#and he can proper compel people?????

[bitter-goodbyes]

“Your will is still your own. Mostly.”

[nullians]

It’s actually insane how fandom in general has become so scared of making weird and dark and ugly works. Like I look at myself and see how I have also subconsciously adapted this instinct to self censor and make things “marketable” and it’s making me want to crawl out of my skin. I need to get weirder and worse and more off-putting hello

[prettyboykatsuki]

I can just imagine fujo neet reader practicing different sex position with rin to make sure she gets the proportions right.

✮ tags ; fem!reader, sexual tension, rin's pov, RIN IS KIND OF MEAN TO HER BUT HE WANTS HER SO BAD FDKJJS, reader is a fujoshi and bl mangaka, pre-relationship, they work together, part of a ficverse i haven't written yet Sorry, ONE JOKE ABOUT RIN WANTING TO OFF HIMSELF, SUPER SUGGESTIVE LOL 18+

✮ wc ; 3.5k (WHAT THE FUCK!!!!!!!)

✮ a/n ; i had to do this for my sanity. i promise i will write them a proper fic with them i promise.

You never text Rin.

Not really. Not first at least. It's a new... friendship. Kind of. Sort of. Most of your communication thus far has been through meetings and random in-person chance encounters. Outside of that, Rin will call you since it's faster. If you do "text", it's mostly through twitter DM's.

There's a discord server your fans run, and you pop in there often enough. He's had the invitation extended but declined unilaterally, since he'd rather not see himself fucking Isagi anymore than he already has in his short, miserable career.

It surprised him this morning, seeing your message flash across the top of his screen. Asking, specifically, for him to come over and help you with something related to the new manga you were writing. He had it in his right mind to decline, but after learning it wasn't a doujin for him, he semi-reluctantly agreed.

Rin doesn't know when exactly your relationship to him grew this...comfortable. Inviting him over to your house, begging him for favors, not wincing every time he talks to you. Rin isn't an extrovert but compared to you he's a social butterfly. And your aversion to people in general, Rin thought, would prevent you from doing anything more than squeak at him forever just like you did when he met you.

(Though nothing in his life has been normal since your arrival in it. He's not sure why you would remain unchanged when he certainly hasn't.)

He doesn't know what to feel when you ask him for a favor, and he doesn't know what force of nature compels him to go. If it's morbid curiosity or annoyance or something else even worse.

It was compelling enough to take the train all the way out to Machida - an hour long trip from his own place. His manager hounded him to take you something, so he has a bag of ginseng energy drinks and snacks with him as a gift. He took the bus with his mask on, and then walked all the way to your building.

Your apartment is tucked somewhere classically suburban - attached at the far end of a residential street and behind concrete support beams for a highway just overhead. Cherry blossom trees and other shades of white flowers grow around it in thick patches, making the entrance hard to find. Rin would've had trouble if you didn’t give him details on exactly where to go.

It's an older building, stone walls worn and grass-stained from age. At the gate are groups of old people talking amongst each other as they sort through recycling and trash. All visor hats and sunspots, they fawn over Rin for a long while before he goes in and interrogates him with questions. None of them know him, which is relieving. It quickly graduates to them asking who he's there to visit, if he has a girlfriend or not.

All of them ooh and aah when he mentions your name, say something about being relieved she's found a man so handsome and that Rin should marry you because even though you're a little strange you're a good girl. Rin does not have the time nor energy to correct them - only nods and bows his head and leaves.

On the elevator ride up to your floor, he can't help but think repeatedly that this isn't the kind of place he'd expect you to live. He thought it'd be out in the middle of nowhere, maybe in a damp and broken building.

But this is a nice place with nice people, vibrant and colorful. Totally opposite from what he considers your personality.

Suitable or not, Rin manages to make it to your floor without a hitch.

He finds you, then, as he'd expect. Down a long hall, behind an unassuming white door. When you open it, you're a mess. Your hair completely unkempt, face greasy, a wild look in your eyes and complete surprise in your expression as if you didn't invite him over. You do, however, manage to invite him in without stuttering or stumbling over your words foolishly like you did the first time you spoke to him.

Another surprise is how... clean your living room is. It's lived in but he was expecting more mess in there. Your bedroom is in a similar state, undoubtedly messy but not terrible. Your NEET tendencies finally end up showing when you drag Rin into your office where you draw your manga.

It's not dirty but it's cluttered. There's a pull out sofa on one wall, with a blanket and pillow littered about and pages upon pages of paper sheets with scrapped panels about the floor. One wall has a bunch of post-its with several notes in both English and Japanese, and another has tacked up pieces of art. Both yours and other peoples. He chooses to ignore the ones of him and Isagi, The walls themselves are cream colored and uninteresting and the wood floors are slippery. At the far end of the room is a spread of desks, a PC set-up and a professional looking tablet among various art supplies in stacked boxes.

It's this room you bring Rin into without explaining yourself at all, mumbling and muttering as you give him a place to sit and go back to your work for fifteen silent minutes.

When you're finally finished doing whatever the fuck you were doing, you turn yourself back towards Rin. Bluelight glasses fall down the bridge of your nose as you swivel around in your chair - your sweatpants half pulled up your leg with the other pulled down. You're wearing fuzzy socks with Naruto characters on them.

You stare at him, pulling your glasses off and rubbing your eyes - dark circles under them.

"Uhm," Your voice is clipped and thick with exhaustion. "You came."

Rin deadpans. "You asked me to come."

"I thought you'd say no."

He did too. He doesn't respond back. You chew your lips, already anxious and Rin resists the urge to say something about it.

"Okay. Uhm. Please don't get mad," You start with and then explain, looking away. Your hands pull your sleeves over your palms. "So. Like. For my new series, I'm finally getting to the sex scene but I've never drawn characters with an intense height difference like this. And I need... new reference photos.... and uhm," You rub your feet together on your chair where you sit "Well our height differences and size is the exact one my characters have. So."

Rin stares at you. "So?"

"SoIwaswonderingifyou'dtakereferenceimagesforsexpositionswithme,"

Rin feels his jaw lock. "Slower."

You frown and look away, tucking your chin with embarrassment. "I was uhm, like, wondering if you'd take... take the uhm, sex position reference photos with me, please."

"What?"

You clasp your hands together, immediately prostrating yourself by throwing yourself down the ground. He flinches back, wondering if you're gonna hold onto his leg next.

"Please, please help me. You're the exact height of my seme and you uhm have similar builds and he's doing the most of the legwork. The poses are a little bit hard but I want them to look good or Minami-san will eat me and I'm scared of her, please help me."

"Who is Minami-san?"

You sniffle, on the verge of tears just thinking about it. "My editor. She used to be my fan. She's scary. Please, Rin-kun, please."

"What the hell did you do before?"

You frown at him, big wet puppy-dog eyes.

"It was hard. Sometimes I'd pose with my big stuffed animals and make up the proportions. Oh and usually watched porn and stuff. Sometimes I'd get lucky with stockphotos. But I don’t get the angle exactly right unless I have good references."

Rin wonders if anything you have ever said has processed in your mind before saying it. He doubts it for some reason.

"So," Rin pinches the bridge of his nose and shakes the image of you humping your stuffed animals out of his head. "You're asking me to.. pose with you?"

You nod and chew your lip. "Please, I promise I'd never ask you for this if I wasn't s-scared of Minami-san! Please?"

"I should make you pay me for this," He sneers. You flinch back and close your eyes.

"I'm sorry." You whine wetly, but then open your eyes again anyway. "Please help me."

Rin doesn't know why he helps you. Maybe you're just too pathetic for him to ignore. Maybe he's a masochist. Maybe inhaling the same air as Bachira last week turned him stupid.

He pinches the bridge of his nose.

"Fine."

__

If Rin didn't believe you before when you told him you make your own references, he'd definitely believe you after you take him to your bedroom.

Your bed is in the center of your room, instead of being pushed against a wall. Large stuffed animals laid in one corner. On both sides of the room, are makeshift digital camera stands and remote-controlled lighting among another remote for said cameras. There's about 4-6 angles from what you explained to Rin, and a few adjustable lights. It's an elaborate set-up and takes the kind of dedication Rin can only imagine a hardcore fujoshi freak like yourself thinking up.

All of this to mostly draw porn of him and his rival. He tries not to think about it too hard because he thinks it's going to give him an aneurysm. Rin sits at the edge of your bed as you adjust each of the cameras individually.

"What do you do if it's not on a bed?"

You flinch like you aren't expecting him to talk. "Uhm. I either simulate as best I can o-or move my things and bed around. It's why I moved my desk to my office."

Rin stares at you. "You take it seriously."

You nod meekly. "Producing high-quality doujin is what made me money, so I have to work hard. Being poor is tough."

If Rin didn't find you so unbearable he might find that awe-inspiring in his own fucked up way.

"Okay. Everything is set-up. Now for the poses," You say, suddenly sparking back to life. Rin sits and watches. "They're having sex on a public beach so the bed and the way the seme sort of sinks into the sand will be good... I think the bridge one is the one we'll do first."

"The bridge?"

You nod, talking in short sentences. But Rin can tell this is where you're comfortable, doing things for this... hobby. Your usual constant embarrassment and shame seem to disappear when it comes to it. It's fascinating like a car crash. "Uhm. You have to stand on your knees and then, I'll lay on my back and arch my back up to meet your... y'know. It'll emphasize the height difference."

Rin stares at you agape. You take the remote control for your cameras in your hands and look at him expectantly.

Rin doesn't know whats wrong with him. Why the hell did he agree to this?

"Do you want me to take my jacket off?"

You nod, surprised. He shrugs the thing off of his shoulders and tosses it onto the floor.

Rin, per your instruction, gets into the position in the middle of the bed. He stands on his knees waiting for you. You join him a minute after, squinting at your phone screen beforehand. He isn't sure what he's expecting as a result of your ask, but he sure is shocked when he finds you placing your feet flat on the bed next to his knees and pushing yourself up for your crotch to meet his.

He knows that’s what you said but your shamelessness proves to be… shocking.

He tries not to let it show. His jaw ticks. His face feels warm but his expression remains neutral all the same. You shift and adjust and don't seem concerned at all - like it doesn't occur to you that this is in any way socially unacceptable. Or it's unfathomable Rin would take advantage of this. That this is weird, or could be interpreted in less than innocent ways. Rin knows you're so out of touch that it probably isn't. That this is, to you, just considered a favor which is partially why he even agrees.

But you're mid-brushing up against his bulge. The angle of your back forms a triangle, your arms laid flat at your sides as you squirm and push. And your expression shifts, deep in thought.

"Uhm, like, would you mind p-putting your hands on my hips? Kind of squeezing tight like it's," You flush this time, but Rin harbors doubt it's about him. "Like it feels good I guess? Like hard, and stuff so you can see the indent."

He's so astonished, he does it on autopilot. Neutral and even. He lets his hands grab your hips and holds tight just as you ask. Your long, loose sweatshirt falls down revealing the soft skin of your tummy. He can see the tops of your underwear, the thin cotton kind that come in 6-packs with a single bow in the middle in a grey color.

You don't seem to care about it. Rin shouldn't either, but his body does seem to care. His brain does. Something is happening in his gut. Anger maybe. Some cheap, frustrated desire to make fun of you.

Instead the words he's been wanting to ask since you proposed this tumble out of his mouth. He stares at you.

"Is this the first time someone's done this with you?"

You jump with a start, but remain in position. You take the pictures first, six clicks in a row before answering.

"H-huh? Why-why are you asking that?"

He doesn't know. Really. And he knows how it sounds. Rin doesn't say anything and you fold under the immense pressure of his gaze.

"S-stop staring," You say, and take a few more pictures, lowering your back just a little but still staying up right. "And no. No one tall enough or with the right physique."

There is another gnawing question, another burning curiosity. He makes his voice as even and unaffected and apathetic as he can. As mean as possible.

"Have you ever even had sex?"

Your eyes blow wide, but you seem to fall for the persona of apathy, curious boredom and cruelty. Worse, you seem a little used to it. You squirm this time and Rin holds you firmly in place. Your voice is small.

"Uhm, like, once I guess. I-it was with a guy, I didn't really date him but he seemed interested in me and I didn't think I'd ever have the opportunity again s-so I did it and I didn't uhm, it wasn't very good or anything." You reply, and he can feel your toes curl in your socks next to him and his brain feels like it'll melt from out of his ears. "Sorry, I don't-don't think you care about that, just uhm, felt like I should explain."

"Yeah," Rin feels dizzy. "Do you need another pose?"

You blink and then nod. "Yeah! Another one kind of like this, but with the legs like uhm, on your chest and my feet closer to your head. With you leaned back a little. Does that make sense? The butterfly position, I think."

Rin swallows something at the back of throat.

He nods, pulling you into position so easily he can heard you gasp. Your legs straighten against his clothed chest, and your sweatshirt falls far enough to let him see your bra. A fabric sports kind, a little worn - just the logo visible. He doesn't say anything about it, your feet resting near his neck. You make a little soft noise.

"This feels a little difficult to be in. Poor uke. Sorry if this one is kind of weird, but can you put your hands, I dunno, on my ass, I guess? I know that's probably too much but I think it'll be a good detail, so please? I'll pay you"

Rin stares at you, teeth gritting so hard he feels the back of his skull throb. "Fine."

Rin, per your request, puts his hands on your ass. It's easy enough, and he doesn't hold too tight. But it's too intimate, too stupidly fucking intimate, and he can feel you. You're hardly paying attention, caught up in your own head with whatever else. Rin is paying too much attention. Like how your sweatpants aren't thick enough to cover the outline of your frumpy cotton panties and how your soft all over. He's going to kill someone. Maybe himself.

Six more clicks and a little noise of satisfaction.

"Okay!!! I think these will turn out so great, and I can use them later too. Just one more. I have a lot of refs for this position, but uhm - I want to see if I can get the proportions correct, so if you'd please lay down," You tell him with such genuine excitement he can't find it in himself to say anything horribly cruel. "I'll be doing most of the work this time. I just-just need to see how uke will compare..."

You mutter something to yourself as Rin lets you down and lays himself down on your bed. You sit next to him for a long while, squinting at your phone. Rin stares at you as you. Wonders if he's gone completely insane, and tries to ignore the doom of the impending hard-on cozying itself in his pants.

Unceremoniously, you find yourself perching over Rin's lap. Not bothering to give him any pretense, it's the one thing about today that's really getting him.

"Oh, I need my hands for this," You give him the remote and stare down at him wide-eyed, over his lap. This has to be hell. "Could you take the photos this time?"

He closes his eyes and counts to ten and wonders if a concussion has made him insane. "Hm."

You brighten and Rin feels his chest go tight. "Thanks!"

Rin just nods, his mouth drying as you start to move and pose. A picture with your hands next to his head, and anothe r where you're sat up - your hands at your sides. Rin obediently takes pictures when you ask, his entire body tensing every single time you move.

"Okay, last one," You say. This time, you put your hands on his chest. Just the one. You must have something specific in your head that you're wanting to recreate. You bend down close, looking down at him as you do - your other hand clenched.

Rin looks up at you. He should not be thinking about you in any way. He's looking at the way your lips curve and plump and at your bare skin and your dark circles and your stupid licensed anime hoodie. He just gapes at you in confusion and mystique. He's around so many weirdos. It's not like there's anything special about you. You’re just another freak who makes porn of him. Plenty of people do that.

A loser and an idiot with no sense of self-preservation. There's nothing special about this, but Rin hasn’t been able to convince himself of that.

You stare down at him.

"Take a picture?"

Rin looks at you. Studies your expression. You seem like you're thinking. It's the only oppurtunity he has to pry.

"Did you want to ask something?" He says first. “You’re not hard to read.”

You startle, then nod. Your hand is on his chest. It's warm, and smaller than his.

"Oh, I-I guess I was wondering about what you asked me earlier. And uhm, like, I don't know. If you ever did anything. Your relationships aren't in the media and fans speculate but," You fall flat on your words. "I guess I was just curious."

Rin hates this question. It's why he never answers it. Why he hates being called a hearthrob, always too shallow and too personal for his taste.

"Nothing long term or serious. It was most for physical relief." Rin says, almost on autopilot. “Not that’d you know what that’s like.”

Your eyes widen. Rin feels his hands twitch, watching your expression finally grown conscious of him. Lust spreads through you like honey and Rin can see it in how you look. You squirm in his lap. He's not usually so aggressive, not usually one to care about sex in any important way. Not one to brag about something so unbelievably inane and trivial.

But it's bothering him, just how much he's fighting the urge to pin you down and fuck you. You of all people. It's not like him. Rough sex is whatever, but it's bothering him how little any of it seems to register in your head anymore like it once did. You could barely breathe the first time you met.

He doesn't know why he cares that you don’t anymore. He doesn’t give a shit about anything related to you

But the thought nothing seems to bother you anymore bothers him.

"Oh... I see. That's uhm, interesting. I b-bet you have a lot more experience than me. Maybe it'd be a good thing to keep you around for that kind of refernce too," You joke.

Rin lets his hand slip up to your hips without asking, not bothering to hide it anymore. His head feels with nothing but stupid useless thoughts. Thoughts of fucking you in your old, worn clothes and stained shirts and comfortable cotton underwear. Thoughts of your hands clutching at his shoulder all weepy with desire and need and stupidity - your big wide eyes bleary and sensitive. It's cruel how relentlessly he thinks about taking advantage of all your differences. Of how unathletic and awkward and unused to everything you are.

It's horrible just how much he's staving off his own arousal about it. Maybe you're strange habits are infecting him, making him strange too strange. All Rin can think about uselessly is how easily he could put you in your place. Fix you in some strange way. You’d be his to fix and you’d cry and weep and want to run away. Rin wouldn’t let you, keep you pinned and caged like an animal.

His throat feels tight. What is fucking wrong with him today?

Is he that pent up? He stares at you, and gets some passing feeling that there is more to it than that. He closes his eyes.

"Whatever," He says, letting go. You don't seem to notice it again, how thick his voice is getting "Are you almost done?"

You nod and smile. "Yes. Thank you."

Rin feels his heart tug and seethes. “You're welcome."

[thewatcher727]

Writing Tip - Portraying Characters Out Of Character

More writing tips

One of the most common criticisms in writing is when an established character is portrayed in a way that seems inconsistent with their usual traits or undergoes a sudden change in personality. The question is, is it wrong to want to write an established character in a different way?

My answer is that it’s fine if there is a plausible reason for it. For example, if John, who was previously a badass military guy, suddenly becomes a soft, joking character in a sequel, it’s going to make people wonder why his personality did a 180. The key to making a different portrayal plausible is through story and context. To explain this, I will use the video game Batman: Arkham Origins as an example.

We were first introduced to Arkham Batman in Batman: Arkham Asylum, which takes place during Bruce Wayne’s 11th year as Batman. In that game, Batman is portrayed as an experienced, highly skilled vigilante who is in complete control of his emotions. He never acts out when a situation goes wrong; instead, he calculates and plans his next move. Even though we see a few instances where he still carries the trauma of his childhood, his willpower is shown to be incredible. There are even rare moments when he makes jokes with Oracle. All in all, you get the sense this is a guy who knows what he’s doing.

Now let’s cut to Batman: Arkham Origins. This game is a prequel that takes place during Bruce’s second year as Batman. In this game, his personality is quite different, out of character so to speak. He is younger, angrier, and inexperienced. The game does an excellent job portraying how flawed Batman is through the small details. His fighting style is more raw and less polished compared to his later years. His suit looks bulkier and more thrown together rather than a single, cohesive design. We see him make mistakes when dealing with criminals. For example, in one cutscene, Batman is interrogating a guy named Loose Lips. As he holds Loose Lips up by the throat with one hand, he adjusts his footing and then chokes Loose Lips too hard, knocking him out. Batman acknowledges this by muttering, “Damn.” He is also very arrogant, underestimating the assassins that are out to get him and frequently telling Alfred he doesn’t need allies, determined to be a one-man army.

So, why do I consider this different portrayal good? The reason is that it fits the story they are trying to tell. Given the significant time gap between Origins and Asylum, it stands to reason that Batman would undergo some personality changes. The game provides an opportunity to show how Batman evolved from a young, reckless individual to the seasoned warrior we know later.

One of the best scenes is when, after nearly losing Alfred to Bane, Batman begins to doubt himself and considers giving up. Alfred, who finally understands why Bruce does what he does as Batman, encourages him to continue and let allies help him. Near the end, we see him working with James Gordon, hinting at how their relationship began to improve by the time of Asylum. We also see Batman working with Barbara to destroy Penguin’s weapons. This not only adds depth to Batman’s character, showing his capacity for growth and change, but it also sets up his future collaborations with characters like Oracle, Robin, and Nightwing. This development makes his later, more balanced and cooperative approach in Asylum and subsequent games feel earned and believable.

All in all, portraying a character out of character can be compelling if it aligns with the story and provides a logical progression. Batman’s arc in Arkham Origins shows he was flawed and needed to accept that he was not alone in his mission. Proper context and development are crucial in making these changes believable.

So, if you’re considering writing someone in a different way, keep this in mind and you’ll be good to go!

[fastbrother]

Desperate (M, 1.3k words)

For forty-one-year-old Draco Malfoy starting his twenty-fourth year of unemployment, the only interesting question is who is he going to sleep with next.

Tags: From Sex to Love, Grumpy Harry, Reclusive Harry, Slutty Draco (non-derogatory), unhealthy coping mechanisms, middle-aged Drarry

Author's note: Wrote this for @kamaela's birthday. Thank you for always being so kind and encouraging! 💕

* * *

For eleven-year-old Draco Malfoy starting Hogwarts, the only interesting question about school was who was going to come in second in his year. Imagine his surprise.

For forty-one-year-old Draco Malfoy starting his twenty-fourth year of unemployment, the only interesting question is who is he going to sleep with next.

Some days, it feels like he’s slept with everybody worth sleeping with. Other days—well.

* * *

When he was young, Draco Malfoy thought he liked women. He slept with a handful of girls, all very proper and sweet.

Then the war came, and he was in it, and he was tortured by the Dark Lord himself, which rewired his brain somehow, because after the war Draco Malfoy did not like women anymore. Nor anything proper. Or sweet.

Draco Malfoy liked to be fucked like he’d be murdered next.

* * *

Harry Potter is a big old grump. He lives in what should have been Draco’s house by birthright, nurses a terrifying beard currently in the process of turning grey, and only ever goes out in Muggle London, like the uncivilised brute Draco knows he really is. Draco dreams of being fucked by Harry Potter, the saviour of the wizarding world, the slayer of Dark Lords. And whatever rude people say, Draco’s a man who works for his dreams.

* * *

“Harry Potter. Out and about. What a surprise.”

Potter barely spares a glance for poor Draco. His eyes are glued to the Muggle TV above the bar, in the process of broadcasting some beastly excuse for movement that the Muggles call sports. There are five empty glasses in front of him, and a cigarette dangling out of his mouth.

“Fuck right off, Malfoy.”

“Ah, I’m afraid not,” Draco says, and sits on the barstool next to Harry. “You go, if my presence bothers you so.”

“I don’t give a shit about your presence.”

“Beautiful. Have you taken to writing poetry, by any chance?”

“Tell me, Malfoy,” Potter says, slowly turning those grotesquely green eyes towards him. “You look like someone who makes enemies in every room he walks into. How come you’re still alive?”

“I have my ways.”

“Aha,” Potter says, emptying his sixth glass of whiskey, eyes back on the TV. “I’ve heard about your ways.”

“Would you like some first-hand experience with them?”

Potter lets out a chuckle, a loud and brutish sound.

“Have you been following me?”

“Hardly. I’ve been coming here every night for six months. Ask Robert.”

“Who’s Robert?”

“I’m Robert,” the barman says, pouring Potter’s seventh drink.

“Ah. Nice to meet you, Robert,” Potter says, and raises his drink. “So. Has he?”

“Yes.”

Potter turns to Draco. Offers a vicious smile that makes Draco’s body tingle in all the right places.

“I used to come here all the time. Before the Prophet published a photo of me. Six months ago.”

Draco shrugs. “Can’t a boy try his luck?”

Potter leans forward and pulls Draco’s stool closer to him.

“You’re no boy. You’re a slut.”

“Oh, yes,” Draco moans, biting his lip. “I am. I’m a bad, bad slut.”

* * *

Harry Potter fucks like he goes to war. There’s no fear there, no second guessing. Draco could die now, bent over a dirty sink in a dingy Muggle bar, and he’d be happy. He should die, actually, because what else is there to experience? He has peaked, and life can only be a disappointment from this point on.

“Please,” he begs when all is done. “Again.”

“You make a compelling argument,” Potter says, pulling up his pants. “But there are people queuing outside.”

“I’ll get rid of them. I’ll kill them. Nobody will miss them too much, I’m sure.”

“How about this,” Potter says, fixing his hair back in a ponytail. “You keep coming here every night for another six months, and maybe I’ll drop by again.”

“Don’t play with me, Potter. You know I will.”

“Oh, I know.”

* * *

Draco expects Potter to torture him for at least a couple of weeks, but he strolls into that cursed Muggle pub the next day. He’s wearing jeans and a ripped t-shirt. Truly living up to his reputation of decorated ex-Auror and beloved hero, this one.

“My, my,” he says, sitting next to Draco and gesturing to Robert for a drink. “What a good pet.”

“Aha,” Draco says, draping himself all over Potter’s offensively attractive attire.

“Let me get a drink in me first,” Potter says, struggling to keep Draco at arm’s length.

“If you wanted a drink, you could have gone to another pub.”

* * *

Robert bans them eventually. Draco’s about to Obliviate him but Potter solves the issue by inviting him to his house.

“You mean, my house,” Draco corrects him.

Potter doesn’t seem impressed. “How about we call it a night, then.”

“Fine. I relinquish all rights to that home. You can have it forever. You can have the Manor, too, if you want.”

Potter laughs, and grabs Draco’s arm. “I love how desperate you are.”

“Oh, I’m desperate, alright.”

Five minutes later, Draco’s thirst is finally quenched when Potter bends him over a Black encrusted dining room table. Draco discovers he has quite the taste for family intrusions.

“In front of my great-grandmother’s portrait next, please,” he begs. Potter, the charitable soul he is, complies. Predictably, his great-grandmother calls Potter Muggle-loving filth.

“He is, granny,” Draco moans, face squished against some dusty yet tasteful wallpaper. “He’s the filthiest person that’s ever lived.”

* * *

“Are you some form of house pest? A Black family curse? Why can’t I get rid of you?” Potter says when Draco shows up on his doorstep, carrying a bottle of wine and appetisers as any man of the world would.

“Get rid of me, then,” Draco says, and walks in.

* * *

Potter is on an agenda to steal Draco’s elves and have them clean his shithole of a house. It’s the only reasonable explanation for why he’s taken to drinking with them.

“Stop entertaining the staff. You should be entertaining the Master. And there’s no smoking in the sunroom.”

“There is, now,” Potter says, lighting up a second cigarette with his wand. “There’s a new Master around here.”

“Master Potter,” the elves say in unison, drunk on the Butterbeer Draco keeps for his nephew.

* * *

It’s all fun and games until Draco catches feelings.

“I’m sick,” he tells anybody who cares to listen, and also those who don’t. “Je suis gravement malade.”

“Pull down the shades,” he tells the house elves from under the heavy duvet. “Owl the Healer.”

“Maybe Master Malfoy should tell Master Potter how he feels.”

“Clothes! Somebody bring clothes!”

* * *

“I heard through the grapevine that you’ve fallen ill.”

Draco peeks at Potter from under his duvet.

“It’s true. I’m dying.”

The bed jounces when Potter sits down next to him. He puts a hand on Draco’s un-feverish forehead.

“It sure looks like it.”

“I just want you to know, I lied about the Manor. I’m leaving everything to my elves.”

Potter’s hand moves down Draco’s face.

“Where have you been? I’ve missed you.”

“You have?” Draco says, his illness intensifying.

“Yes.”

“I thought I was a curse you couldn’t get rid of.”

“You are. You’ve been slacking on the job lately.

Something sharp rattles in Draco’s chest. He moves away from Potter’s touch, and hides under the duvet.

“Hey,” Potter says, leaning until his hand finds Draco’s waist through the thick material. “What happened?”

Silence.

“Do you want me to leave?”

Slowly, Draco shakes his head under the duvet.

“Do you want me to stay?”

Draco nods.

Draco hears ruffling and squeaking, and then Potter gets under the duvet. He’s hot, like a cat.

“Where did all your eloquence go?” Potter says, gathering him in his arms. “What happened to all your fancy words?”

Draco buries his head in Potter’s chest. Takes a deep breath.

“I turn stupid when I’m in love. It’s a debilitating illness.”

“You’re a debilitating illness,” Potter says, and kisses his forehead. “And I’m chronically ill.”

[lakesbian]

What was he doing?  Why was he so focused on getting Bitch to admit it was over? Reputation, yet again.  He needed to salvage this situation, and the surest way to do that, to recoup his losses and come out of this looking okay, would be to get the meanest, toughest, most notorious of us to bend at the knee and concede defeat. He really didn’t know Bitch, though. She pulled her cheap plastic dog mask off and threw it to one side.  It was only a formality, really, since her face and identity were public knowledge.  Her smile, as it spread across her face, wasn’t the most attractive.  Too many teeth showing. “Lung underestimated her, too,” she told him, looking at me.

okay, continued forcing myself to spend time analyzing rachel lindt instead of letting her live in my worm blindspot for no reason. to recap: at this point in the story, she's gone on the ABB raid with rachel & had that gay little moment where rachel gave her her jacket when she was cold walking back home + got so close to taylor to inspect her injuries from lung that taylor thought she was going to kiss her. it had deep connotations of blossoming romance and taylor narrated some shit about still kind of being cold despite the jacket but the warmth in her core keeping her warm all the way back to the loft. now, although taylor is still only consciously ranking rachel at "i don't hate her" in her mind, rachel has now started doing shit like this.

one of the primary rachel/taylor theses is that taylor isn't rachel's dog, rachel is taylor's dog. it's established over the course of the worm that she trusts taylor completely implicitly. there's the part in the behemoth fight where the entire world is falling apart around them and rachel is still smug and happy about taylor having a plan. there's the part at the end that makes all of us want to smash our heads into the wall:

she trusts taylor in the same way a dog would trust their owner even on the table for euthanasia. she sees taylor as smarter than she is not in a self-deprecatory way--there are plenty of people who you might call smarter than rachel that she'll happily call morons--but because consistently, time and time again, taylor goes up against smart pieces of shit who are trying to fuck the undersiders over and figures out what to do about it. and this scene here, where she's responding to armsmaster's attempt to put her down by insisting that he's underestimating taylor, seems to be the first instance of rachel's trust in taylor shining through. in fact, this happens even before taylor considers them to be friends, before they've had any significant bonding. one of the very first positive things rachel feels about taylor--maybe even the first positive thing--is that, when people are putting her and her team down, when odds look grim, taylor can be trusted to solve it. it's actually, like, kind of bonkers compelling that rachel's first seed of positive response to taylor isn't "well, actually, i guess she seems nice" but "my teammate taylor could beat up this dickhole armsmaster."

it's worth explicitly noting, by the way, that rachel interprets smiles as like dog growls. the reason her smile is a little too wide with too many teeth is because it's not actually a proper smile. it's rachel being a growling dog, placing all of her trust in taylor. I Love You Rachel Lindt

[ironunderstands]

Dr. Ratios predictions, theories and ideas I have for his lore BECAUSE SO MUCH HAS HAPPENED AND I AM INSANE ABOUT HIM AAAAAAA

‼️INCLUDES DISCUSSION OF LEAKS SO BE WARNED‼️

So, I’m sure if you like Dr. Ratio even a little bit or have kept up with what leakers are doing, you have heard of a little something.

That little something being our new planet in coming in 3.0 is Ancient Greece inspired 

Oh boy.

And oh it gets better, thanks Sparkle for playing genderbend Ratio during Cosmoddesy because 

Yup, this is his planet.

I’m well aware it will be like 7 months before we start getting proper leaks about this place, but for now, let’s do some speculation shall we, because if there’s anywhere we are gonna get his backstory/lore/a story centered around him, it will be here.

So let’s begin 

Whatever the hell I think is gonna happen during 3.0

A) He will serve as a guide for the Astral Express in navigating this planet 

I don’t think he will immediately go to them to help, or they will immediately seek out him, but rather coincidentally or through the connivence of circumstance he will end up helping lead us around, at least partially until we really get roped into a conflict.

Or, it’s the other way around, where we kinda are left to our own devices a bit and then something happens and either by his own decision or something that’s forced upon him, Dr. Ratio now has to supervise from now on.

Personally I find the second option way more interesting and I think it has way more potential for angst so I’m going with that one let Ratio be dragged around by a malicious entity or his own experiences I’m so here for it. 

B) Something happens.

Wow, descriptive. 

Ok, what I really mean is that something bad happens like a prophecy comes true or the express breaks something or a stellaron comes to eat people’s grandmas and Ratio is implicated in it. 

And this is where the fun begins, as the nature of what this something is can completely shift the story in very interesting ways.

Perhaps he was prophesied to doom Amphoreous’s civilization with his presence or something, and was abandoned by his parents on another planet?

Perhaps he has connections to the leaders there who desired for him to be their puppet/tool, so he left to find his own path and now they are trying to force him back.

Perhaps he failed at a test of theirs when he was younger, some universal trait on the planet that he couldn’t live up to and was exiled because of it. Now that he’s back, they blame whatever bad thing happens on Ratio. 

I actually really like these particular theories as Ratio has a lot of themes about creating your own destiny, so seeing him resist one forced upon him would be compelling. Moreover, I feel as though an arc demonstrating how exactly he wanted to become a Genius/where he got all his insecurities and motivations from is not only necessary for his character but would flesh out the way we see the path of Erudition in general, even if I already really like the way they have gone with it so far. 

C) Resolution/Self acceptance 

I doubt they will permanently kill him, it just doesn’t suit his character at all.

However, do I think is he gonna get messed up by whatever that “something” is? Yes. 

If the story centers on this remains to be seen, honestly, I doubt it will considering we have the entire cast of the planet and its own lore to meet and learn about, but I do think Ratio will be a major player and I hope how he feels gets some of the plot’s focus as we have quite literally only have 1 full scene of him where we see who he truly is, and it’s all the way back in 1.6 (Ratio-Screwllum conversation my Roman Empire). 

Like guys I needed this man bleeding out screaming dying crying throwing up clutching his wounds looking up at the screen like a kicked puppy losing all hope in himself and others YESTERDAY 

I NEED SOMETHING BAD TO HAPPEN TO HIM FOR CHARACTER DEVELOPMENT AND BECAUSE RATIO IS SO HIGH STRUNG THAT ANY AMOUNT OF PRESSURE WILL CAUSE HIM TO SNAP SO PLEASE HOYO LET HIM BREAK!!!

He needs another scene where he’s being sincere, he needs a scene where he’s being vulnerable, Ratio’s marble facade needs to crumble to reveal the man underneath and I need that man to pick himself back up again knowing he can allow himself to be human as well AAAAAAAAAA

His connections to Acheron 

If you have seen my other posts I have already talked about this at length, however the brainrot for this particular detail is all consuming so let me just demonstrate:

Dr. Ratio has the same philosophy as Acheron, an emanator of Nihility.

Look.

Essentially, they both believe that only in desperate situations will humans reach their full potential and begin to truly live for themselves. Moreover, they also both try and offer the tools to help people save themselves, Ratio with knowledge and Acheron with destroying the dreamscape, and that even if people can only become their true selves through struggle, it is the guidance and love of other people that will allow them to pick themselves up. 

Interestingly, pre-2.2 I also believed Ratio was walking the path of Nihility, due to how he engages with knowledge. That very viewpoint spawned from the 1.6 conversation I just showed you, as Ratio demonstrates to the audience that he does not care about knowledge in of itself, but rather the value it can bring to people.

Now, this sets him apart from the Genius Society members, who believe knowledge is inherently valuable and that it is what brings the universe meaning to them. Every person Nous has acknowledged has expressed this belief, which is why they were acknowledged and Ratio isn’t.

Before you say it, no, it’s not that he isn’t smart enough, quite the opposite actually.

Screwllum himself acknowledges his genius and time and time again are Ratios myriad of accomplishments brought up. In universe plenty of people believe he should have been instated into the society by now as well:

These are just the ones that implicate the society directly, as so many of Ratio’s character stories also mention just how accomplished he is.

Moreover, in 2.3 we are getting a new Sim Uni update made by Ratio himself, centered on humanity because of course it is, therefore he’s even smart enough to do the same things the GS members do, even collaborating with Screwllum to work on their favorite pet project.

So, what does this have to do with his lack of acknowledgment, and the path of Nihility?

I have established Ratio is smart enough and that he doesn’t view knowledge in the same way the other member’s do. Therefore, this difference in mindset is why Nous has never acknowledged him, because as much as Ratio thinks he is walking the path of Erudition, his personal philosophy and behaviors have never aligned with that, even if he thinks they do.

I mean, the man says it himself, even if he doesn’t realize the implications of it:

“The Path of Erudition has neither reason nor logic. While geniuses wander among the stars, the ordinary can’t even trace their footsteps.”

That is the path the Genius Society members walk, the path Ratio is criticizing in this sentence, the path he refuses to travel along himself, because what defines Ratio is that he will never leave the ordinary behind to stumble alone.

That is the path of Erudition.

And Veritas Ratio does not follow it. 

So what does he believe in?

Finding your own path. Forging your own future, in the face of a meaningless universe, that is the only thing we should do, the only thing we CAN do. 

“even a life marked by failure is a life worth living”

That’s what Ratio believes.

It doesn’t matter if the masses cannot escape their mediocrity, if they will never be geniuses, if their efforts will go unacknowledged, because the universe doesn’t care, therefore they shouldn’t either. There is no grand test, no final destination, no perfect goal people must attain.

Destiny is uncertain, and people’s fates are theirs to choose. 

Dr. Ratio believes people can still improve themselves, and that it doesn’t matter if people cannot reach the ceiling of knowledge, as they should still push themselves off the floor and stand up. 

He doesn’t think anything confines people from bettering themselves, and that it’s pointless to deliberate over whether one can achieve perfection or not, they should strive to improve themselves regardless and live their best lives because why not? Sure there’s nothing saying they can, but there’s also nothing saying they can’t, and in the face of a meaningless universe, devoid of purpose, one must create their own, and he dedicates his life to aiding others in realizing this.

Ironically, Ratio does not take his own advice. He can recognize the merits of the masses, but he cannot appreciate his own. Ratio is forever walking forward, but he cannot see the path ahead of him, or appreciate the lengths he has gone, the distance he has traveled, and the lives he has improved. 

Ratio spreads knowledge across the universe, believing that is what Nous desires, what the Erudition means, or rather should be, which is partly why he views himself as mundane, as a failure. 

Not just because he is as ordinary as any other person, but because Ratio thinks he hasn’t succeeded in his goal without Nous’s acknowledgement. I think he believes that he hasn’t done enough, that he isn’t smart enough, that he will never be good enough, therefore no matter what has happened, Ratio is doomed do be as mundane as everyone else, and his accomplishments will never be worth the gaze of the entity who inspired him to help others in the first place, as that’s what Ratio believes they would want.

However, helping others is not something Nous cares about, it’s something Dr. Ratio cares about. Even if he doesn’t understand or acknowledge it, Ratio’s accomplishments are meaningful, and he has walked his path further than most ever have. 

However, that path just isn’t the path of Erudition, it’s the path of Existence. 

Initially I believed it to be the Nihility, and in a way I’m not wrong, considering one must cross underneath the shadow of the Nihility to find the Existence, so in a way he is still approaching them.

However, as always, Acheron clarifies everything.

The Nihility envelops all, therefore it is meaningless. And before our final ending, our predetermined destiny (death), we have so many choices to make, therefore we should make them, as it makes both our life and death develop a completely different meaning.

As I have stated, this is what Ratio believes in, even if he attributes it to the Erudition, rather than the Nihility.

Ratio’s entire goal in life is to help others bring meaning to their lives and guide them in the right direction so they can begin to choose for themselves, using knowledge as his means to do so.

Which is exactly what Acheron does, “on the still waters of oblivion, I guide the wandering souls,” isn’t just a line she says because it sounds cool, rather, that is her goal as well. An emanator of Nihility, whose goal is to help others find their meaning in the universe. 

But Acheron doesn’t just want that. She is looking for the Existence, and to kill the Nihility (meaningless) forever.

Which is significant, because if Ratio believes the same exact thing she does, and is walking the same path as she is, then like Acheron, he is heading towards the Existence, not the Erudition.

And Nous will never acknowledge him, not because he isn’t smart enough, but because he never followed them to begin with.

In fact, we know what Ratio is, or rather, what he might end up becoming.

So far no Doctors of Chaos have succeeded in their goals, but perhaps Dr. Ratio, Dr VERITAS Ratio, will be the one to do so. After all, who else could it be but him?

How fitting that the man named after truth would be the one to find it.

That fuckass owl 

Glaux I want to throw you into a blender 

This is Professor Glaux, one of the figures from the Hanunue-Clockie Era of Penacony who did some things like bring the stellaron there, was a scholar of the Intellgenica Guild, became the first dreamweaver, inspired the paper birds, did some shit with the Nightingale Family and presumably died.

I know, horrible explanation, especially considering I haven’t even done the quest this guy is from, but hopefully that’s all the information you need for now so I can introduce you to this theory (which I did not create, sadly I don’t remember who did but it was someone on twitter somewhere so shoutout to them)

That being… Dr. Ratio is Glaux

I hate it I’m sorry. But I will attempt to explain where it’s coming from.

A) Glaux has very similar references to Ratio, aka they are both associated with Greek culture, wisdom and owls 

Glaux is the Greek word for owl and they are heavily associated with Athena, the god of wisdom.

Now Ratio has extremely obvious owl, Greek and wisdom association if you have looked at him for any longer than 2 seconds so I’m not gonna bother to demonstrate it, they have similar references, moving on.

B) The Intelligencia Guild + their titles 

They are from the same faction, and both are referred to as Professors (ratio gets called that more in the CN version I think), and at least Ratio dedicates his time to spreading knowledge, which I think is something Glaux shared.  

C) This occurrence in Gold and Gears

You know, the one where a student kills themself because Ratio thinks they are an idiot.

Well, it’s complicated because apparently the story told in Gold in Gears takes place a long time ago?? 

How long I don’t know as my brain melted in my skull when trying to piece it together, so please do correct me if I’m wrong, I’ll try to make sense of it later.

Moreover, this is also complicated by the fact that this particular occurrence was used by Herta to teach the trailblazer some mechanics of the sim uni, which makes me thing it’s not a part of the lore/timeline in it in general, and just something funny she added in anyways. Continually, there are also occurrences from characters like Argenti and of the Genius Society members themselves, so I don’t think every event is set in the distant past.

However, I think this idea comes from the other person in that occurrence, Dr. No5, but he also kills himself in it, and I can’t find anymore information on it, so I doubt it. (also apparently in the Chinese version the Ratio they refer to isn’t in the way they refer to Dr. Ratio/the one we know so idk)

Either way, what this means is that if this occurrence did take place a while ago, then Ratio must be super fucking old and he must have been part of the Intellegencia Guild during that time, like a certain owl aka Glaux, who was part of it.

D) Ratio’s weird origins

By weird origins I mean we know jack shit about his past (although we finally know the planet he’s from!) and for all we know the man could have spawned in one day, with some other theories even coming to that conclusion, like the infamous worm theory.

Essentially, if you put this all together, Ratio was once an owl-humanoid named Glaux who was from the Amphoreous, and then became part of the Intelligencia Guild a while back, which is when that occurrence happened. He then went to Penacony, did some stuff, faked his death and like came back as Dr. Ratio on that planet again, which is why we don’t know anything about his origins.

Can you tell why I hate this theory as a concept.

I find it to be dumb, nonsensical, a waste of potential and just straight up random as hell. However it is also objectively valid and could have happened within the plot of the game which is why I hate it so much because please hoyoverse do not go in this direction I will skin you.

However, I do not think Ratio has nothing to do with Glaux.

Rather,

A) The stuff Glaux did on Penacony is meant to parallel how Ratio acted there, as both served as a guiding figure for people on their respective timelines 

B) Ratio is the same species as Glaux/ they are from the same planet (Amphoreous).

Now this I fuck with heavily. Yes, Glaux is way more owl looking than Ratio is, however more human versions of his species could exist, and Ratio could just have the ability to like shift forms or something.

He also looks extremely similar to the owls on Ratios design, which I now deem it appropriate to show to you the metric fuck ton of owls in Ratios design.

(there’s a few more btw I just couldn’t fit them due to the image limit LMAOO)

Why do you have so many, and why is it the same fucking owl, same culture, same goddess referenced, same symbolism???? 

Like even if I hate the 1 : 1 Glaux-Ratio theory, they are clearly connected, and this is no accident on behalf of the developers. 

Therefore, I would keep an eye out for Glaux mentions in the future, especially on the planet coming in 3.0, as I 100% believe that they are from the same planet. There’s no way they can’t be connected in some manner, and if I am right about this I will be annoying about it for the rest of time. 

I can’t believe owl Ratio might actually be a reality. 

So uh, let’s put this all together.

We go to Ratio’s planet in 3.0, problems happen and we learn both his past and his connections to that owl species Glaux is from which likely causes even more problems. Bbg probably gets his ass handed to him in 3.0 and 3.1 and gets to make up for it in 3.2, ending the arc off more fulfilled as a person, and perhaps making some realizations about himself including that he isn’t actually following the path of Erudition. Then we skip all the way to endgame when the trailblazers are fighting Nanook and him and Acheron come in with the steel chair hopped up on Existence juice to give the trailblazer enough of a will to live as to not succumb to the Nihility because oh my god how can you defeat the embodiment of Destruction. We somehow win and Dr. Ratio gets married to Aventurine and they ride off into the sunset roll credits we all cheered. 

So, yeah.

If I’m even a little bit right about this I will be the most insufferable person on this planet. Anyways I hope you enjoyed reading this, and even if these theories don’t end up being true I do still think the speculation gives a lot of insight into his character.

[meraki-sunset]

This is a long letter of gratitude. Embrace my endless words of pure gratefulness.

Dear Autor of the most amazing thing I've ever read.

I was writing this letter from the moment I reached the middle of your Crow Strider AU fanfiction. There is so many things I want to say and I'm so happy that I can say it to you all here without words limit. Forgive me for exuberance, I'm squeezing out all my abilities to express what I feel in this foreign language that's not of us first language.

Let me list all the things I'm grateful for, because I'm autistic and I love listing:

1. Crow Strider

The arc of Davesprite you created is masterpiece of writing. The process of deconstructing his personality, forgiving and letting his part behind as well as embracing his new identity and new body is written so thoughtfully with such a care of details. I love how you made him so different from Dave as well as still kept his Daveness in full glory of Striderness. You made him happy and more emotional available and open, at the same time it felt so natural for him to be that way because of the proper build up you gave him. Thank you so much for creating Crow Strider and letting us read his well written arc.

2. There's a Dave for everyone

THERE'S LITERALLY DAVE FOR EVERYONE. You have no idea what struggles I went through trying to understand what person Dave ended up with in canon, and then being sad of what happened in epilogues. I wanted Dave for Karkat. I wanted Dave for Jade. I wanted them to be happy. And you did it. You made it possible. You made them all happy. I love it so much. Thank you so much for making them happy. You even gave Teresi one Dave for her. I can't believe it. It's so beautiful it's unreal.

3. More Davepeta

This part is simple, I simply love Davepeta and you gave me a lot of good Davepeta content. Thank you for that.

4. You made me like characters I didn't like

I wasn't big fan of Tavros. I got tired of Vrisca by the end of Homestuck. I didn't really see Hal as an interesting character. I honestly hated Gamzee. And Jasprosesprite squared was so annoying for me

Well, not anymore! You somehow managed to write these characters more compelling for me than Hussie did. Now I love Tavros and Hal, I mean, cat Hal? Is there anything more cute and cool at the same time?

And NGL I genuinely wanted Gamzee to die and I can't believe that now I'm not, because I just read a very good redemption arc of this clown. I also love the way you dealt with Vrisca. Heck I love all characters written by you!

5. God tier Karkat

I've dreamt of seeing a good piece of god tier Karkat. I was so curious how does it even work to be Knight of Blood, we didn't see any version of Blood god tier in canon. I'm big fan of your version, it fits the character and the aspect so well, and the execution of his arc as he is chosen to open the door... Honestly? I prefer that over canon, though it wouldnt make as much sense as in your fanfiction. It just feels like you took a much better care of Karkat than official ending of Homestuck. Don't get me wrong, I love Homestuck an it's ending, your fanfiction wouldn't exist without it. I honestly think that Hussie didn't really have as much time and space to give his characters as extended arcs as you gave them without losing the dynamic of his story. But you could. And you did. Thank you so much.

6. So many people got better, more extended arcs

Like above. You made Jas much better. You gave Nanna much better, more compelling arc than she had in canon. You made Hal and Tavros much more relatable and gave them very well character development plot, even if short. You took your time to write very needed and wanted dialogues between characters than didn't have their time to interact in canon. Like Jake and Dirk (ESPECIALLY THEM OMG). Like Erisol and Feferi. Like Jas and Rose. And I didn't even know that I needed the last one. Thank you so much.

7. You made ships that I didn't know where even possible and I like them????

Seriously, Tavros and Jane?? Erisol and Arquius??? Josh and Dirk??? I love how your brain works

8. You absolutely nailed the delicate topic of transgender

I used to not be a big fan of June, because there were no realistic signs of John having any kind of thoughts or doubts about his gender in canon. You made a very much needed and really great thoughtfully written arc from June and Josh, even caring about the topic of transition and executing it really great. Thank you so much for yet again being so good at writing arcs.

9. Eridan and Sollux

I love them both and their weird toxic rivalty, and I absolutely love that you gave them some attention and let Eridan grow and try to redeem himself while also helping Sollux with hii2 p2iioniic problem2. I download almost every single frame of it.

10. YOUR ARTSTYLE

You're artstyle. I don't know where to begin with that. It's so amazing. Expressive, dynamic, cute, beautiful, colorful. I love every line of your comics. Your style is the way I always wanted to draw. It's just perfect. And also perfect for Homestuck fanfiction. It's just so similar, yet gives it a bit of softness as well as the kind of expressiveness I love, that makes every single shot more appealing. Warm scene are so warm, sad scene are so sad, dynamic scenes are so epic, it's like so delicious. Yes, I just ran out of words. Let me grab a dictionary...

Your style is outstanding. It gives me this feeling of familiarity, it's similar of Homestuck style, yet so different, its fresh and new while also feels like home.

I wish you have a printed version of your fanfiction (but I probably can't afford it sadly). There is something so soothing in this simple colors, it's not too loud, not too many colors, yet so many and smooth colorful lines. I will learn to draw like you, I'm sorry for adapting your style, but I really want to draw like that and you even posted some tutorials how to draw like you.

Thank you so so much that you put so much time and effort into making this wonderful comic and then share with all of us completely for free. You drew so many expressive pages, sometimes even 10 pages per static dialogue, which means you officially outbested the master of overdoing Andrew Hussie himself, that did maximum of 3 pages per 1 static dialogue scene. I noticed you slowed down a bit at the end and drew much more simplified panels as well as you started using same panels many times. Good. It's okay to go the easier way. No one wants you to overwork yourself and burnout. No one wants you to have trauma with drawing and not wanting to draw comic ever again. It's extremely generous of you that you posted for absolutely free such a wonderful and huge piece of art. I'm endlessly grateful.

11. The plot

I love how you started from one simple idea of giving Crow more arc, and then gradually extended it into a whole huge fixfiction. It went so smoothly it looked like really one different decision of one person can change the whole timeline. It went so naturally, it felt so realistic as if I read something that Andrew Hussie wrote as a coexisting canon.

I have to admit, the whole idea of not doomed and not canon timeline is pretty ridiculous, and I love every bit of it. Paradoxally, it sounds so much like something that could actually exist in Homestuck canon. I love it

A few little things I didn't like that much

I wouldnt be myself if I didn't comment on some stuff that wasn't perfect. I'll be bery brief with that, because these things didn't really bothered me that much, I just want to share a little bit of criticism I have.

I hope it won't sound rude when I say that I didn't really felt like you understand the character of Nepeta very well? She didn't felt that like Nepeta in your fanfiction, at least for me. I felt like some stuff were explained a bit too many times. I know that characters needed that, yet we as viewers already know some stuff and didn't need to read it again. Also, I really missed the type styles of characters. I know how hard it is to keep it through entire fanfiction, especially writing some of the characters with quite complicated type style. I just missed it a bit. On the other hand it made a few characters much more comprehensive.

I hope I didn't hurt you with this few words of critics. Now I want to share a few of my favorite pages, I hope you don't mind if I end this letter with fangirling over your drawings. I actually wanted to do a lot of comments during reading your fanfiction, but the website didn't let comments. Sadly. That's why I'm writing here. And now is time I will do what I wanted to do back then:

This scene, my fav scene in Homestuck, got so extended in your fanfiction, I felt so gifted and it wasn't even my birthday

I cried.

This. Made me laugh so hard. And it's even funnier without context.

I just reached photos limit. Sadly. I'm so grateful for your comic. I love it so much. Thank you again for making it. You're a wonderful person

Hey there! Thank you so much for the letter, and for taking your time translating it to English for me to understand. Since it’s in a list format, I guess I’ll answer as list as well! So:

Crow strider

It was challenging writing Crow because I needed to basically write Dave but with a twist in his personality due to living with the Harley-Egberts and their grandma, in a very cozy and caring environment.

Honestly I don’t think I managed to portray enough Daveness, his personality is very particular and difficult for me to replicate, but I did the best I could and my friend and editor will help me reach the right amount of striderness in the epilogue

2. A Dave for everyone

Indeed, there’s Dave for everyone. The homestuck epilogues made me realize how lonely Jade ended up, and I always loved Davesprite and jade, but with one being human and the other one a Sprite the relationship was bound to fail, and even tho I wasn’t fond of JadexDavepeta, still i would’ve prefered it to jade being all alone and Davepeta dying fighting Lord English. So now, not only Jade has Crow, and they’re happy, but the Karezi – davekat – daverezi mess all got fused into one, because I love them and their trip was a Little different from in canon. And also Davepeta is around, I don’t think they’ll end up with anyone, but they’ll vibe on EarthC.

3. More Davepeta

They’re alive, and I like showing the craziness that comes from them knowing all timelines but being above them and detached from them. 

4. The characters you didn’t use like

I like exploding underused characters. Because with them, you’ve only seen the Surface, but at the same time you have info about them that can be used to make them more profound. If Tavros got revived, why isn’t he mad at Vriska? What was he doing those 3 years in the bubbles? If Jasprose is a seer and has knowledge of all timelines due to being ultimate self, doesn’t that make her the ultimate clairvoyant? Doesn’t that mean she’s the key to winning? Does she miss the mother like rose does? If there’a already an Arquius, why make another? Why not have just Hal as a Sprite and have him figure out what being alive is actually like?. You get the Surface of the characters and knowing what you know about them, you dig deeper, until you find their humanity and write about it.

5. Godtier Karkat

I love Karkat on Homestuck, but I feel like the character lost weight towards the end of the story, he stopped being the leader and while everyone went and fought someone important like the Condesce, the jacks, the dogjack, or Lord English, he was just somewhere else doing whatever. I wanted to give him his hero moment that closes his development.

As for the door, I feel like in canon john was the right choice to open the door, he’s the hero and the leader, not to mention it’s a human session, it makes total sense and I wouldn’t change it

Every story has things that don’t get to be explored, because that would make them too long and cut the flow, making it unreadable. That why we love fan fictions and AUs so much, they take the pieces and reassemble them into something new, filling the empty spaces.

What makes the events on AUs fun is that they didn’t happen in canon. So if John opened the door in canon, and it was right, then Karkat can open this one, and it can be right on this specific timeline. He gets closure from the door he never got to open, and takes back his role as a leader, even if it’s just for a moment, since the battle is over by now. He’s the leader once again, but this time he understands the weight of it in a way he couldn’t grasp when he was 13, claimed he was in charge and let everyone down. He now understands it’s not just something you ask for, it’s something you earn, he’s now the Knight of blood, god of bonds, he took down the Condesce in the name of his species, and will open the door for his peers to enter the new universe they created together where they’ll create a free society, he became what the signless predicted, his rightful successor. His arc is completed.

6. Extended arcs

Jas was planned since the beginning to close crow’s arc about his rose and his regrets about leaving her behind. It’s only when he’s made peace with losing her, has left his old self behind and is ready to face the battle and his future, that he gets his reward. He gets her back, in the strangest way

With Nanna, i just though nobody ever focused that there was an actual adult around during the whole adventure, Nanna would’ve spent a lot of time around john and jade, them being each others remaining family. So I tried to give her the role of a guardian, breaking a Little with this “orphaned children on their own” that all characters have.

Honestly I tried to make it as interesting as I could, sometimes I would take characters that didn’t have any screen time and think, what can they do? What’s in their mind at this moment that they could tackle in conversation? And with whom? Who else needs screen time?. And that’s how you get, Jake and Tavros bonding, Nepeta, Fefeta, Davepeta and Feferi ship-chat, Arquius telling Terezi and Karkat about Erisol, Hal comforting Eridan, ect.

It’s actually a really cool writing exercise I do sometimes. I grab two characters that have nothing in common, and write a conversation between them. What’s the common ground? Are their stories alike in some way? Do they have a common hobby or worry? It’s really cool because you find stuff about the characters you never paid attention to before

7. Unlikely ships

Tavros and Jane came from me wanting Tavros to be more assertive. In canon Vriska instructed him to not interact with the Alpha kids during those 6 months, but since this Tavros doesn’t listen to her because he took self-esteem lessons from Rufioh, I felt like he probably spent that time actually being a guide to Jane and then becoming Friends while solving puzzles, Jane being a fan of mysteries and Tavros probably missing his flarp days. Also theres a funny thing about Tavros and Jane, and it’s Tavros is supposed to represent Peter pan, while Vriska is supposed to represent both Tinkerbell (she dressed up like a fairy for him and later became an actual fairy) being attracted to him but being short fused when rejected, and also represent Captain Hook, Peter pan’s enemy (with her flarp persona and her ancestor being a pirate), but she’s not Wendy in any way, and I feel like Jane is, she’s the homeschooled girl, with blue eyes who looked through her window waiting to be free because her father wouldn’t let her out (also Wendy’s brother was named john who used big glasses). She’s a normal girl coming in contact with this fairy boy from a world of only children. Idk, makes sense to me. (besides, Wendy darling’s daughter, who Peter pan later takes on adventures too was named Jane, who also has blue eyes)

Erisol and Arquius was a crack ship that suddenly made sense, because it’s one-sided, and I feel like arquius is a caring person, he just has a difficult time socializing like a normal person. He’s just really happy to be a sprite and is pissed by Erisol’s insistence on wanting to explode.

Also, Arquius promising Fefeta that he wouldn’t break Erisol’s neck unless he had a good reason ( he kinda wanted to) and eventually having to break his neck for the good reason of god tiering him (he now doesn't want to and feels bad about it) was something I planned for months

Josh and dirk, i think it’s funny. Dirk wouldn’t have dated jade because she’s a girl, but Josh is a boy so it’s good, AND, he’s like a more direct, version of Jake who takes no bullshit.

8. The topic of transgender

Originally the second spaceship post retcon was supposed to arrive empty, or with only Davesprite, but I saw an opportunity to solve a division in the audience. Some people were interested in John remaining as he was, while others wanted to see June. Since John never showed any doubts about his gender in canon, it wasn’t in my original plans for June to make an appearance during CSAU, because the comic only covered the same period of time as canon. But when it came time to write the retcon I realized I had an opportunity to make them both coexist, making a shift in the timeline, but said shift being there both since the beginning and for the purpose of surviving the recon. Making June and Josh a reality since the beginning, so the timeline would survive the consequences of the two Egberts crossing paths post retcon.

It’s nice to hear you liked it, I know not everyone did. I tried to be respectful but at the same time be true to the nonsensical nature of canon Homestuck that makes timelines twist and change to the story’s convenience, making the events real but chaotic. Also since i knew John’s dad wasn’t coming back and Jane’s dad wouldn’t make it, June would be the last remaining conection to John’s old home and so John would be June's, relying on eachother for comfort when it comes to the loss of their father and home.

9. Eridan and Sollux

I want to cover Eridan’s redemption in the epilogue, since all we know is he grew as a person during his time in the bubbles, leading to his change of heart interacting with Sollux and Kanaya

10. Art style

Thank you! I like to give the characters a full range of emotions and for the surroundings to accompany that

No need to be sorry for learning through my art, in the end my style, like everyone else’s, is bits and pieces from other artists we’ve seen, admired and/or learned from. Just make sure to add your personal touch to make your artstyle trully yours

It’s true that by the end I reused more static panels for dialogue, both because there was a lot for the characters to say, not that much action left, and my battery was running low haha

11. The plot

I tried my best for the story to be a big butterfly effect steaming from crow’s decision to ascend, working towards the most possible outcomes like Crow getting grimdarked by the Condesce too, the sprites surviving because of Nanna and so on

I wanted this timeline to coexist with canon because I don’t like the idea of overwriting it, canon happened and was important, CSAU just happened to be taking place close by

12. Things you didn’t like

I do in fact not understand the character of Nepeta very well, I reread Homestuck in order to get the original troll's personality better, but Nepeta is a character I don’t get. On top of that, she doesn’t appear much in CSAU so didn’t have much time to develop her.

I do struggle with over explaining, I think is stems from not wanting the reader to be confused (it has happened on discord that people come and ask me what was going on in the story when i thought I had written it in a way people could understand with no problems), which leads to me explaining everything too bluntly sometimes, so the characters sometimes ramble TOO much, and I wish I could go back and reduce the dialogs, but that would involve going back to the page’s codes to delete certain pages and replace others, and also changing the programming for the page’s backgrounds, not to mention my computer crashes when I try to modify pages too far back, since they’re 4000 of them. It’s one of those things I can only learn from and try to do better in the next project

The character’s typing was a core part of Homestuck because it was mostly portrayed as blocks of texts and the quirks made it easy to know who was talking even with people having the same typing color. The reason I didn’t use them it’s simply because I could barely write good enough in English, let alone add quirks. My friend offered me to add the quirks at some point when we were revising the dialogs, but I declined because some people found it easier to read without them and I didn’t want to add another step to the render of the pages.

13. Favorite pages

I also cried with that Gamzee panel, I planned it for months and i waited a long time to draw those last panels, I’m glad they made people laugh

Haha, also yeah, the Strider reunion got really extended with so many extra striders. Davepeta, Crow and Hal making the reunion complete

Thank you for this message! i'll do my best to write a good epilogue (which by now is actually a secuel) and i hope you have a great day🌻🌻🌻

[shanastoryteller]

Happy Fall/Halloween! for the prompt could you do any draco fic please!

Draco hadn't meant to become friends with Ronald Weasley. Obviously.

It's just that he was his age and there and what else was he supposed to do while he was stuck waiting for his dad at the ministry? He wasn't even allowed to play with anything. Also he felt sort of bad for him, because his older brothers made fun of him for being a crybaby, and sometimes people did that with Pansy. Put Pansy cried when she was mad and made them regret it and Ron just looks sort of pathetic.

It was pity, really. Ron claimed it was trauma. Their fathers were both appalled, but it's what they get for leaving them in the ministry without proper supervision.

If he and Ron managed to sneak away, how proper could the supervision be, really?

They're on the train, sharing a compartment because of course they are, and Harry Potter is looking between them like someone is playing a practical joke on him.

"My father will disown me if I'm sorted into Gryffindor," Draco complains. "I'm an only child. Can you imagine, the only son of a Malfoy and a Black in red and gold? The cousins will riot. You already have five brothers there, you might as well come to Slytherin."

Ron wrinkles his nose. "And have to deal with your lot all the time? You're bad enough as it is."

Draco kicks him. Ron kicks him back. They're about to descend to pinching when Harry says, "Uh, I thought you didn't get to choose?"

"If you want to go to a certain house, your values obviously align," Draco shrugs. "I mean, our families have been there for generations and they probably weren't all just the same."

Harry turns to Ron, who just echoes Draco's shrug. "I don't know, my brothers lie to me."

"If you come to Slytherin, you won't have to share a common room with any of your brothers," Draco points out.

Ron frowns. "That's your most compelling argument yet."

[fae-morrigan]

A Thing About Jon that keeps getting hammered in, over and over, is that he's not really his own person. He always belongs to somebody else.

In most comics, that someone is Clark, his father. He's Clark's Son first and Jon second. Hell, its even in the title of his solo: Superman, Son of Kal El.

In Supersons, its Damian. He's largely treated by the narrative as Robin's Sidekick, being under Damian's wing. This, notably, is also not because of any decision Jon made, but rather because Damian at the start of the series decides it is so:

Even Lois, on occasion, leans into this jon-as-object mindset.

And of course. Well. The most obvious example.

His literal first words in the presence of Jon are "he's mine!"

And this is only hammered in later, in Adventures of Superman: Jon Kent:

To most narratives, Jon is not his own person. This, largely, is something Jon himself seems to be aware of. He's unable to escape the shadow of the people who made him what he is. Constantly, he is viewed by others through the lens of how they view others around him. He accepts this, and takes it in stride. He doesn't complain, or attempt to assert his own personhood.

And I feel this model of relationship really influences Jon's general clinginess with Jay. If he can't be his own person, if he has to belong to someone, he's gonna choose to belong to someone he knows is good.

The thing I find particularly compelling about this is that Jay definitely doesn't see it this way. You can really tell Jay sees Jon as his own person outside of the mantle and seeks to guide, not push. From their very first proper conversation, and later on as well, you can see Jay has no interest in making Jon do anything he doesn't want to do- he presents information, and then lets Jon make choices around it.

In Jon's acceptance of a sterile, static existence of forever belonging to someone else, he found someone who instead seeks to inspire him to be his own person.

(This is a great time to mention, if you pay close attention, Jay is the first person to directly call Jon Superman in Son of Kal El.)

[return-of-a-space-cowboy]

Platonic Yandere DIO and daughter reader (who was abandoned at his house as a baby)

Hi thank you for the request, this is my first platonic request so I hope it's alright.

Familial Yandere Dio

At first Dio simply wanted to leave the child where they were but something compelled him to take the child. Maybe a small part of him thinks back on his childhood and takes pity. However he has no need for the weak so he uses a fragment of the stand arrow on the baby to prove their worthiness. The child doesn't die so he decides to keep them. They'd serve him well as a stand user in due time.

He has his servants raise her, luckily she had her name embroidered on the blanket she was wrapped in, (Y/n). However she still finds a way to get his attention. At first he simply passes her back off to the servants, agitated that this child will disrupt him. However over time he softened to her, she became less of a tool to him.

Soon he would allow (Y/n) into his bedroom and read to her whatever he was absorbed in at the time. He begrudgingly accepts the child calling him "dada". As soon as she develops proper talking skills he insists on being called father instead.

Around the age of 4 to 5 (Y/n) already quite independent. Already learning stuff more advanced then what her age range would. A model child by all accounts, however despite showing an ability to see stands hers hasn't quite manifested yet. She has been put through strenuous training yet still no results. She's also spoilt, she eats extravagantly, dresses in the nicest clothes a child could wear and is given almost anything she asks for.

As she grew up, she became aware of her lack of a stand. Trying to make up for her failure but Dio assures her it will come in due time and that she does not need to make up for such a thing.

But she also becomes aware of life outside the mansion. Asking at first to accompany servants during errands which he allows but when she asks to play with other children he tells her that she shouldn't bother with such a thing, those children are beneath her. Those children would bow before them when the time came.

Eventually her stand manifests. The moment it's know, a victim is choosen for her to test her stand on. When the victim isn't harmed Dio is let down, but his initial plans of using her as another servant are far gone.

That's when she goes to the piano, something she was still a novice in but now could play it like a professional.

She is able to figure out she has the power to absorb information and skills from others. Not a powerful stand but a useful one nevertheless. A stand dubbed Gates of Babylon, a physical manifestation of her desire of knowledge.

So it becomes a regular occurrence that Dio will let her use her stand on his victims before he drinks them dry. An odd form of father daughter bonding (of course away from (Y/n)).

Still (Y/n) never quite lost interest in the outside world. One day she manages to sneak out by herself. Of course when he discovers this he's mortified, but hides it the best he can from his servants as he tells them to find her.

Of course she's found and brought back. If she has injury, even just a scrape he'll use it as justification. She's only mortal compared to him. All manner of things could happen to her. The moment that it is just the two of them he scolds her. Even goes on about how vulnerable she is and what compelled her to leave with everything she has.

Everything is a lot more tightly run. Constantly monitored, constantly given more and more things to entertain her. He's also taking more time to spend with her directly.

Telling them always that he's the only one that she should trust 100%, that people will try to harm or take advantage of her. God forbid he brings up his childhood as an example, that he actually acknowledge his prior humanity to another soul.

[better-than-sleeping]

A part of Richard's isolation from the group that I would like to put forward is this:

I truly do believe the group care for Richard as a friend, even when their relationships start to spiral out of control near the end. But that care isn't always present throughout their lives, the same way most people aren't constantly obsessing over their friend's feelings 24/7, and he cannot understand it.

It's not just the stuff you would typically think of that proves this to me, like the twins going out of their way to include him, companionable rambles with Bunny, making food with Francis. The most obvious instance of this is Richard being excluded from the Bacchanalia, and yes, this obviously sucks as someone trying so desperately to be included and a part of the group, but also makes so much sense from their perspective.

If Richard had been normal, he would have been so weirded out! This could be a convenient excuse, but it could just as easily be the group showing their own desires to be accepted by HIM, in a kind of reverse of roles that Richard naturally doesn't want to pick up on, because that would be seeing them human, and fallible, and SIMILAR TO HIMSELF. Unthinkable!

Something I've not seen discussed is the little aside when he first falls in with the group proper and relates that they had found him just as aloof as he had found them. Their inviting him to Francis's house was simply an urge to impress him, and I can't see any other way of reading it than that. If they had simply wanted to include him, but didn't care about how he saw them, they could have simply kept inviting him to their houses and out for lunch.

But, it's the moments that also double as little instances of ostracism that really interest me: Camilla saying Henry didn't want to do another pig ritual because he thought it would upset Richard, the group telling him they've already involved him enough and that he shouldn't participate in Bunny's murder. The general reading of this (that I've seen so far) seems to be that Henry did these things purposefully to keep Richard apart from the group, he didn't know him as well as the others, an unknown quantity, someone he didn't care for as much since he hadn't known him as long. But there's a lot of ambiguity there as well, and I think what makes things so compelling is that uncertainty. It could be purposeful, or unintentional, or some inextricable combination of the two.

(As an aside- ironically, I believe Henry may care about Richard the most out of anyone in the group. Helping him while he was sick, worried about seeing Richard drunk during the day, it's all rather sweet, and I don't believe it was entirely some machievellian scheme.)

However, I like to see the isolation as mostly, if not entirely unintentional, because that makes it so much more cutting to me. It's subtle. They don't put any special thought into doing it, they just…don't even think how these things could make him feel.

The worst part is, as far as I remember, Richard never fully engages with his feelings about this, but they are felt so much through the story and his actions within them. They are moments that sunk deep within his psyche like a stone that's dropped into water and swallowed immediately without a trace. It sits very still inside him, unmoveable.

His acceptance of these moments as they are happening to him is likely a result of his history of loneliness and being apart from others. There is nothing unusual to him about this, that it would require further thought from him within his narrative.

A large part of Richard's isolation is due to his glorification of the people he deems worthy, which continues even after he begins to see their flaws. Despite them, he still can't bear to see them torn down to his level, people he can relate to instead of glorify or look down upon. I think there is an element of self destruction to this, not wanting to understand so he has an excuse to punish himself for self perceived deficiencies.

It's very intriguing, this uncertainty of how much of Richard's isolation from the group is imagined, or perhaps even self imposed in a kind of feedback loop, where he feels pushed away and so pulls himself away from them, to anonymous parties with people he professes not to care about, takes pills and sleeps for days, to numb himself from the pain of their rejection.

And in the process, this feeling of isolation is enforced, becomes more a reality through the concrete evidence he has produced by himself. Maybe the group see his behaviour and think he needs space, they give it to him. He feels lonely, he says nothing. Because he would rather freeze to death than ask for help.

[wordsinhaled]

payneland neighbors AU

(a.k.a. one of my million WIPs that may actually be seeing the light of day)

edwin is an Alive Boy, who has had a near-death experience being bullied while he was at school, so he can now see ghosts.

charles is a Dead Boy, who is starting a detective agency out of his new flat, which happens to be next door to edwin's.

edwin does not realize charles is a ghost at first.

they are mutually down bad and trying hard (and failing) to be normal about it.

pining and shenanigans ensue.

should be able to get this posted to Ao3 sometime later today as chapter 1/? of who knows how many because apparently payneland has made me that person with multiple multichapter WIPs, lmao ~*~*~

Edwin does not think about his new neighbor across the hall.

(Said new neighbor's name, it will turn out, is Charles.

And Edwin most certainly does not fixate on the compelling glint of Charles' single earring in the sun, or the curve of his smile so easily offered.)

The story of it is this: Edwin had held the door to their building for him one fine spring day. Simple politeness, and moreover basic human decency, both dictated this was the proper thing to do for someone carrying such an absurd quantity of unwieldy parcels.

He had not expected the stranger to look so taken aback.

(He had an honest-to-goodness crystal ball propped precariously atop a stack of antique-looking books; and those teetered on top of several cardboard boxes near buckling under the weight of whatever they held within. A cricket bat protruded from the pin-encrusted rucksack slung over his shoulder. People did insist on having such incongruous pastimes, Edwin thought; and, apparently, atrocious packing habits to go along with them.

But the titles of the volumes Edwin managed to glimpse were as intriguing as the crystal ball was misguided—and he'd found himself rather helplessly curious.

"Cheers, mate!" the person he will soon know to be Charles had said, sounding obscenely grateful as he manouevred his way inside, and had flashed Edwin a grin so radiant and wide it hurt Edwin's cheeks in sympathy just to look at it.

Still, Edwin tried to think no more on him; nor on how surprised he'd appeared to be at Edwin's tiny show of kindness—at Edwin's perceiving him at all, even. Tried being the operative word.)

He'd been aware Jenny was letting the rooms across the hall, because she asked him several weeks ago if he might know any potential tenants. Edwin had informed her he did not. His last neighbor had listened to ungraciously-loud electropop at all hours of the night and harbored a seemingly endless stream of stray cats despite Jenny's very clear policy against animals.

Edwin would far prefer the space to stay blessedly vacant and blissfully quiet for as long a stretch as possible. He deserved some sort of a reprieve, he'd thought.

it seems he is not about to get one.

Edwin is reading when he hears a muffled string of colorful swearing, the lugging of things, the scraping of furniture across hardwood floors. While he may be able to studiously avoid thinking about the beautiful boy he'd met downstairs, Edwin cannot escape the inevitable and inconvenient fact that they will now be living in proximity. The telltale commotion that can only be made by someone moving in comes right to his proverbial stoop.

Who else could it be but him?

Edwin sighs. The only thing for it, he supposes, is to go over and introduce himself.

[yrrtyrrtwhenihrrthrrt]

Something I don't see talked about in regards to Bal and Amb's healing/forgiveness arc:

As we all know, Ambrosius (unlike his comic counterpart) is really sorry about severing Ballister's arm. It was largely an accident, but he feels awful about it pretty much from the moment it happened (I know that in the comic he feels bad, but he doesn't say so)

However, also unlike his comic counterpart, Boldheart isn't actually angry with Ambrosius about the arm. At no point does he express resentment or hostility in regards to that specific incident, if anything, it just made him anxious of Ambrosius rather than angry (evidenced by him pulling back his hand reflexively after seeing Ambrosius at the institute)

Boldheart is angry with Ambrosius, though. Not for his arm, but for failing to hear him out, for believing the Director over him, for repeatedly and entirely misjudging his character.

And what's interesting to note is that Ambrosius is not clearly sorry for those things (at least not during the movie, it can be assumed he was sorry after)

When Ballister meets him in the Antlered Serpent, he tells Ambrosius he has 30 seconds to explain himself. When Ambrosius says this is unreasonable, Ballister says "Why? It's more than you gave me," but Ambrosius is defensive. He doesn't say he's sorry, he says "That's not fair."

He is more like his comic counterpart than people realize in that when it came to the thing Ballister was actively upset about, he became defensive, he felt he was justified, he didn't apologize. Yes, he apologized for the arm, but that didn't seem to matter to Ballister. He needed him to apologize for the emotional betrayal more than for a reflexive physical action.

I think a lot of people portray Ballister as an UwU smol bean who would forgive Ambrosius wholly and immediately because he was never upset with him in the first place, to which I reiterate, he was never upset about the arm. He was proper fucking pissed at him at the Antlered Serpent even before Ambrosius started accusing Nimona of shit. Even when Bal thought Ambrosius was actually going to finally be on his side, he was thankful and obviously still loved him, but he was wary and prickly. Then Ambrosius proceeded to, for the Nth time, not believe him again.

Similarly, a lot of people portray Ambrosius as super apologetic, utterly unproblematic, and regarding himself as being entirely in the wrong and of a "Bal can do no wrong" attitude which is really not what we see in the film.

And this, to me, makes their relationship more compelling because it shows how these two must have worked and grown to be able to trust each other again.

[dairy-farmer]

For today's contrived set up: What if Bruce got his hands on one of those reality warping Fix One Mistake sort of magical devices. The sort that always come at a cost but compel you to use them?

And maybe... Bruce is feeling particularly low. The family is once again splintered. Jason is killing again. Gotham on the verge of once AGAIN erupting into turf wars. And? As he holds the damn thing? All he can do is think of better times.

He knows better.

He knows he knows better.

He needs to put the damn thing in the foam lined box, seal it, and bring it to JLA Dark for containment. Just... put it down. Close the lid. That's... that's all... he has... to do...

But instead?

For the briefest moment? His iron will slips. He is human. A father. Instead of a Symbol. He wishes... WANTS, deep in his heart. And that's all the statue needs. Reality rewrites. He is destroyed. Everything destroyed. And a new version of themselves replace them.

Can't be You with a different past after all~

Only those protected from Magic would notice the difference. And even them, only to a certain extent. People like Jason. Who has the All Blades.

But what did Bruce wish for? What else? That Jason never died.

So in a blink, Jason is Red Robin. Damian his successor. No pit rage, no Red Hood, not fractured family. Bruce, lighter then he has been in over a decade. Jason left reeling from new memories, shoved in his head.

And... and no Tim.

Jason took his Life. In an ironic twist of everything he'd ever accused Timber's off, in the heat of his madness. Jason is now living Tim's life. Stole it. Now JASON'S the Replacement. And only he remembers.

Everything seems happy. Gotham lighter, the world brighter. But where the fuck is Timbers?

Jason looks. Tries not to lose his mind. Finds him. And one of Bruce's shindigs. Standing awkwardly, desperate to sit down, as he tries to keep weight of his sprained ankle. His Mother too busy networking along side her... SECOND husband? What the hell happen- Jason decides he doesn't care. Sweeps in and steals Tim away.

Tim looks Star struck.

Is thinner, less muscled, yet somehow softer then Jason has ever seen him. Hang off Jason's every word. No way the little stalker doesn't Know. But Jason could care less. Is determined to weasel into Timmers life. Family is family, after all.

That's, at least, what he tells himself.

But? The longer it goes on? The more meet ups? Hang outs? Dinners and brunches and movie nights, he goes too? The less... brotherly, his feeling are. Tim talks to him about his dreams. Has hopes, is open and laughs freely. Isn't some traumatized little Bruce clone. Jason... likes it.

Finds his hands lingering. Eyes drifting, caressing. He starts wondering.

Tim, brilliant and observant as he is? Notices. Responds with tight little shorts that start covering less and less. Loose shirts, that get bigger, slide from shoulders and drape open, easier. Legs thrown casually into his lap.

They dance around each other.

Like... like normal people do. Jason feels giddy. Thoughts of Saturday night dinners and getting hands on the couch, haunting him. He buys nice sheets. Gets a proper apartment. Invites Tim over.

Plans to ask him out properly.

Gets kissed senseless then eagerly blown the second the door was closed, instead. They spend the weekend making sure there's not a surface of his new home that Jason HASN'T pinned Tim too and pumped his guts against.

Jason gets to play normal. Be young and in love.

Tim gets to be unspeakably horny for Robin.

They fuck like rabbits.

Does Tim remember too? Who's to say! Maybe this is his retirement. Maybe not. But he's happy, getting laid on the regular, and probably gonna be a dad before long if Jason keeps forgetting to buy birth control.

Life is fantastic.

-🐼🐼🐼

aw jason seeking tim out in a world where tim was nver part of their lives 🥺<3

[hellspawnmotel]

well you guys really called my bluff on this one, haha. I have a lot to say on the topic so this will probably turn into a long post but the answer really depends on this: what interests you about astro boy, pluto, and the franchise/tezuka's body of work as a whole? what do you want out of this experience?

if you're just looking for places to read/watch these things and that's it, I'll put some links here at the top so you don't have to dig through this whole mess.

you can read astro boy (original manga) here (there are occasionally missing pages on this website, if/when you run into those you can switch to this one which is harder to navigate but complete)

you can watch/download the 2003 anime (english sub) here

you can read naoki urasawa's pluto here

so you're interested in astro boy but aren't sure where to start: my opinion as someone whose point of view you respect for some reason

it didn't occur to me until recently that for a lot of people who follow me, your cultural touchstone for the concept of astro boy is most likely to be the 2009 american movie. I didn't watch that as a kid, I was 14 when it came out and fully into my "anime is superior to western animation" phase, but I've watched it now and well.... if you like it that's great! I did not. I'm not going to dwell on that, but I think it's worth noting that whatever your opinion on it as a movie is I don't really think it's a good representation of astro boy and its themes. moving on.

the manga

if you want the pure, unfiltered astro boy experience, this is as close as you're gonna get. it's gonna be a little haphazard though because the dark horse publication, which is probably the only way you're gonna find to read it in english, does not order the stories chronologically. I don't think that really matters because there's not a lot of continuity so as long as you understand the basic premise you can read in whatever order you want, and this puts a lot of really good stories first anyway so it's nice too. personally as far as all versions of astro boy proper go, the manga is my favorite. it's not always an easy read, for reasons I'll get into in a moment, and it's not always good either. some stories are phenomenal, some are just plain silly, and some are downright terrible. but given how long it ran for and how consistently and without breaks tezuka worked on not just it but all his other manga too I think that's too be expected. but even the bad ones I think are worth a look! this is the history of manga as a medium right here! and I love the manga, it's fun, funny, wonderfully drawn, compelling, shockingly dark at times, and just a fascinating read for those with an interest in classic comics.

all that said, I think it would be irresponsible of me to recommend it without also including a big fat disclaimer, which dark horse was kind enough to put at the front of the book.

if you have an interest or familiarity with classic/vintage manga, anime, comics, and cartoons, you probably saw this coming, but some of this shit gets REAL racist, most often in terms of how people are drawn. some of tezuka's biggest inspirations were the rubberhose american cartoons of the 20s and 30s, and all that implies. for whatever the opinion of a white american is worth, based on his writing I really do believe he had good intentions- he consistently speaks out against racism and bigotry in general, in astro boy especially. you can tell he was very passionate about it. but I'm not gonna defend the guy either, you can't be drawing people like that, even if it was the 40s-80s. a lot of the experience of getting into tezuka is reading a story where the moral is "racism is evil! end discrimination!" accompanied by straight up racial caricatures in the art. it's baffling and infuriating. if I could I would travel back in time and hire the man a sensitivity reader, but I can't, and he's been dead for 35 years so we'll never know what he would've done about it today. all we can do is take it as an opportunity to learn and do better. but, if all that puts you off getting into the manga or the series at large, I don't blame you!

with that out of the way, the size of the manga might intimidate you. there's a lot of it. lucky for you you don't have to read all of it if you don't want to! I've read the entire thing because I'm a completionist at heart, but I've had several friends come to me for a smaller and more manageable reading list, which is as follows:

(stars for my personal favorites, grimaces for "I did enjoy this one and I think it's worth reading but I don't feel good about recommending it". I also think "the artificial sun" and "atlas" are important reads if you're interested in the history of the franchise because they get referenced a lot, but they are VERY racist and I don't think theyre good enough overall to make them worth putting on the list despite that.)

that was long. next up:

the 2003 anime

I am not quite done watching this one but I'm pretty close so I feel confident in saying: on the whole, it's great! it looks absolutely fantastic for a tv anime from that era, the character and world design is top-notch, and overall it does a really good job adapting the best and most important parts of the manga into a continuous story, although it softens the blow of the darker moments quite a bit (which might be a good thing for you, depending on your tastes). it's pretty beloved by western fans, and for good reason.

I do have my issues with it, for one this might not be a popular opinion but I think they majorly screwed up on adapting the "greatest robot on earth" arc (my favorite arc btw, yes I might be salty), for another they really sand the edges off of uran's character compared to the manga and make her a lot more meek and girly. but that's just my opinion and if this show is the only one you've watched you wouldnt know that anyway. so don't let that deter you if you're interested, you'll be missing out on a pretty fantastic kids show.

so, if you're looking to really dive chest-first into astro boy as a franchise and understand all there is to know: maybe don't start with this one. it changes a lot from the source material and kind of does its own thing. but if you're just looking for a good story thats fun to watch and total eye candy, go nuts!

pluto

pluto by naoki urasawa is an adaptation/reimagining of astro boy's most famous and beloved arc, "the greatest robot on earth". it's also what got me into the franchise and one of my favorite manga ever! pluto reinvents the story as a detective thriller set in the aftermath of what is effectively, and obviously, the iraq war. it's brutal and harrowing, and beautiful and cathartic and hopeful. to me it is the gold standard for "dark and gritty reboot of a children's story" because urasawa adores tezuka and respects the original version, which was always a dark tragedy anyway, just presented differently. you might have seen pluto got an anime adaptation last year as well. I've watched it, it's pretty good! it doesn't change all that much (I don't like the few things they DID change but whatever) but I just think urasawa's artwork, paneling, and pacing are completely unmatched so I'd recommend the manga first. I'm not gonna be that asshole who insists you gotta read the manga over the anime though, if anime is easier for you you're better off having experienced pluto that way than not at all.

(if you ARE interested in both astro boy and pluto and are considering which to get into first, it's important to know that reading the arc pluto is based on will spoil a loooooot of things about the story. so weigh the pros and cons of that before making a decision!)

so, that's basically what I have to say. I haven't watched the 60s or 80s anime adaptations so I can't give insight on those, and I'm by no means an expert on any of this. I only started reading the original manga like three months ago and before that my memories of the other stuff was pretty faded, before I revisited it. if you're interested though I hope this helps, and I hope you enjoy yourself if you decide to take the leap! it's kind of a rabbit hole. I did not know what I was getting into when I decided to reread pluto, but I'm sure glad I did.

if you have any other questions about my personal opinions, feel free to shoot me an ask as well!