#and have been doing digital art for 15 years

[coreydoras]

if you use multiple, pick the one you use the most, not your preferred one.

[trash-art-central-blog]

I went through my photos and found these drawings I did when I was 15... I wanted to win those drawing contests so badly, lol!

I remember I didn't own a real stylus, so I used a crocheting needle, and when I lost that, I used foil and tape.

Ahh, the good ol' days :)

[alchemiclee]

I hate when people who have never put any effort into drawing or art tell me i'm gifted/talented at it. they often say things like "I wish I could draw/I can't even draw a straight line/I always wanted to but was never good at it"

nearly 30 years of practice and hard work with nothing to show for it is not being gifted or talented! i've always felt this way no matter what age I was

I especially think this when I see artists younger than me who have more success. they're more likely "talented" or i'd be as good and successful as them, right? be better at art than I am now with less practice and work? if I was so "talented" i'd be way better at art by now and have some kind of success, right? be able to quickly and effortlessly produce beautiful work?

I feel like art is an absolute struggle every time I do it. it doesn't come "naturally" or effortlessly. it takes me forever to finish even a simple sketch. I struggle the entire time. it's so hard. someone "talented" probably wouldn't feel this way and say art is easy. the difference between me and being "talented" is I work hard and still struggle.

[howaboutalittlehelpneos]

So it went up today (the 11th) but technically I did keep my word when I said "Today!!!" (the 10th) by starting work on it that day, which was the plan

I had a really short shift today, and my pain was very manageable! I did get held down by stomach issues for a few hours after I got home, but once it passed and I was good to go again I was finally able to settle down and draw! After 2 years I know, but I swear I did not mean to leave anyone hanging. Shit just been rough.

[gamora-borealis]

I think dan and phil are special but not because they are special people. like don't get me wrong, they are extremely talented and creative and funny and phil does seem to have inherited some kind of special intuition from his northern grandma but! there's a million other queer / neurodivergent people out there just like them... just as talented and intuitive or whatnot. what's special is that they were in the right place / right time to broadcast this unique kind of existence on a mass scale to a broad audience but more importantly a kindred audience. and they've kept it authentic by balancing their entertainment personas and working relationship with their real selves. It's like we've been watching a reality tv series about them for 15 years except they are the producers (who maybe exaggerate some things like producers do but, it's their own choices)... and they never meant for the show to make money but it did so yeah they need it to maintain their lifestyle now but in general their intentions are less clouded by clout or success compared to some influencers/creators out there. What's special is the insane parasocial relationship we have with them and they have with us that truly is a product of a specific context that I don't think will ever quite exist again. They learned from the first YouTubers and mastered the art form to the point where they are able to go on these huge tours that to this day no one can top because YouTube and the Internet have changed far too much with algorithms and advertising and etc. They are a testament to the lost dream of what the internet could be and a showcase of what can happen if you give gay dorks the perfect ingredients to build a media empire. and as a result we know them so intimately as they truly have been open about so much over 15 years and yet they've still kept so much private, to the point where there's still so much that people speculate on. It's like the perfect case study for Web 2.0 media produsage and digital community building amidst the decline of in-person connections because of the progression of capitalism... anyways if by chance there are any phannies getting degrees in media and communications and need help with paper topics and writing please hit me up I'm yearning for grad school again 😭

[felassan]

"Journal #3 Dragon Age: The Veilguard is coming October 31 Pre-orders Open Now Hello everyone, We’re excited to finally share the release date for Dragon Age: The Veilguard, which is officially October 31, 2024 worldwide! Please note, this is a simultaneous release; we will announce exact timing at a later date. We want to extend a huge shout out to the Dragon Age community for your patience and enthusiasm; we can't wait for you to jump into the role of Rook and embark on your journey to save Thedas. We know the wait has been long, but the wait will be worth it. In the meantime, we want to give you a hint at what's in store for you in Dragon Age: The Veilguard. You're leading a desperate fight for the future of Thedas with your companions, the stakes are higher than ever. So grab a seat and click on the thumbnail below to watch this brand new trailer (includes some small story spoilers). “As someone who’s been working on Dragon Age for over 15 years, I know just how much our community has been looking forward to this day, and I’m equally excited to share and celebrate that the game will officially launch on October 31,” said John Epler, Creative Director of Dragon Age: The Veilguard. “We wanted to give you the choice to really express yourself, and do that in a world full of adventure and danger. So whether you’re a Warrior, Rogue or a Mage, we can’t wait for you to gear up, gather your party, and set out for another thrilling adventure through Thedas this Halloween.” As a character-driven RPG, Dragon Age: The Veilguard offers you a crafted experience woven from the threads of rich storytelling and fantasy worldbuilding the franchise is known for. In this bold, heroic adventure, you will experience expansive and dynamic stories that navigate love, loss, and complex choices that affect relationships and the fate of each member of the Veilguard. In true Dragon Age fashion, these bonds of fellowship are the foundation upon which Rook’s journey is built, and it will be up to you to determine how their personal story unfolds. Pre-Orders Now Open Fans who pre-order* the Standard Edition of Dragon Age: The Veilguard for $69.99 USD‡ on PlayStation 5 and Xbox Series X|S, or $59.99 USD‡ on PC via Steam, EA App and Epic Games Store will receive cosmetic Blood Dragon Armor sets for Warrior, Mage and Rogue classes. EA Play Pro† members on the EA App will enjoy unlimited access to the EA Play Pro Edition* starting October 31st. Check out the full breakdown of the different editions we have available here: Digital Editions"

"- Standard Edition  - Dragon Age: The Veilguard - PC: $59.99‡| Console: $69.99 USD‡"

"- Deluxe Edition - Dragon Age: The Veilguard - 3 Rook armor sets (cosmetic only) - 6 Rook weapons (cosmetic only) - 7 Companion armor sets (cosmetic only) - 7 Companion weapons (cosmetic only) - PC: $79.99 USD‡ | Console: $89.99 USD‡"

"- Pre-Order Bonus* - All Pre-Orders (Standard & Deluxe) will receive: - Blood Dragon Armor Set (Warrior, Mage, Rogue - cosmetic only)"

- “Rook’s Coffer” Edition (Does NOT include Game) - Lyrium Dagger - Thedas Map with Quiver Tube - Rook’s Deck - Potion Flask - Enchanted Die - $150 USD‡"

"- Vyrantium Pack by Scanavo (Does NOT include Game) - Exclusive SteelBook® Case (No Game) - ICONART™ Metal Print and magnet wall mount - Notebook - Collector’s rigid Outerbox Check in with your local retailer to find out about the availability of this edition in your region"

"The Art of Dragon Age: The Veilguard by Dark Horse (Does NOT include Game, Deluxe Edition shown above)  - Standard Edition - 256-page art book providing a behind-the-scenes look at Dragon Age: The Veilguard - $49.99 USD‡ - Deluxe Edition - Includes extra prints - Includes exclusive slipcase - Alternate cover - $99.99 USD‡ - BioWare Gear Edition - Only available while supplies last, sold exclusively on the BioWare Gear website - Includes an exclusive print - BioWare Gear Edition alternate cover - $55.00 USD‡ What’s Coming?"

"ICYMI, we released our August Roadmap this week! Next week, we’ll have a dive into our game’s combat and more information on our PC Specs. There’s a lot more to come in September and October, too; so keep your eyes peeled on our socials.  We're beyond excited to be on this adventure with you, and we can't wait for you to get your hands on the game. Chat soon. - The Dragon Age Community Team *Conditions & restrictions apply. See https://www.ea.com/games/dragon-age/dragon-age-the-veilguard/disclaimers for details. ‡Offers may vary or change. see retailer site for details. †Conditions, limitations and exclusions apply. See EA Play Terms for details."

[source]

[seukorei]

seukorei 2K DTIYS!! (ENDED)

thank you so much for supporting and enjoying my work this year!! <33 ヾ(≧ ▽ ≦)ゝ

here's the artwork!! ^^ details below cut

INFO

start time: RIGHT NOW !!!!!

***END TIME HAS BEEN EXTENDED TO MARCH 18TH*****

end time: february 15th (?) i'm totally happy with extending it further just shoot me an ask/dm for however long you need (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

you have to be following me to participate

either reblog this post or include the art in your post

pls @ me in the post and use the tag #seukorei2kdtiys

if i don't reblog your submission/you don't think i've seen it shoot me an ask/dm !!

GUIDELINES

i would like for the general vibe/setting of the work to be kept, i.e. the galaxy background, his glowing eye, general color feel (doesn't have to be exactly the same)

pose can be altered but in some way or another but try to do something with hands covering face (doesn't have to be exactly the same)

angle/light angle and composition are free to change

pm dazai/15 dazai/beastzai(?) are all fair game. just have one eye covered

expression is free to change, just have one eye open + make him slightly unsettling if you can (●'◡'●)

overall, you can probably change as many things as you want but i just want the overall vibe to stay the same!! <3

edit: does not have to be a digital piece, can totally be traditional art

PRIZES

i'm cross-platform hosting this on my insta/twitter as well so i'm gonna pick three winners in total (not necessarily one from each platform), same prize for everyone!

won't be fully-fully rendered because i don't think i can pull that off with three people but more of a sketchy soft style e.g.

(will probably be cleaner though and while i'll really try to finish prizes in a succint manner i'm pretty busy and it might take awhile to wrap everything up :)

here's the full art piece without the tag!!

again, thank you so much for supporting me and my art and i hope everyone has a lovely new year !! (≧∇≦)ﾉ

[artdcnaldson]

Can you do arts reaction to reader just not inviting him to her next "dance" because she thought he wasnt interested so she didnt say anything please?

Maybe he saw a picture on myspace or something

Rating: T

Warnings: None really, just angst and Art being heartbroken over losing his best friend

Summary: Spring 2008. Art wishes that he had thought to unfriend you on MySpace.

A/N: ok I’m ngl I saw specific words and ran. The words in question: “Art’s reaction” and “MySpace.” Unedited

MySpace was in its death throes. You had to have been the last active user by that point, happily posting collections of photos like it was your own personal scrapbook.

He didn’t even use it himself, not really. He had when he was sixteen— filled it with pictures of him and Patrick and the shitty music he’d liked. Lately, he’d been logging in just to check on you.

Not often. He wasn’t a creep, or anything. He just wondered, sometimes. He knew you had a boyfriend, or something— you posted cryptically about seeing someone plenty enough. Art just wanted to know who the asshole was— if he knew him, if he deserved you.

Most people had switched to Facebook— including Art. He knew Patrick had an account, but he didn’t feel like adding him, and apparently the sentiment was shared.

That night, he pulled up your MySpace page, decorated in the same pink and green shades as your dorm room. It was a normal routine— look at the music you were listening to, read your blog posts, look at your photos. Casually, of course. This time, though, he froze.

Because he did know the asshole you were with— not hidden behind cryptic posts, no longer shrouded in mystery. Clear as day, in photos you’d taken on your digital camera.

Patrick Zweig.

For once, the brunet was in a nice suit, with a bow tie and everything. The first picture was of him, flipping off the camera with a smile in the middle of a formal dining room. The next few were of both of you sitting on an empty tennis court, drinking champagne straight from the bottle, and sharing cigarettes.

Look who needed a date to a “boring, formal rich people thing” after months of me going to his “boring tennis things” <3

That was all you’d said about the pictures. Art swallowed, opening up the photos to take a closer look. You were wearing pale yellow silk, like moonlight. You posted a close up of you in the dress, of pretty silver jewelry against your skin, then a few scenery shots— flowers, a fountain, the putting green at night.

That was the country club he played at when he was 15 and stayed with Patrick for the summer, the type of place that it was best to be seen and not heard. He knew that Patrick’s family were wealthy before, but that summer had put things in an entirely new perspective.

Patrick hated shit like that— the pomp and circumstance. The Patrick who had been his friend wouldn’t have been caught dead at a… he squinted to read the signage in the background of a photo— Benefit for Children of… whatever, he couldn’t make it out but he knew it was stupid.

It wasn’t Patrick. He knew it wasn’t Patrick even if they hadn’t spoken for a year.

Sometimes he asked himself why that was. Tashi dropped out, transferred to a school closer to her family. Being at Stanford had been too painful, which he understood, but he missed her. They kept in contact, which was good, because he had a suspicion he’d die if she wasn’t somewhere in his orbit.

It wasn’t lost on Art that he’d chosen Tashi over Patrick. He didn’t regret choosing Tashi, but he might regret it more had it not been for that night.

He couldn’t prove that it had been Patrick in your room, but he had a feeling.

It had gnawed at him as he sat on the floor outside of your door, nursing a beer long after you and whoever it was had finished and fallen asleep. He caught the tail end of it, even over the blaring music— the slamming headboard, the pretty noises you made when you got close.

He’d been sexiled enough by Patrick before to feel a twinge of familiarity in the muffled groans on the other side of the door. But it made no sense. Or it made perfect sense, and Patrick rarely did and that’s what made it so hard.

Art had chosen Tashi, Patrick chose what was Art’s. Tied everything in a nice little bow.

He’d been missing him. Of course he missed Patrick, in the same way he craved a cigarette after quitting. He knew it was bad for him, he wanted it anyway.

Or maybe Patrick wasn’t bad for him, and he was the one who cleaved him out of his life with a rough, messy slash. He loved Patrick, but he needed him as much as he needed a burst appendix that was poisoning him from the inside out.

If he thought about Patrick Zweig for too long, he’d get a sick feeling in his stomach, all hollow and achey. He itched to call him, to ask how he’d been, and how the tour had been, and if he was doing okay.

He let the phone ring once, twice before he hung up, feeling like an idiot. There was a thick, strangling feeling in his chest like he might cry, which was stupid.

It was all so stupid, how much he missed Patrick. Patrick, who had you, and a tennis career, and his rich parents who he suddenly wanted to be around. Maybe Patrick was better off, but it didn’t make him feel much better.

His phone buzzed on his bedside table, ripping him violently from his self pity. 

Patrick [1:26 AM]: was that an accident?

Art didn’t respond, even though he wanted to. It was probably for the best.

Sorry I made this mostly about Art missing Patrick instead of Art missing R but … alas it felt true. If I think too hard about the twelve years they spent apart I feel insane.

[art]

Creator Spotlight: @velinxi​

Hello! I’m Xiao Tong Kong, better known as “Velinxi.” I’m the creator of the webcomic Countdown to Countdown and have been doing freelance artwork since I was a teenager. I love telling stories with my illustrations! Tumblr was where I first got my start as an artist, specifically a small fandom artist as a hobby… and now I’m somehow here! When I’m not trying my best to stay awake in front of my tablets, I’m usually cooking, gaming, or sleeping. Sometimes all three, in my dreams.

Check out our interview with Velinxi below!

Did you originally have a background in art? If not, how did you start?

Yeah! I’ve basically been on track to become an artist since I was a child. I went to a middle school with an emphasis on arts and a high school specializing in it. I went to SVA briefly for computer arts but dropped out to pursue freelance and webcomics after my first year.

Over the years as an artist, what or who were your biggest inspirations behind your creativity?

My biggest inspirations growing up were Yuumei and Shilin Huang, two titans on DeviantArt back in the day. They still inspire me today, but the list of inspirations has grown exponentially over the years, including artists, movies, entire art movements, etc.

What was your thought process behind the creation of your webcomic, Countdown to Countdown?

Well, Countdown to Countdown started as a passion project back when I was 15, in high school, and pretty depressed. I just wanted to draw whatever story I thought was cool, inspired by my favorite media at the time. There was a very loose beginning and outline, but I was truly just writing as I drew the story. That’s why I had to stop the comic in 2018 and restart from scratch the year after. Now, the story has a set story and a clear outline. It still has similar roots, characters, and themes of neglect, abuse, and escape—but I think the story is a lot easier to follow now. It’s got an artstyle I can actually keep up with in the long run. The origin of why CTC exists also remains the same: I simply wanted to make a story I wanted to read for myself. Which happens to be about two dumb boys with superpowers navigating a hostile world that wants them dead or caged—together.

Have you ever had an art block? If so, how did you overcome it?

Oh, all the time. It’s part of the process. Personally, though—I just have to draw through it. Every month on my Patreon, I have my patrons vote on a theme I have to draw by the end of the month, and I try my best to make it as interesting as possible. I draw quite a few—tens even, of doodles or compositions for each of these themes to try to make something that tells a story while still being aesthetically pleasing and clear. I think pushing myself like this helps with art block, really. I also do remember to take breaks and simply consume other media I like! It gets the inspiration juices flowing.

Advice you would give to an aspiring creator?

If you do one—your first webcomic should be a short, fun, messy thing. It’s not often you can get it right the first time, but you’ll certainly learn a lot through sheer experience. This goes for a lot of things in art, to be honest.

What is a medium that you have always been intrigued by but would never use yourself?

3D Animation. I briefly learned it at SVA, and I think that’s enough of that tech for me. I accept that there are some things that are truly beautiful if done right, and I am too simple and lazy for it.

What is your goal for the rest of this year?

Get Countdown to Countdown book 2 finished! And live HAHA

Who on Tumblr inspires you and why?

@yuumei-art on Tumblr, still! They’ve been a huge inspiration for digital artists and storytellers online for years. I have no doubt that many digital artists of my generation have been influenced by them, and they’re still here, making beautiful art and stories. It’s a thing to behold.

Thanks for stopping by, Velinxi! If you haven’t seen her Meet the Artist piece, be sure to check it out here. You can also follow her for more amazing art over at her Tumblr, @velinxi!

[fifarts]

“it’s nice to know you work alone” 🪐⚡️

(click for better quality, more info and alt text below cut)

another jupeter piece and some recommended songs from my jupeter playlist!

I have synesthesia which means my brain associates certain audio and music with different colors and shapes, so I worked a lot with the colors on this piece and especially the background to kind of translate some of the visualizations I get when I listen to these songs together! If you read the lyrics of both you’ll see why I heavily associate them with juno and peter!

I have another piece that I’ll hopefully post circa S3 that goes along with There’s No Secrets This Year (the most jupeter song ever) and a comic for Waltz in E-Major, Op. 15 “Moon Waltz” by Cojum Dip that I really want to work on soon! My playlist is still a work in progress and I’m currently in the process of moving my spotify accounts around but as of right now the full playlist link is here: https://open.spotify.com/playlist/6SP3sUjzSTBCPhouCe4xXY?si=277Hd2pqTGmRzPLcSx6dvQ

I organized it partially by season so hopefully it’s easier to understand the character connections of the songs. (The first song of the playlist is an instrumental guitar piece that my dad’s guitarist is doing as a side project which is super cool and you should definitely check out his stuff (and also please send some streams his way) If you love vocal-like sexy guitar riffs and weird time signatures and video game-esque music, Vision Swords is for you lol)

Alt Text:

A lineless digital art painting of Juno Steel and Peter Nureyev from the Penumbra Podcast. Juno's face is visible in a profile view as he holds his blaster in his outstretched hand. Juno is a short Black and South Asian person with dark brown skin, a scar across his nose bridge, and black hair that is lit with purple lighting. Juno has short locs and a high undercut with a star design shaved in. He is wearing a tan trenchcoat, a white button up, and black tie. He is also wearing a cochlear implant, hot pink star earrings, and hot pink acrylic nails. Peter stands behind him with his face partially obscured. He is a tall South Asian man with medium brown skin and dark shoulder length brown hair. He is pointing his blaster and wearing a black suit jacket with gold details. The background of the painting is hot pink, neon purple, and bright blue. The background colors mix in with one another in a perspective blur from the center of the painting. [end alt text]

Thank you so much for the support while I’ve been on hiatus! I’m going to college this fall for Robotics Engineering and I’ve been dealing with some pretty big health problems as well (I literally just got out of surgery today lol) which has left little time for art (fanart or otherwise) 😅 Love ya!

[kiscon]

Call to Artists for KiScon Artshow submissions! Deadline- 15 September

The art show aims to showcase a wide variety of K/S fan art, trying to convey how rich in talent and creativity our fandom is.

To ensure that both in-person and online attendees can enjoy the show, it will be presented via a slideshow vid that will be accessible online throughout the convention weekend (and afterwards on our website). We will also show it on the big screen during the opening ceremony on Friday night.

The art show and the auction usually overlap, but you can sell artworks at the auction that are not featured in the art show and submit art to the art show that is not for sale. You do not need to be a registered attendee to submit art to the art show or to the auction!

You can submit both digital art and traditional art that feature Kirk or Spock or both (K/S or K&S) that you created (paintings, drawings/prints, but also three-dimensional artworks like sculptures, amigurumi, fibre craft, jewellery etc.); the latter needs to be either scanned or photographed. The show itself is purely digital and welcomes pieces from all K/S fans, not only registered con attendees.

If you would like to see for yourself what this art show will be like, please have a look at our 2022 or 2023 vid. We do not accept AI-generated art for the art show! Good-quality files in jpg or png format (300 dpi) are recommended, so that your work will look its best in the vid. Please include your exact artist name and the title of your works, plus any kind of information (e.g. medium, year of creation) that you would like us to mention. The artworks do not need to have been created for the convention, but can be as old or new as they come. You can only submit art to the art show that you have created yourself or for which you have express permission from the creator (e.g. a friend who’s not active in fandom anymore but gave you the permission to submit their artworks). 

You can find the form and more information (If you do wish to include your art in the auction, for example) here on the website! https://kiscon.org/art.html or you can submit directly on the form.

~1lostone

[buttercuparry]

I am here to tell you about Shahed, a twenty year old girl from Gaza!!!

Much like you and me, she had her dreams, her hopes, her smiles, her happiness. But then in October 2023 it all changed when the occupation started its devastating assault-

Shahed is the oldest child of the family and with her parents having fallen sick amidst this terrible atrocity, it is on her to keep her five siblings safe and help amass funds to evacuate.

Please do not fail her. Do not look away from @shahednhall 's fundraiser for it is the free world she is banking her hopes on.

I want to tell you that in the last 12 hours Shahed has raised $337 USD. Don't lose this momentum, I beg of you!! In the last four hours or so Shahed has only been able to raise $15 bringing the total to $11256/ $ 50000. Keep donating and boosting please.

There is a journal raffle being held for Shahed by tumblr user @turian : please check for it here .

We also have for Shahed a digital art raffle by tumblr user @quicksillver

Tagging for visibility under the cut:

@mazzikah @appsa @turian @brutaliakhoa @malcriada @three-croissants @aces-and-angels @briarhips @marnota @journalsforpalestine

[choicesficwriterscreations]

August Creator of the Month: Mavidraws

Please welcome this month’s Creator of the Month: @mavidraws

Each month, CFWC highlights one of our talented fanfic writers or artists. The writer or artist is selected at random. More info can be found on the navigation page. Past COTMs can be found here.

Tumblr Blog Name: Mavidraws

How do you want to be known on Tumblr? Mavi

Quick Links:

Tumblr Blog Commissions Info

1- When did you start playing Choices? What was the first book you played? 

2017. Most Wanted.

2- When and why did you join Choices fandom?

In 2023, after playing Blades 2. I spent years without playing Choices, but this book really inspired me to create some art, and I began interacting with the fandom after that. 

3- How did you pick your blog name?

It’s a combination of my nickname, Mavi, which is short for Maria Vitória, and “draws”, since this is (mostly) an art blog.

4- Pull up the first post in your archive, and tell us about it!  

It's a drawing of the main characters and my MC from an interactive fiction called Keeper of the Sun and Moon (@keeperofthesunandmoon), which was my first digital drawing ever. I was fascinated with this IF and wanted to share how I envisioned these characters.

5- Do you write fanfiction, create fan art, or are you one of those really gifted people who do both? 

I create fan art.

6- How long have you been creating for Choices and for any other fandoms?

I’ve been creating for Choices since late 2023, and for other fandoms (such as KOTSAM, Golden and TWC) since 2021.

7- What is your favorite Choices book, and what is your favorite Choices book to create for?

Honestly, I can’t pick just one—The Elementalists, Endless Summer, and It Lives in the Wood are some of my favorites. But Blades is definitely my favorite book to create for.

8- Share your first Choices fanfic or fan art that you posted with us. Do you still like it, or would you change it if you were creating it today?

I absolutely love this piece and wouldn’t change anything about it. This was the drawing that helped me establish my current art style.

9- What is your favorite piece of fiction or art that you created? 

This drawing of Tyril and my MC from Blades. I think it was the most emotional piece I’ve ever created and I’m really proud of it.

10- Do you have a fic/art that you didn’t expect to be well received, but it was? What about one you expected to do well but found it could use a little more love?

I think this drawing of f!UB from TWC did exceedingly well, and it was even noticed by the author—which I never ever ever expected.

I think this drawing of Valax could use a little more love.

11 - Do you ever recognize yourself in any of your MCs or in your writing?

I see a lot of myself in Theodora, my MC from Golden (an IF by @milaswriting). Her personality and internal struggles are very much my own, as well as her interests—like myself, she’s a law student (I’m currently an attorney) with a passion for fashion.

12 - What element of writing/art do you struggle with most?

Backgrounds. I’m much more comfortable drawing people.

13 - Do you have any neglected work you really want to finish?

Currently not.

14 - If someone you know in real life (who isn’t involved in fandoms) asked to see your work, would you let them? If yes, what would you show them first? 

I already showed my work to my boyfriend and many of my friends a long while ago. But if I had to pick an art piece to show them today, it would probably be this one —I’m really proud of how these wings turned out.

15 - Are there any writers (published authors and/or fanfic writers) who influenced your writing or art? Are there any artists that influence you?

I don’t really have an artist that inspired me. Most of my art style comes from my love of makeup.

16 - Which one of your creations would you like to see a fiction written about? 

This pre-battle moment from Blades 2 between Tyril and MC.

17- Do you write original fiction or create non-fandom art? 

No.

18-  What other hobbies do you have?

I really love makeup, and I consider myself to be a great makeup artist. I’m also a huge film nerd. 

[verrixstudios]

EMERGENCY COMMISSIONS

CashApp, Paypal, Venmo, Zelle

My dog has been rushed to the emergency vet and is struggling. So far he’s been on a ventilator and now they’re trying to go for an MRI and I’m trying to make up the money for the vet bills so we can give him a fighting chance since he hasn’t even turned a year old yet.

However, I’m on the verge of moving out for my first year of college in a month since i just graduated hs, and I don’t have money to offer, so I’m going to try commissions. Advice or help would be greatly appreciated, but I won’t say more so I don’t make this an even longer post than it will be.

ART I CAN DO: Digital, Animation, Traditional, Sculptural (I am still learning digital sculpting so I don’t think I can do model commissions)

I draw characters the most, and love making bases for people to color as well. I’m not the greatest at backgrounds but I can do them. I also do art of people pets.

EXAMPLES AND THEIR PRICES:

NOTE: These are just the prices of each example. Similar comms might vary a little in price depending on character details.

Animated emotes for 18$

Normal emotes are 5$ or 5 for 15$

Rendered creature art 50+$

Character pages 15-75+$

Rendered banners 100+$

I have more art upon request, I just forgot that tumblr limits how much you can add. As shown, these are all examples of complete finished pieces, some even rendered. Prices also vary whether you want: Sketches, Line art, Flat Color, or rendered.

To see more examples and more specified prices, check my Carrd:

It is a little outdated and needs an update on the examples, but it does have more information!

[elderscrollsconceptart]

I hope this isn't an unwelcome suggestion, but I think you could extend the lifespan of the remaining new art by posting a little slower. I appreciate all of the art no matter how often you post, but it throws me off to have periods of silence followed by every other post on my dashboard being yours.

LONG REPLY BUT PLZ READ 🫶❤️

So i suppose some transparency about how i try to post might be appreciated by the community here so ill try my best!

I have posted TES art daily since this past winter and plan to continue to do so for a long as i can.

As it stands im not actually short on TES art whatsoever!

For example i still have thousands of pieces of TES Legends and ESO art remaining in my archive.

BUT

From the beginning of this blog i was aware of one major fact...

The available art from ESO and Legends outnumbers art from ALL the other TES games by several magnitudes.

Honestly i could exclusively post ESO and Legends art and probably not run out for years.

Typically I post in the evenings and (usually?) its 10-15 posts per day. Unfortunately even if I spaced them out through through the day I'd be going through all the art just as quickly on a day to day basis.

"Running out" isn't a concern in terms of the overall archive BUT it IS a concern for the TES games which have FAR less publicly available art and known artist credits, such as Morrowind or Oblivion.

I've long struggled with the fact that I (personally) care about posting art from the mainline games more than I care about posting art from ESO or Legends. I love all TES games but I personally view some of the art as more important to see preserved ATM, ESPECIALLY art from games pre-ESO or Skyrim.

Why am I more concerned about older TES art? Simple. Those games existed in era before artists commonly had digital portfolios. As such most of the art is either behind some sort of NDA or has never been digitized.

ESO AND LEGENDS ARTISTS ACTUALLY UPLOAD ALOT OF THEIR WORK TO THEIR PORTFOLIOS ONLINE. THANK GOD. I wish I could say the same for the older games :(

Like FR it's EASY to find ESO artists. You know what's NOT easy? Finding artists and art for games like Daggerfall or Oblivion. I want to ensure the more obscure art and artists (especially from the pre-eso era) get archived on here ASAP.

I've long decided I want this blog to serve as a digital archive of its own so people in the future can more easily find TES art AND the artists credits (if we have them).

It's really important to me that places beyond UESP partake in TES art archiving. That's what I *try* to strive for at least through this blog.

For transparency sake I may not be around to post here in a year or two due to a possible career change I'm looking at.

It's nothing certain but the career I'm looking at would effectively remove the kind of free time I'd need to run this blog.

The career change may never happen!! But in the event it does I wanna make sure I post all the TES art I can, with art from the older games taking priority.

---

Sorry for the word wall folks, but I love your love for this blog and you deserve transparency from me! ❤️🩷🧡💛💚💙💙🩵💜🤎

Todd Bless 🙏🙏🙏

[nd-of-a-manatee]

I know this isn’t quite how ranks work in Psychonauts canon, just go with it.

[Image ID: The following is rendered in fuzzy digital pastel. Razputin Aquato–in his late teens, tall and skinny–lies breathless on his back on the ground, covered in sweat. He’s wearing sweatpants, a striped undershirt, and sneakers. His hair is disheveled, pushed back by his signature goggles. One of his eyes is a little higher than the other, now that he’s older. He stares upward with eyes wide, at his wit’s end. He lies in a white space, his colors graded dull blue. The foreboding cyan shadow of a three-digit number is projected over him: 206. End ID]

Raz has a problem.

He trains so hard to rank up his prowess as a psychic. He’s been training since the day he learned what a Psychonaut is. Now that he’s one of them, he sees diminishing returns for his efforts. That’s normal, they say. It gets harder over time. But he’s only 15, and it hasn’t changed in months. He’s way behind the other cadets his age, all approaching the 300s in their psychic specialities. Here he is stuck at 206.

This isn’t normal.

It’s not just about the number. There isn’t supposed to be a ceiling. A person can always improve, always extend themself to reach closer to their full potential. His mentors–his heroes, all well into the 1000s themselves–gave him a chance to be a Psychonaut because they saw so much of that potential in him. They were impressed that he picked up his first set of powers so quickly and used them to save the day nearly by himself–twice. What if that was the trick? He picks up a new discipline right away, then can’t advance it past a certain point. Hydrokinesis should be what he’s good at, but he’s barely better with it than anything else. That’s it. This is his potential. It was all a trick.

He lies awake at night, frantically weighing in anything that could be related to why. Anything he could do about it. He has often looked back on himself and thought that autism or ADHD or both could explain whatever being an enthusiastic little psychic nerd couldn’t. What if this is part of that? What if he can’t change it? His heart sinks.

He can’t hide it. They’ll all find out what he really is. What will they do if he can’t live up to the position he’s been awarded?

An old anxiety stirs. He doesn’t belong here.

Suddenly, Raz can’t concentrate. His performance falls below even his mediocre rank in practice, in study, in everything. He can’t even walk without tripping. His peers and mentors notice, though he insists that he’s fine.

It reaches a point where a couple of his teachers stop in their busy schedules and call him to sit down with them. That’s when the truth comes out. He tells them everything.

He waits nervously for their response.

They answer easily and say that he’s already proven his worth as a Psychonaut beyond any kind of rank or measure of raw power. His sense of duty, determination, willingness to learn from his mistakes, inventiveness, and compassion are what maximize the effectiveness of his psychic abilites–not to mention his unique skills as an acrobatic. If strength were all that mattered, none of them would be worthy of the abilities they wield.

[Image ID: Raz sits up. The hole in the zero makes it look like the shadow has retreated until it’s almost all the way off of him, lingering at the top of his head. His eyebrows are raised, but he’s calmer–having made an epiphany. End ID]

He hadn’t thought of it like that.

After some rest, Raz goes looking for new psychic sensitivities–not in a desperate attempt to find the thing that will bring him up to par, but with all the curiosity of an adventurer in search of new discoveries. By the end of the year, he has achieved adequate command of a wide, wide range of disciplines and has begun experimenting with using them in tandem. “Power juggling” is a difficult art for most psychics. It’s easy to get overwhelmed and lose control. As it turns out, Raz thrives in that kind of chaos and is able to compartmentalize his focus enough to practically create new powers unto themselves, if for a very short time. He shakes the dust off of his acrobatics. It’s no longer a grueling requirement to please his family. It’s his now. Fun and challenging, a test of dexterity and flow. He quickly renews his skills and finds new ways to wrap his powers around them. The other cadets come and watch him practice just to see what wild shit he’s up to that day.

He feels alive. He feels like himself, now more than ever.

[Image ID: Raz sprints out from under the shadow, turning to raise a middle finger at it with gleeful disdain. End ID]

[Image ID: The story shifts to a comic book sequence, also graded blue-green. Morceau Oleander has a green psychic shield raised to protect him, Milla Vodello, Adam Gette, and Norma Natividad from blue psychic needles that threaten to skewer them from above. The others use their own powers to try to fight the needles off, but it doesn’t seem to be enough. Someone talks over them. “Miserable fools.” A lanky white woman in a housecoat, plain shirt, sweats, and slippers with long billowing silver hair commands the scene from the center of some kind of pump room. Her arms are outstretched like a conductor. Her needles press buttons on control panels and hover menacingly over tied and gagged hostages. “I’ve had to devote my life to perfection to get this far,” she declares with triumphant superiority. We see her up close. She’s in her late 50s with sharp facial features and a high hairline, and she’s wearing a small earring on each ear. Her teeth gleam in a wicked smile as she shouts. “You have no idea of the sacrifice. The fortitude. I alone am qualified to correct the modern world’s failure to compete. Content weaklings like you don’t stand a chance. Just look at you.” She turns to face a shadowed corridor within a tangle of pipes behind her. “You can’t even sneak up properly.” Someone with angular shin-high boots runs down some steps deep in the corridor. That person– wearing black gloves and Sasha Nein’s old green jacket–uses orange psi power to draw water in the shape of a hand from a pocket-sized bottle. The hydro hand leaps forward toward the woman with its fingers outstretched. A coil of orange lighting snakes around it. Then, the hand freezes into an electrified claw. The hand is suddenly shattered on a horizontal needle that pops into existence. The woman sneers. “Ha!” The person uses the needle to swing forward and lunge out from the shadows feet-first. It’s Raz in his cool spy mission outfit. His boot folds the old woman in half by the stomach. She makes the dumbest surprised face, having been caught in her most confident moment. Raz looks determined and focused. Ice shards tinkle in the air around them. Raz then has her pinned on the floor. He has produced a helmet that looks like a Geodesic Psychoisolation Chamber from his jacket and plunked it on her head. “Did I break anything?” he asks, deadly serious. “My worldview is shattered,” she answers, bewildered. Raz pops into his excitable mode. “Oh! We can help with that.” He takes out a psi-portal. She turns to him and says, “Ok.” End ID]

------------

I keep rewording my commentary on this idea, so here’s the jumble:

I love the idea of protagonist syndrome. Main character kiddo is the specialest one of all who overcomes impossible odds or has a big cool unique ability. You see it all over magical/superhero kid cartoons. And then, that all collapses when they get older and change or can’t measure up and have to learn how to detach from the initial self-image and explore who they want to be (Steven Universe & Future, Venture Bros, my actual life experience if you can’t guess). I know it’s a little weird to poke holes in fun kids’ media and should be done with care. But I’m super interested in how protag syndrome applies to real life post-straight-A/sports star/Good Kid TM imposter syndrome. I wanna use this kinda thing as a framework to explore ways to be kinder to and happier with ourselves.

And just look at the boi. He’s doing so good.

Special guest appearance by the Noodler’s mean aunt, the Needler.

[Image ID: The Needler–the woman described before–is depicted in an initial sketch in black and white. She looks annoyed, standing with her hands and fingers splayed out in an “evil wizard” kind of gesture. The image is a little simplified. She has no nose. End ID]