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#and i don’t say meow
mausuwinasa · 3 months
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Oblivion
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I love Saiki. He’s autistic. He’s aroace. He’s technically trans. He changed it so everyone can naturally be born with unnatural colors so his pink hair wouldn’t stand out. He once accidentally teleported a hotel into the middle of the ocean. He’s scared of bugs bc they’re the only creatures he can’t hear the thoughts of.
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ddeongies · 4 months
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puts her in my pocket and feeds her snacks
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seagull-scribbles · 6 months
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♠️♣️ Play your card ♥️♦️
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soriplvzu · 7 months
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Vash Stampede — Trigun fanart
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Screenshot redrawing 🩵
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stellrn · 7 months
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Please give me my ring back... I meant 1 million shield...
-@silly-sampo ((why is he pathetic))
You said one, I gave you one shield. It’s a fair deal. [Stelle shrugs in a dismissive manner.]
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m00n-pr1sm · 1 year
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Amy Dunne Character Analysis
Disclaimer
This analysis will be of Amy’s character from both the book and the movie, although the 2014 movie adaption takes greater precedence with only some additional details and quotes included from the book as it does delve deeper into Amy’s psyche and add further characterization. Thus some traits may be accentuated further than they are in the movie, not being completely faithful to either story. It’s an analysis of Amy in her totality across mediums, of course being entirely my opinion. There are of course adaptational differences but I will not include the major ones from the books (ex. her relationship with Hillary Hand). This is an analysis focusing primarily on Amy’s neuroses she demonstrates and the childhood links to them, it doesn’t cover in-depth the events nor themes of Gone Girl.
Amy Elliott Dunne, the ever enigmatic dual protagonist- antagonist of Gone Girl is one of the most iconic female villains in modern memory, and one of the paragons of the “good for her” trope in media, is, frankly, one of my favorite characters of all time. As such I have been dying to write a full analysis examining her neuroses and characterization. Beneath the cultural perception of just another “crazy psycho” for girls to claim “she did no wrong” or “she just like me fr!”, lies a fascinating character who is masterfully written and developed by Gillian Flynn, as well as perfectly portrayed by Rosamund Pike. Amy Dunne is a character with a deep, complex psychology that I will do my best to thoroughly explore in this analysis.
From Amy’s childhood we first see the emergence of a literal high ego ideal, Amazing Amy. Of course this is the children’s book series created by her parents with a fictionalized version of Amy being the eponymous protagonist. This was a version of herself that rectified her own personal failures. Amazing Amy became a prodigy at cello, when Amy quit at 10, Amazing Amy made varsity volleyball, Amy got cut freshman year. Even in the (at time) final book in the series, Amazing Amy got married, a task Amy had not yet done. The entire book series revolved around Amy always making the most virtuous, the most selfless, the most perfect decisions.
>”With me, regular, flawed, real Amy, jealous, as always, of the golden child.”
An interesting detail in the book that is omitted from the movie is Marybeth’s numerous miscarriages and stillbirths (which totaled 7). All of these girls were named Hope, until Amy was born. Amy expresses her jealousy towards them, as they were always seen as perfect without ever living; meanwhile Amy herself has to live life everyday knowing that she will never truly live up to the Hopes. That she has to try everyday to be the best she can be. Her very birth was mired in the expectation of a perfect child; given that she was practically a gift from the heavens to her parents.
This sets up Amy’s perfectionism, as the childhood experience of never living up to a projected ideal led her to want to be perfect (and as we’ll later see, the expectation that everyone else is too), to live life always through the gaze of another. Evidently this leads to a loss of one’s inner essence, one’s individuality and sense of self.
>“-I’d never really felt like a person, because I was always a product” (Book Quote)
Amy’s obsession with personas can be seen as emerging from this, as she adapts a personality depending on who she’s interacting with, as to always be the most appealing she can, she is Amazing Amy after all.
>”I’m not sure, exactly, how to be Dead Amy. I’m trying to figure out what that means for me, what I become for the next few months. Anyone, I suppose, except people I’ve already been: Amazing Amy. Preppy ’80s Girl. Ultimate-Frisbee Granola and Blushing Ingenue and Witty Hepburnian Sophisticate. Brainy Ironic Girl and Boho Babe (the latest version of Frisbee Granola). Cool Girl and Loved Wife and Unloved Wife and Vengeful Scorned Wife. Diary Amy.” (Book Quote)
This general attitude leads to people trying to impress her as she places herself as someone special and especially someone to keep around. She entices both the characters and viewers of the film through her manufactured charisma and enchantment. However, we’ll see this dramatically backfire in her relationship with Nick, just you wait!
For now we can focus on the beginning of their relationship as well as what I believe to be Amy’s view on romance.
I believe that Amy has an impossibly high standard of love, one that stems from her perfectionism and general inability to let down her guise of being amazing. Not to mention how her parents were a perfect match, Amy even referring to them as soul-mates.
>”They have no harsh edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish—expanding and contracting instinctively, filling each other’s spaces liquidly. Making it look easy, the soul-mate thing.” (Book Quote)
In her childhood it’s implied that she was into romance novels, specifically Jane Austen’s Pride and Prejudice, which obviously contributes to the idealization of romance, of a literal scripted love.
>”You were an alienated teen and only Elizabeth Bennet understood you”
I think this little quote is incredibly indicative; it establishes a sense of alienation, of Amy never quite fitting in and blending with others.
>”So many lessons and opportunities and advantages, and they never taught me how to be happy. I remember always being baffled by other children. I would be at a birthday party and watch the other kids giggling and making faces, and I would try to do that too, but I wouldn’t understand why. I would sit there with the tight elastic thread of the birthday hat parting the pudge of my underchin, with the grainy frosting of the cake bluing my teeth, and I would try to figure out why it was fun.” (Book Quote)
Back to the topic of romance, through these stories it allowed her to imagine her perfect romance: if Amy could find that one person that truly understood her, beyond the illusion, that then would constitute a perfect union of love. She does deep down (whether consciously or not) want to be loved for who she is; not the idealized, palatable, literal marketed version of herself. Thus she holds trust as a premium, expecting that if she does the Herculean task of unspooling and revealing herself to another, that the other person would love her no matter what.
>”Can you imagine, finally showing your true self to your spouse, your soul mate, and having him not like you?” (Book Quote)
However all of this culminates in an impossibly high standard of a lover, of a practically divine mythical love; where one loves totally and absolutely. Of course where this neurosis is most demonstrated is in Nick and Amy’s relationship.
Amy comments that after meeting Nick she finally felt like a person as he brought out a side of herself that hadn’t been seen, in her own words “a lightness and an ease”, something that Amy enjoyed. In her eyes they had the perfect relationship in the beginning, Nick was her compliment with the witty banter, with their inside jokes, and charm.
However this doesn’t just vanquish her childhood neuroses, through her desire to be seen as perfect, she modifies herself to be a “cool girl” for Nick, complying endlessly to standards to maintain this perception.
>” When I met Nick Dunne, I knew he wanted a cool girl and for him, I’ll admit, I was willing to try.”
Amy essentially became Nick’s image of a perfect girl, witty, fun, and most of all easy-going and forgiving.
Yet one cannot live forever in images and ideas; and as such, the real, true Amy emerged. The Amy that cares too much, that’s hard to get along with, that is a controlling perfectionist. She also tests Nick through the treasure hunts, weaving in little details about their relationship as to challenge Nick and hope that he remembers the things they do together as deeply as she does. Combined with the 2008 recession and declining health of Nick’s mother (the consequences of which will be explored later). As well as Nick’s growing dissatisfaction in the relationship (evidenced by his worsening performances in the treasure hunts, the cheating, using her for sex and ignoring her otherwise, etc). The illusion both Nick and Amy were living in crumbled; they couldn’t possibly sustain their relationship as they were both striving to fulfill reciprocating images for the other.
One of the biggest parts of her character is Amy’s elitism and entitlement, in which she thinks of herself as someone superior, someone that deserves to be loved absolutely for who she is, although only to people she considers worthy.
>”She’s easy to like. I’ve never understood why that’s considered a compliment—that just anyone could like you.” (Book Quote)
Once again this stems from her childhood, in a seemingly contradictory way, she also sees herself as special for being the one that survived from her mother’s attempts, as well as the fact that her birth was so tumultuous that she would be an only child. From this also stems her entitlement for love.
Amy actively looks down upon women she considers “average”, whom she sees as coming from mediocrity and continuously perpetuating that in their lives. She scoffs at them with her wealthy parents and NYC background until her marriage with Nick crumbles. Only then does she realize that she’s become the very woman she would previously disdain. A woman with a failing marriage, the loss of her previous wealth following the recession, and moving to a failed development in Missouri (What the hell’s in Missouri?) for Nick’s mother.
I truly believe this, combined with Nick’s infidelity, and most importantly the loss of her idyllic love culminated in the iconic Gone Girl plan.
>”Nick took and took from me until I no longer existed, that’s murder. Let the punishment fit the crime”.
Nick took Amy’s identity, her sense of self that she so generously revealed to him and rejected her. Implying that she would only be loved if played the role of the “cool girl”; stripping her of who she really was, losing herself in yet another persona. Although Amy admits she doesn’t really have a personality and lives through personas, she still has a semblance of self that she holds dear.
>”-made me realize that there was a Real Amy in there, and she was so much better, more interesting and complicated and challenging, than Cool Amy”. (Book Quote)
Worse yet, Nick had cheated on her with a “newer, younger, bouncer Cool Girl”, leaving Amy in the dust, surely damaging her pride.
But Amy truly fell in love with her idealized version of Nick, believing that she was responsible for shaping that version of Nick. That she deserved that man in his entirety, of course what gets Amy to come back to Nick is the Sharon Scheiber interview, in which he promises to make up with Amy in just the way that makes her think that Nick is the one person who gets her. He makes the little references to their inside jokes (2 fingers on the chin when they’re not bullshitting the other) and a reference to the end of the treasure hunt (always a contentious issue in their relationship). She’s reminded of who he was, that he was once perfect for her, who else could know how to appeal to her heart in just the right way? With the same passion and conviction she reverses the judgment on Nick, clawing her way back to him. She does so in an especially brutal manner, slashing Desi’s throat with a boxcutter right after he climaxes. Putting aside my enormous personal bias against Desi, he was technically an innocent man, taking a great risk in sheltering Amy. However it’s clear that Amy sees him as merely an asset and something to be disposed of once he serves his value, as another prop in her ever evolving masterplan; she did string him along for years through their letter correspondences. He was just another casualty in Amy’s search for idyllic love. She comes back dramatically, literally falling into Nick’s arms while still covered in Desi’s blood like a dress; fabricating an elaborate story about a love obsessed former boyfriend kidnapping and violating her. Despite the glaring holes in her whole story (If Amy’s marriage was as bad as she made it out to be, why did she go back to Nick so easily? How did she get access to a knife and kill him so seamlessly? Why didn’t Amy do anything when she discovered the stuff in Margo’s shed? etc), law enforcement, media, and the public all fully believe it, infatuated with the persona and narrative that Amy’s created for herself. In the end she traps Nick into the marriage and eventually, the family. The last shot of the film is a haunting recall to the beginning shot of the film, as Amy has both revealed and secured herself to be the master of the narrative, finally obtaining her perfect love, no matter what the cost may have been.
Conclusion
Through a constant demand in Amy’s childhood emerges a need for perfection, simultaneously bringing about a sense of superiority and entitlement. The use of personas and façades facilitate this, painting Amy as the most amazing cool girl for whomever she’s performing for, to feed her need to be seen as perfect and desirable. Yet there emerges a psychological detachment from others; as the need to perform inevitably leads to an internal hollowness. However underneath all these layers there also lies the true Amy who has the deep unconscious desire of wanting to be loved absolutely, to have a perfect union of love where she can reveal herself fully and be loved for who she is truly.
>disclaimer for tumblr lol, this is not me trying to claim Amy was innocent I am fully aware that she’s a terribly entitled and narcissistic person but she can still be complex and have relatable desires & be a person even if she’s massively fucked up!!
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vintage-bentley · 13 days
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About the fandom’s tendency to neglect Aziraphale’s trauma and focus on Crowley’s…I was thinking about how this manifests in the way their sleeping habits are treated.
Much of the fandom likes the idea that Crowley loves sleep, and that Aziraphale doesn’t bother with it. But then at the same time, they love the idea that Crowley has frequent nightmares, and barely depict Aziraphale going through something similar.
And while I completely understand the want for angst and hurt/comfort, and am guilty of enjoying it too…my question is this: why would somebody who has frequent nightmares love sleep? Wouldn’t they avoid sleep at all costs, especially if it’s not actually necessary for their health?
The “Crowley sleeps and Aziraphale doesn’t” headcanon is such a missed opportunity to explore Aziraphale’s trauma. Maybe he tried sleeping a few times, but each time he was shaken by some horrible nightmare. Possibly about his fear of Falling, or his guilt over loving Crowley. Maybe he frequently has nightmares about the impending apocalypse, and about not being able to protect humanity and Crowley from it. Maybe every time he tries to close his eyes and rest, he’s met with visions telling him how terrible of an angel he is, and the only way to escape is to keep himself awake and busy and immersed in the fantasy land of a book.
There is so much potential here.
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daisychainsandbowties · 10 months
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hard to say but i think sushi might be hungry 🧐
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dogrocks · 8 months
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maybe i’m missing something here but curlfeather’s “trust no one” line feels odd in retrospect when she was only referring to splashtail. because the line kinda felt like it was a hot fuzz type situation where most if not all of the clan was in on the murder plot, which does leave me to wonder if there’s something more to it but i’m not getting my hopes up lmao
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lemonthepotato · 10 months
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Opaline Arcana Icons ☆*:.
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“Don’t ask me to be nice I don’t want to,
I don’t play fair.”
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stinkypeanutbutter · 4 months
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honestly I have nothing much to say about the canvas ( because I skimmed through it out of lack of interest even tho I was fixated on sbg for idk how long before you all saw DONT even lie ) but I lowkey love Ashlyn’s little dancer costume it’s very silly !!! Also kinda hoping their silly little homeless children costumes ( hopefully that’s not offensive ) come into play at one point . Like . . a school play . I’m screwing around with ideas here .
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faggylittleleatherboy · 4 months
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Favorite Character Game
thank u for the tag my love @itmeanssungod
Put your 4 favourite characters from 4 pieces of media as options and let your tumblr pals decide which one most suits your vibes then tag 4 people
Tagging @sommerregenjuniluft @kaaaaaaarf @greengrug @fxreflyes @acrossfromladystardust @messymoony @plecotusauritus @polaroidcats @swoopswrites @fictionalsimp09 @werewolfenthusiast @pretentiouswreckingball @veryinnovative
Also I agree with @itmeanssungod tags SJSKDKDJ
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shima-draws · 1 year
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Wait okay I may have read that wrong But YOU HAVE KIDS?;?!?!?
JFJDNGJSJCNS yes anon I have many many children,
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tame-a-messenger · 6 months
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Which is the live where the cast talk about Damien to make Angela laugh???
(28:05)
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apocalypse-boogie · 3 months
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I gotta be honest, I don’t engage with the Criminal Minds fandom (despite having watched all of the original show + Evolution and read up on as much of the spin-offs as I could) because I don’t like how prevalent the racism and sexism and infantilization is in the fandom. There’s just enough of all that shit upfront that I don’t want to dig any deeper than I already have. I’m good, I get enough of that shit in fandoms that I’ve been apart of for years I’m not gonna let this shit sully my love for this show anymore than it already has (especially considering the show’s writing itself is not devoid of these faults).
I’d rather just love the show and dissect it and write analysis and fanfic for it and shit on my own.
My fav characters (just cause & kind of in best to least order): Penelope Garcia (she’s literally me, I love her), Derek Morgan, Emily Prentiss, Jordan Todd, Matt Simmons, David Rossi.
#like I’ll never forget or forgive the amount of vitriol Jordan Todd got and still gets from fans despite barely lasting on the show#the hate is disproportionate and reeks of nothing but misogynoir#criminal minds#just the way I saw Ashley Seaver being talked about and how misogynistic the language being used to criticize her character was enough to#throw me off of the broader fandom— and I don’t even like her like that she was just there#criminal minds critical#then there’s how much of the larger vocal parts of the fandom shit on Derek without taking any of the nuances into account from his#character (like they do with there white favs)#and how much bad faith readings of his character are put into people’s opinion pieces of Derek#and I just don’t fuck with that#like it’s weird that all the white characters in the BAU get whole dissertations when people write hcs but the black ones (even Derek) will#get some generic ass hc that’s not even character specific#like everyone gets these well thought out ‘what they’d smell like’ hcs that’re 1-2 paragraphs long & Derek’s is one line that’s just like:#‘he smells like axe body spray because he’s a fuck boy duh’ and that was it#like just no fucking care or effort (Derek is a black man & a womanizer - he’s too refined for the ‘fuck boy’ title) y’all know he smells#like that good expensive cologne that Penelope couldn’t get enough of and that lingered in a room after he left#don’t play with me#I hate how much Reid gets babied too and while he’s not one of my fav characters I still really like him but how much he’s lowkey watered#down in fandom to be the ‘poor little skinny white boy meow meow’ is annoying as shit and undermines his character (in my opinion)#even how centered the male characters are irritates me to some extent but this fandom has more female leading ships than most#the shipping culture is also just toxic af despite that#but yeah#I could say more but I don’t feel like typing in the tags anymore#BYE HEIFERS#✨trix speaks✨
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