#and he can proper compel people?????

[bitter-goodbyes]

“Your will is still your own. Mostly.”

[nullians]

It’s actually insane how fandom in general has become so scared of making weird and dark and ugly works. Like I look at myself and see how I have also subconsciously adapted this instinct to self censor and make things “marketable” and it’s making me want to crawl out of my skin. I need to get weirder and worse and more off-putting hello

[swordsandholly]

Comfort Creator

Ghost who downloads tiktok only because Soap and Gaz made him so they could send him memes. He hates the app. Thinks everyone on it is just talking way too much about nothing. Finds the consumerism and attention seeking to be beyond annoying.

Ghost who still finds himself scrolling when he needs a mental break from paperwork.

Eventually, he realizes he keeps getting fed this one creator’s videos. It’s the tea reviews that reel him in. They’re nothing special, just them sitting in front of the camera sipping on some artesian tea while chatting about their day and the flavors.

Before long, though, he’s watching all their content. From random rambles to outfit videos to movie talks. They just have a very soothing voice is all. Nothing to do with their pretty face or obviously too-kind disposition. A sweet little thing; so unlike him.

He officially follows three people now.

The thing about Ghost is, he doesn’t sleep. Well, he does, but it’s either like the dead when he’s exhausted himself beyond what his body can handle or fraught with nightmares. He isn’t sure what compels him to do it the first time, but Ghost puts on his their tea review playlist; just lets it play through while he lays in bed. He’s never slept so well. Somehow their voice just makes everything else quiet - like it flips a switch in some primal part of his brain.

At some point he comes across the term “comfort creator” and realizes that’s exactly what he’s got.

A few months pass and Ghost finds himself on medical leave with absolutely nothing to do and all the time in the world. He decides to try some of tea his favorite little creator has reviewed - even some of the bad ones, just to see if he agrees. Maybe he’ll find a new favorite to keep on base.

He makes his way to a local high-end tea shop. All loose leaf and custom blends from various brands and places around the world. He’s far too aware of how out of place he looks - a hulking man in all black and an arm cast in this frilly little shop. A real bull in a china shop.

Ghost’s back goes ram rod straight when an all too familiar voice tries to get his attention. He turns comically slowly, heart pounding in his ears. There they are, tapping his arm and asking if he’ll be so kind as to get that strawberry rose blend down from the top shelf that’s just out of reach. He does, of course, spluttering through an awkward “you’re welcome” and kicking himself when they scamper away to the register before he can introduce himself.

But now he knows they’re close, a shop they must frequent, and has plenty of time on leave. All he has to do is find the right opportunity to make proper conversation. How hard could that be?

[illyrianbitch]

In Every Universe

Pairing: Reader x Azriel, Minor Elain x Lucien

Summary: Elain catches you asking Azriel if you're destined to be together in every universe.

Warnings: mostly fluff, pining, soulmatism, brief mentions of violence/blood/death, elain as your no.1 shipper, elucien being sweet

Word Count: 3.9k

✹ ✶ 𖧷 ✶✹

The wood of the doorframe was rough beneath Elain’s fingers as she lingered in the opening.

Elain loved the Day Court—the sun-kissed glow of her skin, the endless warmth that felt like home. But every now and then, it was healing to return to her family, to see them, to know they were okay. Visits to the Night Court with Lucien at her side were rare since they’d started their family, but they always felt meaningful. There was a peace in these nights, a quiet place to rest and breathe. And sometimes, it gave her this: a glimpse of the people she loved, caught in the small, unspoken ways they cared for one another.

The room was quiet, save for the soft hum of the celestial device. Feyre had told her about it, but Elain’s mind had forgotten to store away the proper name. She blamed it on her pregnancy brain at the time of the conversation. The device glowed as it slowly spun, scattering faint patterns of light over you and Azriel as you stood together, watching in awe. 

It was slightly ironic to Elain that she was able to sneak up and observe such an intimate moment without Azriel, the most-feared Spymaster, noticing. But, in all truth, she wasn’t entirely surprised. You and Azriel had your own world, held moments that seemed like they existed only for you two—even Azriel’s shadows became something else entirely, something distracted and completely enamored with you. 

“It’s… beautiful,” you said, the words reverent. “Gods, what a wonder we live in.”

Azriel hummed a sound that sounded a lot like agreement— like complete contentment. Elain recognized it slightly, almost felt compelled to compare it to the cat that Vassa and Jurian had dubbed the true ruler of the mortal lands. She stifled a laugh at the thought. 

You pointed at something—a star, perhaps—and said something Elain couldn’t hear, your voice too soft. Azriel tilted his head toward you and his shadows swirled around you both, gentle and calm tendrils wrapping themselves through the edges of your hair strands. Azriel murmured something back, and though Elain couldn’t catch the words, she saw the way they made you smile.

There was no hesitation in his movements as he reached out, scarred fingers brushing a strand of hair from your face. His touch was light, practiced, and it made him look entirely at home. Of course it did. He’d done it a hundred times before. You didn’t flinch or startle—didn’t even pause. Instead, you tilted into him slightly, the curve of your smile deepening.

Elain’s heart blossomed. She wondered, for a brief, fleeting moment, if anyone had seen such moments with her and Lucien– wondered if her eyes glowed just like yours. 

Azriel shifted his gaze to you, and Elain could have sworn she watched his eyes dilate even from feet away. His thumb grazed your temple as he asked, “What are you thinking about?”

You leaned into the brush of his fingers. “Oh, it’s nothing.”

“Nothing?” Azriel repeated, amused. His thumb drew a lazy circle across your skin. “I can practically see the gears turning in there.”

A laugh. You shrugged, and a glimmer of amusement sparkled in your eyes. “It just makes me wonder.”

“About?”

Elain found herself leaning forward slightly, awaiting your answer as if she had been talking to you herself. You casted a glance back at the device before you. 

 “What else is out there, you know?” You tilted your head in contemplation, and Azriel pulled you into a soft embrace as you continued, “And that Bryce girl. I mean, if there are other worlds like hers, do you think…”

Azriel wrapped his arms around your center, placing an affectionate kiss to your clothed shoulder. Then, he placed his head into the crook of your neck. “Do I think what, my love?’

You turned your head to meet his eyes. “Do you think we’re together in each of them?”

He didn’t answer immediately, his silence thoughtful rather than hesitant. 

And then the room began to shift. Or maybe it was just Elain. She stood up straighter and took a deep breath as the device before you both blurred, its golden light fracturing into something softer, quieter— a divine invitation. 

Elain let herself be pulled through.

✹ ✶ 𖧷 ✶✹ 

The cannon fire echoed like thunder. 

One, then another, and another still. 

Azriel’s head tilted. “Two,” he murmured. “Close.”

You couldn’t move, couldn’t even breathe. Your mind raced through the possibilities—faces you’d seen only hours ago. A girl in the meadow. That boy with the scar. Maybe someone who’d deserved it. Maybe someone who hadn’t.

“So that makes it five.” You gripped the hilt of your blade tighter, sweat slipping down your palm. “Besides us, there's only five left.”

Azriel was quiet. 

“Come on,” he said, already turning. “You need to head east, away from the canons. I’ll lead them away from you.”

You caught his wrist. It was instinct, almost violent, and your nails dug into his skin. “No.”

He stopped. Turned back slowly, and furrowed his brow. “What do you mean, ‘no’?”

“I’m not leaving you behind. We finish this together. You can’t keep putting yourself—”

“I can,” he cut in, voice cold. “And I will.”

“I won’t let you.”

Something cracked in his expression then. His lips parting like he wanted to argue, like he was ready to fight.

“Let me?” he repeated, his voice low. Dangerous. “You don’t get to decide that.”

“And you don’t get to decide for me.”

There was a silence that filled the space between you. Your hand, still wrapped around his wrist, softened into something almost reminiscent of a lover's hold. 

“Don’t make me watch you die,” you said finally. “Don’t do that to me, Azriel.”

His eyes softened just enough to hurt.

“I’ll do whatever it takes to keep you alive.”

“Why?” Your voice cracked, but you didn’t care. “You can win this. You know you can. Why throw away your chances for me?”

His mouth opened, then closed. He exhaled sharply, shaking his head like the words were too heavy to say. But when his gaze met yours, there was no hesitation.

“You know why.”

You shook your head. “No—”

“It’s the same reason you killed that girl from six.” His voice was quiet. “For me.”

You didn’t deny it. You couldn’t. His hand, warm and calloused, brushed the back of your fingers.

“So don’t ask me to stop,” he said. “The capitol has taken so much from me. They’ve destroyed everything I cared about.  I won’t let them take you.  Not while I’m still breathing.”

A loud crack sounded in the distance. The world shifted again, a soft breeze carrying with it a sky speckled with stars.

✹ ✶ 𖧷 ✶✹

Cicada songs threaded through the air like an ancient hymn. You sat near the embers of a dying fire, the orange glow licking against the edges of the stone walls surrounding you. 

Azriel sat a few paces away, his back resting against one of the columns. His tunic was simple, sandals dusty from the day’s travel, but there was something about the way he held himself that made him seem as much a part of the night as the stars overhead.

“Do you think they truly listen?” you asked him.

Azriel’s gaze flicked to you. “The gods?” 

You nodded, not sparing him a glance. Your eyes were glued to the heavens above, to the glistening stars that seemed to be leaning closer, listening.

“They hear everything,” he responded. “The question is whether they care.”

You turned to him then, the corner of your lips twitching into the faintest hint of a smile. “You don’t honor them?”

Azriel’s eyes scanned your face before he responded simply, “I’ve been given no reason to.”

“And you aren’t afraid of angering them?”

“I’m afraid of man more than I am of the gods.”

A flicker passed through your face, something thoughtful, contemplative. “What would you pray for, if you thought they did listen?”

For a moment, he didn’t answer. His scarred hands rested on his knees, the firelight painting shadows across them. There was a weight in his silence, a deliberation that pressed against the edges of the night. Finally, he spoke, his voice quieter than before, almost a confession.

“I’d ask them to leave us be. To let us live without their meddling.”

You studied him. The sincerity of his words seemed to tug at something in your chest. “You think they’d grant a prayer like that?”

Azriel’s lips curved into a small, wry smile. “No,” he said simply. “But I’d still ask.”

You huffed a small laugh, shaking your head. “Stubborn,” you murmured, though your tone was warm.

When he fell silent again, you observed him once more. “What else is on your mind?”

Azriel didn’t answer right away. His gaze turned back to the fire, as if searching for something in its depths. “You could be one.”

You blinked at him, thrown. “One what?”

“A god,” he said, his eyes shifting to meet yours. “A proper one. A kind one.”

Your chest tightened, nerves prickling at the edges of your mind. “Azriel,” you said, your voice low, almost a warning. “Don’t say that.”

“Why not?” he asked. “If I can see it, do you think they can’t?”

You glanced up at the stars, as if expecting them to strike him down then and there. “Because it’s not for us to claim,” you whispered. “And because it’s not true.”

Azriel leaned in slightly. “It is true,” he said, as though daring you to contradict him. “You stand apart. You always have.”

“Azriel—” 

“I mean it,” he said, his voice softening. “If they did listen, if they cared, they’d envy what I see in you.”

You didn’t know how to answer. Azriel reached out then, his scarred hand brushing a strand of hair from your face. You swallowed hard.

“And what of you?” You asked. “If I’m to be a god, would you be one, too?”

He shook his head and a sweet smile made its way onto his face. His brows furrowed softly. Your fingers twitched as if you ached to smooth the crease between them.

“I think I was born to follow you.”

The fire light around you flickered, and the music of the cicadas began to reverberate, stretching and pulling like a ribbon in the wind. Soon, sounds began to fill the air—smooth instruments, slow and electric. 

Warping, stretching, bleeding into something else.

✹ ✶ 𖧷 ✶✹

You were perched on a velvet stool at the edge of the bar, watching the crush of dancers sway in time to the music. There was a faint scent of cigarette smoke that clung to the air, a smell that somehow mingled perfectly with the sharp tang of liquor and the sweetness of spilled champagne.

Azriel appeared beside you without a word. He wasn’t dressed to stand out— black suit, white shirt, no tie— but somehow, in the haze of golden light and shadow, he drew every glance. You adjusted the strap of your dress, the sequins catching what little light there was, throwing sparks of silver onto the walls. 

“You’ve been hiding,” he said. 

You turned your head to meet his gaze. There was something steady in it, like he’d been waiting for you to notice him. “I didn’t know I was being looked for.”

Azriel’s lips curved. “You always are.”

Your breath hitched, just enough to be noticeable, but you masked it with a sip of your drink— one with fading bubbles. “And here I thought I was just another face in the crowd.”

“Not to me,” Azriel said simply, as if it were the plainest fact on Earth. His gaze didn’t leave yours. “Never to me.”

The band transitioned into a slower tune, the saxophone drawing out a melody that made your face soften. You looked down to hide your growing smile, cheeks now rosy from Az’s attention.

“You’re not dancing,” he noted, eyes flicking briefly to the crowded floor. 

“I don’t know if it's the right night for that.”

“Maybe you just need the right partner.”

The suggestion hung in the air, and when he held out his hand— scarred, steady— you didn’t hesitate to take it. He led you to the dance floor with a gentle hold, drawing you into his arms. 

“You didn’t have to come find me,” you murmured, your gaze tracing the lines of his face.

Azriel’s eyes softened, and the corners of his mouth lifted into a soft smile. “I’ll always find you.”

The music slowed, and the world softened with it.

And then, the light dimmed, fading into the deep, quiet shadows of something colder, untouched, an air heavy with the scent of pine and earth.

✹ ✶ 𖧷 ✶✹ 

Two wolves emerged from the shadows, moving together, their coats brushing in fleeting touches. It was a quiet language— small movements of instinct and closeness. One was a shadow itself, dark fur absorbing the moonlight. The other was lighter, sleek and graceful, its movements quieter but no less assured.

The darker wolf paused, tilting its head toward its companion, a huff of warm breath visible in the chilled air. The lighter one hesitated, then stepped closer, nuzzling its muzzle against the dark wolf’s neck, a gesture of comfort—or reassurance. The dark wolf stilled at the touch, its golden-hazel eyes half-closing as if the simple act of connection mattered more than the world around them.

And then it turned, moving quietly into the heavy, shrouded forest. The lighter wolf turned to follow the dark one, glancing back only once before disappearing into the trees.

A sharp shift—the silence of the forest soon replaced by the soft crunch beneath leather winter boots.

✹ ✶ 𖧷 ✶✹ 

You and Azriel approached the house ahead, its exterior draped in a plethora of colorful Christmas lights. The world was still, save for the muffled laughter drifting from inside, and you pulled your coat tighter against the cold.

“We’re late,” you murmured, quickening your step.

Azriel let out a quiet laugh. “I doubt they mind.”

You shot him a pointed look, but Azriel only chuckled again. He wrapped his arm around your shoulders, pulling you closer as he pressed a soft kiss to your temple.When you reached the door, your hand had barely touched the handle before Azriel stopped you, his hand brushing yours. You glanced up at him, frowning, only to catch the cheeky grin tugging at his lips as he tilted his chin toward the frame.

There, hanging above the doorway, was a sprig of mistletoe.

“Mistletoe,” you said with a sweet hum. You met Azriel’s eyes.

“Cassian or Nesta?” He asked.

“Definitely Nesta,” you said. “She loves her romance.”

He nodded in agreement. “It is a romantic tradition.”

Azriel stepped closer, lifting a hand to cradle your face as he kissed you—soft and unhurried, like he had all the time in the world. When he pulled back, your cheeks warmed under his gaze, his forehead brushing yours as he whispered, “I love you.”

The words were soft, meant just for you.

“I love you, t—”

The door sprang open and a shrieking voice filled the air with an excited, “Momma!”

You barely had time to turn before your son barreled into your arms, his eyes bright and his arms outstretched. You caught him easily, lifting him with a grin.

“Hi, sweetheart.”

“Hey, buddy,” Azriel said, leaning over to ruffle his messy curls. His mini-me only giggled and nuzzled deeper into the crook of your neck. A true momma’s boy. From inside, more laughter echoed, and Cassian appeared around the corner, grinning wide as he carried your daughter—upside down—by her ankles. Her delighted shrieks filled the house.

“Cassian!” you called, trying to suppress a laugh.

“What? She loves it!” Cassian shot back, clearly pleased with himself.

“Put her down,” you said, stepping inside as Azriel snorted behind you.

Cassian finally relented, lowering her to the ground. She didn’t hesitate, darting forward to wrap her arms around Azriel. She barely reached his hip, and he crouched slightly, holding her close like it was second nature.

“Sorry we’re late,” you said, closing the door. You wiped your shoes on the matt below you. 

“Don’t worry about it,” Nesta’s voice said, drifting into the room before she rounded the corner from the kitchen. Her hair was in a loose bun, a steaming cup of tea in her hands. She stopped at Cassian’s side, offering her husband a small nudge. “Our date nights always run late too.”

Her daughter trailed behind her, blue eyes already half-rolling. "Yeah. We need to talk about punctuality in this family."

She breezed past you and Azriel, offering you both quick hello’s before darting up the stairs.

Nesta rolled her eyes, but the action was affectionate. Comfortable. “Teenagers,” she muttered. Cassian slung an arm around her shoulders, grinning. “She’s going through a phase.”

“Heard that!” came a sharp voice from upstairs.

You stifled a laugh, glancing at Azriel. His eyes widened slightly, and the corner of his mouth tugged into a crooked, almost reluctant smile—amused, exasperated, and entirely Azriel.

Nesta gestured toward your son, now half-asleep against your shoulder, and your daughter, who was eagerly tugging Azriel toward the living room to show off the fort her and Cassian had made. “Enjoy this,” Nesta said with a smirk. “While it lasts.”

A dreamy smile spread across your face as you watched them. “Oh, Nes,” you said softly. “I plan to enjoy it all.”

The room seemed to shimmer, the sounds of laughter melting into something darker, quieter. 

And then, without warning, the world changed.

Cold. Hollow. Dark.

✹ ✶ 𖧷 ✶✹ 

“God, you look beautiful.”

You turned to Azriel, breathless, a wicked grin pulling at your lips. His golden-hazel eyes burned as they swept over you, lingering on the streaks of blood splattered across your cheek. 

“You really think so?” you hummed, stepping closer, boots crunching against the broken glass scattered across the floor. The room reeked of iron and fear, the man slumped against the wall choking on his last breaths.

Azriel tilted his head, his shadows twisting and curling at his feet like they were alive, waiting for a command. “I’d argue you’ve never looked more stunning.”

Your grin grew, something divinely sinful, and you pulled the gun from the back of your waistband. The barrel gleamed in the dim light. “Would you like the honors, my love?”

Azriel’s hand brushed yours as he took the gun— perfectly smooth skin speckled in streaks of red. “Of course.”

The man whimpered as Azriel crouched before him, his shadows licking at the edges of the room, swallowing the light. You didn’t flinch, didn’t look away as Azriel tilted the man’s chin with the barrel, his voice low and almost tender. You seemed proud, even. Powerful.

“You should’ve known better.”

With a single, swift pull of the trigger, it was over. Azriel stood, wiping the gun against his pants before turning back to you.

“The others are all yours,” he murmured, his free hand brushing a strand of hair from your face, smearing blood across your temple.

“And they said romance was dead,” you said, leaning into his touch.

Azriel grinned, and for a moment, the bloodlust that had overtaken the room seemed to fade. He pulled you close, lips crashing onto yours in a brutal, animalistic kiss. When you finally pulled away, breathless and wild, Azriel’s gaze was sharp—hungry. His eyes gleamed with something darker now.

“You’re the only one who ever understands,” he whispered.

✹ ✶ 𖧷 ✶✹ 

“Elain?”

Elain gasped and snapped back to the present, her body slightly recoiling like a thread once strung tight. She blinked and turned her head, watching the beautiful face of her mate come into focus. His eyes were fixed on her, that familiar gleam in them.

“Hmm?”

A smile tugged at the corner of his lips. “Where did you just disappear to?” 

Lucien’s hand gently swept her curly hair over her shoulder, exposing her neck, and allowed his palm to settle there— fingers brushing lightly against her skin, thumb grazing the underside of her jaw. Elain melted into the touch. 

The remnants of her vision— of that twisted, vicious kiss between you and Azriel– still lingered at the edges of her mind, making her uneasy. But it was already fading, like a bad dream melting away in the morning light, as she looked at Lucien. The warmth of his touch steadied her, grounding her back into the reality of this life— something far less terrifying, far more full of light. Elain let her mind wander to the other thing she’d seen, to the cicada songs and the mistletoe. 

“Let me tell you later.”

Lucien’s smile softened in that kind way that made Elain’s heart feel full, like it might spill over.  “Alright,” he said.

“Oh, Elain, Lucien!”

Your voice broke the quiet, pulling their attention toward you as you approached, Azriel in tow. His shadows moved faster than he did, twisting around you in fluid motions, draping themselves over your limbs like they were part of you instead of the shadowsinger himself.

“Have you been here for long?” You asked as you met them at the doorway. “I’m so sorry we didn’t notice. We were in our own world.”

Azriel greeted her and Lucien with a small smile. But, as usual, his eyes drifted to you immediately, brightening in their glow as he watched you.

“No, no,” Lucien answered, noticing Elain hadn’t responded yet. “We were just making our rounds.”

You beamed. “Well, you should take some time in here. It’s beautiful.”

“I wouldn’t want to interrupt,” Elain said softly.

You shook your head, glancing at Azriel for a moment before you leaned into him, placing a hand on his chest and giving it a light tap. “We’re actually about to leave. We’ve got reservations for our anniversary.”

“What does today mark?” Lucien asked.

Azriel’s voice was light as he wrapped an arm around you. “430 years.” 

“Can you believe he’s put up with me that long?” you said, a teasing smile on your lips.

Lucien laughed. “I’d say its the other way around.”

Azriel laughed, then, too, rolling his eyes in a way that seemed so brotherly that Elain’s smile almost split her cheeks in two.

“You’re meant for one another,” Elain found herself saying. “Happy anniversary.”

Azriel nodded in thanks as you smiled and moved to leave. He patted Lucien’s shoulder as he brushed past, and Elain let her gaze linger on your retreating forms for a moment, catching another small moment as Az cheekily smacked your ass, causing you to let out a small amused shriek and push him away.

For a moment, Elain was almost tempted to ask Lucien the same question you’d asked Azriel: Do you think we’re together in each life? But it was silly– fruitless, really. Because Elain knew, with certainty, that she’d find her loyal, flame-branded mate in every universe. In every form.

She’d seen it herself. 

So instead, Elain grabbed his hand, interlaced their fingers, and said, “Let’s admire our world.”

And as always, Lucien followed her without protest. 

✹ ✶ 𖧷 ✶✹

authors note:

I had a vision (tehehe) of this one shot and i dont think i did it justice but alas, here she is. also are you truly soulmates if you arent evil sociopathic villains in at least one universe? me thinks no

also fun fact, 5/6 of these au’s are scrapped ideas i’ve had🫣

thank you for reading <3

permanent tag list 🫶🏻 (this so desperately needs to be updated, i fear): 

@rhysandorian @itsswritten @milswrites @lilah-asteria @georgiadixon

@glam-targaryen @cheneyq @darkbloodsly @pit-and-the-pen @azrielsbbg

@evergreenlark @marina468 @azriels-human @book-obsessed124 @bubybubsters

@starswholistenanddreamsanswered @feyretopia  @ninthcircleofprythian @velariscalling @azrielrot

@justyouraveragekleemain @marigold-morelli @mrsjna @anarchiii @alittlelostalittlefound-blog

@melissat1254 @secretsicanthideanymore

@m4tthewmurd0ck @beardburnsupersoldiers @isnotwhatyourethinking @tothestarsandwhateverend @raginghellfire

@angel-graces-world-of-chaos @paradisebabey

azriel tag list🫶🏻:

@thisiskaylin @serrendiipty @acourtofsteelandthunder  @mortqlprojections @ushijima-stits 

[prettyboykatsuki]

I can just imagine fujo neet reader practicing different sex position with rin to make sure she gets the proportions right.

✮ tags ; fem!reader, sexual tension, rin's pov, RIN IS KIND OF MEAN TO HER BUT HE WANTS HER SO BAD FDKJJS, reader is a fujoshi and bl mangaka, pre-relationship, they work together, part of a ficverse i haven't written yet Sorry, ONE JOKE ABOUT RIN WANTING TO OFF HIMSELF, SUPER SUGGESTIVE LOL 18+

✮ wc ; 3.5k (WHAT THE FUCK!!!!!!!)

✮ a/n ; i had to do this for my sanity. i promise i will write them a proper fic with them i promise.

You never text Rin.

Not really. Not first at least. It's a new... friendship. Kind of. Sort of. Most of your communication thus far has been through meetings and random in-person chance encounters. Outside of that, Rin will call you since it's faster. If you do "text", it's mostly through twitter DM's.

There's a discord server your fans run, and you pop in there often enough. He's had the invitation extended but declined unilaterally, since he'd rather not see himself fucking Isagi anymore than he already has in his short, miserable career.

It surprised him this morning, seeing your message flash across the top of his screen. Asking, specifically, for him to come over and help you with something related to the new manga you were writing. He had it in his right mind to decline, but after learning it wasn't a doujin for him, he semi-reluctantly agreed.

Rin doesn't know when exactly your relationship to him grew this...comfortable. Inviting him over to your house, begging him for favors, not wincing every time he talks to you. Rin isn't an extrovert but compared to you he's a social butterfly. And your aversion to people in general, Rin thought, would prevent you from doing anything more than squeak at him forever just like you did when he met you.

(Though nothing in his life has been normal since your arrival in it. He's not sure why you would remain unchanged when he certainly hasn't.)

He doesn't know what to feel when you ask him for a favor, and he doesn't know what force of nature compels him to go. If it's morbid curiosity or annoyance or something else even worse.

It was compelling enough to take the train all the way out to Machida - an hour long trip from his own place. His manager hounded him to take you something, so he has a bag of ginseng energy drinks and snacks with him as a gift. He took the bus with his mask on, and then walked all the way to your building.

Your apartment is tucked somewhere classically suburban - attached at the far end of a residential street and behind concrete support beams for a highway just overhead. Cherry blossom trees and other shades of white flowers grow around it in thick patches, making the entrance hard to find. Rin would've had trouble if you didn’t give him details on exactly where to go.

It's an older building, stone walls worn and grass-stained from age. At the gate are groups of old people talking amongst each other as they sort through recycling and trash. All visor hats and sunspots, they fawn over Rin for a long while before he goes in and interrogates him with questions. None of them know him, which is relieving. It quickly graduates to them asking who he's there to visit, if he has a girlfriend or not.

All of them ooh and aah when he mentions your name, say something about being relieved she's found a man so handsome and that Rin should marry you because even though you're a little strange you're a good girl. Rin does not have the time nor energy to correct them - only nods and bows his head and leaves.

On the elevator ride up to your floor, he can't help but think repeatedly that this isn't the kind of place he'd expect you to live. He thought it'd be out in the middle of nowhere, maybe in a damp and broken building.

But this is a nice place with nice people, vibrant and colorful. Totally opposite from what he considers your personality.

Suitable or not, Rin manages to make it to your floor without a hitch.

He finds you, then, as he'd expect. Down a long hall, behind an unassuming white door. When you open it, you're a mess. Your hair completely unkempt, face greasy, a wild look in your eyes and complete surprise in your expression as if you didn't invite him over. You do, however, manage to invite him in without stuttering or stumbling over your words foolishly like you did the first time you spoke to him.

Another surprise is how... clean your living room is. It's lived in but he was expecting more mess in there. Your bedroom is in a similar state, undoubtedly messy but not terrible. Your NEET tendencies finally end up showing when you drag Rin into your office where you draw your manga.

It's not dirty but it's cluttered. There's a pull out sofa on one wall, with a blanket and pillow littered about and pages upon pages of paper sheets with scrapped panels about the floor. One wall has a bunch of post-its with several notes in both English and Japanese, and another has tacked up pieces of art. Both yours and other peoples. He chooses to ignore the ones of him and Isagi, The walls themselves are cream colored and uninteresting and the wood floors are slippery. At the far end of the room is a spread of desks, a PC set-up and a professional looking tablet among various art supplies in stacked boxes.

It's this room you bring Rin into without explaining yourself at all, mumbling and muttering as you give him a place to sit and go back to your work for fifteen silent minutes.

When you're finally finished doing whatever the fuck you were doing, you turn yourself back towards Rin. Bluelight glasses fall down the bridge of your nose as you swivel around in your chair - your sweatpants half pulled up your leg with the other pulled down. You're wearing fuzzy socks with Naruto characters on them.

You stare at him, pulling your glasses off and rubbing your eyes - dark circles under them.

"Uhm," Your voice is clipped and thick with exhaustion. "You came."

Rin deadpans. "You asked me to come."

"I thought you'd say no."

He did too. He doesn't respond back. You chew your lips, already anxious and Rin resists the urge to say something about it.

"Okay. Uhm. Please don't get mad," You start with and then explain, looking away. Your hands pull your sleeves over your palms. "So. Like. For my new series, I'm finally getting to the sex scene but I've never drawn characters with an intense height difference like this. And I need... new reference photos.... and uhm," You rub your feet together on your chair where you sit "Well our height differences and size is the exact one my characters have. So."

Rin stares at you. "So?"

"SoIwaswonderingifyou'dtakereferenceimagesforsexpositionswithme,"

Rin feels his jaw lock. "Slower."

You frown and look away, tucking your chin with embarrassment. "I was uhm, like, wondering if you'd take... take the uhm, sex position reference photos with me, please."

"What?"

You clasp your hands together, immediately prostrating yourself by throwing yourself down the ground. He flinches back, wondering if you're gonna hold onto his leg next.

"Please, please help me. You're the exact height of my seme and you uhm have similar builds and he's doing the most of the legwork. The poses are a little bit hard but I want them to look good or Minami-san will eat me and I'm scared of her, please help me."

"Who is Minami-san?"

You sniffle, on the verge of tears just thinking about it. "My editor. She used to be my fan. She's scary. Please, Rin-kun, please."

"What the hell did you do before?"

You frown at him, big wet puppy-dog eyes.

"It was hard. Sometimes I'd pose with my big stuffed animals and make up the proportions. Oh and usually watched porn and stuff. Sometimes I'd get lucky with stockphotos. But I don’t get the angle exactly right unless I have good references."

Rin wonders if anything you have ever said has processed in your mind before saying it. He doubts it for some reason.

"So," Rin pinches the bridge of his nose and shakes the image of you humping your stuffed animals out of his head. "You're asking me to.. pose with you?"

You nod and chew your lip. "Please, I promise I'd never ask you for this if I wasn't s-scared of Minami-san! Please?"

"I should make you pay me for this," He sneers. You flinch back and close your eyes.

"I'm sorry." You whine wetly, but then open your eyes again anyway. "Please help me."

Rin doesn't know why he helps you. Maybe you're just too pathetic for him to ignore. Maybe he's a masochist. Maybe inhaling the same air as Bachira last week turned him stupid.

He pinches the bridge of his nose.

"Fine."

__

If Rin didn't believe you before when you told him you make your own references, he'd definitely believe you after you take him to your bedroom.

Your bed is in the center of your room, instead of being pushed against a wall. Large stuffed animals laid in one corner. On both sides of the room, are makeshift digital camera stands and remote-controlled lighting among another remote for said cameras. There's about 4-6 angles from what you explained to Rin, and a few adjustable lights. It's an elaborate set-up and takes the kind of dedication Rin can only imagine a hardcore fujoshi freak like yourself thinking up.

All of this to mostly draw porn of him and his rival. He tries not to think about it too hard because he thinks it's going to give him an aneurysm. Rin sits at the edge of your bed as you adjust each of the cameras individually.

"What do you do if it's not on a bed?"

You flinch like you aren't expecting him to talk. "Uhm. I either simulate as best I can o-or move my things and bed around. It's why I moved my desk to my office."

Rin stares at you. "You take it seriously."

You nod meekly. "Producing high-quality doujin is what made me money, so I have to work hard. Being poor is tough."

If Rin didn't find you so unbearable he might find that awe-inspiring in his own fucked up way.

"Okay. Everything is set-up. Now for the poses," You say, suddenly sparking back to life. Rin sits and watches. "They're having sex on a public beach so the bed and the way the seme sort of sinks into the sand will be good... I think the bridge one is the one we'll do first."

"The bridge?"

You nod, talking in short sentences. But Rin can tell this is where you're comfortable, doing things for this... hobby. Your usual constant embarrassment and shame seem to disappear when it comes to it. It's fascinating like a car crash. "Uhm. You have to stand on your knees and then, I'll lay on my back and arch my back up to meet your... y'know. It'll emphasize the height difference."

Rin stares at you agape. You take the remote control for your cameras in your hands and look at him expectantly.

Rin doesn't know whats wrong with him. Why the hell did he agree to this?

"Do you want me to take my jacket off?"

You nod, surprised. He shrugs the thing off of his shoulders and tosses it onto the floor.

Rin, per your instruction, gets into the position in the middle of the bed. He stands on his knees waiting for you. You join him a minute after, squinting at your phone screen beforehand. He isn't sure what he's expecting as a result of your ask, but he sure is shocked when he finds you placing your feet flat on the bed next to his knees and pushing yourself up for your crotch to meet his.

He knows that’s what you said but your shamelessness proves to be… shocking.

He tries not to let it show. His jaw ticks. His face feels warm but his expression remains neutral all the same. You shift and adjust and don't seem concerned at all - like it doesn't occur to you that this is in any way socially unacceptable. Or it's unfathomable Rin would take advantage of this. That this is weird, or could be interpreted in less than innocent ways. Rin knows you're so out of touch that it probably isn't. That this is, to you, just considered a favor which is partially why he even agrees.

But you're mid-brushing up against his bulge. The angle of your back forms a triangle, your arms laid flat at your sides as you squirm and push. And your expression shifts, deep in thought.

"Uhm, like, would you mind p-putting your hands on my hips? Kind of squeezing tight like it's," You flush this time, but Rin harbors doubt it's about him. "Like it feels good I guess? Like hard, and stuff so you can see the indent."

He's so astonished, he does it on autopilot. Neutral and even. He lets his hands grab your hips and holds tight just as you ask. Your long, loose sweatshirt falls down revealing the soft skin of your tummy. He can see the tops of your underwear, the thin cotton kind that come in 6-packs with a single bow in the middle in a grey color.

You don't seem to care about it. Rin shouldn't either, but his body does seem to care. His brain does. Something is happening in his gut. Anger maybe. Some cheap, frustrated desire to make fun of you.

Instead the words he's been wanting to ask since you proposed this tumble out of his mouth. He stares at you.

"Is this the first time someone's done this with you?"

You jump with a start, but remain in position. You take the pictures first, six clicks in a row before answering.

"H-huh? Why-why are you asking that?"

He doesn't know. Really. And he knows how it sounds. Rin doesn't say anything and you fold under the immense pressure of his gaze.

"S-stop staring," You say, and take a few more pictures, lowering your back just a little but still staying up right. "And no. No one tall enough or with the right physique."

There is another gnawing question, another burning curiosity. He makes his voice as even and unaffected and apathetic as he can. As mean as possible.

"Have you ever even had sex?"

Your eyes blow wide, but you seem to fall for the persona of apathy, curious boredom and cruelty. Worse, you seem a little used to it. You squirm this time and Rin holds you firmly in place. Your voice is small.

"Uhm, like, once I guess. I-it was with a guy, I didn't really date him but he seemed interested in me and I didn't think I'd ever have the opportunity again s-so I did it and I didn't uhm, it wasn't very good or anything." You reply, and he can feel your toes curl in your socks next to him and his brain feels like it'll melt from out of his ears. "Sorry, I don't-don't think you care about that, just uhm, felt like I should explain."

"Yeah," Rin feels dizzy. "Do you need another pose?"

You blink and then nod. "Yeah! Another one kind of like this, but with the legs like uhm, on your chest and my feet closer to your head. With you leaned back a little. Does that make sense? The butterfly position, I think."

Rin swallows something at the back of throat.

He nods, pulling you into position so easily he can heard you gasp. Your legs straighten against his clothed chest, and your sweatshirt falls far enough to let him see your bra. A fabric sports kind, a little worn - just the logo visible. He doesn't say anything about it, your feet resting near his neck. You make a little soft noise.

"This feels a little difficult to be in. Poor uke. Sorry if this one is kind of weird, but can you put your hands, I dunno, on my ass, I guess? I know that's probably too much but I think it'll be a good detail, so please? I'll pay you"

Rin stares at you, teeth gritting so hard he feels the back of his skull throb. "Fine."

Rin, per your request, puts his hands on your ass. It's easy enough, and he doesn't hold too tight. But it's too intimate, too stupidly fucking intimate, and he can feel you. You're hardly paying attention, caught up in your own head with whatever else. Rin is paying too much attention. Like how your sweatpants aren't thick enough to cover the outline of your frumpy cotton panties and how your soft all over. He's going to kill someone. Maybe himself.

Six more clicks and a little noise of satisfaction.

"Okay!!! I think these will turn out so great, and I can use them later too. Just one more. I have a lot of refs for this position, but uhm - I want to see if I can get the proportions correct, so if you'd please lay down," You tell him with such genuine excitement he can't find it in himself to say anything horribly cruel. "I'll be doing most of the work this time. I just-just need to see how uke will compare..."

You mutter something to yourself as Rin lets you down and lays himself down on your bed. You sit next to him for a long while, squinting at your phone. Rin stares at you as you. Wonders if he's gone completely insane, and tries to ignore the doom of the impending hard-on cozying itself in his pants.

Unceremoniously, you find yourself perching over Rin's lap. Not bothering to give him any pretense, it's the one thing about today that's really getting him.

"Oh, I need my hands for this," You give him the remote and stare down at him wide-eyed, over his lap. This has to be hell. "Could you take the photos this time?"

He closes his eyes and counts to ten and wonders if a concussion has made him insane. "Hm."

You brighten and Rin feels his chest go tight. "Thanks!"

Rin just nods, his mouth drying as you start to move and pose. A picture with your hands next to his head, and anothe r where you're sat up - your hands at your sides. Rin obediently takes pictures when you ask, his entire body tensing every single time you move.

"Okay, last one," You say. This time, you put your hands on his chest. Just the one. You must have something specific in your head that you're wanting to recreate. You bend down close, looking down at him as you do - your other hand clenched.

Rin looks up at you. He should not be thinking about you in any way. He's looking at the way your lips curve and plump and at your bare skin and your dark circles and your stupid licensed anime hoodie. He just gapes at you in confusion and mystique. He's around so many weirdos. It's not like there's anything special about you. You’re just another freak who makes porn of him. Plenty of people do that.

A loser and an idiot with no sense of self-preservation. There's nothing special about this, but Rin hasn’t been able to convince himself of that.

You stare down at him.

"Take a picture?"

Rin looks at you. Studies your expression. You seem like you're thinking. It's the only oppurtunity he has to pry.

"Did you want to ask something?" He says first. “You’re not hard to read.”

You startle, then nod. Your hand is on his chest. It's warm, and smaller than his.

"Oh, I-I guess I was wondering about what you asked me earlier. And uhm, like, I don't know. If you ever did anything. Your relationships aren't in the media and fans speculate but," You fall flat on your words. "I guess I was just curious."

Rin hates this question. It's why he never answers it. Why he hates being called a hearthrob, always too shallow and too personal for his taste.

"Nothing long term or serious. It was most for physical relief." Rin says, almost on autopilot. “Not that’d you know what that’s like.”

Your eyes widen. Rin feels his hands twitch, watching your expression finally grown conscious of him. Lust spreads through you like honey and Rin can see it in how you look. You squirm in his lap. He's not usually so aggressive, not usually one to care about sex in any important way. Not one to brag about something so unbelievably inane and trivial.

But it's bothering him, just how much he's fighting the urge to pin you down and fuck you. You of all people. It's not like him. Rough sex is whatever, but it's bothering him how little any of it seems to register in your head anymore like it once did. You could barely breathe the first time you met.

He doesn't know why he cares that you don’t anymore. He doesn’t give a shit about anything related to you

But the thought nothing seems to bother you anymore bothers him.

"Oh... I see. That's uhm, interesting. I b-bet you have a lot more experience than me. Maybe it'd be a good thing to keep you around for that kind of refernce too," You joke.

Rin lets his hand slip up to your hips without asking, not bothering to hide it anymore. His head feels with nothing but stupid useless thoughts. Thoughts of fucking you in your old, worn clothes and stained shirts and comfortable cotton underwear. Thoughts of your hands clutching at his shoulder all weepy with desire and need and stupidity - your big wide eyes bleary and sensitive. It's cruel how relentlessly he thinks about taking advantage of all your differences. Of how unathletic and awkward and unused to everything you are.

It's horrible just how much he's staving off his own arousal about it. Maybe you're strange habits are infecting him, making him strange too strange. All Rin can think about uselessly is how easily he could put you in your place. Fix you in some strange way. You’d be his to fix and you’d cry and weep and want to run away. Rin wouldn’t let you, keep you pinned and caged like an animal.

His throat feels tight. What is fucking wrong with him today?

Is he that pent up? He stares at you, and gets some passing feeling that there is more to it than that. He closes his eyes.

"Whatever," He says, letting go. You don't seem to notice it again, how thick his voice is getting "Are you almost done?"

You nod and smile. "Yes. Thank you."

Rin feels his heart tug and seethes. “You're welcome."

[thewatcher727]

Writing Tip - Portraying Characters Out Of Character

More writing tips

One of the most common criticisms in writing is when an established character is portrayed in a way that seems inconsistent with their usual traits or undergoes a sudden change in personality. The question is, is it wrong to want to write an established character in a different way?

My answer is that it’s fine if there is a plausible reason for it. For example, if John, who was previously a badass military guy, suddenly becomes a soft, joking character in a sequel, it’s going to make people wonder why his personality did a 180. The key to making a different portrayal plausible is through story and context. To explain this, I will use the video game Batman: Arkham Origins as an example.

We were first introduced to Arkham Batman in Batman: Arkham Asylum, which takes place during Bruce Wayne’s 11th year as Batman. In that game, Batman is portrayed as an experienced, highly skilled vigilante who is in complete control of his emotions. He never acts out when a situation goes wrong; instead, he calculates and plans his next move. Even though we see a few instances where he still carries the trauma of his childhood, his willpower is shown to be incredible. There are even rare moments when he makes jokes with Oracle. All in all, you get the sense this is a guy who knows what he’s doing.

Now let’s cut to Batman: Arkham Origins. This game is a prequel that takes place during Bruce’s second year as Batman. In this game, his personality is quite different, out of character so to speak. He is younger, angrier, and inexperienced. The game does an excellent job portraying how flawed Batman is through the small details. His fighting style is more raw and less polished compared to his later years. His suit looks bulkier and more thrown together rather than a single, cohesive design. We see him make mistakes when dealing with criminals. For example, in one cutscene, Batman is interrogating a guy named Loose Lips. As he holds Loose Lips up by the throat with one hand, he adjusts his footing and then chokes Loose Lips too hard, knocking him out. Batman acknowledges this by muttering, “Damn.” He is also very arrogant, underestimating the assassins that are out to get him and frequently telling Alfred he doesn’t need allies, determined to be a one-man army.

So, why do I consider this different portrayal good? The reason is that it fits the story they are trying to tell. Given the significant time gap between Origins and Asylum, it stands to reason that Batman would undergo some personality changes. The game provides an opportunity to show how Batman evolved from a young, reckless individual to the seasoned warrior we know later.

One of the best scenes is when, after nearly losing Alfred to Bane, Batman begins to doubt himself and considers giving up. Alfred, who finally understands why Bruce does what he does as Batman, encourages him to continue and let allies help him. Near the end, we see him working with James Gordon, hinting at how their relationship began to improve by the time of Asylum. We also see Batman working with Barbara to destroy Penguin’s weapons. This not only adds depth to Batman’s character, showing his capacity for growth and change, but it also sets up his future collaborations with characters like Oracle, Robin, and Nightwing. This development makes his later, more balanced and cooperative approach in Asylum and subsequent games feel earned and believable.

All in all, portraying a character out of character can be compelling if it aligns with the story and provides a logical progression. Batman’s arc in Arkham Origins shows he was flawed and needed to accept that he was not alone in his mission. Proper context and development are crucial in making these changes believable.

So, if you’re considering writing someone in a different way, keep this in mind and you’ll be good to go!

[alltimefail]

Why doesn't Edwin call Charles, "Charlie?"

I shared the isolated audio of Charles' death scene where his "friends" taunted him as they killed him, and in that video, they called him "Charlie." This confirmed what many people in fandom already believed: Charles, a sporty teenage boy in the 80s, would not have gone by his proper first name and likely went by a nickname/shortened version of his name instead.

Now that we know that to be true, it does beg the question: why does Edwin call him Charles? I told you all not to get me started on this in the tags, but you stinkers want me to yap, so let's get into it! 😜

This is a very uninteresting answer, but I think Edwin does not call Charles "Charlie" simply because Charles did not introduce himself as such. Had he introduced himself as Charlie, I don't think Edwin would call him anything else.

This actually brings us to the "meat" of this analysis, and the more important question we need to ask: why would Charles choose not to introduce himself as "Charlie" if that's what people seemed to call him?

I have a couple of theories:

The first one: when Charles meets Edwin he's in a fragile state. A boy he's never seen in all his time at school approaches him, seeming to come out of thin air, just to bring him a lantern without any strings attached (even though Charles cannot give him anything in return). Charles has never experienced that kind of unconditional kindness in his life, and I'm sure that alone was enough to be a bit earth-shaking, mind-scrambling, and intimidating.

But it doesn't end there! The boy who brings the lantern is also claiming to be dead. Delerium/hallucinations are a common symptom of hypothermia so Charles could have though that Edwin was not real or was maybe even some kind of angel-like figure coming to keep him company in his final moments. I mean, the boy's wearing a dated school uniform, enters in a halo glow of golden light, and can walk through walls...it's not the wildest conclusion to jump to.

I think either of thos things individually or a combination of having your guard up, being a bit frazzled from the whole "dying" thing, and believing you're in the presence of an ethereal deity (combined with the fact that you're a people pleaser at your core) is enough to feel compelled to introduce yourself not in formal manner. Not to mention if Edwin introduced himself first, hand outstretched in a formal matter and proper posh accent on full display (something I can totally see him doing), Charles might have felt a bit silly calling himself by such a casual title.

While I think all of this can be varying degrees of true, however, my biggest personal headcanon is that Charles might not have introduced himself as Charlie because who's to say he LIKED that nickname? My circumstances were similar to Charles' growing up, I also had many nicknames from friends and family that I didn't ask for but was given anyway against my will... and I always hated it. Still cringe at some of them to this day, actually! So I think it's possible that Charlie Rowland met Edwin Payne, with all his formal stature and proper professional-sounding name, and took the opportunity to choose what he'd like to go by, without the influence of family or friends. In that way, his chosen identity that would kick off the rest of his existence moving forward (unknown to him at the moment, but true from a narrative standpoint nonetheless) serves as a "Taking your power back" moment for Charles who literally just heard the name "Charlie" being hurled at him as he begged for mercy from people who were supposed to be his friends. Even if he tolerated the nickname "Charlie" before, it certainly wouldn't have fond associations following the event that ended his life (if it had any positive associations to begin with).

Again, speaking from experience, Charlie also sounds like the kind of nickname that could be sugar-sweet on some tongues, innocent even, (his mother cooing over a young Charles), but terrifying from an abusive figure... a scathing kind of mockery. I've always imagined that Charles' dad more than likely called him Charlie, for example, and not in a fond, loving way (in the same way his so-called "friends" were not doing so in a loving way).

So yeah, why would Charles WANT to go by Charlie?

Now that we've established that, we can go back to Edwin...what you came here for!

All that in mind, I still don't see Edwin as the nickname type at all. From a romance standpoint I could maybe see him using a few dated, sappy endearments, but we don't ever hear him use a casual name toward anyone. In his lifetime Charlie would have been a perfectly normal name, but the kind of "fond" nicknaming practices and casual male friendships that happened in 1989 were not common practices in 1916, the Edwardian era. Even with his infinite fondness of Charles, I could never see Edwin uttering "Charlie." It doesn't feel right.

Plus, let's be honest: Edwin says Charles' name with enough love and reverence that he doesn't need to use an endearment. His tone says it all (lol).

Beyond that though, like I said above, I can't see Edwin feeling to impulse to call him "Charlie" because that's not how Charles introduced himself. Edwin strikes me as the kind of person that would be like, "If he wanted to be called Charlie, he surely would have said as much" and left it at that. But a name like Charlie also conveys a sort of youthfulness, and while he and Charles are 16 forever, technically, they have been detached from their lives for a long time and they're MUCH older than 16 in experience and in their professional life.

The only question I was left with, and one I've seen several people ponder, is why Charles would suggest they call The Night Nurse Charlie, (like from Charlie's Angels), as it seems a bit strange if his own name is Charlie/he went by Charlie. My answer/interpretation isn't that exciting, but it's one I feel makes the most sense: I honestly think this can easily be explained away by the fact that Charles is so far removed from that identity and so dissociated from his life that he no longer associates the name "Charlie" with himself in any way. Like it literally didn't even occur to him, in that moment, that Charlie/Charles are so similar because he has built a barrier in his mind between himself and that nickname; they're two entirely different identifiers to him. Whether that be a coping mechanism, or simply just something he wasn't thinking so deeply about (it has been 30 years since anyone called him that, except for Brad and Hunter in Port Townsend), we can't say for sure. However, it's clear Charles does not want to go by Charlie, and at least now we can safely assume why.

Let me know your thoughts! Do you agree with my interpretation? Do you have your own opinion that I didn't cover? Feel free to share with me!

Keep streaming Dead Boy Detectives & screaming about it ! Hugs to each and every one of you! 💜

[hellspawnmotel]

well you guys really called my bluff on this one, haha. I have a lot to say on the topic so this will probably turn into a long post but the answer really depends on this: what interests you about astro boy, pluto, and the franchise/tezuka's body of work as a whole? what do you want out of this experience?

if you're just looking for places to read/watch these things and that's it, I'll put some links here at the top so you don't have to dig through this whole mess.

you can read astro boy (original manga) here (there are occasionally missing pages on this website, if/when you run into those you can switch to this one which is harder to navigate but complete)

you can watch/download the 2003 anime (english sub) here

you can read naoki urasawa's pluto here

so you're interested in astro boy but aren't sure where to start: my opinion as someone whose point of view you respect for some reason

it didn't occur to me until recently that for a lot of people who follow me, your cultural touchstone for the concept of astro boy is most likely to be the 2009 american movie. I didn't watch that as a kid, I was 14 when it came out and fully into my "anime is superior to western animation" phase, but I've watched it now and well.... if you like it that's great! I did not. I'm not going to dwell on that, but I think it's worth noting that whatever your opinion on it as a movie is I don't really think it's a good representation of astro boy and its themes. moving on.

the manga

if you want the pure, unfiltered astro boy experience, this is as close as you're gonna get. it's gonna be a little haphazard though because the dark horse publication, which is probably the only way you're gonna find to read it in english, does not order the stories chronologically. I don't think that really matters because there's not a lot of continuity so as long as you understand the basic premise you can read in whatever order you want, and this puts a lot of really good stories first anyway so it's nice too. personally as far as all versions of astro boy proper go, the manga is my favorite. it's not always an easy read, for reasons I'll get into in a moment, and it's not always good either. some stories are phenomenal, some are just plain silly, and some are downright terrible. but given how long it ran for and how consistently and without breaks tezuka worked on not just it but all his other manga too I think that's too be expected. but even the bad ones I think are worth a look! this is the history of manga as a medium right here! and I love the manga, it's fun, funny, wonderfully drawn, compelling, shockingly dark at times, and just a fascinating read for those with an interest in classic comics.

all that said, I think it would be irresponsible of me to recommend it without also including a big fat disclaimer, which dark horse was kind enough to put at the front of the book.

if you have an interest or familiarity with classic/vintage manga, anime, comics, and cartoons, you probably saw this coming, but some of this shit gets REAL racist, most often in terms of how people are drawn. some of tezuka's biggest inspirations were the rubberhose american cartoons of the 20s and 30s, and all that implies. for whatever the opinion of a white american is worth, based on his writing I really do believe he had good intentions- he consistently speaks out against racism and bigotry in general, in astro boy especially. you can tell he was very passionate about it. but I'm not gonna defend the guy either, you can't be drawing people like that, even if it was the 40s-80s. a lot of the experience of getting into tezuka is reading a story where the moral is "racism is evil! end discrimination!" accompanied by straight up racial caricatures in the art. it's baffling and infuriating. if I could I would travel back in time and hire the man a sensitivity reader, but I can't, and he's been dead for 35 years so we'll never know what he would've done about it today. all we can do is take it as an opportunity to learn and do better. but, if all that puts you off getting into the manga or the series at large, I don't blame you!

with that out of the way, the size of the manga might intimidate you. there's a lot of it. lucky for you you don't have to read all of it if you don't want to! I've read the entire thing because I'm a completionist at heart, but I've had several friends come to me for a smaller and more manageable reading list, which is as follows:

(stars for my personal favorites, grimaces for "I did enjoy this one and I think it's worth reading but I don't feel good about recommending it". I also think "the artificial sun" and "atlas" are important reads if you're interested in the history of the franchise because they get referenced a lot, but they are VERY racist and I don't think theyre good enough overall to make them worth putting on the list despite that.)

that was long. next up:

the 2003 anime

I am not quite done watching this one but I'm pretty close so I feel confident in saying: on the whole, it's great! it looks absolutely fantastic for a tv anime from that era, the character and world design is top-notch, and overall it does a really good job adapting the best and most important parts of the manga into a continuous story, although it softens the blow of the darker moments quite a bit (which might be a good thing for you, depending on your tastes). it's pretty beloved by western fans, and for good reason.

I do have my issues with it, for one this might not be a popular opinion but I think they majorly screwed up on adapting the "greatest robot on earth" arc (my favorite arc btw, yes I might be salty), for another they really sand the edges off of uran's character compared to the manga and make her a lot more meek and girly. but that's just my opinion and if this show is the only one you've watched you wouldnt know that anyway. so don't let that deter you if you're interested, you'll be missing out on a pretty fantastic kids show.

so, if you're looking to really dive chest-first into astro boy as a franchise and understand all there is to know: maybe don't start with this one. it changes a lot from the source material and kind of does its own thing. but if you're just looking for a good story thats fun to watch and total eye candy, go nuts!

pluto

pluto by naoki urasawa is an adaptation/reimagining of astro boy's most famous and beloved arc, "the greatest robot on earth". it's also what got me into the franchise and one of my favorite manga ever! pluto reinvents the story as a detective thriller set in the aftermath of what is effectively, and obviously, the iraq war. it's brutal and harrowing, and beautiful and cathartic and hopeful. to me it is the gold standard for "dark and gritty reboot of a children's story" because urasawa adores tezuka and respects the original version, which was always a dark tragedy anyway, just presented differently. you might have seen pluto got an anime adaptation last year as well. I've watched it, it's pretty good! it doesn't change all that much (I don't like the few things they DID change but whatever) but I just think urasawa's artwork, paneling, and pacing are completely unmatched so I'd recommend the manga first. I'm not gonna be that asshole who insists you gotta read the manga over the anime though, if anime is easier for you you're better off having experienced pluto that way than not at all.

(if you ARE interested in both astro boy and pluto and are considering which to get into first, it's important to know that reading the arc pluto is based on will spoil a loooooot of things about the story. so weigh the pros and cons of that before making a decision!)

so, that's basically what I have to say. I haven't watched the 60s or 80s anime adaptations so I can't give insight on those, and I'm by no means an expert on any of this. I only started reading the original manga like three months ago and before that my memories of the other stuff was pretty faded, before I revisited it. if you're interested though I hope this helps, and I hope you enjoy yourself if you decide to take the leap! it's kind of a rabbit hole. I did not know what I was getting into when I decided to reread pluto, but I'm sure glad I did.

if you have any other questions about my personal opinions, feel free to shoot me an ask as well!

[fastbrother]

Desperate (M, 1.3k words)

For forty-one-year-old Draco Malfoy starting his twenty-fourth year of unemployment, the only interesting question is who is he going to sleep with next.

Tags: From Sex to Love, Grumpy Harry, Reclusive Harry, Slutty Draco (non-derogatory), unhealthy coping mechanisms, middle-aged Drarry

Author's note: Wrote this for @kamaela's birthday. Thank you for always being so kind and encouraging! 💕

* * *

For eleven-year-old Draco Malfoy starting Hogwarts, the only interesting question about school was who was going to come in second in his year. Imagine his surprise.

For forty-one-year-old Draco Malfoy starting his twenty-fourth year of unemployment, the only interesting question is who is he going to sleep with next.

Some days, it feels like he’s slept with everybody worth sleeping with. Other days—well.

* * *

When he was young, Draco Malfoy thought he liked women. He slept with a handful of girls, all very proper and sweet.

Then the war came, and he was in it, and he was tortured by the Dark Lord himself, which rewired his brain somehow, because after the war Draco Malfoy did not like women anymore. Nor anything proper. Or sweet.

Draco Malfoy liked to be fucked like he’d be murdered next.

* * *

Harry Potter is a big old grump. He lives in what should have been Draco’s house by birthright, nurses a terrifying beard currently in the process of turning grey, and only ever goes out in Muggle London, like the uncivilised brute Draco knows he really is. Draco dreams of being fucked by Harry Potter, the saviour of the wizarding world, the slayer of Dark Lords. And whatever rude people say, Draco’s a man who works for his dreams.

* * *

“Harry Potter. Out and about. What a surprise.”

Potter barely spares a glance for poor Draco. His eyes are glued to the Muggle TV above the bar, in the process of broadcasting some beastly excuse for movement that the Muggles call sports. There are five empty glasses in front of him, and a cigarette dangling out of his mouth.

“Fuck right off, Malfoy.”

“Ah, I’m afraid not,” Draco says, and sits on the barstool next to Harry. “You go, if my presence bothers you so.”

“I don’t give a shit about your presence.”

“Beautiful. Have you taken to writing poetry, by any chance?”

“Tell me, Malfoy,” Potter says, slowly turning those grotesquely green eyes towards him. “You look like someone who makes enemies in every room he walks into. How come you’re still alive?”

“I have my ways.”

“Aha,” Potter says, emptying his sixth glass of whiskey, eyes back on the TV. “I’ve heard about your ways.”

“Would you like some first-hand experience with them?”

Potter lets out a chuckle, a loud and brutish sound.

“Have you been following me?”

“Hardly. I’ve been coming here every night for six months. Ask Robert.”

“Who’s Robert?”

“I’m Robert,” the barman says, pouring Potter’s seventh drink.

“Ah. Nice to meet you, Robert,” Potter says, and raises his drink. “So. Has he?”

“Yes.”

Potter turns to Draco. Offers a vicious smile that makes Draco’s body tingle in all the right places.

“I used to come here all the time. Before the Prophet published a photo of me. Six months ago.”

Draco shrugs. “Can’t a boy try his luck?”

Potter leans forward and pulls Draco’s stool closer to him.

“You’re no boy. You’re a slut.”

“Oh, yes,” Draco moans, biting his lip. “I am. I’m a bad, bad slut.”

* * *

Harry Potter fucks like he goes to war. There’s no fear there, no second guessing. Draco could die now, bent over a dirty sink in a dingy Muggle bar, and he’d be happy. He should die, actually, because what else is there to experience? He has peaked, and life can only be a disappointment from this point on.

“Please,” he begs when all is done. “Again.”

“You make a compelling argument,” Potter says, pulling up his pants. “But there are people queuing outside.”

“I’ll get rid of them. I’ll kill them. Nobody will miss them too much, I’m sure.”

“How about this,” Potter says, fixing his hair back in a ponytail. “You keep coming here every night for another six months, and maybe I’ll drop by again.”

“Don’t play with me, Potter. You know I will.”

“Oh, I know.”

* * *

Draco expects Potter to torture him for at least a couple of weeks, but he strolls into that cursed Muggle pub the next day. He’s wearing jeans and a ripped t-shirt. Truly living up to his reputation of decorated ex-Auror and beloved hero, this one.

“My, my,” he says, sitting next to Draco and gesturing to Robert for a drink. “What a good pet.”

“Aha,” Draco says, draping himself all over Potter’s offensively attractive attire.

“Let me get a drink in me first,” Potter says, struggling to keep Draco at arm’s length.

“If you wanted a drink, you could have gone to another pub.”

* * *

Robert bans them eventually. Draco’s about to Obliviate him but Potter solves the issue by inviting him to his house.

“You mean, my house,” Draco corrects him.

Potter doesn’t seem impressed. “How about we call it a night, then.”

“Fine. I relinquish all rights to that home. You can have it forever. You can have the Manor, too, if you want.”

Potter laughs, and grabs Draco’s arm. “I love how desperate you are.”

“Oh, I’m desperate, alright.”

Five minutes later, Draco’s thirst is finally quenched when Potter bends him over a Black encrusted dining room table. Draco discovers he has quite the taste for family intrusions.

“In front of my great-grandmother’s portrait next, please,” he begs. Potter, the charitable soul he is, complies. Predictably, his great-grandmother calls Potter Muggle-loving filth.

“He is, granny,” Draco moans, face squished against some dusty yet tasteful wallpaper. “He’s the filthiest person that’s ever lived.”

* * *

“Are you some form of house pest? A Black family curse? Why can’t I get rid of you?” Potter says when Draco shows up on his doorstep, carrying a bottle of wine and appetisers as any man of the world would.

“Get rid of me, then,” Draco says, and walks in.

* * *

Potter is on an agenda to steal Draco’s elves and have them clean his shithole of a house. It’s the only reasonable explanation for why he’s taken to drinking with them.

“Stop entertaining the staff. You should be entertaining the Master. And there’s no smoking in the sunroom.”

“There is, now,” Potter says, lighting up a second cigarette with his wand. “There’s a new Master around here.”

“Master Potter,” the elves say in unison, drunk on the Butterbeer Draco keeps for his nephew.

* * *

It’s all fun and games until Draco catches feelings.

“I’m sick,” he tells anybody who cares to listen, and also those who don’t. “Je suis gravement malade.”

“Pull down the shades,” he tells the house elves from under the heavy duvet. “Owl the Healer.”

“Maybe Master Malfoy should tell Master Potter how he feels.”

“Clothes! Somebody bring clothes!”

* * *

“I heard through the grapevine that you’ve fallen ill.”

Draco peeks at Potter from under his duvet.

“It’s true. I’m dying.”

The bed jounces when Potter sits down next to him. He puts a hand on Draco’s un-feverish forehead.

“It sure looks like it.”

“I just want you to know, I lied about the Manor. I’m leaving everything to my elves.”

Potter’s hand moves down Draco’s face.

“Where have you been? I’ve missed you.”

“You have?” Draco says, his illness intensifying.

“Yes.”

“I thought I was a curse you couldn’t get rid of.”

“You are. You’ve been slacking on the job lately.

Something sharp rattles in Draco’s chest. He moves away from Potter’s touch, and hides under the duvet.

“Hey,” Potter says, leaning until his hand finds Draco’s waist through the thick material. “What happened?”

Silence.

“Do you want me to leave?”

Slowly, Draco shakes his head under the duvet.

“Do you want me to stay?”

Draco nods.

Draco hears ruffling and squeaking, and then Potter gets under the duvet. He’s hot, like a cat.

“Where did all your eloquence go?” Potter says, gathering him in his arms. “What happened to all your fancy words?”

Draco buries his head in Potter’s chest. Takes a deep breath.

“I turn stupid when I’m in love. It’s a debilitating illness.”

“You’re a debilitating illness,” Potter says, and kisses his forehead. “And I’m chronically ill.”

[lakesbian]

What was he doing?  Why was he so focused on getting Bitch to admit it was over? Reputation, yet again.  He needed to salvage this situation, and the surest way to do that, to recoup his losses and come out of this looking okay, would be to get the meanest, toughest, most notorious of us to bend at the knee and concede defeat. He really didn’t know Bitch, though. She pulled her cheap plastic dog mask off and threw it to one side.  It was only a formality, really, since her face and identity were public knowledge.  Her smile, as it spread across her face, wasn’t the most attractive.  Too many teeth showing. “Lung underestimated her, too,” she told him, looking at me.

okay, continued forcing myself to spend time analyzing rachel lindt instead of letting her live in my worm blindspot for no reason. to recap: at this point in the story, she's gone on the ABB raid with rachel & had that gay little moment where rachel gave her her jacket when she was cold walking back home + got so close to taylor to inspect her injuries from lung that taylor thought she was going to kiss her. it had deep connotations of blossoming romance and taylor narrated some shit about still kind of being cold despite the jacket but the warmth in her core keeping her warm all the way back to the loft. now, although taylor is still only consciously ranking rachel at "i don't hate her" in her mind, rachel has now started doing shit like this.

one of the primary rachel/taylor theses is that taylor isn't rachel's dog, rachel is taylor's dog. it's established over the course of the worm that she trusts taylor completely implicitly. there's the part in the behemoth fight where the entire world is falling apart around them and rachel is still smug and happy about taylor having a plan. there's the part at the end that makes all of us want to smash our heads into the wall:

she trusts taylor in the same way a dog would trust their owner even on the table for euthanasia. she sees taylor as smarter than she is not in a self-deprecatory way--there are plenty of people who you might call smarter than rachel that she'll happily call morons--but because consistently, time and time again, taylor goes up against smart pieces of shit who are trying to fuck the undersiders over and figures out what to do about it. and this scene here, where she's responding to armsmaster's attempt to put her down by insisting that he's underestimating taylor, seems to be the first instance of rachel's trust in taylor shining through. in fact, this happens even before taylor considers them to be friends, before they've had any significant bonding. one of the very first positive things rachel feels about taylor--maybe even the first positive thing--is that, when people are putting her and her team down, when odds look grim, taylor can be trusted to solve it. it's actually, like, kind of bonkers compelling that rachel's first seed of positive response to taylor isn't "well, actually, i guess she seems nice" but "my teammate taylor could beat up this dickhole armsmaster."

it's worth explicitly noting, by the way, that rachel interprets smiles as like dog growls. the reason her smile is a little too wide with too many teeth is because it's not actually a proper smile. it's rachel being a growling dog, placing all of her trust in taylor. I Love You Rachel Lindt

[ironunderstands]

Dr. Ratios predictions, theories and ideas I have for his lore BECAUSE SO MUCH HAS HAPPENED AND I AM INSANE ABOUT HIM AAAAAAA

‼️INCLUDES DISCUSSION OF LEAKS SO BE WARNED‼️

So, I’m sure if you like Dr. Ratio even a little bit or have kept up with what leakers are doing, you have heard of a little something.

That little something being our new planet in coming in 3.0 is Ancient Greece inspired 

Oh boy.

And oh it gets better, thanks Sparkle for playing genderbend Ratio during Cosmoddesy because 

Yup, this is his planet.

I’m well aware it will be like 7 months before we start getting proper leaks about this place, but for now, let’s do some speculation shall we, because if there’s anywhere we are gonna get his backstory/lore/a story centered around him, it will be here.

So let’s begin 

Whatever the hell I think is gonna happen during 3.0

A) He will serve as a guide for the Astral Express in navigating this planet 

I don’t think he will immediately go to them to help, or they will immediately seek out him, but rather coincidentally or through the connivence of circumstance he will end up helping lead us around, at least partially until we really get roped into a conflict.

Or, it’s the other way around, where we kinda are left to our own devices a bit and then something happens and either by his own decision or something that’s forced upon him, Dr. Ratio now has to supervise from now on.

Personally I find the second option way more interesting and I think it has way more potential for angst so I’m going with that one let Ratio be dragged around by a malicious entity or his own experiences I’m so here for it. 

B) Something happens.

Wow, descriptive. 

Ok, what I really mean is that something bad happens like a prophecy comes true or the express breaks something or a stellaron comes to eat people’s grandmas and Ratio is implicated in it. 

And this is where the fun begins, as the nature of what this something is can completely shift the story in very interesting ways.

Perhaps he was prophesied to doom Amphoreous’s civilization with his presence or something, and was abandoned by his parents on another planet?

Perhaps he has connections to the leaders there who desired for him to be their puppet/tool, so he left to find his own path and now they are trying to force him back.

Perhaps he failed at a test of theirs when he was younger, some universal trait on the planet that he couldn’t live up to and was exiled because of it. Now that he’s back, they blame whatever bad thing happens on Ratio. 

I actually really like these particular theories as Ratio has a lot of themes about creating your own destiny, so seeing him resist one forced upon him would be compelling. Moreover, I feel as though an arc demonstrating how exactly he wanted to become a Genius/where he got all his insecurities and motivations from is not only necessary for his character but would flesh out the way we see the path of Erudition in general, even if I already really like the way they have gone with it so far. 

C) Resolution/Self acceptance 

I doubt they will permanently kill him, it just doesn’t suit his character at all.

However, do I think is he gonna get messed up by whatever that “something” is? Yes. 

If the story centers on this remains to be seen, honestly, I doubt it will considering we have the entire cast of the planet and its own lore to meet and learn about, but I do think Ratio will be a major player and I hope how he feels gets some of the plot’s focus as we have quite literally only have 1 full scene of him where we see who he truly is, and it’s all the way back in 1.6 (Ratio-Screwllum conversation my Roman Empire). 

Like guys I needed this man bleeding out screaming dying crying throwing up clutching his wounds looking up at the screen like a kicked puppy losing all hope in himself and others YESTERDAY 

I NEED SOMETHING BAD TO HAPPEN TO HIM FOR CHARACTER DEVELOPMENT AND BECAUSE RATIO IS SO HIGH STRUNG THAT ANY AMOUNT OF PRESSURE WILL CAUSE HIM TO SNAP SO PLEASE HOYO LET HIM BREAK!!!

He needs another scene where he’s being sincere, he needs a scene where he’s being vulnerable, Ratio’s marble facade needs to crumble to reveal the man underneath and I need that man to pick himself back up again knowing he can allow himself to be human as well AAAAAAAAAA

His connections to Acheron 

If you have seen my other posts I have already talked about this at length, however the brainrot for this particular detail is all consuming so let me just demonstrate:

Dr. Ratio has the same philosophy as Acheron, an emanator of Nihility.

Look.

Essentially, they both believe that only in desperate situations will humans reach their full potential and begin to truly live for themselves. Moreover, they also both try and offer the tools to help people save themselves, Ratio with knowledge and Acheron with destroying the dreamscape, and that even if people can only become their true selves through struggle, it is the guidance and love of other people that will allow them to pick themselves up. 

Interestingly, pre-2.2 I also believed Ratio was walking the path of Nihility, due to how he engages with knowledge. That very viewpoint spawned from the 1.6 conversation I just showed you, as Ratio demonstrates to the audience that he does not care about knowledge in of itself, but rather the value it can bring to people.

Now, this sets him apart from the Genius Society members, who believe knowledge is inherently valuable and that it is what brings the universe meaning to them. Every person Nous has acknowledged has expressed this belief, which is why they were acknowledged and Ratio isn’t.

Before you say it, no, it’s not that he isn’t smart enough, quite the opposite actually.

Screwllum himself acknowledges his genius and time and time again are Ratios myriad of accomplishments brought up. In universe plenty of people believe he should have been instated into the society by now as well:

These are just the ones that implicate the society directly, as so many of Ratio’s character stories also mention just how accomplished he is.

Moreover, in 2.3 we are getting a new Sim Uni update made by Ratio himself, centered on humanity because of course it is, therefore he’s even smart enough to do the same things the GS members do, even collaborating with Screwllum to work on their favorite pet project.

So, what does this have to do with his lack of acknowledgment, and the path of Nihility?

I have established Ratio is smart enough and that he doesn’t view knowledge in the same way the other member’s do. Therefore, this difference in mindset is why Nous has never acknowledged him, because as much as Ratio thinks he is walking the path of Erudition, his personal philosophy and behaviors have never aligned with that, even if he thinks they do.

I mean, the man says it himself, even if he doesn’t realize the implications of it:

“The Path of Erudition has neither reason nor logic. While geniuses wander among the stars, the ordinary can’t even trace their footsteps.”

That is the path the Genius Society members walk, the path Ratio is criticizing in this sentence, the path he refuses to travel along himself, because what defines Ratio is that he will never leave the ordinary behind to stumble alone.

That is the path of Erudition.

And Veritas Ratio does not follow it. 

So what does he believe in?

Finding your own path. Forging your own future, in the face of a meaningless universe, that is the only thing we should do, the only thing we CAN do. 

“even a life marked by failure is a life worth living”

That’s what Ratio believes.

It doesn’t matter if the masses cannot escape their mediocrity, if they will never be geniuses, if their efforts will go unacknowledged, because the universe doesn’t care, therefore they shouldn’t either. There is no grand test, no final destination, no perfect goal people must attain.

Destiny is uncertain, and people’s fates are theirs to choose. 

Dr. Ratio believes people can still improve themselves, and that it doesn’t matter if people cannot reach the ceiling of knowledge, as they should still push themselves off the floor and stand up. 

He doesn’t think anything confines people from bettering themselves, and that it’s pointless to deliberate over whether one can achieve perfection or not, they should strive to improve themselves regardless and live their best lives because why not? Sure there’s nothing saying they can, but there’s also nothing saying they can’t, and in the face of a meaningless universe, devoid of purpose, one must create their own, and he dedicates his life to aiding others in realizing this.

Ironically, Ratio does not take his own advice. He can recognize the merits of the masses, but he cannot appreciate his own. Ratio is forever walking forward, but he cannot see the path ahead of him, or appreciate the lengths he has gone, the distance he has traveled, and the lives he has improved. 

Ratio spreads knowledge across the universe, believing that is what Nous desires, what the Erudition means, or rather should be, which is partly why he views himself as mundane, as a failure. 

Not just because he is as ordinary as any other person, but because Ratio thinks he hasn’t succeeded in his goal without Nous’s acknowledgement. I think he believes that he hasn’t done enough, that he isn’t smart enough, that he will never be good enough, therefore no matter what has happened, Ratio is doomed do be as mundane as everyone else, and his accomplishments will never be worth the gaze of the entity who inspired him to help others in the first place, as that’s what Ratio believes they would want.

However, helping others is not something Nous cares about, it’s something Dr. Ratio cares about. Even if he doesn’t understand or acknowledge it, Ratio’s accomplishments are meaningful, and he has walked his path further than most ever have. 

However, that path just isn’t the path of Erudition, it’s the path of Existence. 

Initially I believed it to be the Nihility, and in a way I’m not wrong, considering one must cross underneath the shadow of the Nihility to find the Existence, so in a way he is still approaching them.

However, as always, Acheron clarifies everything.

The Nihility envelops all, therefore it is meaningless. And before our final ending, our predetermined destiny (death), we have so many choices to make, therefore we should make them, as it makes both our life and death develop a completely different meaning.

As I have stated, this is what Ratio believes in, even if he attributes it to the Erudition, rather than the Nihility.

Ratio’s entire goal in life is to help others bring meaning to their lives and guide them in the right direction so they can begin to choose for themselves, using knowledge as his means to do so.

Which is exactly what Acheron does, “on the still waters of oblivion, I guide the wandering souls,” isn’t just a line she says because it sounds cool, rather, that is her goal as well. An emanator of Nihility, whose goal is to help others find their meaning in the universe. 

But Acheron doesn’t just want that. She is looking for the Existence, and to kill the Nihility (meaningless) forever.

Which is significant, because if Ratio believes the same exact thing she does, and is walking the same path as she is, then like Acheron, he is heading towards the Existence, not the Erudition.

And Nous will never acknowledge him, not because he isn’t smart enough, but because he never followed them to begin with.

In fact, we know what Ratio is, or rather, what he might end up becoming.

So far no Doctors of Chaos have succeeded in their goals, but perhaps Dr. Ratio, Dr VERITAS Ratio, will be the one to do so. After all, who else could it be but him?

How fitting that the man named after truth would be the one to find it.

That fuckass owl 

Glaux I want to throw you into a blender 

This is Professor Glaux, one of the figures from the Hanunue-Clockie Era of Penacony who did some things like bring the stellaron there, was a scholar of the Intellgenica Guild, became the first dreamweaver, inspired the paper birds, did some shit with the Nightingale Family and presumably died.

I know, horrible explanation, especially considering I haven’t even done the quest this guy is from, but hopefully that’s all the information you need for now so I can introduce you to this theory (which I did not create, sadly I don’t remember who did but it was someone on twitter somewhere so shoutout to them)

That being… Dr. Ratio is Glaux

I hate it I’m sorry. But I will attempt to explain where it’s coming from.

A) Glaux has very similar references to Ratio, aka they are both associated with Greek culture, wisdom and owls 

Glaux is the Greek word for owl and they are heavily associated with Athena, the god of wisdom.

Now Ratio has extremely obvious owl, Greek and wisdom association if you have looked at him for any longer than 2 seconds so I’m not gonna bother to demonstrate it, they have similar references, moving on.

B) The Intelligencia Guild + their titles 

They are from the same faction, and both are referred to as Professors (ratio gets called that more in the CN version I think), and at least Ratio dedicates his time to spreading knowledge, which I think is something Glaux shared.  

C) This occurrence in Gold and Gears

You know, the one where a student kills themself because Ratio thinks they are an idiot.

Well, it’s complicated because apparently the story told in Gold in Gears takes place a long time ago?? 

How long I don’t know as my brain melted in my skull when trying to piece it together, so please do correct me if I’m wrong, I’ll try to make sense of it later.

Moreover, this is also complicated by the fact that this particular occurrence was used by Herta to teach the trailblazer some mechanics of the sim uni, which makes me thing it’s not a part of the lore/timeline in it in general, and just something funny she added in anyways. Continually, there are also occurrences from characters like Argenti and of the Genius Society members themselves, so I don’t think every event is set in the distant past.

However, I think this idea comes from the other person in that occurrence, Dr. No5, but he also kills himself in it, and I can’t find anymore information on it, so I doubt it. (also apparently in the Chinese version the Ratio they refer to isn’t in the way they refer to Dr. Ratio/the one we know so idk)

Either way, what this means is that if this occurrence did take place a while ago, then Ratio must be super fucking old and he must have been part of the Intellegencia Guild during that time, like a certain owl aka Glaux, who was part of it.

D) Ratio’s weird origins

By weird origins I mean we know jack shit about his past (although we finally know the planet he’s from!) and for all we know the man could have spawned in one day, with some other theories even coming to that conclusion, like the infamous worm theory.

Essentially, if you put this all together, Ratio was once an owl-humanoid named Glaux who was from the Amphoreous, and then became part of the Intelligencia Guild a while back, which is when that occurrence happened. He then went to Penacony, did some stuff, faked his death and like came back as Dr. Ratio on that planet again, which is why we don’t know anything about his origins.

Can you tell why I hate this theory as a concept.

I find it to be dumb, nonsensical, a waste of potential and just straight up random as hell. However it is also objectively valid and could have happened within the plot of the game which is why I hate it so much because please hoyoverse do not go in this direction I will skin you.

However, I do not think Ratio has nothing to do with Glaux.

Rather,

A) The stuff Glaux did on Penacony is meant to parallel how Ratio acted there, as both served as a guiding figure for people on their respective timelines 

B) Ratio is the same species as Glaux/ they are from the same planet (Amphoreous).

Now this I fuck with heavily. Yes, Glaux is way more owl looking than Ratio is, however more human versions of his species could exist, and Ratio could just have the ability to like shift forms or something.

He also looks extremely similar to the owls on Ratios design, which I now deem it appropriate to show to you the metric fuck ton of owls in Ratios design.

(there’s a few more btw I just couldn’t fit them due to the image limit LMAOO)

Why do you have so many, and why is it the same fucking owl, same culture, same goddess referenced, same symbolism???? 

Like even if I hate the 1 : 1 Glaux-Ratio theory, they are clearly connected, and this is no accident on behalf of the developers. 

Therefore, I would keep an eye out for Glaux mentions in the future, especially on the planet coming in 3.0, as I 100% believe that they are from the same planet. There’s no way they can’t be connected in some manner, and if I am right about this I will be annoying about it for the rest of time. 

I can’t believe owl Ratio might actually be a reality. 

So uh, let’s put this all together.

We go to Ratio’s planet in 3.0, problems happen and we learn both his past and his connections to that owl species Glaux is from which likely causes even more problems. Bbg probably gets his ass handed to him in 3.0 and 3.1 and gets to make up for it in 3.2, ending the arc off more fulfilled as a person, and perhaps making some realizations about himself including that he isn’t actually following the path of Erudition. Then we skip all the way to endgame when the trailblazers are fighting Nanook and him and Acheron come in with the steel chair hopped up on Existence juice to give the trailblazer enough of a will to live as to not succumb to the Nihility because oh my god how can you defeat the embodiment of Destruction. We somehow win and Dr. Ratio gets married to Aventurine and they ride off into the sunset roll credits we all cheered. 

So, yeah.

If I’m even a little bit right about this I will be the most insufferable person on this planet. Anyways I hope you enjoyed reading this, and even if these theories don’t end up being true I do still think the speculation gives a lot of insight into his character.

[zeropro]

What are your thoughts on transformers prime and transformers one?

TL:DR I liked both! TFP was my first Transformers show that I watched all the way through and TF1 was a lot of fun! Opinions on Starscream under the break pfpfpfpfpfpf

Prime was literally my first Transformers experience (Okay that's not true, I did see the first Bay movie when it came out but lets not talk about that). It's really good! My favorite character was Ratchet, I loved that he's just a tired, grumpy, racist old man and he's a doctor. Knock Out was the best thing to come out of TFP and he really should be in more stuff. Really would have loved a fourth season but it wouldn't have been the same without the children around. I liked what we got!

Prime has an excellent Starscream, Steve Blume does an amazing performance with both his deep conniving gravel and his high pitched terrified sputtering. So much character in his animation too, especially in later seasons, and an incredibly compelling character arc. Prime Starscream is not a good person, but I would burn the world for him, and I like the small moments in the show that hint at something in his character that could be turned to good, but circumstance always works against him in that regard. He's just so pathetic, but also competent and dangerous, all the best qualities of a Starscream and a very unique design!

Transformers One was quite good, I was worried because of the trailers but I was surprised by how well executed it all was. None of the characters were annoying, and making Optimus Prime originally one of the oppressed class alongside Megatron was a good move. The scene where Orion gives Dee the sticker is so cute, I simply cannot. The ending felt a bit rushed but what can you do, it wasnt so bad that it's a problem for me.

I would have loved just a little more Starscream in the movie! Like, I knew he wasn't really gonna be in the movie much so i was prepared for it to be little more than a glorified cameo, but I loved a lot of what we did get and I feel like it was missing just a little bit more! Like, the whole High Guard turned rogue backstory he has is great, implies some honor to his character since he didnt keep serving Sentinal when the guy turned Cybertron over to the Quintissance. I think it's hilarious that Starscream is so much older than Megatron. Like, they gave us a lot of food to make headcanons out of, but then the rushed ending kind of left me with no real reason given for him and the rest of the High Guard to go with Megatron without a fight. Like, I think the reason given was that, because Megatron beat him up that one time, and then killed Sentinal, and since the High Guard became a might makes right society and hates Sentinal, I guess thats why they are loyal to him now. And I guess the one line where Starscream is like "all hail megatron" is supposed to indicate he's 100% behind Megatron now and not just a spur of the moment thing. And I guess them following his command to destroy the city is why theyre being banished. But like...idk, every other plot point was well established and properly played out, and the whole decepticons thing just didnt really feel like enough, and i kind of feel like it should have been more clearly communicated considering its an entire one side of a two sided war? I feel like we werent shown the high guard doing anything egregiously bad besides attacking people because megatron told them to.

Like, there's nothing in the movie to suggest that Starscream and the High Guard arent still loyal to the Primes. So when Orion comes back as a prime, like a proper prime, with the matrix and everything, which everyone knows will make the energon flow again, I'm surprised Starscream didnt at least try to make excuses or worm his way into avoiding banishment? My headcanon is he wanted to kill Sentinal as bad as Megatron and so when Megatron finally does what he failed to do for 50 cycles, he's like aite im ride or die for this guy. Maybe 50 cycles of living in the wilderness doing nothing but scout and pit fight all day changes a guy and they dont wanna live in a society anymore. Why dont they accept Optimus as the new prime? They helped him and Elita save their friends, and unlike Sentinal Optimus has the actual Matrix this time. Idk mang. Woulda liked a bit more.

Transformers One, not my favorite design for Starscream. The head vents going wide at the bottom look weird to me, and his legs are so long and flat.

Thems my opinions!

[meraki-sunset]

This is a long letter of gratitude. Embrace my endless words of pure gratefulness.

Dear Autor of the most amazing thing I've ever read.

I was writing this letter from the moment I reached the middle of your Crow Strider AU fanfiction. There is so many things I want to say and I'm so happy that I can say it to you all here without words limit. Forgive me for exuberance, I'm squeezing out all my abilities to express what I feel in this foreign language that's not of us first language.

Let me list all the things I'm grateful for, because I'm autistic and I love listing:

1. Crow Strider

The arc of Davesprite you created is masterpiece of writing. The process of deconstructing his personality, forgiving and letting his part behind as well as embracing his new identity and new body is written so thoughtfully with such a care of details. I love how you made him so different from Dave as well as still kept his Daveness in full glory of Striderness. You made him happy and more emotional available and open, at the same time it felt so natural for him to be that way because of the proper build up you gave him. Thank you so much for creating Crow Strider and letting us read his well written arc.

2. There's a Dave for everyone

THERE'S LITERALLY DAVE FOR EVERYONE. You have no idea what struggles I went through trying to understand what person Dave ended up with in canon, and then being sad of what happened in epilogues. I wanted Dave for Karkat. I wanted Dave for Jade. I wanted them to be happy. And you did it. You made it possible. You made them all happy. I love it so much. Thank you so much for making them happy. You even gave Teresi one Dave for her. I can't believe it. It's so beautiful it's unreal.

3. More Davepeta

This part is simple, I simply love Davepeta and you gave me a lot of good Davepeta content. Thank you for that.

4. You made me like characters I didn't like

I wasn't big fan of Tavros. I got tired of Vrisca by the end of Homestuck. I didn't really see Hal as an interesting character. I honestly hated Gamzee. And Jasprosesprite squared was so annoying for me

Well, not anymore! You somehow managed to write these characters more compelling for me than Hussie did. Now I love Tavros and Hal, I mean, cat Hal? Is there anything more cute and cool at the same time?

And NGL I genuinely wanted Gamzee to die and I can't believe that now I'm not, because I just read a very good redemption arc of this clown. I also love the way you dealt with Vrisca. Heck I love all characters written by you!

5. God tier Karkat

I've dreamt of seeing a good piece of god tier Karkat. I was so curious how does it even work to be Knight of Blood, we didn't see any version of Blood god tier in canon. I'm big fan of your version, it fits the character and the aspect so well, and the execution of his arc as he is chosen to open the door... Honestly? I prefer that over canon, though it wouldnt make as much sense as in your fanfiction. It just feels like you took a much better care of Karkat than official ending of Homestuck. Don't get me wrong, I love Homestuck an it's ending, your fanfiction wouldn't exist without it. I honestly think that Hussie didn't really have as much time and space to give his characters as extended arcs as you gave them without losing the dynamic of his story. But you could. And you did. Thank you so much.

6. So many people got better, more extended arcs

Like above. You made Jas much better. You gave Nanna much better, more compelling arc than she had in canon. You made Hal and Tavros much more relatable and gave them very well character development plot, even if short. You took your time to write very needed and wanted dialogues between characters than didn't have their time to interact in canon. Like Jake and Dirk (ESPECIALLY THEM OMG). Like Erisol and Feferi. Like Jas and Rose. And I didn't even know that I needed the last one. Thank you so much.

7. You made ships that I didn't know where even possible and I like them????

Seriously, Tavros and Jane?? Erisol and Arquius??? Josh and Dirk??? I love how your brain works

8. You absolutely nailed the delicate topic of transgender

I used to not be a big fan of June, because there were no realistic signs of John having any kind of thoughts or doubts about his gender in canon. You made a very much needed and really great thoughtfully written arc from June and Josh, even caring about the topic of transition and executing it really great. Thank you so much for yet again being so good at writing arcs.

9. Eridan and Sollux

I love them both and their weird toxic rivalty, and I absolutely love that you gave them some attention and let Eridan grow and try to redeem himself while also helping Sollux with hii2 p2iioniic problem2. I download almost every single frame of it.

10. YOUR ARTSTYLE

You're artstyle. I don't know where to begin with that. It's so amazing. Expressive, dynamic, cute, beautiful, colorful. I love every line of your comics. Your style is the way I always wanted to draw. It's just perfect. And also perfect for Homestuck fanfiction. It's just so similar, yet gives it a bit of softness as well as the kind of expressiveness I love, that makes every single shot more appealing. Warm scene are so warm, sad scene are so sad, dynamic scenes are so epic, it's like so delicious. Yes, I just ran out of words. Let me grab a dictionary...

Your style is outstanding. It gives me this feeling of familiarity, it's similar of Homestuck style, yet so different, its fresh and new while also feels like home.

I wish you have a printed version of your fanfiction (but I probably can't afford it sadly). There is something so soothing in this simple colors, it's not too loud, not too many colors, yet so many and smooth colorful lines. I will learn to draw like you, I'm sorry for adapting your style, but I really want to draw like that and you even posted some tutorials how to draw like you.

Thank you so so much that you put so much time and effort into making this wonderful comic and then share with all of us completely for free. You drew so many expressive pages, sometimes even 10 pages per static dialogue, which means you officially outbested the master of overdoing Andrew Hussie himself, that did maximum of 3 pages per 1 static dialogue scene. I noticed you slowed down a bit at the end and drew much more simplified panels as well as you started using same panels many times. Good. It's okay to go the easier way. No one wants you to overwork yourself and burnout. No one wants you to have trauma with drawing and not wanting to draw comic ever again. It's extremely generous of you that you posted for absolutely free such a wonderful and huge piece of art. I'm endlessly grateful.

11. The plot

I love how you started from one simple idea of giving Crow more arc, and then gradually extended it into a whole huge fixfiction. It went so smoothly it looked like really one different decision of one person can change the whole timeline. It went so naturally, it felt so realistic as if I read something that Andrew Hussie wrote as a coexisting canon.

I have to admit, the whole idea of not doomed and not canon timeline is pretty ridiculous, and I love every bit of it. Paradoxally, it sounds so much like something that could actually exist in Homestuck canon. I love it

A few little things I didn't like that much

I wouldnt be myself if I didn't comment on some stuff that wasn't perfect. I'll be bery brief with that, because these things didn't really bothered me that much, I just want to share a little bit of criticism I have.

I hope it won't sound rude when I say that I didn't really felt like you understand the character of Nepeta very well? She didn't felt that like Nepeta in your fanfiction, at least for me. I felt like some stuff were explained a bit too many times. I know that characters needed that, yet we as viewers already know some stuff and didn't need to read it again. Also, I really missed the type styles of characters. I know how hard it is to keep it through entire fanfiction, especially writing some of the characters with quite complicated type style. I just missed it a bit. On the other hand it made a few characters much more comprehensive.

I hope I didn't hurt you with this few words of critics. Now I want to share a few of my favorite pages, I hope you don't mind if I end this letter with fangirling over your drawings. I actually wanted to do a lot of comments during reading your fanfiction, but the website didn't let comments. Sadly. That's why I'm writing here. And now is time I will do what I wanted to do back then:

This scene, my fav scene in Homestuck, got so extended in your fanfiction, I felt so gifted and it wasn't even my birthday

I cried.

This. Made me laugh so hard. And it's even funnier without context.

I just reached photos limit. Sadly. I'm so grateful for your comic. I love it so much. Thank you again for making it. You're a wonderful person

Hey there! Thank you so much for the letter, and for taking your time translating it to English for me to understand. Since it’s in a list format, I guess I’ll answer as list as well! So:

Crow strider

It was challenging writing Crow because I needed to basically write Dave but with a twist in his personality due to living with the Harley-Egberts and their grandma, in a very cozy and caring environment.

Honestly I don’t think I managed to portray enough Daveness, his personality is very particular and difficult for me to replicate, but I did the best I could and my friend and editor will help me reach the right amount of striderness in the epilogue

2. A Dave for everyone

Indeed, there’s Dave for everyone. The homestuck epilogues made me realize how lonely Jade ended up, and I always loved Davesprite and jade, but with one being human and the other one a Sprite the relationship was bound to fail, and even tho I wasn’t fond of JadexDavepeta, still i would’ve prefered it to jade being all alone and Davepeta dying fighting Lord English. So now, not only Jade has Crow, and they’re happy, but the Karezi – davekat – daverezi mess all got fused into one, because I love them and their trip was a Little different from in canon. And also Davepeta is around, I don’t think they’ll end up with anyone, but they’ll vibe on EarthC.

3. More Davepeta

They’re alive, and I like showing the craziness that comes from them knowing all timelines but being above them and detached from them. 

4. The characters you didn’t use like

I like exploding underused characters. Because with them, you’ve only seen the Surface, but at the same time you have info about them that can be used to make them more profound. If Tavros got revived, why isn’t he mad at Vriska? What was he doing those 3 years in the bubbles? If Jasprose is a seer and has knowledge of all timelines due to being ultimate self, doesn’t that make her the ultimate clairvoyant? Doesn’t that mean she’s the key to winning? Does she miss the mother like rose does? If there’a already an Arquius, why make another? Why not have just Hal as a Sprite and have him figure out what being alive is actually like?. You get the Surface of the characters and knowing what you know about them, you dig deeper, until you find their humanity and write about it.

5. Godtier Karkat

I love Karkat on Homestuck, but I feel like the character lost weight towards the end of the story, he stopped being the leader and while everyone went and fought someone important like the Condesce, the jacks, the dogjack, or Lord English, he was just somewhere else doing whatever. I wanted to give him his hero moment that closes his development.

As for the door, I feel like in canon john was the right choice to open the door, he’s the hero and the leader, not to mention it’s a human session, it makes total sense and I wouldn’t change it

Every story has things that don’t get to be explored, because that would make them too long and cut the flow, making it unreadable. That why we love fan fictions and AUs so much, they take the pieces and reassemble them into something new, filling the empty spaces.

What makes the events on AUs fun is that they didn’t happen in canon. So if John opened the door in canon, and it was right, then Karkat can open this one, and it can be right on this specific timeline. He gets closure from the door he never got to open, and takes back his role as a leader, even if it’s just for a moment, since the battle is over by now. He’s the leader once again, but this time he understands the weight of it in a way he couldn’t grasp when he was 13, claimed he was in charge and let everyone down. He now understands it’s not just something you ask for, it’s something you earn, he’s now the Knight of blood, god of bonds, he took down the Condesce in the name of his species, and will open the door for his peers to enter the new universe they created together where they’ll create a free society, he became what the signless predicted, his rightful successor. His arc is completed.

6. Extended arcs

Jas was planned since the beginning to close crow’s arc about his rose and his regrets about leaving her behind. It’s only when he’s made peace with losing her, has left his old self behind and is ready to face the battle and his future, that he gets his reward. He gets her back, in the strangest way

With Nanna, i just though nobody ever focused that there was an actual adult around during the whole adventure, Nanna would’ve spent a lot of time around john and jade, them being each others remaining family. So I tried to give her the role of a guardian, breaking a Little with this “orphaned children on their own” that all characters have.

Honestly I tried to make it as interesting as I could, sometimes I would take characters that didn’t have any screen time and think, what can they do? What’s in their mind at this moment that they could tackle in conversation? And with whom? Who else needs screen time?. And that’s how you get, Jake and Tavros bonding, Nepeta, Fefeta, Davepeta and Feferi ship-chat, Arquius telling Terezi and Karkat about Erisol, Hal comforting Eridan, ect.

It’s actually a really cool writing exercise I do sometimes. I grab two characters that have nothing in common, and write a conversation between them. What’s the common ground? Are their stories alike in some way? Do they have a common hobby or worry? It’s really cool because you find stuff about the characters you never paid attention to before

7. Unlikely ships

Tavros and Jane came from me wanting Tavros to be more assertive. In canon Vriska instructed him to not interact with the Alpha kids during those 6 months, but since this Tavros doesn’t listen to her because he took self-esteem lessons from Rufioh, I felt like he probably spent that time actually being a guide to Jane and then becoming Friends while solving puzzles, Jane being a fan of mysteries and Tavros probably missing his flarp days. Also theres a funny thing about Tavros and Jane, and it’s Tavros is supposed to represent Peter pan, while Vriska is supposed to represent both Tinkerbell (she dressed up like a fairy for him and later became an actual fairy) being attracted to him but being short fused when rejected, and also represent Captain Hook, Peter pan’s enemy (with her flarp persona and her ancestor being a pirate), but she’s not Wendy in any way, and I feel like Jane is, she’s the homeschooled girl, with blue eyes who looked through her window waiting to be free because her father wouldn’t let her out (also Wendy’s brother was named john who used big glasses). She’s a normal girl coming in contact with this fairy boy from a world of only children. Idk, makes sense to me. (besides, Wendy darling’s daughter, who Peter pan later takes on adventures too was named Jane, who also has blue eyes)

Erisol and Arquius was a crack ship that suddenly made sense, because it’s one-sided, and I feel like arquius is a caring person, he just has a difficult time socializing like a normal person. He’s just really happy to be a sprite and is pissed by Erisol’s insistence on wanting to explode.

Also, Arquius promising Fefeta that he wouldn’t break Erisol’s neck unless he had a good reason ( he kinda wanted to) and eventually having to break his neck for the good reason of god tiering him (he now doesn't want to and feels bad about it) was something I planned for months

Josh and dirk, i think it’s funny. Dirk wouldn’t have dated jade because she’s a girl, but Josh is a boy so it’s good, AND, he’s like a more direct, version of Jake who takes no bullshit.

8. The topic of transgender

Originally the second spaceship post retcon was supposed to arrive empty, or with only Davesprite, but I saw an opportunity to solve a division in the audience. Some people were interested in John remaining as he was, while others wanted to see June. Since John never showed any doubts about his gender in canon, it wasn’t in my original plans for June to make an appearance during CSAU, because the comic only covered the same period of time as canon. But when it came time to write the retcon I realized I had an opportunity to make them both coexist, making a shift in the timeline, but said shift being there both since the beginning and for the purpose of surviving the recon. Making June and Josh a reality since the beginning, so the timeline would survive the consequences of the two Egberts crossing paths post retcon.

It’s nice to hear you liked it, I know not everyone did. I tried to be respectful but at the same time be true to the nonsensical nature of canon Homestuck that makes timelines twist and change to the story’s convenience, making the events real but chaotic. Also since i knew John’s dad wasn’t coming back and Jane’s dad wouldn’t make it, June would be the last remaining conection to John’s old home and so John would be June's, relying on eachother for comfort when it comes to the loss of their father and home.

9. Eridan and Sollux

I want to cover Eridan’s redemption in the epilogue, since all we know is he grew as a person during his time in the bubbles, leading to his change of heart interacting with Sollux and Kanaya

10. Art style

Thank you! I like to give the characters a full range of emotions and for the surroundings to accompany that

No need to be sorry for learning through my art, in the end my style, like everyone else’s, is bits and pieces from other artists we’ve seen, admired and/or learned from. Just make sure to add your personal touch to make your artstyle trully yours

It’s true that by the end I reused more static panels for dialogue, both because there was a lot for the characters to say, not that much action left, and my battery was running low haha

11. The plot

I tried my best for the story to be a big butterfly effect steaming from crow’s decision to ascend, working towards the most possible outcomes like Crow getting grimdarked by the Condesce too, the sprites surviving because of Nanna and so on

I wanted this timeline to coexist with canon because I don’t like the idea of overwriting it, canon happened and was important, CSAU just happened to be taking place close by

12. Things you didn’t like

I do in fact not understand the character of Nepeta very well, I reread Homestuck in order to get the original troll's personality better, but Nepeta is a character I don’t get. On top of that, she doesn’t appear much in CSAU so didn’t have much time to develop her.

I do struggle with over explaining, I think is stems from not wanting the reader to be confused (it has happened on discord that people come and ask me what was going on in the story when i thought I had written it in a way people could understand with no problems), which leads to me explaining everything too bluntly sometimes, so the characters sometimes ramble TOO much, and I wish I could go back and reduce the dialogs, but that would involve going back to the page’s codes to delete certain pages and replace others, and also changing the programming for the page’s backgrounds, not to mention my computer crashes when I try to modify pages too far back, since they’re 4000 of them. It’s one of those things I can only learn from and try to do better in the next project

The character’s typing was a core part of Homestuck because it was mostly portrayed as blocks of texts and the quirks made it easy to know who was talking even with people having the same typing color. The reason I didn’t use them it’s simply because I could barely write good enough in English, let alone add quirks. My friend offered me to add the quirks at some point when we were revising the dialogs, but I declined because some people found it easier to read without them and I didn’t want to add another step to the render of the pages.

13. Favorite pages

I also cried with that Gamzee panel, I planned it for months and i waited a long time to draw those last panels, I’m glad they made people laugh

Haha, also yeah, the Strider reunion got really extended with so many extra striders. Davepeta, Crow and Hal making the reunion complete

Thank you for this message! i'll do my best to write a good epilogue (which by now is actually a secuel) and i hope you have a great day🌻🌻🌻

[shanastoryteller]

Happy Fall/Halloween! for the prompt could you do any draco fic please!

Draco hadn't meant to become friends with Ronald Weasley. Obviously.

It's just that he was his age and there and what else was he supposed to do while he was stuck waiting for his dad at the ministry? He wasn't even allowed to play with anything. Also he felt sort of bad for him, because his older brothers made fun of him for being a crybaby, and sometimes people did that with Pansy. Put Pansy cried when she was mad and made them regret it and Ron just looks sort of pathetic.

It was pity, really. Ron claimed it was trauma. Their fathers were both appalled, but it's what they get for leaving them in the ministry without proper supervision.

If he and Ron managed to sneak away, how proper could the supervision be, really?

They're on the train, sharing a compartment because of course they are, and Harry Potter is looking between them like someone is playing a practical joke on him.

"My father will disown me if I'm sorted into Gryffindor," Draco complains. "I'm an only child. Can you imagine, the only son of a Malfoy and a Black in red and gold? The cousins will riot. You already have five brothers there, you might as well come to Slytherin."

Ron wrinkles his nose. "And have to deal with your lot all the time? You're bad enough as it is."

Draco kicks him. Ron kicks him back. They're about to descend to pinching when Harry says, "Uh, I thought you didn't get to choose?"

"If you want to go to a certain house, your values obviously align," Draco shrugs. "I mean, our families have been there for generations and they probably weren't all just the same."

Harry turns to Ron, who just echoes Draco's shrug. "I don't know, my brothers lie to me."

"If you come to Slytherin, you won't have to share a common room with any of your brothers," Draco points out.

Ron frowns. "That's your most compelling argument yet."

[fae-morrigan]

A Thing About Jon that keeps getting hammered in, over and over, is that he's not really his own person. He always belongs to somebody else.

In most comics, that someone is Clark, his father. He's Clark's Son first and Jon second. Hell, its even in the title of his solo: Superman, Son of Kal El.

In Supersons, its Damian. He's largely treated by the narrative as Robin's Sidekick, being under Damian's wing. This, notably, is also not because of any decision Jon made, but rather because Damian at the start of the series decides it is so:

Even Lois, on occasion, leans into this jon-as-object mindset.

And of course. Well. The most obvious example.

His literal first words in the presence of Jon are "he's mine!"

And this is only hammered in later, in Adventures of Superman: Jon Kent:

To most narratives, Jon is not his own person. This, largely, is something Jon himself seems to be aware of. He's unable to escape the shadow of the people who made him what he is. Constantly, he is viewed by others through the lens of how they view others around him. He accepts this, and takes it in stride. He doesn't complain, or attempt to assert his own personhood.

And I feel this model of relationship really influences Jon's general clinginess with Jay. If he can't be his own person, if he has to belong to someone, he's gonna choose to belong to someone he knows is good.

The thing I find particularly compelling about this is that Jay definitely doesn't see it this way. You can really tell Jay sees Jon as his own person outside of the mantle and seeks to guide, not push. From their very first proper conversation, and later on as well, you can see Jay has no interest in making Jon do anything he doesn't want to do- he presents information, and then lets Jon make choices around it.

In Jon's acceptance of a sterile, static existence of forever belonging to someone else, he found someone who instead seeks to inspire him to be his own person.

(This is a great time to mention, if you pay close attention, Jay is the first person to directly call Jon Superman in Son of Kal El.)

[return-of-a-space-cowboy]

Platonic Yandere DIO and daughter reader (who was abandoned at his house as a baby)

Hi thank you for the request, this is my first platonic request so I hope it's alright.

Familial Yandere Dio

At first Dio simply wanted to leave the child where they were but something compelled him to take the child. Maybe a small part of him thinks back on his childhood and takes pity. However he has no need for the weak so he uses a fragment of the stand arrow on the baby to prove their worthiness. The child doesn't die so he decides to keep them. They'd serve him well as a stand user in due time.

He has his servants raise her, luckily she had her name embroidered on the blanket she was wrapped in, (Y/n). However she still finds a way to get his attention. At first he simply passes her back off to the servants, agitated that this child will disrupt him. However over time he softened to her, she became less of a tool to him.

Soon he would allow (Y/n) into his bedroom and read to her whatever he was absorbed in at the time. He begrudgingly accepts the child calling him "dada". As soon as she develops proper talking skills he insists on being called father instead.

Around the age of 4 to 5 (Y/n) already quite independent. Already learning stuff more advanced then what her age range would. A model child by all accounts, however despite showing an ability to see stands hers hasn't quite manifested yet. She has been put through strenuous training yet still no results. She's also spoilt, she eats extravagantly, dresses in the nicest clothes a child could wear and is given almost anything she asks for.

As she grew up, she became aware of her lack of a stand. Trying to make up for her failure but Dio assures her it will come in due time and that she does not need to make up for such a thing.

But she also becomes aware of life outside the mansion. Asking at first to accompany servants during errands which he allows but when she asks to play with other children he tells her that she shouldn't bother with such a thing, those children are beneath her. Those children would bow before them when the time came.

Eventually her stand manifests. The moment it's know, a victim is choosen for her to test her stand on. When the victim isn't harmed Dio is let down, but his initial plans of using her as another servant are far gone.

That's when she goes to the piano, something she was still a novice in but now could play it like a professional.

She is able to figure out she has the power to absorb information and skills from others. Not a powerful stand but a useful one nevertheless. A stand dubbed Gates of Babylon, a physical manifestation of her desire of knowledge.

So it becomes a regular occurrence that Dio will let her use her stand on his victims before he drinks them dry. An odd form of father daughter bonding (of course away from (Y/n)).

Still (Y/n) never quite lost interest in the outside world. One day she manages to sneak out by herself. Of course when he discovers this he's mortified, but hides it the best he can from his servants as he tells them to find her.

Of course she's found and brought back. If she has injury, even just a scrape he'll use it as justification. She's only mortal compared to him. All manner of things could happen to her. The moment that it is just the two of them he scolds her. Even goes on about how vulnerable she is and what compelled her to leave with everything she has.

Everything is a lot more tightly run. Constantly monitored, constantly given more and more things to entertain her. He's also taking more time to spend with her directly.

Telling them always that he's the only one that she should trust 100%, that people will try to harm or take advantage of her. God forbid he brings up his childhood as an example, that he actually acknowledge his prior humanity to another soul.