#and hope that they see it.

[reallybadblackoutpoems]

the picture of dorian gray (1890) - oscar wilde

"fuck my yaoi life"

[pangur-and-grim]

one thing that took me embarrassingly long to learn is "sometimes when people say things, they will not be true."

I used to tell people about this revelation and they'd be like yeah.....duh.....but like, why wouldn't my base assumption be that you're communicating to me in a straightforward manner. anyway, I get scammed a lot.

[mackerelllll]

from @/vero_muerte on tiktok, PLEASE look up the original video!!!

found this video at <2000 likes and i NEED more people to see this because. yeah.

[badolmen]

WARNING 18+

19

[phanfuckingtasmal]

im sorry but i cannot stop thinking about isha's pastel memories that play during her sacrifice scene.

look at how full of colour this beautiful fuckin shot is:

it's been well established in episodes 4-6 how grim and dark the undercity has become under cait and ambessa's new rule. but look at how isha sees/remembers it - because of jinx.

jinx, who went through a severe childhood trauma that has carried over into her present self - she covers extremely destructive weapons and grenades in bright pinks and blues, neons, childlike doodles, graffiti. (joy and destruction, powder and jinx, a contrast so striking it becomes like a signature for her).

and then we see the world through isha's eyes. when we meet her in episode 2, she's running through sewers, from goons dressed in black; it's grimy and grim. and then all of her recent memories are done in these childlike pastel, almost crayon-y sketches. because what isha saw was jinx covering a dark and grim world in colours.

and so isha covered her world in colour, too.

because jinx made her world bright.

isha looked at jinx and saw the child in her. she saw powder and she saw jinx. she saw joy and destruction. and that's why jinx gave isha so much hope. isha knew the world was grim and dark - but then she watched jinx, and she learned that you can paint over all that grim darkness with neon blue spray paint.

that's why isha believed in hope. that's why in her final moments - in a scene that is lit dimly and dramatically - she sees nothing but a bright world coloured in pastels.

never underestimate the hope of a child.

[ritualvirtuality]

please do look it up if you dont know the date bc there may be at least an approximate answer and otherwise the last option will completely dominate and this poll will be boring.

and dont be like 'but i cant sing'... just answer the earliest tune you know well enough that you COULD sing it

periods of western classical music provided only for reference

[bug-s0da]

blehhh...

i made an aa/lawyersona of @snapscube :3 we all know and love the lawyer+silly girl duos of ace attorney but it's about time the silly girl became the lawyer

[gongyussy]

(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)

[blabberoo]

"You have 72 hours."

Left alone in the consequences of his obsession, he let desperation get hold of his intellect and come up with a plan. For the world. For himself.

[nectardraws]

michael awareness poster

[hinamie]

matching eye horror for u and ur back-from-the-dead bestie <333

[makowcy]

widow

[kwadlayns]

Good detectives do what they need to in order to solve a case. 💀🔎✨

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[stil-lindigo]

frankly, the people whose kneejerk reaction to bisan asking for a global strike form the 21st-28th is to say that it takes years to organize a general strike are really unhelpful! no one is saying otherwise, but palestine will be a smoking crater if we all wait for years to do anything - bisan is asking us to do something now. Like are we only supposed to do something if we can do it perfectly??? At some point it’s a valid critique about the work that goes into social movement, and at another point I feel like some people are just trying to absolve themselves from not putting any effort into observing a week of economic inaction.

like idk! I get it, okay! People have bills to pay that don’t magically go away for a strike, we don’t have nearly enough social infrastructure in place to support people to fully stop going to work for a week. But fuck, dude! Stop immediately responding in such a defeatist way! Cut out unnecessary purchases! Try to shop local! Put more effort into promoting Palestinian voices online! Attend a protest, call a local rep, do something!