to hands. And while I do think it would be great to see more of those facial differences that tend to not be included in art at all, there's nothing wrong with deciding to go for the things you can represent more faithfully, especially if you're just starting.

I will say that if you're making an honest attempt at being respectful and trying to get it right, most of us will still be excited to see your work. Even if it's not perfect or has some inaccuracies. I will take a "'yeah more or less' correct with a happy, human character" over a "Very Technically correct but tagged as #tw burns and with blood splattered on them" any day.

Lastly, I wanted to share some art featuring characters with facial differences (and other visible disabilities) that are done in a cartoony, or at least somewhat simplistic artstyles (I'm using both terms very widely here, but like. Not Realism) - maybe it will give you some ideas!

Man with Treacher Collins syndrome (also one of the first pieces online where I saw a character with an FD portrayed in such a lovely way! A fav of mine) Girl with Pfeiffer syndrome Too many characters to count! Woman with burns Woman with a limb difference Multiple characters again Animation featuring people with Down syndrome [youtube] Multiple characters, including a girl with neurofibromatosis, a burn survivor, a girl with a cleft lip and another with TCS! [twitter]

If you have a more specific art question ("how do I draw a person with XYZ facial difference?") you can send me an ask on @saszor! I prefer to stick to the writing theme on this blog but would still like to help if you need it:-)

Hope this helps!

mod Sasza

Edit: apologies for the lack of alt text on one of the images, it has been fixed!

[whateversawesome]

Spy x Family Chapter 103: Peace and Family

How nice it was to see the Forgers go on an outing again!

A few things to notice...

I'll start with Twiyor hehehe:

This is easily my favorite panel in the chapter. They're getting closer and closer!! Loid sits first, Yor follows. She's not shy about siting next to him. Good for you, Yor! 👏

See how comfortable they are with each other? She has a soft smile and he's not pretending anything; he's just there, existing. By the way, observe their body language: Both of Yor's knees are pointing at her husband, she's also leaning slightly towards him. Twilight, on the other hand, sits at a more neutral position, still it's an open position. Notice how one of his knees is pointing at her too. And their hands are mirroring each other.

It's worth mentioning that Yor is such a good influence on Twilight. This man suffers from anxiety and it's hard for him to turn his brain off and just relax. Yor reminds him of this. She is his peace 😌

And look at Twilight being honest with his wife and admitting something very true about himself (that it's hard for him to stay still). I believe that every time Twilight is honest with Yor, they get closer. In this chapter there wasn't even a fake twiyor moment for this to happen. We're making progress!

Also, did you notice Yor teased Loid?

It is the sacred duty of a wife to tease her husband and call him old every once in a while 🤣 I'm glad Yor is finally fulfilling this fun wifely obligation 😆

All joking aside, it's pretty obvious Yor feels much more comfortable with Loid now. When they are with other people, she still gets nervous, probably because she thinks she could mess up and blow their cover. However, when they are alone, she seems much more relaxed and able to make comments like this that show that she trusts Loid enough to joke with him, to tell him in between lines that she notices things about him (just as he notices everything about her) and that she worries about him too.

Endo is a master of "show, don't tell" and he's been showing us how Twilight and Yor are getting closer little by little. It's in every detail: their body language, the way they talk to each other, the words they use, how they see each other.

Another example in this chapter? Twilight is incapable of saying "no" to his wife hehehe.

Yup, he still has that shoujo filter attached to his eyes when it comes to Yor.

Now that we have overanalyzed Twiyor, it's time for some crazy theories.

This could be important!

Don't you find it funny that each gave a different answer according to their experience?

Yor feels lonely, because she doesn't feel like she's normal enough to belong to society and it's hard for her to make friends.

Twilight got separated from his his herd. His family and friends died and he had to go to a different country, where he is scared and feels in constant danger just like Belle.

AND ANYA?! I'm wondering if this is a clue. I'm wondering if Anya is a missing person, meaning someone is looking for her, whether it's Project Apple or her biological family.

Talking about Project Apple, we seem to get crumbs every once in a while. I believe it's still too early to get an arc that will actually involve Anya and Project Apple together, but we'll know more as the story moves forward. It's a good sign that Project Apple is in Twilight's mind; he has good instincts for this. We may see him or Yor get involved with it in one of their missions before we learn Anya's past. OR either of her parents may discover what Project Apple is really about without knowing one of the test subjects is their own daughter.

Something that Anya has said several times is that her parents are dangerous people. It's easy to forget about this, but it's true. Twilight and Yor are very dangerous, but not for Anya. The day they find out someone hurt their little girl, it'll be a very bad day for all the people who participated in Project Apple.