#and gave him a beat up face

[citraye]

relight hits different

[unriding]

me n moze say good morning to the world !!! ᕙ( •̀ ᗜ •́ )ᕗ

art by @rabbbitseason of course <3

[necrotic-nephilim]

I am always thinking TimJay thoughts related to the fact that they have matching scars from getting their throats slit, and not only that, but Jason slit Tim's throat first in an attempt to threaten Bruce, where Tim was nothing more than a pawn for Jason to use to emotionally manipulate Bruce.

batman (1940) #618

And then, just a little while later when Jason is trying to confront Bruce and do his whole dramatic moment with Joker in UTRH, and Bruce slits Jason's throat to stop Jason from killing the Joker.

batman (1940) #650

It makes me so Unwell. They have literal matching scars. When do you think Jason realizes it? When do you think, while running his fingers over the scar he has to always remind himself that Bruce was willing to jeopardize Jason's own life just to save the Joker, Jason realized it was the same scar *he* gave Tim? And does it click for him too, that he and Tim are a lot alike? Being used as pawns in Bruce's game? And for the first time he maybe understands Tim Drake, just another kid trying to get Bruce's attention and approval? And Jason did to Tim exactly what Bruce did to Jason? And that's part of what spurns on Jason's obsession with Tim, trying to "save" Tim from Bruce's ideology?

When they finally get together does it make Jason even more possessive? He put that mark on Tim and now he has his own to match. It's the closest to being understood and loved he's ever felt when Tim runs his fingers over Jason's scar at the same time Jason touches Tim's. Mirrors of each other, in a fun, fucked up little way.

[bluntloyalist]

he ran so fast to catch sakura his shoe flew off im BEGGING nii satoru to calm it down with the gay people i cant HANDLE this

[hauntingblue]

Oden's prophecy of young pirates coming to save wano becoming yamato's hope for his freedom.... and him becoming oden because of it.... it's just so good... on the other side luffy taking ace's spot for liberating yamato... I think I hauve covid

[jasontoddsno1simp]

Stop trying to make Jason feel bad for Titans Tower!! That man got other shit to deal with!!

Namely, the fact that his so called father figure wants him dead!!

[milk-ducts]

finished up the episode,, did this fucking bitch nolan really trick his son into coming by sending out one of the thraxans to LIE to him about their planet being on the verge of destruction ??

[fallloverfic]

I am legitimately confused by repeated comments that ORV's opening is slow or boring or uninteresting, especially people who say you need to read [insert some very large number of pages/chapters] to get to the "good" parts. I've seen this on multiple socials at this point and I originally wrote this post months ago, but recent potential news has brought back people saying this again, particularly in recommending it to other people/trying to get other people into it.

I would personally argue that ORV has a good opening. A very good opening. And the early part of it is very good, too.

ORV opens with a literal train of angst, attempted friendship, workplace harassment (Sangah getting harassed by her boss), some neat Korean folklore (dokkaebis hello), graphic violence (remember when Bihyung just kills the president on TV?), a group of people in a subway attempting to beat an old woman to death, Dokja winning a pissing contest with a teenage edgelord, a bunch of people getting murdered, bonding in times in despair over a really unique form of problem solving, a man breaking open subway doors with his bare arms, young love, and magic, fleeing onto a bridge that gets exploded to bits by an evil gremlin, a horde of zombies appearing, the protagonist getting new magic powers, and then his getting held by the neck over said broken bridge in a complex back and forth with the "true" story protagonist before getting dropped into the mouth of a giant sea monster.

It covers topics like the limits of human compassion in times of strife, the complicated presence of the military (Dokja hated his time being drafted v Hyunsung's military leadership doesn't save anyone), international relations (Sangah is learning Spanish), trope subversion (I mean it is and isn't the entire book and Dokja's character, but he's constantly trying to be 5-10 steps ahead of what's going on, including literally fleeing Joonghyuk until Joonghyuk grabs him by the collar), workplace harassment, bullying, and it's all taking place during multiple apocalypse scenarios.

This is the like first 11 chapters of the book. And it never stops. There are "slower" moments, moments where characters take a breather (like it takes a while for Dokja to negotiate his contract with Bihyung, which is slow if you ignore the fact Dokja is arguing with an interdimensional being/alien for the limits of his own life and autonomy in the most dangerous streaming event imaginable, knowing he may still die if he gambles wrong on his personal wikipedia brain), but it's still frequently confrontational, whether that confrontation is about what characters mean to each other, what lives are at stake, finding your purpose in life, adaptability to complex circumstances, overcoming trauma and self-doubt...

And it's more intense in a way in the manhwa adaptation because you can clearly see most of it visualized (e.g., how visually wrecked the characters get, how young the kids are, how terrifying the monsters are, how scary the odds are, and how dangerous Dokja's gambles can really get with a fickle streaming audience), and Sleepy-C's art is gorgeous.

I just have to wonder (though this is more of a rhetorical question), what on earth do people consider fast? Because I am quite honestly terrified of what the answer is.

Like I get that ORV is long. It can be hard to recommend very long books to folks (and as the manhwa keeps going, long comics). To each their own, everyone is different, what appeals to me won't appeal to others. But there's a difference between "it's hard to recommend a very long work to someone" and "it's hard to recommend something that's long and takes a while to get into", and maybe folks are just writing the former a bit weirdly. I completely understand having trouble recommending long series to people. Also ORV has a very complex plot and I don't blame folks having trouble recommending that. I'm writing fic for later parts of orv and other manhwa and I dread explaining all the context for all that to someone who hasn't read them.

That being said, ORV has a very good introduction. Both chapter 1 of the novel and episode 1 of the manhwa are very good. They're not perfect, I can't say I was hooked from the immediate moment I started reading the page, but both of them have good introductions and it doesn't stop, and there's stuff to love in just about every chapter/episode, and I was definitely hooked enough by the time I finished to keep going to chapter/episode 2. Chapter 1 of the novel has great angst and character building, and it's funny and sweet and tragic. When I first read Dokja trying, earnestly, to recommend TWSA and getting harassed about it and worrying it will hurt this art and artist he cares about, but not being able to do much else to give thanks for this experience because of his circumstances, I cried. The first page/episode of the manhwa has them delicious boys love vibes and gorgeous art (and cute baby Dokja, I die for him), and the promise of a fascinating story ahead, and then the following page/episode has more gorgeous art and angst and great characters (combining them cause the first page feels sort of more like a teaser than a first page, though Episode 0 ends with a spread of Kimcom that makes me tear up). We'll unfortunately never know if I'd have loved ORV as much if I'd read the novel first, but I like to think I would cause ORV's opening is just that good.

I just truly, truly do not understand the sentiment that idk the opening and the first [insert large number of pages/chapters] aren't good or interesting or engaging enough. Maybe I'm out of touch. To each their own on what appeals, maybe I'm built different (doubt it though) but it just feels kind of dismissive of ORV's opening, in both the novel and the manhwa, which are both really good. Will it win over everyone? No. It's fine if you weren't grabbed by the opening or the first [insert however many pages/chapters/arcs]. It's fine if you took a while, even a long while to get into it, or never really did, and maybe don't like the manhwa, which is a great gateway into the story, or don't like the novel for whatever reason and prefer the manhwa. And at the end of the day it's just random opinions online, we all have different ones. Make the posts that appeal to you on your blog, complain on your socmed, whatever. But the opening is good, it keeps you very engaged with a lot of difficult scenarios, the characters are great and fun and funny, in those parts especially, and idk why I'm supposed to pretend that's not the case.

Anyway I don't like writing complaint posts. The opening and general start are excellent and Imma go back and cry over Dokja again ty singNsong for my tears.

[nmzuka]

some more Primal Rage concept work... Diablo V.3 after some input from the wife (bless her for letting me info dump on her and taking even the smallest amount of interest in the series hhhh) Sinjin will probably get some work as well cause I'm not happy with his outfit... need to make it make sense and also really want to rework his mask

[sincerely-sofie]

Would twig eat jello?

Twig would have loved eating jello as a young human, but she'd be utterly repulsed by it as an adult pokemon. She's got a thing about food being slimy, and Jello activates her fight or flight response. She can't wrap her head around why she ever liked it in the first place when she finds it so gross now. Maybe it's something to do with charmeleon biology??? Can they just not keep down jello?? Whatever it is, she hates it and its mouth-feel with a fiery passion.

Kip, meanwhile, would love the stuff.

[twig---verginix]

why'd they make the neighbor rival personalities so different in rse. it's literally like

neighbor may: sweet, polite, a little awkward and shy

neighbor brendan: how did birch raise this misogynistic dweeb

[evilkitten3]

people on the fanon wiki will just straight up announce that they haven't actually watched the show huh

[smol-tired-binch-blog]

Yknow, the fact that Matsushige looks like a knock-off Sohei Dojima probably really didn’t help matters did it

[neobisexual]

had a very intense semi lucid dream last night where i was the daughter/acolyte of an insane cult leader/my dad who performed non consenual surgery on me and molested and raped me. it inspired me to start writing a lil sci fi novella but also to clean out my closet and find my vibrator cuz i was desperate for it after waking up lmfao

[gudakko]

OH i just remembered a cute dream I had this morning

[khioneee]

simon is one of the girls (sort of)

boyfriend!simon was always invited to girls’ night—not out of obligation, but because everyone genuinely wanted him there. he fit into the group effortlessly, his quiet, protective presence becoming a staple at every gathering. whether it was lounging around in pajamas with face masks on or heading out for a wild night at the club, boyfriend!simon was part of the plan.

if it was girls’ night, boyfriend!simon was there. need someone to open a bottle of wine? he had it uncorked in seconds. carrying heavy bags for a night in? already done. if the group was heading to the club, simon was always the first to volunteer to drive everyone home safely at the end of the night.

boyfriend!simon never overstepped, but he wasn’t a silent bystander, either. when conversations got lively, he’d chime in with the perfect sarcastic remark or sly observation, earning a mix of giggles and mock glares. and when a topic turned to relationship drama, he always gave it to you and your friends straight.

“dump the bloke,” he’d say bluntly, not even looking up from his drink. “if i hear his name one more time, i’m blocking his number myself.”

your friends always groaned, but soon enough, they started messaging him directly for advice.

out on the town, boyfriend!simon was the designated protector. no one had to ask—he was always at the edge of the group, watching for anything suspicious. he made sure no one lingered too close, and if someone tried to chat up one of your friends unwantedly, simon’s presence alone was enough to send them packing. if they didn’t get the hint, simon would step forward, voice low and deadly calm: “you’ve got somewhere else to be, mate.” that always did the trick.

despite his intimidating size, boyfriend!simon never felt out of place during your quiet nights in. he sat comfortably among blankets and pillows, scrolling on his phone as face masks dried and reality tv droned in the background. your friends teased him mercilessly about it, but he didn’t mind.

“you’re basically one of us now, si,” one of them joked once.

he gave a small shrug, not looking up. “just don’t expect me to paint my bloody nails, yeah?”

with boyfriend!simon around, you and your friends could relax fully, knowing he’d take care of everything—from heavy bags to creeps at the bar. he wasn’t just there for you—he was there for everyone you cared about, making sure nothing went wrong on his watch.

one night, after everyone had left and it was just the two of you, you leaned into him, curious. “why are you so sweet to my friends?”

boyfriend!simon didn’t miss a beat, brushing a strand of hair from your face as he answered softly, “because they mean a lot to you—and you mean everything to me.”

an. i desperately need a man like him.