#and i feel like my twitter is more popular on tumblr than my tumblr is but thats okay

[theotherhappyplace]

It gives me such a jump scare when I see one of my tweets screencapped on here in the wild with like 250k likes. Y'all are enthusiastic about my particular brand of bullshit

[ganondoodle]

i really dont know how to write an utterly harmless opinion, ultimately irrelevant complaint or comment on an observation without someone getting pissy at me for it

[embraceyourdestiny]

Bro. I’m such a boy. Strong gender realizations and feelings right now I’m a fucking guy I cut my hair and I’m like holy shit that’s ME gender affirmation on 9000 RN

[leatherbookmark]

my favourite thing abt tumblr mass-finding out about the origins of the “poor little meow meow” phrase is a couple of people in the tags, who listen to things like, i assume, punk or rap, going “oh so THIS is what people got so emotional over? wow they wouldn’t last a day over here” or “ah, this, yeah a couple of guys from our side did it too”. refreshing

[gelarshiesprofruitboarder]

arts so stupid whyd i have to choose it to be The Thing I Do

[lettersiarrange]

Since I just checked my ask box for the first time in a hot minute:

Just a note that tumblr doesn't tell me when I have new asks or messages and I rarely check my notifications. Helpful corrections of misinformation/any messages in good faith are appreciated (though it's possible I won't see them until weeks later, sorry), but if something I reblog angers you enough you feel the need to get hostile in my askbox on anon, I reccomend the unfollow button.

I'm also not comfortable posting asks asking for any sort of donations/directing people to your blog for donation purposes, sorry :// I just don't have time to vet asks like that

[alltimefail]

ATTENTION DEAD BOYS FANDOM:

We have some unfinished business and a case to solve: The Case of the Curious Cancellation! 💀🔎

Here are the ways you can help (be sure to read until the end).

I'm not sure how many people here on Tumblr are also over on DBDA Twitter, but there have been MANY developments in the last 24 hours and it's important for all of us to be on the same page if we're going to have a chance in hell of saving our show.

First and foremost, we need to get Dead Boy Detectives in the Netflix Top 10 again. This means running it as much as possible. Read about that below:

(SOURCE x)

As the graphic says, the goal is to have it running on a loop constantly, as much as you physically can. Be sure to have some level of volume on or else it won't count. If you're on Twitter be sure to post your rewatch (photos of your tv, commentary, etc.) with the hashtag #ReviveDeadBoyDetectives !!!

Also, there's no better time to do this: the Tweet below brings up a great point! 👍

(SOURCE x)

Second, and easiest thing: KEEP TALKING ABOUT THE SHOW AND CREATING CONTENT ABOUT THE SHOW. Analysis, fics, fanart, shitposts, gif sets, memes, tik tok videos, so on - do not stop! Reblog other people's stuff and talk about it! Give fics kudos, comment, make fic rec lists and post that WIP or sketch! The most important thing to remember is to TAG YOUR POSTS AND CREATIONS. We need to trend!!! On Tumblr make sure you continue tagging your posts as you probably already are (look at my tags on this post if you need help, and remember not to use "DBD" on here because that is another fandom! We use DBDA here). On Twitter you want to use the hashtag #ReviveDeadBoyDetectives for the rewatch and #SaveDeadBoyDetectives is a popular one, too. You can also use #DeadBoyDetectives. Hell, I usually use all three if I can! Hashtag every post you make about Dead Boys, no matter how annoying or "cringe" you may feel. Flood the fucking tag and do not stop.

Third, everyone needs to sign and keep circulating the petition. We've surpassed 5,000 signatures in a day which is fantastic, but we need more. Get everyone you know to sign it; tell them it takes no more than 15 seconds. Be annoying until they do it just to shut you up.

Fourth, request "Dead Boy Detectives Season 2" through Netflix's support website. It's a small thing but if we all do this a couple times a day it will get their attention. They really do vet these suggestions, and an influx of requests for a canceled show will raise eyebrows.

Lastly, if you decide to write Netflix (via email or a letter - their office address has been floating around) please remember to stay concise and professional. Don't curse at them, don't call names. State that you are disappointed with the cancellation of the show, maybe add an anecdote about what it meant to you, and I would even recommend attaching some articles that emphasize people's displeasure with the platform abandoning shows on a whim and Netflix's flippant attitude toward queer shows in particular. Dead Boy Detective Agency on Twitter has retweeted every article on this topic so far, you can find their page here.

You can also use graphics such as the ones below to affirm that the cancellation was unjust.

(Source 1, Source 2)

I know this feels like a lot: know your limits and take care of yourself. Whether you do every single one of these things or just a few of these things, every llittle bit helps!

Even in the worst case scenario where nothing changes, this gesture will mean so much to everyone who made this show. We owe it to the writers, cast, crew, and each other to TRY. We can all agree that this show deserves at least another season and if Netflix isn't going to do it, they need to be open to selling it to someone who will. We cannot keep allowing them to axe these queer and diverse shows with little regard for their customers and their employees, but also because it sets a harmful standard in the industry that is destroying television.

Let's crack this case and bring our agency back! I truly believe in this community!! 💜 We can do this!!

If there are any spelling errors or issues with links let me know! I did this on mobile because I want to mobilize this information as quickly as possible! I'll be adding on to this with new developments and can answer any questions you all might have. Lets save our show!

[n30n-l1ghts]

Okay, I need to rant. Fuck AI. And I mean seriously. FUCK. A.I. I know I’m probably preaching to the choir here, but more people need to be talking about this, and there’s no point in me saying that if I’m not willing to talk about it too. AI has done nothing but ruin our communities and defile the art that millions of hands have spent millions of hours creating. Fanfiction is a work of passion. Drawing is a work of passion. Voice acting IS A WORK OF PASSION. AI has no passion. It takes the soul out of the things we love and cherish. It steals what we as a collective community have lovingly crafted, and it shatters it to a thousand pieces, spits on it, curses its family, and throws it in a flaming dumpster to be eaten by rats. It is despicable and disgusting.

I won't lie, or pretend I’m a perfect saint. I myself was a user of Character AI until somewhat recently. And as ashamed as I am to admit that, I feel it’s necessary to own up to my own faults. But after seeing the damage it causes, I can’t in good conscience even consider touching that site. Many of us write because it is our passion. Many of us because it is our job. And many of us because it is our *friend*. AI steals the writing of your favorite creators WITHOUT PERMISSION and mashes it together like Frankenstein’s fucked up monster to create storylines that aren’t even fucking coherent. Not only that, but Character AI uses whatever you respond to it with to teach itself as well, which means that the company has access to whatever you chat about, and free reign to do whatever they want with it. They also make absurd amounts of money from it, which in comparison, fanfiction writers, who spend countless hours writing stories for our favorite characters, more often than not charge nothing. And the ones who do charge, tend to have reasonable, if not highly lenient prices for their labor.

Which leads me into another side rant. SUPPORT WRITERS THAT YOU LIKE. It’s really not that hard, it takes two fucking seconds of your time and it makes someone's day. Reblog. Share with your friends. Like. Comment. Just let the writer know that you saw it, and that you liked it. The amount of fanfic writers I have seen get completely discouraged from writing because of lack of engagement is astounding. I’ve seen several posts on Tumblr or Twitter or Bluesky talking about creators that were incredibly popular but never knew it due to lack of engagement is appalling. If you can rant about your love for their work on Discord, you can rant about your love for their work in the comments. Just fucking copy paste it. Tell them how much you love it. Show them support. Especially the ones that don’t charge. Because for those of us that don’t, our only payment, is your feedback. Even constructive criticism is greatly appreciated by damn near every writer I can think of. Because even that shows that you read it, absorbed it, and thought about it enough to have something to actually say about it.

The same thing goes for artists and voice actors. You see a drawing or animation you enjoy? Comment. Like. Share. You see a character in an anime or a game and you love their voice? Go check out their voice actor, maybe they do some other cool stuff, and you might just discover your new favorite series or streamer. A perfect example is Alejandro Saab. I became a fan of his through his astounding performance in several series dear to me, and lo and behold, he’s also a streamer I enjoy. Same story with Aleks Le, or Ray Chase. Yuri Lowenthal, Lizzie Freeman, Landon Mcdonald, Zeno Robinson, the list goes on. But seriously, it’s not that much effort to just show a little love to the creators you enjoy. The people who breathe life into the series’ that we all hold dear. AI does not breathe that life. Using AI, and supporting those companies, will destroy those pillars of our community. And if that happens, the AI would crumble too, it would have no new information to use. SO really, what’s the benefit? I’ll tell you. There is none.

Stop using AI. All it does is bring harm and slowly kill our community. It’s disgusting, appalling, and downright fucking egregious.

Thank you for coming to my TedTalk.

[janmisali]

what do you think of tone indicators in general?

unfortunately my thoughts on tone indicators are somewhat nuanced. fortunately, this is tumblr not twitter, so I can just write out my full thoughts in one post and be as verbose about it as feels necessary.

speaking as an autistic person (and I know there are other autistic people who don't hold this same view, this is just my perspective), I think as an accessibility tool, the extended set tone indicators in current popular use is fundamentally misguided.

the oldest ones, /s for sarcasm and /j for jokes, make sense. their notation isn't the most intuitive thing ("does /s mean sarcastic or serious?") but it's not too difficult to explain what they mean. I've had to spend my whole life learning by brute force what different tones of voice mean and what they change about how I'm supposed to interpret something, so I already know what "read this in a sarcastic voice" and "read this as a joke" are supposed to mean. my existing skills can be translated into the new form without too much effort.

the same thing applies to emoji and emoticons. I know what facial expressions mean, because I had to learn what they mean. figuring out if :) is sincere or not from context is a skill I've already needed to develop. it doesn't come naturally for me, but it's something I already at least somewhat know how to do.

most of the tone indicators in current use uh. don't work like this.

tone indicators like /ref or /nbh don't correspond to specific tones of voice. I don't have a "I'm making a reference" voice or a "I'm not talking about a person who's here" voice that I can picture the sentence being read in. these do not indicate tones, they're purely disambiguators. they clarify what something means without necessarily changing how it would be read out loud.

and on paper, that's fine, right? like, it's theoretically a good thing to take an otherwise ambiguous statement and add something to it that clarifies what you meant by it. the problem is that these non-tone tone indicators are not even remotely self-explanatory. it's up to me, the person who is being clarified to, to know what all these acronyms are supposed to mean, and how they change the way I'm supposed to interpret what something means.

it's, quite literally, a newly-invented second set of social cues that I'm expected to learn separately from the set that I've already spent my whole life figuring out, and it works completely differently.

sure, these rules are (in principle) less arbitrary than the rules of facial expressions and tones of voice and how long you're supposed to wait before it's your turn to speak, but they're also fully artificial and recently invented, which means they're currently in a constant state of flux. tone indicators go in and out of fashion all the time, and the "comprehensive lists" are never helpful.

in theory, I appreciate the idea of people going out of their way to clarify what they mean by potentially ambiguous things they post online. if it worked, that would be a really nice thing to do.

however, sometimes I imagine what the internet would be like without them. what if instead of using /s, the expectation was that if you're sarcastic online there's no guarantee that strangers reading your post will know what you meant? what if instead of inventing more and more acronyms to cover every possible potentially confusing situation, we just... expected one another to speak less ambiguously in the first place?

so, I on paper like the idea of tone indicators. I think it's good that some people are trying to be considerate by being extra clear about what they mean by things. but if tone indicators didn't exist, and people who wanted to be considerate in this way instead just made a point of phrasing things more clearly to begin with, I think that would be vastly preferable to even the most well-implemented tone indicator system.

also /pos sucks because there's something deeply and profoundly wrong for an abbreviation that means "I don't mean this as an insult, don't worry" to be spelled the same way as an acronym that's an insult

[nothorses]

You've made a lot of really great posts about transmasc experiences and struggles, and they really resonate with me! So I guess I want to in complete earnest ask: why the push for 'transandrophobia' when anti-transmasculinity as a term has been around for longer and faces little friction by comparison? I don't really *dislike* transandrophobia, but its meaning gets muddied everywhere from different directions, while ATM is pretty direct and succinct I feel. It's very clear that it's about TRANSmasculine oppression. I'm not against having a dedicated term at all, but the content of our struggles gets lost in the weeds of attaching kind of understandably divisive terms like misandry and androphobia in an attempt to mirror a phenomenon very specifically about misogyny; it seems more trouble than it's worth considering ATM is right there

I'll be honest, this ask is confusing to me for a few reasons.

When I started talking about transandrophobia around the summer of 2020, the conversations I was encountering were very much, like, a handful of people across Twitter and Tumblr (literally, a handfull!). I picked up "transandrophobia" because it was one of two words I saw in use, and the other- "transmisandry"- felt much less clear and much more contentious. It seemed super obvious to me that people would draw a line from "men's rights activists" trying to push this idea that "misandry", as a systemic oppression of men by women, to "transmisandry", and assume some ill intent where there was none. It's confusing!

"Transandrophobia" was the better of two options being floated at the time, at least in any conversation I saw. "Anti-transmasculinity" was not really a term I'd been made aware of, if anyone at all was talking about it at the time.

I have seen people pick up "anti-transmasculinity" more recently (maybe in the last year?), and this is definitely the first I've seen someone shorten it to "ATM". The people I've seen use that term have been mostly people who seem really new to the conversation, and the vibe I've gotten has been very, like, "we're the Good Transmascs, our word isn't dirty and gross like those other Bad Transmascs everyone hates. you'll listen to us now that our word is Good and Pure, right?"

Which is like... kind of frustrating, and kind of sad, honestly. I think these people honestly believe that if they just choose the right word, all the people who've been dragging me and every other transmasc talking about these issues through the mud for the last 4 years or so will really just stop & listen. If they can just say it right, these people- who have been relentlessly harassing and spreading lies about every single transmasc who came before them for years now- will care what they have to say, and will be willing to engage with them in earnest, compassionate dialogue.

If you just find the right word, all of these people will care about your hurt, your pain, and the suffering of your community.

It kind of breaks my heart. It's an incredibly hopeful, kind, loving way to view the world. It's compassion and patience and forgiveness that these folks are not being given, but that they so badly want to offer to others.

And at the same time, it sucks to be the Bad Transmasc. It sucks to have fought so hard for so long, and for the people I've been fighting for all this time to turn around and say, "you're gross, and dirty, and evil, and everything you've done is a mistake." It sucks to see the people I've been fighting for agree with the people I've been fighting against, and shove me under the bus in an effort to appeal to the people running me over with it. Knowing that the bus is going to aim for them once it's done with me just makes it sadder, yknow?

@saint-speaks wasn't the first person to ever speak the word "transandrophobia", but he is the one who coined and popularized it in its current form. And then he was dragged through the mud so hard and so brutally that some people think I coined it, just because when I defended him (too little and too late, imo) I withstood the mud-dragging better than he did (and gee, I wonder white.)

And now people take for granted that everything everyone said about hymn to justify that frankly fucking evil harassment campaign was true, actually, and we should abandon the word he coined and find one with purer origins.

If you honestly think "anti-transmasculinity" is just a more practical word, that's fine. I don't care what word we use. But they're going to cover it in mud, too. They're going to cover every one of you in mud.

Will you keep fighting for "ATM" once they make it the new dirty, gross, bad, evil word? Will you keep fighting when they drag you and everyone else through the mud for using it? Or will you agree with them, make up a new word, and never look back?

Please don't let us drown in the mud. We've been fighting for you, and we want to fight with you. Please.

[thebreakfastgenie]

I'm not anti-vote or anything, but I think some of the liberals on here greatly overrate how much damage a bunch of bored kids (most of whom probably can't even legally vote) talking shit on social media can actually do to the Democrats. So what if they turn out braindead "Genocide Joe" memes by the thousands per week? No meaningful voter would pay attention to those, and anyone who does never had a vote worth chasing in the first place.

The problem is that it's not just a bunch of bored kids. It feeds a larger social media ecosystem. Remember "cancel culture?" Remember how that became a right wing talking point that conservatives whined about in mainstream settings? That has its roots on tumblr. If you ever doubted that fringe social media movements affect mainstream politics, 2024 should have been the final nail in the coffin. JD Vance has very signifcant (and, frankly, underreported) ties to online far right communities (known as "groypers" to the terminally online) and it absolutely influenced his campaign and now he's bringing those interests to the vice-presidency. Elon Musk (the owner of twitter) and Vivek Ramaswamy want to run a government office named DOGE after a meme. We're sharing the internet with the people in power; we're all playing with live ammo. It's often a ripple effect or butterfly effect, so it's very difficult to predict what memes and posts from "bored kids" will make it to real life politics and how they'll be transformed along the way. Because it's so hard to predict, we need to be aware of the possibility and act with care. "Genocide Joe" memes contributed to a general feeling of dissatisfaction with Biden that, intentionally or not, played into the Trump campaign's "everyone hates Biden" narrative. A similar thing happened with Hillary in 2016.

Elections are also won and lost on the margins. Campaigns spend billons on ground games that persuade a very small percentage of voters, but it's better to persuade that percentage than not to. If you don't know if something is going to make a difference, you act as if it is when the stakes are high. Is the drag from a constant negative social media narrative going to hurt a campaign? Maybe, and either way it's definitely not going to help, so it's better not to have it. 2016 and 2024 were both very close elections.

Liberals also tend to interpret bored kids' posts as statements of action. If someone says they don't want a Democrat to win, will try to stop it, and will tell other people not to vote for that candidate, liberals are going to object to that.

It's usually not "meaningful voters" who decide elections. It's low-information swing voters who make up their minds on the way to the voting booth. These voters are, consciously or unconsciously, often influenced by perceived popular opinion. A lot of people don't have deeply held values that they've spent time examining, but have moral compasses more akin to "if everyone I know thinks this, it must be right." The danger of social media is that is also distorts the meaning of "everyone I know." Your meme about how you hate Joe Biden finds its way into an algorithmically-generated bubble and someone says "gee, it seems like everyone I know hates Joe Biden, I generally trust my social circle, he must be really bad." And it's self-reinforcing. They start sharing it or making similar posts of their own and it spreads to their contacts in their own bubbles.

I don't think the exact mechanisms or limits or this phenomenon are fully understood yet because social media is still too new, but it's very real.

[eloise-t-g]

i think for me, the watcher situation comes down to this:

it's absolutely respectable that the watcher team wants to grow and produce better quality content. it's respectable that they don't want to stagnate and end up pushing the same content out over and over again. that's not satisfying for them creatively, i get that.

however, if higher quality, more heavily produced content is not what your fans are asking for, then you can't ask them to fund it.

this all-or-nothing method they've gone for is frankly bizarre. it feels like they leap-frogged all other alternatives to improving their finances and ended up here, alienating and frustrating the majority of their fanbase (the fanbase they thanked for getting them to where they are).

i think this could have gone a lot better if they:

Hadn't hyped up this video for a week.

Hadn't announced the worth it successor just beforehand.

Hadn't put out a wishy-washy, "boo hoo we're so sad about this", over-produced video.

Hadn't made it $6/month (more in a lot of countries given exchange rates).

Had considered that this means fans in specific countries literally cannot pay for the subscription due to geo/region-locking.

my ideas for improving their funds, aka things they could have tried before blowing their brand up: create their own website with two options - a free version with ads and a paid version without ads, OR make better use of their patreon/make their website extra content, not all their content, for example:

Put the ghost file debriefs on there.

Put shows like survival mode on there (or even shift that show from pre-recorded video to live-stream - live stream access to patrons and VOD access to everyone, maybe).

Put episode commentaries there.

Do reaction videos to their old buzzfeed content, talk about memories and BTS, and put that there.

Put one/two episodes of each show, per season on there (and ONLY there).

Put the episodes up there a few days early.

Make specific, website only content (that's not your main and most popular series aka ghost files and puppet history).

Record the live, in-person shows and put those VODs up there.

EDIT (thought of something else lmao): put extended or even uncut versions of ghost files on there. Paranormal Detour on Detune's twitch channel has shown that people will willingly sit through 6+ hours of a ghost investigation.

EDIT: idk, do livestreams once a week where you watch scary movies with fans on discord or twitch.

(side note: the fact that they're not taking down their patreon and instead shifting all of their podcast content on there, something the patreons who have been loyally giving them money for years didn't ask for, is ridiculous and greedy. add to this the fact that they don't even get a free sub to the new website, instead get 40% off - a measly 10% more than anyone else who subs before the official launch).

the thing for me is that they're claiming they want to make "television" and "television-grade content". that's completely fine. what's not completely fine is acting like your four episodes a month is equal to netflix's entire catalogue.

this really felt like it should have been something they told us they were progressing towards, not something they revealed to be on the imminent horizon. idk, it just feels out of nowhere. no, they don't owe us all of the info about their company. but something had to be better than this.

final thought - it's okay and valid to be upset at the team for this. for a lot of people, it's a complete betrayal (especially the comment that $6 a month is something "anyone and everyone can afford", i mean yikes). i do think some people's anger got the best of them, and some of the comments i've seen across youtube, twitter, and tumblr are plain bullying, racism, and harassment. until we have the whole story, we can't decide that one founder (aka steven in a lot of people's minds) is solely responsible. i know a lot of these awful things are only coming from a small minority of the fandom, but they still get seen.

at the end of the day, all three of them got up in front of a camera and made this video, together. that can only lead us to the conclusion that they made this decision together. acting like these men in their 30s couldn't stand up against it if they truly wanted to, is so strange and parasocial lmao.

tl;dr there were much better ways of going about this announcement, if it even needed to be made at all. however, that doesn't excuse the hateful shit being spewed at the team. for now, all we know is the three founders decided they were done with youtube, and done with their loyal youtube audience.

(i have so many more thoughts on this but i need to stop lmao. however i do wonder how different things could have been if 1. they had hired someone with actual business experience as their CEO from the jump, and 2. this video was more of a "hey we're broke! this is a last-ditch effort to save our company!". guess those questions will remain ... well ... you know ...).

[bitchslapblastoids]

Prompted by your post about dnp inviting audience interaction: it /is/ really brave, and so interesting! I haven't been watching them for long at all and one of the biggest things that just drew me in and deeply fascinated me about them is how so much of their work (not just on stage) is in some way a conversation/interaction with their audience and the more you watch the more you notice it. No wonder its easy to be parasocial about them and about the Phandom itself!

To me, at least, they seem to be the sort of performers/creators that need a relatively high level of audience interaction in order to be inspired or for their work to feel meaningful. Like, im absolutely sure they could also create things without this close relationship with their audience but it seems to be what their naturally drawn towards? Obviously the problem has been in maintaining boundaries within that but it seems like that's going better now than at some points in the past, which makes me really happy for everyone!

Sorry about the long yap, this is so interesting to me and I just needed to express it a little

(original post referenced) yes!!! i love this!!! so beautifully worded! no need to apologize at all - i am in such hearty agreement and actually think about this so often. i think the engagement with their audience is their superpower, and it runs so deep. what was one of dan's favorite things about phil before he met him? phil's interactive adventure videos, in which he was creating an interactive experience for his viewers.

when they film pinof1 together, what are they doing? they're answering an audience-submitted q&a. the audience interaction is literally baked into their foundation! <3

2010, dan's uni dorm. what's displayed behind him on his wall? art and letters sent to him by viewers. he films danmail vids where he opens and reacts to said art and letters and personally thanks the senders.

for years and years and years, what's at the end of every phil video? fanart! draw phil naked! (in retrospect literally so weird lol but shhh)

the ongoing avalanche of vyous and younows and tumblr reblogs/follows and responding to yt comments and retweets and and and. so much interaction. the videos directly engaging with twitter and tumblr creations. they see us, they know us, they get us.

their first book? included a double-page spread with dozens of pieces of phanart.

every single one of their tours has multiple essential audience interaction components, and even more brilliantly, with multiple different access points that are perfectly calibrated to their audience. too shy to speak up? send in a submission ahead of time. want to be a part of the masses? shout something out during the audience participation segments! and there's always the likelihood that they'll include fanart in the show itself, casually mention an actual actively popular fic, throw in an ancient phwedding manip, or just build whole segments of the show around our tropes and the world that we created with them. all of that keeps things exciting and engaging on stage, bc you never know exactly what's going to come next. but it also keeps their audience feeling seen, valued, and like co-creators in a way.

When you look at the other britcrew and big yters from the 2010s, they simply weren't generating that ongoing, authentic conversation with their audiences. their approach followed the simple format of: i post, you watch. and then it became: i post, you watch, then i try and sell you something while i call you my 'community' because you are all watching me and sometimes you talk to one another in the comments. but it's not like zalfie or joe and casper etc. were chiming in on the convos too, or at least not in any meaningful way. it wasn't a community in the same way.

dan and phil truly built community. i think communities require mutual exchange, communication, a sense of value and worth, commonly agreed upon truths, shared experiences, touchstones of connection, and leaders who have integrity. i know this is all starting to sound a little lofty, but i really do think dan and phil are good humans who have worked hard to wield their power and influence responsibly and compassionately. they set the tone for us, constructed this world, paid attention to what landed for us, how we responded to things, everything that we were up to in response to what they were up to. they listened. they made us feel seen and celebrated and appreciated, and in turn we continued to celebrate them. they created weird inside jokes, we adopted them, then we all shared the weird inside jokes. they existed, we created our own language and lore and encyclopedia in response, and now there's a whole stage show about it.

that's how you get people sticking around for 15 years. that's how you get people to actually want to spend money on you. and yeah, some more boundaries at times couldn't have hurt. they fostered a sense of proximity and entitlement that obviously put them in harm's way. but i'd say ultimately what they've manage to do has been a net good for them and a tremendous success.

you raised such a good point that it seems to be what they are naturally drawn towards. i think it's because they, too, were fangirls. phil was writing buffy fic. dan was running a lost wiki. they both understood the power of online fan community before they were the titans of their own. they get it, they get us <3

[3liza]

what tumblr is *actually* really particularly good at as a group rather than as individual famous posters (such as dril on twitter), and this is something we share with 4chan, is originating and then popularizing particular jokes and meme phrases. we are good at coining things. "coining a phrase" means to say something with a particular flourish or carefully-chosen compositional attention in an effort to make the phrase "stick" in some way. for example, "stop trying to make 'fetch' happen" (which became a meme in of itself) is a response to a person attempting to coin a phrase--in this case, referring to things as "fetch" (adjective)--in a way that is not working. i think that tumblr, as a group, is very good at making fetch happen.

"blorbo" is a perfect example of a word that was made up on tumblr and has now become widespread over multiple social networks and is in (limited) use in irl verbal conversation. whatever our personal individual feelings on it (and a lot of us are fed up with it/find the term annoying because it got REALLY saturated here) it's so good that it will likely (i think! this is my prediction) become a permanent resident in american slang as long as it is useful, and this is because there was an empty space where that term was needed: a term for a person from a work of fiction that the speaker (the person who says "blorbo from my shows" in the hypothetical scenario invoked by the post) is particularly interested in, but whom the listener (the hypothetical "you") has no familiarity with.

fandom as an activity is extremely old at this point (no not dante's inferno fuck off) so it's likely we have had terms like this before that either weren't successfully coined, deprecated out of common usage, or which i personally am not familiar with. but when the blorbo post was made, there was an empty space where that term WAS needed in many conversations that were being had. oh yeah, blorbo from your shows. all my friends have blorbos from their shows. i do not have a pre-existing term for this, i would have just referred to that concept as "characters from shows i havent watched, which my friends talk about all the time". it is convenient to have the term "blorbo" for this, and it was particularly canny as a choice of phonemes because it references how fucking stupid all the Star Wars Expanded Universe names are (and always have been, speaking as an old school SWEU fan [NOT ANYMORE]). ponda baba? sebulba? max rebo. the intergalactic jizz wailers. sy snootles. fuck off

coining a phrase successfully actually uses marketing principles, or vice versa really, to launch a word that "sticks". we can use "fetch" as the counter-example: there was no demand for "fetch" in that market (the setting of the film).

this is a sort of cousin to the now-deprecated phrase "it's all greek to me", which meant "i don't understand this, it is as unfamiliar to me as someone speaking greek, a language i dont understand [and which is considered by my culture to be difficult to understand and/or archaic]". but instead of invoking an actual language to exemplify

EDIT 6:19AM PST: i apparently just hit "Post" before finishing the post. i think i had more thoughts about "its all greek to me" but i dont know what they were and its not important

[the-terror-rarepair-month]

Did you miss Rarepair Week last year? Well, I @p0rchc0ll4ps3 and @theremustbeabear bring you Rarepair Month 2025, which is basically the same as a weeklong fest but monthlong instead! Hoping to encourage more fics, longer fics, more art, etc!

This is an all-fanworks-invited month to celebrate Terror ships with under 50 tagged fics on Ao3 as of February the 1st, 2025! This year's theme is "The Way It Goes, Goes Differently with Each Cycle of the Sun."

This is an 18+ event! All participants must be 18+ to participate. No exceptions!

Starting on February 1st, 2025 you can post your fics to the Ao3 Collection HERE or your fanworks to Tumblr or Twitter or whatever Social Media with the tag #trpm25 (but I'll only be able to reblog the Tumblr ones). (also idgaf if you make anything beforehand so long as it's posted after February 1st).

Join our general Terror Discord HERE! We have a channel for the event.

Additionally, feel free to request pairings through this Google Forms link HERE (one request per submission; please don't request the same pair more than once per person. everyone can see you. we'll shame you). This form sends responses to a Google Sheets HERE. Feel free to check the out the stats for the requested pairings (there's a chart on the far right, scroll right)! Please ignore the animals (you'll know when you see them on the sheet), they're load-bearing and I'm afraid things will break if I remove them.

FAQ:

Are you affiliated with Terror Rarepair Week of Years past? --Nope! Just excited to take on the mantle. (And I did check if I was allowed to take it up before starting this!)

What counts as a rarepair? --The pair (or more) must have less than 50 tagged works under the Terror (2018) tag on Ao3 as of February 1, 2025. The pairing MUST BE the main part of the fanwork.

What counts as a ship? --Two or more characters get together. Throuples and beyond count!

Can the ship be platonic? --Absolutely! Both Romantic (/) and Platonic (&) ship pairings are allowed.

Is there a word limit? --Nope! However little or much as you like. We do challenge you to write 1k or more, however!

Can I do art? --Absolutely, MOST welcome. Any type of fanwork is acceptable!!

Must I follow the prompts? --Nope! Prompts are just there to inspire you. Any part of the prompt [Location (sub-location); 3 different options provided] is allowed to be used!

Does it have to be during canon? --Nope! Post-canon, during-canon, AU, anything goes!

Can I mix this with other events? --Absolutely! You can mix this with any other event co-occurring during the month of February so long as that event allows mixing as well.

Can I do OC x Canon; or Crossover x Canon? --Preferably not! I'd like to keep the fanworks to within the general Terror pool.

Can I do RPF of the actors? Or RPF of the real people the show was based off? --Sure, why not. Go for it. It's within the general Terror pool!

Can I submit throuples (3 in a ship) to the request form? --Absolutely! Anything from 2 or more counts. Poly is totally cool!

Is the form required to be filled out? --Nope! You can do whatever you want forever; the form just gives everyone an idea of what's going on.

Can I submit NSFW to the request form? --Yep! But remember, all the prompts will be in one place; there's no separation of SFW and NSFW, and there's no content warnings. Your prompts will be public!

My ship is already on the request form! --Submit whatever your heart desires. The form and its subsequent chart helps track how popular a desired rarepair may be!!

I can only submit one ship to the request form! --You can fill the form out multiple times; but only 1 pairing per submission per person! PLEASE don't submit a ship more than once per person, that's cheating, and we'll hunt you down for it.

Must I follow / pick only from the requests form? --Nope! The requests form is just there for fun to give you an idea of what ships people have been thinking of / a fun challenge if you want to try something different! You're not assigned anything.

Okay that's all, enjoy!

Prompt transcription below the cut.

Week 1 (Jan. 31–Feb. 6): KING WILLIAM ISLAND (On the Shale) Won't Be Coming Home — Wish You Were Here — It All Goes Dark

Week 2 (Feb. 7–Feb. 13): HMS TERROR & EREBUS (In the Water) Shared Interests — Stolen Glances — Fate

Week 3 (Feb. 14–Feb. 20): CARNIVALE (On the Ice) Rescue — Finding You Again — Home

Week 4 (Feb. 21–Feb. 28) LONDON (In Our Dreams) Can't Sleep — Seeking Warmth — The Sky Alight

[artsekey]

I really hate how ads have taken over the internet. On one hand, I know that hosting a website costs money, right? And ad revenue is one of the simplest ways for free-to-use websites to cover their operating costs.

My question is-- and I would genuinely love an answer-- is this ever going to stop? Tumblr ran for a long time without ads. So did Youtube. I know that the cost of hosting so much media has gone up, but there are a lot of users on these websites that make the content that drives people to use the service that don't see any of the money generated by this revenue. On Youtube, there's at least a way for creators to make some money from what they do. For most, it isn't much, but the opportunity is there. On Tumblr, well... the ability to convert the visibility of my blog into any financial gain practically nonexistent, though they did at one point promise that users would be able to make money from ads run on their blogs (whatever happened to that, Staff?).

"You can pay to avoid seeing ads!" Tumblr says, as if the views on my main blog alone over the past few years have not generated more than enough ad revenue to cover the price they're asking me to pay, the person who is actively making content that brings eyes to their ads.

I'm not mad at Tumblr for hosting ads. I get that it has to happen because it's the easiest way to keep the site free, and honestly, I imagine Tumblr's staunch opposition to monetization has been a real obstacle for the team building Tumblr. But at the same time, it feels like yet another small concession in the usability of the site. I'm tired of ads that auto-play with blaring audio while I'm scrolling. I'm tired of adds that, if I touch them while trying to scroll past them, take me to an external site. Outside of tumblr, I'm tired of looking for information online only to get a webpage that's 95% ads and otherwise illegible. Hell, I recently got an ad on Discord. Was it unobtrusive? Maybe. But it was there, for the first time, and I know that won't be the end.

I know the first reply I'm going to get on this is "use adblock", and yes, that's a solution, but think about how much the landscape for media has changed in just ten years.

Popular forums are basically gone outside of reddit.

Youtube, without Red, is ad hell. You can't watch more than 3-4 minutes of video without getting sent to marketing hell.

Instagram, Tumblr, Twitter-- it's terrible. I firmly believe they've manufactured a worse experience through the implementation of ads to convince you to buy into their premium services.

Just Check out this video of Penguinz0 trying to watch a video on a third-party site.

There's discussion of putting ads into video games.

Remember when games didn't include micro-transactions? Blizzard is charging $70 for one mythic skin. You could almost buy Overwatch 1 twice-over at that price-point.

Influencers make a living by making their lives into advertisements.

Youtube has retaliated against users using ad-block on non-chrome browsers by artificially inflating the load times of it's videos.

What can we do about this? I imagine companies see it as an infinite money hack; users can't stop companies from hosting ads, and the action they could take to voice their displeasure-- leaving the site, using other competitive services-- has been all but obliterated thanks to the homogeneity of popular social media outlets. If someone is truly so incensed about ads, well-- it isn't like they have to engage with them, right? They can enroll in a cheap, auto-renewing service to get rid of ads entirely. Well, wait, the price of premium might just have to go up. Don't worry, it's auto-renewing! You won't even notice it. Oh, no, it's got to go up again, you won't even notice it.

There's no incentive for them to cap this behavior, and no way for us as users to pressure them to do so. We create these spaces; we fill them with color, art, activism, community, and the companies that ride on the tailcoat of the spaces we create tell us to give them more. What comes next?