#and he definitely thinks there are people below him. it's just. based on actions and not reputation or income lvl

[sundrop-writes]

Better Than Sleeping

Jason Todd x Fem!Reader

Summary:

You and Jason are friends with benefits. Though you have come to realize that the relationship doesn’t always ‘benefit’ you when he ends up annoying you after a long, tiring day of training.

(He quickly makes you come to see that his annoying persistence can benefit you, even if you would never admit it aloud.)

Jason Todd x Fem!Reader. Friends with Benefits. Smut. Set during Season 2.

Word Count: 5,300

DC Titans Masterlist | AO3 Link

THIS IS A RE-POST. This is a fic from my old blog (a blog that was shadowbanned, forcing me to move). This fic is not stolen, it is completely mine, and I am just re-posting it to help people find my new blog, and to make my masterlist complete when I post new fics for this fandom.

Warning: This fic contains Dubious Consent. One character ‘wears down’ the other and ‘convinces them’ to have sex, and both of them display verbal consent that goes against their true actions and desires (they say no to having sex when they do truly want to) and they think of convincing the other person to agree as a kind of ‘game’. It is a relationship that is playful in nature, and this consent is based on bodily queues, facial expressions, and knowing a person’s safety and comfort based on being in a relationship with them for a period of time. If this makes you uncomfortable, please don’t read the fic.

List of detailed warnings and author’s notes below the cut.

Warnings: friends with benefits, this is primarily a smut fic, the reader character uses she/her pronouns and has a vagina, Jason is more dominant and the reader is more submissive (once the sex begins), the reader could be considered a brat, Jason calls the reader ‘babe’ (it is a canon event), Jason calls the reader ‘baby’, Jason calls the reader ‘good girl’, dubious consent - coercion (please see the above for an explanation about this), mentions of masturbation (watching someone masturbate), mentions of fucking someone to sleep/fucking someone while they are asleep, mentions of free use kink, mentions of cumming inside someone/unprotected sex, marking/biting, groping/touching through underwear (reader receiving), orgasm denial (toward the reader), ‘just the tip’,teasing, there is a point where Jason’s dick is inside her without a condom but he doesn’t cum, and he puts on a condom before fully penetrating (what would you call that?), begging, slight mentions of subspace (but it’s more so described as a lustful drunkness), there is implications toward the end of fucking someone to sleep/fucking someone while they are asleep with their permission. I believe that is everything.

A/N: This is definitely one of my favourite things I have written. I thought maybe I was going to edit it some before re-posting it, but I was rereading it the other day and I actually realized that it's really good the way it is, so here you go - some random cocky Jason smut, inspired by the 'just the tip' trope. I hope you enjoy!

...

You knew that becoming a Titan was never going to be easy. 

But fuck, this was a lot harder than you imagined it would be. Dick Grayson was quickly becoming your least favorite person. Between the 5am wake up calls and the endless workout routines, paired with the bland ‘nutrient filled’ meal plans he had everyone on to ‘fuel your bodies’ for training - he was becoming a menial drill sergeant that you couldn’t get away from. One of the only things that made it better was the fact that you had friends around - the ability to joke about him with Rachel, Gar, and Jason behind his back. Was it a bit mean-spirited? Yes. Did you feel less guilty about it whenever he added more onto the training routine? Also yes. 

You had no clue when these skills you were working so hard on were ever going to come into play. Every single night, Dick retired himself into the comms room full of computers to ‘monitor the city for threats’ - but he seemingly never found anything worthy of the team’s attention. At least not yet. So you went about the routine of training hard, becoming exhausted, falling into bed to sleep and then doing it all over again. 

Oh - and there was the other thing. The not so occasional part of your routine where Jason fucked your brains out. The fact that the two of you had developed a mutually beneficial relationship to help ‘relieve’ each other when you were horny, a quintessential friends with benefits situation. But with your muscles sore from training and your entire body so exhausted, that was the farthest thing from your mind on this night. 

After a long, hard day of training, the last thing you wanted to hear was a knock on your bedroom door. You hoped that it was simply Gar asking to borrow some of your body wash again (because he liked the smell), or Rachel asking you to kill a spider in her room, and not Dick alerting you to some surprise training drill that he had suddenly thought up. 

You shoved your pajama top over your head, finishing getting changed for the night, and rushed across the room to the door. When you opened it, you barely had time to gauge if you were pleased or displeased at seeing Jason before he spoke. 

“I’m horny.” He announced abruptly, being very abrupt about delivering his feelings. 

But it was in character for him, and didn’t surprise you in the least. 

You hated that your stomach jolted at his words, even if just out of Pavlovian habit. It had been only two days since the last time he had fucked you. He had caught you in the shower in the morning, snuck into the bathroom with a condom between his teeth and opened the shower door to join you while you were distracted meditatively washing your hair. It had been steamy, soapy, slippery, and goddamn wonderful. 

But it had left you sore and stiff before training, and you were wondering how much give and take there was - if you truly needed his cock. 

“Hello to you too.” You said, your tone just as dead tired as you felt. 

You wouldn’t admit that you were a bit horny too. You were tired, and you wanted to go to sleep. So that made you annoyed with his presence. (It should have made you more annoyed than you were.) 

Jason bit his lip, raking his eyes up and down your body with an intense heat lurking there. You glared back at him. 

Jason was intensely attractive. He was a good looking guy, that was just a fact. And while you did enjoy the way he was looking at you, staring you down like you were a porn star when you were slumped with exhaustion, wearing baggy old pjs with mascara smeared on your face with sweat, your hair a mess from the day - there was barely a spark stirred in your stomach at the idea of fucking him right now. You were just too damn tired. Dick had been running you all into the ground, instituting the same training that Batman had given him, and it was fucking exhausting. 

“So - can I come in?” Jason asked. 

He gave you a very expectant curl of his lips and tilted his head toward you when you didn’t say anything for a few seconds. You just stood there and stared at him bitterly. 

You sighed hard through your nose, not wanting to answer the question. 

Fucking him might be nice. A good orgasm before bed. But you needed to put what little energy you had left into your nightly routine and then get a good, long sleep before Dick woke everyone up at ass o’clock again. 

“No.” You finally told him. “I’m going to bed.” 

You turned and walked back into your room, but left the door open. You hoped that he would get the hint to leave on his own. You grabbed your bottle of makeup remover and a cotton pad and began taking off your makeup. 

You weren’t so lucky. 

“I’ll go to bed with you, babe.” He announced proudly. You could practically hear the smirk in his voice. 

He then came up behind you and wrapped his arms around your waist from behind. You felt the half hardness of his cock pressing into your ass as you wiped away your makeup with stern hands. You tried your hardest not to let him wear you down, even as you felt a tingle between your thighs. He was used to training this hard, so it wasn’t as exhausting for him. Clearly, he didn’t understand how tired you were - how badly you needed the rest. 

“Go get in your own bed.” You barked, your tone becoming more strained. 

As you leaned closer to the mirror to inspect your face, to make sure that you had gotten all the tiny specs of makeup off, you unintentionally arched your back, pushing your ass much closer to his crotch. Jason let out a quiet moan and you caught him smirking at you in the reflection of the mirror. 

He leaned in close, draping his warm body entirely over your back, trapping you there as he put one hand on the dresser and the other on the wall and leaned his body weight on you. You could have shoved him off you if you wanted to - but as you felt a tingling heat creeping up your back, you weren’t entirely sure if you wanted to. 

“Come on, babe.” He sighed into your neck. 

His hot breath on such a sensitive place caused a shiver through you that you would deny. 

“Why are you being like this? You know if you want a good sleep, getting fucked nice and hard is the best way to get it.” He told you, so entirely cocky. “My cock will put you right to bed, baby.” 

The words sent a hard jolt of electricity through you, settling a hard heat through you from your gut all the way to your face, burning uncomfortably through your skin. Combined with the way he ground his increasing hardness against your ass, you were forced to suppress a whimper. 

It made you even more annoyed with him - the fact he could play your body like an instrument he had finely tuned. And you reacted with that intense annoyance. 

“Why can’t you just masturbate like a normal person?” You scoffed at him, entirely firm, not giving away an ounce of weakness in your voice. 

“As if.” He held intense disgust in his voice at the very idea. 

He gave another firm dig of his hips, causing you to be pressed into the sharp edge of the dresser - a small twinge of pain that only added to the heat growing in your stomach. 

“Why the fuck would I resort to touching myself when I have the sweetest pussy ever to fuck right down the hall?” Jason explained. “But ya know, if you want to watch me jack off, that can be arranged.” 

Instead of responding to that, you just rolled your eyes. You hoped that he wouldn’t notice that subtle shift of lust in your features that said this was definitely a new fantasy of yours because he had brought it up. 

“You can’t deny that you need it too.” Jason whispered into your ear. 

“I need sleep.” You grunted in return. 

You then shucked out of his hold, using one of the evasive maneuvers that Dick had taught you in training, ducking under Jason’s arm when he wasn’t expecting it. Before he could blink, you were across the hall and in the bathroom. It was mostly because you knew that if you stood there any longer with his warm body pressed against your back, you would have given in far too easily. 

Naturally, Jason followed you. 

He stuck by your side through your entire night time routine, trying to wear you down. You weighed the pros and cons in your head without truly listening to him as the exhaustion seeped into your bones and battled with the lust growing inside of you. 

Jason brushed his teeth standing next to you in front of the sink while you brushed yours, all the while mumbling excuses through his toothpaste about how the sex would be good aerobic exercise to help with your training. By the time you got to doing your skincare, you ended up putting a face wash and moisturizer on him just to mentally drown out whatever he was saying - something about orgasms and endorphins and how it helps mental health. 

As you pulled back the covers to finally settle in, he snuck his way into your bed under the guise of ‘just cuddling’. Though you weren’t anywhere near convinced of that sentiment, you didn’t kick him out of the room or protect. You were surprised, but grateful when he took off his shirt, laid down, and seemed to finally shut up. You weren’t sure which you were more grateful for - the quiet or the stunning eye candy of his tight body on full display. But you didn’t question the fact that he had finally stopped nagging you. 

You crawled into bed beside him and settled into his arms. You gave him a kiss on the cheek as a goodnight (knowing that if you kissed him on the mouth, it would turn into something more heated). It was only about two minutes after you shut off your bedside lamp, shrouding the room in darkness, that the talking began again. 

“You could sleep through it.” He noted quietly. 

You sighed with deep annoyance. 

“If you want to. I could be gentle about it.” 

His voice continued on from behind you as he spooned you, one arm under your head underneath the pillow and the other laid almost possessively around your waist. 

Of course, he didn’t even have to be too descriptive for you to know what ‘it’ was. 

The idea of him gently fucking you while you fell into a lazy sleep was entirely too appealing. But he didn’t need to know that. He didn’t need to win. Especially not after you had put so much of your very little remaining energy into deterring him all night. 

“Go to sleep.” You told him with a huff, shoving your head further into the pillow. 

He simply chuckled. 

You hoped that if you just ignored him, he would shut up and go to sleep. 

You would never admit to him that heat bloomed in your stomach at the idea of Jason crawling into your bed when you were already in a deep sleep, using you for his own selfish pleasure and leaving you sore and full of cum to wake up to in the morning. 

“Hmm… no.” He replied, as easily as a petulant child, his breath fanning out over your neck once again. 

Your heated thoughts easily blossomed into a moan from your lips when he latched onto your neck without warning. He picked a particularly tender spot, sucking hard with teeth and the fullness of his lips, easily knocking the wind out of you. You shoved your heated face tightly into your pillow, praying that he wouldn’t notice your reaction. That he wouldn’t realize he so blatantly had you like putty in his hands. If he knew that, he would know that he could just take whatever he wanted and you wouldn’t protest. Not in the slightest. 

Jason already knew that. But he wasn’t just going to pull down your shorts and slam his cock into you. As much fun as that would be - he wasn’t barbaric. Plus - now that he had one of your sweet little sounds in his ears, he wanted more. He wanted to hear you beg for it after denying him for so long. 

He moved his arm from being so tightly around your waist, and pushed your shirt up. You tried your best to put up a wall of indifference toward this. He began skimming his touch oh so lightly along the roundness of your stomach, right above the band of your shorts. You knew he felt the shiver that ran through you, but you refused to say anything. You weren’t pretending to be asleep at this point, but it was a game to the two of you. You still refused to give in. 

But he was playing to win. 

He shoved his hand into the waistband of your shorts, touching you outside the fabric of your underwear. His skin felt like he could have burned you, even through the fabric. You had to make a conscious effort not to buck forward into the touch. When his fingers skimmed across your hotly beating clit (when had you gotten so turned on?) you swallowed another whimper and steadied your voice. 

“Jason.” You said his name firmly, like a warning bell. “If you don’t behave yourself, I’m gonna kick you out.” 

“I don’t think you will.” He whispered into your neck, defiantly cocky once again. 

He sucked another hard, hot mark onto your skin as he cupped your pussy whole in his palm and began grinding the heel of his hand against your clit. 

You let out a wobbling moan and your body thrashed, your energy so depleted that you could no longer hold back your body’s natural reactions to him. You were met with the hard wall of his body behind you, so firm and perfectly hot as he pressed himself tighter into you. 

He gave a satisfied grin into your skin and only doubled down, putting more pressure on your throbbing clit and causing hot waves from that point, adding to the rolling boil that raged under your skin. 

With the beautifully firm pressure and Jason’s talent, the way he knew your body so well, you could have come from this alone. Especially as the pleasure throbbed through your core, your underwear became more soaked through and it was all so beautifully smooth and wet. 

Jason began grinding his cock - still trapped inside a pair of sweats - against the back of your thigh. He groaned into your neck when he felt a pleasurable tingling of his own spreading through his gut, though he craved to be inside of you. As much as he was enjoying this - the sweet, needy sounds falling from your lips, the way your thighs clamped around his wrist, as though desperately trying to keep him in place while your hips humped against his hand like a bitch in heat - he knew that he needed more. 

And he was going to make you beg for it. 

When he felt the signature twitch of your legs that said you were about to cum, he stopped. He held his hand completely still, his strong arm easily pinning your hips down to the bed to prevent you from humping against him and simply taking what you needed. In that moment, he even curled two of his fingers up to shove the fabric of your underwear inside of you slightly, creating a sharp sting that reminded you just how empty you were feeling. 

“Jay-!” You let out his name in a petulant whine, about to scold him for the ruined orgasm, but he cut you off. 

“You gonna ask me nicely now?” He rumbled into your ear. “Admit you were wrong?” 

You wanted to bark out ‘either make me cum, or go to your own damn bed’ - but you knew that Jason was just as petty as you were. At that point, he would have gotten up and left for his own bed just to prove a point. 

“You’re keeping me awake right now.” You huffed out, trying your best to sound annoyed. (Which wasn’t too difficult, considering how badly the ruined orgasm had frustrated you.) “My point still stands.” 

Of course, sleeping was the farthest thing from your mind now. The sexual frustration had injected a new wave of energy through you, and you knew that you wouldn’t be able to rest until you were truly satisfied. 

Unfortunately, Jason knew that too. 

“Okay.” Jason sighed quietly, giving a click of his tongue. 

He then completely pulled his hand out of your shorts and pulled away from your body. It seemed like he was moving to get out of the bed - you worried you had accidentally triggered that signature pettiness in him. 

But as usual, Jason Todd surprised you. 

You bit your lip to hold back a cheer when he reached for the waistband of your shorts and underwear pulled them down all at once, exposing your hot, soaked cunt to the cool air of the room. (At some point, the blanket had been accidentally shoved off you.) You took a glance over your shoulder and of course, he was shoving his pants down to his knees. You caught a glimpse of his long, thick, hard cock bobbing out of the fabric in the darkness. But you didn’t dare to spend too much time admiring it, for fear of making him too cocky. 

You relaxed against your pillow in satisfaction, waiting for Jason to grab a condom out of the bedside table’s drawer so that he could literally fuck you to sleep. 

You were surprised when he scooted back toward you, pressing himself right up against your back once more. He proceeded to simply press his hips against yours - his cock laid flat against the bare folds of your leaking pussy, immediately becoming slick with your wetness. But be made no moves to grab a condom or even tease you by pushing inside of you raw. 

(Which - yes, the two of you had agreed to always use condoms, but it was secretly a fantasy of yours that he would go against the rule because of his overbearing need to feel you raw - or even the need to cum inside of you). 

But instead of doing any of that, Jason seemed to be settling in to relax. 

Jason draped himself across your back, wrapped his arm around your waist again, and gently laid his head on your shoulder. But he made no effort to move, or fuck you. Your pussy throbbed with need, feeling the hot, hard length pressed against you, entirely unmoving. When you clenched around nothing, you let out a wave of slick that you knew he could feel right on his cock. You felt a groan catch inside his chest, but still, he didn’t move. 

“Jason.” You breathed out, having to question him after a few more moments of silence and stillness. “What are you doing?” 

“Going to sleep.” He answered, as though it were the most obvious thing in the world. “I thought you wanted me to just shut up and leave you alone so that you could get some rest?” 

That. Little. Shit.

You resisted the urge to elbow him in the face. 

Obviously, being so close to you, he felt your entire body tense up with anger and annoyance. He was only able to partially hold back his satisfactory laughter. When the quiet snickers met your ears, you became even more annoyed. 

“Jason.” You scolded him gruffly. 

“Oh? I’m sorry,” He said, entirely sarcastic. “Did you want something?” 

“Did you want something?” You parroted back, mocking his words in a childish voice. 

Essentially, you had no more clever comebacks left. He had won. 

“I guess I can give you something for your troubles, babe.” Jason sighed, as though it were a grand inconvenience to him. “Maybe just the tip, though.” 

“Just the tip.” You sighed, finding yourself repeating his words once again. Though this time your voice was dead and sarcastic rather than mocking - mostly because you didn’t believe him. 

You knew that in Jason land, ‘just the tip’ meant slamming his entire cock into you after the tip lingered in your entrance for a moment. You clenched down on nothing again at the thought. 

Once again, you were expecting him to grab a condom so he could fuck you freely without worry. You were surprised when he peeled his body away from you slightly and reached down to grab his cock. After a moment of rubbing the fat cockhead along your folds to get it nice and wet, he did as promised and pushed the tip inside. 

It was the first time he had ever been inside of you without the barrier of a condom, and feeling his hot, raw skin touching yours - even just a little bit, made you gasp. 

“Jason!” 

Your voice was whiny even to your own ears, so needy for him after so much teasing. Upon instinct, feeling that painfully empty ache coming from deep inside you, you arched your back and attempted to shove your hips toward him - attempted to pull more of his thickness inside of you. But Jason was quicker, and he had his hands on both your hips, shoving you down onto the bed so hard and fast that the tip of his cock fell out of you with a wet pop. 

It was a sound that made heat beat through your cheeks, and the feeling of his wet cockhead brushing against the backs of your thighs took your breath away. 

“Oops.” He chuckled, and moved to slot himself back into position.

You had no clue why it was so dizzyingly hot. 

But this time he held you down firmly so you couldn’t simply fuck yourself back onto his cock. You moaned as the thickness of the cockhead popped back inside of you - you yearned for more, but he stayed still. 

After a moment, he began to move his hips so slightly, feeding no more than an inch of his cock into your throbbing cunt before pulling it back out. It was an entirely careful movement on his part where he fed you the first inch, and didn’t let the tip pop out again, in pathetically shallow thrusts that could barely be called sex. Your pussy ached, tingled, yearned for more. 

You mentally cursed Batman for teaching him such good self discipline and him using it for this.

“Jason.” You whined, trying fruitlessly to fight against the firm grip he had on your hips in order to fuck yourself on his cock. 

“What, babe?” He chuckled, leaning down to kiss a line across your shoulder. 

“You know what.” You replied, your tone even more frustrated and whiny. 

You wiggled your hips desperately, trying to get more of him inside of you. You yearned to feel the perfect ache of his thick cock splitting you open, hitting all of those perfect spots so deep inside of you. 

“No, I don’t.” He told you, his voice somehow steady and confident. “You’re gonna have to spell it out for me.” 

You couldn’t see it or feel it, but his hips were trembling and his abs were tight with the pure resistance of his self control. All of the energy he was using not to slam his cock into the tight, warm velvet of your cunt, especially as he felt it leak so freely around the tip of his cock, knowing how badly you needed him. He wanted nothing more than to watch you whine and babble and fall apart on his cock - but he wanted to win just a little bit more. 

There was a distinct pause. The last shreds of your own stubbornness hanging in the air, even as your cunt throbbed with need. 

Even if Jason couldn’t see your face from this angle, he could feel the warring in your body. He knew you too well. And he knew how to break you down so perfectly. 

“If you want anything more than this,” He told you, emphasizing the point with another pathetically shallow thrust. “If you want anything more than just the tip of my cock,” His voice was low and silken and creating even more heat that almost drowned you. “Then you’re gonna have to beg for it.” 

“Fuck you, Jay.” You whined out in protest, once again trying to fight his grip on your hips to fuck yourself against him. 

He viciously dug his fingers into the fat of your hips, causing a sharp sound from your throat at the beautiful pain. 

He leaned down and pressed his lips to the back of your neck, and growled out his next words in a low tone that dragged through your insides in the exact spot where his cock should have been. 

“Come on.” He urged you on. “Fucking. Beg.” 

That was when you broke. 

At least you hadn’t given in too easily. 

“Please,” You whined out breathlessly. “Please, fuck me! Fuck me, Jason! I need it.” 

“What else?” Jason asked expectantly. 

You could have killed him. But when your desperate cunt unconsciously clenched down on the fat head of his cock and you felt yourself growing only more hot and needy, you knew that there was only one thing to do. 

“I’m sorry, Jay, I should have - I should have just asked nicely in the first place. I do need it. I need your big cock inside of me so badly.” You poured it on thick, emphasizing the last words in the most pornographic voice you could muster, hoping that he was running low on self control as well. 

And he was. So he was very satisfied with this. He grinned into your skin, leaving a surprisingly tender kiss on the back of your neck before he mumbled out ‘good girl’ - something that made you moan out sharply. 

You let out a sharp noise of disappointment when his cock popped out of you again. 

“I need a condom.” He told you, giving you a reassuring pat on the ass. “As much as I’d love to cum inside you, we do have an agreement.” 

You weren’t sure which was hotter - his sex-thick voice admitting that he shared one of your deepest fantasies, or the fact that he was caring so deeply for you, making sure that he protected you with a condom even when you were in that floating headspace and willing to let him do just about anything do your body. 

Your mind was swimming contemplating it, and next thing you knew it, he had the condom on successfully. He then slammed his cock inside of you in one firm, smooth movement. Any thoughts were easily pounded out of your head by the practiced movement of his hips.

“Better now?” Jason grunted into your ear. 

You could practically feel his smugness radiating through his cock, spearing into you. 

But you were now alight with intense pleasure, warm satisfaction rolling through you - so you couldn’t bring yourself to truly care about how smug he was. Every bit of cockiness he had, he did back it up with a pretty big dick that he knew how to use well. Not that you would ever say those words aloud to him. Not even on your deathbed. 

“Just shut up and fuck me.” You ordered, though it was breathless and had no bite. 

“As you wish, babe.” He replied, and then doubled down - his hips fucking into you with an intense fury. 

You moaned like a whore at this, finally feeling that dizzying fullness that you had been craving since he had snuck his touch into your shorts. Jason drank up your sounds and easily wanted more - more of your perfect pussy squeezing around his cock, more of that wetness coating his inner thighs, more of that filthy wet smacking as he fucked into you. 

He leaned down, draping his body fully over yours once again, creating a pleasantly smothering weight on top of you as you laid on your stomach on the bed with your face nearly drowned in the pillow. He slowed the pace of his hips to a dangerous torture of a grind, fucking you so deeply now that you were sure you could feel him coming up inside of your throat. You let out a wounded noise, and he hushed you gently. 

“Shh, babe, I’ve got you.” He whispered into your ear. “Gonna make you feel so good.” 

He moved one of his hands from your hip and shoved it between your body and the bed, and once again he was cupping your mound fully in his hand - but this time there was no fabric barrier, and he was settled deep inside of you. It was filling your whole body with lava, turning every place he touched you to boiling ash. You were sure that you would have dissolved into nothingness if not for the anchor of your cunt hanging onto his cock, keeping you grounded in reality with that slight nip of pain as your muscles clenched onto him. 

“Now say thank you.” He told you, his voice so gruff in your ear, so thick with desire that it made you dizzy. “Thank me for giving you my cock.” 

He used two precise fingers to rub circles on your neglected clit, immediately sending shockwaves through your body that made your muscles jump and jolt. 

You gulped for air and struggled to move your face out of the fabric of the pillow, and Jason saw this. He moved his other hand and slid it under your cheek, gripping under your jaw to fully lift you up. 

He stilled his hips completely once again, causing a pained sound to emanate from your lungs as you clamped down on his cock deep inside of you while he continued to relentlessly work over your tender clit. He gave you a couple of seconds to catch your breath. But you were so cock dumb that you had to be reminded of the goal. 

“Come on, baby.” He encouraged you, pressing his lips to your cheek that he wasn’t holding onto. “Say ‘thank you’.” 

“Thank you.” You easily repeated back, now completely pliant to his desires. “Thank you for-for your cock.” 

“Good girl.” Jason praised you once again. 

Then he began fucking into you once more - it only took a few careful thrusts of his hips and the talent of his fingers on your clit to finally bring your orgasm to life. He shoved his tongue into your mouth as you screamed through it, imitating some sloppy version of a kiss while you flailed and creamed on his cock, your body becoming truly boneless and tired as the orgasm rocked you. 

When it was finished, he was still throbbing hard inside of you, and you let out a whine of disappointment. You were absolutely dead tired now, and you couldn’t even think of how much energy it would take to finish him off. Mister ‘Twice In A Sunday’ could last quite a long time, and that didn’t exactly work for you in that moment. 

“You can go to sleep now, babe.” He whispered into your ear. “I’ll clean you up when I’m done.” 

He began thrusting into you once more, and you couldn’t help but let your eyes drift closed. 

It ended up being a good night for both of you.

...

If you enjoyed this fic, check out my DC Titans Masterlist for more of my other fics!! And please consider reblogging and commenting on this fic to tell me what you liked about it.

[marengogo]

Are You Sure?! - #1: A Vampire’s Utopia

Who by Jimin focused playlist 

[Music is a very big part of my life and I’m MOSTLY INCAPABLE of writing without music, so I just thought I'd share what I am listening to while writing this]

–🐺–🐺–🐺–

Hello my JM & JK Loving Gurls, Bois and Enbys! 

How have we all been since Thursday? 😌 Who’s watched both episodes at least 3 times? 🤡 Who’s gonna keep watching the episodes until Thursday? 💜 Who’s been left marvelling, yet again, about how intricately beautiful human beings are 🙋🏾‍♀️…

Oh! Only me?! 👀.

... Well what can I say? If it weren’t for my undying love for movies I would have definitely chosen a job related to psychology. Now whether I would have turned out to be a help or a menace to society, is anyone’s guess, after all, there is no sense, or point, in speculating things that have no way of presently happening due to decisions made in the past. However, do y'all know what we can speculate on? The present based on actions that actually happened in the past.

I’ve admittedly rewatched both episodes of AYS for the fourth time yesterday for research purposes obviously, and what brings me here is that now very infamous moment there are presently ao3 books being written on this particular moment ? The one when my cutie-patootie twin-flame very concisely summarises his and JM’s “solo/chapter 2 relationship”, up to that point (which to be precise, is the period of time between 14 July 2022: Hobi’s Listening Party and 13 July 2023: AYS in USA… exactly 1 year: DAMN!) as per below:

First time I saw this part, the first thing I did was snort and then I immediately thought: DRAMA QUEEN and trust me, I would know. Oh, and let it be clear, I can only attempt to speculate on my twin-flame, especially in cases like this when I strongly feel that my boi has been … misunderstood. If it weren’t clear enough from the title, this is indeed a JK post you know JM-blood thirsting vampire etc etc etc.

Let's start with the fact that I beleive that JM was simply trying to start a simple bit of banter when he said:

And I would sincerely like to apologise to JM cause, indeed, this simple type of banter would have warranted a just as simple type of reply. Something like what JK eventually ended up saying after he allowed his thoughts to come forth and take the stage, but we will address this in a second:

But no.

You see, homeboi over here seems to be the type to hold on to things and will not let go until he’s cleared things, or situations, in the way he has known and/or perceived them to have happened, which tend to happen a lot when you are a very emotional person, who isn’t necessarily as eloquent. The most important thing to understand here, however, is the fact that whatever topic such people decide to discuss is all according to their most sensible account of facts and perceptions. They don't mean to offend or distort truths, they just ... emote for lack of better words. For example, it is a fact that, during that period, JK & JM were both busy, it is apparently also a fact that JK didn’t call, but according to JM it is not a fact that he himself didn’t call. 

Does that make JK a liar? In my opinion, not only can't I know what actually happened, but in fact, that is absolutely not the point of the case at hand. The way I see it, this is simply how JK has perceived this particular absence in his life, during that particular period. In fact, let’s dive even deeper.

Because of those two sentences, you’d I KNOW FOR A FACT THAT MANY DO ... think that JM and JK actually never met each other during that particular period of time 14 July 2022 - 13 July 2023. Now, I am sure we all remember him sorta/kinda pining on weverse during the period from 3 February 2023 and 14 March 2023, right?:

But let’s quickly look at a timeline of the 14 July 2022: Hobi’s Listening Party and 13 July 2023: AYS in USA period. Below are dates when they definitely met, with other members, that we are aware of. I’ve also inserted his most relevant weverse pinings, and the period of time they were busy at the same time, just for me to have a time reference:

・14 JULY 2022: J-HOPE’S LISTENING PARTY - OT6 (Yoongi was sick)

・1 SEPTEMBER 2022: JUNGKOOK BIRTHDAY - JM waint with Hobi to celebrate his birthday

・15 OCTOBER 2022 - BUSAN CONCERT - OT7

・12 DECEMBER 2022 - JIN’S ENLISTMENT SEND-OFF - OT7 

・most likely FEBRUARY-MARCH 2023 - LIKE CRAZY DANCE PRACTICE - JK went to see JM practice

 3 Feb 2023 - 14 Mar 2023 ——— LIGHT WEVERSE PINING - The above collage period

・25 MARCH 2023 - MEMBERS MEET WITH JIN DURING HIS HOLIDAY - OT7

27 March 2023 ——— HEAVY WEVERSE PINING - JK posting “I miss you”, then watching Suchita and reacting to JM content.

・18 APRIL 2023 - HOBI’S ENLISTMENT SEND-OFF - OT7

April - May ——— both JK & JM are travelling around the world for work and/or pleasure.

・25 JUNE 2023 - D-DAY in SEOUL ‘DAY 2’ - VMINKOOK at Yoongi’s concert 

・13 JULY 2023 - AYS in NYC - JK & JM (and staff) have dinner at ANTOYA 

… If you asked me, it would appear that JK’s issue is actually the fact that they didn’t get a chance to go out alone, just the two of them. Yeah … My twin-flame seems to always have had strong, almost impulsive, reactions when it comes to anything concerning JM, it is actually probably the most vocal he becomes for a non-talkative guy that is.

Can you recall any other member, other than JM, he was ever upset about because he didn’t get to hear their music? Can you think about any other member other than JM, who JK would most likely be spending time rehearsing, eating, doing nothing during band activities? Can you think of any other member other than JM, for whom he’s made a bit more of an effort during birthdays and special dates? Once again ... If you ask me ... JK truly values his time alone with JM, which is why I think his perception felt so fatalistic/dramatic we all know that for example, JM did go to the Golden Listening Party in October ... 

And don’t get me wrong, I definitely don’t believe it to be a one-way affair. Are You Sure?! exist exactly because JM would seem to also appreciate his alone time with JK, be it in front of a camera, in a hotel room, or whreever. After all, they were supposed to only go for one trip, but not only did they magically whip out time to go on two more Jeju and Sapporo, but they are now talking about doing this until they are 50. LOL I’ll be in my 60s but I’ll tune in! . And then, to top it all off … They ended up enlisting together. The way JM wanted to “make a video of their adventures and freedom” before enlistment, you’d think they’d be apart for the following 18 months because of said enlistment 😒.  

It’s actually quite funny if you think about it. Between the two of them JM is most definitely the shiest, but JM is most definitely the better one at expressing himself. Y’all can obviously disagree with me, but from where I stand, my twin-flame is actually smart as hell one day people will finally acknowledge that, but he is not the best with words. I’m sure in JK’s Utopia, the world is a place where people sing to each other in order to communicate, instead of spoken words. Alas, this is not JM-blood thirsting Vampire Utopia, and in the world where we presently live, JK seems to be the type who’s first reaction to stressful situations is finding the funny side of things and when that fails then he needs to do something about it; anything.

Now, as always, everyone is entitled to their opinions, in fact, many have made it very clear that to them JK was feeling “off” in these episodes, but to me, not only he was being his typical weird self, but I also I discovered a few new aspects, for example, when he truly cares about something, his devotion has really no limits. But let me use some images, and some words, to better explain how I perceived JK in these two episodes. Remember how JK once substituted the word Love with Jimin, in a Boy with Luv lyric Jimin nothing stronger? Well I’d like to do the same thing and sub the word Love with JK in the following very famous biblical paragraph and associate specific moments in both episodes to each line:

JK is patient, 

If this is not the testament sequence of a man who’s been waiting to spend time with you, no matter what, then I don’t know what else is.

JK is kind.

He does not envy, he does not boast, he is not proud.  

He does not dishonor others, he is not self-seeking, 

LOL … one day JK will be able to pull a prank on JM; I believe in you.

He is not easily angered, he keeps no record of wrongs.

I shouldn’t have to say this, but ... there are no “wrongs” done between JM & JK, what they do with each other is joke, have accidents and play around - but gotta say this just in case!

Last but not least, though JK was coughing like there was no tomorrow, wouldn’t you think that JM being vehemently sick, would be grounds for the whole show to be cancelled? In fact, we didn’t even know there was going to be a show, so nobody would have missed anything and at some point they could have used the footage in a bangtan-bomb, or during Festa, or something. … The fact that they were willing to keep going and even show us themselves in such a vulnerable state, the fact that because of it JM was so worried and doubting almost everything, and the fact that JK ultimately wasn’t worried and regretted nothing, kinda reinforced for me just how much they truly wanted to be together on that trip at that time it was basically overdue. 

In conclusion, though my Twin-flame’s strongest suit isn’t communication, and his recollection of events may or may not be as accurate due to emotional perception, his heart is ALWAYS in the right place, sturdy, confident and ready to let JK be the best he can be, at all times. I mean, you don’t have to take my word for anything I've just said but below is JK a mere 10 days after they separated from NYC/Connecticut ... look at him ... giddy AF and hella playful if you ask me and once again … weverse pining.

I guess one alone trip wasn’t enough after all 😉.

Always respectfully yours 🫰🏾💜,

Marengo.

[mirai-e-jump]

Ohsama Sentai King-Ohger Character Book: Trails of the Kings and Retainers Main Cast Member Interviews (translations below, LONG POST)

Other pages

Sakai Taisei (Gira) x Morioka Yutaka (Douga)

"First, please introduce the character the other plays."

Sakai: At first, Douga was the kind of person who would cause tension and confront Gira, but after Gira ascended to the throne and became a close presence, I think Douga became a nice person who's always by Gira's side. The same goes for Morioka-san, who plays the role, as he's a dependable person who I respect very much.

Morioka: Thank you so much. Gira-sama grew up in an orphanage, and I think Douga was surprised to see that this young man, who at first seemed so unfamiliar to him, has become more and more involved as the backbone of the country. He became the current king, and Douga serves as his retainer, but Gira-sama has grown remarkably. In my mind, Gira-sama and Taisei-kun overlap, so I see him as a man that I'd like to serve sincerely, even going beyond our roles.

"Were there any surprising developments or settings for your role compared to when you were first cast?"

Sakai: I think the fundamentals of Gira have always remained the same. Rather than Gira, the exit and reappearance of other characters…I think the surprise of those developments were greater.

Morioka: One thing that remains consistent about Gira, is that he understands other people's feelings and pain better than anyone else.

Sakai: That's right. Even for main episodes of the other kings, Gira would stand next to them and inspire them. As the episodes went on, I realized that he was a person who could relate to what other people were thinking.

Morioka: Douga on the other hand has recently been referred to as an "interesting person" on SNS (laughs). Around episode 9, a celebrity from Chikyu, a genius boy named Kiito-kun with an IQ of 20,000 appeared, and Gira, who was a fugitive at the time, looked just like him in his disguise. Since Douga was there, I was asked to do a performance that showed a different side to him. For me personally, I was surprised, was it okay for Douga to approach and press some celebrity for an autograph?! (laughs).

Sakai: It's hard to imagine from Douga's early appearance.

Morioka: That's right. First of all, it was there that I was able to find a direction for my role. And thankfully, in episode 21, the main episode where Douga is on the move job hunting, I was able to "break out" again.

Sakai: I was also surprised, did you really expect to see Douga like this from the dignified appearance he showed in the first episode?! There was a comedic element to it, and I really think Morioka-san is amazing at portraying so many different sides to him.

"How would you describe the strength of Douga, who serves as the king's sword wielding retainer in the "strongest country" of Shugoddam?"

Morioka: Including in the spin offs, there were quite a few scenes where Douga gets blown away with a single attack (laughs). So, I thought he might be surprisingly weak, but he had an action scene in episode 40, and he was moving relatively well, so I thought that he was a person who could be in charge of the military.

Sakai: I feel that if there were a fight against the kings who aren't armed with the royal armor, Douga definitely wouldn't lose.

Morioka: You think so? I'm really grateful filming action scenes, they're fun to do.

"What are your thoughts on the relationship between Gira and Douga?"

Morioka: Douga was originally the retainer for Gira's older brother, Racules Husty, so there were times when I felt that it was very difficult to determine his position, but things have now been sorted out. Of course, he still has feelings for Racules, but I play Douga based on the idea that Gira-sama is the one who should come first.

Sakai: In most countries other than Shugoddam, the king leads their retainer, but since Gira is new to being king, I feel that he and Douga are growing together, and I think that relationship is a charm that the other countries don't have.

"Please tell us about any particular scenes between Gira and Douga that moved you."

Sakai: For me it's episode 29. There's a scene in which Douga says to Gira, "What the people need, is none other than Gira-sama!" I was so moved by this scene, that I felt emotional while performing.

Morioka: During filming, Taisei-kun said, "Morioka-san! Just now, that really hit me!"

Sakai: I became more aware that I was king, and I was moved by the way Douga's thoughts were conveyed.

Morioka: For me, it's episode 21, which I had mentioned earlier. In this scene, Douga, who had been job hunting in every county on Chikyu, eventually returns to Shugoddam and asks Gira-sama, "Will you let me work here?!" and Gira-sama empathizes with Douga. The combination of Gira-sama's kindness and Taisei-kun's kindness really touched me.

Sakai: That makes me happy!

"Starting with episode 27, the new chapter is set two years after the previous one. There's also a change in that Gira is now officially the king of Shugoddam, but were there any changes in the performance plan?"

Morioka: Yes. At first, I thought that although it had been two years, Douga was of a certain age, and that there would be little change in him, so I acted with the same expressionless face I had before. Then, Kamihori-san (Director Kamihoriuchi Kazuya) asked me to be alittle more softer, saying, "Douga-san, let's have a slight smile here." With that one comment, I interpreted that Douga had become more mature, or maybe more tolerant in the past two years since his partner changed from Racules to Gira-sama. He's been smiling alittle bit, and showing the various sides to him.

Sakai: Director Kamihoriuchi told me, "You don't have to change your performance just because it's two years later." However, in the prison scene in episode 29, the Director created a scene in which Gira bursts into laughter at Douga. When I saw that, I realized that when the Director said I didn't have to change my performance, he meant that I didn't have to think about anything complicated, and that he just wanted Gira to grow alittle. After that, I started to casually do things that I hadn't done in the beginning, such as saying my lines with a slightly lower tone of voice.

"In the variety show "Sokkin Sentai Sokkinger" which is distributed through the Toei Tokusatsu Fan Club (TTFC), Morioka-san mentioned, "In order to not to diminish king Racules's status, I keep my appearance neat," but is there anything you're aware of as Gira's retainer?"

Morioka: Basically, it's the same, but while he was more respectful of Racules, I feel like he's genuinely and sincerely in love with Gira-sama. When he was serving Racules, I thought that Racules had picked him up and put him in his current position, but with Gira-sama, he wants to support him from the ground up and raise him to be a real king. However, I feel that he's drawn in by something Gira-sama has hidden within him, and is prepared to sacrifice his life in a different sense than when he was Racules's retainer. That's why, even though he's a retainer, there are times where he clearly expresses his opinions to Gira-sama. To the viewers, he may seem like a fatherly figure, but I myself think it's different from the feeling of parent and child.

"Do you remember the first time you two met each other?"

Morioka: I remember it well. I'll never forget, it was at the beginning of filming. As I remember, we were filming the scene where the kings came to Shugoddam with their retainers and begin the meeting of the five kingdoms. Taisei-kun came to the scene even though he wasn't supposed to appear.

Sakai: It was the first day of filming after all, so I thought I'd like to greet everyone and look around…

Morioka: Then, I think it was during a commemorative photo, that I noticed a slender, cute boy with silky hair standing next to me, and he greeted me by saying, "I'm Sakai Taisei, I'll be playing Gira." I said, "Oh, it's you!"

Sakai: Ahahaha!

Morioka: A kid with such sparkling eyes…I could already tell that he was a good kid.

Sakai: No, no (embarrassed). What I remember very clearly is the scene filmed at Kiyosumi Shirakawa BASE in the first episode. At that time, I think I was overly enthusiastic and was trying to, "Absorb everything I could!" But, Morioka-san gave me advice in a kind and gentle way, without a hint of looking annoyed. So, from the very beginning, I've had the impression that he's a "bundle of kindness."

Morioka: Haha. Also, the scene where Gira-sama appears for the first time inside Caucasuskabuto Castle and pleads for help with, "If you have this (the OhgerCalibur), you can save everyone, right?!" and, "That's why you (Racules) have got to use it!" was very memorable.

Sakai: It was the most difficult scene…

Morioka: It was the first important scene, a crucial point in the story.

Sakai: I ended up doing about 20 takes for one cut…However, Morioka-san didn't look annoyed and just went along with it.

Morioka: It wasn't just me, everyone who was there, including Racules (played by Masato Yano), was like, "Do your best!" I thought Kamihori-san's direction was amazing, and I was moved by how humble Sakai Taisei's earnest efforts to respond to them were.

"Over the past year, do you feel that Sakai-san's performance has changed?"

Morioka: I feel that it really has.

Sakai: Really?!

Morioka: Not just with Taisei-kun, but I feel this way about the entire cast. Well, Kaku So-san who plays Kaguragi Dybowski has alot of experience, so he's abit different. But, I really think Taisei-kun has changed the most. When we were filming the first episode that was mentioned earlier, Taisei-kun had alot of work to do. Even though he could've approached things from a different angle, he listened exactly to what the Director told him, responding with, "Yes!" and, "I see!"

Sakai: So embarrassing…

Morioka: Now, I can feel that he's listening to what the Director wants, and is trying to break it down so it can be put into the performance

Sakai: Over the past year, I've gradually become able to do this, but there are still many challenges.

Morioka: If anything, I don't have much time left as Douga now (laughs).

Sakai: Stop that! I once previously said directly to Morioka-san that he seems to enjoy acting more than anyone else. Do you actually feel excited as you perform the role, thinking, "What should I do here?"

Morioka: I do. It's fun to think about what I'm going to do. However, I'm very nervous, so I try to be well prepared so that I don't have to worry about how the others will react during the actual performance. So, it's always a battle between "fun" and "nervousness."

"If Douga were to arm himself with royal armor, what kind of warrior would you want him to be?"

Morioka: I'm also a boy, so I think a cool bug would be nice, however, the name Douga apparently comes from the cupreous chafer beetle (douganebuibui).

Sakai: Eh, Is that right?!

Morioka: I was told by fans that it might be so, but I don't know if it's really true or not (laughs). Ah, in episode 25, since Douga rode in Guardian Hercules when the retainers piloted God King-Ohger, I also admire warriors with a hercules beetle motif.

"If you have any questions you'd like to ask each other, please do so."

Morioka: If we were to meet in another production, what kind of show would it be, and what kind of relationship would you like us to play?

Sakai: I'd like to do a yakuza story. I'd like to be Morioka-san's henchman and say something like, (in a low voice) "Aniki!"

Morioka: That's good! It sounds interesting.

Sakai: On the other hand, what kind of production would Morioka-san like to work on with me?

Morioka: Taisei-kun plays the role of a heroine's lover, and I play the role of the heroine's father. I think a production that depicts everyday life would also be good.

Sakai: Sounds good!

Morioka: There's one other situation I'd like to try! I'm a lawyer and Taisei-kun is a suspect, and he'd be like, "Lawyer-san, I didn't do it!"

Sakai: (acting realistically) "Lawyer-san, I didn't do it!"

Sakai & Morioka: Ahahaha!

Sakai: I really want to work together again, so from now on, I'll continue to do my best!

Morioka: Same here. This is my wish, but I want Taisei-kun to become a popular actor who can play a wide range of roles. I think the most important thing for an actor is honesty, and Taisei-kun is a really honest person who absorbs things like a sponge. If he continues like this, I think he'll become what I consider to be the ideal actor.

Sakai: Thank you very much!!

"Finally, please give a message to the fans."

Morioka: The Producers, Director, production team, acting department, and fans have nurtured this program and given us strength. Personally, I've learned alot from the opinions on SNS. I'd be happy if you could continue to support me even after this production is over.

Sakai: King-Ohger is a production that the staff spent a long time discussing and working on to create. Every day, I feel that the cast and staff are working together as one to tackle this work. There are only 5 episodes remaining to air, but there are still great developments waiting to happen, so please look forward to it!

Watanabe Aoto (Yanma) x Chiwata Yuhei (Shiokara)

"Please tell us your impressions of each other's character."

Watanabe: My impression of Shiokara, played by Chiwa-san (Chiwata), is that, "The kinder the person is, the scarier they are when they're angry."

Chiwata:…Hmm?

Watanabe: In episode 35, Yanma and Shiokara's past was depicted, but there's a pretty big gap between Shiokara's current character…In the past, Shiokara was the type of person who was quick to get his hands on something and had a sharp personality. However, he had a gentle gaze toward his own friends, and I think that's still true today. Until that episode, only Shiokara's friendly side was depicted, but I realized that when he gets angry, he's really scary! At the time, I was afraid of interacting with Chiwa-san…

Chiwata: You liar! (laughs).

Watanabe: (laughs). Still, I thought that gap was really cool.

Chiwata: I see. Of course, I’ve had the impression from the beginning that Yanma was cool, but since entering the new chapter, I've come to think that he can see what's going on around him better than anyone else. It's like he has foresight. Within Yanma, I think he has a well established logic that says, "This is what will happen if I do this," where he's able to easily figure out what choices he should make at that moment. Once again, I think he's a very smart person.

"Do you see any similarities between your characters and the person playing the role?"

Watanabe: Shiokara plays the role of the "pipe" that connects Yanma to the citizens of "N'Kosopa's Three Magi," being Minami Hokuto-kun's Akka, Okano Kaito-kun's Usuba, and Hayakawa Nagisa-san's Mayuta. Chiwa-san is also good at communicating with everyone, so I think they're similar. That impression hasn't changed since the beginning.

Chiwata: The similarities between Aoto and Yanma are that they both have cool visuals.

Watanabe: Well, they're both me (laughs).

Chiwata: I see (laughs). Aoto is very direct. I think his humanity is similar to Yanma's because he has a firm core and doesn't bend his beliefs. Aoto, he can sometimes show his cute side. I traveled to South Korea for the first time in Summer of 2023, and when I talked to Aoto before I went, he said, "Nice! Chiwa-san, I like this Korean brand." I thought, "Does that mean you want me to buy it for you?" (laughs).

Watanabe: Wahaha! At that time, I said, "I'll buy it when I have time," but while in Korea, Chiwa-san sent me a picture of a paper bag from that store. It was sent with the message "kneel down" (laughs).

Chiwata: Still, I think that kind of honesty is typical of Aoto.

Watanabe: I received some really nice clothes. It made me really happy!

"You're good friends even in your private lives. This time, you appeared in the costumes for the new chapter that started from episode 27. The new chapter is set two years after episode 26, but did you change the way you played your roles?"

Chiwata: At first, I was conscious of wanting to express the fact that two years had passed. However, there was no drastic change in my performance.

Watanabe: When I discussed Yanma's hair style for the new chapter with Director Kamihoriuchi Kazuya, he told me, "I definitely don't want to end the pompadour." So I decided to change my hair color, and went with a blonde pompadour. At first, I imagined that Yanma would be alittle more mature two years later, but when I decided to go with the blond pompadour, I realized that he was still in the process of developing. Immediately after entering the new chapter, when I noticed TomboOhger's actions, his movements were faster and more frequent, making for a very aggressive fighting style. Also, the jacket, which is Yanma's costume before the transformation, has had the length shortened and the sleeves can be slipped through more easily, making it easier to move around.

Chiwata: In the beginning, because you often had to hang the jacket over your shoulders, you used to complain that, "The action is too difficult…"

Watanabe: That's right. So, for me, I try to be more active in my performance, with the awareness that "Yanma's peak has yet to come!"

"As of the publication of this book, episode 45 will have aired, but compared to when you were first chosen for your roles, please tell us about the setting or development that surprised you the most regarding your role."

Watanabe: In episode 35, the Royal Sentai failed to take back N'kosopa from the enemy, Hilbil Leech of the Uchu Five Jester, and the episode ends in a very bad situation. However, the subtitle for the following week was "Hymeno's Matchmaking Strategy," and Yanma was happily going on a matchmaking trip (laughs).

Chiwata: Ahahaha! Even though N'kosopa was in ruins.

Watanabe: I was surprised when I read the script, but I also thought it was really cool. As a man, I thought it was cool that he could be so devoted to the girl in front of him, even if it means he humiliates himself. Besides, when something negative happens to me, it's not as if I can solve the problem by just staying inside and thinking about it. When I find myself in such a situation, I'm the type of person who thinks about it and tries to live my daily life properly, so I empathize with Yanma.

Chiwata: This is also connected to the story of Yanma's foresight that I mentioned earlier. There's no point in crying over the loss of our country, so we should just do what we can do now.

Watanabe: This is probably due to the fact that Yanma became a member of the Royal Sentai, and the area he's supposed to protect isn't just N'kosopa, but also the entirety of Chikyu. It's helpful that Yanma is good at choosing which one to prioritize.

Chiwata: When I read the script for episode 35, I was really impressed. When I started this production, Director Kamihoriuchi told me, "I want Shiokara to be an innocent, energetic and lovable character" and that's what I kept trying to achieve. And then, episode 35 let me do the exact opposite! I was very happy that we were able to show the background of our characters. Actually, Takamina-san (Takano Minato), who wrote the script, also talked to me about episode 35. This included Shiokara's pronoun.

"In the variety show "Sokkin Sentai Sokkinger," which is distributed through TTFC, Chiwata-san said, "When the Director asked me to distort my character, Shiokara's pronoun was changed to Oira."

Chiwata: Yes. At first, in the script, Shiokara's pronoun was "Ore". However, in the opening scene of the first episode, I consulted Director Kamihoriuchi and said, "I want to change the pronoun," and it became "Oira." However, since it was an on set exchange, most of you didn't know about it, and it remained "Ore" in the script.

Watanabe: That's right.

Chiwata: Later, when Takamina-san came to the set, I apologized and said, "I'm sorry for changing the pronoun," and he said, "Don't worry. We'll change it to Oira in the next script." However, in episode 35, there was a mixture of "Oira" and "Ore," and I was told that, "This is intentional, so please act according to the script." I also felt it was rewarding to play the role of Shiokara because I was able to show the gap between Shiokara's current character and his past as a delinquent.

"Please tell us about any particular scenes between Yanma and Shiokara that moved you."

Watanabe: It has to be episode 35.

Chiwata: Yeah, that's mine too.

Watanabe: What Hilbil was targeting was the "I'm on top computer," which controls all of N'kosopa's systems, and is normally operated by Yanma. Hilbil brainwashed the people of N'kosopa by whispering to them to destroy the computer, and Shiokara accidentally took out his earplugs and was brainwashed, but Shiokara desperately fought against it. Seeing Shiokara's desperate resistance, Yanma decides to destroy the computer himself in order to break Shiokara and the others brainwashing…However, I think this is a scene where he becomes much more aware of his role as a king, that he's living together with his people, including Shiokara.

Chiwata: I've been curious about it for a long time. In that episode, Yanma was forced to choose between the country and Shiokara, right? Did Yanma choose Shiokara right away, or did he think about it until the last minute?

Watanabe: Right…To be honest, I thought that Yanma in that scene was naive. The Yanma I know could've sacrificed Shiokara, and I don't think he would've chosen Shiokara from the beginning. After hearing Shiokara's feelings about N'kosopa, I think he destroyed the computer thinking that he was responsible for everything. This is just my guess though.

"When Shiokara woke up, he asked him what had happened and, charmed by Yanma's manly spirit, decided to follow him for the rest of his life."

Chiwata: In Shiokara's mind, there was no choice but to follow Yanma. That's why Shiokara doesn't go against what Yanma says, but at the same time, Shiokara also has a desire to pull Yanma along. That's why when Yanma was brainwashed by Hilbil in episode 44, I really wish Shiokara had been there for him.

"Now then, please tell us what you think makes the combination of Yanma and Shiokara unbeatable compared to the other countries kings and retainers."

Watanabe: Compared to the other countries, I think the amount of time we spend together is second to none. Also, Shiokara knows what Yanma was like when he wasn't king.

Chiwata: That's true. I sometimes think about the age of the characters. I wonder, who's older, Yanma or Shiokara?

Watanabe: It's not clear.

Chiwata: I've never really asked Takamina-san, but I feel like Yanma and Shiokara are closer in age than the other pairs, I also think they give off a stronger feeling of siblings than the other pairs.

"Are there any scenes you'd like to play as N'kosopa's king and retainer?"

Watanabe: The past was depicted in episode 35, right? I'm curious about the story of how Yanma became king after Shiokara and the Three Magi became Yanma's friends.

Chiwata: I'd like to see that! Like how N'kosopa was founded.

Watanabe: There needs to be an "Episode Zero"!

Chiwata: Because, how is it possible that a city so devastated became a country of cutting edge technology in just a few years?

Watanabe: Still, until Yanma became king, he couldn't equip the TomboOhger royal armor…

Chiwata: Wouldn't it be better to depict Yanma taking the throne and arming himself with the TomboOhger royal armor for the first time in the ending?

Watanabe: Oooh! That sounds good.

"Speaking of, if Shiokara were to be armed with royal armor, what kind of warrior would he be?"

Chiwata: Would the motif be based on the Japanese white tailed skimmer (shiokaratonbo), which is also the origin of his name? When Shiokara became a pilot of God King-Ohger in episode 25, he was piloting a pill bug (rolling hammer), so there's also a pill bug motif. For the color, something closer to blue would be good…maybe a light blue?

Watanabe: Cute! (laughs).

Chiwata: But, if the retainers were to arm themselves with royal armor, I think the most exciting thing would be for them to become weapons and have the kings use them. For example, Shiokara could become a gun, and when Yanma uses it, it becomes even stronger.

Watanabe: Sounds interesting!

"Since we have this opportunity, would you be willing to ask each other questions?"

Watanabe: King-Ohger will continue to host shows and other events even after the TV series wraps up, but is there anything you'd like to try?

Chiwata: I want to go around the country on the Final Live Tour and meet the fans of our work. Also, it'd be nice to have character songs for the kings with their retainers of each country.

Watanabe: That's good. Staff, please hear us out!

Chiwata: Well, my question to Aoto is…in the future, what kind of actor do you want to be?

Watanabe: Suddenly it's a serious topic (laughs).

Chiwata: Sometimes we talk about acting, and I think Aoto is really good at performing, so I wonder, what kind of actor do you envision yourself becoming?

Watanabe: I want to be in productions that inspire the viewer. For example, after seeing a work that focuses on family, I think to myself, "I should value my family," or "Maybe I should call my family." I want to appear in works that make people feel happy or take positive action after watching them.

Chiwata: I see. In terms of entertainment, what about action?

Watanabe: I admire it!

Chiwata: You also box, don't you?

Watanabe: Yes. I'll continue to work hard to achieve my goals!

"Finally, please give a message to the fans."

Chiwata: I often receive compliments from various people in the entertainment industry, saying, "King-Ohger is amazing." This is thanks to all the fans who have supported and encouraged us so far. We will never forget our gratitude, and will do our best to make this a work that'll be enjoyed to the very end!

Watanabe: This production also involved alot of extras. In that respect, I feel that this work was created together with the viewers, and I'm grateful for it. There are only a few episodes left, so please follow us until the end!

Murakami Erica (Hymeno) x Yoshimitsu Hiroto (Sebastian)

"This time, it's a character book featuring the kings and their retainers, so we'd like to hear from both of you."

Yoshimitsu: Thank you for having me. (to Murakami) Ah, I've got some candy.

Murakami: Wow, I'll have some if I'm tired of talking. This is the kind of thing about Yoshimitsu-san that's just like Sebas himself. He once gave me a souvenir from when he went to the countryside, and his thoughtfulness is really wonderful.

Yoshimitsu: I have to try to make a good impression. There are alot of young people on set.

Murakami: There you go again with that~ (laughs).

Yoshimitsu: The cast members who play the kings are all around the same age as my children, so I can't help but find them cute. They all have good personalities. The actors who play the retainers also have good personalities, but they all have their own quirks. I guess you could say they're unique.

Murakami: Even the kings are unique (laughs).

Yoshimitsu: The six of them have their own individualities and are considerate. Hyme (Murakami), in particular is flawless. She's extremely positive.

Murakami: That's not true~

Yoshimitsu: You never give up. In the beginning, even though Kamihori-san was very strict with us, she would say, "This gives me a good foundation for the performance I'll do tomorrow." That's amazing, isn't it?

Murakami: Fufufu. I can ask Yoshimitsu-san various things, and he teaches me. When we're filming together and I say, "I don't understand this part…" he immediately makes a suggestion saying, "Why don't you try it this way?" I like our relationship, and I think that kind of thing is very similar to Sebas.

Yoshimitsu: I don't know if my suggestions are right or not.

Murakami: I'm always learning, and it's the kind of stuff that I actually use! (laughs).

"Alot of things were revealed about Sebastian in episode 36, but what kind of explanation did Yoshimitsu-san receive about Sebastian in the beginning?"

Yoshimitsu: Hymeno doesn't usually carry the OhgerCalibur, so I was told to always be there carrying the sword tray. Even if I didn't have any lines, I would come out with the sword tray. I thought to myself, "I don't have to memorize lines, lucky~" (laughs), but thought about various ways of holding the sword tray. For example, after handing over the sword to her, I would quickly pull the tray back. Well, around the middle of the show, I became more resourceful in the way I brought out the sword, and didn't hold the tray as much.

Murakami: Lately, there've been alot of instances where Hymeno is suddenly holding the sword. As for my own narrative, the sword is supposed to come out from the ribbon on her back.

Yoshimitsu: I see. By the way, when playing Sebastian, I often pay special attention to how I stand while holding the sword tray. They changed it halfway through, but the first sword tray was so heavy, that it was difficult for me to stand holding it. However, if my back is bent, it doesn't look like Sebastian, so I was very conscious of taking a step back with my right leg, keeping my back straight, and standing straight like a dancer.

Murakami: Regarding Sebas's performance, when Yoshimitsu-san and I were at the first script reading, Kamihori-san suggested, "Give me one distraught gesture. For example, touching your mustache." I remember when Sebas's iconic pose was born.

Yoshimitsu: Hymeno asks Sebas to do some pretty reckless things, doesn't she? Saying things like, "Create a flower garden overnight." Each time, Sebas would think, "Hmmm, how troublesome." As a gesture for such occasions, he would start touching his mustache. I also consulted with Kamihori-san as we put together the performance.

"Please tell us about your impressions of the character the other is playing."

Yoshimitsu: She's cute. However, I can't help but view her as my co star, not as her character.

Murakami: I see! (laughs). I don't usually talk to people like this directly, so I'm kind of happy!

Yoshimitsu: I look at you (Murakami) from a father's perspective, but if you were my real daughter, I wouldn't marry you off! And yet, I'd also worry that you wouldn't get married…She's so cute and has such a nice personality, that I think it'd be a big shock if someone saw something they didn't like about her.

Murakami: You definitely show your dislikes on a regular basis (laughs).

Yoshimitsu: Really?

Murakami: Things like acting recklessly…

Yoshimitsu: As your character, yes. But, there really isn't anything I dislike about Murakami-san herself. Even after filming for King-Ohger ends, if you or any of the other kids who play the role of kings ever have any problems, you can come to me for advice. Invite me out with, "Let's grab a drink," that's okay too.

Murakami: Thank you very much! Going beyond the relationship between Sebas and Hymeno's characters, I'm glad that you care about me too.

"Murakami-san, how do you feel about the character Sebastian?"

Murakami: I feel a sense of security. When Sebastian appears, I feel like Ishabana is able to maintain peace, and just having him by her side calms Hymeno down. Even in episode 14, when Hymeno mistakenly thinks that Jeramie Brasieri is the enemy of her parents, Sebas tries to calm Hymeno down by gently suggesting some tea.

Yoshimitsu: Hymeno responded with, "I don't need it," and Sebas made a sad face. I feel like that exchange went well.

Murakami: Yoshimitsu-san took the lead, so I felt comfortable playing the role.

Yoshimitsu: Now, it's the opposite. Murakami-san has grown so much in one year. At first, she would ask me, "Is it okay to do this?" and I would reply, "Do whatever you like," however, the other day I asked, "Is it okay to do this here?" and she replied, "Do whatever you like."

Murakami: (laughs). At that time, I was putting all my effort into my lines.

Yoshimitsu: That said, I've become able to respond to improved movements with improved lines, so those kind of interactions have become natural.

Murakami: I no longer get anxious.

Yoshimitsu: I'm getting better at it.

Murakami: In the beginning, I'd often think, "What'll happen if I do this, or if it doesn't work out, will I cause trouble for everyone…?"

Yoshimitsu: She's a very considerate person, isn't she? When the extras were standing on set, she said, "Since everyone is standing, I'll stand too."

Murakami: During filming, you have to take care of yourself, but the extras hesitated to sit down and stay hydrated. That's why I wondered what I could do.

Yoshimitsu: As for the Ishabana scenes, Murakami-san is the leader, so if the leader acts like that, the extras will feel more comfortable filming.

Murakami: I was also anxious about putting a burden on so many people, but I started to think, if something were to happen, as long as Yoshimitsu-san was there, everything would be okay!

Yoshimitsu: Lately, I've been thinking about becoming a candidate for Murakami-san's manager. The pay will be higher though.

Murakami: (laughs). I'm grateful that you'd choose me, even if I cause you trouble.

Yoshimitsu: You can cause as much trouble as you want. Just try doing a performance that you like! If they say, "That's annoying, pass," you can just try again.

Murakami: I'm gradually learning to rely on those around me, but if I rely on them too much, I won't be able to rely on myself. From now on, I'm going to have other jobs in this field.

Yoshimitsu: Right. Sebas won't always be by your side.

Murakami: I'd feel relieved if you came to my side like you usually do…

Yoshimitsu: You don't really intend to make me your exclusive manager, do you? (laughs).

"Were there any particular scenes between Hymeno and Sebastian that left an impression on you?"

Murakami: At the end of episode 36, when Hymeno asks Sebas, "Do you ever wish you could go back to being Romane Dearborn?" He answered, "Only when I hide my true face could I live my life the way I wanted to. Now, Sebastian the butler is who I am." I was impressed by that scene.

Yoshimitsu: You know, it didn't feel like I was saying the lines. It just came from my heart. Before we started filming, I was thinking alot about whether it would be better to do a performance based more on Romane Dearborn, but since I've always played Sebastian, it was an easy decision.

Murakami: Upon hearing that, Hymeno smiled and said, "Thank you." Both Hymeno and I were very happy.

Yoshimitsu: In that episode, there's a scene where the special makeup was applied for the first time by the waterside, and the script said "his eyes tear up." But when I was looking at Hyme, even if I didn't consciously try to cry, I just thought, "This kid, she's doing her best…" and I was already starting to tear up from the rehearsal (laughs).

Murakami: I didn't know that (laughs). I also like that waterside scene. As Hymeno puts on his glasses, she says, "Having compassion for others. That's the most beautiful thing you have, and the only thing I want."

Yoshimitsu: It was a performance that tugged at my heartstrings, or rather, it tickled my heart.

Murakami: It's good that Yoshimitsu-san can lift me up on this set, but that won't happen from now on. I think doing a single person performance…it worries me.

Yoshimitsu: Don't worry. You're fully qualified. It's not for me to say though (laughs).

"During the matchmaking episode, there were alot of highlights from both of your performances. The expressions on Hymeno's face when she was being impersonated by Kamejim Unka of the Uchu Five Jesters were also wonderful."

Yoshimitsu: Takano Minato-san, the screenwriter, is relentless. I thought, "How can he make us do such unpleasant things?!" The body swap scenes in episode 28 were also amazing.

Murakami: There are alot of lines, and it's not Jeramie, but it's a scenario that makes you read between the lines.

"If there's a spin off in the future, please tell us if there's any situations you'd like to perform."

Murakami: Hymeno tries to wake up in the morning, but can't, and when Sebas comes to her room and makes her morning tea, she feels relieved…I wanted to film a scene like that. Things like afternoon tea are usually elegant scenes, aren't they? I'd like to perform a tea scene that isn't like that.

Yoshimitsu: I was thinking of doing a backflip. I thought that if I, a 63 year old, did a backflip, I'd be able to convey Sebastian's true youthfulness. However, I don't want to injure myself and inconvenience everyone, and I haven't practiced in awhile, so I decided to stop.

Murakami: I definitely want to see an agile Sebastian.

Yoshimitsu: It'll be fun to do someday…but, will there ever be a "someday"?

Murakami: I don't know~ you might be doing backflips in 10 years.

Yoshimitsu: No, no, you might be a big actress 10 years from now, but this old man will have had enough…

Murakami: Fufufu, I'm looking forward to it.

"Could you please ask any questions you'd like to hear from each other?"

Yoshimitsu: I'd like to be invited to Hyme's wedding, but do you plan on getting married?

Murakami: I have a desire to start a family, so I'm sure I will someday…

Yoshimitsu: If you want to have a ceremony, please reach out to me. I'll provide a proper celebration.

Murakami: You got it! Well, I'd like to ask you a question as well. Yoshimitsu-san is very knowledgeable and knows many things regardless of the subject, why is that?

Yoshimitsu: I've lived a long life. Also, I like to talk, so I talk to alot of people and learn alot from them. Even if I don't know everything in depth, if I know even alittle bit, I can say, "I heard something like that back then," and use it as a basis for my performance. Also, sometimes I go out to eat and treat myself to traditional sushi (not conveyor belt). If I lived a normal life, you have no idea how nervous I'd feel going into a prestigious restaurant. I've never been in first class on an airplane, but I've heard that all the chairs are electric.

Murakami: That's cool. You've got a "let's give it a try" spirit.

Yoshimitsu: Yes, I have to try everything. If I were to play a role where I had to move to a first class seat, I'd be nervous if I had no experience, but if I had experience, I'd be able to do it easily and look like I'm used to it, you know? That's why it's good to have experience in everything.

Murakami: It's a great source of artistic talent. I guess it's all connected to acting.

"Finally, please give a message to the fans,"

Murakami: We've been walking together with the fans of Ohsama Sentai King-Ohger, and I hope we can enjoy it together until the end. We'll be facing off against a powerful enemy, The Uchu King, but one of the strengths of Super Sentai is our unity. Everyone will work together and do their best!

Yoshimitsu: A year goes by so fast. It's sad. As Hyme just said, there's a powerful enemy standing in our way, so the kings, their retainers, and their people won't be able to win unless everyone is united. In episode 25, we were able to combine the 20 person God King-Ohger, but it has to be even better than that, so I feel like it's going to be something amazing. I didn't know much about the Super Sentai series, but I was moved by the fact that it touches so many people. It was a great experience, and I met some great friends. I never thought I'd meet such young and pure people at my age. It's truly been a treasured year for me.

Murakami: I hope you look forward to it. I don't think the Royal Sentai have ever failed our expectations.

Yoshimitsu: In the last spurt, I'll run until my heart stops.

Murakami: Don't let it stop! (laughs).

Hirakawa Yuzuki (Rita) x Hasegawa Kasumi (Morphonia)

"First, please introduce the character the other plays."

Hasegawa: Yuzuchin (Hirakawa) plays Rita Kaniska, the king of Gokkan. In the new chapter starting from episode 27, two years have passed, and their hair and the length of the jacket they wear have become shorter, and their slender legs look much better now. They're super cool!

Hirakawa: Is it just about looks? (laughs).

Hasegawa: I'll also talk about what's within (laughs). At a glance, because they're quiet, they may seem like a scary person, but at heart they're very kind, and they love the character Moffun that appears in the animated series "Together with Moffun." Although they're abit clumsy when it comes to socializing, because they're so bound by the principle of "fairness and equality," they're a king overflowing with love.

Hirakawa: Kasumin (Hasegawa) plays the role of Morphonia, Rita's retainer. Basically, work is tedious for her, but she doesn't slack off, and even if she complains, she gets the job done right. For Rita, she's not only their retainer, but also their emotional support. Rita doesn't say this directly, but her existence is one of a kind.

"Please tell us why you think the combination of Rita and Morphonia is unbeatable compared to the king and retainer combinations of the other countries."

Hasegawa: I think it's the fact that they're not bound by the "ruler and ruled" relationship present between a king and retainer.

Hirakawa: That's right. It feels like they're independent from each other. All the retainers from the other countries seem to be serving their king.

Hasegawa: If you think about it, compared to the other kings, Morphonia just calls them "Rita" (laughs).

Hirakawa: Yeah. Rather than "king and retainer" present in the other countries, what's different is that they interact with each other as individuals. Also, they can communicate their feelings without words.

Hasegawa: Rita doesn't say much. In episode 45, the story of Rita and Morphonia was depicted, and it feels like they've always been together since childhood. I think that because of that experience, they're able to understand each other so well.

Hirakawa: I don't know if it's a harmonizing thing, but they give off a strong feeling of being a duo that knows what they want to say without having to say it out loud.

Hasegawa: I think the attitude for the retainers of the other countries is, "I'll follow!" whereas with Morphonia, it feels like she's trying to walk together.

Hirakawa: That's true. It's not like Rita's in control of everything, and Morphonia isn't the type of person who needs to be shown the path to walk. The Gokkan duo may be the only ones walking side by side.

Hasegawa: Right. She lets Rita walk in front of her as much as possible, but when she want to stand next to them, she just stand next to them without hesitation.

Hirakawa: I guess the key point is whether it's in public or not. When attending a meeting in Shugoddam for example, I imagine that Morphonia is behind them.

Hasegawa: Morphonia is someone who understands TPO. (*being aware of what is/isn't appropriate)

"At the time of this books publication, episode 45 will have aired, and every character has been revealed. Apparently, Rita's parents are still alive and they've met up."

Hirakawa: I never really thought about Rita's parents until it was revealed in episode 38. Even if the setting was that they were dead, it wouldn't change my performance plan as Rita. Rita separates their private life from their professional life on and off, and if they became the presiding judge because they were separated from their parents, that would mean bringing their personal feelings into their work, so I didn't think such a scenario was likely to happen. That's why, when I read the script for episode 38, I just thought, "Ah, they have parents."

Hasegawa: Still, I can't imagine Rita talking to their parents.

Hirakawa: I think it's the same with my own family. Members of my family also take part in legal practices, so I come from a strict family…is what it seemed like.

Hasegawa: Was curfew at 4 p.m. or something? (laughs).

Hirakawa: I don't think that was quite it (laughs). The image of Rita I had in my mind was that of an only child, whose childhood friends were books and dictionaries…or so I felt. In episode 45, Morphonia's past was revealed.

Hasegawa: She's a child born between two criminals. I thought, "I knew it," so even after learning about it, I didn't change my performance plan.

"Please tell us about any memorable scenes between Rita and Morphonia. In the interview for, The Bonds Connected by Moffun and Racules?!, released in November 2023, you mentioned episodes 10 and 38, but has it increased since then?"

Hirakawa: I still think it's episode 38.

Hasegawa: The idol episode was memorable. Rita showed off their glittering idol look, and they cheerfully responded to Minongan Moth of the Uchu Five Jesters with, "Yes~!" We saw a different side of Rita than usual.

Hirakawa: Those scenes were nice, but the last one was good. Gokkan, where it snows throughout the entire year, was depicted with clear weather.

Hasegawa: That's right. That one was good.

Hirakawa: Actually, it seems like that last scene was almost cut.

Hasegawa: Eh?!

Hirakawa: Takamina-san mentioned it on SNS, but during a meeting discussing the scenario, Takamina-san was desperately defending it, saying, "It's absolutely necessary! Please keep it!"

Hasegawa: I see. I'm glad we got it~. In the end, we still improvised the performance.

Hirakawa: The final back shot, where they're walking together under the clear sky, was all improvised.

Hasegawa: After filming finished, I was unusually satisfied.

Hirakawa: The relationship between them also became closer.

Hasegawa: Well, Morphonia didn't understand Rita was doing undercover work, she completely misunderstood them (laughs).

"After watching the actual broadcast, what did you think?"

Hirakawa: I was just relieved. Rita has many "closed" parts, both physically and in terms of their character, so until it aired, I was nervous, wondering what kind of reaction we'd get if they opened up about it. Would be okay? Still, Rita's a character who will have to break down those walls someday, and after episode 38, I felt that their possibilities had expanded. And as expected, I watched the episode air with excitement, wondering if the dancing and singing scenes turned out well. When we were filming, all I could do was put on my best performance, so I was concerned about how the scenes would turn out. How about Kasumin?

Hasegawa: I was really looking forward to the broadcast.

Hirakawa: That's what we kept saying before it aired. We'd say, "It's almost time for the idol episode!"

Hasegawa: I couldn't wait to watch it! I was looking forward to seeing Rita in action, but I was also looking forward to seeing how funny it'd look when Morphonia and the kings try to reason with Rita and find out why they become an idol.

Hirakawa: To put it simply, it was really annoying (laughs). Even more so, everyone's performance was so convincing….

Hasegawa: Everyone was annoying. But that was our role.

Hirakawa: Even when we were filming, I was acting thinking, "You're doing something so extra," but the broadcast was filled with that atmosphere (laughs). Like the look on Morphonia's face when she was appealing to Rita with, "I'm the only one who'll always be with you!" (laughs).

Hasegawa: I also thought I looked too desperate myself, which was really funny! (laughs). I had a fun day on the day of the broadcast. Thank you.

"Was there ever a turning point in your performance plans?"

Hasegawa: Our characters changed in episodes that would trigger a change. Specifically, episode 10, 25, 38, and 45. But, I didn't consciously try to change it.

Hirakawa: When filming an episode where the characters get closer emotionally, naturally, things change. The fact that the actors have gotten to know each other over the course of a year of filming also has an effect. This is a good thing, as it's a production that'll broadcast for a year.

"We think that the distance between them has become closer, and their understanding of each other has changed, but how do Rita and Morphonia view each other now?"

Hasegawa: Aren't they partners?

Hirakawa: That's right. I think it's a position that only Morphonia can hold.

"She stays neutral next to Rita, so she's a comfortable presence for Rita."

Hasegawa: Even though they've always been together, they don't seem to interfere with each other. They have just the right amount of distance and trust.

Hirakawa: Everyone has their own worldview and purpose, so they don't go into it any more than necessary. But, they can't replace each other.

Hasegawa: To begin with, if Rita wasn't the king, Morphonia would've run away. She didn't originally want to work as a retainer.

Hirakawa: Rita's the king, so I guess she does it even though it's an intense job. She must've fallen in love with Rita's personality.

Hasegawa: I think so. I think they can be together because she respects them as a person.

Hirakawa: I’m just imagining it, but when first meeting Morphonia, do you think the impression of her was, "What an interesting person"?

Hasegawa: She's changed gradually, and now you'll think, "This person is amazing, she should be king after all."

Hirakawa: Even though she started working as a retainer with that feeling, it's amazing how she's actually helping Rita. Morphonia is excellent!

Hasegawa: She really is!

"If you study seriously, getting a score of 100 points isn't a dream, but we also have the image of her being satisfied with scoring 90 points. Rita on the other hand is always scoring 100 points."

Hasegawa: This is just me imagining, but even though she complains, I think Morphonia is secretly studying behind the scenes. That's why I think she'd score 99 points.

Hirakawa: She can't quite reach it.

Hasegawa: Rita's perfect, but Morphonia isn't. Although she's gotten the hang of things and is able to do her job, she doesn't think she's fit to be a king.

Hirakawa: Is it a mental thing?

Hasegawa: Rather, and I'm not talking about Rita's family from earlier, but Rita can make fair judgments about family matters when it comes to work, but it seems that Morphonia can't do that. I think she'd rather try her best not to judge.

Hirakawa: I can imagine that.

Hasegawa: There's a difference, and I think that's why Rita is the presiding judge.

"In episode 25, Morphonia also participated in battle as a pilot for God King-Ohger, but if she were to arm herself with royal armor, what kind of warrior would you want her to be?"

Hasegawa: If the motif were based on the morpho butterfly, which is the origin of her name (morufochou), the color would be blue…

Hirakawa: You'd become a citizen of N'kosopa!

Hasegawa: I think it'd be good if the characteristics of Gokkan's people were to show.

"We understand that the two of you have become closer over the past year, and we'd like to hear about what you've been doing in your private time."

Hasegawa: I want Yuzuchin to teach me how to make delicious coffee.

Hirakawa: Of course! When it comes to coffee, I can be abit talkative. I'm always going on and on.

Hasegawa: Alright! I want to learn how to make hand drip coffee.

Hirakawa: In that case, I'll have to train you at my house.

"Hirakawa-san, are you particular about coffee?"

Hirakawa: I love it, and am very particular about it. The beans, the equipment, and even the way it's poured.

Hasegawa: The other day, I happened to have a cup of coffee that tasted so good, that I was impressed by how different the same drink can be. Then, I found out that someone who was as immersed in the coffee obsession was so close to me!

Hirakawa: I'm thinking of becoming a certified Coffee Meister, would you like to study with me? (*certification by the Japan Specialty Coffee Association)

Hasegawa: I do, I do!

"Previously, when the two of you visited the King-Ohger booth at the Tokyo Toy Show 2023 event, it seems that nobody noticed you, but do you have any stories of being called out to on the street?"

Hirakawa: I do. When I went to see a stage play by a senior from my agency, one of the audience members noticed me. However, I didn't notice their voice, and a staff member told me about it as I was leaving.

Hasegawa: There's a rumor that I didn't realize that I'd been noticed before. When I went to see a stage play, someone said to me, "Aren't you a Sokkinger?!" and I thought it was a novel comment. I was at a loss for words, and I'm sorry for not giving a proper answer. I want to apologize to the person who approached me at that time.

Hirakawa: It's funny that you're apologizing here (laughs). I may not be able to provide much service when people call out to me in public, but it makes me happy to know that people are watching our work.

"Please give a message to the fans."

Hasegawa: Are you enjoying Ohsama Sentai King-Ohger? I hope you enjoy watching it until its conclusion, because there's going to be an unexpected twist at the end.

Hirakawa: It'll be over soon, but I think you can feel the growth and change both as our characters and as individuals. I think the kings will have the opportunity to meet fans directly at the hero show at Theater G Rosso, but first, I hope that you'll join us to see how the TV series will end. And even after it ends, I hope that this will be a show that is loved for a long, long time.

Kaku So (Kaguragi) x Kanzaki Hajime (Kuroda's actor)

"First, could you please introduce the character the other is playing?"

Kaku: There are many kuroko serving the Toufu lord, Kaguragi Dybowski, who I play. Among them, Kuroda is a special person who's close to Kaguragi. The name Kuroda was revealed midway through, but episode 37 depicts that he was a good friend of Kaguragi even before he became lord. Although he can be a bit clumsy at times, his movements are light. This is some behind the scenes info, but sometimes he uses a trampoline.

Kanzaki: Toufu's lord Kaguragi, who Kuroda serves, has unshakable feelings, but he doesn't show them to those around him. It's unknown if Kaguragi revealed to Kuroda the exchange he had with the previous lord, Iroki, 17 years ago, which was depicted in episode 37. My guess is that he hasn't revealed it…but, since they've been together for a long time, I think he trusts him.

Kaku: That means it's a strong relationship of trust, because even though he doesn't reveal everything, he still follows him. I think he wanted to have the person he trusted the most by his side, so when Kaguragi became lord, he made Kuroda his retainer. However, he wouldn't be able to become the castle's kuroko if he was incompetent in various aspects, so Kuroda must've worked really hard to train and become strong…is what I think.

"Until the past story of episode 37 was depicted, how did you imagine the two of them would open up to each other?"

Kaku: In the beginning, Kaguragi always called him "Kuroda-san," but in episode 10, he calls him "Kuroda." I was talking with Kanzaki-san about the fact that they probably didn't have a master and servant relationship to begin with. I imagined various things, like maybe Kuroda was older than Kaguragi, and that he had taken care of him like a butler since he was a small child.

Kanzaki: Since that part of the story hadn't been depicted, we acted without making a clear decision. However, in the past, Kuroda dressed as a farmer and was seen calling out to Kaguragi in a rough tone, so I think Kuroda is alittle older than him.

"In the early days, Kuroda didn't have any lines, which made his character more imaginative."

Kanzaki: I was thinking he wouldn't talk until the very end (laughs). Compared to the retainers from the other countries, I get the impression that Kuroda takes a step back and looks at his surroundings, which is similar to myself. I often participate in tokusatsu productions as a Suit Actor, but in King-Ohger, I'm in a position between the action department and the actors, so when I see the young cast members talking so lively, I take a step back and think, "How cute" (laughs). Kaku-san is also older than the other regulars who play the kings, but he has alot of cute moments and sometimes acts alittle silly inbetween performances (laughs).

Kaku: That's true (laughs).

Kanzaki: As a member of the action department, I continue to assist the cast members on set even after they've finished their performance, and conversely, I stay on after the action department's performance is over if Kuroda has a scene. That way, I get to see the cast and crew at work, so it's a very fulfilling time for me. Although it's through the kuroko mask, whenever I see Kaku-san's acting up close, I always feel that Kaku-san's performance as Kaguragi Dybowski makes the scene even more intense.

Kaku: That makes me happy (laughs).

"What's the charm of Kaguragi and Kuroda that makes them unbeatable compared to the king and retainer combinations of the other countries?"

Kaku: I don't know what they're going to do. Just the scenes where Kaguragi and Kuroda have a secret conversation and split up is enough to make you feel like they're up to something again, and I think it's exciting.

Kanzaki: I also think that being physically fit is one of their strengths.

Kaku: Definitely, For example, if the kings were absent and their retainers fought each other…then Kuroda might be the strongest. Another key point is that they captivate you with their gorgeous movements.

"In episode 26, when Toufu's crops were being harvested by Ishabana's Shugod, and the people were suffering from heatstrokes, it was interesting to see Kuroda rush in and roll in front of Kaguragi, who contained Hymeno's soul."

Kanzaki: Kamihori-san said, "Please do it. You'll do it, right?"

Kaku: You make an impressive appearance in a way that the rest of the retainers don't.

Kanzaki: Since I can't show facial expressions, I tend to rely on movement. When performing the actions of a monster, even the slightest breathing has to be expressed in a loud voice for it to be conveyed, but since Kuroda's costume is normal, I've made adjustments so that it doesn't come off as over the top.

Kaku: Also, Kuroda has a nice voice!

Kanzaki: Toriumi Kosuke-san's voice is wonderful!

"We'd like to ask you to look back on any memorable scenes between Kaguragi and Kuroda."

Kanzaki: In episode 28, the body swap episode, there's a scene in which Kaguragi, who had Hymeno's heart, makes medicine for the people who have collapsed from heatstroke, and Kamihori-san gave him various orders.

Kaku: When I first read the script, I thought it was going to be a more rushed approach to nursing. However, the Director seemed to want it to feel more calm. I struggled with it alittle.

Kanzaki: It was difficult to find the "pause" to move and give medicine to a sleeping person. Also, in the movie (Adventure Heaven, released in Summer 2023), the scene where Kuroda interrupts Kaguragi and Iroki when they're facing each other is very memorable. I used a trampoline to do some moves that I had little experience with, but the moment it was given the OK, Kaku-san said, "You did it! That was cool!" How kind of my lord…is what I thought.

Kaku: It was really cool, so I definitely want you all to pay attention to that scene. In episode 10, when Kuroda bows, Kaguragi says, "Kuroda, what are you…?," calling him that for the first time. From that scene on, Kuroda became a character that Kaguragi felt closer to, and the image I had of them began to come forward. Until then, I could only vaguely imagine the extent of their relationship, but after that episode, I was able to imagine it clearly.

"Two years passed between episodes 26 and 27, and each character grew two years older, but was there anything you changed about your performance?"

Kanzaki: Kaguragi was absent during the beginning of episode 27, and I was confused when the Director told me, "Kuroda will wear Kaguragi's haori and take his place as lord." I thought Kuroda couldn't wear it because of his character…I told Director Kamihori the same thing, but he encouraged me by saying, "Everyone so excited, saying, Kuroda's the only one who can take Kaguragi's place!" So, I put my mind into it and acted it out. However, the performance itself didn't change.

Kaku: I haven't changed anything since the two years passed, but in the beginning, I was exploring the character of Kaguragi as I played him. At the time, I thought I was doing my best not to let my doubts show, but looking back on it now, I often reflect thinking, "I should've done things in this direction more, huh?" In the beginning, I could only get a vague idea of Kaguragi's personality, but as filming continued, as it became clear how he outwits people and what kind of soul he had, my perception of him changed. If I had my way, I'd like to reshoot from episode 1 in his current state! If I had atleast been given the scripts up to episode 20 before we started filming, I think my performance plan would've been quite different.

Kanzaki: For example, in episode 4, there's the scene in which Kaguragi is armed with the royal armor for the first time in the series, and his face looks completely different now than it did then, as he looks much more sturdy. Like all the actors playing the kings, I thought it was amazing. Of course we in the action department work hard, but to see young actors grow by playing the same character in front of the cameras for a year is something that's rarely seen in other productions, and I think this is the real thrill of being involved with Super Sentai and Kamen Rider, both of which air for a whole year.

Kaku: It's true that it's rare to have the opportunity to play the same role for a whole year.

"Now then, could you tell us what you like about each other's performance?"

Kanzaki: Kaku-san gives off a profound feeling, in terms of power, I like the gap between slow and fast. Also, as I mentioned earlier, despite being an older member of the cast, I find him cute. And then, I don't think there are many people who'd look good in Kaguragi's costume, hair and makeup, so I think it's amazing that Kaku-san has made it his own.

Kaku: Thank you very much. Kanzaki-san is always thinking of various gestures for the shoot, and his large reactions, which easily convey his emotions to the viewer, are interesting and appealing in a way that the other retainers don't have. Then, including Toriumi-san's voice, I think it's a luxury. The character of Kuroda was created by combining the work of action and voice professionals, and every action and voice performance makes it more interesting.

"As of the publication of this book, episode 45 will have aired, but are there any scenes you'd like to perform in a spin off?"

Kaku: I'd be good if there was a depiction proving Kuroda's strength. Kanzaki-san is the one doing the movements, and I believe that Kuroda is strong, but there aren't many depictions that establish that. Also, a scene where the two of them do some farm work would be nice (laughs).

Kanzaki: Everyday scenes are nice.

"You say you want to see a strong Kuroda, but if a Kuroda were to fight armed with the royal armor, what kind of warrior would you want him to be?"

Kanzaki: The people of Toufu have names with a bee motif, right? Some viewers thought that Kuroda may have been derived from the name of a bee with "kuro" in it. Kaguragi's younger sister Suzume Dybowski is from the vespinae wasp (suzumebachi), and Iroki is from the Japanese yellow hornet (kiirosuzumebachi), so he's got to be a bee warrior. Kaku-san tells me that Kuroda seems strong, but I also like the idea of a cute worker bee with a honey bee motif (laughs).

Kaku: That sounds good. There are alot of kuroko in the castle, so they fight in groups. Let's have Kuroda take on the role of the leader.

"Could you please take this opportunity to ask each other some questions?"

Kanzaki: To begin with, Kaku-san, why did you enter this industry?

Kaku: I was originally interested in theater. Because my parents were athletes, I devoted myself to playing baseball and rugby, but I had to give up these sports due to an injury. However, since I was still young and full of energy, I decided to pursue a career in theater.

Kanzaki: I didn't know that. Even so, you have a really good physique. How tall are you?

Kaku: I'm 185 cm (6'1"). Fujita Yohei-san, a Suit Actor for King-Ohger, is also tall.

Kanzaki: He's 187 cm (6'2"). Although he's the largest in Japan Action Enterprise (his agency), Kaku-san is sturdier. If Kaku-san were to join our agency, he'd be in charge of the Super Sentai Robos (laughs).

Kaku: I adore the Robos! Kanzaki-san, how did you end up where you are today?

Kanzaki: At first, I wanted to do motorcycle stunts. Motorcycle and action stunts are different from performance stunts, but I gradually began to think that acting would be interesting as well. When I looked into how I could study, I found out about the agency I work for now and joined.

"It's already been a year since this production started filming. It might be alittle early to ask, but how do you feel looking back?"

Kaku: It was a very short but intense time. All the regulars are really nice kids.

Kanzaki: Agreed.

Kaku: I think it's a miracle that we've made it this far without incident. This is a production that's deeply touched my life. However, it's not over yet. There's the hero show at Theater G Rosso, and maybe, just like with "Zyuden Sentai Kyoryuger," which we had a collaboration with during this production, it'll be revived 10 years later!

Kanzaki: Just the other day, Yuzuki-chan was talking about that on set and said, "I'll be in my 30s then, huh…" When Hachisuka Yuichi-san (PapillonOhger's Suit Actor) heard that, he said, "I'll be 70!" (laughs).

Kaku: (laughs). If there's a 10th anniversary work, I'm looking forward to seeing what the setting will be like. What's going on with the kings? I wonder if they'll get along or split up (laughs).

"Finally, a message to the fans."

Kanzaki: I think the last part of the show is going to be a wild ride, so please keep your eyes peeled. Also, I'll always be a fan of Kaguragi Dybowski, Kaku So, and Teramoto Shogo, HachiOhger's Suit Actor. I'm personally looking forward to seeing how the Directors will "spice up" Kaguragi in the end.

Kaku: Thank you very much. Just reading the script makes me feel excited, but I'd like you all to see what Chikyu's future will be like. Please watch until the very end!

Ikeda Masashi (Jeramie) x Seki Tomokazu (Gerojim's VA)

Ikeda: Nice to meet you, I'm Ikeda Masashi. It's a pleasure!

Seki: Nice to meet you.

"What the? Is this the place for a conversation to be "nice to meet you"?!"

Seki: Afraid so. I had met the other five kings at the production press conference and on the variety show that I'm a regular on, but at that time, Jeramie still only appeared as the narrator.

Ikeda: I'm glad to finally meet you.

"Getting into it, we'd like to ask you about Jeramie and Gerojim. Could you please introduce the other and the role they play?"

Ikeda: Gerojim is a kind character who loves Jeramie more than anyone else, and tries to understand Chikyu and other people more than anyone else. He's a mysterious being who can disappear like haze or disguise himself as someone else, and there's something about him that I haven't fully grasped yet.

Seki: Gerojim was once treated like an "incomplete" Bugnarak, and a staff member explained to me that he felt sympathy for Jeramie, a half human half Bugnarak. If I were to introduce Jeramie…he's white (laughs). I feel that he's mentally mature, but I also feel that he puts up with alot and forces himself to hold back, so I'm afraid that he'll bottle up too much and eventually explode.

"Seki-san, what other information did you receive about Gerojim's character?"

Seki: Well, nothing in particular…Originally, there were no plans for me to appear. However, at the production press conference, I jokingly said, "I'm going to be in the main story, right?!" but after awhile, they asked, "Even if it's a weak role, it's better to play a role that lasts a long time, right?" I answered, "That's right" and got the role of Gerojim. I thought he'd make his introduction in episode 8, but then he was injected with poison by Racules Husty and was defeated, so I thought, "Huh?" (laughs).

Ikeda: Didn't they tell you about future developments, such as becoming a retainer to a king?

Seki: I didn't hear about it. But after that, I felt like I was going to keep up with Jeramie because of how many times he appeared. For the first recording session, I created my role based on the motif of the mayfly insect and the fragile image that I felt from reading the script, but when I saw the footage, I was surprised to find that the visuals looked quite rugged, and that the movements were powerful. Still, I thought it'd be more interesting to have a gap, so I decided to go with a whispering voice.

Ikeda: No kidding. When I first saw the footage of Gerojim with Seki-san's voice during the recording, I wondered how such a voice came from his body (laughs). The cast members playing the kings who were present had a variety of reactions, including bursting into laughter and being shocked. He has a way of speaking that makes you want to imitate him, so all the staff and cast members have fun imitating him on set.

Seki: That makes me happy! Being imitated means being loved.

"It seems difficult to express emotional intonation in that fragile, weak voice."

Seki: It's difficult during combat.

Ikeda: That's true.

Seki: I can't help but feel abit clumsy. However, especially in a situation where he has to fight to protect Jeramie, he can't afford to remain timid. Even during the recording, they told me, "Make it sound alittle more determined," but doing that would make him sound out of character, and it was surprisingly difficult to make that adjustment. Even in the early stages, it was difficult to say brave things with that voice. After I started working with Jeramie, I felt like I was following him, which suited his personality, or rather, I could play him naturally.

"Although his appearance hasn't changed, he's starting to look cuter."

Ikeda: He's really cute.

Seki: That's also thanks to Jeramie. Because he takes care of Gerojim, the viewers have also come to think of him as a "cute guy."

Ikeda: Seki-san added lines that weren't in the script, right? I'm always surprised when I hear this during recording, but I always think it's amazing how even tense scenes are funny and cute, and how they don't destroy the atmosphere of the scene.

Seki: Thank you very much. However, it's not like I'm just having fun and talking on my own. The staff gives off a feeling of, "We'll leave it to you, so please make it interesting," so I try to respond to that. Even if there are no lines in the script, such as scenes where he's alone with Jeramie, I'll sometimes be told, "Gerojim is shown here too, so maybe you could add some lines…" If someone says that to me, I have to include some dialogue, which makes me feel motivated.

Ikeda: I see.

Seki: I'd like to take this opportunity to say that I've been surprisingly following instructions (laughs).

Ikeda: The staff is also tempted to ask for more because they get more than they expected in return.

"Although this is abit of a departure from Gerojim's story, Seki-san also voices Minongan Moth, one of the Uchu Five Jesters. Minongan's role as an idol producer in episode 38 was also great."

Ikeda: I definitely want to hear about that episode!

Seki: With Minongan, I wasn't just doing whatever I wanted (laughs). First of all, when I was offered the role of Minongan, it was a character that was just grunting, so I thought it would be easy to differentiate him from Gerojim. However, when I read the script for episode 38, I found that he was talking alot, so I practiced using Minongan's scratchy voice before going into the recording studio. Then, the movements of Minongan in the video were completely like that of a certain Producer (J.Y.Park), and the Director told me, "Forget all of Minongan's acting up until now, and make him resemble that certain Producer," and he also said, "You can change the lines in the script to make them more interesting." So…

Ikeda: Ahahahaha! So that's how it happened.

Seki: I did the dub as I wanted, and when I said to Iko Marina, the idol played by Ikoma Rina-san, "If that's the case, Omori-san won't be satisfied!," Producer Omori Takahito, who was present, had allowed me to do all the adlibbing up until that point, but that was the only thing I couldn't do (laughs).

Ikeda: Is it because you specifically mentioned his name? (laughs). What an interesting story!

Seki: In any case, I was eager to respond to their unreasonable demands.

Ikeda: When we were doing the dub for episode 38, I saw footage that included Seki-san's voice, and it was so funny that when it came time for the actual recording, Rita couldn't stop laughing and said, "I can't concentrate!" There's also an episode where he "turned off" Minongan's voice (laughs).

Seki: Oh, that's right (laughs).

"Thank you for the behind the scenes info. Now, let's go back to these two Bugnarak…What do you think is the strength that makes them unbeatable compared to the other countries kings and retainers?"

Seki: It's difficult to tell whether he's alive or dead, but Gerojim seems to be immortal. Jeramie has also lived for over 2,000 years, so the amount of time they can spend together is the best part.

Ikeda: What I find charming about Jeramie and Gerojim is their "preciousness." When I see scenes of them having a conversation, I feel as if I've seen something irreplaceable. This is mainly due to Gerojim's character and Seki-san's voice, but it's what makes them an unbeatable combination compared to the other countries. They're also a combination with a strong desire for world peace. Bugnarak used to fight against humanity, but they inherited the kindness of caring for others from the previous king, Desnarak VIII, and have a dream of coexisting with humanity. They're really wonderful characters.

"As of the publication of this book, episode 45 will have aired, but please tell us about any memorable scenes or lines between Jeramie and Gerojim."

Ikeda: In episode 25, there's a scene where Gerojim persuades Jeramie with, "What you lack, is determination!" I was touched not only as Jeramie, but as myself.

Seki: I enjoyed playing Gerojim in that scene because it not only showed that he wasn't just a yes man, but that he was a good retainer who could express his own opinions. I was also impressed by the scene where the two of them talk to each other on the roof.

Ikeda: That was episode 29. The people of Chikyu had fallen for the Uchu Five Jesters strategy, and in order to stop the people of Chikyu from fighting with the people of other countries, they decided to become villains together…

Seki: I also liked the last scene where they walked away together. But since then, we haven't really seen Gerojim, have we? Where is he now? (laughs). Still, even though he doesn't appear much in the show, I think he's fun to play, as I'm able to create heartfelt scene with Jeramie

Ikeda: For scenes where Jeramie's emotions are stirring, he's often with Gerojim, so I try to imagine Seki-san's voice when filming.

Seki: But, didn't they mute my voice during recording because things got too noisy…?

Ikeda: That was Rita! (laughs)

Seki: I also like episode 25. Didn't the kings and all their entourage ride the God King-Ohger? I love the Super Sentai series, and have appeared in quite a few of them, but only carefully selected members can ride the Robos. This time however, I was able to ride in it. I'm grateful to Jeramie for recognizing Gerojim as his first citizen. Jeramie has made my dreams come true, so I'll also serve him (laughs).

Ikeda: (laughs). I'm glad your dream came true.

"As a professional voice actor, what does Seki-san think of Ikeda-san's voice, who also serves as the storyteller and narrator?"

Seki: For awhile after it started, I thought the narrator was Taniyama Kisho-kun, who does the voice for items such as the OhgerCalibur.

Ikeda: Eh?!

Seki: In the case of Super Sentai and Kamen Rider, the person in charge of voicing the transformation items often doubles as the narrator. But as the episodes went on, I started to feel this wasn't the case, and the staff told me, "The sixth warrior is also the narrator." So that was their direction! I think I would've been really surprised if I had been watching as a viewer. Ikeda-kun's voice is gentle and fits the atmosphere, and I think it's very good for narration.

Ikeda: That makes me really happy. I've never been confident with my voice. I'd never been aware of how my own voice sounded, so when I was chosen to play the role of Jeramie and was told that I would also be the narrator, I was very nervous.

Seki: I think you have a lovely voice. Something like that I don't notice myself.

Ikeda: Through this production, I was fortunate to have the opportunity to receive compliments on my voice, and I've gradually gained some confidence.

"We think Gerojim and Minongan's performance is unique, but did Ikeda-san learn anything from Seki-san's voice acting?"

Ikeda: Everything is a learning experience. I usually lend my voice to the movements of Takada Masashi-san, the Suit Actor for Spider Kumonos, but in the beginning, I couldn't get it right at all. When I heard Seki-san's voice, which perfectly matched the movements of Gerojim and Minongan, I was overwhelmed by the intonation of his performance, it was so amazing that I wondered where I could learn from him….

Seki: It's difficult. The first character I played in Super Sentai was Prince Buldont/Kaiser Buldont in "Chouriki Sentai Ohranger." I became friends with the Suit Actors, and I strongly felt that they weren't just fighting, but also performing as actors. I think we learned alot from discussing how to create the role at that time, sharing our opinions, and creating the role together. When you feel like you're not only playing a character, but also merging into the character as an actor, the words come out naturally.

Ikeda: I think it's important to match them up. I also admire your skill in conveying emotions with just your voice. Because we show our faces and perform, we can convey the message through our facial expressions, but when it comes to just our voices, it becomes very difficult…What do you keep in mind when performing?

Seki: You might think, "Does that change anything?," but one of my key points is to imagine the other person's position in a concrete manner. Your voice will sound different depending on if you act towards an indistinct space or towards a clear point. Instead of "approximately here," try to imagine, "Here I am!"

Ikeda: Thank you so much! I'll keep this in mind from now on. Listening to you talk like this, I realize once again that it's the power of Seki-san's voice that has made the combination of Jeramie and Gerojim so well loved.

"Finally, please give a message to the fans."

Ikeda: In the endgame, we have the unfathomably strong Uchu King, Dagded Dujardin. The main highlight is how the Royal Sentai will defeat him. As for Jeramie's highlight, I'd like you to pay attention to how he concludes the story as the storyteller.

Seki: Gerojim hasn't been seen for awhile, but don't worry. He'll stay by Jeramie's side, never leaving. When you really need him, he'll come right away, so please support him. And also, please support and take care of "my" king.

Ikeda: From now on, as Ohsama Sentai King-Ohger's Jeramie and Gerojim,

Ikeda & Seki: Thank you!

[bloominglegumes]

earthspark season 2 head in my hands,,,

maybe ill delete this later but i want to just get some thoughts out

spoilers below

ok i absolutely love what they set up in season one, every member of the malto family was used so well to compare and contrast with the experiences of the cybertronian characters familiar to us, these tired war veterans and resentful past allies ,,, like one of the big ones in my head right now being their choice to use bumblebee, The Kid Appeal Transformer, making him switch out of being a soldier and into a mentor (not sergeant, not commander, just unqualified older sibling-type position) for a herd of kids who have practically no concept of war and its implications was so so juicy. it's been repeated in practically every bit of transformers media ever that bumblebee is the designated little guy, the friendly one, the autobot who most easily makes friends with aliens, we've seen it in g1, in idw, in bayverse, tfa, tfp, cyberverse, i'm sure there are more versions that i can't think of at the moment

what they did to bumblebee in earthspark was essentially still put him in this best friend role, but the twist was how bumblebee did not even want to be there and didn't know a thing about kids and i loved it and i know many other people loved it as well.. even if the earthspark characters were roughly developed from their g1 base, this bumblebee was so clearly more used to being on a battlefield than just hanging out, he struggled with interactions that weren't like the 'ready to jump into a fight in an instant' dynamic that he was used to, though still having that sort of fuzzy playfulness that bumblebee is always written with ykyk

i think the writers made some really fascinating choices in taking some darker elements like in the idw comics and sort of filtering it for the audience through the malto family, but not baby-padding the real emotions behind the characters' experiences if that makes sense?? take megatrons grief and guilt for instance, the presence of the kids didn't diminish the reality of what he'd done or the consequences, but they sort of worked like a frame to have megatrons actions recounted in a particular direction. thrash's unwillingness to deal with the aftermath of a war the terrans had no part in was so.so real, ik i say it all the time but it was, the characters and the relationships between them were written with this real and intimate nuance that i really wouldn't normally expect from a show targeted for kids, not to mention the very clear and loving representation for poc, lgbtq+ identities, immigrant experiences, disabled ppl,,,

dont even get me started on the visuals, the sound design, the animation quality,,, i've only loosely been in animation college for a bit, i know there's still so much i don't know, but for sure i feel like earthsparks quality was pretty insane for regular series episodes

plus their character designers knew what they were doing + went so hard in the best way,,and the action scenes were beautifully choreographed, every character had their own unique movements and fighting style (think of the soundwave fight in decoy or megatron + optimus against skywarp + novastorm in age of evolution) in a way that i think definitely rivalled tfp in its intricacy and life-feeling. the camera work was stunning, the acting was on point and consistent for each character, the 2d effects were vibrant and gorgeous and so full of life, i'd say earthsparks effects are one of its most distinct stylistic choices and its so so excellent and i adore every smoke cloud and smear and electric zap and ghgruhgf

which is why it breaks my heart seeing season 2 open with such a noticeable decrease in quality,, breaks my heart that they didnt receive enough of a positive reception or whatever exactly it was that led to the earthspark team having to trim down and cushion their story

i still think earthspark is a really fun transformers show with a delightful cast, amazing voice actors, and i don't want to bash any particular member of the crew for things beyond their control. there's no doubt in my mind that the current team on earthspark is full of incredibly skilled artists, and i'm sure many people, including myself, will continue to enjoy the series going forward,, i'm just. disappointed that its not the best that it could have been.

a lot of season 2's writing just felt like.a regular kids show??? feels almost similar to cyberverse's fluctuation in tone throughout each of its seasons, s1 was full of generically-kid-friendly humour and gags, then sort of shockingly plummeted into that whole arc with starscream and the allspark monsters,, like, either direction would be fine and fun, but it's just the sudden change that makes it oofy for me ;-;

from just looking at the visuals, the character animation is less crafted and careful than it is in season 1,, i can really only describe it as it now being closer to what i'd think of as 'regular tv animation, made to be released on a schedule', rather than 'oh my god look at that secondary action replay replay now'. the characters movements are stiffer, less weighted, less natural-feeling, and if you're looking for it, it's clear where they loop animation or sort of sneak their camera shots to simplify actions, like a few fight scenes that had sections simplified into slowmo hit poses rather than being fully animated,, again its more or less fine for any other tv series, but it just feels off after being used to the look we had in s1

then the character animation goes hand in hand with the character writing + the dialogue, also just feeling like a lot of the original story they wanted to tell has been padded up and swaddled with more lighthearted, universally acceptable, safe plots. the goals and obstacles that came up in each episode didn't have the same emotional depth as in s1, where the main leads of each ep gained some sort of insight after their experiences + had some sort of vulnerability exposed, yknow yknow??

there are still traces of some juicier bits in there, like for instance i really like the section with the quintesson executioner causing mo to begin doubting quintus prime's intentions, then later the titan being all 'quintus is a prime and you should respect him' in a decently menacing way,, and i am glad that they had hashtag call out starscream and reminded him of their earlier conversation, i really hope they do something with those, but my point still stands that there were few parts of s2 i felt had some deeper meaning that can be built upon in the future.

i feel like the decision to make a timeskip was somewhat of a cop out as a means of explaining away how robby + mo have full control over these cybersuits now, how the maltos aren't shown having any more intra-family or identity-related conflict, how the decepticons all decided to follow starscream and go right back to fighting, etc etc, like 'oh well a year passed, things happened, this is just how things are now' like??? what happened to all that delicious heavy emphasis on growth and the choice to become better as a person and connecting to other people that was in s1,,

i know the decepticons wouldn't all have suddenly decided to buddy up with the autobots, but timeskipping a year and just reverting to the typical autobots vs decepticons dynamic we've had forever, without ever again really showing the thought processes of any of the characters in depth regarding the return to hostilities, when they just spent the whole previous season establishing how everyone is handling the aftermath of the war,,,, its like they've suddenly been turned back into generic cartoon villains instead of the unique individuals with their own thoughts and motives that they were introduced as,,

[diverting for a sec here im also just so sad that theres been nothing to fuel my enjoyment of megatron being very estranged from his high command,, barely anything to fuel the divorced-remarried 3p megoplita dynamic like,,,,, starscream praised soundwave and shockwave both individually, op and megatron had another one of those finishing-each-others-sentences moments, op called his and elitas relationship "complicated" and i love that, but please i'm begging here elaborate,,,give me more drama to work with,,]

even when there are like.objectively horrible scary things happening, like mo going 1v1 against the quintesson, cosmos being fully conscious trapped in alt mode for 15 years, jawbreaker essentially fusing with aftermath and getting betrayed and all their cavewater stolen (is that not an issue??) ,, i feel like the characters are remarkably.unreactive???? maybe its just another timeskip cop out, ~a year has passed so they've gotten used to it~, except they all still clearly behave like the children they are,.

and it seems to be turning earthspark from being, in my opinion, one of the most emotionally charged + mature transformers series out there rn into just. i'm going to say it again, it's just starting to feel like a generic kids show, unless whoever controls this show at hasbro can get it back to the high standard it started itself at.

i've read news of nightshade's pronouns being cause for negative reception, and some reviews of s1 say earthspark is too 'woke', that kids shouldn't be watching shows pushing that type of agenda. i'm not sure if that's the main reason for this big change in s2 for the much 'safer' writing, or if there's more that i'm just not aware of right now, but like. man. i hate.creativity trying to survive capitalism the show is about love and family and cool robots wtf is wrong with people who genuinely hate that

i know i won't make much of an impact with just this post, i doubt anyone is still reading this,, but seriously, earthspark is clearly a love letter made by tf fans for tf fans, in such a wonderful, gorgeous package, and it really breaks my heart so much to see all the great things established in season 1 practically go to waste. i haven't said this enough before, if you enjoy earthspark, please support it through official means however you can, leave good reviews or buy their stuff, just let the decision-makers know they can profit from making this show better,, i really hope it survives to complete the story they want to tell

[vickyvicarious]

Dracula's actions today were interesting. His attack on Jonathan definitely was not what he intended on going in to his room. I think he wanted to make him jump, yeah, to spook him a little. He wanted to touch him more, continue being creepy in that way also. But I think he intended to spend more time in his company, continue to play the social manipulation game. I wonder if he wanted to be around when Jonathan discovered the locked doors... watching him panic at the realization that he's a prisoner but be forced to try and hide it because Dracula is right there would be absolutely the sort of thing he'd love. (I just can't picture why Jonathan would be trying different doors with Dracula right there. Maybe if he was 'working' in the library and encouraged him to walk around/explore as Dracula was too busy to be good company, then snuck up on him again as he's in the middle of learning how many/which doors are locked? But I dunno.)

Regardless, either Dracula's very thirsty or Jonathan looks very tasty (I suspect both) because he lost all control the second he saw his blood:

When the Count saw my face, his eyes blazed with a sort of demoniac fury, and he suddenly made a grab at my throat. I drew away, and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe that it was ever there.

I don't even think this means Dracula didn't know about the crucifix. Probably not before now (and probably Jonathan just made some general statement about receiving gifts from the local people rather than naming the innkeeper lady), but not necessarily. After all, if Jonathan was still shaving he probably wasn't fully dressed yet, and anything worn about his neck should probably have been at least somewhat visible. I think Dracula just got tunnel vision at the sight of blood, and that could go whether he knew the crucifix was there or not. The instant he touches it though, he comes back to himself, and puts on the friendly host mask again.

His first instinct is to get rid of the evidence, and he does so in a way that once again is subtly insulting to Jonathan (implying he's vain here, before implying he was stupid) as well as some larger group of other people (men in general here, before it was 'peasants'). But it's also really over the top and I think despite the jolt of the crucifix, he's really struggling to maintain his control over himself. Hence flinging the mirror out the freaking window and then fleeing. Not just the room, either - the entire castle. This becomes apparent when he returns some time later through the front door: "I heard the great door below shut, and knew that the Count had returned." I really wonder where he went, what he did while gone, and exactly how long he was gone... Even after his return, he keeps his distance from Jonathan initially. Jonathan has to seek him out, or maybe waits until mealtime to talk to him.

The goitre in the surrounding area implies Dracula has been feeding, but everything about his actions today really suggests he has been starving himself recently. Based on other stuff in the book, I don't think it can be possible that vampires always lose control of themself so much around the sight of blood. Also, his face immediately becoming angry... maybe part of that is just his hunting expression, but I wonder if a part of it is Dracula's frustration that once again things aren't going to plan with Jonathan. I wouldn't be surprised if he felt angry at him (how dare he bleed at me and ruin my suave game?!) and a little part of the way he throws the mirror away so violently is to punish him for being so 'provoking' or whatever.

[simpforsolas]

A couple things to note.

First of all, when Rook pushes down the statue and Solas protects himself (and Varric) from the falling rock, he pushes AWAY from himself. He has the blade in hand, and Varric is standing right behind him. Rook is standing basically on the complete opposite side of Solas.

We see the rubble land near Rook, but then somehow in the next clip, Rook is BEHIND Solas on the stairs. Varric and the lyrium blade are nowhere to be seen. (The previous screenshot of Solas with the blade in hand is the last shot we see of him with the blade in this teaser. The next time we see him, which is the screenshot below, he doesn't have it.)

Something else I'll point out is the layout of this place. In the above screenshot, Rook is clearly at the base of the stairs. However, let's take a look at these two shots.

The one on the left is from earlier in the reveal, when Varric is talking to Solas. Pay specific attention to the Dread Wolf statue's placement here. In the second shot on the right, that same Dread Wolf statue is a landmark that gives us a clue to Rook's position. He's quite a ways off from the statue, and if you'll notice, there's a lot more wooden walkway and railings in front of him that we don't see in the first clip. He still has quite a ways to go before he can make it to the base of the stairs, where we see him in the screenshot of Solas looking down at him.

I think this is a clear enough indication that some clips from the cutscene were cut - most likely because they contain big spoilers. So that got me thinking. What are some spoilers big enough to warrant cutting? Here are some ideas I had:

Varric dying 😭 The death flags are everywhere people. Rook looks pissed off, and Solas looks... sad. When he looks up at the evanuris, he has a tear on his cheek (well, it could be a water droplet I guess but it's so perfectly placed to look like a teardrop that I don't think that's a mistake)

Solas turns to Varric for help. I think it would be too much in this little showcase to show more of Solas's moral ambiguity than we've already seen, so I could see them cutting a moment where Solas turns to Varric, gives him the lyrium blade, and tells him to KEEP IT SAFE.

The Inquisitor shows up?? I don't know how likely this is BUT it would make sense that if the inquisitor is there they wouldn't show it in the showcase. Because a) that's a HUGE moment you wouldn't want to experience without your own inquisitor and b) they'd have to pause and give a note like "this is a customizable inquisitor" which would slow down the action a lot lol.

Any other ideas of what could've happened in that cut? 👀

Second of all, at the very last second of the trailer, you can see Solas being propelled forward, into the fade through the tear he made.

If you notice in the first picture, his feet are firmly planted. If you watch the scene, the glow around the fade starts to speed up, like it's being pulled toward the rip, and then the last second you see Solas's feet lift slightly off the ground. Now I don't think he's charging or anything. He's already super close to these two so it's not like he's going to run towards them in order to attack. He's DEFINITELY going into the fade. There are two possibilities here.

Going into the fade against his will

Going into the fade on purpose

If he's going into the fade against his will, it could be that the gods who just showed up are dragging him in there, or perhaps because the ritual was disrupted it's gone wonky and is pulling him (or all three) in.

If he's going in on purpose, he could be dragging the gods into the fade with him in a last ditch effort to prevent them from being unleashed on the world, where he may try to fight them and defeat them inside the fade. IF this is the case, I could see the prediction of Solas giving Varric the lyrium blade working out quite nicely. He could realize the gods are going to be coming back, so he gives Varric the blade, tells him to keep it safe, and he's going to try to trap the returned gods inside the fade.

[melancholiast-clair]

talk to me about fandom misogyny and valkyire!!! am really interested

OKAY. hi. i have a lot of thoughts about this. this has turned in part into like... a val defense, i'm not even gonna lie to you, but there's some more specific discussion of fandom misogyny in there as well ����

first of all, i find it to be much more rampant on the reddit community - go figure, lol - but it's definitely also present in the tumblr community to a more subtle degree.

it is also often mixed with some pretty deep ableism and sanism, so there's gonna be a brief discussion of that as well, just as a quick warning!

putting everything below the cut because this is. a long post. sorry!

if you're less familiar with the reddit community, one of the most frequent discussions is the talk about valkyrie's 'deserved' method of death and the comments regarding how her actions post-dotl make her an uninteresting or even disappointing character.

the discussions of how the only satisfying end to her character would be to die exactly how she thinks she's going to die - on her knees - both disappoint and sicken me. it feels like people are genuinely misunderstanding landy's inclusion of that as a theme; we are supposed to view valkyrie as an ultimately good character, and her belief that she's going to die on her knees is based entirely in a sense of deep guilt that we are not supposed to support. if you want to argue that she's actually terrible, go ahead, but i am of the belief that canon - and the intention behind most of her action - disagrees.

one of the most important things i feel like i need to outline is that she and skulduggery are extremely similar people. she spent a huge chunk of her life being absolutely dependent on him, and she learned the majority of her worldview and moral compass from him. valkyrie's life revolves around skulduggery.

i think it's both fascinating and extremely disheartening how people immediately shift their opinions once valkyrie is no longer considered a child. even when she's still a young adult - because like... surprise, reddit community, 24 is not actually old or a well-rounded adult, especially for someone who's spent her entire life isolated from typical childhood experiences - people immediately begin to demonize her actions. sometimes, this is even rightful - skulduggery and valkyrie have always been morally gray characters at best, and to judge their actions is an entirely fair stance to take. unfortunately, the majority of people who partake in this criticism aren't judging valkyrie and skulduggery.

they're judging valkyrie, all the while hailing skulduggery as their favorite character and continuing to excuse what he does and says while they denounce valkyrie for the same actions. going into the reddit comments when someone asks for 'least favorite characters' or asks people to rank characters always leaves me with a bad taste in my mouth, and there are so many posts asking why valkyrie is the main character or why the series would choose to focus val when characters like skulduggery are there.

there's also a lot of hatred for valkyrie's trauma responses post-dotl, especially her inaction in book ten, which i find particularly distasteful. in book ten, she has just returned to roarhaven after spending five years wallowing in her own guilt and is immediately met with confirmation from people all around her that she deserves all the hatred she's projected onto herself for something she could not have stopped. of course she's frozen and disbelieving in herself when things start to go down; she's spent literal years blaming herself for the deaths of over a hundred people and almost everyone around her except for skulduggery - who she knows will defend her no matter what she does - is telling her she's to blame.

i get exhausted reading people calling her a bitch over and over, raging about how she's no longer a child and can no longer be excused for her despicable actions - but she hasn't had anyone to teach her why anything she's done is wrong. she learns that the people who insist darquesse are her fault are wrong, but in learning this learns to dismiss people who call her wrong. and it makes sense, because those are pretty much the only extremes she faces - completely in support of her, or completely against her.

another thing i observe in this fandom is the obsession with pushing women characters aside. this is present in lots of fandoms, of course, but it is particularly prevalent within the skulduggery pleasant fandom.

the amount of the fandom that completely ignores valkyrie in favor of the dead men is immense, and it's kind of insane. excluding the main character and the only woman who ever joined the group is like... absolutely wild. and it's not like valkyrie isn't compelling - she faces a lot of similar issues to the rest of the group. if you're specifically looking for a war setting, you have plenty within the books themselves - or if you want to go against mevolent, stick with phase two.

but it's not just val. characters like tanith, china, darquesse, even stephanie/the reflection (which. the love/hate from the fandom towards her is a whole other discussion i'd love to get into) - they all get cast to the side in favor of the dead men. darquesse, a character who on paper sounds like the person literally everyone would, like... at the very least simp for - 6 feet tall, tatted out, crazy built and eternally powerful - is so often completely dismissed. china, a pioneer of an incredibly fascinating and individual branch of magic, gets pushed aside even as signum linguistics themselves get explored.

in the end, this is a fandom like any other with a lot of central misogyny. i don't completely blame the fandom - derek landy has his own issues with misogyny in his writing, and that certainly makes overall canonical content influential towards this behavior - but i am tired of it. sorry if this is a bit of a mess, im just kind of... blabbing.

[totallynotsilversora]

I may be a bit tired but I think enough time has passed for me to say this:

Even though it felt unfulfilling and wasn't executed in the way that I hoped it would, I really enjoyed Tokyo Revengers' ending because it confirmed my suspicions from the start:

That the point of that final jump - and the point of this manga in general - was to end the cycle of violence brought about inadvertently by time leaping and that the only way to save everyone would have been to reset everything back to the start.

And no, Takemichi didn't START this cycle.

Takemichi is the one to END it.

MAJOR SPOILERS BELOW:

Shinichirou got his time leaping powers in the original timeline after he enacts violence on a stranger, who tells Shinichirou that he got the ability using the same method - violently killing another time leaper. Though we learn later on that it can be passed on with more peaceful methods, that doesn't mean Shinichirou should've murdered someone out of NOWHERE with no proof to whether their claim would be true, regardless of how pure his intentions were. He reacted based on violence and that same violence is what seeps into Mikey when Shinichirou leaps back in time the first round and continues to fester in every timeline that becomes generated into a "Dark Impulse".

How do we know that's where it came from? Well, remember how Tokyo Manji's symbol is the Manji swastika? There's a reason it's moving COUNTER-clockwise and not clockwise like the ones you see typically with Buddhism:

This swastika has ties to things like KARMA, the NIGHT, and KALI aka GODDESS OF DESTRUCTION.

It's no coincidence that Mikey forms Toman to be a gang based on protecting one another and enacting retribution, however looking back at how Shinichirou became a time leaper adds another layer to the symbol: Mikey's ENTIRE existence has been inextricably tied to his brother's karmic actions the moment he is successfully saved by Shinichirou. That means every little thing Shinichirou has done in both the past and present will inevitably affect Mikey in every time line no matter what.

And let's be honest. Shinichirou was definitely not a saint. Whatever unfinished karmic retribution was left after he got killed the same exact way he murders the former time leaper (down to the fricking CROWBAR), it fell onto Mikey.

Shinichirou, whether he knew it or not, left behind an awesome yet violent legacy for Mikey to inherit, and Mikey carries that legacy through Toman - a gang that was created specifically to get back at anyone who tried to threaten them or their loved ones.

Pure intentions or not, someone WILL pay in blood.

That's why every arc began to feel repetitive. Because the cycle of violence continues to repeat itself around everyone Mikey gets involved with specifically because of the karma he carries.

That's why, when Shinichirou passes his powers to Takemichi in hopes that he can protect the ones he cares about, that cycle begins to unravel the moment Takemichi becomes involved in Mikey's life - because Shinichirou saves Takemichi WITHOUT VIOLENCE.

This isn't just about moving on from your failures and trying to live a fulfilling life even with all your losses. It's literally about karma and how violence perpetuates a cycle that can affect EVERYONE you know around you in the most terrible ways. How fighting for what's right or to protect someone doesn't always have to involve throwing a punch (though in Tokyo Rev's case, it IS allowed and I'm glad they let that slide).

The reason this ends with a hard reset is because the only way to allow everyone to have a happy ending is to undo the negative karma that had plagued Mikey for so long. A curse that has been with him SINCE HE WAS SIX YEARS OLD.

I get it. I don't like the ending all too much either and everyone feels way too different to the people I had grown to know throughout this series.

But goddamnit this was EXACTLY what I was hoping for and you can't tell me it's an entire cop out.

PS: I also don't think Chifuyu is the only one who remembers what happened from the other timelines. If anything, NO ONE would be there at that wedding unless they all had an INKLING of what happened in the previous timelines. It doesn't have to be the full thing like Chifuyu, but I think everyone still vaguely remembers what happens and hence why lots of them wind up having different stories (Inupi no longer having a scar bc he probably remembers wtf happened and saves his family from the fire, for instance). That's just my personal theory, though! Whether any of you agree with me or not is no matter and I just wanted to share my thoughts with Negai no Astro coming around the corner!

[marisaeon]

𓂃 ࣪˖ ִֶָ𐀔 "It's as if she cast some kind of spell on him with just her eyes alone. She was beautiful. Gorgeous... Otherworldly. Any word he could think of in that moment." ᡣ𐭩

Love at first sight, based with RE2 Leon and Ada. (Set in modern times, Leon is still a cop, and Ada works the front desk!)

Support this over on my ao3! Or, read below the cut ──★ ˙ ̟

A few people have worked the front desk for the time he worked here. It was a short amount of time, still a rookie cop. But it seems everyone he was greeted by at the desk were older women. Just a pleasant greeting and then a goodbye.

There were rumors amongst the other officers that a young woman would be starting work here in the office. She'd supposedly come here training, yet he's never actually been in the office while she was. He was starting to think they were just making it up. Just a bunch of cops wanting a little 'action' in the workplace. Leon wasn't all that into it. What difference would it make?

It was the day all his coworkers were talking about. He just so happened to be talking to one of the older ladies in the front. She was talking to him about how her daughter graduated college yesterday. He was excited for her, but truly couldn't figure out a way to make the conversation longer. The lady kept talking about the day before, telling Leon all he could understand. He was just nodding along, smiling.

Then, he heard the sound of heels clacking on the floor. It was getting louder towards them. It caught both of their attention. Leon's lips pursed, mesmerized at the sight in front of him. It was a young woman, most likely the rumored one. Her collared pencil dress a deep shade of red. She was wearing stockings, and black heels. As far as Leon could tell, they looked expensive. Something he'd see in the magazines.

The mysterious woman held a small purse in her hand, matching her outfit. A small smile outlined her lips so perfectly, it's as if she never stopped.

His gaze followed her, as she entered behind the desk.

"Good morning, ma'am, sir." Her smile only grew slightly, before walking and placing her belongings on her desk. It was one right up front.

For some reason, Leon felt a rush of excitement that she was that close to where he has to be everyday. Why was that anyway?

Before he could remember how to speak again, he heard, "Those heels! You're definitely going to get tired wearing those all day." The older woman wowed, obviously impressed with her entrance as well.

The younger woman chuckled. "I'm alright for now, thank you though."

Leon couldn't stop staring, admiring her features. She had raven hair, it was styled perfectly and complimented her look. Her eyes were round, and she had lightly applied makeup to her eyelids that seemed all too perfect. He was so lost in her beauty, he didn't realize her looking back at him. Holding the eye contact, she smiled gently at him. He wanted to look away, but he couldn't. It's as if she cast some kind of spell on him with just her eyes alone. She was beautiful. Gorgeous... Otherworldly. Any word he could think of in that moment.

Until her boss called her into the back. "Ada Wong? Could you please come here for a moment?"

So that was her name, Ada. Even her name sounded beautiful.

"Yes, I'm coming." Ada looked over to the older woman. "I'll be back." She smiled, before leaving into the back.

The woman chuckled. "Well isn't she a beauty?" She looked over to Leon.

"Totally..."

She looked at him with a knowing look. "Well, I'll be in the break room for a bit. Talk to you guys later!"

"You're leaving?" Leon blurted out, but the woman was already walking off. He let out a sigh, but was relieved somewhere deep down.

Ada came back from her little chat and walked back over to her desk. She started unpacking some things.

"Did she go somewhere?" She asked, the question directed to Leon.

He was already staring again. "Oh.. Uhm.. Yeah, she said she was going on break."

She smiled at him. "And how about you, officer. Are you going on break too?"

His heart skipped a beat. For some reason, hearing her call him 'officer' sounded different. As if it had a different meaning when she said it.

"I'm... My shift actually hasn't started yet. I'll be going soon."

"Hmm.. That's a shame. I was hoping to talk to you more." She sulked.

"Really?! I mean... We could talk... uhm.. longer." He stumbled over his words.

"Are you nervous, officer?" Ada teased him, she could already tell something about him.

"I'm not! Just... Actually what were you called for? Nothing bad, right?"

"Nothing like that, we're good." She unpacked the last of her things. "What's your name?"

"It's Leon! Leon Kennedy. Sorry I didn't introduce myself before, that was rude."

"No, really I haven't introduced myself either... It's Ada."

He smiled at her, he so wanted to tell her that her name was pretty. But he couldn't help but wonder if she would find it weird. He was suddenly lost in her eyes again.

"Is there something on my face?" She asked, holding up a small compact mirror and scanning for anything.

"Oh, no! I was just... Spaced out a little."

"Oh, that's good. You've been looking, so I got a little bit worried." Ada closed the mirror, putting it into her bag.

"I'm sorry..."

His shift started very soon, and he had to leave her here as hers started as well.

"I have to go now. I'll... See you tomorrow?"

"Yeah, see you tomorrow. It was nice meeting you."

He nodded, awkwardly backing away, almost bumping into something on his way out. She thought he was cute. Laughing at him softly after he let out a little "ow" in his way out.

He couldn't wait for the next day to come, so he could see her again. He found himself coming into work even earlier the next day, just to talk to her.

Did he have a crush? Surely not...

●・○・●・○・●●・○・●・○・●●・○・●

And they called it... Puppy loveeeee

૮꒰ྀི∩´ ᵕ `∩꒱ྀིა

I did proof read this, twice actually. But it's also like 12AM so.. Probably gonna read it again tomorrow and find like 20 spelling mistakes. Also Heart if you're reading this hii ty for giving me the motivation to actually write this I LOVE YOU

(´｡• ᵕ •｡`) ♡

Okay goodnight. I'm so tired HELP

[jomeimei421]

hi mei! i love your account and all your posts on orv. i've always wondered though, what do you think the quote [You are not a regressor because you regress] means?

Thank you so much for the kind words 🥹🫶

That one is pretty loaded… being a regressor is just a long extended metaphor for grief. YJH is a regressor in the literal sense, but also because he lives in a time that has already passed. [orv spoilers below]

Go back to look at what he says at the end to the Disaster of Floods, and also what KDJ says to him on the rooftop before the Nirvana fight! Because YJH’s life has a instant reset button, his life and his memories lose their weight and eventually lose meaning entirely. He judges people based on actions they haven’t done yet in this life, because for him, they have happened, and will definitely happen again.

He tries to go back and save certain people, but the people that he saves are not the people that he remembers. It’s similar to how Lee Jihye describes Na Bori in the 1865th round.

The quote “you are not a regressor because you regress” is said in the context of the museum fight between HSY and YJH.

In the 2 year time skip, YJH has very clearly not been coping well with KDJ’s death and general lack of purpose, but HSY seems to be doing just fine (pre museum fight). She has a job and is reintegrating into society and everything, just like everyone else.

Fighting YJH makes her angry because…he looks awful. He confronts her by trying to steal the model of the Ark that they both know is just a replica, to not give up on getting KDJ. The pitiful sight of him makes HSY furious, because she’s been trying so, so hard to move on, and seeing him still going is a really awful reflection of exactly what HSY has been suppressing. She and YJH here, in the dirt in front of the Scenario museum fighting over a toy, are the last two people who have not let go yet.

In other words, you aren’t a regressor because you regress, a regressor is someone who lives in a time that is past, and remains stuck in the bargaining, denial, and depression states of grief and is forever unable to move forward from that spot

[aether-friskets]

Why I Headcanon Waylon Park as a Trans Guy?

it came to me in a dream.

ok but jokes aside (well not entirely it DID actually originate because of a dream i had getting interrupted by a nonexistent video essay on the topic... dreams are weird man), i do want to try talking about my reasoning for this (although it's totally legit to hc a character as trans purely because you want to!! thats totally based also lol), because maybe it'd be interesting to hear the lens through which i saw this game? idk lol but i'm doing it anyway... below the cut in case it gets long

Ok immediate prefaces, A: i doubt this was actually the intended at all and i'm not trying to say it's canon, just saying why i read it that way :3 and B: this will probably be a rambling mess and I apologize, I'll try to make it somewhat make sense.

I guess I'll start with: a whole major thing of Outlast, is fighting to tear down this large corporation, that is like. the embodiment of shitty systems that exploit people (this post by bry mentions that general topic, although more focused on miles' angle). It's worth noting because, to me at least, fighting these sorts of systems really aligns with a lot of queer folks (and basically any group that gets fucked over by the system, which is most of them loll). There's like, this whole thing of Waylon seemingly fitting that image of the ideal typical man, with the wife and kids and a job, but he has to risk all of that to do what he feels is the right thing.

(Oh yeah, I guess quick tangent on that note. Yes I know in canon we literally see his dick lmao and also we know he has kids, which you might think would deter my hc here. but A: i already said ik it's probably not canon, i can still read into it regardless. B: intersex ppl exist. C: phalloplasty and other similar procedures exist. D: ppl can have kids in non-traditional way. so im prob not gonna cover that element of it more)

My brain hasn't been able to help but interpret his whole journey in a queer way, because i played it as a teenager still in the throes of understanding my identity and place in the world, so in the end this might not even make sense to anyone else. But, I'm trying to explain, so I'll continue to regardless.

I kind of saw it as Waylon hiding in the protection of an "ideal" life. On the surface he looks like he's in that American ideal family, but it's a subversion. He's only one of them because they think he is. Because he doesn't step out of line. Unlike Miles, who's more outspoken about issues, who seemingly has no one around him. He's treated as part of this "ideal" world, while working in the background to try and stop the exploitation and immoral acts going on.

When he's caught, when he's seen as something more complicated than first imagined, he's cast out. Lumped in with the same people being exploited by Murkoff already. He isn't "human" to them anymore. He's something else. Something they don't like.

Although the violence brought upon him is by the variants, it is still in part Murkoff's doing, since they fucked these people up via these experiments to a point of heightened violence and just generally ruining their lives more than they already had been by whatever they had done prior. That being said, they are still responsible for their own actions.

the stuff with Eddie is definitely the part that most resonated with me through this lens. I remember first playing it, and he scared me the most, for a lot of reasons. One of which being what he represented. He's The Groom. He wants someone to be his Bride, and you're it, even if you don't want that. As someone who's aroace AND already knew at that point that i wasn't a girl, this guy felt like a human embodiment of the pressures to fit what was expected of you. That one day, you'll be married and have kids. If you don't, then you're worthless.

But it's interesting especially, because Waylon IS married. He has kids already. He has that family. The difference is, in this hypothetical trans lens, he's not "really" in a traditional family. He's "pretending", as some might see it, because he's not "really one of them". Being Eddie's Bride is the situation that would've been expected of him, but he said "fuck that", and did his own thing.

Plus, like, with Eddie in particular, you will NEVER be what he wants. He will try to make his perfect bride, but you'll never be it. Even before Mount Massive, no one was what he wanted, judging by all the people he killed. He's a broken man desiring something but never liking his options.

Also just fucking. these lines from eddie make me lose my mind.

That part of you the world sees, they think it's perfect. As God intended. Even these idiots and lunatics see it. There's something special about you. On the surface. But when they look deeper, when anybody with eyes to see looks at what you truly are. That's why they don't trust you. You're not what you're meant to be. Not yet. This place can see into your mind. And the things you've done. Oh, they're a sin, darling.

like HELLO??

I know it's probably just Eddie rambling but it felt like he reached through the screen and grabbed me by the throat like.

Anyway in actual relation to my point. uh. Remember the thing I said about Waylon being a "fake" typical family? This kind of relates to that. Like, on the surface, he seems like he's got this perfect typical American family, he's "as God intended" (which. bro. i swear that exact phrase has been used against trans people so many times). But if you look closer, you'll realize there's more to it than that. Also like, going from the "as God intended" line to the thing about the things he's done being a sin, like hmmm. Maybe I'm reading into that too much, considering we know Eddie wants to make you into his Bride, so of course he's gonna think stuff like that. But still. It's a bit interesting to me.

Plus, it's interesting how, despite having a wife and kids, he's still more... feminized, I guess, than any other characters in this game. Both in the game itself, and within the fandom. Like, not just Eddie literally calling him a woman and trying to make him his bride, but also stuff like a variant near the beginning calling him a "pretty flower" before threatening him, Andrew (one of the staff) licking his face at the beginning of the game... A lot of violence and sexual-ish acts that are often directed at women in media. Even Frank, who I don't have as much to say about here, has some weirdly sexual undertones to his whole cannibalism thing.

This isn't entirely related but one part of the game that still sticks with me but I don't see mentioned as much, is near the beginning. Those guys stabbing the dead staff member. One of them remarks that "there are no observers here" and "do you think you're different? Something special?", which I think helps cement the whole idea that he's treated the same as the rest of people being exploited by Murkoff now. There's no turning back to that "ideal" life you were hiding in before. Hell, that's definitely reinforced more at the end of the game, when you choose to publish your footage, knowing Murkoff will come after you for it, and probably ruin your life. Maybe there's more interesting things to glean from that, but i thought they were interesting lines nonetheless.

anyway, overall I know this is probably just the ramblings of a trans/generally queer person reading WAY too much into a character that I happened to resonate with when i played the game, but i thought maybe it would be interesting for others to understand what would lead me to this conclusion? Anyway, that's all i've got on the subject right now, so I hope it was at least a little interesting.

[littlepetbee]

i've had the house to myself this weekend so i decided to marathon a bunch of movies that have been on my watchlist for aaages. here they are ranked bc i love making lists lmao:

Game Night: this one was far and away my favorite...it's a fun, clever mystery that's also funny as shit. rachel mcadams is the queen of comedy and also waving a loaded gun around like a crazy person. fuckin 10/10, you guys

I Love You Phillip Morris: listen. i avoid jim carrey like the plague - it's nothing personal, his face just irritates the shit out of me. but i'm SO glad i gave this one a try anyway...it was so cute and touching and gay little ewan mcgregor with his gay little earring is genuinely the softest, sweetest thing to ever exist. it makes complete sense that someone would become a conman for him lmao. 10/10

Bullet Train: thee action comedy lbr!! shoutout to @seeinhindsight for reccing this one to me. it was so well done...with all the winding storylines and running gags it easily could have been a tonal mess, but i feel like they knocked it outta the park. also the steady stream of "oh shit this guy's in it too???" was fun as hell. 9/10 just bc some parts made me sad and my movie ratings are based solely on how they Make Me Feel, not any objectivity lol

Attack The Block: my brain the whole time: YEAH BOY(EGA)!!!! an alien invasion movie with a Message and pre-star wars john boyega?? that was always gonna be a slam dunk for me. though i do gotta say watching british movies as an american is always jarring as hell bc there's no guns. it feels like the weirdest kind of unreality. anyways 8/10

This Is Where I Leave You: slowing things down and getting way more Serious here but i was surprised by how much i liked this one (though maybe i shouldn't have been, since dysfunctional families/siblings are kinda my bread and butter lmao). the surprise lesbianism-slash-lowkey-polyamory definitely elevated it, too! 7/10

Shattered Glass: 100% the movie you gotta show people when they try to say hayden christensen sucks at his job bc uhhh he ate that shit up. not to be #me about it, but if that dude can be that fucking cute the whole time and still make me wanna throttle him within an inch of his life, you know he was doing something right. 6/10

As Above, So Below: i was bummed at first when i realized it was one of those found footage horror dealios, but i actually ended up really liking it. and honestly for the setting, i think found footage really was the only way to go. the concept was super interesting and the horror aspects were sufficiently creepy without being enough to give me nightmares, which is about all my babyass can handle. 6/10

Everybody Wants Some!!: yeah the hoechlin 80's movie lol. it was fun! the characters were likable for the most part! the vibes were good! but B's cannot live on vibes alone (that's a bible verse, i'm p sure) so i was left wondering what the Point was. i am not the target audience for hangout movies, i'll tell you that lmao. 3.5/10

so that's the list!!! all in all a very great way to spend a weekend <3

[dwellordream]

thoughts on HOTD episode 2, season 2 (spoilers below)

phia saban and tom glynn carney knocked it out of the park this episode, and so did olivia cook. alicent's panic attack as she blames herself for invoking some sort of karmic retribution by having sex outside of marriage, helaena and aegon's animalistic grief over the loss of their son- it was all fantastic. i'm glad the episode did not quickly breeze over the response to jaehaerys' death in an effort to speed through the plot. helaena's meltdown when the funeral procession is stuck in a pothole exemplifies her awareness of the horrible story she's in. she knows there is no way for anyone to win this war, and that the suffering will only triple with every turn. she's beloved by the common folk as a martyr, and it horrifies and disgusts her.

some fans are pissed rhaenyra doesn't take any responsibility for the murder/is shown as being horrified and disgusted by daemon's actions. i understand the argument that her being unaware further reduces her autonomy, but i also feel this instance shows the fundamental disconnect between her and daemon. they aren't actually equals in this relationship, based on how it began. not just because he is her uncle and because he groomed her as a child, but because they've never fully trusted one another, and they can't. on some level they will always be rivals for the throne, because daemon will never be 100% comfortably fully ceding his authority to his wife and abandoning any hope of himself on the iron throne.

a single scene between baela and jace is somehow more than they did with the entirety of season one, but the bar is literally in hell here. i hope the writers make more time for the twins in season two, because it's a waste of their characters to constantly relegate them (and often the velaryons in general) to the shadows.

of course aemond is drinking milk while lying in the lap of a brothel madam, lmao. as much as this scene has been mocked, i think people miss the point. aemond is not supposed to be a swaggering badass. he is a deeply disturbed, pathetic person. that doesn't mean he can't have cool moments, but he is a delusional, amoral, neurotic person. he craves any kind of maternal affection and approval, and he warps events to match his own internal expectations.

i'm not sure if i buy mysaria's change of heart and decision to help rhaenyra, not because it wasn't well-acted (and i'm glad they gave mysaria and rhaenyra a scene together), but because it just seems like she's putting it all on the line yet again for a family that has repeatedly shown they will use and abuse her without thought. that said, the erryk/arryk scene was really well done, and i'm relieved they didn't have rhaenyra suddenly show some secret training in arms, lol

i think the 'daeron does exist!' reveal was very awkward, and they absolutely could have mentioned him before this, but i suppose they wanted to dangle daeron as this surprise dark horse for the greens? idk i'm curious to see what they do with him. overall, i enjoyed this episode more than the first, and i'd definitely give it an 8/10. pretty good, and i hope the season continues with this stronger writing.

[yazthebookish]

People continue to misconstrue what SJM said in her last interview when the host was expressing how much she appreciates the females being the lead and take action in Sarah's books, because it's always the heroes that get to do something in fantasy books while the heroines sit back at home where it's safe and do nothing or be just the damsels—that's the context.

Sarah never said she won't or doesn't write books for male characters (since she did for Chaol and she wrote a total of approx 13 Male POVs in all her series) so that statement goes against the facts. She did say there are scenes where she forgets to let the guys do something because she is focused on the females (which is a good thing and we know Sarah does focus on female empowerment in her books) but it doesn't equate to saying the guys are too insigificant in the books to be given a book or their own story. Chaol was too important to her she was inspired to write a book with him in mind and merged other characters into his story, but ultimately it was always known as Chaol's novella/book because there was so much going on with him she didn't want to dilute it to fit in Empire of Storms and added characters that complimented his journey alongside theirs and the overall plot.

Did I also mention that HOSAB had one female POV while there were 4-5 male POVs? Bryce and Hunt are still the leads but you also had other characters driving the story too. Ruhn's own arc is obviously important and there is a good chance he would get his own book and while Lidia will definitely kick ass, but do you think her own arc would be more important than Ruhn's? Her arc would probably compliment his.

To reiterate, SJM was responding to the host's praise who said she appreciates how the male characters in her books take the backseat to allow the heroines to take the lead (in terms of action and important scenes)—it wasn't about whether she only write books solely focused on female characters or male characters or about her answering a question if she writes books focused on male characters and her saying no, that's not the context.

It's also like the people who say the series is about the three Archeron sisters when it's not given that there are two novels and a novella left (with the potential of more based on her new contracted books) and she never even said that in one of her interviews, the EW article about the tv show doesn't count because it's likely not Sarah's words but what the journalist understood about the series and who will be featured in the show. What Sarah always said is that the spin-off books are about different characters and follows different POVs. Each book will feature a couple, so the spin-off books are about the characters in this world whose story was not told yet, it's not just the sisters (the screenshots below give better clarity so I'll leave it at that).

Back to my main point, If she does eventually write a book focused on a male character, then don't come here and complain about how she lied if she never said what you claim she said in that interview from the very beginning.

Not really a rant but it always confuses me how people take a piece of information when half of us were present during that interview and turn it into something completely different. To each their own thoughts I guess.

[horizon-verizon]

I think it’s possible to recognize that Rhaenrya was a victim of sexism while recognizing that she was also a brutal tyrant. I think we can say that Rhaenrya was a victim of the patriarchy but also someone who responded to her treatment by lashing out at everyone around her, especially those below her. Calling for the assassination of Nettles, a black teenage girl, isn’t an act of solidarity and feminism.

I agree. I agree that the blood purity she performs and uses is a feature of her heritage that she actively & consciously chooses but I do not know for certain that she'd suspect the dragonseeds if she hadn't had to emotionally gather herself only to lose not one, not two, but three kids to the stresses of usurpation. Ordering Nettles' execution is definitely a reflection of that Targ-Andal blood purity.

What I protest against are the ideas that:

Rhaenyra's tyranny later is told to have been inevitable without the greens' intervention or any instigation (I don't even care about Vaemond's death, he was just looking to endanger her kids/her for his own ambitions, like the greens. "Fair" play and he was going against the not unfair declaration Viserys made)

that there was no instigation or provocation; her reaction doesn't make sense (in a sense)

a woman has to show that she is capable of ruling because the history of male rulers makes her obligated to show "girls can do it, too" -> that it's justified to expect her to be above-average just because she happens to be the first up-and-coming Queen Regnant in ("united") Westerosi history -> -> to expect a woman to "prove" to a misogynist base (I mean specifically the other lords or even some of her male relatives) her worth and fitness to rule is coming from the context of women being kept from rulership that is both supported and reaffirms the idea that female authority = unnatural condition for women... (HERE is a post by mononijikayu explaining the progression and origins of the gender divisions in medieval Europe)

that being in the middle of a civil war that she did not start, having had the royal treasury bled out, that the rumormongering done by a hidden master of whispers and later the fear-mongering rhetoric of a seemingly mad version of Savonrola ARENT something that no other monarch ever had to deal with & WASN'T an extreme and volatile situation that even Jaehaerys would have much trouble with (I must remind people that Jaehaerys would have had a lot more problems without Alysanne and Septon Barth and Rogar Baratheon AND there was no agent working against him behind the shadows nor did he lose a child out of his own actions and unfairly until his much older age [Aemon], and that was only one NOR was it out of actual hate towards his person! or a belief that genitals "prove" he shouldn't rule)

and tons of other lies I don't even want to get into

In other words, there are a lot of bad-faith arguments that just wind up as being misogynist, so where do we move on if we're hung back?

Once more, Rhaenyra was never herself a feminist BOTH because there is no such thing as feminists in real/fictional medieval settings AND because she never consciously and intentionally sought to better other women's lives. The reason why we look at her story as a story of feminism is because as a woman, even just sitting on the throne provides enough precedent and justification for other women to claim and keep their seats (Jeyne Arryn, and other women and girls in even pre-Targ history who has lost the opp to rule)--and who knows, if she had been allowed to live and rule, actually consider instituting some laws for women either of her own inspiration or persuaded. Thus setting Westerosi towards a more woman-included political framework. Even though misogyny wouldn't disappear, the sentiment of women being bad or incapable or even just "unlucky" types of rulers wouldn't be as strong or as justified or more easily countered.

Plus, if I do not explain why it is important to understand Rhaenyra as a person affected by others and society, looking for agency, then the idea of a woman doing evil as being the blueprint of evil itself actually makes it worse for women in general. Because it fosters the connection between womanhood and evil or "unnaturalness" or the unnaturalness of gender-nonconformity of any kind. This is one-way progress even happens, Westerners still do not live in a utopia for women, anon. But Western (and some countries in Africa and Asia) women have a safer bet now than they did in ancient Greece, Japan, etc., or 200 years ago in U.S. history.

Once more, no one has to actually think Rhaenyra is a good person or even like her. She absolutely commits evil and there are other women in the dynasty who perform less or none (none or without their own faults but most [before the loss of dragons] display a lot of intelligence or autonomy-seeking) Just watch out for why you don't like her and what you think characterizes that evil, the events surrounding it, what inspires her, and all those implications. And recognize that good fiction doesn't ask you to name a good person based on your already-conceived notions of good vs evil, but to see the characters' development and role in the narrative and how their roles/lives/contentions mirror our own.

Aegon is a person born into a royal family with incumbent supreme power and he uses it against women and children (Aemond, too, but being a second son never he will not have the same access to power as his older brother, thereby there is a level of frustration that he himself nurtures). Rhaenyra is born into a world that consistently takes from women to give to men, and even her own family has a history of sidelining its women to affirm their men's power over them and Westeros. GRRM is asking us what does to women, how it makes them retreat into themselves and develop their methods of self-defense, or how she chooses to gain back some agency? How far or how little can she (the woman, not just Rhaenyra) go to gain power or agency, and once she gets past a certain point that she can't even see because she is so inured into a state of self-defense, how can she "come back" from that? Is there even room for it? And what does that do to men like Aegon & Aemond or even common-born men (who also abuse their wives, daughters, etc.) -- encourage them to perform violence against women and children?

So honestly, this back and forth about Rhaenyra being a bad ruler or just about her tyranny and paranoia is less interesting to me bc it is NOT THE ENTIRE POINT and it's boring as heck!!! (Unless we talking abt the progression into Dany's leadership & her own textual defiance of gender binaries)

*EDIT* (9/22/23)

As I told someone below in the comments, check your own logic before coming to this post. I have many other posts of me explaining and refuting other sexist takes that begin: HERE; HERE; HERE; HERE. And all link to many more posts where I explain to various anons why their arguments (very specific ones) are actually incorrect or just plain sexist.

[supermarine-silvally]

alone+guilt yara

OC asks - not-so-nice edition

Putting below a cut because of Marineford spoilers!

alone: How does your OC deal with loneliness? Have they ever been completely alone before? How do they act when there's no one around to see them?

Loneliness is one of the main things Yara has struggled with all her life. She didn't have any sense of really belonging anywhere until she joined Whitebeard's crew. As a child, her loneliness manifested into severe abandonment issues that has led her to not trust others easily out of fear that they could abandon her at any opportunity and leave her all alone again. Because of this, she warms up to people and comes to trust them incredibly slowly. She would rather have people think her cold and cruel and leave her alone than have them get close to her only to break her heart. The main time she was completely alone was when she was on the run from Cipher Pol. The World Government had put out a bounty on her head and she couldn't really trust anyone out of fear they might turn her in. She hopped islands by stowing away on ships, hoping that if she could find Mihawk, that he would protect her. It was an incredibly scary and perilous situation for her, and only intensified her feelings of loneliness a hundredfold. I don't think she acts too differently when there's no one around to see her. When she still wore an eyepatch over her left eye, she would occasionally remove it just so she could see with her vision unimpeded, but she doesn't really try to hide her loneliness at all. It more just manifests as anger when she's around others.

guilt: What is your OC guilty about? How do they handle their guilt? Do they try to avoid guilt, or do they accept it?

Post-Marineford, Yara can't help but feel that the whole debacle could've been avoided had she put her foot down and refused to let Ace leave the ship to hunt Blackbeard-- or at least put up way more of a fight about it. The fact that she just let him go haunts her, even though she knows realistically that she made the decision based on what she knew at the time and did genuinely believe that Ace would be successful. But watching so many of her friends and loved ones die in the Paramount War has definitely given her a bit of survivor's guilt. Whenever she starts to feel guilty about it, she reminds herself that she had no way to know what would happen, and that she did make her decision to support Ace based on all the evidence that was available to her in that moment, and that as much as she loves him, Ace could be incredibly stubborn and hotheaded and foolish and she ultimately couldn't control him. Even if the Paramount War had never happened, a collision with Blackbeard was inevitable. Plus, she herself only survived the war because Mihawk interfered. If he hadn't, she likely would've died alongside Ace. In the end, Yara is practical enough to know that her actions would not have made a difference. What's done is done, and all she can do is move forwards. She does also feel a bit of guilt once she comes to learn that Mihawk did actually care about her all along, having kept all her old bounty posters and having gone looking for her after she left the convent. But that doesn't excuse letting her feel so lonely and hopeless for all those years, so she doesn't feel too terrible about having hated him so viciously for so long.