#and i used like those pose reference things

[theweirderstuffblogdontlook]

early draft Bob Velseb Fanfic

(im still working on a small comic to accompany this fic before i release it officially, but i would appreciate the feedback, so dont hesitate to comment as it encourages me to make more art for the au. This comic takes place after the events of this post.) For reference, the woman in this image next to bob is Mary-Anne

then in this image, from left to right (no including Bob in the middle) we have Roxy, Greta, Sparrow, Ash, Trixie, Jane (who's the bar's manager and doesn't appear in the fic), and Billie (who is the bar's bouncer)

Fic is below the readmore. And I kinda recommend looking back at the images every so often to keep track of who's who, cus there's a lot of lesbians hanging out chatting in this fic.

Hanging out in the mismatched collection of old sofas in the lounge area of the local lesbian bar, some of the bar’s regulars were having a casual chat. When another of the regulars, a woman named Mary-Anne, excitedly came up to the group with a laptop in hand. Mary: “Hey you girls wanna see my latest true crime theory?! I think I've got a really good one this time!” Sparrow: “YEEEEAAAAHhhhhhh! Lemme see it! Show us what detective work ya been up to!” Trixie: “Did you finally see if I’ve done any murders I didn't know about? You said you’d check.” Mary: “Yeah I know, and I'll get to it eventually, but I found something way more interesting…… Barbra.” Sparrow: “Barbra?” Mary: “Yeah!” She sets up the laptop on the table, the women all crowding around to get a look, as Mary-Anne puts on a dramatic, though still a bit joking, tone and pose.

Mary: “Barbra, could secretly be, the notorious serial killer…. Bob Velseb.”

Ash: “Who?” Sparrow: “No fucking way! The Halloween cannibal from that other town down south? How’ed you make that connection?”

Roxy: “Excuse me, Cannibal?!”

Ash: “That’s pretty metal actually. Wish looking into me found connections to crimes that sick.” Greta: “Ummm, isn’t that man dead?”

Sparrow: “Wait yeah good point. The news said he got caught and killed by police last Halloween night. Shouldn't that be like, disqualifying for what hypothetical crimes you think your friends might have committed?”

Mary: “Wellllll…. yeah, supposedly he even had an autopsy and everything. But It fits too well if you just ignore the whole being dead thing!”

Roxy: “Hey! Don't you buncha freaks go just comparing Barbra to people like that. She hasn't even been around that long. Don't need you scaring her off with your true crime detective mess when I know you didn't even ask if she was okay with it first!”

Mary: “But it's suuuuuuuch a good one though!”

Trixie: “Yeah lighten up, I doubt she's gonna mind. I mean it's not like Barbara is actually gonna be a DEAD criminal. And especially with those morbid jokes she likes, she'll probably think it's hilarious.”

Roxy: “Nuh-Uh! I don't care how funny it is. She's still doing this without asking! It's one thing for her to look into yalls lives like a creepy stalker when you ask her to. But don't you go encouraging her with that spying into people's business shit without permission!”

Mary: “Aww come on.”

Ash: “Okay, I'm actually gonna agree with Roxy here. I mean what if one day, I really have to murder someone? I don't need Sherlock Holmes getting on my trail ten minutes later. You could at least ask first.”

Sparrow: “Come on, that's different! I'm sure you'd have a good reason if you did ever murder someone. And she'd be more likely to help you bury the body than turn you in. We all would.”

Roxy: “Nuh-uh, I still don't like this biz. Plus, isn't Barbra a trans woman? You'd probably end up hurting her feelings more by comparing her to a dead MAN than to the whole criminal thing.”

Sparrow: “Wait, since when was Barbra trans?”

Ash: “She was kinda making it obvious with that wig she always wears.”

Sparrow: “Wait really? I thought she was wearing the wig because she had some grizzly scar or something on her head from the car crash and didn't want to call attention to it. I mean they did say she had a bad head injury. Like it's why they said she's always wearing the sunglasses even when inside. The concussion like, messed up her ability to look directly at bright lights or something.”

Ash: “...Yeah okay that's a fair point I didn't need to immediately jump to her wearing the wig being to make her pass better. But like, there's still a lot of stuff besides that. Plus Caprica admitted to it. Barbra definitely used to be a dude.”

Greta: “Doesn't really matter if she's trans regardless, since she only ever really flirts with Caprica.”

Trixie: “I'd fuck her even with a dick like are you fucking kidding me? She's hot as hell.”

Sparrow: “Oh my god same! I swear Barbra is wasted on that woman.”

Roxy: “Yeah, but like, I ain't gonna pretend I wouldn't get a massive crush too if some lady pulled my fat ass out of a burning car wreck and lemme stay at her place while I recover like Caprica did. That's like some fairytale relationship shit.”

Trixie: “Exactly! if I got my life saved all dramatically by someone who's not just gay, but gay AND single ANNND they let you stay at their house for free? I wouldn't even care if they were hot or not. You'd have to be a real big piece of shit to be getting rid of me anytime soon. I'd be grabbing on with both hands. Maybe not as hard as Barbra seems to be, but still.”

Greta: “Umm, I meant more that she's not pressuring anybody, so it wouldn't matter either way what she has.”

Mary: “We're getting off topic! I wanna talk about my cool theory!”

Ash: “Right, right, let's hear it.”

Roxy: “Let's NOT hear it! She didn't ask Barbra for permission!”

Sparrow: “Well since she's already put it together, the least we could do is go over it and let her know if it'd be a mistake to tell Barbra and hurt her feelings. Like if it is something really insulting, it would be better to act like it never happened right?”

Roxy folds her arms and grumbled, but otherwise stops complaining. Letting Mary-Anne get on with it.

Tapping on her laptop for a second before turning it around to show a PowerPoint style compilation of research and pictures, starting with Bob's prison mugshot, which the ladies leaned in to see.

Mary: “So here's what I found. So we've got this Bob Velseb guy right? Notorious cannibal serial killer, captured on Halloween night a few years ago and put in prison.”

Billie: “....Did you really make a whole presentation for this?”

Mary: “I told you, it's a really good one! And I had to keep my evidence somewhere anyway. So it's like a digital scrapbook, and I just cleaned it up some to show you.”

Trixie, with a bit of a teasing tone: “Becha wish you could make a whole corkboard setup with red yarn instead.”

Mary: “I sooooooo would, but it’s just too hard to fit that sort of thing in my car and drive it around. You all gotta come meet at my house so I can have the excuse to set up a real one!” Billie: “....Amateur detective potluck.” Mary: “Omg yes. With like a bunch of detective based desserts! Sparrow: Chalk outline chocolate cookies!

Ash: “Halloween coleslaw.” Roxy, through half muffled snickering: “Girl, the fuck is halloween coleslaw??” Mary: “We’re getting off track! Back to what I was saying…”

She switches to the next slides showing clips from newspapers and the like.

Mary: “So he stays in prison for awhile. But then last year, he escapes from prison with a few other small time criminals.

And he spends a few months killing people, like 8 or 9 bodies being found, all with the same M - O. Until Halloween night comes around again. He goes after the same family he got caught while trying to kill that other Halloween. And it leads to an encounter with the police who kill him in a shootout. Where he's brought to the morgue for an autopsy and has the cause of death confirmed…..

BUT!!!”

She changes to the next slide, which was talking about a car crash, a man found dead, and had a map with some areas marked in mspaint.

Mary: “The next day after the news report of Mr. Velseb’s death goes out, we have this weird little event happen. So there’s this man, who was supposedly on his way to a hunting trip? He's found stabbed to death on the side of the road here.”

She zooms in on the map, showing the road between this town and the weird little town where Bob comes from, and points to the marked location just past the outskirts of Bob's town.

Mary: “Now wild animals had gotten to the corpse before it was found, so it was pretty mangled, but he had definitely been stabbed. Which is a bit of evidence that could link to the knife wielding serial killer. Bob Velseb, also known as the devil butcher, so named because he used to be a butcher and ended up feeding his victims to his patrons.”

Roxy: “Oh, no, ew why'd you have to go and tell me that?”

Mary: “Well I had to give you the context that this is a guy who stabs people, so we should be looking for stuff like this where the victim was stabbed.”

Roxy: “You could've just said he stabs people!”

Mary: “Well, he also tends to butcher and eat people so we gotta keep an eye out for…”

Billie, in her slightly monotone, but firm voice: “Maybe cool it with the gruesome details.” 

Mary: “Alright alright. It's not super relevant right now anyway, since it looks to me like the guy was in too much of a rush anyway to actually butcher anyone. Because the interesting thing for us…. is this man's truck.”

She points to a location further down the road, on the outskirts of their own town/small city and close to one of the parks.

Mary: “His truck… was found here. Crashed into a ditch, blood all over the inside of it, but no body. So if it had been a regular crash, then the hunter's body should have been right here with his car, not all the way back here covered in stab wounds. So according to the evidence, he was stabbed to death here, had his car stolen by someone who looked to be pretty injured themselves, which was then driven all the way here… to our town.”

Roxy: “Guuuurl…. Shut the hell up! That is sinister as fuck! You're telling me we've got somethin coming up from that creepy ass missing kids town, to over where we live? Man I don't even care if it happened the day after some big time serial killer died. That should still be a big ass problem!”

Mary: “Don't worry, it gets even better!”

Billie: “I think you mean worse.” 

Mary: “Yeah! It gets even worse! So in the days after this body was found up until now, the number of murders went way up for about a month or so. With the bodies matching Bob Velsebs usual modus operandi. Showing up stabbed and mangled with pieces missing. With even a few cops getting killed in that time! 

And then after that, even though there weren't any more bodies being found, the number of missing persons still stayed higher. Almost like a murderer who used to work out in the open….  was now covering his tracks.”

Trixie: “That's spooky as hell! Why's this the first time I'm hearing about somebody out there killing people??”

Billie gave a bit of a knowing look as she explained: “Because what we're listening to is a conspiracy. She's not seeing the evidence and working from it, she's made a theory first and is putting together all the information that supports the theory. That's how these true crime conspiracies work. It's good for a spooky campfire story, but there's a reason why the actual detectives aren't saying the same thing and telling the local news to spread the word.”

Roxy: “Man, you're just gonna be working me up over nothing then.”

Mary: “Not REALLY nothing, this stuff has actually happened.”

She then pitches her voice low and spooky for emphasis.

Mary: “And who knows, maybe there really was a cover up with the serial killer not actually being killed.”

Sparrow: “Yeah! Don't be a spoilsport! So like, so…. Like… uhhh… so how does this stuff have anything to do with Barbra though? Like you're saying the death of this Bob guy was a cover up, but how does this connect to Barbra?”

Mary: “Well first up, their descriptions are very similar. Barbra has the right height and build for…”

Billie: “How tall did they say this Velseb guy was?”

Mary: “Uhhh….”

She flipped through the presentation back to the mugshot 

“6 foot 4.”

Billie: “Yeah, that's about right for Barbra.”

Showing her experience as a bouncer with being able to judge people's height from comparing them to their ID's.

Mary: “Right! Hair color, skin, build, even the accents match too.”

Sparrow: “Cool! That's already way better than when you tried to link me to any murders!”

Mary: “I know right!”

Greta: “Still, that's just looking like a dead serial killer. If you're only going based off of just happening to know someone who matches the description, that could still lead to hurt feelings.”

Mary: “But that's the thing, it's not only looking the same. Like for instance, think about how Barbara and Caprica said they met.”

Billie: “.... A car accident.”

Mary: “Right! And what started off this whole uptick in violent crime? This guy getting killed, getting his truck stolen, then whoever stole it crashing the truck into a ditch on the outskirts of the town.”

Trixie: “That's not the same type of accident they described in how they met though.”

Mary: “Yeah, but any good cover story has an element of truth in it.”

Ash: “So you're basically saying, that Caprica pulled somebody out of a wreck, who turned out to be a cannibal serial killer that the cops covered up the death of. And who instead of cannibal serial killing her, fell head over heels in love, and now…. what, they're like a serial killer power couple or something? So is Caprica secretly a serial killer now too?”

Mary: “Weeeeeeeelllllllll…. Kinda? Yeah? I mean, turns out, Capricas actually kinda legit been through some horrible stuff in real life. Buuuuut I'm not so sure about talking about that stuff since it, you know, actually 100% happened to her.”

Trixie: “Shit, so you're saying she actually has some kind of excuse for how trying to make smalltalk with her, makes her look like she's offended you even thought to try and speak to her?

It's not like… you know. Because of some guy…. Right?”

Mary: “No, no, nothing like that.”

Greta: “Well… you might as well tell us since we've come this far.”

Mary: “....Okay. Just a sec.”

She goes to the laptop, clicks open a web browser, and takes a moment to look up the right event.

Mary: “Okay, so over a decade ago, there was this thing that happened at a campsite near here, where this big elk supposedly ate something bad, like old rat poison from the 70s or something, which made it freak out and go on a violent rampage where it gored a bunch of campers to death.”

She steps back to show an old newspaper clipping with a picture of Caprica and a bunch of young scouts.

Mary: “Caprica was one of the few survivors, who also saved a bunch of cub scouts by having them climb a tree where the elk couldn't reach them.”

Sparrow: “Hold on, I actually recognize this one! That's the state record for the single most people killed in a single day due to an animal attack! So Caprica was one of the people involved in it the whole time? That's wild!”

Ash: “From hero to serial killer….. That's pretty brutal of her…. Nice.”

Sparrow: “Of course the lady who still dresses goth every day even though she's pushing 40 would have that be the takeaway here.”

Ash: “I know what I'm about.”

Trixie: “That still seems like a bit of a reach though.”

Billie: “I’ll reiterate. This is a conspiracy theory being made up for fun. It's going to be full of reaches.”

Trixie: “No I mean, Barbra is absolutely crazy for that girl. Like remember that one time? (comic about bob drowning his sorrows in liquor because caprica had to go to a doctors appointment and he couldn't come along.) Trixie: “It just seems disproportionate to fall that hard after a life of murder and cannibalism, to Caprica of all people.”

Sparrow: “You literally just said a few minutes ago if you were in Barbara's position getting your life saved, they wouldn't be able to get rid of you if they tried.”

Trixie: “What, am I suddenly not allowed to embellish a little? But I mean, come on, haven't you seen the two of them enough? Heck, starting out I was more worried that Caprica was like… like she didn't even want to be in a relationship?”

Ash: “I always got the opposite impression personally, like she was taking advantage of Barbra. She's always acting so mean to her. Like with us she's at least trying to be polite, but not so much with Barb. I've been trying to keep an eye for any other red flags like that, but Barbra’s never seemed to mind soooo….”

Greta: “Hey now, let's not start implying Caprica is abusive. It's clear she's done a lot for Barbra, however begrudgingly. Even coming to the bar all these times. It's clear Caprica isn't doing it because she enjoys clubbing. Barbara's always been the one having the most fun.”

Roxy: “Yeah, let's not have this get out of hand with all these accusations.”

Mary: “And more importantly, I want better feedback on my theory! I mean of all the reasons why it could be wrong, I'd hope for better than something like “Barbra is acting way too crazy to have POSSIBLY been a deranged cannibal serial killer.”

Sparrow: “That Barbra is a certified freak 7 days a week and I love that for her.”

Roxy: “Forget about Barbra, I still don't like the thought that some cannibal serial killer has come over from that town with all the spooky shit going on and is around here terrorizing people!”

Billie: “Once again, she's not following the evidence, she's inventing a ghost story and then finding scary evidence to support the narrative while leaving out any conflicting evidence or context. If it were genuinely something to worry about, this wouldn't be your first time hearing about it.”

Trixie: “Plus it can’t actually be the cannibal serial killer guy, he's super dead.”

Mary-Anne, with a bit of a mischievous tone as she leaned in back to her presentation: “.....You know, I actually found some cell phone video of the guy getting run over I can show everyone.”

To which Billie the bouncer stood up sharply and said: “Nope. Putting my foot down. New rule. No snuff films in the bar.”

Before closing the lid of the laptop.

Mary: “Awwww what? No!”

Trixie: “Killjoy.”

Ash, clearly sarcastic and kidding around: “Yeah, no watching the brutal deaths of serial killers in a bar? What are you, homophobic or something?”

Mary: “It's actually a pretty funny video without much gore or anything. The guy gets run over by a car like 4 times in a row. Like a loony toons character.”

Billie: “I don't care how funny it is, that's the sort of stuff that can get the business in trouble.”

Roxy: “But can't we make an exception this time? I'd feel a lot better for sure knowing that guy is dead.”

Billie replies as she straightens out her pants and shirt: “It's almost time for me to start my shift, so might be best to just call it quits here.”

Mary-Anne went back to the laptop to scroll through the list of images she'd gathered for people either missing or dead.

Mary: “Awww, but I didn't even get a chance to go through the list of victims yet.”

Greta: “No, she's right. I think we've seen enough. I doubt this is anything we should be letting Barbra see. Let's just stop here before…”

Sparrow: “Wait. Scroll back up.”

Mary-Anne did as asked, scrolling a bit up again and upon seeing it Sparrows eyes got wide, and she covered her mouth in shock. Prompting a few of the others to look as well. Getting a similar look of surprise.

Ash: “Oh, wow.”

Mary: “What? What is it?”

Ash: “You weren't there that day. So you wouldn't know. But that one?”

She points at a certain picture of a man on the screen.

Ash: “That's one of the guys who grabbed Caprica that day.”

The silence hangs in the air for a moment.

Mary: “This guy?”

Ash: “Yep.”

Trixie: “Okay that's spooky. But one guy going missing is a coincidence at best. Especially the kind of guy who'd behave like he and that other jerk did. I bet he's asking for a fight everywhere he goes. So let's not jump to conclusions. Maybe if they both went missing that might be a…”

Mary: “Well let's see! What did the other one look like?”

She said with a bit of excitement, scrolling through the rest of her list of missing persons.

Billie:“.... He looked like that.”

Mary: “Huh?”

Billie stepped over, and used the laptop trackpad to scroll a bit upwards, then pointed at a specific picture in the list of missing persons. The picture of the second guy who had tried to hit on Caprica that night.

Mary: “Thats him.”

The air hung still for a moment, the weight of the realization sinking in. Trixie Being the first to break the silence with,

Trixie: “..... Well shit, Barbra and Caprica might actually be some kind of serial killers.”

Another moment of silence, until

Ash: “.....Good for them.” The humor of the response breaking the tension with an indignant, though slightly giggly response of Sparrow: “Ash! Oh my god!”

Ash: “What? Am I supposed to be upset that a pair of creeps who snuck into a gay bar and try to sexually harass the shortest lesbian they could find in the club, and right in front of her girlfriend no less, have gone missing? Good riddance if you ask me.”

Sparrow looked between the women nervously before her gaze settled on Billie: “For real though, should we… call someone about this?” Mary: “What happened to helping bury the bodies?”

Trixie: “Would probably be burying Barbra if you sent the police after her.”

Sparrow: “What?” Trixie: “Seriously, what the fuck do you think would happen if we called up the police and told them that a lesbian trans woman MIGHT be involved in the disappearance of two men? And not only that, but that we’re suspicious of her being involved in their disappearance because she got into a fight with these two dudes when they tried to “correct a woman from the deviancy of homosexuality”. You might as well be broadcasting “Hey dudes! Free target practice over here! Feel free to shoot this woman as many times as you want, because no jury is going to condemn you for murdering a butch trans woman!” to almost every trigger happy misogynist dirtbag in town.” Greta: “I knew this was going to be a mistake….”

Billie let off a sigh: “Trixie is right. We could easily be putting Barbra’s life at risk based on a coincidence she had nothing to do with. Whereas it would be a roll of the dice if it even mattered to law enforcement if she were actually guilty or not.”

Sparrow: “....I guess you’re right.”

Roxy: “Man I told y'all this was gonna be a bad idea. Now yall are speculating about turning Barbra over to the police. But you know what? I’m with Ash on this one! Even though Mary-Anne’s been trying to freak us all out trying to link all these murders to Barbra, the only real evidence we have is that two wannabe date rapists who happened to get into a fight with Barbra have now gone missin. And even if Barb and Caprica did off those two, then good on em for actually being proactive in getting rid of creeps like that. Long as they’re sticking to cleaning up trash like that, and aren’t going after any of the people I care about or who have the good sense to just be minding their own business, then I couldn't give less of a shit.” Trixie: “I hope Barbra and Caprica did kill those pigs though. Fuck the cops, I wish more of them had been killed.”

Greta: “.....I think it might be best for everyone if we just change the subject and forget the whole thing.”

Mary: “........Do you think maybe Barbra and Caprica might have room for one more in their relationship though?” Sparrow, through laughter: “OH MY GOD!” Ash, also trying to stifle a chuckle: “Dude, don’t go trying to be some couple’s third wheel just because you think they might be serial killers.”

Trixie: “Yeah, what if they say yes and then you find out they’re actually super boring and you just end up being disappointed?” Mary: “A girl can dream can’t she?” Roxy, clearly not taking it seriously: “I’d be more worried about you thinking the worst case scenario here would be them NOT being serial killers.” They continue chatting for awhile about various things before eventually going their separate ways, having all agreed not to tell Barbra or Caprica about this conversation. 

[noplacelikelondon58]

th-th-th-th-th-th-th-them..............

[mewkwota]

So I was just supposed to find out myself that Volnutt had a (scrapped) casual outfit, so sure, of course I'm gonna try to draw it.

That way he has something more fashionable to wear out of battle.

[numberonetribble]

I got bit by the Sparkling bug and really wanted to give Bumblebee and Breakdown a child for my unnamed AU I'm working on but then I remembered I can't draw children :( big shout out to that post floating around here that's like "imagine a Sparkling but they come out full sized then what." traffic tickets and impound fees that's what

(pssst look at their knees)

[dazzelmethat]

My ocs are like specters that haunt my life but I can never draw them exactly right. Here is more Ren drawings, as usual his hair is both fun and a pain.

[daydreamer-in-reverie]

Started rereading the Hunger Games series and I feel like it’s so overlooked how in 74th and 75th Hunger Games, we don’t know every Tribute’s names, with Katniss only referring to them by their District numbers but in TBOSAS, we knew every single Tribute by name. We associated them with the clothes they wore on the Reaping Day and Suzanne even goes so far as to describe how they looked, however briefly. We see these Tributes and we’re familiarized with them by the little tidbits provided to the mentors and to Snow and Lucy Gray. But we never get this in the original trilogy.

In two generations, President Snow alienated the Districts from each other so much that Katniss didn’t even care to know all the names of the Tributes sent into the Arena with her, with the exception being those who posed great risk against her safety and those she felt great compassion for (e.g. Cato, Thresh, Rue, Mags, Betee, Wiress etc.). Katniss even went so far as to call the D6 Tributes in the 75th Hunger Games morphlings, for their affinity to imbibe in the drugs that help them forget their own traumas (an incredibly hurtful description, in my own opinion, to be known by the qualities you hate the most about yourself). We never know the real name of the 74th D5 girl, with Katniss only referring to her as Foxface and we don’t even know Marvel’s name until we get to the second book and he was Katniss’ first personal kill. Katniss even kills the D4 girl in the books with the same tracker jacker venom that killed Glimmer and yet still, we don’t know her name. We are so removed from the identity of the other Tributes that we don’t even know what some of them looked like beyond brief descriptions of mangled bodies and dead Tributes in the bloodbath at the Cornucopia.

And, the thing is, Suzanne established the importance of names in the series. Even in real life, we recognize the importance of being named. It is a fundamental aspect of being human. If you’re ever in a perilous situation where a person might be placing your life in danger, we’re told to remind the person that you’re human. “Keep saying your name, how old you are, where you came from. Remind them you are a human being just like them.” Before any propaganda can work against a group of people, refusing to recognize a person’s name is the first step to dehumanization. And just like the people of the Districts, we don’t care enough about the other Tributes to even want to know their names. Their propaganda worked on us, the readers.

In two generations, President Snow completely wiped out any sense of familiarity and camaraderie the Districts may have shared with the other. In two generations, Snow sowed the seeds of distrust and division into the Districts so deeply that even we, the readers, were affected by the effects of Capitol propaganda. In two generations, the Districts ceased to genuinely care about the others beyond the vague sense of injustice they feel for their shared plight. It’s why Career Districts don’t seem to care about killing the other Tributes. How can you care, to show your compassion and humanity, when you can barely see them as people? Yes, they may have been in the Arena with you. Yes, they may have been starved and beaten and forced into labor like you were. Yes, they might be children just like you. Yes, they might be subjected to the same deplorable system that turned you into virtual slaves. But they are not your friends. They are not your allies. They are strange, with different customs and traditions that you have. You do not share the same values. They do not care about you. At the first chance they get, they will kill you with your bare hands and they will do it with alacrity if it meant their survival. There can only be one Victor and it can’t be them. It has to be you.

[color-palettes]

On the note of """"fandom colors"""", I just want all you artists to know that you don't have to come up with color designs out of your head in order for things to be valid. Referencing design, photos, etc for color pallets is an IMPORTANT part of character and graphic design. (Just like using references for poses!!!) I like to find photos of landscapes or flowers and mosaic blur them- then pick the colors I like out of those. Great way to make cohesive and we'll balanced pallets.

real and true!!!

[pocket-deer-boy]

This is just a personal pet peeve of mine but i feel like a lot of online art tutorials overstate the importance of stuff like guidelines to get “correct” anatomy every single time and while those are typically really good handgrips for beginners we should also tell beginners about gesture drawing. Like maybe i’m being too animatorbrained here but being able to pump out a pose in anywhere from 15 seconds to 2 minutes and quickly move onto the next drawing without lingering on every little mistake is a really really good way at getting good at drawing people proportions quickly. If you make mistakes fast you learn from them fast. So here’s a little exercise:

Sit down, grab some reference images, draw ten poses in twenty minutes (or do ten poses in ten minutes if you’re feeling adventurous or confident) and take a step back and look at your work after the fact. Be sure to move from drawing to drawing quickly once your timer is done. Pretend you’re in a model drawing class and the model has already changed pose whenever your timer hits - finish up whatever lines you were drawing, move on to looking at what the model is doing now.

You will make a lot of shitty drawings, of course, but that’s not so bad. You only spent a minute or two making each one. Focus on the drawings you do like, and look at them as a whole.

Look at all the drawings together and how they fit together on the page. Look at little details and lines you’re proud of. Take note of things you found difficult to get right in such a short time. Take note of the things you liked doing. Do the exercise again, and focus in on the things you want to improve or explore.

Maybe you want to focus on how the torso conveys its weight on the legs. Maybe you want to focus on how shoulders and arms bend around the neck. Maybe you want to focus on how to convey depth on the torso. Maybe you can learn something more about how to draw a body if you only draw using sharp lines and angles. Maybe you can learn something more if you only draw using squiggly, overlapping lines. Maybe you can learn more about how to draw a body if you only fill out the shadows with thick, quick lines. Congratulations! You’re not just learning how to draw a body, but you’re now also exploring your tastes!

This is a fine exercise to do alone, but it’s a lot more fun to do as an activity with a small group so you get to discuss the art you made together.

[avelera]

Arcane's Jayce & Viktor: A Tech Industry Perspective

I've been wrestling with whether to make a short and sweet post about these points or to just have another long-winded meta and clearly since I'm incapable of being brief, I guess we'll just dive in.

I work in tech. What I see in this industry colors a lot of how I see Jayce and Viktor in Arcane. I'll try to be brief about a few of the things that stand out to me the most and that I think are intentional.

1 ) Jayce and Viktor are references to Alfred Nobel - This is a historical reference so direct I genuinely don't know how people grasp Jayce and Viktor's characters if you don't know about it.

Alfred Nobel is known for two things: inventing dynamite and bequeathing his subsequent fortune to founding the Nobel Peace Prize. These things are very much related.

Nobel was brilliant but socially naive. When he invented dynamite, he intended it to make life easier and safer for working in mines. Sound familiar? That is literally what the Atlas Gauntlets and Hex Claw Jayce and Viktor invented with Hextech was posed to be. It is a direct reference to Alfred Nobel and dynamite, there is no question about it in my mind whatsoever that they pose the benefit to society as specifically being useful to miners.

Nobel also believed that the awesome destructive power of dynamite would mean the end of warfare. Literally. He thought it was so disgusting and unthinkable that people would use explosives on each other that it would grind violence to a halt. He was very, very wrong about this. So wrong, in fact, that he spent the rest of his life in horror and remorse at how explosives were being used to kill people and created the Nobel Peace Prize to promote innovations aimed at peace, a prize which annually recognizes those who "conferred the greatest benefit to humankind".

Likewise with Jayce and Viktor, they are both horrified to imagine Hextech used for warfare and we think they're incredibly socially naive for thinking this, because they are. Maybe in another universe, there'd be the Talis Peace Prize to try to make up for what they unleashed on the world. Which brings me to my next point:

2 ) Jayce and Viktor have typical engineer blindspots to society's ills - As I've discussed in-depth in another meta, Jayce and Viktor both desperately needed some non-STEM or scientific classes in their life because their worldview is so naive and stunted as a result that it's the source of a dizzying number of their problems. Neither of them could even consider that Hextech, like dynamite, would be weaponized immediately. But they have other huge gaps too as a result of their narrow focus on science, and I do believe this is intentional by the writers as a commentary on engineers and tech people in general.

Short version, Jayce desperately needs some understanding of history and of rhetoric. When Ambessa asks him if his school teaches military history, he doesn't even know if they offer it. She was testing him with that question and as a canny manipulator and general, she clearly takes that to mean she can run circles around him, and she is right. Because with incredibly simplistic plays to his male ego, like calling his leadership "impotent", Ambessa immediately gets Jayce riled up and not thinking clearly. She blindfolds him, spins him around, and shoves him headlong into taking violent military action in exactly the direction she wanted him to go in to kick the nest and set off a war.

Jayce is also easily manipulated by Mel for more benevolent but still self-serving reasons with appeals to his life's work with flattery, his male ego with sex, and his dreams for a better world to make him fall quickly into step with the city's corruption with only a little nudging because he has no strong civic understanding of his own to fall back on. As Cait notes, he's never taken an interest in the Council or politics before until he becomes a Councilor himself.

Short version for Viktor, he wants to make the world a better place but he's never actually had to think through human nature before. He's literally never bothered. We know this because of his blindspot towards Hextech weaponry where he truly believed they could avoid it being used for warfare, and the fact that later in his cult, he's somehow shocked to learn that people will do bad things for the ones they love and won't just slice pieces of their own nature and personality off to fit into his little Utopian commune.

Literally cracking any kind of history or sociology book or heck, a Pratchett Discworld book, would have told him that there's a straight fucking line between deciding people are the problem when it comes to fixing society's ills and eugenics. He falls headlong into that trap and it requires his older, wiser self to beat him over the head with the truth of the horrors of his own simplistic worldview would lead to before he literally annihilates all life in his home city in his attempt to save it.

Which brings me to my next point:

3 ) Jayce and Viktor as oblivious tech nerds who have never cracked a book open but suddenly thinking that because they're great engineers, they have the solution to all of life's problems.

This is a somewhat shorter point, but I think in modern society we all know about the proverbial tech bro who keeps reinventing things like public transportation and taxes because they've never read a book in their life that doesn't have equations in it.

To be clear, they aren't bad people! I'd even hazard to say that young tech bros trying to make public good-based startups with a laughable lack of social awareness aren't bad people either! If anything, the education system has failed them, and they're pouring their intellect and earnest, human desire to help others into endeavors with the narrowest possible world perspective, which happens to be their field of expertise and thus it makes sense they'd see that as the greatest value that can offer, it's just too limited a view so they end up reinventing things that already exist or making worse, more dangerous versions of things that already exist. Tragically, their naive but well-meaning worldview often leads to:

4 ) Viktor and Jayce, but mostly Jayce, as tech bros being beholden to billionaire interests to make their dream come true:

Like Jayce, we see how these tech bros have their vision co-opted by people with a broader vision and understanding of the world, by billionaire investors who turn their inventions into making a quick buck for themselves, to warmongers and dictators who turn the creations of their mind into surveillance state horror stories. Some of that is a lack of wisdom on their parts when it comes to building in safeguards, sure, but part of that is there is a class divide too between the powerful and bright-eyed young inventors who just want to improve the world. As Singed notes, no one in power is ever innocent. And those in power have the capital to make a young inventor's dream come true and thus, tie them to their demands and interests. As Jayce said, they built the Hexgates, "Like [the Councilors] asked." Specifically this indicates that their vision has already been co-opted to serve financial interests. It also, again, makes it almost laughable how naive they are that they didn't realize warfare was next after trade.

Like many tech bros with billionaire investors, Jayce relied on the Kirammans, who were one of the wealthiest people in the city and literally on the Council that represents the State, and on Mel who is also part of the State, who is the wealthiest woman in Piltover, and who comes from a family of world-conquering warmongers, to make his dream come true from the very start.

From the beginning, Jayce was at a losing disadvantage when it came to keeping his dream ideologically pure and free of the influence of the wealthy and powerful.

And finally, just to point out that I'm not making this up, that these parallels are in fact intentional and built into the story:

4 ) Jayce and Viktor as parallels to Steve Jobs and Steve Wozniak, founders of Apple. Christian Linke, co-creator of Arcane, specifically noted them as inspirations for Jayce and Viktor's relationship, with Jayce (Jobs) as the face of the company and Viktor (Woz) as the real brains behind the invention.

This caused a lot of sturm and drang on Twitter with people misinterpreting that he means Jayce isn't the actual inventor of Hextech, which I think is an overreaction. Jobs, unlike many tech bros who have earned society's ire lately like Musk, was actually an engineer too. It's completely common in tech spaces for partnerships to be made up of one partner who is able to handle being the public face of the company, and one introverted and socially awkward genius who prefers to sit in a dark room and actually tinker with the problem and who would literally rather set themselves on fire than talk to a non-technical human being. I know because I've been in such partnerships before myself as the public face.

Where Jayce and Viktor rather charmingly buck the stereotypes of that relationship and so in turn actually make it more like what I've seen in the real world, is the fact there isn't resentment between the two as a result. Viktor is glad that Jayce is willing to be the public face and doesn't want to get in the way. This is actually very common with the engineers I know! It's not seen as glory stealing, it's seen as sparing them awful, painful work they don't want to do, like networking.

Yes it means Jayce needs to sacrifice some time in the lab, but it's a simple division of labor that he's happy to do, especially if it frees Viktor from the responsibility so he can focus on what he loves, because Jayce loves him. And you'll note that Jayce is very above-board academically speaking on this front, he always cites Viktor as his partner and is scrupulous in giving Viktor credit, in conversation at least, even if he doesn't forcibly drag Viktor on stage to take credit there.

Anyway, when I write meta or even fic for these two, this sort of background is always on my mind, and I thought it might be valuable for others who maybe aren't as familiar with the tech space as I am.

[rhaeheartzsquirrelz]

Ellie Williams x Female Reader Headcannons

Only women can interact, sorry not sorry 😝

A/N: idk i got bored and just yapped (I use these for my fics btw, expect to see some of these being implemented).

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Fluff .☘︎ ݁˖

Keeps everything you give her. That includes gum and candy wrappers, unopened chocolates (it’s expired and probably molding), stuffed animals, tickets, and even pencils that she accidentally ended up breaking.

She keeps a box specifically for those things.

She’s definitely a hourder. Every little trinket she sees will be hers. On the ground or not, she’ll stuff it in her pockets, bring it home, and display it on her desk for you to see. Even though she tries to be nonchalant about it.

Loves when you cook, not because she can’t but because she claims that she food tastes a thousand times better when it’s made from your hands. Also because, apparently, your special ingredient is love.

Takes you out on museum dates so she can watch as you look up in curiosity at the display of skeletal remains of a dinosaur. She likes the fact that the two of you share interests, it gives her awkward-self something to talk about.

On the topic of awkward, the first time she’d ever had a conversation with you ended up becoming the most embarrassing thing she’d ever done in her life. Stuttering, pausing inbetween sentences, or just straight up forgetting what she was talking about pretty much sums it all up.

Stuffs her mouth with the sweets you bought. Next thing you know, the whole box is gone.

This woman YELLS when she’s on the game. Cursing every sentence turns into rage quitting and shutting off her console. Afterwards, she’ll immediately come to lay ontop of you and burry her face away into the crook of your neck; patiently leting you work your magic on easing her up.

Tells you that matching is childish but secretly ADORES the idea (Mainly so everyone knows you’re hers). You want matching pajamas? Done, she’s bought the two of you five pairs. Wanna get matching keychains? Ellie will handpick every trinket you like from her collection and grunt through the process of hand-making a one in a million keychain for the two of you.

She wears it everyday.

After her hard work she expects you to take care of her sore and achy fingers with extra love and attention. She’s talkin’ kiss the pain away and smother her with cuddles. Even spoil her with chocolates.

Loves when you call her baby. That special nickname gets her going; it might as well as be her motivation to wake up.

Likes being babied… (She’s not proud of it.)

Finds your weirdness endearing because she’s never been comfortable enough to openly be herself; dorky and cringe. She’d rather be nonchalant and act all tough, even though you see right through her act.

Makes dad jokes.

LOVESSS to hold your hand whenever the two of you are out. Small things like resting your head on her shoulder, giving her arm a squeeze, or even staring at her for a moment too long can get her red.

NSFW ༉‧₊˚.

She’ll memorize ever inch of your body during sex and use it as a reference for her drawings.

Her journal is now full of all the different poses the two of you had tried out.

Every little thing you do gets her giddy: squirming your hips, biting your lip, tugging at her hair, or even moaning her name, those are all the things that get her wet. Drenched even.

PS: she’ll get extra wet if you run your fingers to the back of her neck and hold onto her from there— you can ever grip at her hair and she’ll end up whining for more attention. (Even though YOU’RE the one getting strapped down.)

Likes to have you on your back with your legs spread so she can see just how good she’s doing you.

Loses her shit whenever you praise her. Whether it’s when she’s being ate out or when she’s pounding into you, she’s most likely to cum from just watching and hearing you.

Holds your hands in almost every position because that’s her silent way of showing you how mushy you make her. Also because she likes the idea that you’re still paying attention to her rather than the strap she has around her hip.

Loves how you taste. She could have you for breakfast, lunch, and dinner if she could.

Fav combo: fingering + oral. She swears it gets you (s)creaming.

[jaggedamethyst]

bucky barnes and his physical media

pairing: bucky x reader, use of she and girl once or twice

content: bucky is obsessed with physical media, especially photos…but he hates being in them. you try to change that.

notes: minors dni, slight smut but it’s honestly pretty tame here, some obligatory bucky angst. i don’t believe in proofreading I fear.

word count: 1.8k

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Growing up Bucky quickly gained a fondness for cameras. He loved to capture the images of those he loved--moments in time for which he could always look back on when he missed them.

He considered himself a confident guy and took said pictures at any opportunity he was given. He figured someone would always want to look at a face that perfect, if he could say so himself.

It was different, though, when the reflected images no longer were of the young man so keen on going to war. When the moment in time was one that could only elicit one of fear. He couldn’t recognize himself these days, not after being the Winter Soldier. The man was now adamant about not having memories that preserved him as he was now. Not when he was a shell of the man he’d known years ago.

If he absolutely had to take pictures, he was even more sure it would never be on a fucking phone. Not only are they the most fickle objects imaginable, he also hated the damn cloud. He wasn’t entirely prehistoric; he understood when people said that it was a way to store things…but a cloud. He’d had one too many mishaps with technology that things randomly disappearing from the cloud was not too far fetched in his mind. If he had to preserve something special to him it would absolutely be in an album. An album was tangible, and if it came to it, he could easily grab the stack of them in a hurry.

Physical media was absolutely near and dear to him. Whenever an old show was nowhere to be found, he clung to his DVD sets like a lifeline. The same could be said of his photo albums. They quickly became a way for him to reclaim some of the power he felt was lost with his mind. But taking pictures and storing them, to him, was therapeutic.

That's how he ended up with several albums on his shelf. Some were miscellaneous, ones that had yet to be sorted. Others solely for pictures of nature that he found calming to look at.

Nothing compared to the album he had of you, though.

An inadvertent smile would always creep up on his lips when his eyes met the spine of your album. Just the sight of your name sprawled in his handwriting was enough to make him feel warm inside. Inside were photos of you, some candid, others posed. He hated pictures, but for you he would at least attempt to stomach the feeling .

He flipped through the pages as he always did, feeling sort of proud he’d managed to take such great snapshots in time..and even more that he preserved them without the damn cloud.

Bucky made note to add more to this album; it wasn’t nearly as full as he’d like. With that, he swiftly closed the album—a gust of air causing one photo to fly out of the book. He grabbed the print that lay at his feet, not thinking much of it other than it would be returned to its rightful place among the other portraits of his girl.

As he flipped the picture, a heat quickly spread across the man’s cheeks. Oh. He definitely was not expecting this.

A selfie. Yes, that’s what it’s called. He’d learned that word a while ago. Somewhere in time he also learned that while people could be “in the nude,” they’d also referred to risqué photos similarly. Yes, a nude was how he would describe this one.

The man had seen many works of art in his day. Some of which were dedicated to his friend for his accomplishments in war. Others, of objects, like how Bucky would leisurely snap a photograph of a bird sitting stoic in a tree.

None of that compared to the polaroid he’d laid eyes on right now. His thoughts reeled in his mind, observing every detail. He knew it was hard to capture yourself in frame with these print cameras—no clear indication of what was in focus. But you were skillful.

The sun cascaded over your body, highlighting your skin in a way he’d never seen. He couldn’t see your face above your lips, but they curled in a way that seemed purposeful. How he’d do anything to see your eyes reflect the light of the sun that day. He slowly placed a finger on the photo, tracing the curve of your neck…your shoulder…your fingers.

No. He mentally groaned. The curl in your lips, a smirk, made sense now. You’d covered yourself where he wanted to see most. Hands crossed over your chest but your skin remained bare, teasing him. He felt so disgusted with himself even thinking this way, wanting to see more. It’s not like he hadn’t already, but in this moment the taunting imagery drove him up a wall.

He’s not sure when exactly he’d sat down on the couch or when his pants got to be pooled at his ankles. He’s even less certain of what time it is, but your footsteps approaching his door bought him back to reality. You’re off work.

The now strained fabric of his pants irritated him. Not only did your nude leave him extremely worked up, but he didn’t even finish before you got back.

Your voice resounded from the door, “Buck! I left the key, can you open up?”

“Coming!” He froze, an audible huff leaving his nostrils at the poorly timed reply.

He placed the photo in his back pocket before stalking towards the door.

With a swift swing, the door opened to your smile on the other side. Unlike the mischievous smirk that was printed in the picture in his pocket, this one was borderline affable. He let out what could only be described a a mixture between a scoff and chuckle.

You quirked a brow, “um, what's funny?” You rounded the space left by Bucky’s shoulders, making your way towards the kitchen.

“Nothing,” Bucky replied with a hint of sarcasm, “just had a bit of a weird day.”

“Really?” You turned to start the faucet, washing your hands before looking for something to drink. “You…wanna talk about it?”

The man felt his chest continue to rise and fall at an erratic pace. As the water continued to trickle he became painfully aware of the situation in his jeans at the present. Fuck it.

He reached for his pocket, quickly whipping the film towards your back.

He tried to level his voice in an attempt at asking his next question in the most nonchalant way he could muster. “Baby…what’s this?”

You craned your head away from the faucet a bit, “huh?” Grasping a towel, you slowly turned towards the sound of Bucky’s voice. “What’s wha- oh-”

An obvious shock appeared on your face but had he not looked close enough he would have missed it. The shift to an indifferent facial expression perplexed the man--even more when you replied in a chipper tone.

“Oh! I just got this new camera the other day at the store.” You moved past him, turning the corner and heading down the hall towards the junk closet you guys kept. He followed your movement with his eyes, stuck in place with pure intrigue. The distance and scrambling left your voice low to his ear. “You wanna see it? It's so cool and it wasn't too expensive!”

He moved back towards the couch, slouching a bit. “Sure, baby.”

Bucky twisted his head at the sound of you walking, no skipping, back towards the living room. “This thing is so easy to use, Buck. I feel like a pro like you.”

“I am not a pro,” he mumbled, his hand meeting his forehead.

He felt a hand on him, brushing his hair back. The nudge forcing him to lift his head to meet your eye. You’d knelt on the floor in front of him.

“I,” you planted a kiss on his cheek, “think you are amazing at taking pictures.” A pause loomed in the air, “but I wanted to do something for you…show you can be a great subject too.”

You placed a finger on his shoulder, urging him to lay back. “You should get comfortable, Buck…because this,” you gingerly plucked the photo from his grasp “is just the first installment to an amazing collection I think we will have.”

Bucky absolutely needed to work on his recollection skills—his ability to focus too. He again found himself with his pants down and no idea of how he’d come to be that way. This time, a cool breeze swept against his chest—his shirt somehow flung across the room. He absolutely did not mind, though.

The way in which you seemed to be skilled at everything truly blew his mind. With only a hand pumping him up and down, slowly at that, he’d found himself writhing against you. Whispers fell on deaf ears, as he’d quickly become overstimulated from his lack of release before.

“I- I-,” he stumbled as he usually did with you. There was no time when you were together when he didn’t feel at a loss for words. But here, with himself dripping all over your hands, your eyes looking at him expectantly, and your gentle lips grazing against his skin—he was struggling to even say more than one syllable.

You assured him, “it's okay, I know.” Simple words, but enough to make his insides tingle.

“Fuck…please,” he uttered your name. “I can’t-“

Your soft hands grasped his face again, a silent request for his eye contact.

It was so unfair, he knew that she knew that’d be his weakness. As quickly as it started, Bucky would finally finish. A feeling of euphoria and relief rushed the man, his skin prickly and glossed over with sweat.

“This is perfect,” he lowered his head a bit to see you back on your knees, this time holding your hands up. An arched brow raised on his face once more…you could be so damn elusive sometimes. At a further look, he could see you there, one eye closed. He searched between your hands, they were making L shapes in the air.

“Actually perfection,” you said with a flourish of your fingers. You leaned back, grasping your camera from the coffee table. “Now, be good James and don’t ruin my work.”

“I don’t know what you mean-“

Your finger met his skin, softly mixing in with the wetness now drenching his lower abdomen. He felt you marking a shape into the puddle—a heart?

Before he could even register, a flash. You’d taken a photo.

“Like I said, perfection.”

You left the polaroid beside the other on the coffee table, planting a kiss on the man's lips this time.

Bucky’s smile creeped up on his face, a happiness enveloping him.

“I think we need a new album.”

[greenplumbboblover]

[Download] Lyralei's Pose Addon (Early Release)

It's finally here! 🎉 An successor to Virtual Artisan’s incredible Pose Addon!

VA’s Pose Addon has always been an essential part of my game, but it’s no secret that it had a few quirks and issues. While fixing those, I couldn’t resist adding some exciting new features to take it to the next level!

DOWNLOAD:

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Requirements:

Cmomoney's Pose Box

Why Not Use Virtual Artisan's Pose Box with this mod?

This mod is an update to their original mod! Since it’s no longer available on their website, I decided to fully integrate it into this mod.

What does that mean?

This mod includes VA’s Pose Addon, so you don’t need to download it separately. Just make sure to delete the old version to avoid any glitches or conflicts! 😊

⭐ New Features:

Most things that are mine can be found under "Photo Shooting" > "Lyralei's Pose Addon".

👀Better Look at

Ever posed a sim to look at something next to them, but they do this weird "eye roll-y" and "nudging slightly to the left" type of look at?

Or maybe you simply wanted to make the eyes look somewhere and not the head?

Let's check it out:

Here we have Morgana, looking normally...

Left = Va's Pose addon - Right = Lyralei's Pose Addon.

To get started, first pose your Sim as usual! Once they’re in position, simply click "Look At..." to make it work.

Massive thanks to @thesweetsimmer111 for helping me on this!

Look at with just the eyes:

As mentioned, you can also just move certain parts of the body! In this case, the eyes!

(Left: No Look At, Middle = Looking left, Right = Looking up)

This is done with something called a "Track Mask". When selected, the only parts of the sim will move that fit the chosen trackmask.

For example: Track Mask "EyesOnly" will ONLY animate the eyes!

Blending Poses

Can't find a pose online that fits your needs, but you do have 2 poses that would totally fix that?

Not a problem anymore! With "Pose Blending" you can use a pose "base" and then overlay another pose to create your own dynamic poses!

Here are some examples!

On both cases, we have the "base" pose on the left. Then I have chosen to blend it with the pose in the middle, to get this as an end result! :)

How to:

First, pose your sim as you normally would

Go to "Photo shooting..." > "Lyralei's Pose Addon..." > "Utils..." > "Blend" > Choose whichever option you'd like to use! :)

Pick the Track Mask you'd like to apply. If you only want the upperbody to be affected, click that option.

Click/type in the pose you want to blend it with....

And tada!

Sitting/Laying poses:

Even that's possible! :) Keep in mind, though: The base pose HAS to sit/lay/etc. Otherwise, your sim will elevate!

Categorised Pose List

Frustrated because every time you want to grab a pose from your list, it takes 3455325352 years for the list to load? Well, wait no more!

Completely customizable through XML, you can now sort poses in their own respective categories!

Need a sitting pose? no problem! Just go to Lyralei's Pose Addon > Take pose From... > Common List > Sitting, and there you have all your sitting poses! :)

Can I customise this list myself?

Of course! I wrote a How-To here: Click me!

🕰️ Show History

The Add-on remembers your pose history!

Whether you’re a dedicated “Pose by Name” user or prefer the simplicity of “Show by List”, both options now display your pose history for quick reference.

Note: Each Sim has their own individual history list. This means you’ll only see the pose history for Sim X when clicking on them, and not for Sim Y.

What did I fix for Virtual Artisan's Pose Addon?

I've made sure to keep everything as it used to (and if I made a replacement for it, it's now labeled with "[LEGACY]" at the beginning of the interaction).

But, of course there were some bugs that came with it.

Changelist:

There is now an interaction that uses both look at & reaction simultaneously. (In case you don't want to use my look at interaction).

Fixed an issue where reactions would sometimes or never show on the sim.

Fixed an issue where sims didn't always want to look at the item.

Fixed an issue where certain poses get called twice, making it harder to keep reactions or even look at history data.

Optimised the code here and there.

Most interactions will now continue on posing your sim if you exited out of the interaction, rather than resetting it. (this counts for "Change Expression" and "Look At").

DOWNLOAD:

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[nikoco11]

I love the way you draw bodies sm! They're always so fluid and unique!! Do you have any tips?? (other than the super obvious look at a reference lol)

hi thank u!! rather than just looking at refs, i explained how i actually use them here in a big old post, and how i keep those poses fluid!

another tip tho, and a more recent thing i’ve been doing, is that i use a ref just to decide a general idea for a pose and then pick my favorite lines either within the reference already or i make up my own

^^ for above, i very loosely used the reference at all. it just gave me an idea to start with for a pose and then i picked dramatic curves i really wanted to do and pushed the pose to show those lines.

a lot of my fluidity comes from caring more about those lines showing in the pose than the pose or anatomy actually making sense LOL

this is a more direct reference !! i liked the angle and the point of the knees, so i started there and then exaggerated what i wanted to draw more swoopy :3

additionally helps line confidence to use as few lines as possible.

it makes a lot of organic swishes and pretty lines if u try to keep each section of a limb or whatever to just a few strokes. 2-3 if ur really wanting to push it!

[kozachenko]

Finally decided to play around with my old lineless style again! Also figured out a way to draw Reimu that I actually really like!

Artist's Notes;

I've mentioned in a few earlier posts that I've been wanting to draw in my lineless style again for a while as a way to test what I've learnt from my previous style in regards to lighting. I did the face first and then for a while was thinking about doing a full body illustration of Reimu just to draw her outfit again. I'll talk about the face first since that's the first drawing I did in this batch.

For the longest time I really couldn't find a way to translate Reimu's face into my style. I was able to make her clothes work out well, just not really her face. I did like elements of how I drew her face a few other times, namely the tiny eyebrows and her pupils, but they didn't really feel like Reimu to me, or at least how I imagined her in my head. I then realized that it was less of a problem with the entire face and moreso the eyes, and it took me quite a bit of trial and error to make something that I was happy with. Also, as much as I thought the tiny eyebrows were cute, it didn't really make sense with her character. Like, from what I know about Japanese history, plucking your eyebrows was something that nobles (rich people) would do, and since Reimu is...neither of those things, I decided to just give her some thicker eyebrows instead (I will be saving the plucked eyebrows for another character though, so they will return). After I got to a face I was happy with, my next challenge was the hair. I did the front part first and liked that enough to continue, and then after more trial and error I realized that deep down I was a short-hair-Reimu-is-best-Reimu-truther this whole time because once I gave up on the long hair and gave her shorter hair something just clicked in my brain. And so, after drawing her outfit in again (this time without the yellow tie which is kinda sad but I'll find a way to incorperate it into future designs because it just was not making sense to me in context with the rest of the outfit) and finnicking around with the bow, I came to a version of Reimu's face that I actually liked. I thought that it made more sense for her character to have her cut it short, mainly because she's doing a bunch of Youkai extermination and she has to keep her hair out of her face somehow. I still wanted to make it kinda messy though, as Reimu is probably too lazy to clean it up herself. I think another reason I like it so much is because in Forbidden Scrollery, Moe Harukawa gave Reimu short hair and that really suited her, so I guess that was just a subconcious reason as to why I liked it so much. I also think that the shorter hair helps to separate her a lot from Marisa, as I think Marisa looks really good with longer hair. Speaking of, now I wanna do a drawing of her and Reimu together to really solidify how I draw them (unlike the previous version where it was just them standing). As much as I do like the face, I am concerned if she looks too much like how I drew Keiki now, but that might just be a product of the stylistic choices I made with her eyes and I might just be overthinking it. I am hyperaware of same face syndrome so that's probably the reason I'm so concerned about it lol.

Now for the fully body drawing. I was struggling to think of a good pose for her, so I just took a picture of myself and used that as a reference while still making slight adjustments for readability's sake. This is another case of, "I've looked at this too long and can spot every single issue with it" but this time I'm still happy with the final product mainly because this was a test drive for how I want to develop my lineless style in the future and for what it is I am more than pleased with the result. The main reason I deviated away from my lineless style was mainly because I was having a hard time with the lighting and making it interesting, and I am so glad that I've finally found a way to make it work! I'm especially happy with the clothes, as I think clothing folds are really fun to draw. I was somewhat inspired by the works of J.C. Lyendecker and the way he draws clothes, though admittedly it is not a one to one, since I mainly wanted to try implying the shading of the clothing folds with shapes (I do really want to do a study of his style one day as his art is incredible). So for the sleeves, I drew in a bunch of triangles where I wanted there to be a strong highlight, roughly coloured in the inside, and then blended them all so it looks like a more subtle. On both of these drawings, I also added in a noise filter to give it some texture (as that's what I used to often do with my drawings) and while I do like it, I might want to experiment with making it more subtle in the future, as it's pretty noticeable in both these drawings. Overall, I'm really happy with the lighting and colours of this drawing, and while I could nitpick several aspects of it (her hand holding the gohei looks too tense, I tried making her look like she was standing on the balls of her feet but the positioning of her Gohei's trail of papers ends up making it look weird, and I could've put more effort into the hair and bow and so many more things), this is more of a piece for me to experiment with my style again, and I'm excited for when I get a new idea for a piece, as I really wanna try some more stuff out with this style!

[lackadaisycats]

Hello! Would you happen to have any recommendations for realistic anatomy books on humans (for art purposes)? A lot of the online anatomy references are very exaggerated and the models have only 'ideal' body types and don't depict any others (E.g. Online male anatomy references are extremely buff for no reason). Thank you for the help :)

I do have a small collection of anatomy-for-artists books, but honestly, those are also populated predominantly with people who look like living Greek sculptures. So, I asked around a bit for both book and online sources. Here are a few things:

Height Weight Chart -- A library that people have contributed multitudes of their own photos to. Some people took turnaround photos in form-fitting clothes. Some are just one-off snapshots of people in street clothes. But, both of those things can be useful in their own way, and there certainly are a lot of body types here. (Thanks for the link, Fable).

------------------------------------------------------ AdorkaStock -- Features a whole free pose gallery containing a really excellent array of varied bodies. The photos generally focus more on form than costume, and if anything, the extremely sculpted bodies you tend to see in other stock libraries are de-emphasized here.

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Satine Zillah -- An expansive library of downloadable photo packs. Most of them feature athletic or thin body types, many are heavy on costuming, but there are some that focus on more variety if you take time to scroll through (elderly bodies, plus-size bodies, people with dwarfism, etc.)

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Morpho -- I know a lot of people swear by these books by Michel Lauricella. Morpho: Fat and Skin Folds in particular seems to cover some ground that a lot of other anatomy/pose lessons just skip right over. Looks like it's available as an ebook too.

I hope that helps some! I'm sure there are other resources out there, though. If anyone has some solid recommendations, please leave them in the comments!

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there