#and i can't think of any possiblities other than them
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(genuine question sorry if it comes across as spam or trolling) is porn addiction not actually a thing? and how is it connected to terf stuff (again genuinely want to know so I don’t repeat the retoric)
No worries anon, I do not get enough asks for things to come across as spam or trolling.
But yeah no, porn addiction is not a thing. Over two decades of research has not proven a goddamn thing; rather, it's proven that it doesn't exist. [1][2][3][4][5][6][7][8][9] *note, some of these are more accessible than others and some are more specific
While those who believe in it will present what seems to be a mountain of evidence for it, their evidence is often unscientific or unreliable or uses flawed measures or uses incredibly small sample sizes, including a sample of 1 in some cases.
The actual scientific consensus is that while excessive watching of porn can be a bad habit and can negatively impact your life, you can't become addicted to it the way that you can with things like alcohol. Things like alcohol addiction or tobacco addiction are related to a significant change in the neuronal transmission in your brain. Like certain drugs mimic certain neurotransmitters and impact the neuro-receptors on either side of a synapse.
Porn doesn't do that. Or moreso, porn is not unique in how it can change your brain chemistry. Someone who spends twelve hours a day seven days a week watching reality TV doesn't have a habit inherently different to someone who spends the same amount of time watching porn.
Often excessive watching of porn is a symptom of a larger issue such as depression. Many of those who self-report as porn addicts match the primary diagnosis of depression.
Also, within research, it is often found that those who self-report a porn addiction watch the same amount of or less of porn as someone who doesn't report it, mostly because a lot of it is related to shame and guilt and not addictive behaviour.
Porn addiction as an idea is most often rooted in religiosity and not science.
It can also be rooted in terfism. Because terfs hate porn.
Their arguments against porn boil down to the idea that women cannot and should not have sexual autonomy. They dress it up obviously, but if it walks like a duck and talks like a duck, it's a misogynist.
Almost any argument against porn they make can be easily countered by the fact that all their criticisms occur in every industry that exists currently, especially so in creative industries.
The porn industry is not uniquely exploitative. If people's labour is involved, it's probably being exploited or it has the potential to be exploited. Not knowing if the person on screen was treated well on set is not unique to porn, you know how many movies I can list that included actors being treated like shit? The porn industry does not have an issue with human trafficking that is unique to any other industry; it's a massive issue in industries with manual labour. etc.
Point is, it is not inherently evil. Terfs want you to think it is though because A) they hate women and B)
To them, porn equals predatory men (they include trans women in this) exploiting poor innocent women who cannot possibly consent.
The idea of women who actively partake in sex work and enjoy doing so is mind breaking for them; they often rationalise it as the women being mentally ill and being indoctrinated by porn. The idea of porn addiction suits them well because they believe porn is inherently evil like men are.
Terfs can't perceive any situation where women are not being actively victimised by men. They are always the victims and they always need protection from men who are inherently evil and inherently predatory.
They're misogynists and idiots (and very often very racist though that's not currently relevant).
I don't know how coherent this is. It is approaching the time I go to sleep so it might be very rambly. I hope it was helpful anyway. Feel free to ask for clarification that I'll reply to in the morning.
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All this Kurtzman/Section 31 stuff reminds me that not enough people have seen (or understood, I guess) Star Trek:Deep Space Nine.
Because it gets described as "it made the Federation a morally gray society instead of a utopia!" or "it fought back against Roddenberry's vision for the Federation and Star Trek!" and it's like... did you watch the same show?
DS9 didn't think the federation was any less of a utopia, than TNG or TOS or VOY, it said EVEN IN A UTOPIA, THERE WILL BE CHALLENGES, THERE WILL BE USURPERS, THERE WILL BE SNAKES IN THE GARDEN: THAT IS WHY WE MUST FIGHT!
Homefront/Paradise lost are about how even in a utopia, authoritarians will sell fear and get people to give up their freedoms. Fascists will burn the Reichstag to create a crisis they can exploit.
Doctor Bashir, I Presume showed that for a society without money, people still worry about success, and their legacy, and they'll do horrible things to their children to make sure they can be that legacy. And the episode CLEARLY DISAPPROVES OF THIS! The man responsible realizes the error of his ways and submits to punishment to save his son.
I don't want to list examples all day, I have other stuff to do, but DS9 very much didn't say "utopias aren't real, every so-called utopia has evil somewhere in the foundations", it said that utopias are something you have to fight to maintain. You can't take the easy answers, listen to the fascists promising safety, and avoid examining the faults of your society. Sorry. But the good news is that you can, you can win, and you aren't alone.
DS9 was aiming for more of a "realistic utopia" than other Treks, it's true, but despite that realism it still said a utopia was possible. It used that realism to show that a better world must still be fought for. And it warned against anyone selling easy solutions to those battles.
Because as has been pointed out recently, fascists don't sell eternal war and oppression to the in-group: they promise safety and power and belonging and prosperity. They're gonna oppress them to save us.
DS9 said those men are not to be trusted, and must be opposed. It won't be easy, there will be struggles, but they will be stopped. The world will get better. We can do this, together.
I don't know about you, but I find that more optimistic than if they hadn't, and just said The Federation is Perfect Forever.
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that's an incredibly negative view. i don't think people should default to steelman; i do think taking a positive view, especially of toneless plain text, should be the default. it makes for a pleasant atmosphere. unfortunately people, especially online, seem to think the meanest view of those around them is.....a good thing? how it should be??? that there's no other way to do things???
we really can just. not. do that. believing other people mean well is....a pretty basic requirement not only for civility but also for simple geniality.
and again, "it sure can be stated in a negative or entitled way, but that is true of literally everything. that isn't the nature of the sentiments expressed here." i didn't rephrase anything.
the difference is your attitude vs mine about other people that neither of us know. everyone knows a "bad attitude" sours everything, not because the rest of the world is suddenly foul, but because that's what you personally see. most people have the self awareness that's a personal problem and they should not change how they treat other people based on....personal mood. you can feel annoyed while understanding "annoyance and selfishness" is your own miasma and not what others meant.
that's. really the entire thesis. if we're going to declare hate is the default, and it's this hard for people to understand, perhaps we need to demonstrate why that's a bad idea.
"where is the content"
if we interpret the meaning in your way, this is someone who is either new to fandom or to a particular website. it is a normal question to ask. most people in the world never even know settings and manuals exist, let alone look at, understand, or change them: the things that control their experience. for clarity given the nature of this conversation, i do not mean "haha what a fucking entitled jackass" in the sense of your use of "ignorant"; i mean "figuring out and understanding things is hard for most people". let alone people who are new to a thing. asking something like this is normal, expected, and necessary. responding in the tune of "what an asshole" is unkind and establishes a gross atmosphere.
i daresay a lot of people are familiar with the lucky 10,000 comic. everyone likes that, but when it comes time to practice it? yeesh.
you misunderstood what i said above; i don't think it would be useful or correct to dismiss that as ""fucking ignorant"". it sure does make a lot of people feel good to do that though. which is the problem.
even going "where is the content????" is often "i am frustrated that i can't find these wonderful things everyone else easily finds, will someone show me". "where the fuck is everything" is the same idea in a much more combative tone; for some strange reason, it seems like that would be seen LESS negatively given the worldviews in this post.
imo, generally people ask "where is the content" to express that they have noticed there is less now than there used to be. hence: i love this so much, why don't other people.
people write in the style of how they talk when having an in person conversation. generally nobody goes around delicately crafting their punctuation to avoid the slew of wrong interpretations that are possible with any statement. let alone the cultural differences that can contribute to that. people assume you're going to understand them, or at least that you'll ask for clarification and not default to jumping down their throat. like, you know. the way people navigate normal conversations.
i don't know why people should have to put that much effort into what they say, while listeners not only don't but aren't expected to put in any thought to how they're interpreting it. the speaker has to accommodate literally every possible way they could be interpreted, including batshit aggressive ones (which means they have to assume their listeners are both.....ignorant....and nasty? unpleasant way to live.), while the listener gets to assume their knee jerk and negative assumptions are perfect and they can't have possibly misunderstood or inserted things that aren't there?
fuckin weird.
"why has all the hype died down"
if most people understand this, either this person is one of the ones that do not, or they don't mean it strictly literally.
if they do not understand it, again, asking why is a normal and expected thing. lucky ten thousand, yeah? responding negatively to that is....not nice. does not create a pleasant atmosphere. i don't think most people are familiar with serious fandom; most people aren't part of it, meaning they watch a thing, like it and move on without engaging further. the "fandom" people are generally familiar with is juggernauts that have lasted decades, things with dedicated yearly events: things that have never died down and the average person always likes. it is normal to think that if you like a thing, you don't suddenly stop. that's wrong, but it's how people think of fandom.
if they do not mean it literally, imo it usually means something to the effect of "why did people stop liking this". a normal thing to ask, especially if they also don't understand the fad nature that most fandoms go through.
"Why is there no more content why did everyone leave"
follows naturally from the previous. "there is nothing" generally means "i can't find anything". it's a request for help. people are uninclined to phrase it as "please help" because.....a lot of people respond to that with "haha what a fucking ignorant asshole". it should not be hard to see why that's destructive.
it could also mean "there is way less", which again, is normal to wonder. "there is way less" is only asked if you....want more. because you enjoy it. that brings us to
"it's about the blatent dismissal of creators' work and being content-hungry"
which you unambiguously mean in a negative way.
"i am sad that there is less" does require that the speaker enjoy the content and would like more. that is....the opposite of "blatent dismissal". the most common fan question is "will there be a sequel" and "what's the release date". you seem to think those are disgustingly hateful things to ask, which is a bit odd given that most fandoms get upset when their canon content is cancelled.
"i like this so much that i want more" is second breakfast and elevensies type behavior. of course people are.....content hungry. i think it's a bit mean to take gollum's view that pippin and merry are nassssty wicked hobbitses for that. it should be obvious that such an attitude drives people away and makes it feel like their appreciation isn't wanted.
....
i gotta say, i'm tickled pink that people who identify as "serious fans" deny that there can be meaning beside what you personally interpret, especially when the common fandom sentiment is "oh that was a clumsy accident, it doesn't mean anything deeper" while.....inserting all this extra meaning for actual, real, people who haven't had years to craft what they mean. we imbue two seconds of thought with hatred, but nothing for years' worth of a deliberate act?
"there is less" is about those who stopped. it is not about those who remain. it's quite obviously not about you. to answer with "it's not dead, i'm still posting" is to insert yourself where you weren't addressed. sir this is a wendy's. even when it IS a personal question, that's not inherently a demand to perform, it is literally just interest in you and your thoughts. "why" is not a hateful question. and even, EVEN a personal question, you still really can just. not answer at all. regardless of the valence you assign to it.
people are always going to have the same questions as other people, because every day someone new shows up, or someone old has a new thought. reality and your reaction to it are separate things. if they were not, we would have to shout down every kid asking endless whys, since obviously the parent's annoyance and frustration must be synonymous with the kid being a hateful greedy dismissive monster telling its mother she's not good enough, a child who needs to be taught that expressing interest is a sin. bad way to go about interacting with other people, if i do say so myself.
if you don't enjoy the culture of having everything you say reprocessed into its secret and true evil meaning that you obviously totally intended, perhaps we should. just not do that. to other people. as a general rule.
hostility is unpleasant to be around. there shouldn't even be "doubt" to benefit from, but even then, assuming other people aren't evil should not be treated as a sin. whereas doubt literally is a canonical sin.
'Where is all the Deadpool and Wolverine content'
'Why has all the hype died down'
'Why is there no more content why did everyone leave'
Meanwhile the people who are making the content are left feeling insulted because lord forbid we're not enough. Dude stfu and make your own stuff or didn't complain.
Do you see me whining about Boondock Saints? No! Because that's an old franchise and there's not near as much stuff as they're used to be, but I love everything that comes from it. And I don't ever complain.
#post diem: “hey that's negative”/“yes and I'm going to insist on being even more nasty”#do you not hear yourself?#you WANT me to agree you're a horrible person?#I'm not going to apologize for treating people with decency#boy do they want me to though#reminds me of the time someone accused me of quote enquote changing the subject for using a simile
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Special Delivery
Hwang In-ho x gn!reader
summary: After Dae-ho goes into shock, you decide to take the ammo out to the rebelling players. You witness your closest ally turn on the other players, but after you are injured, he proves his loyalty to you. (~5k words)
!warnings: canon-typical violence, seriously injured reader, mentions of PTSD, swearing, use of y/n
---
As your friends started planning to overpower the guards, you couldn't help but feel nervous. While you believed in the cause, you just had a bad feeling that this wasn't going to go the way they hoped. When the group split apart after Gi-hun's presentation of his plan for the upcoming brawl, you found yourself sitting next to Young-il. You tried to ignore your heart leaping every time your shoulders touched, no matter how fleeting.
“What do you make of all of this?” He asked you.
You sighed with a shrug. “I don't know. I think it's a worthwhile fight, but it won't be an easy one.” You said. You glanced over at him. "And you?" You asked.
He nodded slightly. “I don't know either. We tried so hard to make it through the games, so going out there and risking our lives feels like we're throwing it all away.” He said.
You paused for a moment. “I could give you the lecture of ‘It's for the good of the people’ but that's bullshit.” You said.
He turned and looked at you, surprise evident on his face.
You turned to look at him. You spoke with a serious tone. “You don't have to do this, you know?” He stared at you for a moment. “You can say no.”
He shook his head. “I can't just abandon them like that. That's hardly what a good friend would do”
“You have every right to value your own safety over the good of the people, so deciding not to help doesn't make you a bad person. ” You said softly. “It's your choice.”
He sighed. This conversation was fascinating to him when he considered his position. Would you still say that if you knew who he really was?
After a moment of silence, you looked back over to him. “I won't think of you any differently if you decide not to help stop the games.” You said softly.
His breath caught in his throat as he turned to you. He was suddenly aware of your proximity to him. His eyes landed on your lips, but before anything could happen, he heard the commotion coming out of the hall that led to the bathrooms.
He leaned back a bit before clearing his throat. You felt your cheeks flush, but you didn't say anything. You made your way to where your alliance was typically placed and crawled under the bed.
As this plan continued to unfold, you got increasingly more nervous about how good of an idea this was. You knew that some of them had military experience, but this seemed like an uneven fight. What were a dozen starving, sleep deprived players with limited ammo going to do to take down the small militia carrying out these games?
Before they left, you took a step toward them. “Good luck out there.” You said. Your eyes scanned the group before landing on Young-il. “Come back here safe, alright?” You were both speaking to the group and him specifically. He smiled slightly, giving you a nod before following the rest out.
You stood still there for a moment, but you eventually sat on a bed near Jun-hee. She was really the only one you knew who was still in the room. You've talked to some of the others before, but she was the only one you really felt safe around. You would be screwed if none of them returned. All of your allies were in danger. You'd be left alone.
Even outside of the strategic aspect, you didn't think you would be able to get over their deaths. How could you? Especially Young-il. That first night after Red Light Green Light when neither of you could sleep, it cemented him as your closest friend here.
And you tried to hide it as much as possible, but your feelings for him had grown more than platonic. You knew it was stupid to let yourself catch feelings while in a death game. You mentally scolded yourself every time you felt butterflies in your stomach whenever he laughed at a joke you made. You pretended you didn't feel sparks fly anytime you accidentally touched him. When he grabbed your hand during Mingle, you felt like you could faint.
The only thing that made you hesitate was the fact that he later used that hand to break a man's neck right in front of you.
He knew what was happening despite your attempts to hide it. He found it fascinating, but he couldn't lie and deny that the feeling wasn't mutual. It would be hypocritical to call you naive when he was in the same boat. He had come into the games to watch over Gi-hun and learn more about what makes the man tick, but he found something that intrigued him even more. You.
Maybe it was twisted for him to say, but he was very curious about how you would react when you thought he was dead. And that thought led him to consider finding a way to let you live. But what would you do if you found out he was pulling the strings?
You didn't know what to feel right now. You wanted to be hopeful, but you couldn't quell the feeling that something was going to go wrong. That feeling only grew when you saw Dae-ho rush into the room. He was trembling, fumbling around in the pockets of the deceased guards. You stood up, moving toward him. “Dae-ho, what's going on?” You asked.
He stumbled over his words, hardly getting out a coherent sentence. You thought you heard something about ammunition, and your assumption was confirmed when he shakily grabbed a magazine. You turned back toward Yong-sik and his mother. “Can you guys help gather their magazines?” You asked. Dae-ho stammered out a word of thanks for your help.
The four of you gathered all of the ammo the guards had on their person. It wasn't much at all, definitely less than 20 magazines. It would help a bit, but this seemed like it wasn't going to be enough. Geum-ja had the idea of wrapping them up in his jacket to make a makeshift bag. She said something about having to do that back in the war. You couldn't really focus on her words as Dae-ho ran back to the hall. You took a deep breath before going back to your spot.
You didn't get to stay there that long. He ran back into the room with his hands over his ears. You grimaced, knowing he was probably reliving memories he'd rather forget. But then it hit you that he never delivered the ammo. They needed that ammo desperately.
Despite your better judgment, you got up from your spot, heading for the door.
“Where are you going?” Geum-ja called out.
You looked back at her. “They need that ammo.” You said. You left the room before you could change your mind.
You saw the radio, but you left it there. You wouldn't know how to work one anyway. You found the ammo where he dropped it. You wrapped it back up and started walking into the unknown.
You quickly noticed the broken security cameras, likely Hyun-ju's doing. You followed them and the sound of the gunshots. It made you nervous that you were running into danger, but you couldn't help but imagine how grateful Young-il would be when you brought it to him. The way the lines around his eyes would crease when he smiled.
You stopped yourself from continuing the thought. Daydreaming would get you killed out here.
You didn't see any guards on the way. You didn't know if that was a good or a bad sign. You did eventually find Hyun-ju and the others. Well, some of them.
She looked shocked to see you. “Y/N? What are you doing? Where's Dae-ho?” She asked. She was glad you got here in one piece but she was somewhat shocked at the poor decision making that led to you coming here unarmed.
“Dae-ho is out of commission. I think he's having a PTSD episode.” You said. From what you had gathered, Dae-ho's time in the Marines wasn't exactly a good one. She gave you a knowing look. You set out the magazines on the floor. One of the men came to start distributing the ammo. They got 2 clips each, if that.
You looked around at the people she had left. “Where's everyone else?” You asked. Your heart dropped to your stomach, but you were somewhat relieved by her words.
“456 and 390 ran up ahead a while ago to try to find a control room. They got pinned out there. Young-il and two others went to try to help them.” She said. You tried to hide your instinctive wince upon hearing that. Did he really have to go out and play the hero?
“Do they still need ammo?” You asked.
She nodded. “Yeah, I can run it out to them.” She said.
“Maybe you should stay here. You guys are the last line of defense to the others.” You offered.
She chuckled lightly, but she was definitely confused. “And what are you suggesting?” She asked.
You shrugged. “I could take it.”
She shook her head. “Hell no. That would be a suicide mission, especially without a gun.”
“Who said I wouldn't take a gun?” You countered. Unfortunately, there were a few downed allies among them. Their guns lay next to them without their magazines.
You really didn't want to take the gun.
“Have you ever held a gun before?”
You shook your head. “I could still take one. How hard could it be?”
She looked very annoyed by your statement. She knew there would be no use arguing with you. “I'm not giving you a gun, but if you want to run in there blind and unarmed, I'm not gonna stop you. I'll at least make sure you have some cover.” She leaned down and pulled a few magazines for herself before gesturing to you to take the rest. As you scooped up the rest of the ammo, she yelled “Covering Fire!”
You dashed your way across the balcony they were shooting from. You eventually made it into a set of hallways in a different design scheme than the stairs. You hoped that was a sign that you were on the right track.
And you were on the right track. You could tell because they had made a trail of dead guards, bloody footprints, and broken security cameras.
You were surprised that there weren't more guards out and about. They seemed innumerable every other time you saw them. During Mingle, there had to be 100 guards at least helping to carry out the game. It made you a bit suspicious, but you didn't have much time to think about that.
The sounds of gunfire got louder and louder until you saw movement down a corridor. You stopped to peek out from the corner. You were greeted with teal jumpsuits. Jung-bae and Gi-hun.
You moved close to them. “Hey, don't shoot me.” You called out. Gi-hun jumped and turned toward you. His gun was pointed at you for a moment before he realized it was you.
“Jesus, Y/N, you scared the shit out of me.” He said, exasperated from shock.
Your name got Jung-bae’s attention. “Y/N? What are you doing here? Where's Dae-ho?” He asked.
You hesitated for a moment. Would Dae-ho want you to tell him? Would he be okay with showing that vulnerability, or would he want you to hide that and maintain his ex-marine facade? You decided to tell the truth. It was easier to explain than making up a lie. “I think he's having a PTSD episode. He couldn't come back out here.” You said.
Jung-bae gave a knowing look, just nodding. You hoped that meant he understood.
“But why did you come here unarmed? That's too risky.” Gi-hun asked.
You chuckled. “Hyun-ju wouldn't give me a gun. She was going to run it over to you, but they… took some casualties.” You said, trailing a bit on the last few words. “Where's Young-il?” You asked, raising your voice to be heard over the gunfire. You started to pull out two magazines for Gi-hun from the bundle, handing it to him as he answered you.
“You just missed him. He and two others ran ahead to find a way to ambush them.” He said.
You grabbed two more clips from the bundle for Jung-bae. “Cover me?” You requested. He leaned over and began shooting at the guards. You dashed through the gap, dropping the clips near the man before trying to find where the trio went.
It was fairly easy to guess where they went, seeing as they were only trying to get around the guards. There seemed to be only one way to do that. Everything went quiet for a moment. That made you even more cautious, checking around each corner before you continued. Eventually, you saw who you were looking for. Another figure in a teal jumpsuit with no guards around.
You realized you were smiling. You were happy that he was okay and that you would be able to help him after all and-
A series of gunshots rang through the hall. Your smile dropped. You felt your blood run cold.
If the guards fired… why was Young-il still standing still? As he took a step forward, you slowly crept toward him, praying that he didn't hear you.
“It's over, Gi-hun. I'm sorry.”
You furrowed your eyebrows. You peeked slightly around the corner.
That image would forever be burned in your mind. Young-il was very much alive. He was low to the ground, holding out the radio to the player as he took his last breath. Then fired one more shot into the man's head. He turned a dial on the radio with certainty.
You heard him clearly. You were sure of it.
“Let's wrap this up.”
You started to back up, but you stopped when he turned. Your escape was interrupted by his voice.
“Y/N? What are you doing here?” He asked. He turned toward you and, in turn, pointed the gun at you without thinking about it.
You froze, instinctively dropping the magazines. You held up your now trembling hands.
He looked at you confused, almost hurt that you thought he would shoot you. Then he realized he was still holding the gun. “Oh shit. No, no, I'm not going to shoot you.” He said, slinging the gun's strap around his shoulder.
“What the hell just happened?” You asked, mostly just confused but also a little nervous.
He sighed. “I know, I have a lot to explain but we can't stay here, okay? Follow me.” He said.
This confused you further. After what you just witnessed, you weren't going anywhere without a bit of explanation. “Where are we going?”
Before he could respond, you heard a pair of footsteps coming from behind you.
Two armed soldiers were coming up the hall. You raised your hands again. One aimed at you. The second lagged behind the other and tried to stop him, reaching for his shoulder and shouting “No, don't!” But he didn't react fast enough, and the soldier put a round in your gut before realizing who he was aiming at.
You screamed, hands shakily touching the wound. Your hand came back bloody. You stumbled slightly, but Young-il caught you, helping you down to the floor.
The voices around you were coming in and out of your awareness. You could see that Young-il was saying something to you, but you only saw his lips moving.
In-ho looked you over. “No, no,no. This wasn't supposed to happen, I'm-” His gaze then darted up to the soldiers.
He glared at the one who shot you. His tone was cold but you could hear the intense anger behind it. “I believe I made the instructions very clear. Player 134 was to be unharmed. Also, your aim could use some work.” He said before aiming his gun at his head and firing.
At the noise of the gunshot, you cried out, thinking someone was going to come finish the job. He looked back down at you with concern. “Hey, hey, it's okay.” He murmured softly.
He gently peeled the shirt from your wound. You whimpered, squeezing your eyes shut. “Sorry.” He said. The wound looked to be away from any vital organs, mostly a flesh wound. “You're gonna be fine. I'm going to get someone to help you, okay? You'll be okay.” He rambled, both reassuring you and convincing himself.
He stood up and addressed the soldier who was still living. “Get them to the doctors. If they die, so do you.” He ordered before storming off toward the management room. Honestly, he was going to kill him anyway since he saw his face.
Unfortunately, he still had a part to play in this special game. He entered the control room, going into the restroom that had been deemed the dressing room for the special game. He needed to get dressed into the Front Man ensemble, but first, he tried to scrub your blood from his hands. His hands were trembling, and his breathing was fast. He felt like he could still see the red staining his hands no matter how long he washed them. If you died, he would probably see it for the rest of his life.
Your memory of the next several hours were flashes of hot pink and black and too much blood. You were taken to an area of the compound that was clearly not meant for players to see. It was very industrial compared to the surreal colorful halls meant for the players.
You were eventually lying on a table with someone who appeared to be a doctor standing over you. You heard someone stressing that you were supposed to be kept alive and with your organs. You would have laughed if you weren't in immense amounts of pain. Eventually, you blacked out.
-
You came to on a leather couch in a room you didn't recognize. You felt the dull ache radiating from your side. It took all your willpower to lift the fabric off your stomach. The wound was bandaged up, which was a good sign. They wouldn't have taken the time to dress your wound if they were going to kill you.
Before you could even think about getting up, you heard a door open. You stayed still, not being able to see who it was. You could hear the faint sound of a dial tone, and you heard a voice.
“Front Man speaking:” He started speaking. The voice was coming through a voice filter, but you knew who it was. It was him.
“I believe I made myself clear during our discussion, but apparently, I was mistaken.” You heard him say.
He paused for a moment, presumably listening to the person on the other end of the line.
“I gave them an order which they disobeyed, and we both know what happens to people who disobey orders.” He said.
Despite your better judgment, you decided to attempt to stand up. You slowly sat up, holding your breath and wincing from the pain. You didn't make a sound even though it was intense. From there, you stood up with fewer difficulties. You took a few steps toward him until he started speaking again.
“The player is fine, luckily.”
He was talking about you presumably. And whatever the person on the phone said pissed him off even more.
“It doesn't matter what you think about the orders. You are expected to follow them. I don't care if you think my feelings are clouding my judgment. That's not for you to decide. Now you can either stop your train of thought here or we can discuss your future here in this operation.”
You opened your mouth in surprise. His feelings? What feelings? You were shocked and excited at the prospect that your feelings may be mutual.
“Continue the protocol as usual. The next vote will take place at 0600 tomorrow morning. I'll see you then.” He said shortly before putting down the receiver. He turned around and froze when he saw you.
He stood there for a moment, expecting you to say something, but you just stood there silently. He was confused for a moment until he remembered you were seeing the polygonal facade. He pulled off his hood and the mask, tossing the latter to the floor without a care.
You had already known it was him. That was an easy assumption to make. But seeing the concerned look flash across his face as well as the realization that you had been listening made the butterflies return to your stomach.
“Hey.” You said softly.
He smiled. He closed the distance between you and pulled you into the gentlest hug you had ever had. This hug had been meticulously planned in his mind, just like every other action he takes. He thought out the placement of his hands, the tightness of his embrace, everything.
You melted into his arms, taking in a deep breath and leaning into him.
On the other hand, he was tense, like he was carrying a heavy weight. Which he was. He was carrying the weight of his fear that you would hate him for every decision he has made.
“Thank you.” You murmured.
“How are you feeling?” He asked you.
“Like I got shot.” You said. He could hear the smirk in your voice. You laughed a bit at your own joke, but he just let out a deep sigh. At this, you pulled away to look at him.
He looked anxious, an emotion you never saw in him. Even in the most dangerous situation, he managed to keep a cool and level head. It's something you admired in him, so seeing him so worried about something was concerning. But you need clarification.
“Young-il, what's going-” You began, but he cut you off.
“In-ho.” He said.
“Hm?” You hummed in confusion, eyebrows knitted together.
“My name is In-ho.” He said.
You didn't have much of a reaction to that statement. “In-ho, what's going on?” You repeated. He was taken aback by how nonchalant you were about this whole thing. He just admitted that he'd been lying to you and hiding his identity, but you didn't seem to care.
“You're all stitched up. The doctors made sure of it.” He said
“I mean with what happened before that.” You said. Your voice was a strange mix of stern and soft. You were trying to be gentle, but you wanted answers.
He sighed. He felt his heart drop as he began to speak. “I'm the one who organizes the games.” He admitted. You didn't seem shocked because that felt very obvious to you. “I went into the games to watch Gi-hun and make sure he couldn't succeed with his attempt of a takeover.” He said.
You nodded. “What happened to them?” You asked.
He didn't look at you. “Jung-bae is dead. The higher-ups have plans for Gi-hun.” He said.
That did surprise you. From how Gi-hun explained it, you had assumed the man in the polygonal mask was the man in charge, but apparently, he wasn't as pivotal as previously thought.
“Did you really tell them not to hurt me?” You asked quietly.
His gaze landed on you quickly. “Of course I did.” He said, matter-of-factly. He felt that was obvious. He cared about you more than he could wrap his head around. “I didn't want you to die in here. If you hadn't come out with the ammo, I was going to arrange a way to get you out safely.” He said.
Your eyes widened with surprise. “Oh.” You murmured. You paused for a moment before speaking. “You know, I only came out with the ammo because of you.”
“I'm still not sure what happened there. Why were you the one bringing the ammo?” He asked.
You sighed. “Dae-ho came back and tried to gather the ammo. I think he went into shock. He wouldn't leave, so I brought it out. I didn’t think that would end well if you all ran out of ammo.”
He nodded. “By the way, what were you thinking? You went without a gun?” He asked, playfully scolding you for the poor decision.
You scoffed. “Hyun-ju wouldn't give me one.” You insisted.
“I don't blame her.” He said with a smirk.
You crossed your arms, sending him a lighthearted glare. “You know, next time I'll leave you to rot.” You said, even though you knew that wasn't actually a possibility in this scenario.
He laughed. “How about there's no next time?” He offered.
You smiled at him. After a moment of quiet, you asked the question that part of you was dreading. “So what happens now?” You were afraid he would send you home. Would you ever see him again? He wouldn't kill you… right?
He seemed to have been dreading that quite as well. “I could arrange a ride to the mainland if you would like.” He said softly, trying to gauge your reaction to the statement. “But if you don't hate my guts and think I'm an irredeemable person, you're welcome to stay here if you like.” He offered. He sounded defeated almost, like he already felt like you hated him.
You had to hate him, right? Everyone always does. He put you through all of this. The bloodshed, the danger, the trauma, it was all his doing.
Maybe others would despise him. But not you.
“I told you already, ‘I won't think of you any differently if you decide not to stop the games.’ Remember that?” You asked. “Nothing's changed.”
He shook his head adamantly. “But I put you through all of this. You got shot for goodness sake.” He raised his voice somewhat at the end, clearly getting more emotional. He couldn't pinpoint what emotion it was, but you knew it was just anxiety.
You reached out and touched his shoulder, hoping it would catch his attention and get him to look at you. “You saved my life. Without you, I'd be in a black box.”
“But I-” He said shakily.
“The blame isn't as black and white as you think it is.” You cut him off. You took a deep breath, shoulders shaking slightly. “Plus, outside of here, it probably would have been worse for me.” You said. You hadn't talked about it much, but it wouldn't have been much longer until your debts would have caused some serious dangers to you.
He still wouldn't look at you, so after a few seconds of silence, you continued speaking. “At least here I met you.”
His breath hitched at your words. He finally looked at you, and you could have sworn his eyes looked somewhat misty. You pulled him into a hug.
He quickly reciprocated the hug, no longer as tense as the first, but he was still cognizant of your injury. He tried his best not to shed a tear. He was just so happy. After years of being alone, he finally found someone who wouldn't shut him out just because of his position in the games.
More than that, he finally found someone who he didn't have to push away because he was afraid of them turning on him once they learned of his work.
Cutting ties with his brother was the hardest thing he'd had to do in his life. After the confrontation with Jun-ho, he thought he would have to resign himself to a life of isolation and live with the fact no one would see him as anything more than a ruthless leader ruling with an iron fist and a penchant for murder.
You didn't take much care to the moral dilemma he created. Playing the games firsthand and seeing so many of your friends die really changed you. This same thing would have happened out there. Maybe this wasn't the best solution to this societal issue, but you sure as hell didn't have a different one that would actually work.
Regardless, you really cared about In-ho. You had grown to trust him the most, not only in the games but probably of everyone in your life. You didn't care that he had been hiding his identity or that he was running the death game that could have killed you. He cared about you. He went out of his way to keep you safe. Hell, he was willing to break the strict rules of the games just to save you.
And he'd do it again in a heartbeat. If his work somehow put you in danger, he would do anything for you. He'd burn it all down if he must. You were the first person who had managed to break through the walls that he had put up.
You pulled away from the hug, still standing close to him. When you looked up, he could see a slight mischievous glint in your eye, but he missed your eyes taking a glance at his lips for a fraction of a second.
“You know, after almost dying, I'm going to do something I would have regretted not doing if I had died.” You said. Before he could ask, you grabbed the collar of his jacket and pulled him closer to you, pressing your lips against his.
He was surprised for a second, but he quickly began to kiss you back. You smiled slightly against his lips.
This should be something that felt foreign to him. He hadn't kissed anyone since his wife passed. It should remind him of her, but this was an entirely new feeling for him. Kissing you just felt so right.
You felt the same way. He kissed just like you thought he would. Everything felt methodical and planned, but there was also some underlying force underneath it all. It was exhilarating.
When you pulled away, you both were breathless. He chuckled lightly. “You have no idea how long I've been wanting to do that.” He said softly. You nodded in return.
There was still more you had to talk about. You wanted more information about how he got involved in the games in the first place. You wanted to know what happened to Gi-hun. You wanted answers, but you allowed yourself to enjoy the moment a little longer.
But maybe this was a decision that would doom several thousand people's lives. You could be dooming Gi-hun by not taking the initiative to get information. Maybe you could save him or even stop the games entirely.
Or maybe you'd be performing a suicide mission. It would ruin the strongest connection you have forged. You could be kicked out of this place and back onto the streets. You would be at the mercy of the loan sharks waiting to take out their prey. Maybe the soldiers would kill you on the spot for trying anything. Maybe In-ho would have to kill you. You'd become another face that would haunt him whenever he dared to close his eyes.
Perhaps it was selfish, but you didn't care.
#nick writes stuff#squid game x reader#squid game fanfic#squid game x you#in ho x reader#front man x reader#hwang in ho x reader
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What if They were Dads?
SUMMARY: Headcanons of what I think they would be like as fathers to your child. And what if his dormmates were like honorary uncles to the child?
CHARACTERS: OB Students (Riddle Rosehearts / Leona Kingscholar / Azul Ashengrotto / Jamil Viper / Vil Schoenheit / Idia Shroud / Malleus Draconia)
TAGS: Headcanon; Fem!Reader (AFAB) (I never really know what tags to use but I hope you know what I mean)
WORD COUNT: An average of 690 words per character.
COMMENTS: I would have liked to have made a headcanon about the relationship with the boys' parents and siblings, but since we don't know them that well or at all on the Eng Server like Vil's father, I think I'll leave that for a possible post that complements this one. If you want.
Since I didn't want each character to have a big chunk of text, I put them as paragraphs instead of bullet points.
I hope you enjoy 🩵
CONTEXT: This was written with a cisgender female reader in mind. Reader is Yuu. But if you want (and can) read it in any other way, feel free to.
By the way, this is one of those moments when I wish English had a second person plural, instead of the singular and plural being the same. Whenever I write “your child” I mean it in the plural (you, the reader, and his)
Riddle’s child(ren) call him: Father
Riddle has the same demands and standards for his child that he has for himself. But he doesn't want to make the same mistakes as his mother, so in comparison he can be more permissive. Because of this he will ALWAYS listen to you if you tell him he is being too harsh.
In terms of studies, etiquette and behaviour he is quite strict as you would expect. But when it comes to play he lets his child do almost anything they want.
He doesn't know how to play with his child, but he will always make an effort to learn how to and do it with them. He almost seems to regress to the childhood he never had and wants to give to his child. Whenever the child learns a new game, they will show it and teach it to Riddle and he will be delighted with it.
Although he is strict, he is also relatively protective, especially if your child is a girl. He tries not to be overly protective, but he can't help but worry about your child. If there was a right way to raise a child, is he doing his job well enough? You will have several conversations at first to reassure him that he is doing a good job.
He will study any and all parenting books that experts in child behaviour and education recommend. This kind of knowledge is never too much. Which often leads you to try to convince him to relax and just trust his instincts and what he feels is right. The child is his, not all those authors and experts. Sometimes there are things that a parent simply knows.
Lawful and calm Uncle Trey. They love uncle Trey's sweets! Sometimes Riddle asks him if he's not giving them too much sweets and Trey always assures him that it's okay because he knows how to make healthier sweets and the limit for a child to eat. If they weren't already Riddle's child, the whole thing about always brushing their teeth could be scary.
Chaotic Uncle Che'nya. The crazy and fun Uncle! Your child and Che'nya join forces (maybe even with you) to play pranks on Riddle. Never anything that could get the child into trouble with their father, just enough for everyone, Riddle included, to have fun.
Uncle Ace and Uncle Deuce are more from your side than Riddle's honestly. Ace is a bit like Che'nya in the case of being one of the chaotic pranksters uncles. But he is also the uncle of magic tricks who is always deceiving, but also entertaining your child with them.
Deuce is the rad uncle with a cool moto and/or even cooler blastcycle, who offers to take your child for a ride in it with him. Your child also finds it funny to see the two of them arguing amicably. But it’s even funnier to see them imitating their father trying to order them to stop arguing.
Uncle Cater doesn't show up very often, but they like him. He's not chaotic like Ace and Che'nya, but he's also fun. Your child enjoys receiving compliments from him and taking pictures with him.
Your child imitates their father scolding Grim too. Just like Riddle (and probably because they're still little) they have a very bad temper. Riddle gets embarrassed whenever you say that someone takes after their father.
Leona’s child(ren) call him: Dad
Leona still doesn't like kids... your child(ren) is/are just an exception.
Yes, Leona would treat a daughter slightly differently than he would treat a son. In the same way that he treats men and women a little differently. But the only difference is that he would be tougher on a son than a daughter, but will still be affectionate regardless.
No matter what gender his child is, he wants the same for them: be strong both physically and mentally. To outsiders like some servants or citizens who don't know him, they may get to the point of thinking Leona is a harsh father who doesn't deserve all that love from his child, and he will tell both you and your child not to mind that. But the truth is that he is just like he was with you at school: a tough guy who hides a caring heart.
Leona continues to show himself to be a person who doesn't want anyone to upset him and who would growl at anyone who bothers him. The only people who can get close to him even when he's angry and remain safe and sound are you and your child. He'll still growl at you and your child quietly, but there will be a volume that is the line, like if his growl is louder than that limit it's because he's getting really angry, until then it's just him being him.
Your child will already have the best private teachers and tutors (one of them being Kifaji/Neji if he’s still alive), but even so, Leona will want to make them study and learn more. But in that discreet way that he knows. He will not force them to study more, he will find a way to convince them to want to learn more on their own.
You end up being the most affectionate parent and the one they trust for emotional comfort. Leona is the tough love, you are the soft love (at least in comparison). Leona will always tease you, insinuating that you are too soft and only spoil your child. Although he enjoys when you spoil him too.
He is 100% the ‘Go ask your mom’ kind of dad.
He lets his child take naps with him. And you too.
If he has more than one child, he will police himself not to favor any of them. He may have a tendency to favor the younger ones because of what he went through as the youngest himself, but none of his children will be treated in any special/different way based on their birth order. Neither the youngest nor the oldest.
He will try to convince his child not to be too close (emotionally) to their uncle or cousin, but won't stop them from playing with Cheka. When your child is old enough not to tell others what is said in your home, Leona and them will talk badly about Falena and Cheka behind their backs.
Leona will prefer your child to play with Ruggie and/or his children. On the one hand, he wants to keep them away from his family, but on the other hand, he also wants his child to know what the real world is like, to see both wealth and poverty, to know royalty as they knows their people and only then create their own judgement.
They don't call anyone uncle or aunt other than Falena and his wife. In the same way, Leona also doesn't give cute titles to anyone without being sarcastically. Even when he calls you “love”, “darling”, “honey” or something like that, it's to tease you.
Whenever you go to Shaftlands, whether for democratic reasons or on holiday, you always try to find a way to meet with Jack. Leona pretends that he only helps you with this because you want to see your friend and he wants to get rid of his family. Both you and Jack know that he just doesn't want to admit that he wants to see him too. Jack is the cool parent's friend who taught your child how to snowboard. While they are little they like to hug his tail because it’s fluffy.
Despite everything, he doesn't want his child to have the same lack of hope that he has, and despite trying to hide it, he always feels extremely guilty and bad whenever your child says something like that. At these times he relies on you to be the ray hope in that house, they will both need you for that.
Both Leona and your child are afraid of you when you get really serious or angry.
Do you know that scene from The Lion King where Mufasa uses Zazu to give Simba an pouncing lesson? Leona often does something similar, but instead of the target being a blue bird, it's a magical creature called Grim.
Azul’s child(ren) call him: Daddy (when little) Dad (when older)
Azul is an extremely emotional father, despite trying to hide it. There's going to be a lot of moments like: “HE/SHE IS THE CUTEST LITTLE THING IN THE WHOLE- *clears throat* I mean, he/she is such a charming little child.” He will most likely cry at your baby's first words, steps, anything.
Azul is overprotective! If any living creature even thinks about harming your child, he will tortu- that is, find a completely legal way to ensure that it never happens again. Now, if you'll excuse him, he suddenly felt like talking to Jade and Floyd. (The same protectiveness applies to you.)
Although he is very (secretly) emotional and loves to spoil his child, he is also relatively strict about their studies. He likes to spoil them (and you) when it's deserved, but he will not raise a spoiled child! This ends up balancing things out a bit.
He will hide the whole mafia-like part of his life from his child. Dad is just doing business, boring adult stuff. Maybe when your child is older he will start to reveal a little of that side of his life, if they later want to join their father it will be their choice. But until then, let them be innocent children, they are cuter and happier that way, there is time for everything.
He will always hold back his emotional side so as not to be overly affectionate. Unless his child starts crying. At that point his mask falls completely and he becomes the most affectionate and comforting father there can be, that is his weakness.
And if one day the child realizes this and starts using crying to get what they want from him, he won't know whether to be angry that he is being emotionally manipulated by his own child, or proud that they learned so quickly.
You will be the only one immune to the fake crying.
From the beginning, Azul has been wary and suspicious of letting Jade and Floyd be like uncles to your child. However, you two ended up letting this happen, but Azul will always keep an eye open.
Both Jade and Floyd will definitely use the child to play pranks on Azul. Mostly Floyd, Jade prefers to watch and assist. Azul will always be upset with the twins, never with his child. And depending on the severity of the prank, he will turn on his overprotective side and threaten Jade and Floyd that if that happens again they will never see your child again. They never go beyond that limit.
Every now and then when Floyd plays with your child, he will do that joke where he playfully tells them he's going to catch them and bite them. Actually in his playful voice, he doesn't want to scare them. And they will run to Azul and hide behind his legs asking for help while laughing. Or tentacles if they are in their merfolk form.
If you ask them Jade is the scary uncle (only sometimes) but they themselves don't even know why. It's just his vibe or something. However, they are not afraid to ask any of them for something, it being to play or for help.
Azul loves cooking for you and your child, and they love their father's cooking.
You know those little plastic cashiers where kids pretend to have a little shop and try to sell things to people at home? Usually parents or sibling. Azul loves to play this with his child because it is a great and fun way to pass on his knowledge. Both about sales and about taking care of your money. Usually using the Grim as a guinea pig. Grim also likes to play because he always ends up with food in exchange for toy money.
Jamil’s child(ren) call him: Dad (in informal moments) and Father (at formal events)
Jamil needed to learn to express himself more and better emotionally so as not to end up being a cold father without meaning to. He needs your help to teach your child when to hold back and when to know when they are in a safe space to let go.
The only thing that will follow Jamil forever is an inevitable feeling of guilt for your child having the same fate as him, simply for being his child: serving the Al-Asim family with no other choice. But you can be assured that if there is a way to stop this and give his child freedom of choice, whatever that method may be, he will not give up until he finds it and do it! Normally parents want to give their children what they always wanted and could never have, in Jamil's case it’s freedom.
There was something Jamil wanted to do, but he didn't have the courage to ask the Al-Asim for some kind of vacation. But you had! Using your great friendship with Kalim, you managed to get him to allow you to take a vacation long enough for you to travel as a family, as Jmail wanted. Jamil has always wanted to travel alone, but now with you and your child he would like to travel as a family and give his child the experiences he would have liked to have had himself.
He is quite demanding with his child's education and training. However, his attitude towards this is always calm and collected, and he is attentive to his child's limitations and needs. He is a great and responsible tutor, who knows how to distinguish between being a teacher and being a father.
He is usually quite serious, so you and your child are the ones who start messing with him to have fun and make him laugh. It's always nice when he reminds you two that he can also be a tease. Normal or biggest target of your joint teasing ends up being Grim at some point.
During his work as Kalim's servant, Jamil always had to cook a lot and he's not that big a fan of cooking, so so he can rest at home you're the one who cooks most of the time. He will teach you everything you want to learn and at first you will cook together a lot until you feel comfortable cooking alone. But even then he will continue to offer to help you. Your child will continue to say that Jamil's food is tastier, but yours is prettier. And the food you make together is the best because it’s tasty and pretty. Jamil will also encourage his child to cook with you two so that they can learn from a young age.
His child knows that there is only one thing in this world that can make their father scream in fear: Bugs! If your child is also afraid of insects, you're screwed, because you will be the insect killer in that house. However, if it is just the two of them, Jamil's protective instinct will be stronger and despite his fear he will protect his child. If your child is not afraid of insects, then Jamil will have two protectors. “Can you do dad a favor?”; “Where is it?”; “Living room, south wall last time I saw.”; “Does it fly?”; “...Yes.”
Kalim will treat your child almost like one of his own children, for loving you both so much. He got emotional when he found out you were pregnant, he wanted to help pay for your doctor's appointments if necessary (never was), and he got emotional again when your child was born. He loves buying toys for your child too and give them gifts. He would love for Jamil to let them call him Uncle Kalim. And he loves it when your kids play together.
Vil’s child(ren) call him: Father
Vil wants to have a family that is at its best as he likes to be at his best himself. He wants you and your child to be as beautiful on the outside as you are on the inside, just as he strives to be as well. However, he would treat a daughter slightly differently than a son because of the different pressures of societal beauty standards.
With a son he would be as strict with him as he is with himself. But with a daughter, he knows she's more likely to suffer from these kinds of things. So although he continues to be relatively strict and wants her to be the best she can be, he ends up being softer with criticism and stronger with praise and soft love than he would be with a son.
He would hire a specialist, like as a child psychologist or something like that, to always know the best ways to rise and protect your child. Children of famous people like him, especially in the digital and social media age, may need more protection from their parents in this regard, in addition to the toxic pressure of comparison that exists. However, because Vil cares so much about your child's personal development as their happiness, he may end up putting enormous pressure on himself to be a perfect parent too.
Both Vil and your child will need you to be the person who brings them both back to the real world and the life of a loving family with flaws like any human being. Vil will always listen to you if you feel he may be being too harsh and demanding with your child, or with himself in terms of parenting.
If you are the type of person who likes to tease Vil by letting yourself be sloppy from time to time, (always at home) then your child will also like to tease their father like that. “You have your mother’s cheekiness, I see.” Vil sighs but laughs. The teasing includes eating sweets and food that Vil would not approve of. You are the parent they ask for things from and who best comforts and pampers them. You two probably team up to make Vil relax and have fun with you.
His child will have the best teachers and tutors, go to the best schools and best establishments for any extracurricular activity they want to have. Vil will probably force them to have an extracurricular activity but they will be free to choose which one.
Rook is OBSESSED with your child! In a respectful way of course, he is just already a huge fan. The result of combining your DNA with Vil's? MERVEILLEUX! He won't hold back the tears when he sees the baby for the first time. He will LOVE playing with your child. He will babysit for free and will be happy to do so if you ever need. It will be a long time before he stops getting so emotional whenever your child calls him "Uncle Rook."
Uncle Epel is the rad uncle, when Vil is not around. He is that person who will help your child do cool activities that Vil may not allow. Like taking a blastcycle ride with him, eat grilled meats, playing with things that make the child very dirty or other things that Vil didn't like Epel to do when they were at NRC. But if at least one parent allows it (you), then there is no problem. Right? All this, of course, when Vil is not around.
When he is there, both Epel and your child behave like little angels. You and Epel have to be very careful that the child doesn't get careless and say something in Epel's dialect in front of Vil. They love Uncle Epel because it is fun to do cool things without their father knowing and with your help.
Your child likes to use Grim as a doll to dress up in cute clothes. The funny thing is that Grim likes it too because your child eventually realizes that if they tell him he looks cool instead of cute, he'll let them keep dressing him up.
Idia’s child(ren) call him: Daddy (when little) Dad (when older)
Idia doesn't believe he can be a good father. A shut-it and antisocial otaku like him? Are you crazy? That's a disaster! He can't take care of himself, how is he going to help you raise a child? However, and especially with you, he also has that overly cocky side that believes that even being an antisocial nerd he would be 1000 times better than a lot of parents out there. So basically he has a tendency to oscillate between these two moods.
In comparison, you are the strict parent, he is the parent who spoils the child. They are both afraid of you when you get upset. He's a ‘Don't tell your mother’ type of dad. He can't say no to his child, but, oddly enough, he can't be emotionally manipulated either. He may even let his child do a lot of things, but even he has limits to what he knows is good or bad for them.
Because he's the permissive father, he's also the scariest when he gets serious. He can never get really mad at his child, but he can say a firm and assertive “No” if necessary. However, if they are still very young and start crying, he will panic and call you immediately. You will then have to comfort Idia and tell him that no, he did not make a decision that put him on the path to the traumatic and apocalyptic ending. What he probably did was the opposite.
If it depends on him, his child will be a nerd/otaku just like his father. However, he doesn't want them to be socially anxious like him and will always encourage them to go for walks with you outside even if it's without him. That doesn't mean there aren't times you drag him outside with you.
Besides occasionally questioning whether he is being a good father, there is something else that haunts him... He still carries and will probably always carry the feeling of guilt for what happened to Ortho, so he is absolutely TERRIFIED that something like that may happen again.
Idia has always tried to keep your child as far away as possible from all areas that are dangerous or even remotely similar to the hallway where that happened. But if your child ever happens to even enter an area that their father did not allow, they will get to know a side of Idia that sometimes you yourself don’t even remember exists: The overprotective, traumatized side that isn't afraid to scare his child if it means keeping them away from the danger. And probably the only way they'll see his red hair. But it will probably be after that, that the two of you will have an open heart conversation and Idia will apologize.
Now, about Uncle Ortho, they LOVE uncle Ortho! He's the one who goes for a walk with you and your child when you and he can't convince Idia to go too. He is a cheerful uncle who loves to play with your child. You three made up stories to explain why uncle Ortho was a humanoid. You always make up different and crazy stories to jest with them and make them change the subject. The day will come when they will be old enough to know the truth.
Idia may even talk badly about himself a lot of the times, but no matter what his child do, they are talented, brilliant, incredible, amazing, show stopping, spectacular and everything good. “Of course that's because they inherited it from you, not me.” He will say with a smile.
Both Idia and your child treat Grim like a pet cat and find it funny to see him getting grumpy.
Idia spoke to his child in that baby voice when they themselves were also babies. And maybe also when they are children to the point where they tell him to stop treating them like babies.
Malleus’s child(ren) call him: Daddy (when little) Dad (when older) Father (at formal events)
The day Malleus found out you were pregnant was already a happy day, but the day your child was born was the happiest day of his life! And every moment with them is the happiest moment of his day. And of course with you too. He totally and completely loves his family!
Anyone who dares to speak ill of the child of Malleus Draconia, especially about the fact that they are half-human, will suffer the consequences! Anyone who spoke openly about the child being something of a disgrace, shame or an abomination was either killed or imprisoned. (Depending on how opposed you really are to Malleus killing or ordering someone to be killed.) and of course, the same applies to talking bad about you.
The problem is that this is doing the same thing to your child that was done to him. He's scaring everyone and making them afraid to come near your child for fear of saying or doing something that might upset them or Malleus. He listens to you and agrees with you, showing concern and thoughtfulness about what should be done. He hates people being disrespectful to the ones he loves, but he also doesn't want his child to go through what he went through.
What ends up happening is that, on Malleus's part, he realizes that he has to start learning ways for people to respect his child without using fear, but to do that he also has to start letting certain insults slide. He doesn't like it, but if it's what's best for his child, he'll do the best he can. Although the same applies if they disrespect you. He hates it so much!
In the case of your child, you are helped by Lilia (if he’s still alive), Silver, Sebek and their families. Perhaps trying to spend more time among their people and with other fae, humans, and half-fae might be beneficial to a child's social development.
Lilia would treat the child as if they were his own grandchild. Even if Silver also has children, they are ALL Lilia's grandchildren! “There's no denying it any longer... I am... officially... an old man... For the best possible reasons!” Everyone will rescue your child from Lilia's food. “Never eat anything that Grandpa Lilia cooks, you hear?”
Silver is the calm uncle who, despite not being the most fun to play with, is the one they turn to when they want to rest and simply have a good chill time. Or take a nap. Probably who they turn to to run away and hide from Sebek when he's being annoying. He ends up being the adult (than is not their parents) that they trust most and feel most comfortable with. Silver is very happy when they ask him for help to get closer to an animal to see it better, and even more so if they and the animals end up interacting and playing with each other.
Now about Uncle Sebek... If there is anyone more protective and flattering of that child than Malleus, it is Sebek. He cried when the child was born, for sure. And cried even more when the child said his name, or whenever they at least tried to. The day they called him "Uncle Sebek" he was about to have a heart attack. The problem is that he ends up being one of those type of person who adores children (although in his case the only ones he likes would be Malleus's and his own children) to the point that the child finds them annoying and clingy. “But don't tell Uncle Sebek that, he'll be sad.”
Whenever the child throws a tantrum that ends up causing their powers to manifest in storms or uncontrolled magic, Malleus will take care of it while you stay away and safe. To him, any attack would be mere tickling, but he always made sure that your child knows that the same does not apply to you. They may end up thinking that you are very fragile while they are little, but it is better this way to ensure that they do not hurt you unintentionally.
This also means that whenever you need to say ‘No’ to your child, Malleus will do it if there is a possibility that they would start throwing tantrums. At least while they are young and cannot control their powers well.
Malleus also runs the risk of being a father who spoils his children.
Your child and Grim probably burn a lot of things around the castle because they play together and they both have fire powers.
If you would like to read more from me, you can find it in my pinned post: INDEX
And if you would like to read this but with other characters you can write in the comments. If this post has a lot of notes (likes and reblogs) I might consider making a second part with other characters.
#Twisted Wonderland#twst#twisted wonderland x reader#twst x reader#twst headcanons#Riddle Rosehearts#Riddle Rosehearts x Reader#Leona Kingscholar#Leona Kingscholar x Reader#Azul Ashengrotto#Azul Ashengrotto x Reader#Jamil Viper#Jamil Viper x Reader#Vil Schoenheit#Vil Schoenheit x Reader#Idia Shroud#Idia Shroud x Reader#Malleus Draconia#Malleus Draconia x Reader
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Hmm, but why do they have a file then? Just because they were a human? Otherwise the file attribution theory suggests that the game generates a nubered Save File to any entity with enough DT to use it, be them humans, monsters or anything else, which works pretty nicely. Assuming that Chara didn't have the required level of Determination but still had a file muddies the waters quite the bit. It would mean that all humans are inherently born with Save Files, wheter they have enough Determination to use it or not. Monsters on the other hand born without Save Files but they can spontaneously generate one should they aquire enough DT.
While that works, and I'm not saying it can't be the case (also a Chara who lacks Determination is an amusing contrast with popular fanon) I think it's really not the only reasonable conclusion we can draw from canon.
For one, yeah, we know for sure that Saved data survives even if the file's owner loses the ability to Save and Load, but to my knowledge, we have no canon info on what's the case if the owner willingly gives up and, as Flowey puts it, lets the world move on without them.
When Frisk dies in the game we can't just sit back and watch how the rest of the timeline plays out without them before deciding to Load or not. It seams reasonable that it works similarly to other humans dying in universe too - time freezes in the moment of their death and they're given the choice to either Reload a Save or just leave. We know that Chara's Soul was conscious after their death, just like all the other human Souls are implied to keep at least some of their agency and personality after death, as we see in the Neutral Ending. We know that at least some of those humans (and presumably all of them) could Save and Load. So why don't they just do it?
Well, because they already given up. I think for a human Soul to stay behind and be able to be absorbed by a monster, the human has to give up first - that is, die, then renounce their power they have over the timeline, which presumably all six children before Frisk did at some point.
What's up with the empty Save File then? If Chara could (and probably did) save in their life then where is that data?
Let me get even more meta here.
Let's say you just got your butt kicked the seventh times by Whosua and Aaron Sans that day and you had eough. You quit the game and go and do literally anything else. A day, a week or a month later you come back, open the game, and you're still able to continue from where you left off. Time obviously didn't move in the game world.
It can't. Not as long as you have your Save data. Even if you never come back, as long as there's only a theorethical chance of you wanting to continue, that universe in that 640x480 window will wait, perfectly stay, for your return.
So, for Chara's plan to work, for Asriel to be able to absorb their Soul Chara had to make the greatest sacrfice: not just giving up their life, but all the power and control they ever had, bringing themself down from a Player toying with the word and the people within, into a mere Character within its story. And the only way to do that would be to erase their Save data.
(Which again, the other six humans had to do as well. Kind of makes sense - while being in a heart in a jar is not very exciting, it probably beats staring at the Game Over screen. Assuming they all hit an obstacle they couldn't avoid, neither bypass, they probably just grew frustrated and wanted it all to be someone else's problem.)
For why neither Chara, nor Asriel reloaded after their plans went awry, despite being access to both a perfectly good Safe File and more than enough Determination to do it, there are several possible explanations. Following the logic earlier, Chara probably couldn't do it on their own, as they already given up. Asriel might have had the ability to do it, but he had no experience with this power, and he might have been wary using it especially if Chara tried to push him to do so. But honestly, I don't think any of them really wanted to do it. At the end of the No Mercy route, Chara admits to being confused about their own resurrection, since their plan already failed. And the monsters in New Home on a Neutral Route describe Asriel as dying with a smile. Whatever went down between them while fighting for the control of their body, it was a heavy blow to their friendship, and after seeing how disastrously their schemes ended, I don't think they wanted to keep existing trapped in a shared body.
Chara did not have the SAVE power when they were alive
In Undertale, all humans have high amounts of determination compared to monsters.
Considering that Frisk has it, and that it is hinted on multiple occasions that some if not all of the fallen humans also once had that power, one would assume that the answer to the question of wether Chara once had the power to most likely be yes.
But… Looking at it with more attention, its far from being so simple.
For instance, Flowey has been heavily projecting his views and actions on Chara’s past ones. Had Chara been SAVING and LOADING in life, it would seem really very unlikely that Flowey would have never reflected on things Chara did in the past and concluded that they must have been like him too on that regard. He did this regarding many things which Chara did not even really do, would he really have missed something he knows the signs of so well and would have been so glad to pin on Chara if it had it actually been true ?
Well, there are actually a number of things that suggest that Chara did not actually SAVE/LOAD at all during life.
(Note : A lot of the following evidence for this comes from file attribution theory. I would suggest reading that post first in order to understand what’s said in this one better)
Keep reading
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I think one of the most heartbreaking scenes in the kings men and possibly all of all for the game is when Neil and Kevin are arguing in the locker room after the win against UT because Neil was talking shit about the Ravens and Riko. I think it's the only time before Jackson and Romero come for him after the Belmont game that the weight of what Neil knows is going to happen to him and the heartbreak he is experiencing in slow motion comes to the surface and is outwardly visible and even then the only person that picked up on it was Andrew and it didn't help because there was nothing anyone could do.
Kevin is angry about Neil antagonizing Riko publicly because he knows there will be backlash and he is rightfully afraid but this is the first time since Kevin found out who Neil is that he realizes Neil is afraid too. He appears fearless to Kevin so Kevin assumes it's hubris that makes Neil willing to stand his ground over and over again but it's not.
Neil had accepted his fate at that point, and instead of turning tail and getting himself the hell out of there, his only motivation is that if he can't have this at least Kevin will survive it.
At least Kevin gets to live on and play exy and be the best player.
When they talk about it again after Baltimore in the cabin Kevin asks him outright "how do you do it?" He asks "why aren't you afraid?" But Neil admits he IS afraid but he thinks willfully giving up the best thing that has ever happened to him (i.e. exy, the foxes, Andrew) would be worse than death.
There's a popular quote by choreographer Martha Graham that goes like this
A dancer dies twice — once when they stop dancing, and this first death is the more painful
This sentiment is echoed by Neil in the kings men but also implied throughout the series. Giving up the things and the people he loves would be more painful than his actual death. That's why he drops his duffle and phone when he is taken as a signal to Andrew and Kevin. He needs them to know; he did not run, he did not give up, he did not leave them willingly. He accepted death to protect them but his last act before he let go of Neil Josten was to let them know in the only way he could that he would have held on forever if he were given the chance.
Neil's action throughout the books start to shift Kevin's mindset. Neil tells Kevin he stayed for him. Before Neil and Andrew's not nothing ever began, Neil stayed because he believed in Kevin and he wants so badly for Kevin to try. Because before Neil literally came back from the dead after Baltimore, the only thing he could hope was that after the dust settles Kevin would be on top. The first time Kevin gets any hint at that is in that locker room in Texas. I would love to read this scene from Kevin's perspective. As soon as he realizes how desperate Neil is, he stops fighting him. I think it might be the first time Kevin sees Neil as the scared kid he is and not just the partner that is willing to put himself in the line of fire for others.
I feel like that scene is always read as just Neil being kinda mean and calling Kevin a coward again but it's so complex and I wish it went on for longer. It's one of the few insights we get into Neil's crumbling psyche as his demise approaches and one of the few times he is fully honest with anyone before Baltimore and it's just so important to how his character is viewed for the remainder of the novel.
#aftg#all for the game#neil josten#kevin day#andrew is mentioned but not enough to tag his character#kevneil#kevin and neils relationship is so special to me#knowing you cant have something so praying another person gets it?#yeah thats a special kind of devotion#sorry this post is rambly#that scene is so fast but it makes me emotional regardless
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Can you, maybe possibly do more winx club/fairy! Reader with the chain drabs- 📍(idk if any anon has this emoji but I want it.. whatever they mean)
Yeah, you can have that emoji. Of the people who have asked to be certain anons, none of them have used that emoji. I haven't come in contact with these emoji anons that much, but from what I can gather, they're used to mark a recurring fan who prefers staying anonymous.
--
“I think I see your problem here.”
Now you were by no means an expert on teaching magic, but when Hyrule came to you asking for advice, how could you possibly say ‘no?’ In a way, you were the best person for him to ask. While all members of the Chain have come into contact with magic - and even used it themselves - it was through magic items or fairies (which you were a little horrified to learn they often caught in bottles). Hyrule was the only one to actually harness magic and cast spells.
The two of you were similar in many ways: both of you learned about your magical heritage much later in life than others like you, there was the fact that both of you could transform (even if, like all other fairies of his world, he was much smaller than you), and the fact that you both felt different from the people you grew up around due to your magic.
“You’re trying to force the magic out, but at the same time you’re stifling it.” You spoke as you came closer, letting Hyrule relax his hand. “That kind of polarising pressure doesn’t allow the magic to flow correctly, which could lead to your spell backfiring on you. Believe me, it’s not good for your ego.”
You laughed a little at a memory of some of your first spells going wrong. You have no idea how, but you somehow messed up a spell that would change the colour of your hair. It was literally the first - and easiest - spell they taught you at Alfea and you managed to turn your hair into a technicolour nightmare.
But it seemed like your impromptu magic lesson had to be put on hold.
"[Name], my grappling hook got stuck in a tree and I can't pull it loose." A whiny voice caught your attention. "Can you fly up and get it?"
You know, sometimes you wondered if it wasn't such a good idea to tell these boys about your powers.
"Can't Wild climb up there and get it for you?" You ask a little annoyed. "I'm a little busy right now."
"But I wanted to show Wild a cool trick with it. If I go asking for his help, it'll be embarrassing."
You couldn’t say ‘no’ to that pleading look. Wind’s expressive face had its funny moments, but his puppy dog eyes were like weaponized guilt. Shooting Hyrule a look that said “sorry,” you received a small “it’s fine” in return. You’ll continue your training later.
You let out a sigh, looking up at the tall tree Wind was pointing at, “alright. But if this happens again, you’re on your own.”
“Deal!”
In just a flash of light you had transformed into your fairy form, wings out and fluttering to lift you off the ground. Following the rope, you found the hook stuck high in the branches, not only caught by the tree, but also by the rope itself. The whole thing was a giant knot looping around itself, one that you found hard to see where it began and ended. “Geez, Wind, how did you even manage this?” You groaned as you began pulling the problem apart.
“I was practicing a trick, but it went south.” The boy shouted from below as both he and Hyrule watched you work.
“Yeah, I can tell.”
After what felt like half an hour, you finally managed to untie the thing. Letting out a sigh of relief, you grabbed the metal hook, looped the long rope over and around your shoulder and flew down onto the ground. “Here.” You handed the grappling hook over to a very enthusiastic looking Wind.
“Thanks!” Wind then immediately turned his head away, rushing off somewhere else. “Hey, Wild! I can show it to you now!”
“Kids, am I right?” You laughed to yourself.
“Yeah.” Hyrule chuckled. “I don’t know where he gets all that energy from.”
“Now, where was I-”
You hadn’t even had the chance to detransform before someone shouted your name again. This time it came from Four’s corner of camp, where he, Wars and Legend were busy at a makeshift forging station. “We need a stronger, more stable fire over here.”
“I was doing just fine.” Wars shot back at the small smith. “You asked for a stronger flame and I gave you one.”
“I said a “fire,” not a “blaze!” You nearly singed my eyebrows off!”
Guess Wars really wasn’t quite as good with his control with the Fire Rod as he thought. Whose brilliant idea was it to use a weapon meant for combat for forging, instead? But then again, who asks an Enchantix fairy, a fully fledged Guardian Fairy, to be a living furnace, as if that’s somehow better? Probably the same kind of person who asks that same fairy to get a rope unstuck from a tree.
And the smithing group had devolved into a petty argument while you weren’t paying attention. Maybe this could be your out, let you finally get back to Hyrule. But if you were a betting girl…
You turned your eyes to Time, Sky and Twilight who were sitting around a small fire, watching a kettle of water start to whistle. “Let me guess, you’ve got a request for me, too?”
The oldest thought for a moment before giving you a cheeky smile. “No, but I’m sure Wolfie would appreciate an eye-in-the-sky helping him during his patrol.”
Yeah, it was definitely a mistake to tell them about your powers.
--
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Broadly endorsed except I think we won't even have AGI (insanely contested term) on software tbh, not been that impressed by LLMs ability to maintain state. Feel like meaningful lifelong learning is essential to "intelligence."
That's reasonable, I think software is going to require a different approach than raw scaling -- at some point, you need to start incorporating feedback from actually running the code. In particular, I really think there are significant avenues for advancement by training in dependently typed languages. Before DeepSeek made the news with their general language model, they released a paper on learning proof generation in Lean. The benefit here is that since you have a dependently typed language, you can encode the desired behavior of the function in the type signature, and then any program that typechecks is formally guaranteed to be correct and bug-free. This means that 1. you never have to worry about hallucinations, because the code is double checked by a formal system, and 2. you get a reward function that's 100% accurate -- the model wrote a valid function if and only if it typechecks. This makes it really, really easy to both scale up RL and safely deploy it in practice. And looking at both the recent DeepSeek papers, it seems like this scales well and generalizes to other kinds of reasoning tasks that will likely include code generation in traditional languages.
Imo compliant grippers solve a lot of problems but they're obviously much harder to simulate. Also, RL just struggles with out of distribution stuff if you want any kind of reactivity. If you don't simulate it, you can't do it.
Yeah being unable to simulate them is a pain in the ass. My lab has switched to using a lot of suction grippers, but obviously those don't work for everything.
Broadly agree with Rodney Brooks scepticism here.
Rodney Brooks is a useful corrective to the frankly insane amount of hype in AI, but I think he's had a serious blind spot on underestimating the effects of scaling in the past. Ie, I think he was wrong about almost every point he brought up in his Better Lesson post. We did end up ditching all the architectures with hand-engineered translational invariance for bigger dumber models that scale better, and we did it barely a year after his post.
In this post, one particular example jumps out to me
Rodney. Dude. LLMs are also deep learning, this is at best a mild rebranding. We were nowhere near the limits of where we could get with just "more data + more layers + backprop". I know you know that Rodney, you can't possibly count these as a correct prediction. And no shame, I was completely wrong about this too, in 2018 I was expecting an AI winter within 5 years, but to count these as correct is just a wild level of contrarianism
We're gonna have AGI in 20 years. Maybe 10. I'm pilled. I think it's gonna be... well, I'm not an abject doomer but I think there might be some problems.
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𝐃𝐚𝐲 2: 𝐂𝐡𝐚𝐩𝐭𝐞𝐫 3
Post-overblot Azul
I got a sudden vision of an unseen scene that happened in the main story, and in this essay, I will entertain the question:
What happened after Azul's overblot?
This is mainly reliant on the fact that the overblot students have to recover after their overblot. Because it took a lot out of them, right? So they're stuck in the infirmary for a few days and can't go about their regular duties (If they didn't and I'm remembering wrong, idc they have to stay in the infirmary now bc I say so)
I imagine that after each overblot, the prefect has to bring homework and stuff to whoever just overblotted, like Riddle in Chapter 1, Leona in Chapter 2, etc. because they're the resident Errand Runner
Azul has a bigger workload since he's running Mostro Lounge too. Now, Jade and Floyd and the other Octavinelle students can take over, sure, but it's not like he can just put it aside while he's recovering in the infirmary. He gets restless and bothered that he's not there to look after his business. So the prefect has to bring both his schoolwork and those Mostro Lounge documents he looks over
And this is where I start talking about this in terms of the version in my head, aka the version with Taruchi
The first day after The Incident, Taruchi heads to the infirmary after class to give Azul all his stuff. She's already done this for the previous overblot students
"Hii... How are you doing? Are you doing okay?"
Azul looks up from the papers he's holding—the financial losses of the other day—and finds the prefect peeking from behind the curtains separating the beds
"Prefect? I wasn't expecting you here. I'm doing fine, thank you."
"Just dropping off your stuff. ...Are you working???"
She spots the papers scattered on his bed.
"Ah— Yes, I was calculating the amount of losses Mostro Lounge experienced yesterday."
Taruchi gets closer and looks at all the papers. "...Need any help?"
"I couldn't possibly ask you to do that. It's all right," he declines.
"No, you're not feeling well. You should rest. And I'm decent at math, I'm sure it won't be too hard."
"No, seriously, it's fine."
Taruchi frowns at his insistence to keep working despite needing to recover. "...Fine. Just... don't overwork yourself, okay? You haven't completely recovered yet."
"Sure. Thank you, prefect."
"No problem. I'll, uh, I'll go back to my dorm now. Hope you get well soon."
She comes back the next day on her second round of "errands."
"Helloo, I'm back." This time she has a small smile on her face as she greets him.
"Ah, hello, prefect." Azul naturally smiles in return.
"What are you doing today?" He's got papers around him again.
"It's for Mostro Lounge again." He rubs his temple as he looks at the papers. "I need to think of a way to make up for our losses."
"Ohh... How are you gonna do that?" she asks curiously, and half as a way to make it less awkward.
He ends up talking about Mostro Lounge for a while and his plans, so she just listens and asks questions. Her mind wanders a bit to the realization that he's very dedicated to and passionate about his business. She tries not to smile.
Then he stops for a bit and inquires of her, "I meant to ask, why are you here? For longer than yesterday, I mean. You dropped off my things already, so did you need my assistance with something?" Was he trying to fish for a deal right now? Even after his lesson about taking advantage of people's problems and luring them into contracts?
"Oh, n-no. I didn't need any help. I was just visiting." No chance to rope her into a deal.
"...I see."
"I'm sorry, do the visits disturb you? I know you should be recovering and resting up..." She's never felt this nervous about her post-overblot infirmary visits before. (Well... Maybe. Leona was pretty intimidating to bring homework to... He kept trying to get her to keep it.)
"Not at all. I don't mind." He gives his charming smile. In his mind, he's just trying to get her to like him and lower her guard so she doesn't hold these errands and visits against him or something. As if he was the one who forced her to do this. (It was Crowley. And partially Grim because he left her alone for the reason of wanting to go back to the dorm early to "do homework.")
"Oh, okay." She checks the time on her phone. "Ahh, I need to go back to my dorm now. Grim's waiting for me and I've actually got homework to do..."
A light bulb lights up in Azul's head. This would be his way of making it up to her. (Making what up to her? His reasoning is the trouble of helping during his overblot and sending over his schoolwork and Mostro Lounge work.)
"I could help you, if you'd like."
She smiles and tries to decline. She just wants to go to her dorm. "Oh, no, it's all right, I can do it by myself—"
"I insist. I offer my services all the time. See this as my way of repaying you for all the trouble I put you through."
Now she felt guilty and couldn't say no. "Really...?" she asks hesitantly. "Are you sure?"
"Absolutely."
"Okay, then..." She sits back down on his bed and takes out her homework.
After an hour or somewhere around that, she packs up. "Huh, I actually got a lot done today." She smiles. "Thank you so much, Azul."
And he smiles back. Only to be polite, of course. "It was no problem. Feel free to see me tomorrow as well."
"All right. Thank you." She keeps smiling and finishes packing up her things. "So I'll go now. See you tomorrow."
"See you tomorrow."
See you tomorrow... Azul found himself smiling at that one phrase, but stopped as soon as he realized it. Why was he smiling anyway?
Taglist: @solxima @angelwishess @scint1llat3 @distant-velleity @twtysevapr @cynthinesia @h0neybane @viperbunnies @linabirb @thehollowwriter @wafflethewitchboy @siphoklansan @jewelulu @skibidibabygirl @jadelover69 (ask me if you wanna be added/removed!)
Divider credits: @/cafekitsune and @/roseraris
#I worked hard on this. I thought about it and marinated it in my brain#I hope y'all enjoy actual concrete main story content from me 🫠#twisted wonderland#twst#twst fanfic#azul ashengrotto#twst azul#azul ashengrotto x yuu#azul ashengrotto x oc#azul x yuu#☆ taruchi's writings ✍️#Haven't used that tag in a while#azulchi#twst fanart#twst art
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great expectations! - 2, happy birthday!
prev. | current | next | series list | character intros
You've been a regular at Freddie's since it was legal for you to drink, and if you were being honest, a little before then, too.
The bar is nothing special and a little out of your way, but you've made some of your favorite memories there. It's where you and Kuroo finally wore down Tsukki enough so that he would sign the lease with everyone, where you celebrated every birthday and finished project to the fullest extent you deserved.
You'd been sitting at the bar, in the same spot you were currently rooted to, when you found out that you had been chosen as the next captain.
You don't think Kuroo is watching out for you from the booth like he claimed he would while you elbowed your way to the bar, but you don't blame him. He's got Tsukki trapped in a conversation the blond has no interest in, and you know that any distraction on Kuroo's part will mean Tsukki can make his escape.
It's far more packed than you had thought it would be, especially for a place like Freddie's. It's not a place that particularly draws crowds, but there's an exceeding amount of university students filtering in through the doors. You can't help but feel a bubble of immature annoyance that so many others are taking up space at your favorite place.
"I guess I have to do the gentlemanly thing and buy you a drink for your birthday, don't I, pretty?"
Like nails on a chalkboard, the voice of Tooru Oikawa cuts through tranquility of your night out. You're wedged against the counter in an attempt to try and get the overworked and understaffed bartender's attention, and Oikawa is only a few short inches away. He's not touching you, or blocking off your escape into the crowd, and those small details are the only reasons why your fight or flight instincts don't kick in.
You manually choose fight, face twisting into a glare that met his boyish smirk head on. When it was clear he was undeterred, you turned fully towards the bar and kept your shoulder between your body and his chest.
You were really determined to get your drink.
"Lucky that we ran into each other, don't you think?" He tries again, and in your effort to keep from looking at him, your attention snags on a group of girls circled around a high top table. You think you might have a lecture with one of them, but all you really focus on is the way their focus is on the man standing beside you.
"So you're the reason for the crowd, aren't you?" You roll your eyes without looking at him and lean forwards against the counter, hoping that it helps the bartender see you waiting oh so patiently.
"The only ones who knew I was coming here tonight were my friends," He reasons, but you can hear the smugness in his voice, so you don't really believe the way his hands raise slightly in innocence. "I can't help it if the people love me."
"You're insufferable, you know that?" You huff, finally giving up your valiant effort to ignore him for as long as humanly possibly. His grin is wide when you make eye contact, and you swear you see something like a flush high on his cheeks while you glare up at him.
"Iwa's told me that, but I think you two are just mean." He exaggerates a pout, then gestures casually to the bartender for two more of the bottle he has clutched in his hand.
You really do hate Oikawa, because in seconds he's gotten fresh drinks when you've been waiting for nearly ten minutes. Not to mention, the girls that are staring holes into the back of your head.
He tries to press one of the bottles into your hands, but you refuse, drawing the line at actually letting him buy you a drink. It doesn't matter that what he ordered sounds decent; it's principle.
Under no circumstances whatsoever can you let Tooru Oikawa buy you a drink. It's against all known laws of nature.
"Uh, no thanks." Your words might seem polite, but they're dripping with attitude you can't seem to find it in you to care about. You know if Kiyoko had overheard you, she would have called you out for being rude, but unfortunately, you're left alone with public enemy number one.
"C'mon, it's your birthday! Live a little." He's teasing, and if it had come from anyone else but him, you would've already conceded.
"Why don't you give it to one of your fan club members over there? I bet they'd simply die if you bought them a drink." You nod your head in the direction of the girls glaring at you, and to Oikawa's credit, he doesn't even glance their way. You'd be lying if you said it didn't surprise you, what with the reputation he has for being a womanizer.
"I want to buy you a drink. On your birthday." His voice is calm and steady, tone dipped a bit lower than his usual easy lilt. You wish he'd look away from you, but you don't think he's glanced anywhere else but you since the moment he approached, save for ordering the drinks. "I don't really care about anyone else who wants my attention."
You blame the absurdness of his statement on your next actions.
As if put under a spell—some horrid concoction of his overwhelming eye contact, the proximity of his large frame, the sound of his voice, and the drinks you'd already consumed—you pull the bottle from his hand and take a deep, long sip without looking away from him.
Your heart is racing. Why is your heart racing?
"Good fucking night, Oikawa," You murmur, abandoning your post at the bar before he could respond and using the influx of bodies in the space to your advantage. You dive into the crowd to avoid his response, the consequences of your actions, and the unfamiliar buzz humming down to your very fingertips.
You think you might know the cause, but's just too unbelievable. You cram it down internally, which is totally the healthy thing to do.
You take a detour back to the booth to drop the bottle in front of Tsukki before muttering some lame excuse you're not even sure you heard clearly and bolting towards the back of the bar. The line to the bathroom is mercifully short, and soon enough you're standing in front of the mirror and cursing the flush in your face.
You really hate Tooru Oikaw.a
extras!
yn is still plotting tsukki's demise after his "you sound like oikawa comment" but kuroo convinced her to put it on hold so they can all go out. kiyoko is still adamant that it was funny and yn can't stay mad at her
when yn got the notification that oikawa liked her story, she stared at it for like five minutes in shock at his audacity. not once did she consider responding
oikawa obsesses over everything yn posts, but never had been brave enough to message until then. he's too used to people pursuing him
at the bar, oikawa took almost a full hour to talk to yn even though he saw her within thirty seconds of arriving
Hinata and Bokuto always disappear together whenever they go out together. It's a problem. the only reason anyone knew where they went was because kiyoko caught them leaving
taglist: 2/50
@loveyislost @vi0let-writes
#oikawa tooru#oikawa x reader#oikawa tooru x reader#oikawa tooru x you#oikawa tooru smau#tooru oikawa#tooru oikawa x reader#tooru oikawa x you#tooru oikawa smau#oikawa haikyuu#haikyuu#haikyuu x reader#haikyuu x you#haikyuu smau
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So this is an odd question but I wondered if you could help me with a poll or just your opinion?
So, I'm American and I desperately need Rammstein posters for my walls and the only official Rammstein poster I have been able to get is the one from the Zick Zack Magazine. The paper is super thin and it wasn't printed correctly so it looks all wonky on my walls. Rammstein shop does sell posters but they don't ship to America and I haven't found any other official ways to get my hands on more posters.
Would it be acceptable to print my own? I feel bad ordering one of my favorite photo(s) and not supporting the band directly but I literally cannot find any other posters anywhere other than from weird scam sites. I've found some on TEMU but I can't buy from there with a clean conscious...
I'm not sure if you could help, but I had to ask a veteran in this fandom before I did anything. I also wondered if it would be acceptable to order a print of an Emigrate photo since they also don't have any posters to get a hold of?
This was long and rambling and I apologize lol I love plastering my favorite bands on my walls, I've grown up doing it and the bands on my wall now aren't accurately displaying my current interests well enough. I was just wondering if it was possible to get like, an opinion from the Tumblr Ramm fans and vets here before I do anything that's looked down on by other fans. (I also have very little Rammstein merch because shipping is $30+ and it's very expensive so I've only been able to get a hold of a shirt and a few official merch pieces they sell on Amazon so I already feel incredibly guilty that I can't support them the way I'd love to)
Thanks so much in advance!!! I love you and your account and you were the biggest piece in my original journey of becoming a Rammstein fan in 2023 and I'm forever grateful for everything you do for us!
❤️❤️❤️❤️❤️❤️
Hey 👋🏻
Short answer: Just do it. There’s nothing better than covering your room with exactly the images you want on your walls.
Slightly longer answer:
That was my daily life back in my youth, and honestly, it still is. My room used to be filled with self-printed posters of bands, anime, series, actors... If I like an image and can’t find an official poster of it, I just order a print myself. Honestly, I never really thought about whether that meant I was supporting the band too little or not, because at the end of the day… they’re just posters? It’s much nicer to hang up your absolute favorite images rather than feeling "forced" to buy posters you don’t really like. Personally, I wouldn’t overthink this topic at all, but maybe I just think too pragmatically... or selfishly?
Here’s a little example of some images hanging in my living room - these definitely weren’t available as posters, as they are absolute masterpieces by @iinchicore. Before printing them, I asked them for permission, and they were kind enough to even send me the original files in higher resolution. I’m incredibly grateful for that and now have four of my favorite images framed above my dining table. 🤍 (The fairy lights cause some reflection, but I hope it's still visible).
While we're at it: I don't think you have to feel guilty in any way. Buy merch second hand, print your posters, make merch yourself!! I love self made merch, since you save money, can create exactly the things you like and still can support the band outwardly. Here's my backpack with a Sehnsucht patch @gothtoast painted for me, and little picture keychain thingies @soffuiii inspired me to do, since she posted her's a while ago:
Or make little bracelets! A popular hobby in some parts of this fandom, and another, somewhat subtle way to express your love for the band. Here are three I wear daily: the RZK one made the lovely @m---e---l for me (inspired by his pink hoodie and red cap combo), the Wilder Wein one was done by the dear @wizzardclown and the Paulchard one was made by me.
You see, there are so many ways to create stuff, it doesn't end with posters. Just do what you like and what brings you joy 🤍 And thank you for your kind words! It's a very big honour for me that I might have helped someone a little on their journey to become a fan 🤍🥹
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Hello me from November. I don't entirely disagree with the ideas I expressed back then, but I do think I was neglecting the socially inflected process of consumption of art, where the viewer brings interpretations that may not be intended or considered by its creator, as a fairly integral part of the process. I still think art is basically about communication, but the noisiness of the channel in combination with a lot of feedback cycles is a feature, not a bug.
I would say that the significance of Impressionism to humans can't really be separated from its history - the context in which these works were made, what they were responding to, how audiences interacted with them. The context in which we make expressions is continuously evolving. A 'simple' utterance can have a lot of significance in context. For audiences in the 19th century, familiar with the conventions of academic painting, impressionism entered as a challenge to that paradigm, proving by example that another form of expression was possible in this medium. We can think of it like an utterance in a conversation - one whose participants come and go, listen in for a bit, and speak up when they're ready.
So, with the example of the calligrapher adjusting the line weight of characters - it may not require much sophisticated technique to adjust the line weight of characters. But the master in question apparently discovered that a certain technical move (fiddling the line weight) evoked a certain emotional effect. That is part of a feedback process - both the artist interacting with their medium and themselves, and then interacting with their audience.
If aliens came along and trained a neural network on human artworks, and then sent us the results of this process, assuming they paid attention to how we responded and didn't just spam up our networks, our response would also create a feedback loop. We might get bored of one type of the aliens' output and favour another, form personal relations to what it creates, etc. etc.. If the aliens have their own art, and we could perceive them, it could go both ways. It is similar to the process of two people from different cultures meeting each other and figuring out how to communicate. At first you start with just 'point at thing' and figure out basic vocabulary. You copy sounds made in the target language, gradually filling out their context so that they start to acqurie meaning.
The aliens may not really understand what emotional responses they are invoking, but in a way that's true of all art - as an artist I can't know exactly what people will think and feel when they encounter my creation, just try to infer it based on how they communicate back to me and extrapolation from my own experience. Perhaps as they got to know us better, the aliens would form a more sophisticated model of different things that humans respond to...
So I don't think it's ultimately corrosive for some categories of artwork to reproducible by surprisingly simple means. Any more than it is corrosive for it to be possible to photograph a painting really. Every form of meaning is contextual. And indeed, a lot of "expertise" in art is actually in finding effective ways to simplify and distil - the expression might seem simple but knowing which simple expression is appropriate to the situation and executing it cleanly is a trick.
As far as creating impressionism algorithmically - while diffusion models have been one way to generate novel 'this looks impressionist to me' art on the computer, there is a parallel strand that has been seeking to replicate 'painterly' visual styles through the more traditional type of computer art - that is, figuring out ways to generate that 'coarser brush work' and render it controllable by artists. The main purpose of this is to apply 'painterly' looks to computer animation and games, so computational efficiency is a major concern. Numerous techniques have evolved in this field, with slightly different nuances, slightly different characters of glitch, etc. etc. - in part because the problem is not perfectly posed, and we discover nuances as we try different approaches. Here's one that I find quite good:
youtube
Typically approaches start with a traditional rasterisation render, and then apply the painting as a post-processing effect, e.g. by layering up textured Bézier-curve arcs based on the contents pixel buffer. But if you do this, you need to figure out how to best handle the noise introduced by a moving camera and objects, to maintain some notion of 'coherence' frame to frame.
Another approach is to treat the brush strokes as 3D data in the scene, which artists can modify; this is the basis of a new tool recently added to Blender, developed through 'Project Gold':
youtube
Here there is a strong emphasis on artistic control; the strokes are generated algorithmically but the tools give humans an intuitive way to direct the strokes and adjust their properties. It is all about that feedback loop between the artist and their tools.
Another approach still involves painting onto an object-space normal map so objects catch light in a brushstroke-like way, and feeding that into a toon ramp.
youtube
All of these approaches have slightly different effects, dimensions that humans immersed in this field can become familiar with; then they can be chosen and applied in games and films etc., suiting whatever is being conveyed in that piece (from at least Ōkami onwards). Far from reducing painting to simplistic application of algorithm, we've opened up new avenues of expression, inspired by previous human expression, and our close study of the paintings that inspired these efforts in computer graphics leads us to appreciate the paintings' nuances in new ways. I think humans tend to inject complexity into everything we do; every effort to simplify tends to result in new complexity springing up, because we are terminally, delightfully restless creatures.
And also we still paint, because it's fun, because making paintings lets you relate to light and colour and shape differently - even if we don't attach so much prestige to creating new Impressionist-inspired paintings as we did when Impressionism first arrived on the scene. But fuck prestige tbh. Art is a game and a conversation.
Reasoning such, I am ultimately not too worried by AI fundamentally disrupting humans' respect for our own creations by revealing it to be a sham at heart - though of course its economic effects on the context in which artworks are made and distributed is another story.
Thinking about that that "slop accelerationism" post, and also Scott's AI art Turing test.
I also hope AI text- and image-generation will help shake us loose from cheap bad art. For example, the fact that you can now generate perfectly rendered anime girls at the click of button kindof suggests that there was never much content in those drawings. Though maybe we didn't really need AI for that insight? It feels very similar to that shift in fashion that rejected Bouguereau-style laboriously-rendered pretty girls in favor of more sketchy brush work.
But will we really be so lucky that only things that we already suspected was slop will prove valueless?
As usual with AI, Douglas Hofstadter already thought about this a long time ago, in an essay from 2001. Back in 1979 he had written
Will a computer program ever write beautiful music? Speculation: Yes, but not soon. Music is a language of emotions, and until programs have emotions as complex as ours, there is no way a program will write anything beautiful. There can be "forgeries"—shallow imitations of the syntax of earlier music—but despite what one might think at first, there is much more to musical expression than can be captured in syntactical rules. There will be no new kinds of beauty turned up for a long time by computer music-composing programs. Let me carry this thought a little further. To think—and I have heard this suggested—that we might soon be able to command a preprogrammed mass-produced mail-order twenty-dollar desk-model "music box" to bring forth from its sterile [sic!] circuitry pieces which Chopin or Bach might have written had they lived longer is a grotesque and shameful misestimation of the depth of the human spirit. A "program" which could produce music as they did would have to wander around the world on its own, fighting its way through the maze of life and feeling every moment of it. It would have to understand the joy and loneliness of a chilly night wind, the longing for a cherished hand, the inaccessibility of a distant town, the heartbreak and regeneration after a human death. It would have to have known resignation and world-weariness, grief and despair, determination and victory, piety and awe. In it would have had to commingle such opposites as hope and fear, anguish and jubilation, serenity and suspense. Part and parcel of it would have to be a sense of grace, humor, rhythm, a sense of the unexpected and of course an exquisite awareness of the magic of fresh creation. Therein, and therein only, lie the sources of meaning in music.
I think this is helpful in pinning down what we would have liked to be true. Because in 1995, somebody wrote a program that generates music by applying simple syntactic rules to combine patterns from existing pieces, and it sounded really good! (In fact, it passed a kind of AI turing test.) Oops!
The worry, then, is that we just found out that the computer has as complex emotions as us, and they aren't complex at all. It would be like adversarial examples for humans: the noise-like pattern added to the panda doesn't "represent" a gibbon, it's an artifact of the particular weights and topology of the image recognizer, and the resulting classification doesn't "mean" anything. Similarly, Arnulf Rainer wrote that when he reworked Wine-Crucifix, "the quality and truth of the picture only grew as it became darker and darker"—doesn't this sound a bit like gradient descent? Did he stumble on a pattern that triggers our "truth" detector, even though the pattern is merely a shallow stimulus made of copies of religious iconography that we imprinted on as kids?
One attempt to recover is to say Chopin really did write music based on the experience of fighting through the maze of life, and it's just that philistine consumers can't tell the difference between the real and the counterfeit. But this is not very helpful, it means that we were fooling ourselves, and the meaning that we imagined never existed.
More promising, maybe the program is a "plagiarism machine", which just copies the hard-won grief, despair, world-weariness &c that Chopin recorded? On it's own it's not impressive that a program can output an image indistinguishable from Gauguin's, I can write such a program in a single line:
print("https://commons.wikimedia.org/wiki/File:Gauguin,Paul-Still_Life_with_Profile_of_Laval-_Google_Art_Project.jpg")
I think this is the conclusion that Hofstadter leans towards: the value of Chopin and the other composers was to discover the "template" that can then be instantiated to make many beautiful music pieces. Kind of ironically, this seems to push us back to some very turn-of-the-20th-century notion of avant-garde art. Each particular painting that (say) Monet executed is of low value, and the actual valuable thing is the novel art style...
That view isn't falsified yet, but it feels precarious. You could have said that AlphaGo was merely a plagiarism machine that selected good moves from historical human games, except then AlphaGo Zero proved that the humans were superfluous after all. Surely a couple of years from now somebody might train an image model on a set of photographs and movies excluding paintings, and it might reinvent impressionism from first principles, and then where will we be? Better start prepare a fallback-philosophy now.
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Hi, 🌹🌹🌹 for sentences from your random drafts, please.
This is from chapter 5 of The Bad News & The Good, written today, really just a first version, largely unedited. It's part of a phone call between Ice and Bradley and Ice has just told Bradley that he has cancer.
“Bradley?”
“Sorry, I-”
“It's okay.”
Another sniff. “Thanks for telling me.”
“Of course. You deserve to know.” He's weighing his next words for a moment. “You're still as good as a son to me. I had to tell you.”
And that is true. He and Sarah had even signed papers making them his legal guardians in case anything had happened to Mav. It had never come to use but that Mav had asked them to do it had meant a lot to him. The trust he had always put into him still astounds him today.
“I'm sorry, Ice… I… I should've… I shouldn't have…” he's sobbing
Ice swallows, closes his eyes - and sees the fourteen-year-old boy who's lost his mom not even half a year ago and is forced to live with his godfather’s best friend's family. A man he's only seen a couple of times in his life and a woman who's a stranger to him, plus a first grader and a baby. Not exactly the company you'd want for a teenager but so much better than any feasible alternative.
He sees the boy who lost his father because of him, because of this one damned hop. That alone had been enough to immediately say yes without even consulting Sarah when Mav had asked him for the first time if Bradley could stay with them until Mav came back from his deployment.
He sees the boy who wakes up screaming and shivering and crying at night from being haunted by pictures of the past, from seeing his mom become sick and die over and over again. In ways even more contorted than reality and one nightmare worse than the other.
And he sees himself, his younger self, again and again sitting on the edge of Bradley’s bed, a cup of tea in one hand and his other resting on Bradley’s back, resting on his sticky because sweat-through pajama top, trying to soothe him. Telling him that he's safe. Telling him that it wasn't his fault that his mom died, that he never possibly could've read the signs. Because nobody could have seen it coming. And he apologizes that he has to stay here now, that Mav can't be here, that he has to deal with living with this family now.
He sees Bradley apologizing for just being there, for intruding into his family.
He sees himself sitting against the headboard of Bradley's bed with the boy curled into his side, finally finding back to sleep.
He sees himself fighting with Sarah because of that. Because he helped the boy find sleep while his own kids were already fast asleep. He never understood her problem with that.
He sees Bradley babysitting Chris and Amber, sees them becoming friends despite the gigantic age gap.
He sees Bradley visiting him in his study one Friday afternoon after school, reluctantly asking if a couple of friends could come over, just in general, because they kept asking why they never met up at his place.
He sees Bradley winning his first little league game and he sees him crying his eyes out because his first crush told him that he’s disgusting because he's into girls and boys.
He sees himself cheering over that win and he sees himself comforting Bradley and telling him that there's absolutely nothing wrong with him and that he'll find somebody much, much better.
He sees Bradley telling him that he's thinking about joining the Navy and he sees Mav telling him that Bradley has left.
#thanks for the ask!#wip#fanfic wip#top gun fic#top gun fanfic#tom iceman kazansky#bradley rooster bradshaw#top gun#tw cancer#icemav#tg fanfic#fanfiction#writing update#fanfic writing#work in progress#tom kazansky#rooster#icepops#iceman#iceman fanfiction#rooster fanfiction#bradley bradshaw
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PERCIEVENCE AND EXPECTATIONS
your expectations are directly linked to your manifestations and them becoming a reality. and how you percieve things around you is a reflection of what your expectations are. just like how they say every misunderstanding is a confession of your view on something, your reaction to the 3d and your percievence of it is a confession of what you actually believe in. because if you believe what you want will show up, you won't be getting angry about “not seeing it” because you know that it will show up.
what you focus on, you see more of it. if today I start focusing on seeing red cars around me, i'm gonna start seeing red cars around me, and then i'll have a thought like “woah, didn't know there were so many red cars”, because there weren't until I decided to start seeing them. so instead of focusing on how your desire “isn't showing up”, focus on the knowing of “it will show up, sooner or later”.
I often have this thought of “yeah I guess it's somewhat true that our mind controls the reality we see. but there are so many instances where stuff happened and I didn't even think of it, or what I thought of didn't happen. so did the law not work then?”, and then i'm annoyed because I seriously can't be pissing myself off right now 😭 like be fr, which side are you on?
but on a serious note, I realized why that would be the case, and it has everything to do with your self concept and your percievence of things around you. because yeah, I did want something to happen and the the opposite of it did. why? because I was so deep in this mindset of “everything was happening for the worst” and “I don't deserve good things” blah blah blah. so obviously (🙄), that's exactly what happened. what I believed in was what showed up.
I just today read one of Neville's books online and as I was getting ready to take a nap, I was dissecting everything I read and this thought appeared.
“see what you want to see, to see what you want to see.”
— zshiftsrealities, 2025 (lol)
you have to see it in imagination to see it in reality. and if you continue seeing the opposite of it, then don't be upset if that shows up because — as much as it sucks to hear it — that's your own doing. because what you expect is what will be. you will never see something show up for you unless you expect it to do so first, whether consciously or subconsciously. and the irony of it all is, you don't even have to be too specific with this expectation. you can just today start expecting only good things happening to you, and whatever you consider as “good” will start happening. same with the bad, and same with the “unimaginable”.
everything that happens to you, happens for your own good, never against you— unless you think it does. and then it will. because nothing has any meaning attached to it other than the meaning you give it. you choose to perceive something the way you percieve it, so percieve it in a way you want it to appear and show up for you.
it's not a matter of it being possible or not, nor of whether it can be manifested or not— it's the matter of if you think you deserve it or not. because if you think you don't deserve something, you simply cannot have it. similarly, if you think you deserve it, then it doesn't matter how impossible it seems— you will have it.
so just be “crazy” and believe everything is working in your favor 24/7, because it is. believe that what you see as a bad circumstance is actually just all in your head, and is actually somehow in your very favor, because it is. believe that nothing can ever work against you, because it simply can't. the point of existence of everything is to be working in your favor, and if it was to not do that, then it simply wouldn't exist anymore.
your enemy isn't your thoughts or your mind, it's that little voice in your head that disguises itself as you and fills your mind with bullshit thoughts. and it's only there because you think it's you. it's not! anything that is affirming something that's against what you want is not you. because you know, you wouldn't do something like that. so identify this little monster and pick it apart until nothing's left of it. until it doesn't have a voice anymore, or any place in your mind.
also, read these two points, and had a huge “eureka!” moment.
“you do not command things to appear by your words or loud affirmations. such vain repetition is more often than not confirmation of the opposite.”
— Neville Goddard, At Your Command
because I get the point, repeat affirmations to make your mind believe them. works wonders, I know. but some minds are just so awfully stubborn that the more you affirm, the more they clap back and try to shut you out instead.
the more you focus on your “desire” by repeated affirming, or by affirming every single detail about it, the more it starts to create doubts about it actually coming to pass.
“commands, to be effective, must be short and to the point.”
— Neville Goddard, At Your Command
so, make it short, just like I said before— just expect good to happen. be specific and be general about it at the same time. that's it. how hard is it? try saying it to yourself, “from now on, only good will happen to me”. do you hear your mind going “nuh uh”? no, because why would it? (if you do, your mind needs some serious beating, i'm not even kidding).
but the point is, when you start expecting something, you start thinking of it actually appearing, and the feeling of it already being here naturally comes with it. like, say you post something (on any platform), and now you're expecting for other people to see it and like it. your mind would “naturally” be visualizing this happening without you even wanting it to (or atleast is the case with me). try it even. it's actually that easy. that's what they mean when they say it's easy. because it's easy. don't try to reason with this and make it difficult. accept it is easy and move on and actually get what you want.
#back with the rants#missed me? 😗#shit I do instead of sleeping 😔#manifestation blog#manifesting#manifestation#manifest#manifesting blog#loassblog#loassumption#loa tumblr#loablr#loa blog#reality shifting#shiftblr#shifting realities#shifting#shifting blog#shifting reality#shifting community#shifter#shifters#void state#void#lucid dream#lucid dreaming#law of assumption
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After the 6th love interest is released...(Various LaDs ramblings)
Will the plot advance forward? I mean, I know it's doing that already little by little, but it feels more like introductions for the LIs while more questions arise. I doubt this game will ever have an actual ending, but will we get endings to various arcs, at least? Big finale events with boss fights along the lines of Ever president transforming into a monster, or fighting Astra himself if he isn't a love interest. Actually, no, let him be a love interest, AND we fight him.
In fact, I want to fight against the current love interests, too!
-Sylus dragon urges coming back up again, and he can't help himself from becoming a danger. So MC teams up with Xavier to fight him. This is a purposeful suicide mission by Sylus, and he wants MC to do a repeat of killing him again. But after MC and Xavier beat him, she instead uses her resonance evol or some McGuffin to fix him instead.
-Raf's God mode goes haywire and similar situation as a above except we team up with 6th LI (since he may be related to Raf in some way, as the current theories go) to fight and save him.
-Xavier going a little crazy from all this time jumping and his people coming to MC to stop him before he breaks something. Sylus teams up with MC to fight him.
-Zayne's condition turns him into actual Elsa in the way of accidentally freezing everything to the point it spreads all over Linkon. So MC teams up with Caleb to fight him. Maybe Dawnbreaker takes over Zayne or something idk
-Caleb...I honestly got no idea here until we see his next myth. Hoping he's either a fallen angel or snake but really I'm cool with anything monster-boy related. But yeah, we team up with Zayne to kick his ass too!
And after we've saved all the guys, then it comes down to a big team up all out war against the biggest enemy (maybe Astra)!
-Some other musings-
MC death and power: We know she has died in her past lives, but in this one, she's died over and over again as a child with her memories erased but becoming more powerful each time. This HAS to come up again as an adult, right? I can see this happening at the end of an Arc where she has to sacrifice herself to save everyone or sacrifice herself to prevent everything being destroyed by her power but comes back to life again with mo memories. Perhaps then, the memories we collected (the cards we got, the photos we take, the text messages and plushies we gathered) plays into the story as helping her remember these men.
Everyone is Astra: This is just an idea more than a theory of any kind but I was thinking about the possibility of all the LI's being pieces of Astra. (You ever see the movie 9? Something like that) Like, Astra being a God that fell for MC's soul but saw this love as a weakness so he tore out pieces of himself that loved her over and over again until there was none left. Those pieces of himself took shape as the LI's who DO get to interact with her and being part of a God they're all OP in their own ways with Raf likely being the biggest chunk since he's a god in his own right. Astra, now void of love can function "properly" as a god but MC and her bullshit still stands in his way somehow.
I just got this scene bouncing around in my head of all the LI's rejoining Astra and we get to see an amalgamation of them as one man for a short time before they all are split back up again.
I just want big, mind blowing action packed drama and the satisfaction of going " OOOHHH so THAT'S why X Y Z is happening! "
#love and deepspace#love and deepspace sylus#lads#lads sylus#lads xavier#lads rafayel#lads zayne#lads caleb#yes I am battle hungry#Let me fight them#1v1 in the pit#we can kiss and makeup later#ramblings
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