#and i need y'all to realise that

[l1li4n]

YOU DON'T UNDERSTAND HOW SAD THEY MAKE ME

[crispyjenkins]

mandalore the young cont.

original post/discussion here! it was just getting really long and i for one hate scrolling so far, so. here's this. have also added this au to my masterlist in my pinned post!

@malcontent-crow

#i had a whole wall of tags and it didnt save! lets try this again#i am loving this. the potential for world building and the consequences of knowing more than you should (literally)

#i had forgotten that DW wasnt in peoples thoughts as a threat during the Clan Wars#and the idea that Pre was so far underground with the movement is a very good thing to remember as well! #on one hand you have this driven and spirited young verd that is inspiring Clans to start reassessing who they are fighting and why#on the other you have this clanless outsider that knows waaaaay too much about all the potential major players and is saying#that this major threat isnt really as gone as everybody thought and hoped. sith parallels out the wahoo for ppor obi#and hes standing there watching them all argue over his head about this threat that he KNOWS needs to be dealt with#he is seeing himself as pretty on par or above with the Old Guard in terms of mental age or prowess or large scale battles#so he sees them doubt him maybe even to his face and knows he'll need to get things started on his own

#and becauae everything in the galaxay has at least one person watching it from the outside... how quickly does the news of a jedi padawan#going off the rails on this mission get out? whos keeping track and who points fingers at the jedi for attempting to control the outcome#of the war of their historical enemies in their favor? the senate (read sith) want mandalore defanged before their war but what does it look#like the jedi want? how does the council answer for his actions? do they condemn or condone him? do they try to stay out of it?

#the world building potential of the Manda and the Ka'ra is delicious.#what does it mean to be a mando or darmanda? can you walk around and have people look at you and know you have failed in your oaths?

#and ouch! Obi-Wan considering the fact that he has never been allowed to be his own person.#from padawan to knight/master and then a general and councilor and sheesh. hes really never had the chance to see who he is as a person#outside of his responsibilities to everybody around him and right now hes a war worn adult in a war worn teens body#hes always had somebody else there. as a battle companion a teacher a student as somebody to protect and guard and guide#and now he has this entire culture looking at him and waiting for his next move. and im guess it still feels like less than a burden than#the care and raising of an entire child on his own. sure he had the temple resources and other jedi to lean on but anakin always looked to#him first to solve any problem or teach him something new or cuddle him after nightmares as hes trying to hide his own dreams#and grief and flounding to find his footing as an independent adult

#so right now hes looking around at the entire mando population and realizing thats he might need to reshape himself again for somebody else#to make himself what others need and knowing he can and will do it if it means saving somebody else

#and when exactly did he come back from the war? did he have satine die in his arms and see the ruin that is madalore after a pacifist reign?#does he see the potential for that ruin to happen right now if he doesnt succeed? where does he see himself in regards to the jedi?#has he considered the consequences of stepping up to be the Mand'alor to this culture he has never seen as his own?#has he let himself think about the choices he needs to make and how some things you cant always come out the other side the same as before?

(following the trend of each of these getting longer, this has hit just under 5,000 words, so just a heads up lol? so much world building is happening in this one)

sorry you had to rewrite so much! that last exchange was cursed, it seems lmao

it's so easy to write Obi-Wan as prescient, or the route I'm going with in Dha Kar'ta, so i think it's a fun change-up to have him knowledgeable for completely different reasons! I'm actually going to avoid visions almost at all for this Obi, but everyone else certainly won't know the difference, and he doesn't tell them otherwise (though he won't encourage it either. I do actually have a Naruto time travel where Nart pretends to be psychic à la Shawn Spencer, so that isn't the route I wanna go for this Obi). the consequences of knowing too much, indeed

hmmm many of these questions depend on how deep into Jedi and galactic politics I wanna go, and I'm not sure it's very deep at all. or at least, not very dragged out. i'll explain in a mo

SO first: yes, this Obi is from after Satine dies, in 19 BBY, maybe a month or so after, but before the bombing of the Temple so before Ahsoka left the Order. He was back on the front, no time to properly mourn, though he was doing his best, and was meditating on the whole war, but especially the Sith and their hand in everything that happened on Mandalore. It went deeper than Maul, he knew, had been going on longer than Maul and even Dooku, and it occurred to Obi-Wan that the Sith either wanted a Mandalore that will side with them but not be too much a threat, or they wanted them not a threat at all. He realised his hand in that, in helping put the New Mandalorians on the throne that led to the demilitarisation of the entire sector. Obi-Wan had practically teed Mandalore up for Dooku and then Maul's interference, and if the Republic won the war, he could all too easily see them doing another excision. won't get too much into it to save it for the fic, but he is mediating with something beskar, and he gets a lil too deep into the Force, and of course this is post-Mortis so...... 👀

so this Obi-Wan, back in time, is helping Mandalore to prevent any more Sith machinations in the future, to change the future for the whole galaxy, but even before he's Chosen, he realises he's also doing all of this for Mandalore. for his own hand in its destruction, for the Jedi's hand in the Excision, for his personal connection to Satine drawing Maul to it. it's for atonement, for reparation, and also because Mandalore deserves to be saved, and Obi-Wan is in a place he can help do that. it isn't just about the health of the galaxy, anymore.

I usually shy away from having Obi-Wan leave the Order, no matter what AU I'm throwing him in because I believe in the fundamental goodness of the Order and the people in it, and Obi-Wan is fundamentally a Jedi, one of the best, one of the best. however, in this case, I don't think he can have his cake and eat it too. if Dooku had to leave the Order to accept his countship, then Obi-Wan would have to leave to become Mand'alor. Jedi are (supposed to be) politically neutral, and Obi-Wan is all too aware he'd nullified his own neutrality the moment he decided to go for Keldabe to find Jango.

one of my favorite... tropes? in time travel fic is Obi using his future fellow councilmembers' access codes to get into things he shouldn't, and he certainly knows how to work the Order's internal systems in his favor, so he

wait so i was gonna have him go in and tender his resignation from the Order directly into the systems, and backdate it for before the Mandalore mission, so that anything he's done on Mandalore so far cannot be blamed on the Jedi BUT WHAT IF he just. deletes himself. like completely. from admin to the Archives to the crèche's own internal systems to the Shadow's private servers, Obi-Wan Kenobi was never a Jedi, was never a Temple bastard, was never Qui-Gon Jinn's padawan. his mission records are all in Qui-Gon's name now, his medical file simply doesn't exist, his crècheling clan is listed as simply having been a person short compared to other clans that year. he goes so far as to delete comm histories with him or mentioning him, it's like Obi-Wan Kenobi just doesn't exist anymore.

he does this first thing after leaving Jango, he spends the entire week back to Mandalore ensuring he's been completely erased from absolutely anything relating to the Jedi, and then uses his future councilmember knowledge (and lessons from Quinlan) to erase himself from Republic systems, too. any planet he'd helped as a padawan will suddenly have no records of him as having been there with his master, so the senate or Order can't subpoena them for the info, though Obi-Wan knows he can't have gotten everything (such as any planet not in the Republic, or who don't have holonet access to their files, or both, like Melida/Daan), but he figures he's done enough to absolve the Order if anyone comes knocking about what he's doing.

he buries his lightsaber in the deserts of Mandalore, not knowing that in his old future, he'd have done the same on Tatooine.

so as far as the Jedi are aware: Obi-Wan went on a mission with Qui-Gon that (predictably) went to hell, got separated from his master for weeks to months, then suddenly changed, at the same time their Jedi with the highest prescience collapsed due to his visions, which have also changed. Obi-Wan left Qui-Gon behind to hightail it through the Mandalore sector, and Qui-Gon couldn't catch up or find him, and then Obi-Wan disappeared from anyone's radars for two weeks. then Qui-Gon senses him reenter the Mandalore system, right before breaking his training bond with him, and the Order wakes up to Obi-Wan completely erased from their systems like he never existed in the first place. everything is going so so wrong, and yet. and yet.

and yet the Force is telling them all that this is right, that this is the least Dark course of action, that whatever Obi-Wan is doing is indeed the Will of the Force

so the Order mourns one of their own, and tells Qui-Gon to let him go. and then the Order ups their cyber security because what.

i think he leaves an unsigned letter/comm message for a few people. Bant, Quinlan, Mace, Feemor, his old crèchemaster, Yoda, maybe Jocasta Nu. it's short, basically thanking them for their hand in his upbringing (Feemor hasn't even met him before so is very confused by this), apologising for leaving abruptly, but to follow the Will of the Force, he had to leave; the first part of the message is all the same, but ends with little individual notes. he apologises to Madam Nu for fucking with her archives and hopes she can one day forgive him; he asks her to keep her friends close and to mend the tension between her and Dooku, that Obi-Wan should not know about. He tells Yoda that the future is always in motion but they must move with it; he asks Yoda to meditate on his dwindling lineages and learn to accept all that he cannot control. He reminds Quinlan to wear his gloves and asks him to thank Tholme for looking out for him when Qui-Gon wouldn't or didn't; he thanks him for their years together, and asks him to check in on Feemor every now and then. He apologises to Mace for all the shatter-points he likely caused and will continue to cause, and suggests he put a permanent reminder in his comm to remember to refill his migraine prescription that sixteen year-old Obi should not know about. He asks Bant to look out for a young Togruta initiate that will join in seven years, and suggests Bant might like the healer track rather than the knight corps; he thanks her for being his longest and most dearly-held friend. He thanks his crèchemaster for realising his visions were more than dreams (which will inadvertently lend credence to that theory for why Obi-Wan changed so suddenly), for supporting him when Bruck was at his nastiest, and for always being someone he could turn to even after he became a padawan. For Feemor, Obi-Wan apologises that they hadn't had the chance to meet before then, and for the relationship they won't have anymore; Feemor has no idea who this message is from, until he starts hearing the gossip that Obi-Wan Kenobi has left the Order again. He too mourns never getting to know his padawan brother.

and Obi-Wan sends Qui-Gon a message, of course, thanking him for his teachings, apologising for "leading him on" as an apprentice, leaving and coming back so many times only to permanently leave this time. he reminds Qui to reach out to his friends and his support system, asks him to at least consider talking to a mind or soul healer about Xanatos (knowing that once it gets out that Obi-Wan is a planetary leader, it will likely badly trigger Qui-Gon), and asks him to at least try and mend his relationship with Dooku, though understands if that's not something Qui-Gon is willing to do. asks him to keep Satine safe, but to deeply think about why the Republic is so intent on helping her faction, and why Qui-Gon had questioned so little of the New Mandalorian ethos.

so by the time Obi-Wan finds the Old Guard, he's broken from the Order completely, has buried his saber, has broken his training bond, has cut his braid. I think he shaves his head entirely to let it grow out at the same rate, because the padawan cut is *Eliot Spencer voice* Very Distinctive. he paints his armour white for, yes, his men, his vod'e, but also for cin vhetin. he can't be the man he was before, nor the teen he was before, neither are who Mandalore needs, and as long as he can stay true to his morals and upbringing, he will be what Mandalore needs him to be.

okay now onto the Manda vs. the Ka'ra vs. the Force. the Force is a scientific concept of an energy connecting absolutely everything in the universe, and the Jedi have a religious view on the scientific concept. for both purposes, the Force just is. I really like the idea of other non-Jedi ideas just being different aspects of the Force, different religions and cultures based on the same scientific concepts. for Mandalorians, their "aspect" of the Force is the Manda, the collective souls of every Mando'ade that's ever marched on. just what it means to be Mando'ade has varied greatly through history, and is varied between different groups even now, but none of that changes what the Manda is, which is an aspect of the Force only Mando'ade can touch. sort of like their beliefs of it being separate from the Force have made it so?

now I haven't really talked about this before, but from the beginning of me writing Mandalorian related things, i've separated Ka'ra from ka'ra, which was a little bit me misremembering there was another term for "stars", and then it became it's own thing. kar, meaning "star", with it's plural kar'e or kare, to me, means physical stars, the way we'd call our sun a star. ka'ra, uncapitalised, is the more poetic and/or spiritual "stars", the way we might say something is "written in the stars", which actually aligns with how jate'kara is spelled; for my writing, i've used this form for Mandalorian Force-sensitives being Star-touched ka'ra-touched. Ka'ra, capitalised, is that "ruling council of fallen kings", the Mandalorian myth and it, the way I've always interpreted it, is a separate part of the Manda made up of specifically the souls of every Mand'alor already marched on. So, Tor Vizsla could have joined the Manda after death, but not the Ka'ra; make sense? all that ka'ra vs Ka'ra worldbuilding was done very early in my writing for star wars, and has since expanded to include the idea of the Manda as something separate, and I would now actually consider Manda-touched over Star-touched to describe Force sensitive Mando'ade, because that's really what I think Mandalorians would consider causes their supernatural powers: ancestors rather than the stars.

so what does that mean for this fic? the Manda is directly influenced by all those that consider themselves Mandalorian, Force-sensitive or not. it is, however, not affected by New Mandalorians, unless they worship the Manda in some facsimile, and I think many, many, many do not, not the way they were raised to. this worship looks different for every clan and every individual, and I've always interpreted it as more of a broad spiritual practice across the whole culture rather than a religion, per se, the way a real-world broader culture might pray at shrines at New Years even if individuals themselves or their family aren't religious. this is what I'm referencing when I say the Will of the People: the alive Mando'ade and their choices and emotions affecting and influencing the Manda, the collective amalgamation of every passed-on Mando'ade, and it's when these two are in tandem that they "pick" a Mand'alor. HOWEVER, such a pick is also up to the Ka'ra, the Mand'alor'e that have all marched on; to one day enter the Ka'ra themselves, a Mand'alor must be "picked" by both the People/the Manda, and the Ka'ra. Tor would be "picked" by a significant part of the People and the Manda, and so would Jaster have been, but (according to me, myself, and i, obviously), only Jaster had been chosen by the Ka'ra. Pre is "Mand'alor" only in name, only in a tenuous loyalty existing in House Vizsla and Death Watch, not even by the Manda; just simple human (et al) loyalty. Jango had a weaker "pick" from the Manda than Jaster did, but was picked by the Ka'ra, meaning if he did not declare himself dar'manda (even just internally; I don't think he's ever said it out loud), he would have joined the Ka'ra after death; if he ever reconnects with himself as a Mandalorian, I like to think he'd have that chance again. Canon Jango, though, who went on to make the clones? Absolutely not.

what does this all mean for Obi-Wan? he'd spent weeks inadvertently drumming up support in the people and therefore the Manda, and maybe most haven't really looked at him and thought "sure I'd follow him as Mand'alor", but they have looked at him and thought "that one has mandokar, that one wants what's best for Mandalore, that one is touched by destiny". I dunno, man, like. Obi-Wan is their hope before he is their leader. That will make all the difference when he does end up uniting them. His searching out Jango had made Jango finally confront that he feels dar'manda, until then he hadn't really lost the Ka'ra's support, but that severs that connection. and now the Ka'ra are without a Mand'alor, but look at that, there's a mandokar'la little idiot right there, already strong in the Manda, already rallying hope and purpose, already so invested in the nurturing and the future of Mandalore, how could the Ka'ra not choose him?

I posed the question previously whether or not Mando'ade can tell who has been chosen to be Mand'alor, and I think I've ironed out what that'll mean for this fic. non-Force sensitive Mando'ade will have this sense when near their Mand'alor, a subconscious and inherent trust in them, and indeed, some will be disturbed by this and fight it. that's alright, that's their right. Some never clock this extra sense, some are aware of it always, some just chalk it up to "gut feelings" and the like. The more spiritual or religious Mandos maybe put a little more stock in this feelings, I think especially goran'e and other spiritual leaders, but the fact that the Manda can technically pick more than one person at a time (like Tor and Jaster, and then Jango), this extra sense isn't a perfect indicator of a properly chosen Manda'lor.

now. what about Force sensitive Mando'ade? Well, the Manda is an aspect of the Force, and is in fact how said Force sensitive Mando'ade connect to the Force, by going through the Manda, first. their relationship with sensitivity is inherently different from others in the galaxy, at least those that connect to it directly. they are the ones that can sense or see if someone is chosen by the Ka'ra, depending on their sensitivity. Some see the ghostly line of previous Mand'alor'e stretched out behind them (like the Avatar cycle lmao), some see a wavering crown of stars around their head, some just sense there is a duplicity (/neutral) to their Force presence that doesn't exist in anyone else. how common is Force sensitivity in Mandalorian space? not fuckin very. Jaster had three in his entire faction of aprox. 2 million (fanon number), at least that were aware they were sensitive. Jango only had a few more, and only because he had gained a couple hundred thousand more followers before Galidraan. so i'll make the nearly-arbitrary number that Force sensitive Mandos are 1 in 1,000,000, across the entire sector. by some calculations, in the whole galaxy at around the time of the Clone Wars the number of Force sensitives is 1 in 5,000,000 but these calculations do not generally include societies and species with a near or 100% chance of Force sensitivity, because we simply don't have the data for it. does this all make Mandos slightly more likely to be Force sensitive than others, by my own numbers? sorta. which i'm making an issue of underreporting, based on Mandalore not being a part of the Republic, and also contention with the Jedi and Sith; they don't consider those Manda-touched to be Force sensitive, and with the way I've built this, they aren't exactly wrong.

for the purposes of this story, there are maybe eight Manda-touched Mando'ade in the Mandalore system at this time, and all but one are goran'e. that single non-armorer is part of the Old Guard. I have the roster for the Old Guard decided, so I'm debating whether the Manda-touched one is Cort Davin (a journeyman protector), or one of the women. Instinct wants Vhonte Tervho, but I have plans for her to be related to the goran Obi-Wan got his armour done by, who I wanted to be one of the seven Force sensitive armorers, soooo. lmao how fucked would it be if Isabet Reau is the Force sensitive one? I like the angst of that, since I definitely do not plan on redeeming her, but I kind of want the only Old Guard that can sense Obi-Wan is Chosen by the Ka'ra to be really quiet and accepting of it, while everyone else is arguing. hmmm I have an unnamed Wren as part of the Guard, that I haven't fleshed anything out for yet; perhaps them?

okay I think I've solidified what it makes a Mandalorian, at least for the function of this fic. it is tied to the Resol'nare, and following it, which does allow those who had Chosen Tor Vizsla as their Mand'alor to technically still be following the Resol'nare, and are therefore not dar'manda. at least not for that. but part of the reason the Resol'nare is even able to determine who has a Mandalorian soul, is because they believe it does. Those alive and those dead influence the functionality and reality of the Manda, which also allows for those pre-Resol'nare to still exist in the Manda. What causes someone to become dar'manda, if they are technically following the Resol'nare?

maybe it's reductive, or over-simplified, or maybe even too broad, but it makes sense to me and allows for many many different types of people to still fail, and this is obviously not the only way to become dar'manda, but one thing that will always strip someone of their Mando soul? treatment of children. caring for children. not harming children. this allows many of Death Watch to still maintain their Mando souls, but still be fucked up awful people in other ways. It allows even True Mandalorians to have lost their souls and not realised it because they otherwise adhered to the Resol'nare, because they'd chosen to interpret "defending oneself and family" and "raising your children as Mandalorians" to not include other peoeple's children. Or maybe they were abusive in the belief they were caring for their children. This would also make every single one of the Cuy'val Dar dar'manda, which I think is a fascinating concept.

to answer your question directly, no, one cannot look at someone and know they're dar'manda, even the Force/Manda sensitive ones. one will only know in death, whether or not they have a place in the Manda.

NOW what does this mean for New Mandalorians?? well, by technicality and the way I've set the Manda up, one can interpret the Resol'nare in ways that could align with New Mandos. Perhaps they interpret "armour" as more than specifically "beskar'gam", maybe they wear armourweave or other protective fabrics. Maybe they interpret "defending one's family" as putting down arms instead of raising them, in order to create a peaceful future for their children. I think there are plenty of New Mandos that technically tick off all the boxes, and believe in themselves and their fellows so much that the Manda is like "yeah sure why not, we'll make that count". I think some tenants are more easily... bent, like swearing to the duchy in place of the Mand'alor, but I think an easy one New Mandos miss, is "speak Mando'a." I think many New Mandos were all too quick to switch to Basic for everything except religious and spiritual ceremonies, and I think those already in the Manda would find that very hard to forgive. I actually get into this a little in Dha Kar'ta very soon, but for this fic, i'll have Satine not outright outlawing Mando'a, but it is socially heavily discouraged. you're not allowed to speak it in the palace unless in aforementioned ceremonies, you cannot fill out paperwork in anything but Basic, you're not allowed to use Mando'a titles (including Mand'alor), you're not allowed to teach it to your children. no outright like. punishments for speaking it in public, but if your kids are caught, there are repercussions, including investigation into how else you're raising your kids, and if you're found to be doing anything else, they can take your kids from you. not every New Mando agrees with this, of course, and go about adhering to the Resol'nare as best they can in secret, but so many do give up the language by convincing themselves it's not as important as the other tenants and, well, the duchy hasn't steered them all wrong yet, has it?

okay so on the subject of what the outside galaxy is seeing. I like the headcanon/trope/idea of like. the one thing all factions of Mandalorians agreeing on is fuck everyone else. oh, the New Mandos will emulate the Core and the Republic, but they aren't the Republic nor want to be, and this animosity extends to keeping as many internal Mandlorian issues just that: internal. no faction can keep news from leaving the system or the sector, obviously, but there also isn't a lot of interest in Mandalorian news? "oh look all the Mandos are fighting again", except that's been the standard for like. actual thousands of years. I like when fic have people outside the sector not evening knowing there are different factions, so I'll be doing that here, too, and I like the idea of non-Republic sectors having their own holonets, separate from the Republic one. so like, if Obi-Wan happens to go a little viral during his mad dash to Keldabe, that would be on the Mandalorian holonet, not the Republic one, so even if Obi-Wan was visibly still a Jedi (and he wasn't), actual news of him wouldn't reach the Mid and Inner Rims until like. possible years after it happens.

could this maybe be expedited by Sith machinations? absolutely, though I'm not sure I want to go that route, since I don't think the Sith are overmuch interested in Mandalore at this point, at least not in any hands-on capacity. I'm unclear on whether them funding Death Watch is fanon or not, but it is a headcanon I subscribe to, and I think they'd have stopped funding DW after Galidraan, to cause worse infighting and prevent DW from gaining enough power to actually restart their imperial conquering days. Palpatine has been senator for about ten years by this point, but has very little political power overall, and Demask would be looking basically anywhere but Mandalore at this point in time, both of them having written it off until they actively need something from the sector. if anyone had clocked Obi-Wan as a Jedi, this all would have gone very differently, news would have spread much further and quicker and I think undoubtedly would have reached Palpatine, but since I have Obi-Wan just... cutting ties to anything Jedi, news of him remains in-sector. is this perhaps unrealistic? maybe, but I kind of want to focus on Mandalore and not worry about galactic-wide politics for once, lmao, actually very much like Obi-Wan is doing. however, he will clock a lack of Sith interference and thinks That's Very Weird.

haven't decided how he finds Palpatine out yet, but I think it'll have to do with his Manda senses being different than his Force ones, maybe the Ka'ra even gives him a few tips or gifts to sense Sith since they've allied and fought with them so much in the past. regardless, that'll be after he's become Mand'alor and united the clans.

now to actual plot progression! Obi-Wan meets up with the Old Guard, they don't know what to make of him other than "he's kriffing weird. and young. and creepy. and probably Manda-touched." whatever other verd is Manda-touched will see him blessed by the Ka'ra, which causes them to look inwards more closely and realise they trust Obi-Wan inexplicably, which means they're blessed by the Manda and the Will of the People, too. they wonder if Obi-Wan has noticed, if any of the other Old Guard have noticed. they are one of a few that notice Obi-Wan sneaking back out while everyone is arguing.

Vhonte Tervho is another. She's at this lil summit to represent clan Tervho, tho isn't the clan head, because her ba'vodu, a Manda-touched goran, had sensed she needed to be at the summit. said ba'vodu is of course the armorer who reforged Obi-Wan's armour (need to find a name for them hmm), who had told their clan they were to cease fighting until their new Mand'alor called on them. Vhonte sees Obi-Wan, realises at the same time as everyone that he's the Kih'Manda, the Mand'ika that the entire system had been gossiping about for weeks, and she thinks of what her ba'vodu said. she looks inwards, like they had taught her to, and finds, yes, she trusts Obi-Wan, just like she used to trust Jango. And, well, her Mand'alor is obviously leaving to go do something, and she isn't going to let him go it alone.

the Manda-touched verd doesn't go with them, wanting to see what comes of this, but they already know Obi-wan is Ka'ra Chosen. they will come when he calls.

[flowercrowngods]

⚔️ bard!eddie/knight!steve part 2 (~6k)

After the confrontation with Lord Harrington, Eddie is riddled with feelings of anger, guilt, and shame. At a lavish banquet, he finds his world turned on its head once more and he begins to understand just who his love really is.

⚔️ read part 1 here (~4k)

Eddie spends a maudlin few days wallowing in newly found misery and dramatically bemoaning the lack of inspiration and muse, to which his uncle merely instructs him to help him in the smithy, claiming that physical exertion would help with the wretched guilt. 

Eddie is loath to let go of his feelings just yet, though, hoping they would turn into self-righteous anger at the Lord after all. But he has no such luck. Night after night of pondering the Lord’s words and the hurt expression Eddie was met with not even a fortnight ago leave not a shred of doubt as to who is at fault. For years, unwittingly or not. 

But wit is not what will get him out of this mess, no. It can only be cleared by sincerity and vulnerability — something that Eddie has sworn to never show this town again, only worsening his predicament.

It tears away at him for days upon days, leaving him unable to sing, unable to play, unable even to sleep, cooped up though he is in the room of his childhood. It is a time he longs for with an aching heart, if only to take back his promise to never be vulnerable within these walls again, if only to be sure he doesn’t betray himself more than he betrayed Lord Harrington and both of their hearts. 

Time, seemingly done with Eddie’s mental back and forth, eventually pulls the floor from beneath his feet one night when he finds a written invitation from Princess Chrissy to attend her banquet tomorrow night as both highly esteemed bard and dearly welcome guest. 

At the banquet, Eddie knows, he will see Lord Harrington again, and there will be no way to avoid him any longer. He imagines there will be more scalding glances, more sharp words from a sharper tongue, and more of his honour questioned. 

And the Lord would very well be in his right to do so. 

With a deep sigh and an even deeper pit in his stomach, Eddie goes on his pitiful journey to find some rest beneath the sheets. 

~*~*~

It is always a lavish affair when Princess Chrissy decides there is something to celebrate, and despite his nerves and a horrible anxiety that has been his steady but unwelcome companion all day, Eddie finds himself smiling at the view of the ballroom. 

It occurs to him how far he has come as he takes it all in, his eyes surely wide as saucers at the display of grandeur and opulence before him. Men and women alike dressed in finest fabrics and the brightest of colours, servants bustling about with wine and delicacies for the Princess and her guests. 

Years ago, the people of Hawkins took it upon themselves to chase him out of the city, and not even the Princess’s grace and friendship were enough to make him stay where clearly he was not wanted. And now here he is — highly esteemed bard and dearly welcome guest. He cannot help but feel vindicated and proud, having spited Hawkins and her people like this; he has sailed with pirates and travelled with adventurers, learned from master craftsmen and sung for emperors. 

All of it to show this city that he is more. That he is better. 

And yet, he reminds himself with a heavy heart, he cannot sing today, and Hawkins will be the victor once more.

Eddie reaches for a goblet of wine offered to him by a most curteous girl flashing him a shy but charming smile, and it is almost enough to improve his mood, almost enough yet for him to gain the courage to approach the Princess about his predicament. He follows the servant with his eyes as he brings the wine to his lips, stalling the inevitable just a second longer, when suddenly they fall on a familiar, tragically glorious figure clad in the deep blue colours of his family. 

Lord Harrington, tinged in hues of gold more than anything else as the light of the flames dancing along the walls and ceiling alike catches in his hair in a way that Eddie has heard will make kings succumb to madness, is laughing along to the excited gesturing of a woman Eddie cannot seem to recognise. But it is not she who has caught his eye. It is Lord Harrington, standing there with a look so impossibly gentle and a dress so regal that it makes Eddie’s legs weak and his heart ache. 

Where is that pompous air that Eddie remembers so well? When was it replaced with elegance and beauty so blinding, accompanied so wonderfully with that smile on his lips? And how can a man who has been wronged so endlessly still smile like this, look like this, hold himself like this? Like the world is but an old friend he likes to carry on his shoulders so it can have a better look at what is ahead. 

Like the kindest songs must always have been about him, wittingly or not. Like he is more, so much more than what Eddie thought him to be. Like he is exactly who Eddie needs him to be. Wants him to be. Has dreamed him to be. 

And still, despite the fondness in his eyes and the lavish joy displayed by everyone in the opulent room, Lord Harrington has a steady hand on the sword by his hip. It is only for display of his rank as a knight and as a Lord, likely blunt and too light for proper defence, let alone offensive strikes against a sudden enemy. 

But Harrington’s hand is woven around the hilt. Clinging to it, as though reassured by its presence. As though anxious were he not to feel it by his side, cold metal and leather resting against his palm. 

His words echo in Eddie’s head again. Making a mockery of me, stealing from me every chance to tell my tale in my own voice, in my own tempo. Entire kingdoms will know before I will have had the chance to wake up from a nightmare, and they sing about it, sing about pain they did not have the misfortune to suffer, sing with a smile, with booming voices because you make them. And yet the only one without a voice remains the one who slew the beast.

Stealing a man's right to flee from the horrors he lived through, acquainting every tavern in this kingdom and the next with his horrific and desperate deeds.

Can he not flee? Can he not lay down that feeling of horror even on a night like this? Need he cling to his sword, any sword, like that, even unconsciously? Did he forgt about the sword on his hip before the Knightmærs? Was it Eddie who made him cling, who kept him from forgetting, even for one night, that dangers tend not to lurk in the well-lit corners of a golden ballroom?

The guilt threatens to devour him wholly, and Eddie might just let it if only some of the weight were taken from Lord Harrington’s shoulders. Desperately, Eddie tears his gaze away from the Lord’s hand and back up again, travelling over ocean blue and sunset gold, drinking him in more hungrily than the wine in his hand. 

As though summoned by Eddie’s pathetically beating heart, Lord Harrington chooses that exact moment to look up and away from his partner, and by some cruel twist of fate, out of the hundreds of eyes in this room, he meets Eddie’s. The gentleness fades, the smile paling into something tinged with regret, and it takes every ounce of strength Eddie has not to cross the room and fall to his knees to beg forgiveness. 

He swallows and lifts the goblet to his lips once more, his breath hitching as Lord Harrington mirrors him, and they both take a slow, excruciating sip, their gazes never once wavering. 

I will not sing tonight, Eddie promises, wondering if it is at all possible that Lord Harrington has the gift of clairvoyance and knows exactly what Eddie is thinking. I will do right by you, even if it is too late. Even if it costs everything. 

In the end it is Lord Harrington who looks away first, his attention caught once more by his companion, and Eddie withers as he sees the gentleness returning to his gaze. He is not quick enough in tearing away his eyes, however, because Harrington’s companion, another bard, he assumes fom the look of her, turns towards him just a second later — and if looks could kill, Eddie would find himself dead six times over. 

Fate does not possess the grace to let him die on the spot, however, the daggers in the bard’s eyes not sharp enough to end his life, but more than sufficient to snuff out any sense of bravery he could have possessed to approach Harrington anytime soon. Eddie finds himself almost grateful for the admittedly rather lame excuse that only comes to prove his cowardice, but he decides not to dwell on it for now. 

Or he tries, as he downs the wine in one go and lets his eyes travel in search for familiar, friendly faces, and finding the Princess already approaching him with a smile so bright and warm it alleviates the anxiety thrumming through him. 

“Eddie!” she says, smiling even wider when he remembers to bow before her — something they had to practice a lot when they were children and she would sneak away from her lessons and appearances to play with him instead. It feels like a lifetime ago; she is the prettiest person he knows — always has been, but she kept the spark of glee even as an adult. It makes him weak in the knees with happiness, having her friendship so deeply ingrained in his soul even after all this time. 

Her eyes travel over his doublet made of silk so deeply red it appears black if the light plays a trick on your eyes. It is one of his finest possessions, and it takes everything within him not to preen in front of her. 

“And to think of the way you scoffed so offhandedly when I told you ages ago that silk would suit you. You have grown to be so very handsome, my dearest friend, I can hardly take my eyes off you lest I have to fear your untimely disappearance once more.” 

Eddie smiles, feeling the heat rising in his cheeks, entirely aware that he had not yet enough wine to solely blame it on that. 

“I am here to stay for the time being, Your Highness, so fret not. If only to show Hawkins how right you were, my dear, for I do look fabulous in silk.” 

Chrissy laughs, a joyful sound echoing through the hall and pulling many a pair of eyes toward them, but Eddie pays them no mind even as nervousness makes an eerie reappearance in the forefront of his mind. 

“I cannot wait to hear you play tonight,” the Princess continues, unaware of Eddie’s dilemma. There must be something in his face, though, for she reaches out to take hold of his hand. “You will, right? Tell me you will, Eddie. What reason have you to look so filled with gloom?” 

Eddie turns his hand to hold onto hers, propriety be damned even as he hears a gasp or two followed by scandalised whispering. For Hawkins, everything he does is scandalous, even merely existing. Holding the Princess’s hand is but another item on the list. 

“Forgive me, my Princess, but I cannot play tonight.” 

“But—“ 

“It is the Knightmærs that you long to hear, and it was always a dream to fill these halls with song sprung from my own feather, believe me. But it seems I am a fraud, and I need to do right by someone first before I will ever take to my lute again.” After a moment of silence he adds, “If you should like me to leave, I understand. But I will not sing.” 

The Princess looks at him for a long time, reading something that might be written behind his eyes, but she keeps a hold of his hand. 

“He sought you out, then.”   

Eddie’s heart falls as he grasps the meaning of her words. She knows about Lord Harrington and his involuntary ties to Eddie’s renown. Everyone in this room might know, might have heard of his deeds, might have seen his wounds as he returned from the battlefield that seems to follow his every step, while Eddie was out in the world living a lavish life with the title he earned from another man’s tales of valour and agony. 

“He did,” Eddie whispers. “And I need to make things right. He never deserved that.” 

She frowns, a crease appearing between her brows that does nothing to hide her gentleness and beauty. “Never deserved that? But Eddie, you made a hero of him! You wove battles he fought out of he goodness of his heart and the bravery in his bones, wove them into tales grand enough to outlast even the passing of time itself! I know many a knight who would kill to be made into that kind of a hero.” 

Even as she speaks, Eddie shakes his head, vehement to contradict her and make her see what he himself took so long to understand. 

“It is not I who turned that man into a hero, my Princess, that was his own doing. What I did was turn him into a legend, turn him into something untouchable by real emotion when he… seems to be so full of them! I took his story, all of his stories, and made them my own, stole the words out of the deepest dungeons of his heart and wrote epic ballads about pain that is strong enough to bring the bravest man to his knees with sorrow and— I took from him what was only his to give. The right to grieve. The right to be his own person. The right to his story, his pain, his own consequences to come from actions he was forced into.” 

Eddie swallows, beginning to understand, really, the scope of his actions as he speaks the words for the first time, and his throat rapidly closes up on him. 

“I took all of that and made it my own, and in the end it was only I who gained something. And worst of all, he never complained to me. Never exploded in my face or, or exposed me for the fraud that I am. In fact, it was I who confronted him about disappearing whenever I would sing my Knightmærs, because I found myself with hurt pride and—“ 

A breath, forced into his lungs to keep the tears welling in his eyes from spilling. 

“That man,” Eddie finishes with unsteady voice but iron conviction. “He deserves the world. He deserves better. He is a hero and he deserves to have a choice, but he is too good to make it. So I am making it for him.” 

He tears his wandering gaze away from the silhouette that seems to always pull him in, no matter how hard he tries to stray, and lays them on the Princess.

“I am not playing tonight.” 

Chrissy, too, has tears in her eyes after his speech, and she reaches up to cradle his face with both of her hands. Warmth floods Eddie where before he was bereft, and it takes everything in his power not to lean into her hold. Not when people are watching them. Gentleness like that is reserved for quiet, dark corners on stormy days long since past. 

“Oh, Eddie,” she says, her laugh a little wet. “See how much you have grown. You are the best person I know; always have been. You are forgiven, my dearest, loveliest friend. I shall not make you play, and I shall not stand it if people disapprove of it.” 

Relief washes over him, his body still trembling ever so slightly from his passionate outburst and fear of rejection, and he smiles as he casts his eyes down. 

“Thank you, Your Highness.” 

She hums and wipes at the wetness beneath his eyes before retrieving her hands. 

“Anything for you, Eddie. Anything in my power.” She turns to leave and Eddie has not the strength to ask her to stay, not when he knows she has royal etiquette to follow. But before leaving him to his heart still heavy with guilt, she speaks again, “It will be fine. I know it will.” 

God, I hope so. 

Eddie doesn’t dare to look and see if Lord Harrington and his bard were in earshot just now. Instead, he turns swiftly and retreats to one of the lavish balconies to clear his head with some fresh air. He finds it blissfully empty as he takes a trembling breath. 

It will be fine. I know it will. 

Eddie breathes, crisp air flooding his lungs that he does not feel all that deserving of, but he is grateful for it nonetheless. He cannot blink away the image of Lord Harrington’s downturned eyes, the smile that adorned his lips but a moment before fading in the face of Eddie’s presence. He cannot keep his heart from racing, hammering away rapidly at his ribcage, mimicking a spooked bird’s fluttering wings. Aiming to get out. Out, out, out, away from its hold and back where it belongs. Back to the man dressed in the blues of his family, the colour of his name, like armour against any sorts of attempts dared by lowly boys who think themselves to be bards of great renown.

It aches, his heart. And with every beat against his chest, the pain only carries further until it reaches his eyes with stinging force. It is a pain of guilt and sorrow, mixing with a longing so deep that it cuts him in half, torn though he is. 

Just one more breath and the air will be enough to tear him apart down the middle, right through his heart that is long past saving. The feelings he has been harbouring for years for a love unknown have not disappeared with Lord Harrington’s accusations. Instead, they merely gained a face and a name, turned into something real. Shifted, just so, to make room for the reality of Lord Harrington and every tidbit of information Eddie can learn about him, even when he tries not to listen, even when he tries to let go of misguided emotion for a man whose heart he has broken and abused already. 

But everyone talks about him. Now that Eddie knows where to look, he sees the respect for Lord Harrington in everyone’s faces. Sees the gratitude, sees the fondness, sees the reverence. 

Eddie closes his eyes against it, but it only serves to make the images more vivid. Lord Harrington positively gleaming in that ballroom, shining as golden as the sun right before she bids the day farewell, looking so fondly upon his friend. His bard. His companion. Looking so regretfully upon Eddie. Looking until he could no longer bear it. 

He needs to leave. It is sudden, that urge, filling the cracks of his being and glueing him back together with that all too familiar feeling that he’d thought himself to have moved past on the same day that he left Hawkins all those years ago. But it is back now, getting stronger by the second, urging him to leave, leave, leave. 

He will talk to Lord Harrington and beg for his forgiveness later. Tomorrow, surely, or the day after. In a fortnight at the latest, or in a month. But for now, he has to leave. Needs to leave. Must. 

On unsteady feet, and with an unsteadier heart yet, Eddie turns abruptly and all but stumbles his way back through the large doors and into the ballroom, which has filled with even more guests and even more servants and even more people who will steal the air from right beneath his nose. 

It leaves him frazzled and shaking, and his heart falls anew when he realises that he needs to cross the room to leave. 

As if pulled in by string or higher power, Eddie finds Lord Harrington immediately, the man’s broad back turned toward him. His hand still rests on his sword as he watches his friend — the bard with daggers in her eyes — approach the dais, lute in one hand and flute in the other. It’s a thin one, and made not of wood but of some kind of metal, and Eddie feels a flash of jealousy at her blatant display of talent and proficiency in more instruments than one. Even greater jealousy still when Lord Harrington keeps his attention on her — oh, and how well Eddie is acquainted with his attention, heavy and intense and leaving him hungry for more. Starving. 

He yearns for it. Longs to approach the stage and join the other bard as she begins to play, if only to be in the vicinity of that attention. That affection. All that gentle intensity. 

But he can’t. 

So he turns, twisting away from the mirage he so longs to touch, feeling phantom tingles on his palms where he imagines strongly enough. Entangled in the web of guilt, longing and imagination, though, he twists a little too far and nearly falls over his feet in his haste to get away. And then he quite factually runs into a figure he’d hoped to never see again, much less share the same breath as them. 

Before Eddie can utter an apology and continue on his way out of the ballroom and back to the safety of his childhood bedroom where the ceiling is a little closer to him and the air won’t feel quite as stuffy, Jason Carver’s voice cuts through the room and his patience alike. 

“Munson,” Carver sneers, somehow managing to look down on Eddie even though they are of the same height. “So the rumours are proven true at last! I did not think you possessed the gall to show your face here again. But you seem to be a lot stupider than you let on — and you do let on a lot.” 

The throng of people around Carver make themselves known with a vile chuckle at Eddie’s expense, and if he were a stronger man, if he were a more vicious man tonight and not hung up on guilt and longing, he’d have a snide comment on the tip of his tongue. 

As it is, though, he stands no chance but to let Carver speak on. He seems to have climbed in rank, moved on from being a simple guardsman to someone wearing white silk and a decorative sword on his hip. It is more imposing than Harrington’s, the hand around the handle more like a threat to Eddie than anything else. Especially accompanied by that sneer. That godawful, entirely too punchable curl of his lips. 

“Though the good Princess proves her taste in music and people once more, servicing her people and not letting you play on an occasion such as this. What a shame it would be for all of Hawkins to have your… talent… be showcased like that. What humiliation for you. I’m glad she chose a bard who can sing. And play. And entertain Her Majesty’s guests accordingly.” 

Carver’s words cut deep, and there seems to be no end to them. It shows on his face, Eddie knows, but he can’t… Suddenly he’s young again, suddenly he knows no longer who he is, who he wants to be in this world and how we will get there. Suddenly the urge to run away is no longer gluing him together but tearing him apart, tearing him in every possible direction just to get away from Carver and his lackeys, until he will shred himself into a million pieces. 

And still he has no words to retort the venom leaving Carver’s lips. He is shaking, fuming, something boiling inside him, and yet he has no words. 

Just as Carver opens his mouth to spit yet more lies about Eddie and his craft that leave his ears ringing, something behind Eddie makes Carver’s big mouth snap shut with a loud clack. 

Before Eddie can regain control over his mind and body to turn around and see what happened, a familiar voice fills the silence so blatantly left by Jason Carver. 

“Such vile words from someone who knows neither talent nor skill himself, and who displays an utter lack of craftsmanship and tact.” 

Lord Harrington speaks in such condescending tones with Carver that it makes Eddie freeze all over again, not daring to move lest he pull that condescension toward himself. And still he aches to turn around and drink him in. 

He stands so close. Eddie can almost breathe him in, and it’s almost enough. 

Before him, Jason flushes an angry red, unprepared to be confronted thusly by Lord Harrington, who outranks him in both title and popularity — and, perchance more importantly, in eloquence and intelligence. 

Carver’s mouth remains firmly shut, but Lord Harrington is not done yet, it seems, as he moves from behind Eddie to his side, the hand on his sword so dangerously close to Eddie’s hip. It takes all his might not to sway and lean to the side just briefly, just to feel the warmth of his hand through his clothes. 

“You know, Carver, I found myself pondering whether upon the arrival of Eddie the Bard you would find yourself starving for his attention once more, the same way that you did when you and your band chased him away.” 

The blood freezes in Eddie’s veins and yet he feels flushed with heat, especially when people turn toward them with curious and scandalised eyes.

Lord Harrington is not perturbed, however. “And here you are indeed, yearning for his words directed at you, aching for his attention, and wishing at least one of his songs were dedicated to you, written in your honour. Unfortunately still, you wouldn’t know honour if it spat you in the face. And you have miscalculated, good man, for you are irrelevant to a muse such as his, and too much of a coward for heroic tales of valour and sacrifice. The only thing you know to sacrifice is my patience. You are of no greater importance to this world, this kingdom, and  even this very moment, Jason, than an overgrown roach in a dead man’s kitchen.” 

The noise that leaves Eddie’s throat is not as embarrassing as the one Carver makes, and covered, too, by several gasps sounding around them. Lord Harrington has drawn quite the crowd — and for once he doesn’t seem uncomfortable with it, smirking as he is, regarding Carver like he means every last word of what he just said. 

It makes Eddie weak in the knees. 

And Lord Harrington takes yet another step forwards, placing himself between Eddie and Carver, shielding him not only from the man’s words and presence, but directing the attention of those around them away from Eddie. Pulling it towards his own person and Jason’s form, trembling with anger and humiliation. 

Eddie blinks, heart racing again, his mind running faster than a spooked race horse. Why would Harrington come to his rescue? Why would he pull all the attention toward himself when he should be rejoicing in seeing Eddie humiliated and beaten with his own weapon of choice? Why, when all the good Lord should want is to see Eddie fall from grace and from his high horse alike? 

Jason is sputtering some kind of response, but Eddie is transfixed by ocean blue and sunset gold so close to him that he could melt into him if only he had the right. So transfixed, indeed, that he doesn’t hear what Jason has to say. It is only when Lord Harrington speaks again that the world returns to him. 

“Leave the bard alone, Carver, you humiliate yourself with the way you’re leeching off his attention like a schoolboy with his first bout of attraction.” And then, closing the gap between them and speaking into Carver’s ear, just loud enough for Eddie to hear, Lord Harrington says, “Leave him alone. Speak of him again anything but praise, and I will have you emasculated per royal decree, and I shall see to it myself.” 

Where before his face was flushed red, all the colour now leaves Carver’s face as he blanches and swallows heavily. He looks between Harrington and Eddie, confusion and fear so clear on his features that Eddie would grin if he weren’t so shaken by the Lord’s actions and words. 

Carver takes flight the very moment Lord Harrington steps back, and suddenly Eddie finds himself alone with him. 

And words have not yet returned to him, especially when Harrington turns and lets down the smirking mask of condescension and instead regards him with an expression of worry and gentleness. 

“Are you all right?”

Eddie blinks, all but feeling the confusion and wonderment spill out of his big, dumb eyes, unable to hide it from Harrington and his golden skin. 

This is the man who has slain the man possessed by the Devil himself and took in his younger sister to live with him and get an education. This is the man who protected the Princess and this whole kingdom so many times, slaying foes and beasts alike and returning home a hero who refused his own celebrations. This is the man who would be King if the world were anything like Eddie wants it to be. 

The man who smiles so fondly, so gently, upon the people dear to him. The man who opens his estate in the winter to those whose houses stand no chance against the cold bitterness of the season, and thus defeats both lonesomeness and bleakness in one graceful gesture of kindness and compassion.

And still, this is the man who had his life twisted and glorified in song and poetry, the man who had the floor pulled from beneath his feet when his pain was made into something desirable. The man who stands in a ballroom filled with joyous laughter, wine, and dance, and keeps his hand on the hilt of his sword. The man who was wronged so endlessly by the ingenious bard who claimed to love him. 

And yet. He stakes his claim. He stakes his claim on Eddie. Protects him. Rather publicly, too, and now everyone knows of a connection between them that doesn’t exist, a connection that Eddie snuffed out before it had the chance to spark because he was so obsessed with the notion of grandeur and drama and love. A love that would survive it all. A love that would slay beasts and brothers possessed, a love that would be immortalised in song and poem, a love that… 

Would look at him the way Lord Harrington does. 

But it’s not love. Eddie knows nothing about love. How could he, when he hurt the man so? How could he, when he cannot find even the simplest apology, when he cannot utter a single word with the way his throat is closing up on him so rapidly in the face of that tenderness. 

“Eddie,” Harrington gathers him out of his reverie, a hand on his forearm. “Would you step outside with me?”

Another claim staked right through Eddie’s fluttering heart. He cannot bear it. Stands frozen to the ground.

“You need not have done that,” he says at last, his voice no louder than a whisper. It makes the Lord lean in closer, as though he has difficulty to hear Eddie otherwise, though he’d like to imagine that Harrington is just as drawn in by Eddie, and is powerless against it. 

The man smiles, though there is no fondness in it, and Eddie wants to recoil. 

“Jason wouldn’t know talent if it spat in his face. Which,” he adds as an afterthought, “is not a suggestion.” 

Despite himself, Eddie smiles genuinely, feeling a bit of the ever-present tension lift from his shoulders. “Do my ears deceive me, or am I right in my understanding that you think I have talent, milord?” 

The smile fades a little, leaving behind some hidden trace of genuineness that weighs so heavy in the air between them even as Harrington inclines his head politely. As though Eddie deserves politeness. As though he were of a higher standing than he is. And higher yet than Lord Harrington himself. 

“I would have to call myself both fool and liar to claim otherwise,” he says, his tone shifted to match his posture. Reverent, almost. Eddie wants him to straighten those shoulders and look down on him again, to do everything in his power to stop the wild beating of his heart that still cuts the words right from his tongue. “You have a way with words that is yet to be matched.” 

He looks up again when Eddie says nothing, and their eyes meet. Lord Harrington’s beauty is unmatched, and Eddie finds himself willing to look at him forever. Wanting. Longing. 

Whatever spell the Lord found himself to be under until just a second ago, it shatters now, dissipates into thin air as his expression shutters. And where before it was Eddie’s words that dealt nothing but damage, now it is his silence, for Lord Harrington steps away from him with a regretful expression and inclines his head once more. 

“Forgive me, I overstepped. I am aware of your opinion of me, believe me, I just… I simply… Forgive me. Please. Good night.” 

He turns, his hand wrapped around the hilt of his sword as though he were drowning in the ocean blue of his family name and the sword were keeping him afloat. Not a trace of pompous air emanates from him, and Eddie finally feels himself tearing in two as in that gold-sparked moment his knight and Lord Harrington become one right before Eddie’s eyes. 

And the bard is helpless when he calls out, “My Lord.” Nothing, as Lord Harrington steps away from him. “Steve.” 

He stops. 

And so does time. 

But Eddie didn’t think this far ahead, knows not what to say, how to make sense of the words trapped inside him that leave his hands trembling and his legs shaking, words that he needs to bring in the right order yet, lest he ruins everything again. 

There is only the rapid thump-thump-thump of his heart against his ribcage and the eyes of their unwilling audience turned towards them. The eyes of people who want to see Eddie fail. Who want to see him flail and fall and crawl back into the winter’s night months after his birth, left outside his uncle’s doorstep as his father lost his life over years of debt he had no means to pay off. 

“I…” 

Words fail him. When he needs them most, when he needs them not as a weapon nor as a caress, they deceive him. And Eddie watches as his time runs out, like sand pouring between his fingers no matter how hard he tries to hold onto it. 

He watches, desperately, as Lord Harrington tears himself away. As he weaves through the groups of people, reaching for a goblet of wine as he does, and downs it in one go before he reaches his bard where she is standing off to the side for a short break. He watches as she takes the Lord’s hands in hers and pulls him into a quiet corner and then through a large door onto one of the balconies. 

He watches until his vision blurs with tears unshed. He watches until he can no longer stand it, and flees from the ballroom as more of a coward than ever before. 

tagging: @itsall-taken @pukner @mugloversonly @devondespresso @hellion-child @fairytalesreality @maya-custodios-dionach @awkwardgravity1 @bubblemixer @paperbackribs @the-redthread @stevesbipanic @gregre369 @chaoticvictorianspirit @cuoredimuschio thank you for reading, i hope this was okay 🤍

[cerise-on-top]

Hi! Hope you're having a lovely day ✨️

Valeria and Gaz with a fashion designer s/o! Dressing them up and using them as a practice model to test new designs... this has nothing to do with my need to put Valeria in a suit, ofc not

Anon, you're so galaxy brained for wanting to put Valeria in a suit in all honesty! She'd look so good in one because women always look good in suits!

Gaz and Valeria with a Fashion-Designer!S/O

Gaz: He’d honestly be so flattered you wanna use him as a practice model. Don’t get me wrong, he’s a very pretty man and he’s well aware of that fact, but he didn’t think he’d ever get that sort of privilege. The first time you measure him he’s a bit confused, but complies, asking you with a chuckle about what you’re doing. However, as soon as you present him with a jaw dropping suit that leaves every other one in the dust, he’s a big fan. While he may have supported you from the very beginning as soon as he heard that you’re a designer, his support skyrockets as soon as you present him with the first piece of clothing for him to wear. He feels so very fancy wearing it. He may be used to wearing fancy clothing from time to time when invited to certain occasions, such as weddings, but he never really paid much mind to that sort of thing. Once you’ve put the first article of clothing on him, he’ll ask you if you wanna use him as a practice model again at some point. Only if you feel like it, of course. He hopes you’ll say yes, he loves how creative you are and the things you create. You’re a lovely designer who puts their heart and soul into it all, and it shows. Although unprompted and despite it being a bit silly, he’ll also pose and do that one walk models do where they sway their hips. He feels pretty in your clothing. If he can afford it, which he likely can, then he’ll even buy some of the things you’ve made. And yes, he will 100% wear them as well, doesn’t matter if it’s a fish tail or if it’s a shirt with a dragon on it. He unironically loves it and will wear it whenever he can.

Valeria: She chuckles a bit when you ask her to put on some clothing you made. Valeria is a very attractive woman, and she knows it, so she’s not at all surprised when you ask her to put on a suit. She’s worn those before, and every time she has she was turning heads left and right. If you blush while seeing her in a suit then she’ll chuckle and trap you against the wall before letting you continue whatever it was you were doing. Like Gaz she wholeheartedly supports you, and she’ll own every single article of clothing you’ve ever created. While she may not have the time to wear them all every time, you will catch her wearing your creations from time to time, if there’s no danger of them tearing. Valeria’s glad that you trust her enough to want her to try on all your prototypes and will gladly pose like a professional model for you and you only. The first time you measure her she, too, would be a bit confused and would ask you regarding what you’re doing, but afterwards she’s more than happy to model for you whenever she can. She doesn’t have a whole lot of time for that, but the things you do for love. If you ever want a real, professional model, she can arrange one, though, it’s no problem for someone like her. Besides, she has a pretty good eye for fashion as well, so she can give you some hints regarding what could look good and what might be a complete no go. You don’t have to do as she says, but she will point it out if you do. If she ever does find herself having the time and there’s a fashion show that shows some of your clothing, then she’ll watch it and jokingly tell you that she looked better in your clothes than all those models did. If you ever need some creative inspiration then I’m sure Valeria can help you as well, she’s seen plenty of things and is always more than happy to help you. Besides, she can get just about anything as well, so you really don’t need to fret if you wanna feel the fabric of something yourself.

[gingermintpepper]

So, now that Blood of Zeus has also been given its chance to tell the Demeter/Persephone story (and also, similarly, fundamentally misunderstood the themes of the Hymn to Demeter) can we finally, finally talk about Mother Love?

Because I can scream until I'm blue in the face about how modern, popular interpretations of the myth have become so focused on being 'empowering' to women by fixating on giving power to Persephone in her marriage with Hades and, in turn, disparaging Demeter, another woman, - the mother who grieves her lost daughter - that they've some how spun all the way around and gotten back to being misogynistic and reductive, but I feel like talking nebulously about the fact that it's Demeter and Persephone's story and not Hades and Persephone's story never gets the point across hard enough. So:

Anyone who was upset about Demeter's demonisation in Blood of Zeus S2? Read Mother Love. Anyone who is ever upset that retellings of the Homeric Hymn to Demeter constantly demonise, belittle, accuse and insult Demeter and her grief while making excuses to redeem and forgive her daughter's captor? Read Mother Love. Anyone who likes Hades and Persephone as a romantic tale but yearn for complexity outside of arbitrary romantic antagonists impeding the happiness of the couple? Read Mother Love!! Everyone who has even a passing interest in this tale whether it is for the romance, the mother-daughter connections, the themes of grief and loss and eventual comfort and compromise, the wrath of the mother transgressed, the justice that is served due to a mother's insistence in an unjust society, READ MOTHER LOVE!!!

Because it pains me that such a perfect retelling of Demeter and Persephone's story exists, that it focuses on the mother-daughter relationship by comparing it with the poet's own relationship with her mother and it is nearly obscure in the greek mythology community.

[creativesplat]

Stealing/ Affection: Link steals some time with Mipha after his death, and before his spirit rejoins his body in the shrine of resurrection.

[caressthosecheekbones]

going completely insane over my new calendar that starts the week at a fucking SUNDAY instead of monday, which is the only real and valid day to start the week with¡!!!¡¡!!! i've been putting appointments in all the wrong days accidentally and I hate the look of it soooooooo much bgsjfjhakdkkajhskdkI think ill buy a new one ugh

[wisteriagoesvroom]

wrote 800 words tonight... idk that those 800 words are going anywhere good, but i wrote 800 words!!

[mohabbaat]

https://www.tumblr.com/mohabbaat/751909189454102528/hindu-nationalism-is-a-genuine-disease-in-our?source=share

Tell me honestly bro, did you ask your parents the same question about Kashmir massacre and mass rapes during your childhood? (Yk which one I'm talking about) Did you read about it any of the history books in your school? Or you just say this shit to look cool on school media?

no, i didn't ask my parents or grandparents whether they "shared resources on social media" during the kashmir massacre. since you know social media wasn't a thing back then. hope that answers your question!

[joinmeinjoy]

So i saw this post by @avelera (if i had a nickel for every time they’ve inspired a post, i’d have two nickels which....funnily enough is the exact amount that meme requires) and i CANNOT stop thinking about Hob’s first century as an immortal.

I mean surely he thought it was all in jest- his mates were having a right crack of it for the rest of the night, and Hob knew it well himself that no man escapes death; he would fight to live as long as he could in this world, experience everything he could, and when his time came he would simply find adventure elsewhere. Hob couldn’t have seriously believed Dream; he was just a nobleman with an odd sense of humour. And so what if he knew Hob’s name? Everyone in this pub knew his name, much like he did theirs, so he probably just asked.

I wonder if it remained a bit of an inside joke between Hob and his friends- when he gets injured in a fight and is laid up in bed, one of his friends says “You can’t die, remember? Got that meeting with some posh prick in 1489, what good’ll you be dead” and Hob sees it for what it is (a distraction) and plays along with a grin. Anytime he joins a new battle, its “Do prior engagements mean nothing to you, Robert Gadling?“ As said by his mate with a ridiculous put-on posh accent, “Your good man’ll be right cross when you ditch him in 1489 cause you got killed fighting for this bastard”. When Hob gets hit, its “I’ll be meeting him in 1489 at this rate! To tell him you got fucking done in, you knob-”

It might have been fun, at first. But as Hob’s friends started dropping dead around him- war, disease, killed in the streets for some gold- i think it stopped being a joke. Because now Hob was walking away from fights no else did. Now he was recovering from diseases within the week, where others were still thrashing in its grasp or going cold and still in the night. Its not enough to make him question his mortality, but it is enough to make him think he’s unnaturally lucky. Maybe he’s done something to please the gods recently, or maybe fortune was smiling down upon him for once. He could not bear it all with good-nature, because despite how fortune or luck or even the gods themselves seemed to look favourably upon him, their grace did not extend to his friends and he is still conscious of their loss.

But Hob Gadling appears to be one lucky bastard, and that’s that.

...until it isn’t.

Maybe Hob accidentally builds up a local reputation about being a reliable soldier- no matter who it is, or how many of them there are, Hob survives. I think maybe he’s died a few times by now, but he doesn’t know that- his throat was slashed by an enemy sword, and he died right there on the battlefield the moment his knees hit the dirt, but the fight lasted so long that by the time Hob woke up, gasping and grasping at his blood-covered neck, the gash which had nearly beheaded him was instead a shallow but still bleeding wound. Later he would settle on the idea that the cut hadn’t been as bad as he thought it was- why he passed out from such a wound is beyond him, but maybe it was from shock, he heard that it did that to people sometimes. Someone trying to slit your throat is different to someone slicing your arm, so even though hes still unsettled by it and sure that the wound was worse...he can’t argue with the actual wound on his body, which points to the contrary. This is probably not the first and definitely not the last time Hob dies.

So yeah, maybe he accidentally builds up a local reputation about being a reliable fighter because he simply can’t stop surviving. And its not that hes unharmed- he gets stabbed, sliced, beaten, etc. He can be out of it for days depending on the severity of his wounds or illness, but he always gets back up. And maybe eventually, as most stories go involving ageless immortals, people go from being surprised by his abilities and age, to suspicious. Hob himself took passing note of it a while ago- he thought his hair would long since be grey by now, or at least most of it would, but it isn’t. When he goes for a drink with the remaining friends he has, he notices that his hands aren’t wrinkled like theirs. Hobs hands are calloused and rough, yes, but not aged like they ought to be. He thinks its strange, of course he does, but soon he’s too smashed to think of it anymore.

How many comments does it take about his age before Hob starts to close himself off? How many times must surprise turn to suspicion, because Hob says hes in his 50′s but he still looks like he’s in his mid 30′s? How many years does it take before Hob hastily fakes his first death/disappearance, because now the people he grew up with are intensely aware of how young Hob looks compared to them- its unnatural, unusual, and for a medieval peasant, probably has something to do with the devil. And i think it would be different to the witch trials Hob would later experience in the 17th century, where the whole town was after him because he became ‘complacent’- this isnt Hob being complacent, this is Hob freaking the fuck out. This is Hob not knowing how to deal with the fact that he’s not aging like he should be- of course he thinks its fucking weird (great, but weird), of course he thinks its fucking CRAZY that hes been in so many battles, been wounded and sick so many times, and yet has always come out the other side. Of course he thinks its fucking strange but he doesn’t know whats going on so he’s just..he’s just going to keep going, because what else can he do? and it isn’t until things get a little too heated that Hob turns tail and ditches town with a half formed plan and the cover of darkness.

I wonder how long it takes him to come to terms with his immortality- does he throw himself into more dangerous situations with an “Either i’m right or it wont matter cause ill be dead” attitude? Is he seriously fucking spooked by it for a few years before the dawning realisation of lifes now limitless possibilities hits him? Does Hob think of that noble stranger in 1389 often, at first with mirth and amusement because that tosser knew exactly what he was saying when he said they’d meet again in 100 years; and then does Hob think of it with growing worry and stress, because...what exactly did he give up for this power? what has he yet to give up for it? Maybe his town was right- he’d heard the whispers, part of why he hauled ass to get out of there- maybe he had made a deal with the devil, or a demon. Perhaps, when Hob is more hopeful, he prays he struck a deal with a saint or an angel.

Dream is neither of those things, but medieval peasant Hob doesn’t know that.

Anyway. Yeah I’m having thoughts about what it must have been like for one Hob Gadling to discover his immortality. I mean, using the show as a frame of reference, Hobs taken to it pretty well- in avelera’s original post we know, and can discuss, the fact that Hob seems weary at their first centennial meeting in 1489. He doesn’t know what this stranger wants from him, doesn’t know if he unwittingly agreed to a deal back in 1389 that he now has to make good on. But when Dream tells him that he simply wants to hear of his life, wants to hear what its like being a mortal-turned-immortal in a world Dream so clearly (at the time) holds little regard for...Hob is just Hob about it all. Dream thinks he’s going to say something profound, or wish for death, but instead my man started going on about how great chimneys and card games are. It makes me even more interested in what it must have been like for him to discover his gift- the highs of being able to live life freely, of realising that should that stranger be merciful and grant him more time on earth, he could experience everything under the sun for decades- Hob seems so innately positive, i mean his whole thing is that there’s always more to do and always greener grass to chase. This must be such a contrast to the lows of watching your friends and family die when you don’t, to being watched by your own town for a deal you now realise may not have been in jest at all, to stressing about what exactly you will be asked to give in 1489.

Im. Having thoughts.

[hannibalismos-jaaneman]

(un)popular opinion: matrix should have been a standalone.

[xx0yeet-everything0xx]

everyone tell me your favourite/personal interpretation of paris and helen right now GO

[randomnameless]

A Minor dispute.

Put it behind you. Deal with it.

No, this isn't related to devoted fans and their discourse lol (even if i had to take a jab at them with the title lol)

Ike: I have to ask, Sephiran. What are you after? What’s this all about? Sephiran: Why do you wish to know? You would achieve nothing by learning my reasons. You would help no one. I lost faith in lesser beings, and desire an end to them. That’s all. Ike: So why did you save me on that day? Sephiran: May I ask you a favor, Ike? Tell me how you feel about it now. Can you bear recalling those horrific memories? Ike: Yes… I’m fine, now. But I suppose at the time I wouldn’t have been able to take it. Sephiran: All beings endure tragedies for as long as they continue to live. It has always been the case that suffering is unavoidable. And this grim reality plays out over and over, in every country, under every ruler… As long as there are beings who feel, they will feel pain. Ike: So what? We should all just give in and die? Put it behind you. Deal with it. Sephiran: Do not make light of this… Ike: I’m not. Sephiran, I’m extremely grateful that you once helped me through a terrible time. But we have to accept that occasionally we all have to deal with hard times. I’ve had pain, I’ve had suffering, and I have gotten up and moved on. I don’t try to forget what happened that day. I just accept it… And neither that or anything else will ever stop me. Sephiran: You are a strong man, Ike, son of Gawain. But not everyone is as strong as you…

This scene is unlocked if you've seen Ike's FB.

Of course, Ike here doesn't know the fuck he is talking about, as he later expresses by wondering why Sephiran is suddenly called Lehran (maybe if the game left Miccy/Yune talk to him before the start of the map, instead of letting him do all the convo it would have been different?).

So, in a way, it isn't as callous as Ike telling Lehran to put the genocide of his people "behind him" or to "deal with it", because he doesn't know what Sephiran is talking about.

But in a way, I have the feeling if Claude or Petra told Dedue to "put the massacre of his family" behind him or to "deal with it", Claude or Petra would have received a certain amount of shit, even if, when they would have said those, they wouldn't have known what the fuck Dedue went through.

Anyways, Ike later learns what, or who, Sephiran is, and talks to him. Maybe he will apologise for his callous words, spoken when he didn't realise what he was talking about ?

Ike: Sephiran... I mean, Lehran... Lehran: I can't apologize enough. I was so terribly mistaken, and now there's nothing I can do to help. Ike: Don't worry. Lehran: What? Ike: Wanting to do something that matters is enough. Sometimes, how you feel is more important than how you act. Lehran: Ike I... there's no one that I think more highly of... Ike: No time for compliments. We still have work to do here. Lehran: Yes... yes we do.

Lehran apologises for having wanted to destroy the world (and drops Altina in a trashcan because Ike is now the person he thinks the most highly of!) - and in the general scale of things, yes, Sephiran has much to apologise for, so he better start pulling his weight and try to make up for having tried to kill everyone.

But the "your people were genocided? No biggie, deal with it!" is completely ignored - or it is, again, another example of Ike talking shit and the game convoluting himself to make sure he never faces any consequences, even if, in this situation, the consequence would just have been an apology, like the one he gave to, iirc, Mordecai and Lethe after calling him subhumans but not realising calling someone "subhuman" was insulting.

Sure, the line he gives after the fight against Sephiran still holds value :

Ike: If death is what you really want, then I’m not going to let it happen on my watch. I don’t care what you’ve gone through. I don’t care how much you’ve suffered. What you’ve done is unforgivable.

It's not because you suffered, or went through the worst humankind can offer, that you can inflict the same on people!

When Lords like Marth, Seliph, Leif, Roy, Eirika, even Elincia try to understand people and what led them to act as they did - without ever giving excuses or wondering if they could walk with their respective antagonists - Ike here refuses to understand, and only condemns.

Is it because Ike isn't a Lord, so he isn't concerned with some general "making sure this situation never happens again"?

But then, he is the one to say those :

“But, even the dumbest creatures will love their family, their friends and… even love others. They will all have things that they can’t afford to lose.” “We know that we’ve messed up. We’ll do our best to avoid more war and to make peace our highest priority. Ashera, just give us one more chance. All we ask is for one more chance.” “You were like a mother to all of life– Your children still require a mother like you. When you watch over us, we don’t always do things that make you happy and sometimes we even disappoint you. Still, I think we would like you to continue watching over us. How about it?” “We all need to work hard to accept each other. As long as we don’t try and run away from our mistakes, then I’m sure we’ll be able to see each other again one day.”

How can you do you "best" to avoid more wars, if you don't even understand why the current one started, or don't care about the reasons that led the fucker who started this current war to, well, start it?

How can we talk about acceptance if we don't "care" about what the others live through?

So, on top of writing a check his ass can't cash - since he will leave Tellius and not be there to "avoid wars" or make sure people "accept each other" after promising the goddesses "we" will exactly do that - Ike's words here are empty.

-> In a nutshell, Ike reveals with those battle quotes and conversations that he is not ruler/leader material - but we knew that since RD's start since we followed Miccy and Elincia - and more importantly isn't the kind of person asking "why" things happen, they just happen but somehow everything will work out when it will happen again - because the why, or the cause, wasn't identified - and I think it's a perfectly fitting answer for the Tellius Saga and the larger Branded "issue" : we will never know why it happens, it just happens.

(can we say the epilogue, with Ashunera returning, is an ultimate "fuck you" to Ike's empty promises at the end of this chapter, since it starts with another war happening in the background?)

---

Back to that nonsense of a battle convo, I find it really interesting how Ike is basically thanking Sephiran for having wiped his memory when he was a child, to help him "deal" with the fact he witnessed his father stab his mother, because at that time (when he was a kid), he wouldn't have been able to deal with it.

But then, Ike tells Sephiran to "deal with" the tragedies he witnessed and lived through...

After thanking him for sparing him the "deal with it" step- he now asks Sephiran to take - when he was a child.

WTF?

Ike explains how he is thankful, but he ultimately had to "got up" and "move on" from the pain, and accept it. And that's precisely the point, Ike managed to take on that pain, "get up and move on" thanks to Sephiran's own meddling and help - else, by his own admission, he wouldn't have been able to "take it".

But now, he asks Sephiran to take his pain, without any magic amnesia to help, and deal with it?

And while I hate the idea of trauma olympics, grown-up Ike (even in POR) can now deal with the fact his dad killed his mother thanks to Lehran's magic amnesia - but he tells Lehran to deal with and get over - 1) the genocide of his tribe, 2) assassination of his great (etc) granddaughter because she had his blood, 3) the loss of his powers for a crap reason and the knowledge that laguz are bound to "die" if they mingle too much with beorcs as he personally witnessed it, 4) severe depression after realising he is not a laguz anymore but not even a beorc since beorcs will use pitchforks at him even if they regarded him 10 seconds before as sage, and the rest of Tellius' general fuckery? - without magic amnesia or plot hax?

Reyson was very close to pull something similar in FE9 when he tried to erase people in the Forest using "ancient magic", but abandoned the idea when Leanne was found - if PoR!Ike learnt that, would he have told Reyson to "get over" the heron genocide and Naesala's betrayal?

Of course not, because I'm pretty sure Ike knows, before meeting Reyson and even picking Leanne, what happened in Serenes.

And in RD, when he says those words, he doesn't know (but he later will!) that Sephiran is a heron.

Tl;Dr :

Supreme Leader's "minor dispute" is frowned upon by everyone, even if she might genuinely not know about what Nemesis did that made Rhea so enraged, in a doylist reading, Supreme Leader is a character who ignores a genocide to push her own specist agenda.

Doylist reading of that RD scene is, Ike telling Sephiran to man up and deal/get over the genocide of his people - but unlike Supreme Leader, when he comes to learn the truth of Sephiran's despair, he dgaf.

Thankfully, this scene is only triggered if Sephiran survives, so Ike can later explain his behaviour : he doesn't care what kind of suffering Sephiran endured, since nothing justifies what he was trying to do (kill everyone).

Even if the thing he should care, but doesn't want to, is, for part, a genocide.

[gigawatt-smile]

Seeing the new fans rip into Holly after reading the books for the first time and seeing bits of discourse about it is so??? yeah

[your-friendly-neighbourh00d-fag]

stranger things fandom is this a good time to say that i respect h*rringroves more than anyone who ships any cast members together 🧍‍♀️

like- sorry, if i see filli3 fadi3 f0ah nilli3 any of the likes i'm instantly blocking you. no. not happening.

[sophieswundergarten]

I'm still considering @bi-demon-ium's post about what would happen if Milligan adopted Kate before regaining his memory fully.

Because, imagine:

Milligan has been looking out for Kate and the other kids for a while, now, and he's very glad that they're finally off of this island safely. He loves all of them, of course, but he can't help but feel especially connected to Kate. Something about her just sticks out to him, either because he's had to save her from herself more than a few times or because of her spunk and attitude or maybe because she was the first child he felt like really looked him in the eyes and saw him since he'd started helping run the tests.

Either way, he feels a really strong connection to her, and after he escaped Curtain's men on the island, he began feeling twinges of memories returning. Throughout his time on the island, he kept experiencing odd sensations of déjà vu, but nothing concrete. A few of the agents that the team ended up rescuing from the Institute seemed to recognise him, and he could sporadically recall some of their names, so he became fairly certain that had been an agent at some point, but there wasn't much else getting clearer.

In the weeks after Curtain's defeat, Milligan began experiencing disorienting memory flashes which, while still not helping him piece anything together, gave him horrible migraines and would, on occasion, short out his awareness of where he was presently. These would always pass, but when they happened Kate was right behind him, helping him sit down and running to get him water (She eventually began keeping a bottle in her bucket when it became apparent this would keep happening), and she was consistently proven to be the best out of all of them to bring Milligan back to the present.

As the other kids began finding their way to their families, with Constance and Reynie being adopted, and Sticky's parents coming to find him, everyone began to settle into their lives. But Kate had yet to return to the circus.

"Oh, of course I love the circus, and I'd love to get back to them, but Milligan still needs me here. I can't leave him."

After this goes on for nearly a month, Mr. Benedict begins talking to Milligan about adopting Kate. He's been through it a few times now, after all, he'd be happy to show Milligan how to do all of the paperwork (And maybe make a few bribes in the right places, since Kate's technically a semi-unregistered wild child who ran away). It takes a bit longer for Milligan to broach the subject with Kate, but when he does, she just looks at him in surprise.

"Well," She begins, slowly, "I can see how that would be nice, for legal reasons and everything, of course, but I kind of thought that's what we were already doing? Just, without the paperwork."

Milligan has a hard time keeping himself from bursting into tears right then and there, but he sweeps her up into a huge hug and if a few tears slip out as his brain sighs with the correctness of holding her in his arms, and if Kate finally relaxes as if she feels he could protect her from anything in the world, well, that's between them.

Life slips into a routine for them, and though there were a few close calls with Milligan's memory flashes while he was doing things like cooking breakfast that led to Number Two pulling a few extra fire extinguishers out of the closet, and a couple of times that Kate would find him standing outside in the rain, staring at the puddles in the backyard with blank eyes and a slightly frustrated expression, as if there were some secret hidden in the muddy ground that he couldn't quite find, for the most part, things were going alright.

As Milligan slowly, very slowly, began to understand himself, he began to understand Kate, too. There were times she seemed too ready to jump up from a meal and help, too prepared to drop whatever she was holding and run to his side, like she was afraid of finding some terrible tragedy when she arrived. She offered to do the shopping one day when Number Two couldn't quite find the time, and though she came back with everything they needed (and a few things they didn't strictly need) with money from the budget she had been given somehow leftover, the sharp, frugal expression on her face when she counted over the food again as she started to put it away was far too serious for a twelve year old.

Milligan's heart broke for Kate every time he saw how growing up alone had affected her, even if she couldn't see it. Of course she couldn't see it; she was a child, she wasn't supposed to see it, she shouldn't need to. Every time he saw her expression harden as she tried not to cry, before she remembered she could now; every time he watched her freeze when a knock came at the door, subconsciously positioning herself in front of Constance and between the perceived threat and the boys, before she relaxed when she saw Milligan himself go to answer it, trusting him to protect them; every time he went looking for her and found her curled up in the vents, breathing shallowly and refusing to come out until he assured her they won't send her away, she doesn't have to run anymore, she's welcome and safe here, and then when she slowly unfurls and drops heavily into his arms, burrowing into his chest and sighing deeply as she breathes him in — All of those times and more, he feels a growing resentment and even a simmering hatred for whoever Kate's father is.

This man who found whatever else he had going on more important than protecting his daughter, as if anything could be more important than the child he wanted so desperately to hug, wanted nothing more than to protect and love, but had to watch as she shut herself away and steeled her body to be prepared to face any and everything all on her own. What Milligan wouldn't give to find this man, to hunt him down and shake him, to explain to him exactly how badly he'd messed up, and then leave him somewhere he could never come back from; somewhere he could never return from and hurt Kate again.

Sometimes she'd mention a task she had experience with, or a time she'd "lived off the land", or recounted her ability to perform a grownup's job just as well, with a sense of pride in her skills, and the adults in the room would exchange sorrowful glances over her head. The first time she said she'd never played on a proper playset, since she'd been too young when her dad had left, and the orphanage never had any safe equipment, Milligan sat straight up, and the next day they went to the nearest park and stayed there until dark, Kate spending hours on the swings as his strong arms pushed her higher and higher until she felt as free as when she was flying through the air on the trapeze.

One day, as the two of them were sitting at the kitchen table, eating a late breakfast since they'd been up half the night because Milligan took her stargazing, Kate offhandedly says, "You know, Milligan, I've never really minded that my dad left, but now, I think that I'm glad he did. Because otherwise I would never have met you."

Milligan stops dead as he's buttering his toast, trying very hard not to overreact and shatter this moment where Kate is humming contentedly and swinging her legs. Slowly, carefully, deliberately, he responds, "Well, I'm glad that I met you too, Katie-Cat."