#and i like to think they're just as strong as don's feelings for her

[beatleswings]

We always go on about Don being so madly in love with Carmen and all that but I also love having thoughts about Carmen and how she's so in love with Don, how she fell in love with him and like he does for her, she would kick someone's ass for him. Or her going on about how romantic he is, how he makes her laugh and makes her smile, how he's loving, caring and protective and of course she goes on about how handsome he is and how even without the toupee, she still thinks he's beautiful. Or her having thoughts like "he could have had any girl but he...chose me".

Don't mind me, having the usual CarDon feels.

[yumeka-sxf]

I've been waiting to see Yor's epiphany chapter in the anime and it did not disappoint! I felt like analyzing more than usual because I loved this episode so much~ 💖

I hope that any anime-only viewers who at this point still had the opinion that Yor's just ditzy/submissive, one-dimensional, or whatever negative traits associated with her, have changed their minds. Throughout the cruise arc we've seen so many sides of her character: how she's struggling to understand the exact reason why she's taking on these dangerous assignments when her original reason for doing it (supporting Yuri) no longer exists, how her internal desire to seek her own happiness - live a peaceful life like Olka - is at constant war with her diligence to complete her mission, her yearning to be with Loid and Anya and how sad she looks when she has to tell herself that they're just a cover-up family and she'll have to leave them without a word if anything drastic happens, and how much more confident she is when doing something she excels at - assassinating - yet still retaining her kind and polite demeanor (Unlike Twilight, who dons the mask of Loid Forger, Yor Forger is not a mask for Thorn Princess, at least not in terms of personality. So everything she says as Thorn Princess can be interpreted as her true feelings, including the now two times she's hesitated during fights because of the thought of having to leave the Forgers).

And, in the moment where she's facing death right in the eye, all the doubts she's had since getting this assignment culminate, not only causing the samurai assassin to get the upper hand, but causing her to take a deep, introspective look into her reason for fighting...if it's not for the same reason as the other assassins, what is it?

What's even more amazing is that these things about her character did not come out of nowhere just for the sake of a flashy climax. We saw in previous episodes that not only does she understands that being in the Forger family makes her happy, but most importantly, how she's lived her life only thinking of the happiness of others above her own. And what's most tragic is that, upon finally realizing that her original reason for being an assassin is gone (since Yuri no longer needs support) she's ready to die then and there...until she remembers Olka's words about wanting to live a peaceful life, which in turn makes her remember her core reason for becoming an assassin was to not only support Yuri, but to make the world he lives in all the more peaceful by eliminating the villains in it.

Despite how naive Yor is about many things (due to her upbringing), she's certainly not ignorant about the needless tragedies that exist in the world. And here is where she makes her decision to keep doing her assassinating, not because she enjoys killing people, but because the result of it will make the world a better place...because now, she has even more people whose happiness she desires to protect.

Even if she sacrifice her own happiness by leaving the Forgers, that's not as important to her as preventing tragedy from befalling her loved ones, or the world in general. And these thoughts are so similar to Twilight's reasons for becoming a spy! Coincidently, as Yor has these thoughts, she thinks of how Loid complimented this aspect of her personality way back when they first met...and the thought that the man who she trusts and respects so much would approve of her decision, gives her the final push to keep on going (I love that they reanimated this scene too and didn't just use the exact frames from episode 2).

So yeah, if anyone who wasn't sure of how much depth Yor's character has, I hope this episode shed a lot of light! This is the right way to make a character both cute/sweet but also a total badass who's strong on the outside as well as the inside.

(I will probably reword a lot of this for my upcoming Twiyor analysis posts but I couldn't wait until then, lol).

[sodasa-was-taken]

Romantic foils done right: How G-Witch uses romantic foils

Or why none of the characters who showed interest in Miorine and Suletta ever posed a threat to them getting together.

So, after the unexpected response to my last analysis and some recent discussions, I felt inspired to make another one. This time about romantic foils, a frequently misused but great tool in romances. I hope you enjoy it.

As far as I can tell, G-Witch has five romantic foils: Guel, El4n, Shaddiq, El5n, and Sophie.

In romances, when a character is in contrast to one of the main characters as a romantic option, they're a romantic foil. Having romantic foils in a story can be a great way to show what the principal characters see in each other. This is done by showcasing what the characters like and dislike about characters with contrasting attributes to the one they'll end up with.

Sometimes, it can feel like a romantic foil is just there to create cheap drama, often when they're a romantic rival, i.e., actively trying to get in the way of the main characters becoming a thing. Other times, when one of the focal characters isn’t the best person, an author might have a character who’s a romantic rival be even more of an asshole to make the character look better in comparison. This doesn’t make the character look better; it just creates a pick-your-poison situation. Furthermore, jackass and even more of a jackass ain’t foils since there isn’t any contrast. That isn’t to say that romantic foils can’t be antagonistic. Many of the romantic foils in G-Witch are also antagonists. In cases where a romantic foil is an antagonist, they emphasize the virtues of the characters they’re a foil to by being everything they’re not.    

Guel, foil to Suletta – At the beginning of the show, Guel is everything Suletta is not regarding their treatment and intentions towards Miorine. Suletta is apologetic to a fault, while Guel pushes Miorine around like he owns her. Guel is abrasive, while Suletta is considerate. He’s ostentatious, and she’s shy. Crucially, Suletta’s shyness doesn’t prevent her from having pride in herself. She just doesn’t need to show off like Guel.

Miorine grows fond of Suletta for the same reason she dislikes Guel. He’s the embodiment of everything Miorine hates about her predicament, and Suletta is the opposite. Although Miorine sees them as two sides of the same coin at first, both are out to insert themselves into her life, just in different ways. Except as Miorine soon enough learns, Suletta had no intention of doing so but just couldn’t stand by while seeing someone in distress. Side note: It’s ironic how opposed Miorine is to Suletta interfering in her life when Miorine later follows Suletta around like a lost puppy and insists on helping her any chance she gets. 

Attributes Miorine likes about Suletta that Guel notably lacks include, but are not limited to, her humbleness, her upbeat nature, her gratefulness, and her commitment to doing what she thinks is right. Also relevant if you think Miorine is a Lesbian; Suletta is a girl.   

When it comes to why they become the Holder, Guel is doing it for himself, and Miorine is simply a prize to be won. Suletta, on the other hand, ends up as the Holder unintentionally, dueling to help out Miorine rather than to have her. In fact, when she learns that being a woman does not exempt her from being Miorine’s groom, she goes full blue screen of death. 

Guel, foil to Miorine – Straight from one character’s romantic foil to the other. Guel is Suletta's foil until he catches feelings for her and shifts to become Miorine's. After being the first demonstration of Suletta's extreme discomfort with someone coming on too strong Guel denies his affection for Suletta. This happens shortly after Miorine has Suletta donning the uniform which shows the two are engaged.

In episode nine, while Miorine does everything she can to guarantee they win the duel against Grassley House, Guel won’t even fight because Dad told him he wasn’t allowed to duel. He doesn’t want Earth House and, more specifically, Suletta to lose, but not enough to disobey his father.

At the backend of season two, Guel becomes a regular foil to Miorine instead of a romantic foil since he’s no longer interested in getting with Suletta or, as he puts it, there are more important things than whatever feelings he might have for Suletta. This means he isn’t being motivated by those feelings the same way Miorine is by her love for Suletta and can, therefore, look a bit more objectively. It also means that he doesn’t stop Miorine from doing something he sees as fruitless because helping her break Suletta’s heart is a prize he’s willing to pay to save Jeturk Heavy Machinery.            

Side note: Guel does his job as a foil quite well, but because he’s a foil, his prominence is completely unwarranted. It might’ve been a little more reasonable if he was the only romantic foil, but this story has five. Giving this much attention to a romantic foil in a romance about a straight couple would be unthinkable. Still, because the story is about a same-sex couple, they can’t be the image of their own story.     

El4n, foil to Miorine – El4n is the only romantic foil in the story, highlighting the flaws of the one he's a foil to. His function in the show is to get Miorine worked up and showcase that Suletta isn't the type to pine. Side note: Suletta appears to be quite binary when it comes to others having feelings for her. Either they like her romantically, or they never will.

From very early on, El4n shows a fondness for Suletta, which Miorine is having none of. Later on, El4n asks Suletta out to get to Aerial. Side note: Gotta love how Miorine compares Suletta and El4n to Romeo and Juliet, considering that if any characters in this series have their budding relationship sabotaged by the feud between their families, it’s Miorine and Suletta. 

When El4n learns that Suletta isn’t an Enhanced Person like himself, his demeanor towards Suletta changes on the spot. The progression of Suletta’s relationship with El4n is an inversion of her relationship with Miorine. Where Miorine had to overcome a misconception about Suletta for her fondness for Suletta to grow, a misconception about Suletta is what El4n's fondness for Suletta initially sprung from. Additionally, El4n asks Suletta out because he wants something from her, while Miorine pretends she wants something from Suletta, but in truth, she wants to prevent Suletta from becoming the one who got away. Girl didn't pass up the chance to go to Earth in order to save Suletta because she needed a shield. 

Despite Suletta having an interest in El4n, spurred on by him showing an interest in her and El4n eventually reciprocating, a relationship between them would never work as their goals are diametrically opposed. If El4n wants to keep his life and be allowed to live his life as he pleases, he needs to win a duel against Suletta and take Aerial away from her. Something she can’t let happen because, for one, she wouldn’t even give up Aerial for the person she’s excited to marry, and two, losing would be letting down Miorine, someone she cares deeply about, and Suletta’s not about that.

When Suletta wins the fight, she also wins back El4n’s heart, but their relationship is doomed before it starts because El4n fails to secure Aerial for the Peil company and has to die for his failure. El4n accepts this and doesn’t fight to stay in Suletta’s life, instead thanking her and letting death take him.

In the last episode, El4n apologizes to Suletta for standing her up to which Suletta basically tells him not to sweat it as she’s come to learn that the person for her wasn’t him.           

Shaddiq, foil to Suletta – Here’s someone who starts out coming off as approachable but who’s revealed to be more and more deranged as the series goes on. Shaddiq is willing to do whatever it takes to get what he wants all the while keeping his friendly appearance and calming smile.

Throughout episode nine, it becomes clear that while Shaddiq and Suletta are both upbeat go-getters, their views on Miorine couldn’t be more different. Shaddiq does, to some degree, care about Miorine, but what he thinks is best for Miorine is at odds with what Miorine wants. He justifies his attempts to control her with her being stubborn and unreasonable. She doesn’t know what would be the best for her, and Shaddiq’s been nothing but kind to her, so he doesn’t get why she keeps turning him down. This guy sure is tipping his metaphorical fedora.

The epitome of Suletta and Shaddiq’s conflicting views is shown when Shaddiq runs into Suletta after being at the greenhouse. He fails to reason with Miorine, so he tries to get Suletta to talk some reason into telling her that as Miorine’s groom, it’s her responsibility to talk some sense into her. Suletta doesn’t agree with the sentiment and instead thinks that her role as Miorine’s groom is to stand by her and support her. A very how the spouge of a woman should aim to protect and provide for their wife vs. they should treat their wife as an equal and encourage them to do what they want schools of thoughts. As Miorine seems perfectly content to be the primary breadwinner in the relationship, that first idea has less than no appeal to her.

Suletta ultimately turns out to be right, with the show taking a shot at the whole strong man who’s the sole protector of what’s deemed to be his mentality. After his defeat, he tells Miorine that he should have offered to fight for her, which most likely would have gotten him nowhere. Before Miorine met Suletta, she wouldn’t let anyone fight for her, and a good part of why Miorine rolled with Suletta becoming Holder was because she had no intention to. There’s no way of having the intention to become Holder and do what Suletta did. The intention is there, and that’s the problem. It cannot be overstated how little Suletta would care about being the Holder if Miorine hadn’t wanted her to be.

When Shaddiq learns that Miorine will be at Plant Quetta, he callously shrugs off the idea that he should try to stop her from getting hurt and leave it up to fate if she makes it out alive. This becomes somewhat vindictive when he probably justifies this kind of thinking by making it Miorine’s own fault for rejecting his protection. She doesn’t want him to keep her safe so he will do no such thing.                            

El5n, foil to Miorine – There’s not much to say here. El5n  showcases Suletta’s aversion to someone coming on too strong and her commitment to be with Miorine, as by the time El5n first makes a move on Suletta, she’s already hopelessly in love with Miorine. He and Miorine are also opposite extremes when it comes to their interactions with Suletta. El5n insists that Suletta should get with him while Miorine rejects that she has any veto over who Suletta can be with.

Sophie, foil to Miorine – Mostly qualifies for acting antithetically to Miorine and self-identifying as someone who sees Miorine as an obstacle to getting to Suletta. Although Sophie technically doesn’t express interest in being with Suletta romantically, since she goes full Yandere mode at the mention of Suletta being with someone else, she might as well be. One of a romantic foil’s main functions is to demonstrate why a relationship with them wouldn’t be in the best interest of the person they’re interested in having a relationship with. Declaring that she’ll have to kill Miorine to get the relationship she wants with Suletta makes Sophie succeed with flying colors in that regard.

Being a Yandere, Sophie doesn’t understand what would be offputting about telling Suletta she’s going to kill her loved ones. In her mind, she’s setting Suletta free to become a ruthless killer, which really shows how much she’s misjudged what Suletta is like as a person. As the cherry on top, it turns out Sophie’s obsessed with Ericht and not Suletta.  

This is another case of a character being the opposite extreme of Miorine. Concurrently with the event involving Norea and Sophie, Miorine is at the point where she’s blaming Prospera for Suletta’s actions, as she can’t see her little ball of innocence killing people unless she has been manipulated. 

            

From a meta-perspective, El4n, Guel, and Shaddiq are also the antithesis of what a romance protagonist should be due to their inability to fight for love. They’re defeatist and, at points, almost deterministic. After one major setback, they turn back to the person of their affection in the sense that they leave the person’s well-being up to fate. Something Suletta and Miorine never do to each other. Even when their insecurities get the better of them, they still have the other’s happiness and well-being in mind.

Furthermore, having the romantic foils display philosophies associated with determinism is a sort of social commentary in a sense. A part of Japanese culture is the acceptance of bad things happening and a willingness to make the best of an unfavorable situation, sometimes expressed through the word shouganai and similar words. This is a perfectly wealthy mentality until it gets used in situations people can and, more importantly, should be doing something about or, at the very least, be less accepting of. Case in point: whatever is up with Japan being behind on queer rights despite its several partnerships with multiple Western countries. So, having characters that act like their hands are tied and just shrug it off makes them foils to Suletta and Miorine, where needing to do something about a bad situation is a major part of their characters. The fact that the characters in question are products of the elite and two queer people who keep getting screwed over by the system is quite reflective of the contrast between activists in Japan and the country they live in.         

As the show is now, pairing these guys with the heroines reeks of heteronormativity. It doesn’t matter whether or not that’s the intention; it still does. Two female characters can go through thick and thin together, always having each other’s back whenever possible, and some people see their relationship as equal or even inferior to their barely existing or one-sided relationship with a man. The level of hypocrisy is astounding. It feeds into the idea that guys are entitled to have their feelings returned just by existing. That’s a big part of the reason there are guys who feel threatened by sapphic couples. It messes with their indoctrination that a woman would rather be with another woman than them.

It’s almost amusing how any of these characters come across as having a chance with either Miorine or Suletta when they’re never presented as such in the narrative. Unless the series was going to do a storytelling faux pas, Suletta and Miorine getting together is an inevitability by episode three. Having all this build-up just for them to end with someone else would be narrative nonsense. Good thing that didn’t happen.

[matchadobo]

KIDD; wedding headcanons

warning/s: partial nsfw but no occurrence of the actual thing, super fluff i died and alived

i'll fix the formatting lateeeerr >:) red ones are individual bullets while white ones are subheadings of the previous red one (hope that makes sense)

* when you bring the question to him he'll be like:

* "me? you wanna marry me?" he'd point to himself.

* "yes, silly! who else?!"

* "i-i mean," he'll instantly become red and start fumbling over his words. "i-i was supposed to pop the damn question out..."

* you best bet it'll be a full blown steampunk wedding! he'd want it to be in the victoria but it's also fine with him if you'd want a beach or garden wedding so long as the theme stays. this i what i think he'll be wearing, the aesthetic of the event, and what your gown'll be.

* during preparations, he'd mostly leave it up to you so long as you follow his color palette: red and blacks. but when it comes to foods, he'd be keen on having an attendance while you taste test and choose out stuff.

his and your fits

* before your wedding day, he'd be soooo anxious. i have this thought that when you two are individually out on your bachelor/ette parties, he'd be calling you by the end of it just cuz he can't sleep.

* "it's pretty late, kidd. did your party just finished?"

* "yeah, every one's knocked out of their damn minds. and apparently, i can't fuckin' sleep."

* "hmm, nervous?"

* "like the fuck i am." he'd try to deny it but eventually give in. "i wanna see you before i sleep."

* "but you know the superstition-"

* "fuck that shi-"

* "no! i don't want any bad luck!"

* "luck? baby, we defy all odds, don't we?"

* he'd insist but you'll also insist. so he just settled on an overnight call where you two slept in.

* during the wedding day, you two'll be tired as fuck because the only sleep you guys got was 2-3 hours because of talking and comforting each other until 5 😭. while getting ready, kidd will be more impatient and irritated than usual. but it's just due to the combination of weariness and anxiety. mostly anxiety. he never felt this anxious when it comes to you, he'd always be confident about how you two felt about each other. but right now, all he thinks if he's sure or not. if you're sure with him. eustass kidd never doubts, but he feels so deeply for you he'd never want to hurt you and that brings him to a wall. the people involve with him that day had a hard time working with him because his attitude is extraaa mean 😔

* but when he sees you at the end of the aisle as you donned a dress that looked way too good on you it was insane to him, all his worries left his body through a tear that cascaded down his eye.

* "you crying?" killer nudged kidd, noticing the taller to reach over his breast pocket to fish out the hanky.

* "shut up, you ain't the one doing the marryin'."

* i imagine his vows to reflect the kind of person he is, passionate and brute about it. he'll be soooo poetic it'd surprise you.

* "where do i even start fuck-" you'd giggle along with the audience. "i do lotsa damn declarations but this is makin' me shy, jeez."

* "name," he'd sheepishly look at you. "you are my dream and i honestly curse the seas that i'd only found you nos and not at the time i needed you the most. and now i, for the life of me, can't imagine how i'd live without you."

* "i, eustass kid, will put hands on anyone who mess with my wife, if those fuckers think they're so big, well so am i, aye?! if she cries i'll cry with her, and trust me when i say i will kill any bastard who dares do her wrong, because that's my wife, they better not look at her cuz she's taken, she's mine. got it?"

* "you've learned to love me, an insufferable asshole, in ways i never thought possible. you've seen the worst and the best, the weak and the strong, the ugly and somehow the pretty in me. you make me a better man."

* "you conquered all my fears, seized my pride, and built my strength. you are the reason i became the way i am today. you crawled your way in 'ere and took control over my heart, you little monster."

* "from the start, i haven't exactly been kind to you. i mean, i've been rude, and disrespectful; but you grew on me, you were patient and measured up to my irritated ass... so much that I don't know what happened, you really snuck up on me... so may you forgive me my past dumb mistakes. because even if I am stupid and mean, and I may not show my love properly, I love you and will do anything to give you what you fuckin' deserve. you know that."

* "name is a great woman, one who stands and always fights for what she wants, and I want the honor of being your husband. we'll conquer anything, yeah?"

* "okay i'm very fucking embrassed now so i'll just come out and say it... I need to marry you, not because I love you, not because I like you, but because I have to to... yeah, I said it, I don't like you or love you, i need you in my fucking life."

* man he'd end up crying while saying them. but his voice wouldn't waver, it's eustass kidd come ooooon

* he'd be dramatic and give you the bridal kiss where you kind of hang mid air and he supports your back.

* reception would be firrrreee it'd be an absolute rave! you'd have your wedding dress be modified where you can discard the tulle or some shit to make the dress shorter.

* your guests and dearest friends each made a speech about your craziness with each other

* "kidd was so damn insane for this girl. one time, he asked me if he should get her an otter or dung beetle as a christmas present. bro doesn't even celebrate christmas until she came along!"

* "kidd stood out as one of name's partners, he was the first jackass she fell for that was actually a keeper."

* "i'm telling you, kidd became so self-conscious when he met name! he started worrying if his lipstick was the right shade or if his eyeliner looked neat!"

* "what confuses me was whenever they talked to me about each other, the word 'i hate' always comes first and them being whipped follows after. it was annoying."

* drinking games come after, trivias about the couple and between you two after. and as expected, it was competitive because neither of you wanted to lose and give way 🤣. kidd as a man, will never go easy and let you win tho. he respects you like that.

* but what prompted me to make this hc is the wedding garter tradition 🫦. this will be his favorite part. he'd be very extra tho,

* he'll take off his suit jacket and roll up his sleeves when you two are in front for the act.

* he'd maintain reaaaally strong eye contact and will be feeling himself while you burn red and start fanning yourself from laughing or actually feeling flustered under his gaze.

* he'd get under your dress, have a long whiff of that 🐱 and his breath'll tickle you bc he nasty like that, lick your thigh a little, give the flesh on your hips a squeeze, and drag the garter off with his teeth very very languidly

* he'll be very pouty when it's time to give it to the bestman tho

* then the actual rave comesss! blasting music and lights at the victoria, it didn't seem like a wedding reception. but you and kidd were in the center of it all, dancing with each other the same way you two met in a bar.

* "wanna get out of here?" he whispered with his hands on your hips, bending down to your ear due to the deafening beats.

* "hmm, ain't this familiar?" you giggled.

* "aye. this is the part where you come with me and we kiss at the back."

* "eh? that's different from what i remember. your mean ass was angry at me for stepping on your shoe." you poked at his nose while he laughed subtly.

* "shh shh, we both know how bad that ended. bar got fucked up real good." you two broke out in laughter, reminiscing at old times.

* kidd would inevitably drag you to his quarters, man's hungrryyyyy

* he'd be so desperate to take off your clothes, with how beautiful you look today and how he was deprived of you for a couple of nights

* you'd leave the deck making out, walkign sideways, backwards, u name it

* "it'd be pretty weird if the bride and groom's gone on their reception, right?" you broke out of the kiss.

* "and we don't give a shit about it, don't we?" he'd grin, tugging at your lips

* aaaand stuff thst happens in the honeymoon happened 😏

been in the works foR WAY TOO LONG

[jokingmisfit]

Not Yet Forgotten

Platonic Future Hamato Brothers x Neglected Reader

Warnings- Angst with Happy Ending, Reader is Casey Jr's Sibling, Neglectful Parental Figures, Severe Injuries, Mentions of Blood and Broken Bones, Near Death Experience, Hurt with Comfort, Head Injury, Mention of Reader having Mystic Powers

Notes- I may make a different version from 3rd person pov to show how bad the boys felt. I don't know anything about medicine so please forgive me for any incorrect everything. Wrote this right before therapy and I think it shows. Lol, Enjoy!

Your breathing was fast, but muffled through your hand. It felt like your lungs were on fire. You don't know how far you've run, but you hope that it's far enough.

Only an hour earlier, Krang dogs surrounded you and your crew. The rest were already dead... You were frightened and angry. You knew that if only they'd taught you how to fight as well as they had Casey, then you wouldn't be in this situation. They didn't care for you. Your brother being far too important, apparently, for you to be cared for at all. 

Made sense in your mind. You didn't look like your mother like Casey did. Didn't share a name or even blood. Just another "stray" she'd picked up, but she loved you. In her own way. Too bad when she died the knowledge she left you with was all you'd be given. No sessions with Leonardo. No kind words from Michelangelo or Raphael. No scolding on health or knowledge from Donatello. It was like you were invisible. Unimportant. 

You and your team had done so much. Achieved amazing things, but every achievement was overlooked. Every injury was ignored. Perhaps you did learn a few things... Fending for yourself. That didn't help now, though.

Climbing the rubble. You could feel the parts of your body move in ways they weren't made for. You were strong but how strong would you have to be to defy death itself. You had sent out the SOS so long ago, yet it seems as if nobody will come.

Your blood stained broken concrete rocks. You prayed to whatever higher being was above that, just this once, they wouldn't overlook you. That the people who were supposed to care the most would save you.

You finally collapsed at the top of the heap. Only small peaks of the red sky could be seen. You were safe, for now, but you were bloodied and broken. Your stash of medical supplies were carried by a dead man. You wouldn't last, not long, at least.

You hit the alert again seeing as the purple light went out. Hitting the button over and over as your breath thinned. It felt harder to breathe with every second. 

An alert came back to you. A communication. You heard April once say it was like a phone call. Whatever that was. You pressed the button to hear the voice on the other end. It was Donatellos.

"Are you there? Can you hear me?" His voice was wavering. Something you'd never heard before.

With a raspy tone you whispered out your response. "You got... got te loc-location right?"

He sighed on the other end. "Yes we have it. A rescue team has already found the rest. Where are you hurt?"

"Hehe." Your laugh is cut off by coughing. Blood bubbling up in your lungs and throat. Looking at the gashes and stuck out bones, you answer. "Every- Everywhere..."

Silence met you on the other end. Silence and the clicking of the keyboard.

A deep breath, and you talk again. "I know... I- I know you all... Probably don't- don't care... but I don't wanna die... I don wanna die." A sob escapes your mouth, cutting off your sentence.

The pain and fear causing tears to cascade down your face.

The clicking stopped at your words.

Donatello responds after a few seconds. "They're almost there... I- You need to stay awake and you'll be fine. We- I won't let you die."

"I'm- I'm so sorry..." Your breath stops in your chest. "I shoulda- should of done better... I try- tried so hard... Was never good enough. I can't- can't breathe." Your words are heavy and painful as you sob them out.

"HELLO!" You heard Leonardo yell.

Before you had a chance to answer a light came from your gear. The communication line ending and sends an alert to the other mutant.

Footsteps could be heard from multiple beings. Talking and panic is heard as you stare at the broken roof with blurry eyes.

Raphael's face coming into view before anything else. If you weren't in so much pain you'd smile at him. Instead you stare as he picks you up gently. His words sound soft but melt in your head making them unknown. He holds you close and moves quickly. 

A whisper escapes you. "you came..." The statement soft and broken from your lips. The only evidence he heard you being the tilt of his head as he stares with worried eyes.

You held on tightly to your consciences. You held on for however long it took to be laid on a table. Long enough to have something put over your face. Long enough to feel a hand pet your head slightly as your eyes finally close.

~~~~~~~~~~~~~~~~~

It hurt. Everything hurt. Your eyes flutter open, but they're unfocused.

"They're awake!" You heard someone yell.

You flinch at the noise. A whine escaping the back of your throat from the pain.

"Be quiet. They're not going to react well to loud noises." You heard another voice scolds matter-of-factly.

You huff out heavy breaths. You try sitting up only for a large hand to, gently, hold you down. You blink several times to try and see better. Figures, shapes, and colors bounced around but nothing appeared sensical. 

"How are they?" A voice says nervously and stern at the same time. Their footsteps stop towards you.

The hands that were moving on and around you pause for a moment before an answer. "They're discombobulated."

"What the hell? English, Donnie." The voice answers.

Your voice is scratchy and comes out in squeaks. "Don- Donnie?"

Your question goes unanswered, but you were glad you finally knew who one of the voices belonged to. You were with Donatello.

"They had a head injury, so their brains jumbled. They can't see straight... At least we can be sure that they can hear fine." He answers with distaste.

A hand sets itself on your head and plays with your hair. The voice above you talks nervously. "So shouldn't we be talking to them? They're probably so scared right now. Aren't you?"

You realize that the end was directed at you, but you lost the energy to answer. You tried to speak, but nothing came out, as if your body didn't agree with your mind."

"Mikey’s right," The deep voice spoke. "We need to comfort them right now."

You wanted to tell them not to force themselves. That you knew they were only here because you were hurt. That once you were better they'd go back to the way it was before. But you couldn't speak, and the feeling of actually being cared for felt so nice.

The weight in your chest may have been painful, but it felt so good to be loved. If your head wasn't so fuzzy you might have cried.

Your name was called, almost urgently. You hadn't realized you weren't listening. So caught up in your own head that you forgot to listen.

You looked slightly to the person calling out to you.

"You still in there, kid? Lost ya there for a second huh?" You could hear the smile in his voice.

That was Leonardo right. He's the one to smile when things are bad. That means the deep voice was Raphael... All four of them were there for you.

You wanted to cry and laugh at the same time. Maybe you were imagining things?

"You need to relax. Your heart rate is spiking..." Donatello tells you strictly.

Raphael's voice picked up from the foot of your bed. "Don, I don't think they can necessarily control that... Y'know?"

"Sigh," Donatello answers him. "I'll fix it myself."

You felt the bed adjust, setting you up slightly. You felt his hand on your arm fiddle with something sticking out of it.

You felt calmer, almost, instantly. Surprisingly, your vision cleared slightly. Things still blurred but you could make out their faces so much more.

A crowd of turtles that left no space to see what room you were in. The lights still felt too bright, yet they were dimmer than any room you’ve been to. The blue lights gave you more of a clue. The screens lights bouncing and reflecting off the men. Was this Donatello’s lab? It had to be.

With your eyes now clearer you were able to hold them onto the figures separately. Their blurred faces held concern, fear… It was definitely a sight.

“You feelin’ better?” Raphael asked sweetly. He loomed over the edge of the bed, yet still he managed to keep a distance.

Despite the medicine making you feel better your head and chest still layed heavy on the bed. The only response you could manage was a broken noise from the back of your throat.

Leonardo laughs sadly. “Y’know maybe we shouldn’t ask them too many questions, heh.”

If you could shake your head in agreement you would. The other three certainly did, or at least it looked like they did. 

You took a deep breath in and out letting everything sink into your skin, into your bones. You had your own list of questions you wanted to ask them. Like, how bad is the damage? Why are all four of you here, there’s more important things to do? Did any of the others live?

You could feel all four eyes on you. Feel them stare like you were the only thing worth looking at. It confused you, so you turned your eyes to the only one who you knew had all the answers, Donatello. 

“Right, well I suppose you want answers. Yes?” He asked, oddly nervous. “Where to start,” he whispered to his screen before sighing. “You have a major concussion, obviously, you have two broken ribs, a broken leg, a sprain in your right arm, you have large lacerations on your abdomen, and you had punctured one of your lungs.” He lists off easily. “All of which have been cared for, however you will be immobile for quite a while. I estimate approximately 12 weeks and 3 days. Do you understand?” He asks you calmly.

You huffed at him, hoping he would understand that you were listening. He seemed satisfied with your response and went back to typing on the screen. Of course you were slightly confused by this as you hoped he’d elaborate on why they were all there.

Clearly noticing your confusion Raphael talks with guilt. “I think they’re confused on why we’re here…”

He says it like he can read your mind. 

“Why would they be confused about that?” Michelangelo laughs out shakily.

“Probably, because we’ve neglected them for years.” Donatello answers within seconds.

Leonardo being the next to speak, like they were taking turns. “We really fucked up that bad, huh kid?”

You couldn’t hold his gaze. The guilt was so evident on his face. You’d never imagined they’d realize what they’ve done. You pictured you’d grow into an adult and leave the Resistance without anyone knowing you were gone.

“Listen, I know- We know we should’ve done better for you…” Leonardo sighs. “You are just as important as everyone else. As the Resistance. As Casey Jr. I was always so caught up with him and being a leader I forgot that I had to be there for you. You always seem to have a hold on everything. Always seemed so sure. So confident… I never thought you might need help to. It was such a terrible mistake and I should have known better, should’ve been more and done more for you,” He leans over and grabs your hand gently. “I promise to never act like that again. I will never let anything hurt you like this. I will never leave you alone again. I swear on my life kid I will do anything, everything to make this up to you.” Tears from his eyes fell onto your clasped hands.

You couldn’t hide the shock from your eyes as you were crying too. It was like your body finally jump started and tears fell so freely.

“You were always so strong,” Raphael starts. “I don’t think any of us thought that our lack of attention would hurt you so much. You always shined so brightly on your own.” He chuckled sadly. “I never thought you’d need us so much, Jr’s strong too, but he relied on your mom more than you so when she died we- I thought you could handle yourself. You’d never seemed to waver. I’m so sorry.” 

The regret he held in his words weighed heavy on your mind causing more tears to fall from your eyes.

“My turn already?” Michelangelo laughed, tears in his own eyes. “Heh, I remember this one time I was talking to one of your group members, she seemed so excited to join your team. I remember I asked her what she was so excited for… It was you. She told me that she had seen you and your team fight. Saw how well you worked together, but she was mesmerized by you. She told me years ago she idolized me for my mystic abilities,” He laughs quietly. “But she admitted in this conversation that she idolized you even more. Because you were more like her than I was and your mystic abilities were so strong…” He pauses with a sad silence. “A part of that conversation fortified in my mind that you didn’t need anyone. You were able to figure everything out all on your own. Lead your own team. Fight and save lives like a pro. I should have taken into perspective your feelings. I used to be so good at feelings, but it seems I’ve lost my way a little bit. But I promise not anymore. You’re never going to feel left out again. I guarantee it!” He ends off happily

Silence fills the room. The only thing truly heard was the buzz of machines and various sniffles.

The silence was cut off again by Raphael. “Donnie… Are you going to say anything?” He asked both encouragingly and authoritatively.

“Sigh.” Donatello stated tiredly. He turned to face you more. “I’m not good with emotions. They were never something I could grasp fully. I’ve worked hard on fixing that, but I see in some areas I have… failed. I personally assumed if you needed help you would come to me, however looking back it’s clear you had and I pushed you away.” He states uncomfortably. “As an adult I should have been more prepared and I wasn’t… You were just a child, you are a child, and you’ve experienced so much on your own. I can assure that we plan on remedying that.” He ends sincerely.

After listening carefully to all their words your heart swelled with happiness. You were still afraid that they may not be true, but you were hopeful and so glad to finally be seen. The love you felt radiate off them in blissful waves made you smile. You forgave them as soon as their words left their mouths. As soon as they told you they cared. There was nothing better than feeling true love for what felt like the first time. You couldn’t help but be happy.

“Get some sleep, Kid,” Leonardo says. “We’ll be here when you wake up.”

[greenboyfriend]

choose a kitty! (tarot card reading)

image source "what do you need to know?" image 1: a sweet madame dons a baby pink ensemble. there are roses embroidered onto her robe. she's so cute! image 2: an impish lad in jester's attire holds two balls in either paw- pink and blue. his gaze points deeply into your soul. image 3: this rootin' and tootin' cowboy's got it all figured out. although, as far as outfit coordination goes, who's to say? book a reading through dm/ask!

1.・。.・゜✭

after having ur feelings hurt by what was probably a betrayal of some kind, ur feeling somewhat down in the dumps. so much so that you've surrendered, believing that nothing u can do can help. although it feels like you're powerless, what you're lacking in is guidance. in order to move toward healing and happiness, you'll need to put yourself out there. try spending time with people you enjoy. maybe they're facing similar problems, and through sharing with each other, you'll form a strong sense of purpose, as well as camaraderie. im also getting that there may be some "singing and dancing" in your future, so know that this will heed good results! this is the path out of your difficult situation.

(6 of swords reversed, 8 of swords, 3 of cups reversed, 3 of swords reversed)

2.・。.・゜✭

so... first and foremost, I will say that you need to consider the importance of "cause and effect." right now, you're in the cause phase. there's some sort of two faced energy going on here with someone you know. someone's not saying the entire truth, or is hiding something. what's most important is that you listen to your intuition, and to be sure that you're not allowing yourself to believe in illusions. in order to best respect justice, and not to end up with an unfavorable effect, seeking the truth and the whole truth will benefit you at this time. this means staying within the bounds of: on the one hand, not allowing yourself to fall for illusions, and on the other, to not be suspicious of everyone. your intuition will serve you well. let it be your guide. you have an inner sense of what's true and what's not, so stick to what you know.

(queen of cups, 7 of swords reversed, 7 of cups, justice reversed)

3.・。.・゜✭

these cards especially emphasize the need to embody the best of the cups suite. so, being emotional, intuitive, and loving! right now, you may be trying to grasp at what you think you have, and are unable to let go. you may want things to just stay the same or you're blocking new developments for change. this probably has to do with a situation that requires you to be emotionally vulnerable, and to solidify a relationship/friendship with someone. this will not only heed benefits in the present, but will also blossom into something wonderful! so, trust that gut of yours, and listen to your dreams. sympathy and understanding will get you far. if you'd like, making a thoughtful gesture might also be worth your while. let your heart lead the way! it may sound hard, but ive found that, in situations like these, the anticipation is the worst part. you've got this!

(4 of pentacles, page of cups, ace of cups)

[strobbylemonade]

what the fuck was up with that huh???? warp express spoilers yada yada

i literally screamed when the reveal happened because OHHH MY GOOOOOOOODDDDDDDD WHAT THE HELL i wish i wish i WISH WE GOT VOICE ACTING FOR IT!!! ARHGHHHH.

"in all absorbing darkness, voice is our only light" what a cool metaphor. how fascinating that dante has no voice... but they have light...

i feel like not enough people are covering the fact that the blast was strong enough to blow faust to pieces. also dante very rarely comments on the pain of bringing people back now... i wonder if they're getting desensitised to pain? or blocking it out of their memories?

do you think dante had to do up her laces. like covered in blood and gore and pieces of faust and so so tired from reviving the sinners, they had to take just two minutes alone to do up don quixote’s laces

DON QUIXOTE'S CANTO IS 2 MONTHS AWAY I CANT DO THIS MAN I CANT WAIT THAT LONG

i talked about this with my friend but it's entirely possible that vergilius was hired almost soley to deal with don quixote, because his EGO allows him to become one with pools of blood and she's made to forever spill blood. i really hope we get to see their dynamic expanded upon

do you think its possible that she was so fast to suggest the idea of the sinners staying aboard the train for a thousand years because she'd lived for that long before.

i wonder if she'll sing her Pass On in her regular Don Quixote voice or her more... natural? bloodfiend voice.

its sort of strange to know that faust and vergilius are in the same boat as dante is (dante has to listen to vergilius, who has to listen to faust, who has to listen to the Gesellschaft). since the three of them are deemed as sort of a 'higher management' collectively, and dante is being let in on more secrets, i wonder if some sinners will start distrusting them because of how secretive they have to become?

"do you suppose i shall see her again?" AHHHH THAT MOMENT WAS SO CUTE WAAHHHHH. i think its really interesting that yi sang and ishmael were the ones to comfort her, as they're the two sinners with the most "resolved" cantos. do you think yi sang saw some of himself in her. in the way he was in love with the unknown and discovery and she falls in love with it too.

rodya has always been super flirty with faust. i hope she flirts back (i wanted to have another gamble) after this and everyone gets their balls knocked out of the park

do you think faust felt safe. with the sinners. and no fausts watching her. i love faust. i will die for her.

great intervallo. holy shit. auguuuguhhhghhghhhhhhhhhhhhh

[lu-is-not-ok]

I see! I see! then in turn, envy probably does fit better, but I'm going to give an alternate viewpoint on these sins that I think you'll find interesting.

personally, I don't think the sins involved are the primary lessons of the sinners, but can be interpreted as the failings of the antagonist. Don is more obvious, given the first kindered's "ingenious" ideas that led to his children suffering. his pride blocking the idea that this dream wouldn't work.

while for heathcliff... I doubt he'd have this much of an issue if more than one person in his life gave enough of a damn, its clear cut that the butlers didn't even bother to feed him if he weren't nelly, slothful neglect.

It's an... interesting viewpoint, I'll admit.

I can definitely see what you mean with the First Kindred's main failing being Pride. Him having excessive confidence in his plans and not pausing to hear out the grievances of his Kindreds more closely is what eventually led to everything falling apart, as he was unable to account for his own flaws and did not foresee the consequences of his actions. That is, very much, a classic Pride move for sure.

...However, I think your assessment for Heathcliff and Canto 6 has some flaws in it. Mainly because saying that "the butlers" are the antagonist of Heathcliff's story is... Did we read the same Canto?

Let's dissect this Chapter a bit to get to the bottom of this and see if there is any way for Sloth to come from a Canto 6 antagonist. For the Canto itself, there are three notable antagonists (-ish). Hindley, Nelly, and Erlking Heathcliff (with a bonus Every Catherine as part of the same archetype).

Hindley's all about bullying and hurting Heathcliff out of his own feelings of inadequacy, he feels as though his father cares more for a random kid found on the street than he cares about him, his own son. His Sins could be read as somewhere between Envy (his lack of self-worth being the core of why he lashes out) and Wrath (him feeling cornered and unloved cause him to try to change it by doing everything he can to get Heathcliff out of the picture).

Nelly is... interesting. Her colluding with Hermann is caused by her feeling like she's trapped, helpless to change her fate of being hurt by the fall-out of whatever happens between Heathcliff and Cathy in every Mirror World. This is, also, a very Wrath-coded action. However... she does accuse Heathcliff and Catherine of being too Slothful to actually communicate their feelings for each other and in the process causing harm to everyone around them. Put a pin in that, I'll come back to this later.

Then there's Erlking Heathcliff and Every Catherine, which have fairly simple motivations. They both independently came to the conclusion that they themselves are the reason why the other can never be truly happy, and so decided that the only way to fix that is to kill every Mirror version of themselves. This can be read as many things Sin-wise, primarily Gloom (sinking into the self-destructive hopelessness of being unable to find a World where they can be happy together) and Envy (lacking a sense of self-worth to the point they fully blame themselves for everything going wrong in every World).

However, while these three are the antagonists of Canto 6, they're not really antagonists of Heathcliff's past. It's... a lot harder to say if there is an exact culprit for the suffering Heathcliff went through during his time at Wuthering Heights, but I'll try.

One culprit I'd like to define as more so the environment itself rather than any specific people. Not just the butlers of the manor, but the whole Earnshaw family and the classist system they all live in. All of that in one way or another contributed to the abuse Heathcliff had to endure.

...Could you define all that Sloth? Kind of, maybe, since it's blind acceptance of the system that led to the abuse. But you could also make a strong case for Pride, since a lot of the abuse came from the people around Heathcliff treating him as a lesser being, as someone who isn't worth as much as they themselves are.

So if not any of the Canto 6 antagonists, and if not the Wuthering Heights itself, then who else could be the source of the Sloth?

This is where I'd like to take out that pin from how Nelly described both Heathcliff and Catherine as Slothful. Because, yes, I believe our Heathcliff and Catherine are in a way antagonists to their own pasts as well. Let me explain.

The miscommunication between Heathcliff and Catherine, their inability to share their feelings with each other, them resigning themselves to never be able to do so. Not only is it one of the main sources of a lot of suffering both they and people around them go through, but it's also, just as Nelly commented, very Slothful behavior.

...Which is. What I would like to say. But unfortunately, Nelly can only describe what Heathcliff and Cathy's actions seem like on the surface - in reality, the Sins that are actually on display are not Sloth.

For Heathcliff, it's Envy - he feels like he's not good enough for Cathy, and so feels like he's not worth it to confess his feelings to her.

For Catherine, it's Pride - she feels like she and Heathcliff aren't on the same level, and so feels the need to help Heathcliff become a better person and reach her level before she can even consider confesshing her feelings to him.

I really, really tried to find a way to make this theory work, cause it is a very interesting one that I think could work considering what we've learned about the Golden Boughs in Canto 7. If they feed on people's desires, it would make sense that the Sins they take on as Saplings are of those they fed from. After all, the Bough stabbed into the First Kindred very clearly sapped him of all his Pride, leading him to lose all of his confidence and belief in his dream. Like, it's too perfect for there to not be an in-universe connection!

Unless... we're looking at this all wrong. While narratively, it makes sense for Heathcliff to be the one unlocking Hokma, in-universe it could be a coincidence. After all, there was no Bough able to feed on anyone's desires in Canto 6. One got obliterated, and one got stolen.

So then what other Bough could have fed on Sloth...

...

AH FUCK YI SANG AND DONGBAEK-

IF THERE'S ANYONE WHO COULD HAVE FED A BOUGH WITH SLOTH IT WOULD BE THOSE TWO GOD FUCKING DAMNIT.

[mossy-green-aka-ferrythem]

Ok, so the Murder on WARP Express brings a lot of truly strong narrative points to the table I didn't expect. (I will spoil the entire Intervallo here.)

Also, there is something kind of horrifying about how the sinners have multiple ways to bypass the inter-dimensional horrors, while you see everyone else fall victim to an eternal kingdom...

Like. They are sponsored by WARP Corp, the reason why they can bypass the horrors is because WARP Corp sponsored them. There is a sort of uniquely fascinating thing about that. With how you can avoid the horror of eternity, the eons, if you are given the favor of W Corp.

Also, it's interesting seeing the fucking Dead Space type bullshit is happening to the passengers. Since you are sort of just passing through the WARP... something's sort of sad about how impartial you are to their plight. I mean. This is normal city dealings. This is how the city works.

Also. The way Bloodfiends interact with the WARP is fascinating. Here, instead of being held back, forced to sulk in the corners of the city, he is treated to an eternal banquet hall. The fact that the WARP Train isn't a punishment for someone like him, but much rather a pleasure, is fascinating...

Also of course we have the BIG SPOILER:

With how Don Quixote. Is a Bloodfiend.

(Not gonna lie this makes her even SEXIER to me like holy shit the fucking energy? The aura? That blood soaked darkness that enshrouds her? Something feels so erotic about it...)

Also, since their pass to the First Class broke, I knew for a fact that due to the Backdoor pretty much housing all these possibilities, like for example, a door to the outskirts. Of course they can bypass the horrors of the WARP, it only makes sense.

Also, it opens up a new interesting thing... with how when they're inside A Corp... they are greeted to nothing but a blinding sandstorm...

I think what may be the case is that the city has desolation right at the heart of it.

Also, Faust, my beloved, has a very interesting arc here!

We learn about how she's in a sort of strange communication with multiple Fausts, and without her ability to cross examine all Faust's perspectives and knowledge, she struggles immensely. Thus she is sort of forced to learn to sort of somewhat accept a sense of individuality, and uncertainty. Also her willingness to let others speak first here shows her sort of growing, socially speaking. Like. Realizing the reason why she has so much knowledge is because of others, and how the sinners have a lot of strong perspectives and strong points to give.

Really this Intervallo was far more narratively intriguing, and well written than I could have anticipated.

[whateverisbeautiful]

♥️ Ranking Richonne

#23: Glad To See You (S4E01)

Platonic where? 😋 I love this lovely scene that lets us know Rick and Michonne had fully won each other over during the time jump between s3 and s4. This scene arrives after several couples are spotlighted in the ep - Which is no coincidence. It also arrives directly after the sweet 'whole new plant' scene with our beloved Hershel - Which is no coincidence. Michonne even whistles to get your attention with it. Richonne and the family they form together are Rick and Michonne’s whole new plant...

I love that as the queen arrives on her horse it’s Rick and Carl who rush to let her in. Like Rick hears her coming and eagerly stands up (with a subtle smile I do believe) and immediately looks over to Carl, who is ready to run over, because they know they’ve both grown really fond of our girl Michonne.

The way Rick and Carl hustle over to her with smiles on their faces will forever melt my heart. And as if their whole body language didn’t make it clear they were happy she’s back, the first thing Rick sweetly tells Michonne is, “We’re glad to see you.” I love how much Rick and Carl like her and can’t hide it.

It's funny too because I always thought it was both Rick and Carl donning big smiles when they run to her, but watching it back, Carl is actually way more subtle in his expression than Rick lol. Gotta love that extra man. 😋

It’s sweet the way Michonne says, “Glad to see you too.” Rick and Michonne are both just the cutest, and they already look like they go together. Every scene they have reminds you that they are meant to be each other's person.

I love that Michonne got Carl that comic, and he’s so excited about it. And she's clearly so happy to have put a smile on his face. Their friendship is everything. And Carl's sincere little thank you. She brings out such a sweet side of him.

I adore that Michonne's personality is coming out more with her boys and Rick gets to witness her bond with his son here. Through Carl, Michonne began to be a mom again and I just so appreciate that. 

And Michonne saying, "I get to read them when you’re done" - it's pretty much canon that she and her kids love books together and it’s adorable. ��

Then it's so sweet Michonne's playful teasing of Rick with the razor and saying his face is losing the war. Sis told on herself a little bit, thinking about his face while out on her run. But I mean again, who can blame her? 

And it's interesting that the show highlights her getting gifts for Carl and Rick specifically, showing how they're who she's grown closest to and who she thinks about while she's out. Even while somewhat still in her lone wolf era, they were already becoming family. 🥹

I like how getting gifts for both of them helps suggest that Michonne's not just on the fast track to becoming Carl's future mom, but also Rick's future wife. She's growing an undeniable bond with both of them.

I think it’s cute how Rick takes the razor and ponders what it all means, and then Michonne brings some playfulness when teasing him and smiling. She likes him, y’all. 😊 And Rick needs this kind of levity in his life. It's great how before Rick and Michonne loved each other, they really really liked each other as people and it didn't take long for them to realize that.

Also, one of the many things I so adore about how Andy and Danai play their characters is that they never play them one-dimensional. Instead of just coming across as typical 'strong and stoic survivors,' they instead add such compelling layers to their characters.

Rick isn't just tough, he's also capable of being truly warm and affectionate. Michonne isn't just a warrior, she's capable of being genuinely warm, affectionate, and playful too. 👌🏽

So Rick gives a little laugh when she teases him, and then he’s quiet for a bit. And watching this back, I'm tickled because he’s definitely a little nervous around her. 😊 This is Richonne's crush era after all, and so he seems to be feeling a lot inside perhaps.

And then he steps closer to her and asks if she’s going to stay a little while, which is something Rick always wants - Michonne to stay with him awhile. And I like that he can’t help but make it clear he wants her around.

I'm telling you, they’re so adorable in every frame of the scene, and their body language is giving ‘this won’t be platonic for long’ lol. 

Michonne answers, “Just a little while,” and Rick nods cuz more time around her is always music to his ears.

Then Daryl arrives, and y’all, this part of the scene will always be curious to me.

Cuz they have Daryl say glad to see Michonne in one piece and look right over at Rick, almost like he’s especially speaking for Rick (who we already know is particularly glad to see her from their moment just seconds before). And then Rick looks from Daryl over to Michonne like he wants Daryl to be more subtle or something lol. Which had me like...

Rick has that little frustrated reaction when Michonne says she’s going to look over near Macon, and Michonne seems to notice Rick’s reaction cuz she then emphasizes, "it’s worth a shot."

It’s interesting how Rick isn’t very talkative at this moment, but his face is giving away that he clearly has thoughts and doesn't want her to go lol. But he knows Michonne can do what she wants, even if he most wants her here safe. 

Rick says he’s going to stay at the prison when Daryl says he’s going on a run, and then Michonne quickly volunteers to go. And y'all, again...

Cuz idk, it almost reads like knowing Rick was staying makes Michonne quickly volunteer to go since she can’t let herself get too close to him yet - cuz the sparks be sparking when they’re together and right now that's a bit too vulnerable after her traumas from the last time she let people in close. I mean, I'm just saying.

And Carl is quick to remind Michonne that she just got here, which is super cute. It's clear that, like his dad, Carl really wants her around and fully a part of the family. But we’re not there yet in their journey, so Michonne just smiles and says she’ll be back and then walks away. My heart is always so warmed to see her presence so wanted by her boys. 

Rick watches her go, of course, and then Daryl pats him in a seemingly sympathetic way before Rick goes to help them head out. And, y’all, I stand by it…Daryl knew something. 😋

I might not know what exactly, but brother Daryl knew early that something was stirring between Rick and Michonne and that she was special to Rick somehow.

I've noticed how several characters seemed to be picking up on something between Rick and Michonne even before Rick and Michonne became fully aware of their feelings - Carl in s3’s Clear, Daryl in this s4 premiere, Sasha in s5 when she tells Michonne “it worked out for you,” Deanna clocked Richonne real early, and even Abe in s6 wondered if Rick and Michonne had been intimate for awhile. Lol by the time Rick and Michonne made their romance official, you know team family was just like…

Season 4 is a big one in the making of Richonne, and Rick and Michonne's first scene together in season 4 effectively planted more seeds toward how much their relationship would blossom as this season progressed.

Establishing Rick, Michonne, and Carl’s dynamic and heightened fondness for each other in the season 4 premiere was a great way to set up how they would soon become family in the fullest sense by the end of the season.

Like to go from this scene at the prison to traveling as a trio in 4b and having such familial moments in the s4 finale is perfection. Rick and Michonne's fondness for each other only strengthened, and they became an undeniable family unit that managed to carve out some genuine happiness even wandering the woods with no home base. This truly is the season when Rick and Michonne start to become home to each other.

And I love that from the premiere to the finale of season four, these two only grew closer and closer and more and more glad to see each other. 😌

[immaturityofthomasastruc]

IOTA Reviews: Transmission and Deflagration (The Kwamis' Choice)

Well, it only took until almost halfway through the fifth season, but we're finally getting a two-part episode that isn't a season finale. There have been a few episodes I think could have benefited from having an extra part, like “Cat Blanc”. So obviously, after all this time, there has to be a reason for putting a two-parter here. The story told here has to be big. It has to be huge. It has to be something that will alter the very way we see the plot and these characters, and—it's more Love Square stuff. God dammit...

Let's get into the tenth and eleventh episodes of Miraculous Ladybug's fifth season: Transmission and Deflagration

“Transmission” starts with Marinette having another depressive episode, which seems to be worse than usual, with her offering her Miraculous to Tikki so she can choose someone else. While Tikki tries to remind her of all the good she's done as Ladybug as footage from earlier episodes plays, Marinette points out how she's a terrible Ladybug, once again referencing how she lost the Miraculous because of her feelings for Adrien.

Tikki: You’re overreacting, Marinette!

Marinette: Really? Then, how come I lost the Miraculous I was entrusted with all because of love? Love only ever causes problems. I’ll never fall in love again! Love is weak! And I can’t be sad about it; otherwise, I might get akumatized!

Okay, this is just getting ridiculous. We're ten episodes into the season, and whenever Marinette brings up her failure at the end of the last season, it's the same song and dance: She feels guilty about it, she needs someone to try and make her feel better, and she doesn't change anything about the way she and Cat Noir operate. If it isn't that, it's a complete strawman or character who we know already hates Ladybug like Chloe or Lila calling out Marinette for her failure specifically so any negative feedback she gets can be easily brushed aside. The whole point of a hero having to comprehend a major failure is to see how they deal with the consequences to their actions and find a way to improve to make sure nothing like that ever happens again. If Marinette came up with new ways to strategize with Cat Noir, or seriously reevaluate the way she sees Adrien that isn't just brushed aside, I'd get it. Instead, all she does is whine about how much her life sucks over and over, which is the same problem I've had with Adrien for the past few seasons.

And once again, for a show with the lyrics “The power of love always so strong” in its opening, it seems like the writers want to make a bigger point in favor of showing how love can only ruin things. Yes, getting emotional can cause someone to make more impulsive decisions, but at the same time, feelings of love and kindness can get good results, like Ellen Ripley's maternal instincts motivating her to save Newt in Aliens. The problem is that we never get a lot of arguments as to how love can benefit the heroes, not only when we see how much it screws up Ladybug and Cat Noir's partnership, but once again, how Marinette's romantic feelings for someone led to her greatest failure. The closest we get to an argument in favor of love is whenever Marinette and Adrien's friends try to make their OTP come together without considering if it would actually make things better or not.

Speaking of which, after the episode's obligatory pointless Chloe line that's only there so Selah Victor can pay her rent that week, Ms. Bustier asks Alya to deliver Marinette's homework to her, only for Nino to convince her to have Adrien do it instead. Somehow, she thinks this minor favor will help Marinette and Adrien realize their true feelings for each other. Because it's not like Alya learned that she shouldn't choose who she thinks Marinette would be best with last episode, right?

Marinette and Adrien talk and it seems like they're starting to grow a little closer, but Tikki and Plagg panic, trying to intervene so they don't know each other's identities. The attempt fails, but Marinette kicks Adrien out anyway. It's a pretty somber scene, so let's cut to something stupid instead, like Marinette and Adrien's classmates throwing a party under the assumption that Adrien simply delivering something to Marinette means they'll get together now.

All of you are really gunning for the Biggest Idiot Award today, aren't you?

Of course, even though she went along with one of these weird “force Marinette to do something she doesn't want to” schemes before in “Crocoduel”, Zoe seems to be the only one with a smidgen of common sense.

Zoe: Alya, did you hear Marinette’s voicemail message?

Alya: Yeah, but that was before, Zoe.

Zoe: “Before”? Before what?

Alya: Before when Marinette was a complete wreck.

Nino: But Alya sends her the perfect mechanic.

Alya: Adrien!

Nino: He’s fixing her up as we speak.

Rose: Wow! When they come back to school, they’ll finally be an item!

Marc: A perfect plan!

Zoe: But... you guys don’t actually know for sure.

Alya: Trust me. This is it this time!

I'm starting to think that maybe Marinette should reconsider who she chooses to be temp heroes once she gets the Miraculous back.

Adrien starts crying as he leaves Marinette's place, which attracts the attention of Monarch... who then immediately backs out as soon as he senses him, transforming back into Gabriel. Meanwhile, Tikki and Plagg discuss Marinette and Adrien's situation.

Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them.

Tikki: No, they’re made for each other. Love is what gives them their strength.

Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction.

Tikki: (sighs heavily) What can we do?

Plagg: We must free them of that impossible choice. We must... free them of us.

Yep. This is the titular Kwamis' choice. They seriously think that Marinette and Adrien's romantic problems are more important than them being superheroes, so their best option is to just take away their Miraculous even though Monarch still has fifteen more of them. I'd be more forgiving if this was towards the beginning of Marinette and Adrien's superhero careers, but this is Season 5, where the stakes have never been higher thanks to Monarch's arsenal. Oh yeah, I also forgot to mention that MARINETTE IS STILL THE FUCKING GUARDIAN, AND TAKING AWAY HER MIRACULOUS DOESN'T CHANGE A THING! IT'S NEVER EVEN MENTIONED IN EITHER EPISODE, SO HOW THE HELL DO YOU FORGET SOMETING THAT IMPORTANT?!?!

It doesn't even make sense that only now are Tikki and Plagg against Marinette and Adrien actually getting together when they were never shown to have any problems with it in earlier seasons, and just last episode, Plagg encouraged Adrien to go after Marinette after doing so as Cat Noir didn't work out. It comes across as the writers struggling to come up with new ways to have opposition to the Love Square, even if this idea somehow leads to a minuscule amount of progress in that department. Yeah, you figure that out...

Also, it's pretty weird how after four and a half seasons of Marinette suffering from the burden of being Ladybug, only now does Tikki decide to relieve her of that responsibility, but only because of how it affects her love life.

We get another scene showing how stupid Marinette and Adrien's friends are as they talk about how happy Marinette and Adrien must be now, interspersed with scenes of Marinette and Adrien crying their eyes out. Just like that one scene in “Evolution”, I don't get the setup. Is this meant to be a joke, or a serious moment? After Nathalie takes a call for Adrien telling Nino that he can't be bothered at the moment, Gabriel comes into the room to comfort him, giving him an Alliance ring in the process.

Tikki and Plagg talk to their respective holders and tell them how they feel that the burden of being heroes is crushing them. Marinette and Adrien obviously bring up the situation with Monarch, but as soon as their Kwamis mention that not being superheroes means that they can pursue their love lives with no stress, they immediately take off their Miraculous and give them back. After five seasons that this episode confirmed happened just under a year, and this is what causes them to give up their Miraculous: a bad case of heartache. We're supposed to see this as the breaking point that causes the two to not want to be superheroes ever again? They don't consider the innocent lives that could be in danger, or the fact that this heavy burden will most likely be forced on two new and inexperienced schmucks who will struggle even more than they did thanks to Monarch possessing powers of the other fifteen Miraculous.

I'm sorry, but I don't see this as an emotional scene. All I see is what I saw with Adrien in “Kuro Neko”: these characters simply giving up because of how much they're prioritizing their personal feelings over the lives of others. If this was something Marinette and Adrien came up with and made an agreement to quit at the same time (even choosing their own replacements), I'd sort of get it, as they'd at least be on the same terms, but neither of them ever learn the other quit until later on in the episode.

After Adrien breaks down even more, we learn that the whole reason Gabriel hesitated to akumatize Adrien the last time was because he didn't have an Alliance ring on, so now that he does, he's taking a mulligan. However, the Akuma is stopped at the last minute when Adrien sees the homework he was supposed to give Marinette, so he runs off as his negative emotions fade. Instead, Monarch chooses to akumatize someone else with five different Alliance rings.

Monarch: Rejoice, dear Kwamis! Five Alliances enables as many Miraculous powers to transfer at the same time! This villain promises to be exceptional! (laughs manically)

Pretty sure you hyped up Style Queen the same way three seasons ago, yet you still didn't get the Miraculous then, so I wouldn't gloat too soon.

The next scene with Marinette and Adrien is actually a really nice one. Marinette starts stuttering as usual when she tries to talk, but Adrien comes up with another idea: He'll ask a series of yes or no questions, and Marinette can raise her right or left hand to answer them. Adrien asks Marinette about her feelings for him, and Marinette accidentally answers no before changing her mind. Before Adrien leaves, he asks Marinette if she wants to spend more time with him in the future, to which she accepts. This scene was handled really well, and nothing really felt forced here.

Back with Alya, she and the others are once again coming up with a plan to get Marinette and Adrien together (because none of them have lives outside of the Love Square, I guess), when Nora suddenly calls.

Nora: Geez, sis! You never pick up the phone when I like, actually need your advice!

Alya: I couldn’t pick up. I’m at school!

Nora: Yeah, right. So, you see, I had no choice but to deal with it myself.

Alya: Oh, no... Nora. I told you before, you gotta talk before you act!

Nora: Yeah, but I did talk, like, I said stuff in front of Kouki's bros.

Alya: Nora! Not “talk” like that!

Yeah, outside of a few references to Nora trying to call Alya earlier in the episode, I didn't skip anything here. We're just thrown into this plot with little to no explanation as to what's going. What Nora and this Kouki guy were arguing about, much less what Nora said to his friends is never explained. I don't even known if they're supposed to be in a relationship or not. It's not like in “Sandboy” or “Oblivio” where the motivation for how the person got akumatized was only explained near the end of the episode. The episode acts like we're supposed to know who Kouki is and why he and Nora are fighting when this is the first time Kouki has ever appeared on this show.

As the conversation goes on, Tikki chooses Alya to be the new wielder of the Ladybug Miraculous and Plagg chooses Zoe to be the new wielder of the Cat Miraculous. Okay, outside of Zoe being the only one in this episode who isn't a complete idiot, I can see why Plagg would choose her, since she has experience as a superhero, and her identity wasn't exposed. As for Tikki choosing Alya? Yeah, Alya did a good job as Scarabella in “Hack-San”, but she doesn't mention that A) She and Cat Noir still needed Marinette's help to stop Robustus, and B) Alya's already had her identity exposed twice, to the point where she was the one to suggest she not be trusted with one before Marinette lost the other fifteen Miraculous at the end of the last season. Alya's not a bad hero, but these factors don't exactly make her an ideal successor to Ladybug. Also, it's pretty dumb how the whole reason Marinette and Adrien quit was for romantic reasons, yet the whole reason Alya blew her cover last season was for romantic reasons (Rocketear).

Back with Adrien and Marinette, the former plans to leave, but is interrupted by the akumatized form of Kouki, named Kikou.

Kikou's design is... I mean, it's not terrible, I guess? Putting aside the fact that this is the second Akuma in the series to go with the “black boxer” stereotype (who is also a dumb brute like Anansi was), the gold jewelry is a decent touch, and it makes sense that he has the five Alliance rings to show off his wealth. As for his powers, because he has five rings, he has five different powers, the Tiger Miraculous' Clout to power his Gum-Gum Pistol-esque punches, the Turtle Miraculous' Shelter to protect his head where the Akuma is obviously hiding, the Horse Miraculous' Voyage to move around quickly and make up for his size hindering his speed, the Ox Miraculous' Resistance to protect the aforementioned Shelter, and the Mouse Miraculous' Multitude to clone himself with. This is the Akuma that really made me realize that the gimmick of every Akuma this season having the powers of whatever Miraculous Monarch gives them is just an excuse to half-ass writing any new Akuma powers in favor of the same fifteen abilities the other Miraculous have.

Kikou attacks the city, but Alya transforms into Scarabella, soon being joined by Zoe, AKA, Kitty Noire.

Kitty Noire's design is... pretty weird, all things considered. The green lipsick just doesn't look that good, I don't get the green hair extensions, and why are they eyes like that when even Lady Noire's eyes stayed green? At the very least, the hair looks marginally better than Catwalker's, and I like the detailing on the suit itself.

While Scarabella and Kitty Noire quickly get to know each other, Marinette and Adrien get used to being civilians again pretty quickly as they watch them fight off Kikou, the two new heroes struggling to keep up with Kikou's five Miraculous powers. Of course, Marinette and Adrien only look mildly concerned, not even regretting their choices in the slightest.

Our heroes, ladies and gentlemen.

Scarabella uses her Lucky Charm, getting a parachute, which is totally different from the kind used in the final episode of the first episode. Scarabella and Kitty Noire taunt Kikou, Scarabella drawing Kikou's fire while Kitty Noire recruits a bunch of firefighters, who then get some paint from the art store Socqueline runs. The firefighters then load the paint into their truck's hose, which is then used to fill up the parachute. Kitty Noire cuts the rope, and the paint blinds Kikou, and as soon as he deactivates his shield, Scarabella breaks his headgear, freeing the Akuma.

Scarabella de-evilizes the Akuma, sort of helps Kouki and Nora make up, uses Miraculous Scarabella to fix all the damage, while Marinette and Adrien compliment the new heroes from afar before promising to meet up at school tomorrow.

The first episode ends with Gabriel's Alliance recording the unusual data in two Alliances, meaning that Scarabella and Kitty Noire's identities have already been exposed... even though Tikki should have known this since “Jubiliation”. Yeah, you all know where this is going.

THE BIGGEST IDIOT OF THE EPISODE IS... TIKKI

While the competition was tough, Tikki was able to get the win for going along with this asinine plan in the first place that prioritized the personal feelings of two people over the fact that Monarch was at his most dangerous. Not only that, she forgot Marinette was still the Guardian, she forgot that Alya's identity was already exposed twice, and that even if she didn't know the Alliance rings were a front for Monarch's plan, forgot that these hi-tech rings track the everyday movements of its users, not even telling Plagg this before he chose Zoe.

The second part, “Deflagration”, immediately starts off with Kitty Noire saying that Ladybug and Cat Noir have nothing to feel guilty about even though they essentially abandoned Paris when Ladybug was shown to be getting backlash for her failure, but of course, that isn't mentioned here.

Kitty Noire: We’ll accomplish our mission just like they did, because the goal we all share is to defeat Monarch, isn't it?

News Reporter: Or perhaps Ladybug and Cat Noir renounced their mission so they could finally live their love story?

Scarabella: They were never in love or in a relationship, and neither are we.

Kitty Noire: (in a flirtatious tone) So far anyway!

I'd make a “The Ambiguously Gay Duo” joke here, but we all know Alya is already in a relationship.

Alya and Marinette meet up, the former congratulating her successor on another great job. The two talk about Adrien, and Alya once again encourages Marinette to focus more on pursuing a relationship with him, no doubt planning another stupid party in her mind.

We then get a scene that actually reminds the audience that Chloe and Zoe are supposed to be sisters. I understand if you might have forgotten, but don't worry. I'm pretty sure the writers did too. Of course, I think the writers might be running out of new ways to make Chloe mean to someone, because this time, she just yells at Zoe for being near her and not being in the “half-of-a-sister zone”. In order to appease her sister and make sure she doesn't call their mom, Zoe offers to wash all of Chloe's shoes. Plagg talks to Zoe about possibly standing up to her sister.

Plagg: How about I Catacylsm that sister of yours instead?

Zoe: It’s pointless, Plagg.

Plagg: Zoe, you can't let them treat you that way; no one speaks to me like that! Just ask the T-rexes... That is, if you can find one! Because they're not so smug anymore now, are they?

Zoe: It’s best to stay out of trouble in this family if I'm going to protect my secret identity.

Plagg: You start by giving up cheese, and then you end up giving up on dignity, freedom, and justice!

Zoe: I feel like you like to blow things out of proportion, don't you?

Plagg: Yes... especially when I’m starving.

Talking about standing up to your mean sister, contemplating murder while casually discussing genocide. Same thing, right?

We cut to Gabriel, who's over the moon about the recent revelation regarding Scarabella and Kitty Noire, even dancing a little. He tells Nathalie and heads to his lair to plan his next scheme, but not before chatting with Emilie's body once again. Gabriel transforms into Monarch and gives himself the powers of the Bee, Mouse, Rooster, Ox, and Horse Miraculous, traveling to the school himself.

Meanwhile, we cut to the Resistance, where we see Max has set up a system where, through the use of the Alliance rings and their phones, the members can alert the school to whenever there's an active Akuma... even though one of the features included in the Alliance includes an Akuma alert (Multiplication), and there's also been an Akuma alarm since Season 2 (Riposte). So once again, this brave and totally important Resistance has contributed absolutely nothing. Okay, there are some other parts, like some of the members planning to fight off the Akuma with paintball guns if there's no other option. You know, this is proof that this show takes place in France, because if this was America, they would most likely have actual guns.

At lunch, Marinette and Adrien get closer, to which Lila uses as an opportunity to manipulate Chloe into trying to break up the moment, but not before we get a joke where Chloe needs Alliance to define the word “generous”. Okay, I'm not sure if the joke was that Chloe is so selfish, she doesn't know the meaning of the word, or if the writers are now resorting to using “dumb blonde” jokes for Chloe now, which totally isn't a cliche that was overused twenty years ago to the point where there was an entire movie starring Reese Witherspoon made to subvert it. Either way, NOT FUNNY, DIDN'T LAUGH.

Chloe tries to ruin the moment by telling Adrien Marinette is in love with him, but he's not having any of that. She tries telling jokes that are supposed to be unfunny, they're funny, but it lacks the charm of something like Hank Hill attempting to tell “yo mama” jokes. Zoe stands up to Chloe, which pisses her off so much, she willingly accepts an Akuma from Monarch (currently invisible thanks to the Rooster Miraculous), turning into Sole Destroyer.

Sole Destroyer is... wow... Just... WOW... they didn't even try with this one. At least Miracle Queen made sense as an upgrade to Queen Wasp, but this? They literally just took Sole Crusher, whose design resembling Chloe made sense thematically in that episode, gave her a new pair of sunglasses, some more gemstones and spikes, and made her eyes glow as if she was a character in an episode of The Nostalgia Critic. Why go to this effort to make a new Akuma when so little is done with the new design? Wouldn't it make sense to bring back Antibug, given Chloe has been against Ladybug since the end of Season 3? As for Sole Destroyer's powers, it's just Sole Crusher's magic kicks, only instead of growing bigger in size after absorbing each victim and making her more of a threat, they transform into singing shoes. You know, guys, it just dawned on me how... how weird this show is. Kinda goofy...

Alya and Zoe attempt to transform, but Monarch, using a combination of the Mouse, Bee, and Rooster Miraculous' powers, stuns the two and steals the Ladybug and Cat Miraculous from them. Plagg attempts to Cataclysm Monarch, but Monarch uses Resistance to block it, immediately going to unify. Before the process can be completed, both Tikki and Plagg use Lucky Charm and Cataclysm respectively, Tikki summoning a trash can with the side effect of creating a new Eiffel Tower, and Plagg destroying the Cat Miraculous. Doing so ends up creating an endless cycle of things being created and destroyed, and unlike in “Dearest Family”, they don't reuse footage from “Style Queen”.

Marinette gets the trash can, and realizes what's happening, and while Adrien and Nino plan to have the Resistance try and stop Sole Destroyer, Marinette works on making her own Ladybug costume. Monarch orders Tikki to tell him what the hell's going on, Tikki explains that since Plagg destroyed the Cat Miraculous, he lost his only method of communicating with the physical plane, and all Monarch needs to do to get what he needs is to take back the Lucky Charm Tikki created. Just then, Marinette arrives, dressed up as Ladybug, and seemingly having the Lucky Charm in her hands, only for Monarch to steal it, unifying into Monarbug.

Given how stupid he looked as Shadow Noir last season, it's not exactly surprising to learn that Gabriel looks just as stupid unified with the Ladybug. The red and black polka dots just don't go with the black and purple. The one thing I'll give them credit for is that the eyes look kind of cool.

The Lucky Charm turns out to be a fake, and Nino jumps in to save Marinette from being hit with Venom. The rest of the Resistance also arrives, somehow having beaten up Sole Destroyer off-screen and turning her into a battering ram. Monarbug undoes the Akumatization, but Rose, Ivan, and Kim dogpile Monarbug, leaving Adrien to steal back the Ladybug Miraculous for Marinette.

Marinette transforms back into Ladybug, and uses Miraculous Ladybug to fix the damage and fix the Cat Miraculous. While Ladybug fights Monarch, she learns that he reforged the Miraculous before Monarch uses Multitude and Voyage to make his escape, swearing that he'll beat Ladybug someday, “We'll meet again, Spider-Man”, yadda yadda yadda.

Tikki and Marinette talk about finding new holders, only for Marinette to choose to take back the Miraculous, figuring that since Monarch doesn't know their identities (once again forgetting what the Alliance rings can do), that's the best option. Plagg takes back the Cat Miraculous and goes to say goodbye to Zoe, reassuring her that she was still brave enough to stand up to Chloe, because I guess to hell with the people who somehow managed to restrain Chloe while she was Sole Destroyer. And so this episode, and by extension, this two-parter, ends with Ladybug and Cat Noir talking about how their Kwamis saved the day... even though they were the reason Monarch almost won in the first place.

THE BIGGEST IDIOT OF THE EPISODE IS... CHLOE

In addition to somehow not knowing the definition of the word “generous”, she failed to come up with a good comeback against Marinette, chose to get akumatized to get revenge, failed at that, betrayed Sabrina and Lila, her only allies, for no good reason, and somehow got defeated off-screen by a bunch of civilians with no superpowers, not even getting to fight either of the new heroes, including her sister.

But yeah, in case you can't tell, these episodes were pretty bad. The entire premise of Tikki and Plagg deciding that Marinette and Adrien's love lives were more important than stopping Monarch was a hard pill to swallow, especially since their replacements didn't get to do anything outside of a single Akuma fight. You'd think that with the buildup Zoe got standing up to Chloe, she'd at least play a role in stopping Sole Destroyer, but instead, she and Alya are benched for almost the entirety of “Deflagration”. It's also really dumb that the ending tried to make them out to be the MVP's of the fight, when their idea was what caused Monarch to almost get the Miraculous.

Even Marinette and Adrien didn't really make a lot of progress here. All they did was talk a little, but even after “Deflagration”, not much else happened. Yeah, Adrien stood up for Marinette, but they still haven't officially started dating yet, even when they had every reason to after giving up their Miraculous. It's still better than nothing, but after four and a half seasons, I think we're allowed to want a little more development with the Love Square Wouldn't it have been interesting to see Marinette and Adrien try to start a relationship during their brief retirement, only to struggle to maintain it after becoming superheroes again? We're almost halfway through the season, and the Love Square is still progressing at a snail's pace. Then again, I guess it's better than nothing at this point.

“Transmission” was pretty boring, all things considered. Other than the first act, nothing really happened. The Akuma fight was like the others, just with two new heroes, and Marinette and Adrien got to bond for a few minutes. Nora and Kouki's drama wasn't interesting, and it wasn't even properly explained like the motivations of other Akumas.

I will say that “Deflagration” was the better of the two, if only because Marinette, Adrien, and Gabriel made some smart choices here. Unlike in “Evolution” and “Destruction”, there's no gloating or wasting time. Monarch cuts straight to the chase, and Marinette comes up with a quick plan to trick him with. Also, while I still don't really care about the Resistance, I like the idea of the civilians standing up to Monarch, and think it was executed better than it was in “Heroes' Day”. Even Sole Destroyer got a few reactions out of me for how exaggerated her facial expressions were. I don't know why they decided to give her One Piece levels of weird faces, but kudos to the animators on that front. Of course, Sole Destroyer was still one of the most pointless Akumas in the show's history, as you could take her out of the episode and nothing would have changed.

Overall, while I appreciate the effort to try and tell bigger stories, this was a really weird choice of an episode to make a two-parter.

[juniperpyre]

(ask game) lily evans, obviously

hi thank you for asking!!!!! i love lily

favorite thing about her

i love how she doesn't give up on people. she loves more than almost anyone else, and while there comes a time you should give up on certain people, i think being so stubbornly loyal and caring as a teenager shows potential for a lot of integrity

least favorite thing about her

superiority complex. she lets severus treat other people shitty and makes excuses until it's directed at her. i think she wants to succeed in the eyes of wizards to prove people are wrong about her/muggle-borns, and that's her buying into the oppressive standards of the wizarding world, i do think she unconsciously acts like she's better than other muggle-borns for a bit

favorite line

honestly she doesn't have any great lines, to me, she just doesn't talk enough! but I like what she says to harry when he summons her with the resurrection stone.

"You’ve been so brave."

he has!!! her poor baby boy

brOTP is lilypad or lilene. lilypad is more canon, they're both cool headed, sarcastic, the object of james' obsession, geniuses. i think they have similar interests in literature & art and similar worldviews, rotating between cynical and realistic and trying really, really hard to believe there's good in the world

lilene... my marlene is a black butch lesbian from a half-blood family, a quidditch player, 5'8", does Real Divination, is somewhat reserved but straightforward, slow to anger, and her and lily have a little secret fling. also w her worldview i think she believes that you have to make the good in the world

OTP is jily. lily deserves that man, the only good man. james loves so much and unconditionally, and lily tries to love people unconditionally but they do her so dirty it fucks her over (i know i could have loved you but you would not let me!!!). so now she has someone who loves as hard as she does, and is as loyal and clever and hot.

nOTP is marylily. controversial. i just don;t see them together, it feels forced, and it bores me. i see mary as straight or demi/ace/aro, and i think her and lily have very different lifestyles and priorities

random headcanon

i think when she came back from hogwarts after her first year petunia said she didn't want to have to share her room with lily anymore, but their house only had two bedrooms, so the dining room was converted to her bedroom.

unpopular opinion

ummmm i don't like mommy dom lily. i think people don't show her devotion to james enough, just his to her, which is cute and all, but lily loves that man down.

OH and i don't think she's a super strong duelist. i think she's good, but i think her skills are in potions and more time consuming, complex magic like runes and such. i think james is a stronger fighter than her. heteronormativity wins again!

song i associate with her

many. rabbit heart (raise it up) by florence and the machine. i've seen her like 3 or 4 times and she always closes with this it's great.

"this is a gift, it comes with a price, who is the lamb and who is the knife?" and "I must become a lion hearted girl, ready for a fight, before I make the final sacrifice." like come On

favorite picture of her

maybe this or this honestly i'll never be able to answer

[avo-gal]

My thoughts on Donella.

A lot of FICS either depict Don as a horrible person or just a massive softie that's bad at articulating emotions but she neither yet also both? I do believe there's a middle ground. Donella definitely comes off as a harsh closed off villain. But I do believe she has a soft side especially towards those she's close with like Hugo. She's just bad at showing her emotions and feelings. She makes it seem like she's tough and doesn't give a shit about anyone except money. And whilst on some level that's true she's still human and has a heart. I feel Don has spent so long bottling her feelings up to appear strong that she simply doesn't know how to show love. But over time with help she becomes better. Hugo may never fully forgive her for how she treated him but he does understand her. he's rightfully mad at her but then is also mad at himself because it's not completely her fault. This arc or relationship between them I really want to explore in my fics. I don't know if I've explained it very well but if you have an older family figure who's kinda like this you'll understand. Anyways I may just be looking into this way too much but I feel so connected with their relationship and Donella since a lot of my family is like that especially my grandfather and I just like seeing relationships like that. I could be completely misinterpreting their relationship but idk :p. Relationships like that with older family figures are very confusing and u can see where they come from but you also feel mad? Honestly sometimes I look at my grandfather and think "one day I'm gonna be like that" cause even when I try not to be I still end up seeming grumpy, antisocial and heartless but that's not what I rlly feel. But still I think one day am I gonna be another senior that their family resent even tho they're trying their hardest? Anyways soz kinda dumped my own issues on you there lol :p but I care very deeply about Hugo and Donella's relationship and just kinda needed to get it out of my system haha. I swear the deeper I get into this fandom the more I project and connect with the characters. None of this has or will be edited btw bc I may cry 😀

[angelmichelangelo]

ugh i was thinking abt karai all of last night and it made me Angry. the missed opportunities of karai in 2012 are TRAGIC. she wouldve been such a good older sister living with the turtles and splinter like can you IMAGINE the antics. karai purposefully pissing off raph and they get into sibling slap fights. she indulges mikey on whatever he wants bc hes the youngest and won her heart immediately. she makes fun of donnie for being a nerd but also consistently brings him snacks and makes him go to bed when hes been in his lab for a while. her and splinter talking about their traumas and healing as father and daughter. AUUUGGHG ciro when i catch you. ciro you mf

oh absolutely!! it's so sad that such a big chunk of the entire tmnt plot was karai's backstory and getting her back to her family, and once that was all achieved she kinda just.. faded into the background like a cousin that occasionally showed up every now and then for big showdowns.

ESPECIALLY since she was splinter's long lost daughter. the daughter he'd told his sons about countless times, the one where he'd mention her, get all sad and go 'but no worries i have you boys now:)' like ??? that could have made for some AMAZING storylines. a little bit of jealousy for angst? splinter's guilt?! them trying to relearn their entire family dynamic.. and they chose to go with 'yeah the whole leo and karai thing was weird. that's still going strong btw just a heads up'

we really were robbed of her interactions with the turtles one to one. i'll say this: the turtles relationships with each other? great, fantastic, love to see it. but outside of their brothers.. yeesh. they don't mix well in terms of how they're written. and a lot of characters suffer for it. i can't think off the top of my head a single time karai interacts with, say, mikey, alone. just even in the background. like yeah they pair her and leo off together a lot and raph chews her out a few times but she really deserved to actually hang out with her little brothers a lot more and that's sad :(

i would have really have loved to see everything you mentioned! i think (and correct me if im wrong) but mikey is like the only one who outright calls her their sister. i would have loved to have seen an entire episode where the rest of the brothers kinda come to terms with that, leo ESPECIALLY! he's a daddy's boy at heart and now his dad's first child is back and he maybe feels a bit put out. maybe don raph and mike already feel like they never got enough attention have to try and cope with the fact that they feel even more pushed out, even if not on purpose.

and then on top of that, the guilt karai feels, torn between feeling glad she has her real father back, and sad because she doesn't know this man like the others quite do and she knows she's taking up his time and attention... :( there was so much they could have done! and yet!! and yet!!!!!!!

ugh. i guess that is what fanfiction is for, huh friend :') lol

[prettycottonmouthlamia]

All in all with Traum? It's...honestly I'm gonna say it. It's Apocrypha 2.

The good parts of Higashide's writing come through here. He's great at creating cool scenes where the servants get to show their stuff (if he respects the characters, we'll get to this). Astolfo vs Tametomo and Roland's scenes are great, and even though there are issues with Johanna as a character she has some genuinely well-written moments. Even Don Quixote has his time in the spotlight which you wouldn't expect.

But the bad parts are really present. If Higashide does not seem to care about a character, they're just going to die or be killed offscreen. Salome's entire presence in the lostbelt is bait, she doesn't really join you and literally just gets sniped by Sugitani. Sugitani themselves only show up TWICE in the entire Lostbelt: the scene where they shoot Salome and the scene at the end where she takes a shot at Zhang Jue, who doesn't die and instantly kills them in response. The reveal that Sugitani was working to destroy the Lostbelt the whole time has no weight to it because they've not shown up ever! They don't even know who we are. It's the weirdest Chekov's Gun ever.

Zhang Jue himself is a very weird case where he's technically quite important but he doesn't really do anything particularly interesting. He just sort of "dies" a couple of times, and then it's revealed he's been dead the whole time and probably made the entire singularity? But this is narrated to us by Moriarty and we don't see it or hear it from Zhang Jue because again he's...dead, kind of. It just feels weird, it feels like we should have a climatic final battle but uh...we never do.

Kriemhild...*sigh* I'm not going to go into detail on this. It's bad writing, it's really bad. It's a sudden character reversal with no real build-up or foreshadowing or...anything. It destroys every aspect of her character and leaves behind only "Siegfried's wife" which at this point, I guess I should expect from Higashide. Maybe he is a misogynist.

With the possible exception of Xu Fu, literally EVERY female character in this lostbelt is defined by their relationship to a man in some way. Some of it is obviously pre-established like Bradamante or Kiyohime, but once you get to "Johanna and Constantine XI are in love" you just kind of hope it dies in this singularity. Johanna is a cool character outside of this, and if this fucking envelops her character from here on out I'm gonna be pissed.

I don't have any strong feelings about the Holmes reveal, I do think it's funny that its foreshadowed quite early on, but it comes from a fairly logical place. It's a bitttt silly but honestly not the worst thing in the world.

[coffee-with-mint-syrup]

Look, I didn't want to be "that" person

who criticizes something just because "it was different in the books".

But I love PJO just way too much to not feel frustrated at the tendencies of modern adaptations that I think new series is suffering from. And I feel much more frustrated because in others aspects the new show is great.

First of all, what's with this downplayed brutality of PJO world? The moment Sally started her speech about Perseus I smelled trouble. In her story, in her reasoning she named him after Perseus because of this beautiful story where happy ending is just something that happens. While in the books thats a huge deal that Percy is named after THE ONLY HALF-BLOOD HERO that had that happy ending. That fact is supposed to highlight the mortality rates and that for most of these demigods happy ending is pretty much NOT IN PROSPECT. Like, despite that rambling post I'm usually fine with some differences that are made in adaptations, most of them I usually can understand. But why do you need change the message of "I named you that way because I hope you will live happily ever after despite being in constant danger" to "I named you that way because it's a beautiful story about a mother and a son"? Especially when they absolutely could do both?

Secondly, the Gabe issue. You see, Percy Jackson books were great because they were able to discuss with children some pretty heavy themes without downplaying them - like domestic abuse. And that scene with poker players and Gabe getting from Percy money was brilliant because it showed that Gabe was so awful that he took everything he could even from a 12 y.o. There were also heavy implications that he beat Percy. But now Gabe is just your usual jerk who is lazy and doesn't have a good relationship with his stepson and argues with his wife all the time. Look, I know, that is awful too, I know that. But the point of Gabe that he was absolutely the worst. That he's the worst of the worst that's why he smells on this metaphysical level and is able to hide Percy. That he kinda deserved what happened to him in the end. And now I sure that we won't get that end because apparently that stuff is too brutal for kids. If they're afraid that much younger audience would get shocked by it they could at least do that in hints, you know. Old shows were great with things that you didn't understand as a child and then later while rewatching them you finally could get the message.

And what's with this Grover thing? Okay, I understand they probably didn't have the time for establishing why Percy would feel betrayed by his teacher but wanted to save this "low point" for Percy's character. But why? Why? How Percy as a character and we as viewers are supposed to feel that amazing friendship if it started for us with betrayal? That just sucked.

Also, personal flaw - they really could insert "This is a pen" line when Brunner gave Percy the pen. They really could and that would be so awesome. But they didn't.

And the sad part is that now I understand that there was no way they could include this important stuff in the series. Because Disney is too afraid to show domestic abuse. They afraid to show Sally Jackson that put up with heavy abuse just to keep her son safe. They afraid to show that literal children die in PJO world. That that half-blood stuff is no game - as Percy said in the very first minute of the series. For fuck's sake they didn't even mention him having ADHD! They implied that by saying that he was being weird! That was so so so so important that those things that kids with ADHD are struggling make them so special and strong in their own way. And now that message is gone too.

And all of that is because Disney doesn't have any balls left. It's like they sanitize everything they make into that 0+ versions of stories while sometimes the point of the story is in discussing something from a real, sad and unsanitized world.

The stuff I listed is just from the first episode and I don't know if the show will go that way, if this tendency of sanitizing the story will continue or not. I'm just really afraid that all of that means that they decided to leave out all the brutality that made Percy Jackson so iconic. It is like watching this new version of Harry Potter where he doesn't live under the stairs - that maybe doesn't change much story-wise but it's just not the same Harry Potter that way.

I want to like the show, I really do. Walker is so amazing is this role. Other actors are really great. I see the effort, I see how people tried to make this adaptation as close to books as they could. The show looks truly amazing. The fight with minotaur was absolutely stunning. Ending sequence is a masterpiece. I have so many good things I can say about it. But those little things they changed - they weren't little at all. A huge chunk of what made those books so special at least for me is gone (especially in comparison with Harry Potter books). And I can't help feeling sad.