i used to run cross country on the road where they filmed the bus scsene that buffy takes to leave sunnydale, before a chunk of the road fell into the ocean (pretty sure they also used it to film the end scene of DEBS) and I used to think about how Buffy was THERE. but your tags about the use of full of grace and that scene and the vibes — it’s been years since I thought about it but it all came rushing back. just. SO good.
There was something so - like, when that show was airing I was a few years younger than Buffy's canonical age, so in a lot of ways she felt like my cool older sister. I remember being like, I'm sure once I'm sixteen I'll also be mature enough to fight demons etc etc.
And now that I'm a grownup, I can look back at the show and both see its problems and see it's strengths. I can also look back at the extra layers that kid-me could not have picked up on - the way that in hindsight, sixteen is so young and one of the horrors of the show is the way that this girl, who is in many ways a kid and actually keeps saying please let me be a kid, is responsible for the entire world. The ways that translates into a metaphor (unintentional, let's not give Mr. W any credit here) for the ways in which girls are socialized and the ways that high-achieving, "strong," "smart" girls are still squeezed through the mold of misogyny and expected to be so much more than just to be enough.
Season 2 was the year I started watching the show and so it'll always be the season that Hits for me because it was the year I really started to get long-form TV and fall in love with characters in the medium. Buffy was my first fandom and the arc, at the time, of Angel turning and then Buffy having to put aside her heartbreak and fix it was. I don't know if it was actually something that hadn't been done before but in terms of what I could access on TV in my world, it was the pinnacle of the art form. I remember writing quotes from Passions in my teenage diary and being like Wow This Show Is So Deep, I Know How To Appreciate Art Now.
This was also, you have to understand/remember, pre-streaming anything. This was the year I learned how to use the record function on my family's VHS player so that I could watch the episodes without waiting for them to play in reruns. This was pre-Napster. If there was a moving song on a show you had to track down the artist, hope they had a CD out, get a ride to the mall to go to your local HMV and then buy the physical disc. This was also the era when there wasn't necessarily 100% crossover pop-cuture wise; if an American artist was Big it made it to Canadian stores but there were a lot of California indie bands that you just couldn't listen to if you didn't live in the US. Sarah McLachlan is Canadian and "Full of Grace" is the last track on Surfacing, which was an album everyone had at the time because "Building A Mystery" and "Adia" were huge on the radio that year. So it was also like - being able to sit with those feelings because I could actually access that song and listen to it again, you know?
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i'm one hundred percent certain that after percy and annabeth made out underwater. and he wanted to make their relationship official. the question was not "will you be my girlfriend?" but "can i be your boyfriend?" i don't care what the canon says. percy gave annabeth the space to take the lead in the relationship. because after a lifetime of being abandoned by everyone she dared to care for. and then watching her on the brink of a panic attack at the thought of losing him the last four years. he wanted to honor a new beginning between them by follow her lead and moving at her pace.
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i have a thought about pjo that i can't quite articulate but it goes along the lines of:
athena gave annabeth as a gift to frederick because she liked his search for knowledge. in athena's eyes, any action of annabeth's reflects herself, which is why annabeth 'embarrassing' her had such strong consequences
poseidon fell in love with impertinent, stubborn sally jackson. percy wasn't a gift to her - he is a cumulation of all of her stubborn, steadfast love.
why wouldn't poseidon still love and aid percy when all of percy's insolence is why he loved sally in the first place?
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dunmeshi inner voices but it's all actual strengths of the characters
Senshi: maintain a balanced diet, listen to your body and be mindful of where your food is coming from. Don't take more than you need from the ecosystem, but remember that to live means to take.
Chilchuck: get paid upfront, get a contract, always have ways to protect your interests in a job, unionize.
Marcille: maintain good hygiene, and take care of your hair and clothes - it's nice and it's worth it. Things in the handbook are there for a reason, but tools aren't moral.
Laios: know your weaknesses and your strengths, and those of your friends. Rely on them and make sure they can always rely on you.
Falin: it's always worth to try kindness first, and to keep a heavy blunt object on hand if that doesn't work out.
Izutsumi: search for your own goals. Be open to change.
Kabru: make your own judgments, and then update them, rather than fit everything you see to your expectations. Act on your beliefs and judgements.
Shuro: always keep the cops in mind, never trust the cops. Know how to balance pressure and politeness in diplomacy.
Namari: maintain a balance between your personal and group interests. Act on your strengths.
Hien: you're staggeringly pretty as is
P. S. Banger post. Here are verified collections of links where you can donate to: Ukraine Syria Palestine
Chilchuck says: Do what you can from where you are. Every action matters, every dollar counts.
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