#and i still cannot believe i can do art like this

[renthony]

Considering the fact that there's still ongoing waves of covid, bird flu is an active concern, and I'm disabled, no, I don't have in-person social life. And since people refuse to mask up, get vaccinated, or offer virtual participation in things anymore, my attempts to find wider social groups keep getting hamstrung. It sucks. A lot.

I've thought about joining the local French conversation group, but they don't have any covid safety protocols in place. I've thought about going to the weekly free art classes at the comic school, but they aren't covid-safe either, so I just watch the recordings when they upload them on YouTube later. I've thought about going to multiple groups at the local queer community center, but when I asked if they had covid safety protocols, their excuse was that "Ron DeSantis banned mask mandates, so we don't do that anymore," instead of doing literally anything to fight DeSantis. I keep thinking about going back to my theatre & stage combat troupe at the ren faire, but I got sick after the show every single year pre-covid and I cannot risk that "faire crud" being covid proper. I just can't.

I am an active member of a union, but that doesn't count for this poll because I exclusively participate online by video calling into meetings. I play D&D with my parents and siblings every week, but that doesn't count because they're family. I talk to multiple friends and family members every day and regularly check in with folks, but it doesn't count because it's on my phone. I hang out with my housemates and we do all kinds of things together, but that doesn't count because they're the people I live with.

I am being as social as I safely can. It feels really shitty that so many people think it isn't good enough. It feels really shitty to constantly feel like my choices are "be a weird angry shut-in" or "elevate my covid exposure risk." It feels like there's no winning.

If you genuinely believe that it's important for people to have in-person social outlets (and I do agree!), here's what you need to be doing:

Follow the People's CDC's Safer In-Person Gatherings guide (which is due to be updated for 2025 soon).

Get your updated covid booster. People aren't getting their updated vaccines, and it's a problem. If it is available to you, you need to GO. GET. YOUR. BOOSTER. And get your flu shot while you're at it.

Advocate for improved air filtration in the space you want people to meet in. Push for air purifiers if the HVAC system can't be fully upgraded. Help make Corsi-Rosenthal boxes.

At gatherings, provide FREE high-quality N95 masks for people who may not be able to access them. Get some for yourself if you can, and actually wear the fucking things. Over your nose and mouth. Properly.

Stop participating in social dogpiling when people make honest blunders or commit a faux pas. A lot of people have been isolated for years by this point. Social skills atrophy if they aren't used. Is that "weird" person in the group actually hurting anyone, or are they just awkward, intimidated, and out of practice when it comes to social groups?

Stop being a shithead to people who still can't participate. Stop entertaining the belief that people who don't have a robust external social life are "defective" or "untrustworthy." Stop treating people who don't have a robust social life as if they're dangerous, stupid, or shady. Sometimes people just don't have a robust social life. There are many, many reasons. It's not something you should make harsh judgments about.

Evaluate your space for general accessibility. Can disabled people enter and make use of the space? Is it mobility aid friendly? Sensory friendly? Are there things that can help make it easier for disabled people to find, access, and participate in the group? Have you asked any disabled people about how you can make improvements?

Get your fucking covid booster. It's on here twice because data suggests you fuckers aren't doing it. Go get your fucking vaccine.

I know I'm setting myself up for another barrage of, "Ren, it's just some stupid tumblr post, it isn't that serious" comments, but...well, it is that serious to me. I want to participate in social groups again. I want to go places and do things again. I want to go out. But I, and a lot of other people like me, just don't have the option.

You can help give us that option by giving a shit about covid safety and disability justice in your community.

Thanks, Anon!

-submit your poll!-

[ballet-symphonie]

I think the new Mariinsky of Coppelia is one of the most beautiful productions to come out recently! I'm really curious what you mean by stolen Pharaoh's Daughter! Please give me all the drama and tea. Also, what are they using of Ratmansky? I thought they went back to that grigorovich production of Sleeping Beauty? I'm so confused can you explain what is happening? Also, don't they still do Jewels? Isn't that Balanchine? are they even allowed? Sorry if i sound like I'm rambling but I'm so confused

Pharoah's Daughter

Here is an from NYT interviewing Ratmansky where he discusses the situation in depth but I will summarize it. NYT Article

The Phraroah's Daughter is a whole big drama. Alexei Ratmansky was creating a new reconstruction at Mariinsky before the war broke out.When Russia invaded Ukraine in February 2022, Ratmansky canceled the premiere in May 2022. Fateev (then director of MT) hired Toni Candeloro to finish the reconstruction.

Fateev said the whole ballet was re-choreographed by Candeloro but this is blatantly not the case. Ratmansky and his wife had spent 2 years going through the old notations and documents to create this restoration, the idea that Candeloro could create a brand new 3.5-hour ballet (yes it is that long) in a fraction of the time is frankly a tragic comedy on the level of Shakespeare. And of course, Ratmansky's name is nowhere in the credits.

Russians have also claimed that no prior knowledge or access to any of Ratmanksy's work was available, but I find that hard to believe considering there are clips of Ratmanksy rehearsing the ballet at MT still chilling on Mariinksy's Youtube.

Here you can read Ratmansky’s statement on Instagram on the matter, accompanied by Antonio Casalinho performing the famous act 2 pas d’action variation from Pharoah’s Daughter.

Here is a video of Kimin Kim in the same variation from the actual MT production. The two videos are nearly identical, this is clearly theft of Ratmansky’s work.

Copywright/ Theft

Ratmansky's name has been removed from all credits of the Bolshoi and Mariinsky. Yet his work, such as Flames of Paris, and The Bright Stream, and others, have been performed since he withdrew his work from Russia without Ratmanksy's name attached - which means he's not receiving royalties for these.

Licenses of Productions

Generally, to perform works by other companies, you need a license from either the company, the choreographer, or the choreographic trust (think the Balanchine Trust or John Cranko Trust). You negotiate fees for a stager/repetiteur to come and oversee the teaching of the repertory, and check-ins to make sure that rehearsals are going well, the style is being adhered to, and that the intentions of the choreography is correct, as the original choreographer intended. The license also covers costume details (are you making your own according to the style? Buying or renting from someone else?), staging requirements (tech, music, sets, lighting etc), how many performances, and with what types of credits.

Many of the Bolshoi/Mariinsky licenses to perform ballets by foreign choreographers have expired/are expiring. Western arts organizations are mostly not renewing them given the circumstances. Therefore BT/MT no longer have the rights to program those ballets and cannot do so without a high probability of facing legal ramifications.

For example, The Bolshoi no longer can perform their semi-recent premiere, Orlando by Christopher Spuck, these rights expired in March 2024. Similarly, their contract for Jewels is up as well as Nureyev created by Possokhov-Serebrennikov. Mariinsky's Jewels is said to expire in 2025. You can read more details here.

[art-is-kayos]

Sight of a Star - Blue-ish Star Ryōshū and Don Quixote

[scudismystud]

You’re on the right track but I think there’s more to it than that though. Spoilers under the cut.

Gale was told from a very young age that he would be a great wizard so he has to shoulder the expectation that he has to become one again after his falling out with Mystra (which I am of the opinion they were both wrong it wasn’t him just messing up with her- she was also using him but that’s a whole other conversation). Gale believes his only worth is if he is a great wizard and that is so heartbreaking. This is why he is so willing to sacrifice himself at the drop of a hat. He believes that if he can’t be as powerful as he was with Mystra and heralded as a great wizard instead of a great disappointment that he might as well give his life in a heroic way. He desperately wants to be great - like he views Mystra to be.

The reason he talks about her so often is because he wants to be her. This is clear when you reach Act 3 and he starts talking about the idea of becoming a god himself. Gale has megalomaniacal tendencies and will either pursue them if left to his own devices by the player because he just wants to be great. It isn’t until the player chooses options to tell him that he isn’t defined by his magic or grand power that Gale starts to realize he has worth just being himself outside of magic and Mystra. Yes he will always love magic but he becomes aware that it’s something he can enjoy without having to idolize Mystra in the unhealthy way he does through the first act of the game.

Relating back to your analogy, I think this is more of a case where Disney had all of the legal software to draw and you show talent from a very young age and everyone says you’re going to be the next great artist so Disney CEO hires and then starts sleeping with you when you’re of age. As you get older and your relationship is getting closer (at least on your end you believe the relationship is equal) you start asking for better software you know the ceo is using but they keep telling you that you aren’t good enough.

You then find out there’s a hidden software online that you’ve been told is an altered version of Disney software. You download it in the hopes of bringing it to Disney ceo thinking they’d be happy you found upgraded software for them but then they’re mad at you. They cast you out of their circle.

You then get a virus from that program that is going to slowly kill your computer if you don’t keep letting it eat your files and even though you can still use your other programs from Disney they don’t work like they used to so you can’t make art as great as you once did. You then are told by that ceo that they can stabilize the computer temporarily but you should get rid of your computer which would also kill you in the process.

On top of that you also find out the software you had downloaded never belonged to Disney to begin with. You find out other software has always existed but the public cannot be trusted with it according to Disney CEO. You find out you’ve been misled by the CEO for years and there’s so much more out there you could sharing with the world. You then start to pursue making yourself a CEO convincing yourself you’ll be different than Disney CEO.

I do think comparing Mystra to a CEO is very fitting because she does have a horrible power imbalance to the relationship she has with Gale so he sees her in a good light despite all the things she does wrong for way too long. I don’t think Mystra is evil but I do think that what she did to Gale was wrong and warped him into the man who thinks he needs to be a god to be worthy of being alive. To reiterate again this is why he is constantly talking about her. He wants to be her. He wants infinite knowledge and magic.

At least that’s what he wants if left to his own pursuits. If you romance him, he then starts to think of a future with you. He still talks about Mystra but it isn’t in the idolizing way it was before (“you make me forget my goddess” line my beloved). He comes into his own as a character who could see himself being happy as Gale Dekarios the man instead of Gale of Waterdeep the great wizard.

I feel like people don't grasp that Gale keeps talking about Mystra because (among other things) he's obssessed with magic.

I think it's hard to understand because in our world, any skill is an existence in and of itself but for a rough example,

Imagine if Disney had a monopoly on drawing. They were in charge of all of the drawing softwares, they own all of the art supply companies and hell, maybe they even own paper.

Now imagine you royally mess it up with the CEO of Disney. You love to draw but anytime you draw, it's ultimately seen or controlled by Disney. It must be rough. I feel for him, I really do.

Mystra isn't just some goddess connected to magic. Since most people can only safely access through the weave and Mystra manages the weave, as far as Gale is concerned, Mystra IS magic.

[thedrotter]

Re:Kinder Fun Facts of the day☺️!!! Have you ever wondered who talks the most from the main cast in Re:Kinder?? Well, I did😊. Today I'll be answering this question with some graphs and as a bonus telling you what words each character uses the most! I will warn you, this will be a bit long and I don't know how to be less verbose so, yeah!!!

First, I've made some basic rules as to what I counted regarding how much the characters speak. Not all lines really count as speaking, after all.

Any of the incoherent screaming lines don't count. There's a lot of screaming since the characters die a lot (as expected for a horror RPG game), but I don't really count that as speaking unless they're saying proper words. In that same vein, I didn't really count any of the panting or sniffing and such that are conveyed through words. Again, I don't really see that as a character actively speaking their thoughts!

If I cannot tell who a line belongs to, I will not give it to anyone. This happens for certain lines, so I felt this rule was important.

I won't be counting repetitions of the same line if it's on a variation of the same scene. This may sound a bit strange, but when a character dies, the game goes on to the same next scene it would regardless (unless the scene that follows it is an ending), with variations and new lines here and there to account for the dead character, but a lot will be reused and placed in the exact same beats it normally would have been in originally. So, this rule is here for that. Oh, and also the scenes with bits of Yuuichi's backstory that appear in Shunsuke's head won't be counted twice, because some appear twice line by line.

Of course, the "..." lines won't count. I am so sorry Aya!!!!😞

Now that the ground rules have been set, there's just one thing I want to mention. Though I will count all the total lines for Takumi and Yuuichi like any other character, I just want to mention that first I will have two separate counts for them! Takumi | Takumiel and Yuuichi | Yuuichi's Heart respectively.

Takumiel is separate because I was curious about how much Takumi spoke as an archangel compared to when he was alive. Yuuichi's Heart is because he speaks so much he feels notable enough to be given his own division, even if he and Yuuichi at the end of the day are one person

(I count the silly mind telepathy where Shunsuke is being directly spoken to [and being told things normal Yuu would avoid saying at that point] and the comical theater as Yuuichi's Heart. I clarify in case one assumes he only starts being counted the moment he's directly labelled as Yuuichi's Heart. Any line that can't be distinguished between Yuuichi's Heart and Yuuichi will be given to Yuuichi by default.)

With nothing else to be clarified let's get to the numbers!!!😊😊

First, the line counts with Takumiel and Yuuichi's Heart counted individually!! Here are the rankings:

Shunsuke (With a lead of 535 lines over second place!!)

Yuuichi

Rei

Yuuichi's Heart

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

You may be thinking— woah, does Shunsuke really speak that much?! You could say that, for a good chunk of those lines are from how he describes interactable points around the map and his inner thoughts, so they aren't all exactly said out loud. The benefit of being the protagonist, I suppose ww

Funny enough, Yuuichi's Heart has almost as many lines as Yuuichi does for not having that much time in the game, being on the higher end between the characters that don't get the benefit of being a protagonist (lol)!

Admittedly I had expected for Rei and Hiroto to have a more similar amount of lines given their nearly equal amount of presence, but for what it is Rei surpassed Hiroto by 51 lines! I also had expected for Takumiel to speak a little bit more than Takumi but turns out the opposite is true.

While the lack of lines of Takumi and Takumiel are to be expected due to their short time on the game, what stands out is Aya not even reaching triple digits between her other peers who are in there for most of the game. This is because a good chunk of Aya's lines in game are silence!^^" And thus weren't counted. If ellipses were a word, she surely would have reached triple digits, but unfortunately they're not.

Now the line count with combined sums of Takumi | Takumiel and Yuuichi | Yuuichi's Heart!!!

In here, the ranking isn't affected, with Yuuichi remaining second place and Takumi being last place. But the disparity of everyone's numbers compared to Takumi's feels a bit more clear to see when Takumiel isn't individually counted.

With Yuuichi's line counts combined, Shunsuke remains 318 lines ahead of him, but it also means Yuuichi has a 59% the amount of Shunsuke's lines; and impressive feat for someone who doesn't get the benefit of being the point of view for everything you press... Although he does also have an upper hand over everyone by essentially being the plot of this game ww

But maybe line counts do not suffice to tell how much a character speaks. Yes, Shunsuke has a bunch of lines from everything he interacts with, but is it really reliable to say he speaks all that much in all those lines? A good chunk of those could easily have 3 words each! So with this in mind, let's do a word count.

Even in a word count, Shunsuke has the lead, having a lead of 2,247 words over second place. But we'll see about that when we combine Yuuichi's numbers. Anyway, here's the ranking!

Shunsuke

Yuuichi's Heart

Yuuichi

Rei

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

This time, Yuuichi's Heart is the one at second place!!! It's pretty funny that he speaks more than his physical counterpart ww. I genuinely didnt think he'd out yap himself that way when I chose to count for him individually 😭!!! He has a lead of 63 words over himself, but a lead nonetheless.

In here, Rei and Hiroto are more even than in the line counts, with the difference seeming more minimal when put into words. But it also showcases that despite Rei having more lines than Yuuichi's Heart in the line count, those only get to have a bit over half of the amount of words he talks (To be fair he does get to infodump a lot in his section of the game).

And here's the combined word count!!! Suddenly Shunsuke's lead is only by a mere 55 words! So Yuuichi speaks about as much as he does with 318 less lines.

I must admit that I genuinely did not expect it to be that close. When I chose to count the lines for when you interact with things for Shunsuke, I thought he was granted to speak an absurd amount more than anyone else. But turns out that Yuuichi speaks about the same amount out loud when most of Shunsuke's are his own thoughts ww. But it does make sense! He is still the plot of this game.

So, after all those charts, here's the average/middle point of lines and words for characters to have, because why not, it's fun.

Average Line Count (YH and Takumiel counted individually): 197 lines

Average Line Count (When combined): 247 lines

Average Word Count (YH and Takumiel counted individually): 1,333 words

Average Word Count (When combined): 1,666 words

So there it is. That's how much the characters in Re:Kinder speak!

But wait!!! I am not done. I will share with you an additional fun fact... Did you ever want to know what word each of these characters said the most?! This one will be quicker, I do promise.

When it came to counting these words I did not count stop words, that being common words that are used all the time by everyone in English. "I, you, me, the, to, a, my, your, yes, no"... Words like that! Otherwise everyone would have one of those as their most said word and it'd be rather boring to look at. With that said, here are the words these characters say the most!

Shunsuke: Yuuichi - said 40 times! (this genuinely confused me so much im sorry he uses interjections so much I had expected it to be something like "huh" or "um" but no i dont know how this passed by me as i was rounding up all the lines he says or proofreading or writing all of those lines WHAT?!?! its been two days and it still takes me out)

Ryou: Shunsuke - Said 14 times

Sayaka: Murderer - Said 7 times (All in one sentence!)

Takumi | Takumiel (counted in one for how little he speaks.): Takumiel - Said 3 times (That name is so important, he said it thrice.)

Aya: Sorry - Said 5 times

Rei: Hell, gonna, look, Yuuchi - said 8 times (Most of the repeated words she says are stop words for she doesn't tend to speak about the same things repeatedly.)

Hiroto: Shunsuke - Said 17 times

Yuuichi (separate from YH): Problem - Said 17 times

Yuuichi's Heart: Mama - Said 24 times

Yuuichi (Overall): Mama - Said 31 times

So that is finally it. That is the fun fact of today.😊😊 Use this to woe your friends at parties!!!

I am aware Mami speaks about enough to be counted in, but this is pretty time consuming to do and I'm not sure anyone is invested on her enough to count her in. But if there's enough curiosity regarding that, I'll try counting her in. But for now this suffices.☺️ Thanks for reading!

[liquidstar]

and now for something stupid

[retrogradedreaming]

I need to start thinking of ideas for the prompt list I made to get myself to sketch more in October, but instead I'm drawing self-indulgent comics about cats 😭

[cuteniaarts]

Fanny, my sweet, beautiful girl

17.11.2012 – 14.04.2019

[jklpopcorn]

Wanted to draw a fnaf oc from like 9 years ago! Back when I was just starting to draw :) honestly one of the reasons I even got into it lol

Here's the original! It was drawn on a shitty old dying laptop in og paint :> I was BABY back then

Xbshdbhssv I loved her sm

[elainemorisi]

cannot tell if I'm Sturgeon's Lawing it, overextrapolating, or in fact remotely onto a thing, but... Media These Days is really taking shortcuts with like, [especially moral] characterization, right? like this isn't a remark in any direction about the contents of the morality, it's a remark about how many times I've watched/read a thing and sat there going like, I'm pretty sure you (writing) expect me to take this as believable, but you actually just have a paper doll mouthing words here, this isn't believable just because the paper doll is mouthing The Good Guy Words

and like it's something beyond Pet The Dog, is the thing. I've no objections to dog-petting as a tool. one identifiable difference being that The Good Guy Words are then later made load bearing for reversal, of all fucking things. it's one thing to have Designated Good Guy that's fine (and actually this stuff is more Designated Sympathetic, so again, "moral" being used very loosely). but if you want?? as I think you want??? me to first believe that DGG is in fact G but then! to be shocked when he isn't... you gotta do more than mouth words. we don't actually share an unspoken and obvious moral code, you the writer and I. but also even in cases where I don't outright disbelieve your definition of Good it... still doesn't work. there's still no there there

and like the fixes are there, but they're not so similar as to feel like the explanation is really in them (closest generalized fix is "remember the agency of other characters" but like that's a fix for so much bad writing it barely counts). it sorta just seems like this particular bar has sunk into the floor? but why?

tl;dr the experience is "I'm not conflicted[/shocked/moved], I'm confused" and I swear, it's increasing. often in total (but popular) shit, sure, but sometimes in not-utter-shit-in-every-other-respect stuff too. and just, why??

[whumpster-fire]

Broke: Chilchuck Tims is child coded.

Woke: Chilchuck Tims isn't child coded, he's a middle-aged, divorced man with grown up children.

Bespoke: Chilchuck Tims cannot be accurately described as either "child coded" or "not child coded" because he is a deliberate commentary on the idea of "child coding" itself.

Chilchuck, and half-foots in Dungeon Meshi in general, are given significantly more neotenous proportions and appearances (e.g. larger heads and eyes, rounder faces) than the other races. This is not universal for depictions of hobbits / halflings in Tolkien / D&D inspired fantasy fiction. Compare Chilchuck relative to the "tallmen" (humans) in Dunmeshi to how small races are drawn in something like Legend of Vox Machina (many of those characters are gnomes but whatever) or in basically any official D&D art. It was an intentional artistic decision to make him look like that. This is reinforced when he's temporarily transformed into a tallman (human) and in addition to becoming much taller he gains features that make him look more visibly middle-aged (stubble, eye bags / wrinkles, a more oval face) that he doesn't have as a half-foot. See also Marcille's transformed form and supplemental drawings of what all of the main party would look like as other races. However they do NOT look indistinguishable from actual children as portrayed by Dunmeshi's artstyle and have distinguishing features e.g. larger ears.

Chilchuck is frequently mistaken for a child in-universe, or treated / perceived as one even by members of other races who know he's a half-foot, and he hates this. His infantilization and that of half-foots in general isn't just a running gag, it's a significant plot point and source of discrimination. Like when the party gets impersonated by shapeshifters copying everyone based on the others' memories of them, and most of the Chilchuck clones look and behave more childish than the real one, and they almost get away with it, even though his party should know better than to think of him as a kid.

The narrative consistently takes the position that the people infantilizing Chilchuck are wrong, and are being ignorant/racist.

Conclusion: Chilchuck is definitely not "child-coded" in the way that a 700 year old shapeshifter that looks and behaves indistinguishably from a little kid for contrived reasons. However, he is intentionally designed to make it seem plausible for people who know he's an adult to still not fully believe it and this can make the viewers fall for it too. Which I guess is "child-coding" in a sense. But the message the work is trying to send is very clearly "Don't decide that grown-ass adults are equivalent to children and treat them like children because they have physical characteristics that remind you of a child you dipshit."

While hobbits aren't real and Chilchuck's traits that get him mistaken for a child are exaggerated compared to the vast, vast majority of real people, infantilization of grown-ass adults due to ableism, racism, or just people being dumbasses who forget short people exist is a real issue, and if you start shit with people for shipping Divorced Dad Chilchuck Tims with other characters or whatever you are displaying the exact attitude that's being criticized.

[writers-potion]

Writing Female Fighters

The Heroine Must. Fight.

Today's female protagonists cannot sit on the side crying and breaking down or whimpering as the battle ensues.

Readers want to see autonomous female fighters who can at least defense themselves with courage and adequate skill.

Not all women are the same, but the heroine should get her butt moving.

Less Muscle, but More Flexibilty

The average woman is shorter than the average man, which makes it more difficult to wield a long sword or slam something down on the opponent's head.

A woman who works out can plausibly be stronger than a male couch potato, but if her male counterpart works out as much as her, the man is going to be much stronger.

On the other hand, the center of gravity in a woman's body is lower than a man's which makes it harder to knock her off her feet.

She is also more flexible, which gives her advantage in grappling fights, making use of complex landscapes, or deflecting blows.

A woman's small size can also be an advantage if her opponent has only ever trained with male opponents. His big hands might not get a good grip on her slender limbs.

In historical fiction, giving your heroine good muscule build can be tricky as exercise was generally considered harmful for women, with some exceptions for horseriding any maybe archery at best.

In such cases, make your heroine an accomplished dancer or an eager horsewoman, or the only girl whose father considered to be son replacement and thus, gave her a boy's education.

Women of lower classes who couldn't afford to be fashionably weak will be plausibly stronger, perhaps even more than an idle gentleman.

More Room for Negotiation, but Prolonged Ruthlessness

In the Suspense part of your fight scene, females are more likely to negotiate and talk more, strategically trying to descalate the situation rather than attacking on a momentary impulse.

Generally, women are less aggressive than men and remain level-headed longer than her male counterparts, opting for non-violent methods first before using force.

Exceptions apply if she is trying to protect her children (or someone who she cares for as a child). Mothers can be tigresses.

A female pre-fight conversation may be: "If you had not done so-and-so and betrayed me with so-and-so, we could have been good friends as I thought we would be." "What do you mean? It was in fact you who brought bad blood between us. I can still hear you laughing with so-and-so, taunting me, purposefully making me look bad -" "But that was so long ago! If you want me to say sorry about something so insignificant, you should have just said so: I'm sorry. There. Satisfied?" "Ha! I can't believe you say that so easily. You still don't get it, do you?" "Who's being petty and unreasonable now?"

A male pre-fight conversation will be shorter: "Who's the coward now?" "You're wrong." "Prove it." "Bastard."

Compared to men, it will take more time for a woman's fight hormones (adrenaline, neurotransmitters and such) to kick in.

She would be slower to engage initially, throwing reluctant punches and thinking, but she'll grow more and more violent and lose all rational thought and compassion, and once she's in full flow, may not stop even when her opponent begs for mercy.

When writing a male-female duo, you can show him going for the first blow while she observes and strategizes first. When he's past his peak and panting, she is flying about left and right. Later when the tension wears off and she becomes wobbly and teary, she can rely on him to have recovered faster and distract other teammates so that they won't see her cry.

Plausible Skills and Backstory

In many cultures and time periods, the general attitude of society towards girls is that they have no place in fist fights or martial arts, unlike how it is encouraged for boys of the same age. So if your heroine has physical prowess that surpasses typical 'fitness' or is hidden, build a backstory of how she's obtained it.

For modern heroines, it can be as simple as signing her up for martial arts classes or yearly membership at the local gym. For historical fiction or girls with strict 'feminine' upbringing, it can be trickier.

It can be related to profession: maybe she was an erotic wrestler, catfighter, or an assasin who thought killing was more honorable than prostitution. They may have dabbles with it for a short time and is now trying to hide their past from their respectable employer or fiance.

It can be family backstory: Perhaps her mother was an accomplished martial artist or she had to fend for younger siblings on the streets from an early age. Maybe she was the only girl in a family of many boys who refused to be the punching bag.

Inexperienced Female Fighters

A woman with no fighting experience or training is likely to resort to one of these on instinct:

Try to talk herself out of the situation, attempting to persuade or negotiate for her life.

Grab something to use as a weapon. This instinct seems to be stronger for women than it is in men.

Use her hands to try and break free, or kick (often wth little success)

Pull hair

Scratch.

In a serious fight, pulling hair and scratching won't be helpful, except when the police come to find her body, they would find the opponent's DNA under her fingernails.

Plausible Weapons and Clothing

All of the above applies to scenes where both parties have no weapons, or has the bare minimum (like one dagger each).

Weapons are equalizers, and if your heroine is pointing a gun at her opponent she will definitely NOT hesitate to be the one to shoot first.

When giving your female character a weapon, choose one she can plausibly use. It would take an unusually brawny woman to wield a great medieval longsword.

For historical fiction, give your heroine something she'll plausibly own. Swords and firearm were a no-go for women, but archery was borderline acceptable.

For clothing starters, you definitely CAN NOT dress her in a tight miniskirt and chainmail bra with long, flowy hair and multiple silver chockers. Unless she's trying to seduce her way into her opponent's bedroom, and he has a chainmail bra fetish.

A practical heroine will have her thighs covered, preferably with leather but at least with fabric, since a lot of blood flows through the thighs and a slash would be critical.

She'll keep her hair tied, tucked under a helmet, braided back, etc. so that it won't impede her vision.

She'll support her breasts with a strong sport bra. In a historical eprioid, she'll either tie her breasts tight with a fabric bandage or support them with some kind of leather corset.

Invent a female version of male fighter clothing of the time you are writing about if it doesn't exist.

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[ruescott]

can feel my star wars divorce slowly but surely beginning. I can’t do this anymore besties

[mellowwillowy]

Yan! Lawyer Husband x GN Spouse Reader HCs

CW: mafia related stuffs

—𝒀𝒂𝒏𝒕𝒐𝒃𝒆𝒓 - 𝑳𝑰𝒇𝑬 𝑷𝒓𝒐𝒋𝒆𝒄𝒕 𝑬𝒗𝒆𝒏𝒕

Yan! Husband is a gentle soul to you, he can't and will never lay a finger with the meaning to hurt you! He just doesn't have the strength to do so, almost as though he was set to be so. It's another whole story when it comes to the others though, can you guess how many times he has pulled the trigger of a gun?

Yan! Husband who spoils you rotten with everything you could ever think of. Luxuries, reputations but never the forbodden knowledge he has tried so hard to keep away from you. No, he won't clip your wings. You are his songbird who gets to only fly inside the gilded cage but never in the outside world. He will create a stage of the outside world for you, but never the real deal.

Yan! Husband who paints a portrait of you whenever he's stressed over the cases he has to handle. To move the brush without any problem as your form starts to appear on the blank canvas, he has no trouble remembering you. Sculpting is no problem for him as well. He has spent all his lives honing his artistic skill just to eternalize you as pieces of art.

Yan! Husband loves you so much that he deems children as a burden and bothersome (adoptive too). He only needs you to build a family, he had no need for children to continue this lineage. His whole life revolves around you. If you pass away, he too, will pass away shortly after. That's how much he loves you to the point that death cannot separate you two.

Yan! Husband who might not look like he's able to do it but he is actually an S-rank gaslighter. He will trick you into believing that what he is suggesting is only to keep you safe! He doesn't really enjoy taking your autonomy directly unless it's needed (of course, in a way where you will not confront him about it).

Yan! Husband who will cover and remove all your bad track records (if you have any). He has the power and connection to erase any kind of dirt that is on you, you are his pristine pure lily-of-the-valley and you should not be defiled with those records. Live without any worry clouded in your mind dear, the laws will never tarnish your reputation when you have this lawyer backing you ^^

Yan! Husband who adores any sort of physical touch when it comes to you, yes, anything. Even if you hit him silly, he'd still love every moment your skin feels his. He loves hugging you the most, his face buried into the crook of your neck while taking a scent of you.

Yan! Husband who enjoys humming lullaby of yours to the point everyone's ears around him is bleeding from the repeating lullaby. Can this guy please hum something else for once?

Yan! Husband who will read for you whenever he has the time to sleep with you. He doesn't know what to say to you as his work is either foreign to your brain or a tad too shady. Childhood memories are not great too as he has long forgotten about everything the moment he pledges eternal vow to love you. He abandoned everything and lives only for you.

Yan! Husband who prioritizes you as his number one, even above his own well-being and career. He can still live even if he falls ill, his career would never fall out of track as he has the mafia under his grasp, but you can slip out of his grasp. And he doesn't want that to happen again.

Yan! Husband is without a doubt an infamous lawyer. Especially with how many times he has let the ringleader of that renowned mafia group slip out from the prosecutor and judge's grip? If you seriously think you'll be pronounced guilty of that murder, you better throw that thought out just like how he throws all the scapegoats and falsified evidence into the court. (Should I write a fic for this?)

Yan! Husband who will always make time for the two of you. While vacations are not as often as he wishes he could have, cuddles and tea parties sound nice enough for him to kill time with you.

Yan! Husband who has this cute journal that's filled with what you have been doing every day instead of his own daily stuff. Oh, your diary is almost his if you know how he reads it daily like a refreshment.

Yan! Husband who as much as he hates having to show you to the people at the official parties and events he has to attend, he just can't shake away the butterflies in his stomach as well! You are not just some trophy spouse, you are his beloved! A hand on your waist and a face that is seen whispering sweet nothings into your ear with a glass in his other hand. Oh, he looks so o-godly-handsome like a man who comes out from a romance novel!

Yan! Husband who is a man of greed, the embodiment of Mammon. Wealth is not something that he has never not possessed. So whatever the fuck you do, gambling or blowing it off somewhere in a dumb investment or stock, he won't make a fuss out of it. Instead, he'll teach you more about money management instead :/

"Do you want to learn how to invest? I know a way or two from my predecessor."

He will let you play all the money game you want and gives you the illusion of success despite all the trials and errors you made (he's the one who clean up all the mess lol)

I know that this is AFAB! oriented BUT Yan! Husband never wishes to impregnate you even once. No, he doesn't like the idea of you being in pain over a damn baby(ies) that could just take your life as well. He does enjoy fucking you without any protection on but that is after he tracks your safe day (man is literally fighting the fate of having you pregnant). He prefers you to not consume any birth control for just in case it causes harm rather than good to you. (Shots are a pass if you are scared of syringes)

He is A-OK with adopting if you are persistent enough about this matter and is B-OK if you want to get pregnant (AFAB). He just can't refuse and upset you...

So please don't imagine what would happen if darling dies during delivery :)

Yan! Husband who will always open his pocketwatch and kiss the picture of you in his pocket watch. How many times and lives had passed just for him to enjoy the solace of being your husband?

𝐀 𝐝𝐫𝐞𝐚𝐦𝐜𝐚𝐭𝐜𝐡𝐞𝐫 𝐛𝐲 𝐭𝐡𝐞 𝐛𝐞𝐝𝐩𝐨𝐬𝐭 𝐭𝐨 𝐜𝐚𝐭𝐜𝐡 𝐚𝐥�� 𝐭𝐡𝐞 𝐧𝐢𝐠𝐡𝐭𝐦𝐚𝐫𝐞𝐬, 𝐡𝐞 𝐢𝐬 𝐲𝐨𝐮𝐫 𝐝𝐫𝐞𝐚𝐦𝐜𝐚𝐭𝐜𝐡𝐞𝐫.

Yulian de Alpheus is a man of ambition. While he does share the same look as his 'father', the ambition he has is the complete opposite of Castiel. Castiel created him to seek the truth of life, Adam existed to be the Genesis of Life, Alan existed to be someone he didn't recognize and Yulian existed to live beneath the shadow of his spouse.

𝐘𝐮𝐥𝐢𝐚𝐧 𝐡𝐚𝐬 𝐧𝐞𝐯𝐞𝐫 𝐛𝐞𝐞𝐧 𝐚 𝐡𝐮𝐦𝐚𝐧 𝐚𝐧𝐝 𝐲𝐞𝐭 𝐡𝐞 𝐰𝐢𝐥𝐥 𝐚𝐥𝐰𝐚𝐲𝐬 𝐟𝐞𝐞𝐥 𝐚𝐥𝐢𝐯𝐞 𝐰𝐡𝐞𝐧 𝐢𝐭 𝐜𝐨𝐦𝐞𝐬 𝐭𝐨 𝐲𝐨𝐮. 𝐋𝐨𝐯𝐢𝐧𝐠 𝐲𝐨𝐮 𝐢𝐬 𝐡𝐢𝐬 𝐨𝐧𝐥𝐲 𝐬𝐚𝐥𝐯𝐚𝐭𝐢𝐨𝐧.

Taglist: @vinivave @destructa1 @szde8-blog @luminous011 @ush0 @annbourbon @randomnl @cassanderasblog @maam-appreciator @lem-hhn @fanatic-fan @flesh-eating-ladybug

(send ask/message to be removed from taglist)

[etherealkissed88]

how i manifest when i feel anxious •°. *࿐

i decide i have what i want…

when i feel anxiety -> i let it pass while knowing its only a human reaction

◦ since i am beyond just a human (i am limitless imagination/self), i know any anxiety is below me and it has nothing to do with my limitless self. i have exactly what i decided i have, regardless of any anxiety.

know anxiety usually comes from a fear of failure

◦ so, i cannot limit myself based on what i see or what i negatively assume my future will look like bc i am always beyond the 3d, no matter what feelings/anxiety my human self experiences.

◦ i become indifferent/i dont care about what i see or what i assume i will see because i know everything comes together in the 3d once i change self/know its done. fact: everything always comes together and works out in the end. being indifferent to the 3d = being indifferent to emotions, anxiety and everything that doesnt serve you.

dont fight it, dont avoid it, tackle it head on

◦ acknowledge you are experiencing anxiety bc you are. yes it can feel like shit but it doesnt have to affect who you are being (whatever version of self you are embodying). again, i can choose to be indifferent to this anxiety. you dont have to be scared of the anxiety. it is a natural human response. cry if you need to, let it all out. dont try to suppress it bc that will only come to bite you back in the ass, believe me.

◦ take care of your mental health in whatever ways necessary. when i used to experience anxiety, i used to take walks in the park, clear my head, meditate, express myself and my emotions through art and journaling, etc. remember nothing you do (or feel) in the 3d has to affect who you are being/your state.

"how can i still have anxiety yet still be a desired version of me?"

anxiety has no affect on anything unless you allow it to change your identity. you are the one with power, the anxiety is only an experience, similar to breathing in oxygen and using our sense of touch; its all neutral. when you start surrendering to the anxiety, you are creating and accepting negative stories that you create based on the feeling of anxiety. allowing that anxious feeling to change your state/identity is surrendering to something you view as more "powerful" than you. stop transforming that anxiety into a state that you embody based on the false, negative stories u imagine.

remember a 3d experience or anxious feelings doesnt have to influence who you are being. an example: a model who knows (fulfilled) that she is graceful and beautiful can have anxiety about doing her catwalk. the anxiety is normal, she can experience the symptoms of anxiety (shortness of breath, dry mouth, shaking) but her core identity/state is still a graceful model. the anxiety is only a temporary feeling. usually when we experience these feelings, they occupy all of our attention in that moment which is why it seems so scary but in reality, its not that big a deal. know that anxiety is just a feeling. you are safe. you can still experience shitty feelings while knowing you are a bad bitch!

you dont always identify with everything you experience. for example, a lot of people experience good things and still identify as people who are unworthy of good things. so its really up to you to choose what to identify with.

i know my only job is knowing its done

◦ if i just decided its done, as the operant power, as i say goes, therefore its done. so my job is done. anxiety is part of the 3d, not my limitless self, imagination. so i can be indifferent and experience it without identifying with it, the same way people manifest what they desire while experiencing their shitty circumstances daily (because they do not identify with those shitty experiences).

◦ ive heard/experienced situations where we know its done yet we cried and felt like shit, and what we wanted still manifested into the 3d. bc anxiety is only a feeling. do not allow your feelings to take hold of your state, but if it does, its never the end of the world... just get back in the state. 3d shit/anxiety doesnt have to intervene with who you are being/what you identify with.

kisses, jani ☆

[tpwrtrmnky]

exposition

[ID: Four panel comic with crudely drawn stick people.

Panel 1: A blue person with sunglasses and dog ears is talking to an orange person with dog ears.

Blue: "Ah, young Orange."

Orange: "I, uh, aren't you younger than-"

Blue: "I understand that you have approached me to discuss an issue. As is the doctrine of our anarcho-caninist commune, we shall conduct this meeting in expository form, speaking as if intent on being observed by an unknown third party in need of being spoonfed everything we, as individuals, are already aware of."

Orange: "Wait-"

Blue: "Let us begin by stating our medical histories: I am on gel that makes you blue and have had dog ear implants."

Orange: "I uh. I know. You told me yesterday."

Blue: "It is your turn. State it!"

Orange: "…You can look at me and tell that I'm-"

Blue: "You cannot rely on the third party knowing how you became orange!"

Orange: "…Gel. It's gel."

Panel 2: An extremely tall, hot pink person with fluffy bits around their chest and extremities, as well as floppy dog ears and a bandana worn as a mask, interjects into the conversation between the two.

Hot Pink: "I sense that this discussion is at risk of becoming an argument. Let us recite the Acknowledgment of Legitimacy, as per the doctrine."

Blue and Hot Pink: "We recognise that opinions are held by individuals and do not represent everyone of their chromatic alignment. We understand that if any individual is found to be in the wrong, it does not delegitimize their identity, only their viewpoint."

Orange: "I uh. Does anyone not believe this? Who are we disagreeing with here?"

Hot Pink: "I am on injections that make you hot pink and have taken topical fluffy fur gel. Now we may proceed."

Panel 3: Zoom in on Hot Pink and Blue as they continue spoonfeeding unnecessary exposition to you, the reader.

Blue: "Before proceeding we must also clarify that the doctrine is an idiosyncracy of our commune, and not reflective of wider anarchist nor caninist movements."

Hot Pink: "Indeed. Furthermore, I would like to establish that we exist in the context of the past affecting the present, as individuals with personal histories that affect our present state, and have established this doctrine in response to said history."

Orange: "I- how- what history- are you explaining that the past exists??

Who is this for?

How did you decide to talk like this?"

Panel 4: A green person with a tail and long, pointy dog ears appears opposite of Orange to make it all make sense.

Green: "You bring up an excellent question. I am on a combination of pills that make you green and pills that block my naturally occurring red, which I do not personally consider a medical condition but which is often pathologized as such. Before proceeding and getting to the point we must go over the historical context in which this conversation is taking place."

Orange: "Wait, no, I know history, please-"

Green: "Caninism, as formulated by Barx in the 1800s…"

End ID.]

Bonus panel:

[ID 2: Presumably sometime later, the green dogperson is still talking.

Green: "You see, the Expository Doctrine is primarily a performance art critique of the tendency to demand that media explains everything to the viewer, and how pandering to this demand causes dialogue to be unnatural, stilted and unnecessarily verbose."

Orange: "I know. You say this every day."

Green: "Indeed, part of the performance serves to emphasize how in a serial but episodic medium, such mandatory exposition quickly becomes frustrating and repetitive!"

End ID 2.]

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