#and i can focus on drama for my own stories/comics

[sweet-rabbit]

crack continuation of the tv drama AU

trowa is absolutely the type to refuse to call you and instead send you brick texts

[gffa]

Over the last week, I decided to go ahead with bookmarking all the fics I've recommended over the years on AO3 since I abide by tumblr poll results always (and man pour one out for all the fic that never made it to AO3 or has since been deleted, sooooo many gems lost to time!) and it was a bit more than the ~3,000 I was expecting:

Hopefully, this will be easier than browsing the hundreds of recs posts I've made, since you can filter for any of the author's tags now! These are mostly focused on Star Wars and DC fandom, but I did my time in the anime mines and occasional tours through some TV fandoms or movies. You can dig into everything unfiltered and start your own filtering, or the bigger fandoms you'll find:

MAJOR FANDOMS: Each of these should have 100+ at minimum and, in the case of Star Wars, literally almost half of them are in that fandom. Look, Star Wars fandom might be a trash fire in a lot of ways, but it is ON FIRE with some good fic. (Older bookmarks not guaranteed to match my current sentiments, especially re: the Jedi, but they did catch my fancy at that point in time!)

STAR WARS: - All Star Wars -OR- All Star Wars minus the Obi-Wan/Anakin ship - OR- Nothing BUT Obi-Wan/Anakin

BATMAN/DC: - DC can sometimes be tricky, but you can do a Batman* search and get most of them (though, sometimes Nightwing* or Young Justice* or Superman* will catch some of the others). Honestly, though, you might want to just do a search for what character or dynamic you like and have fun from there, because otherwise you're getting a face full of my Dick Grayson Is The Center Of The Universe And I'm Making That Everyone Else's Problem agenda. ;)

MARVEL/MCU: - Marvel* will probably get most of the various properties, though you may want to filter for Defenders* or Guardians of the Galaxy* if you're interested -OR- Marvel* without the Thor/Loki - These focus a lot on the Thor* fandom if you want to witness the results of like 8 years of constant voracious reading in that fandom (Minus the ship), because, seriously, I read a LOT of Odinson family fic. - Bonus, just do a search for Maximoff* to find some really good X-Men: First Class-verse because, listen, I have been ALL ABOUT the Maximoff twins since long before the movies or MCU brought them over and I will DIE ON THE HILL of "Marvel, make Magneto their bio-dad again or I'm never reading another comic of yours ever".

TOLKIEN/LORD OF THE RINGS/SILMARILLION/HOBBIT: - Tolkien* -OR- Hobbit* -OR- Lord of the Rings* searches will turn up most of my Elf-hunting, I primarily focus on the Sindar Elves, but look I can't resist my problematic Feanorian faves or that I will die on the hill that Fingolfin is the best ever. (You have NO IDEA how sad I am that so much fic on Stories of Arda or FFNET is not easily bookmarked on AO3, sob. I externally bookmarked a few of the bigger ones, but sooo many shorter faves are missing from my recs tag.)

CLAMP: - X/Tokyo Babylon legitimately bums me out because it's not a huge fandom and yet so much of what was written was pre-AO3 and lost when CLAMPesque went down or was never brought over from Livejournal, yet this fandom (well, the Seishirou/Subaru pairing) still burns brightly in my heart.

MINOR FANDOMS: Ones that probably only have under 100 bookmarks (often around the 20-30 bookmarks range), but will at least give you a place to start! ANIME/MANGA: Bleach | Cardcaptor Sakura | Dragonball | Finder no Hyouteki/Viewfinder | Katekyou Hitman Reborn! | Kuroko no Basuke | One Piece | Sailor Moon | Madoka Magica | Naruto | Princess Tutu | Trigun | Weiss Kreuz | Yuri!!! on Ice

BOOKS: Chrestomanci | Omniscient Reader's Viewpoint

DRAMAS: Nirvana in Fire | The Untamed -OR- Modao Zu Shi

TV SHOWS/MOVIES: Community | Game of Thrones -OR- ASOIAF | Good Omens | Hannibal | Highlander | The Old Guard | Our Flag Means Death | Stranger Things

VIDEO GAMES: Dragon Age: Inquisition | Final Fantasy 8 | Genshin Impact | Okami

BANDS: Arashi

All right, whew, that was actually a fun project, despite how much work it was to hunt down a lot of older faves to see if they were on AO3, hopefully you'll find this useful!

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[starflungwaddledee]

🌟 hello! 🌟 art tag || comics tag || sona tag

i'm starflung, and i'm still fairly new here! i'm a kirby artist who specialises in comics, storytelling, and worldbuilding

my work is sometimes story and drama heavy, as i have a strong focus on seeing characters pull through adversity, and can be more or less angsty. i use the tag "cw angst" among others to filter that out! i have a bit of bias toward the dream land four, as well as magolor, the knights, and marx; but i'd love to learn more about all the others too! i also really enjoy developing in-depth sci-fi worlds and environments, languages and cultures, and biological or magical headcanons, which i'm of course applying to kirby stuff here! my ask box is open; please send me questions or theories about my AUs or worldbuilding or languages or headcanons or sona; they make me so happy and i often try to do art or comic answers!

(please however do not try to text-rp with me. i cannot do this, sorry!)

lastly i also love engaging with other people's works; leaving comments and seeing their own headcanons and such! i reblog 2-3 pieces by other folks a day, usually from the queue!

here are some tags and links!

work type: my art tag (all content) || my comics tag || worldbuilding + headcanons || starspeak (my celestial conlang) || my personal tag

content: (note; proper intro posts for my aus are in progress!) awtdy au || clockwork heart au || chrysalis au morpho dee || starstruck dee (my sona) thanks for stopping by!

[barrenclan]

I think overarching plot is relatively easy to come up with, but how do you come up with smaller more filler-like events for your stories, like the plum-bee spats and corm training with egret? I’m having some trouble filling in the flesh of my own story, and was wondering if you had any insight.

Oh boy, real softball questions! Haha, but I can try to give you an answer for these.

I think the best way I can explain the first question is how I wrote PATFW, since it was much more heavily structured than my other comic (and more recent).

So, I started with the premise, the characters, and the general arcs I wanted each of them to go through. The premise helped me to establish the guidelines of this world, what kind of tone I would have for the story - moody and mysterious, so I knew that comedy would not be as frequent and characters might often take a turn towards more realistic drama.

The arcs of each character came with understanding what I wanted to do with them - do I want this person to get better, or get worse? Will they be a force of antagonism, or a side character, will they live or die? What point am I trying to get across with this character? Those kind of questions helped me know how they would interact with each other as well, so for instance a character like Daffodilpaw being friendly and cheerful, with her arc, would interact a specific way with dramatic and egotistical Beeface, for her arc. (Sorry I can't be more specific, but the comic's not done yet.)

Once you have a strong understanding these things - tone and characters - it's not too hard to let the story percolate in your mind. There's nothing wrong with just letting ideas float around in the back of your brain, instead of trying to force them all out right away. I actually wrote the ending of PATFW a couple months after I had started the comic, because the characters naturally led me to that conclusion. Here's an example of what I'm talking about with tone and characters leading to a small interaction that I hadn't previously planned like you asked about:

I have Rainhaze, and Ranger. Rainhaze is kind and brave, but currently very lost. Ranger is sadistic and enjoys feeling in control. So, I need a plot reason for Ranger to have not found BarrenClan. Well, Rainhaze being self-sacrificial, told him that BarrenClan all died and he's the last survivor. When Ranger finds out, it makes him feel tricked - he doesn't like that, so he threatens to kill Rainhaze. Rainhaze is self-sacrificial, as previously mentioned, and is now showing some suicidal tendencies, so he doesn't care if Ranger kills him. But Ranger then refuses to do so, having regained control, and twists the knife by letting him live while feeling suicidal. That's a pretty grim scene, which fits with the tone of the story well.

There you go - that's an interaction I hadn't plotted out the story with, but I was able to come to naturally by understanding the characters, the way their arcs are moving, and the tone of the story.

For this question, it's a little more tricky. The sad, honest answer is that there is no reliable way to do this. That's kind of how the Internet works. Unless you pay money to advertise, I suppose, you can't push a button that says "popularity points" and have it spit out readers. And sadly, sometimes movement only comes after you grind away, day after day, and don't give up. Here's a few things that might help, though.

Use multiple platforms. It's simple, but the more places you post, the more eyes you'll catch. Different websites/apps have different readerbases, too - Webtoons, ComicFury, Instagram, DeviantArt, Tumblr, Hiveworks, and others all have varying levels of attention and algorithims, and work that you have to do to keep up with an audience. Find whatever feels right for you and focus on one or two, but keep the others in your periphery.

Be consistent. People are more likely to actually keep up with a comic that updates every single week, rather than that posts a page or two and then ghosts for a month. Cough, cough, maybe you'll say - but I always set out with this comic to be a side project, and posting asks like this helps me continue to engage with an audience even when I'm not completing issues.

DON'T CARE! I know that seems like counterproductive advice, but seriously; you have to be okay with the fact that you might not get any attention. If you make a comic with the set goal of being popular, or even just worry about having readers, you're going to make yourself miserable. Obviously having attention is more fun, and more motivating, I won't deny that. But you need to be just as happy making a comic for 3 people than 3000 to make something you're proud of and not burn out in the process. If you're making something earnest, fun, interesting, passionate - people will come eventually.

[xmascritter]

Episode 7 of AAA is very cathardic on its own, good episode of television, 10/10, only reason its below episode 4 on my list is just because Alice is my favorite and I'm still bitter about episode 5.

When you think about the rest of marvel though, it becomes very funny and ironic.

Because in the comics basically no one stays dead except for the original captain marvel, and theres a whole myriad of reasons that can happen in story. On a meta level though, it's so they can keep some sort of status quo. And in the mcu, they were a little better about dead characters staying dead, but that was kinda thrown out the window with endgame and the intro to the multiverse and timeline fuckery. Because now they can kill a character, but bring in an alternate version of them who did none of the character development, so you can take them in a completely different direction. And they've done so multiple times. Even RD jr can come back even though they tried to make iron man's death very impactful. And with them seemingly moving to focus more on mutants eventually now that disney knows it'll make them money and not fox, I would not be surprised if they tried to eventually get to the krakoa era and the weird revival pools where charles gets to be at his most overdramatic.

Look at that pose, he's such a drama queen.

But yeah, death comes for us all. But for the superheroes of marvel it's a small setback. So this very good show and this very good episode ironically get their impact lessened by the very media franchise they're a part of and would not exist without.

[ponett]

Hello, wanted to say thank you, I'm really glad I found your work and I find your insights very helpful.

I wanted to ask something strange, as someone who has gone out of their way to dedicate a very detailed blog to the works of an outspoken artist, can you give me advice how to maintain healthy distance with ideas and individuals I might outright oppose, but have morbid sense of curiosity about them? Or it it just better to not indulge at all?

It's a difficult balance to achieve, and I won't pretend I've always been perfect about it on TKP

The thing is that you have to not obsess over the person too much. You have to focus on their work, not detailing every single thing they've ever done or said to keep receipts on them. You do not, under any circumstances, want to turn into the freaks who make and watch hundred hour long "documentaries" on CWC and Sonichu, or the people who run the Bad Webcomics Wiki

The point is to do media criticism, not to make a callout blog. Details the artist has shared about their life may sometimes help inform your reading of the work - art isn't made in a vacuum, and artists' life experiences and worldviews often shape their art. But you don't need to pry too much and piece together their full life story and psychoanalyze them if that information isn't already available in an autobiography or whatever

On TKP, one of the most important things I do to try and keep that distance is simple: I don't follow Penders on Twitter. I don't need to know every single thing he says, nor do I need to report on it. I'll check in when I hear he's made some kind of announcement regarding his work, and when looking for behind the scenes info I'll sometimes term search on his Twitter because he's far more vocal about what happened behind the scenes than the rest of that creative team, but that's it. I'm not thinking about him every day. I also haven't gone in-depth on his non-Sonic work to help drive home the idea that TKP is a blog about the American Sonic comics with a quippy url, not a blog about shitting on Penders

(On that note: I don't interact with him directly, either. I do not need to dunk on him in his Twitter replies. I do not need to lure him into an interview where I totally own him. I am not sending him my criticism like he owes it to me to read it and improve his work. I leave the guy alone)

As the blog has gone on I've also tried much harder to be objective about him and his work. I'll admit that early on, before the blog blew up, I was eager to see what all the drama was about and why everybody hated the guy. But my goal isn't just to find excuses to hate on him, or to spread baseless gossip, and that shouldn't be the mindset you go in with. I've offered praise for some of his work where I thought it was deserved, and I frequently correct people on misunderstandings about him and the lawsuits, even defending him on certain points

This is an extremely basic and hopefully obvious element of good media criticism, but it should also be said that just because an artist depicts something doesn't necessarily mean they endorse it, and that your goal isn't to piece together the artist's beliefs based on their work and then call them out over it. It can go the other way around - you can analyze how an artist's stated beliefs and values are reflected in their work - but, like, Penders writing a story where Knuckles decides to forgive his shitty fascist uncle for no reason does not mean that Penders is a Nazi apologist. It's just a story.

Again: your main goal should be to criticize the work, not the artist

And, of course, a huge factor is simply how famous the creator in question is (and also if the creator is still alive). You wanna do a deep dive on the works of Steve Ditko and criticize his Randian objectivism? Go nuts, buddy! You wanna shit all over Lovecraft? Have at it! Wanna tear apart the neoliberal politics of Harry Potter? Well, okay, Shrieking Shack already did that one. But if the person you're thinking of doing a sprawling, in-depth teardown on is, like, a smalltime webcomic author? Some hobbyist indie dev? A fanfic writer? That sort of thing? Hell, even someone in the middle like a cartoon storyboarder, or a freelance writer who does articles for Kotaku sometimes? Maybe reconsider. Just because someone's online doesn't mean they're a Public Figure, and there's a line where a deep critical dive on someone's work quickly turns into painting a target on their back

(This ended up being more about Criticism than how to just engage with stuff you hate, but also you can just, like. Look away. And find something else spend your time thinking about.)

[maniacwatchestheworld]

Several small BatFam notes

@moss-covered-thoughts (I'm answering questions and providing information for DPxDC fans.)

lol don't worry about it! Nothing about you talking about your fic will make me feel left out! I'm just happy to help you out with your work! If anything will make me feel left out, it's the lack of rogues content and people within this fanspace underutilizing Vlad and not having much of that juicy, juicy polycule content (specifically Vlad/Jack/Maddie) that I keep coming back to Danny Phantom for. :p Speaking of, I want to be as transparent as I can with the information I'm giving out, because just like all comics fans, I'm not an expert on everything and I am very much in my own specific niche and haven't read everything out there! I'm actually not much of a Batfam fan and am much MUCH more of a rogues fan! (Specifically my hyperfixation is focused around Harvey Dent and Two-Face.) So while I do have some information about the members of the batfamily, my knowledge isn't nearly as comprehensive as someone who's deep dived into that part of the DC universe! I'll give you the information I can, and hopefully someone with more cohesive Batfam knowledge can reblog this post with extra notes to fill in the holes I have in my knowledge. >.<

Adoption Order

So I can't tell you the specific specifics of adoption specifically, but I believe that the order of each member joining the Bat Family would probably be along the lines of: Dick Grayson -> Barbara Gordon -> Jason Todd -> Tim Drake -> Cassandra Cain -> Stephanie Brown -> Damian Wayne -> Duke Thomas.

Batgirl and Duke recs

Again, I haven't read much Bat Family stuff because my primary focus is on the rogues. But I do have a handful of recs! If you're willing to watch a long-ass video instead of reading, I would actually highly recommend Linkara's retrospective on Cassandra Cain and here's the link to said video! It's very good and goes into just about every major comic appearance she was in at the time of the video first coming out (in 2019)! You will get a very good image of her character from that, I like Linkara's analysis, and by watching that video, you will definitely be able to come away from it with a number of recommendations for both Cassandra Cain and Stephanie Brown! (He does talk about Steph some in this video, but it's limited.)

Speaking of Stephnie I'm sorry to say that I don't really have any recommendations for Steph as I sadly have just not really happened to come across any works that have her in them in my poking around in different comics and related media. But honestly, while I can't give you any recs for Steph, maybe you should toss Linkara (@atopfourthwall) a message! He's actually a decently active Tumblr user and given that he wants to do a different retrospective on Stephanie Brown, certainly he would have things to recommend!

As for other Cass reccomendations... The only thing I have in my back pocket is Spirit World. It's not about her, it's a solo series about the brand spanking new character, Xanthe Zhou, but Cass IS a main character in it, and people seem genuinely happy with what they did with her in that story!

If you're looking for good Barbra Gordon content... Well... Personally I would recommend giving her episodes in Batman: the Animated series or the issues that include her in The Batman Adventures a look-see...? It's always a solid time with her around in B:TAS, or in the Batman Adventures! They characterize her very well in those serieses!

If you want both a Cass and a Barbra suggestion... Maybe check out No Man's Land...? Asking you to read all of the comics that were part of that saga might be a little much, but there is a novel adaptation of the No Man's Land storyline out there, and personally I listened to the reading of that novel as done by Graphic Audio and it is genuinely excellent! Like, the marketing may be tacky, but it is on the level of quality as something like an audio drama podcast or a Big Finish Audio. It just happens to be a book reading. :p But No Man's Land IS where Cass was first introduced, (also where Harley Quinn joined the comics universe fun fact!) and it has plenty of good moments from Barbara in it too!

As for Duke... Honestly, if you aren't already reading the Wayne Family Adventures, then you really ought to. >.< That series is available for free on webtoon and the first several strips have him as the main character before it becomes more of an ensemble cast thing. (And in case you were wondering it IS official DC media!) >.< I also haven't read much of Duke's stuff, and so in terms of his backlog, I really don't know what to recommend. The one story that I did happen to read that heavily featured Duke... Was "My Own Worst Enemy" (it's like volume 1 of All-Star Batman) which was... Fine...??? Like, as a Two-Face and Harvey Dent story, it was pretty bad and ablest in how it portrayed Harvey's DID. (But this isn't necessarily unusual for books that include him... SIIIIIGH!) But it was also incredibly stupid and fun, and had a lot of good forwards momentum and offered a number of interesting ideas that I don't entirely hate! So overall I find it... Fine... But as a Duke story... Honestly it's not bad as far as a Duke story can go! And the back-up story for that little arc (the Cursed Wheel) was pretty alright too! I do feel like after I read My Own Worst Enemy that I did understand Duke just a little better as a character! So while it's not good... You might find it to be decent in what you're looking for...? Because I really cannot speak on any other stories he's been in. >.<

So uh... Sorry about my whole limited perspective thing... But I do hope that you find some of this useful at least! I wish you the best of luck in your writing endeavors!

[the-sinful-voice-witch]

The beauty🌹 of Shadamy

Isn't it just wonderful how my dear Amy Rose gets paired romantically with every Sonic Rival in the fandom? Even Blaze! And fortunately not much with Jet 😂😂 My favorite one obviously is Shadamy, followed by Surgamy and finally with Metal Sonic but seriously, to me nothing beats THE Shadamy❤🖤🩷.

So the BEST thing about this ship to me is that it was born out of a single interaction 😆 and I don't mean the moment she colorblinded mistook him for Sonic and hugged him nooooope I mean the moment she reminded him about Maria Robotnik's 🥺 true wish by giving him a similar speech of hope and second chances and after that he said: I have to fufill my promise for Maria... And you... Me after seeing that👇👇

(Funny this gif, casually she was also fangirling about a... SHAMY 🤣🤣 only the ones who know the show will get it)

Seriously, is fascinating how popular this ship became of that single interaction that led fans to write a HUGE amount of fanfiction of them and is always so romantic or so passionate or so angsty God I never get tired of it, one of my favorite portrayals of Shadamy is when Shadow is kind of a emo simp towards her, like he is simply adoring her even when she only looks at Sonic who is not looking at her 😭... Ah drama. 😂 I remember a few stories back when I was a pre teen... Like "el blog de Amy Rose" That's the only written fanfic name I remember and it was a total soap opera, a total and absolute telenovela full of all kinds of drama like Silver was their son and Sonic and Shadow were lost brothers 😂. Then I remember I few comics like Ternion that was an insanely passionate and angsty story with an excellent art that to contribute to my torture it was never finished... And boy I know the author had a secret smut chapter that she never posted anywhere... We know it exists because there were a few hot scenes in a video... 😭 but never happened the story didn't even reach half of what I think it was going to be🥲. In Chaos universe there's a double story in one Sonic and Amy had a daughter named Sonia but in an alternative universe we have María Rose who is Shadow and Amy's daughter... Is another tragedy were Amy is dead in both universes 😭 and of course I'm totally biased with Maria Rose's universe because the way her dad remember Amy's just hits different, seriously is way more enjoyably painful 🥲 and then the most current comics I'm addicted to of course IDOL AMY portrayed Shadow exactly how I said I like him the most 🥺 and the last one I saw is one apocalyptic where obviously Shadow survives and mourns a dead Amy: Future's Shadow... Girl this hedgehog can't catch a break they like to see him suffer 🥲🥲🥲

Now let's focus in the official interactions:

The Archie comics before the reboot kinda mistreated Amy portraying her in an annoying way most of the time just like in some games... And I wasn't a fan of a certain interaction she had with Shadow... (Those issues had a bitchy evil Rouge portrayal that I didn't like one bit🤬) I mean shadow actually kicks her in the stomach and hits her with her own hammer and... That just felt so wrong, you see I can't picture an scenario where Shadow would lay a hand on Amy in such a way as he did in those comics but I had a little comfort in this interaction at least 👇👇

She puts her faith on him when he doesn't have much faith on himself and that is something she also did in the games, like in Shadow the hedgehog own game. Then there was a reboot and we got better interactions, here we have Amy teasing him and he pouting adorably (and finally they dropped the Rouge is a bitch portrayal thank you😤)

We also see that they can make a good team

Hey Shadow how it feels to be hammered by her? 🤭😇, then we had the marvelous IDW reboot but we still don't have proper interactions (and this is the best Rouge💜)

Though honesty? This look like a romance novel scene... You know, with the bad boy being stubborn with the kind sweet girl 😂. Well Sonic IDW is still ongoing so we'll see if we get something more juicy... But I think I will be happy if they simply team up in a fight again.

And now let's talk about Twitter... Well, well, well have you noticed this tiny details in Sonic's Twitter takeovers? Someone asked "Shadow, will you marry me? " And they made Amy voice be the one reading that question 🧐, not only that the things Shadow described about what he wants in a partner for marriage were things that Amy totally would do perfectly (and to add some spice they made Sonic voice sound kind of upset to tease us with some sonadow too😂😂) and then the most precious and hilarious thing... SHADOW AND AMY ARE BOTH SWIFTIES 😆😆

And look! He got her ticket's 😭😭 and they went together!!! 😭😭😭(that's a DATE) and then in another Twitter takeover she tells about how they had fun and got shirts and then Sonic got jealous 😭😭😭 KYAAAAAAAAAAAAAAAA and look what SEGA IS DOING 👇👇👇

Pop Star Amy and Rock Star Shadow I can't... 😭😭 and paladin Amy and knight Shadow AAAAAAAAAAAAAAAAA THEY MATCH!!!!!

I'm telling you... Sonic team is indulging us with oficial Sonamy but they are also shamelessly teasing us with SHADAMY (and sonadow juju)

And seriously fellow comic artists, feel free to keep drawing Shadamy comics forever... We don't get tired... 😇 and SEGA... Don't be shy... We conform with little teasing details you don't have to confirm or deny anything but for future games... A little Shadamy won't hurt 🥺🙏, we want Shadamy in games too! IDW that goes for you too... If you are teasing Sonamy and Sonadow you can tease Shadamy too! (And Knouge too! 😫)

And all this reminds me that we should demand SEGA to reboot the Sonic Adventure games with new modern animation and also so it's playable in modern consoles! I want to play it with the Nintendo Switch!! 😤😤😤

[visionoasis]

One of my Sonic fanfiction romance icks is cheating stories.

It’s not the act of cheating itself that’s the problem for me. It’s everything around the cheating. I feel like the writing is often weak, the characters almost never feel like themselves, and I think the Sonic franchise is not suited for it. At all.

And I’m not even talking about the act of the cheat for the characters feeling out of character. I mean yeah. That’s obviously part of it. But the personalities are often so… out of character that I just don’t buy it. For example: a lot of sonamy vs sonally stories the characters get venomous so fast! This happens in a lot of Sonadow cheat stories too! I’m sure it’s across the board. (A lot of people pick the same few “victims” too. Which is an interesting commentary in itself.)

I’m not blind. There are certainly some examples of the behavior in “canon”. Like in the Archie Comics. I like to think I’m not closed minded either. I like crackships. I like AUs, canon x OC, gay, weird scenarios, whatever. You don’t have to stick to the canon guideline. I dare say it’s better if you loosen up and do your own thing. I do.

But I feel like in addition the writing is often very bare bones reasoning as to why the cheating happened? The motivation is almost always the same across works. “New person hot, I’m attracted”. And while this is a very real reason people cheat it often comes with weak character writing. People often sacrifice character depth for the drama of the cheat. Especially for the person being cheated on, they’re often a blank slate because the obvious focus is the ship they wanted to write.

Which that… works... that’s fine. Nothing wrong with that. But it doesn’t make the story compelling either. Especially in long form. It reminds me of the other irks I have with the trope too. Like the victim killing themselves or the victim secretly being an abusive asshole all along to justify the actions, etc etc. For me it’s not fun to read. They’re narrative shortcuts to write the happily ever after of the ship and I think ruins the point. I tend to like stuff that embraces the messiness and characters that own they aren’t being nice. It should be messy because they made a messy choice.

Don’t confuse these as judgements. These are blatant preferences of mine. Not every fanfiction has to be a grandiose art piece that we will tell tales of for eons to come. You should write what you like. And undeniably people clearly like reading it, as that’s why there’s so much of it. You damn well shouldn’t be writing to make people like me happy. I am so obviously not your demographic and that’s very okay for both parties!

But I can still have thoughts on it and reflect why it doesn’t bring me enjoyment. If that bothers you; write more fanfiction about it for the real ones. I respect that.

[dr-demi-bee]

Writing Interview Tag Game!

Thanks for the tag @lastlight-inn! 🥰

When did you start writing?

TBH, that's hard to pin down! I was drawing clumsy comics with story lines as early as 4th grade (so like 9 or 10ish?) - and I've always had a thing for telling stories. I don't think I started earnestly writing until maybe 12. But I know for sure I was writing in middle school, and was well and truly into it in high school. There was a brief once-upon-a-time I thought about going that way for a career (but I also considered being an artist or musician ha).

Are there different themes or genres you enjoy reading than what you write?

So, I find I often write a lot darker than I read. Broadly speaking, I read a lot of fantasy, sci-fi, and some non-fiction. But I write predominantly fantasy. I've dabbled in sci-fi, but I find it a lot harder (perhaps because I'm quite picky about science accuracy).

But thematically, I much prefer to read romances and lighter hearted drama. I think my writing might lean a bit darker than I typically consume (more focus on harsh/traumatic topics).

Is there a writer you want to emulate or get compared to often?

Ahhh this is so hard to answer. I've not had anyone really compare my work to others (at least not by name). I don't try to copy anyone's style, but I definitely am influenced by many.

If I have to pick some - Oliver Sacks, Tolkien, and GRRM.

Can you tell me a bit about your writing space?

Well! I have several!

My main office is in an open loft in the second floor of my house - past the railings are large picture windows that look out into my woods and let in a lot of natural light. I've got an L shaped desk stocked with supplies/notebooks/snacks. It looks like the kind of organized chaos one expects with ADHD.

On the left hand is an easel for painting/drawing, and on the right hand is my dual monitor set up (slightly lofted). My space is covered in cute knickknacks and things my husband has made for me. He's a wood worker, so there's lots of cute little things - including a little ghost and a miniature zen garden. I also have an owl skull and spine. My keyboard/mouse/mat and wrist pads are all space themed, as is the desktop (not that you can ever see it.) Beside my desk is my behemoth, very colorful PC tower I built myself (named Eureka).

I also have a yoga laptop that doubles as my writing on the go platform and drawing tablet (named Epiphany). I'll take it downstairs to write on my armchair, or into one of the bedrooms for some more quiet and soft surfaces. And I also take it with me on trips. Had a nice period on vacation at the beach where I got to write in a rocking chair on the porch looking out at the ocean. Ahh... (take me back :sob:)

Very occasionally I will write on my phone. But this is mostly just for notes and short form RP sort of writing.

What's your most effective way to muster up a muse?

So aside from becoming obsessed with something (e.g. media or my own imagined world) usually I get my ideas via listening to music or taking a shower.

Or, inevitably, whenever I'm doing something else that doesn't give me time to write. I wrote several chapters of my novel while writing my dissertation... procrasti-writing.

Are there any recurring themes in your writing? Do they surprise you?

On the positive side: found family, loving through pain, helping each other to heal, platonic love.

On the less positive side: the effects of trauma, the way danger and stress hurts our bodies and our minds. Fighting through adversity and oppression. Chronic pain/conditions.

I'm not super surprised by either of these, really - they're all a big part my scientific life too. Before I left clinical practice I primarily helped individuals recover from trauma and addiction - and that involved a lot of working on finding self worth. My research was all devoted to studying stress and cognition - and I tried to pioneer new work on intrusive cognitions. I think this probably comes out heavily in my writing for fun, too.

What is your reason for writing?

Fun, mostly. Catharsis. And a bit of dissociating, I suppose. I've always just kind of had the urge to spew stories out into the world, even if it's just for me. I also write to connect with others.

Is there any specific comment or type of comment you find particularly motivating?

Ohhhh, any comment makes me incredibly happy. If someone says they like something specific I am over the moon. I'm especially thrilled to hear anyone connecting with or caring about my OC characters.

When another writer I really admire or respect gives me a comment or praise (like @alpydk or @sorceresssundries) my little heart feels ready to burst! Recently had the absolute delight of having friends read and react in real time to some of my work and gooood grief is that ever motivating. (@crimson-and-lavender and @lastlight-inn I'm looking at you lol)

How do you want to be thought about by your readers?

I want to be approachable and interesting as a person. I hope people want to read my work or even collab.

I want my writing to be novel, engaging, and exciting. I want to subvert their expectations, but also tell them a story that's approachable and will resonate with them.

Mostly I want my writing to make others feel (good).

What do you feel is your greatest strength as a writer?

The longer I've been writing things - honestly, I think it's patience. Being willing to change ideas, move them around, or even abandon them if need be. It took a long time to be okay with those things.

How do you feel about your own writing?

Oh, we have a love hate relationship. I know I can be a bit...verbose. But I also find my own writing pretty fun and interesting. I know I've done a pretty good job if I enjoy re-reading it.

Tagging some lovely mooots with affectionate no-pressure boops: @abysskeeper, @feedthepheasants, and an open tag for any other lovelies that want to!

[notjosieyouremy]

every edsheeran book ive ever read and what i thought

*reblog without tags please

update #1: i just finished reading Letting An@ Go by anonymous. the teenage drama and romance is gross and annoying. the protagonist has a lot of strong opinions about peoples weight, especially her mother’s, which is very triggering. plenty of m3an $pO if that’s your thing. rampant fatphobia. i give it 3 out of 5 ⭐️⭐️⭐️

5 star tier ⭐️⭐️⭐️⭐️⭐️

• hunger: a memoir of (my) body by roxane gay. one of the best edsheeran books ive read. it’s about sa, food addiction, boolimia, feminism, fatphobia, the struggles of just trying to exist black woman in a large body. would recommend

• i’m glad my mom died by jennette mccurdy. it’s so good. i think i finished it in a day. it’s about a lot more than edsheeran. highly recommend. go read it right now

• unbearable lightness: a story of loss and gain by portia de rossi. a gay actor’s struggles with edsheeran. one of the few i’ve read more than once. would recommend

• wasted: a memoir of an0rex!a and boolimia by marya hornbacher. really deserves to be in a class of its own. it’s the best written edsheeran book out there. it’s sad, hilarious, intelligent, perfectly captures the internal voice of mania. highly tr!ggering, so proceed with caution. after wasted was published she relapsed, which she speaks about in madness: a bipolar life. it’s also a very good book but edsheeran is not the focus

4 star tier ⭐️⭐️⭐️⭐️

• insatiable: a young mother’s struggle with an0rexia by erica rivera. if you wanna read about someone who takes fistfuls of bisacodyl and exercises intensely, you might like this book. it’s very good. would recommend

• dying to be th!n by nikki grahame. imagine being so severely malnourished as a child that you never go through puberty. thats how serious her illness was. she basically grew up in treatment facilities, managed to recover against all odds, went on big brother (the reality show), published a book, relapsed, and tragically passed away in 2021. the covid lockdowns were hard on her mental health. would recommend

• the girls at 17 swann street by yara zgheib. semi-autobiographical work of fiction. what sets this one apart is the protagonist isn’t a teenage girl. she’s, like, 28 i think? something like that. would definitely recommend if you get tired of reading about teens and preteens all the time

• elena vanishing by elena dunkle. at a certain point, all these books can be summarized in one sentence: she had to choose between recovery or death. it’s a very good memoir. would recommend

• born round: the secret history of a full-time eater by frank bruni. we love to see male representation in the edsheeran community. he was a chubby kid, turned to unhealthy means to achieve we!ght loss, eventually learns to heal his relationship with food and becomes restaurant critic for the new york times (ever heard of it?). would recommend

• sure, i’ll join your cult: a memoir of mental illness and the quest to belong anywhere by maria bamford. if you don’t know who maria bamford is, she’s one of the best stand up comics, period. that’s not even my opinion, it’s just an agreed upon fact within the stand up community. she’s brilliant. the book is about her mental illnesses and all the different self help groups she joins (so many!). she does go into her struggle with exercise boolimia, though that’s not the primary subject. it gets 5 stars as a book, but 4 stars as an edsheeran book because there just isn’t a lot of dis0rder talk

3 star and below ⭐️⭐️⭐️

• stick figure: a diary of my former self by lori gottlieb. good but i had trouble relating to the protagonist because was quite young and immature

• the art of st4rving by sam j. miller. some much needed male representation in edsheeran literature. and some lgbtq representation. it’s YA (young adult) fiction, not really my taste. would recommend for those who like YA. great cover art!

• wintergirls by laurie halse anderson. a lot of people love this book. i thought it was ok. it’s a work of fiction by an author who isn’t really part of the edsheeran or recovery community. it’s another YA book. i will always prefer memoirs and non-fiction

• fat chance by lesléa newman. this was the first edsheeran book i read. it was assigned reading for my high school health class. it’s a YA novel about a 13 year old girl who wants to lose we!ght. she re$tricts, she b;nges, she poorges, she becomes boolimic. i can trace my edsheeran back to this book. i started d;eting, b;ngeing, and abusing lax4tives as a direct result of reading this material. it did the exact opposite of its purpose, trying to steer young people away from toxic d!et culture. my take away was, i’m overweight, therefore i should be willing to do anything to get th!nner. it’s not very good tbh. maybe if you like YA you’d like it but otherwise, would not recommend

[literary-illuminati]

2024 Book Review #51 – Monstress Volume 8: Inferno by Marjorie Liu and Sana Takeda

This is the last volume of Monstress that’s currently published and (since vol. 9 is coming out in November) the second-last I’m going to read this year. Which could be either a good or a bad thing, I suppose. This is the first volume I can say I genuinely didn’t enjoy, not even grading on a curve fro the highs of the rest of the series but in general. Not awful, but not good either – by far the most ‘comic-bookey’ plot arc so far, and I really don’t mean that as a compliment.

Through a variety of contrivances involving Maika’s friends journeying to the centre of her mind to try and wake her up from her coma and finding a massive and seemingly living statue of Adara Farclaw – the previously semi-mythical ancient hero-sage of the cats – our main cast (plus the ghost of Maika’s childhood self created by the sheer intensity of her own self-loathing) find themselves on the prison world where Zinn trapped all his kin to keep them from devouring the world we’re more familiar with back in pre-history. They’ve adapted surprisingly well, adopting humanoid forms and farming for the food they need. Immortal but sterile, their history since has been dominated by an endless race war between the first generation Fallen Houses (Zinn’s peers) and the second-generation and much reduced in grandeur (but increased in numbers) Defiled. Zinn, Maika, and the fragment of the Shaman-Empresses’ mask they brought with them are a chance to upset the balance of power, or perhaps even escape – and both sides are willing to do anything it takes for that chance.

Though all that plot aside, the actual point of the volume is to a) provide great reams of lore on the Monstra in general and Zinn’s past and present relationship with the rest of their species in particular and b) give Maika a chance to work on her self-esteem issues and guilt over accidentally killing and eating her mom as a child by providing a tulpa of 10-year-old her to scream at, protect, and reconcile with. Also a bunch of stuff about cats.

I can see the version of this story that works for me, at least in broad strokes. But yeah, the one that actually exists really didn’t. The largest part of that is just allocation of narrative resources, I think? As the book goes on, it has become steadily less interested in the themes and aesthetics I find more compelling to focus on it’s deep lore mythohistory and melodrama among the elder gods, to the point of just leaving the actual setting with its fascinating politics and societies entirely for basically the last two volumes. It begins to make me question why I’m still reading. Maika as a character is profoundly interesting, but having her just clearly announce her issues to a literal embodiment of them is not, to me, particularly compelling reading.

On an aesthetic level, the strange and alien prison planet let me deeply unimpressed. It was all so..familiar. Even the two warring nations of eldritch god-monster have ended up basically human-sized and human-shaped, farming and eating and using tools and building structures in instantly recognizable ways. There’s an excuse offered, but I’m still left wondering why even bother if it’s going to be so unspectacular.

I also found myself disappointing in how...monotonous, I suppose? The aesthetics of technology are growing to be. The guns, tools and armour of these cat worldwalkers who’ve been living underground on this prison world for centuries look almost identical to what technology of the Shaman Empress and the toys the Blood Court uses and- Even if you can torture and justify it all to make sense, it just gets boring and samey eventually, you know? Makes the world feel small.

Which is related to my thematic issues with the volume, in a way. The story is clearly much more interested in the grand, superhuman drama of the monstra, the exploration of multiple worlds and lost continents, space age high technology, more species and relics and myths and just – it all piles up so much that the result just ends up feeling more generic and boring than the more focused and detailed world of the first few volumes was. This is made far worse (for me, anyway) by the fact that Zinn seems to have been personally involved with literally every major historical personage that was mentioned at any point.

The most concise way to put it is that at the start of the story Maika et al really felt like people inhabiting a world, and now it’s at Star Wars levels of the world feeling like a canvas for a specific set of people’s melodrama. Nothing wrong with that, in the slightest – I just prefer the other, and feel a bit cheated by the shift.

On a different thematic level I kept waiting for some real, like, narrative pushback or reversal about how the Defiled are treated as these disgusting morally abhorrent abominations for the fundamental crime of being genetically impure and ‘spiritually mutilated’ and...never really got it?

Anyway, pacing wise the arc is much too short to be a complete, satisfying version of the story it wants to tell, and much, much too long to be a part of the longer story it is a detour from. The story never becomes offensively bad, but I am honestly reading as much out of inertia as anything by now.

[soliloquent-stark]

10 questions for writers

i was tagged by @robertdowneyjjr, @fohatic and @mischief-and-tea-by-the-sea 🫶🏻

1. how many works do you have on AO3?

13 :)

2. what’s your total AO3 word count?

100,285! <3

3. what fandoms do you write for?

mcu only, so far. i might dip my toes in some marvel comics fic eventually but that's about it.

4. do you respond to comments? why or why not?

i do! sometimes after a long while, but i always do. i appreciate readers' thoughts, i value interaction, and i want to encourage the already small group of people who leave comments. writing is so difficult and lonesome sometimes, and what comes after publishing is what makes it worth it, for me personally.

5. have you ever had a fic stolen?

not that i know of. though this reminds me of when i was like 11 writing original murder mystery stories on my weirdly popular anonymous facebook page — i abandoned a story at some point, and someone decided to write a (pretty terrible, both plot-wise and spag-wise) ending to it but they did so by first copying and pasting the entire existing story (around 70k words) under their own name, and THEN writing a rushed ending that, no joke, included the 'it was an evil twin all along' trope. luckily i found it after a while and my best friend sent them a pretty scary message that made them take it down, but yeah. oh, and it turned out the person was an online friend/loyal reader of mine. the drama! the betrayal!

6. have you ever co-written a fic before?

not yet, but i have a few projects in very early development stages with some people 🤭 but they might never see the light of day...

7. what’s your all-time favorite ship?

stevetony! i am a big multishipper but i would never replace them. ❤️

8. what are your writing strengths?

introspection, i guess? i can take a little idea and turn it into 5k of inner monologue — if that's a strength or not, that's up for debate. professional yapper right here, but getting to know characters deeply and intimately is my jam. i'm also good at not writing anything for a long time and then producing a fic in a few hours, as long as i'm in deep focus mode.

9. what are your writing weaknesses?

i struggle with fast-paced scenes sometimes (see: professional yapper mentioned above) and with describing actions. i also get stuck on one thought or idea which frequently hinders my progress. oh and i edit as i go way too much, and often fail to advance the story.

10. first fandom you wrote for?

one direction. it was... a time. no other comments there. :D

tagging anyone who hasn't done it yet! feel free to say i tagged you. :)

[ketrin1607]

(The concept of a set for an idea in different clothes: sleeping), combat and palace. And the concept of Horus Senior: only sleeping and combat. The palace is not required in the plot)

I read a book on comic book creation at my leisure. There is a good idea there - if perfectionism torments, you can postpone a more important project/ comic for a while, so that the inner "critic" calms down and stops trying so hard to sort everything out. Instead of the main story, you can switch to a more secondary project that you would like to draw after the main story. I thought it would suit me perfectly)

The first comic, Fiasco, is more complex in genre, it will be based on drama with a dash of fantasy, since the basis is mythology, and only a small part of comedy, to defuse the atmosphere. But the second project that I would like to do is based on a comedy with fantasy, without drama. This project would be more suitable for a start. Maybe you should still try to draw it and not really worry about plot arcs, as now with "Fiasco", where there are quite a lot of characters, come up with a simple plot and work with only one main character?

Earlier I wrote about an idea, where the plot revolves not around some kind of community, as in the "Fiasco" around exorcised demons, but around one hero, on whom the focus of attention will be Set. The idea is as follows:

What if the god of war Seth, under circumstances unknown to him and the viewer, is killed, and thus falls into the world of the dead - Duat. In the Duat, the local master will not be Osiris, but the god of chaos and darkness Apop (where else would the god of darkness be, if not underground? The sun just doesn't reach there), who "sharpens his teeth" at Seth, since in mythology Seth used to fight against Apop on the side of Ra, the enemy of Apop. But despite the mutual dislike of both, they will make a temporary alliance to get out of the Duat. Apop will allow Seth to get out of the world of the dead by "borrowing" his power/Ka go and look for the killer. In exchange, Seth must help Apop in capturing Egypt and overthrowing Ra (without a body, Apop cannot get out of the Duat).

The main storyline will be Seth's confrontation with part of Ra's retinue in order to maintain power in Egypt, otherwise Apop will return him back to the Duat. And the secondary one is Seth's search for his killer. It would be possible to make this line the main one, but given how the god of chaos and wars will rule, other gods will want to get rid of him for such a rule)

This logline / tie can be submitted in the genre of comedy, with an admixture of fantasy, adventure and a little detective. The mood and atmosphere of the comic can be set, as in the cartoon "The Emperor's Adventure". I recently reviewed it and thought exactly this mood would be perfect for a parody comic) Plus one of my friends noted that my character style, because of the sharp corners, is somewhat similar to this cartoon)

The main source of jokes is to make gags and parodies of the "Ennead" manga (in principle, because of its reading, such an idea was born), ridiculing logical inconsistencies in it. To make it not a simple copy, add your own plot, although simpler. Not with as many twists and turns as in the Ennead.

Alas, I do not know if Mojito is writing the script herself. Does she write it alone, did she write it in advance and draw a comic based on it, or does she come up with everything along the way. But despite my dislike of the main genre of the Ennead, I want to take off my hat) If she taught her own script writing courses, I would be happy to sign up)) If I had to spell out all the conflicts and character plans for each other, like Mojito, my head would explode)

I apologize for the abundance of text, but I find it difficult to give short descriptions) I would like to know the opinion from the outside - does the idea of the plot of such a comic book sound interesting? The theme of the parody? In advance about the rating, despite the age rating of the Ennead, I still will not draw such explicit shots, respectively, and a parody based on it will not go further than 16+.

[betustamorla]

Update on status and notes on the main fic.

Hey guys, I started posting the Arkham Abyss Files into Ao3 and took the momentum to create the story series for Arkham Abyss stuff. I will be adding some more Memories and what not over there that didn't get to make it here because I haven't thought of them and now it would be too messy to put them on here. If anyone is interested in skimming through or having it easier to follow the updates there -it's still behind, but with some new memories added in between-.

And if I think of adding some other thing or story format for the Abyss universe -or when I finally publish the first chapter of the main fic- you can get notified. It's easier -at least for me- to keep track of things over there.

And if someone might be wondering when the main fic will be done or at least the first chapter uploaded...I can only say I'm working on it, ahahahah. Sorry, but it keeps looking more and more likely it'll be until next year. But I'll keep updating the inworld building -mostly fluff between Jason and Helena tbh- Files thingy and hope to pick up the pace in the writing of the main thing. Which now I'm calculating it'll be around 150,000 words more or less. So kind of a full 300-page novel of sorts. And Dick is taking up more space than I had anticipated, plus another surprise character that I didn't even know I was so fond of until he came along. So to leave it simple, there will be a lot of shenanigans; mystery, family drama, mental and emotional struggles, and some romance here and there.

Oh, and please always take note that even if my writing rarely -if ever- is explicit in violence/terribly things, they still are part of the story mostly through the aftermath of them, after all, Arkham games, nor Batman comics in general had never shied away from all that stuff. But it's a story meant to show the characters getting through and fighting those problems, so I don't believe it to be triggering to people. Oh, and I won't be placing specific warnings on chapters nor tags in general, so read at your own discretion if you are very sensitive to- well anything that has appeared/been mentioned in the Batman franchise, which is probably almost all forms dark things lol. But as I said, the focus is fighting this stuff, not putting too much emphasis on it constantly.