#and everything is different

[oifaaa]

jason: in pain from growth spurt + out of touch with the 2020-ish world he woke up in + regular teenager problems + realising no one you knew before is the same + horror of not knowing your place in the world "this is all my dads fault and will be fixed when i beat him up" "WHAT DO YOU MEAN MY DADS NOT BEAT-UP-ABLE???" poor boy oof being a teenager sucks at the best of times can we please give him something familiar?

All Jason wants to do is let out his feelings by beating up Bruce just a little and he keeps being told he can't bc bruce isn't as invulnerable as he used to be especially when Jason knew him which adds another thing onto the list of things that are now different and Jason hates it I'm not sure if anything can be done for this poor boy

[impossiblyizzy]

Call the Midwife definitely has a bit of ‘the same every week’ going on but at the same time anything can happen and it will always surprise you, like I think it has the perfect balance of consistency and change and that’s why it’s stayed good for so long. I just watched the end of season 7 and the whole train crash saga was such a gut-punch and so masterfully done. Also there’s something about Tim Turner going onto the train wearing his dad’s white coat that really got to me :’)

[melonsharks]

au where everything is the same except mabel and dipper have been going to gravity falls every year before the show takes place since like kindergarten.

its a pretty simple premise that derives mostly from my desire to explore interpersonal relationships and the ways a place and people can change from a young child’s point of view. it doesn’t change canon that much either, admittedly, i just wanted to draw childhood friends stuff LOL. ill call it uhhhhhhhh every summer au.

[kosmogrl]

just saw this and it made me sob.

[cubbyhole-for-flea-bee]

Macaque spent the whole season Big-Damn-Hero-ing and was NOT happy about it xD

[canisalbus]

✦ Come hell or high water ✦

[queen-morgana91]

this art from eighthsun_art (IG) broke me

AANGS SILENCE HURTS THE MOST

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[ruporas]

your love returns in tragedy (ID in alt)

[bruelarson]

should I go back?

i miss here

[hollis-art]

au idea... tng but it's set in the 80s and the enterprise is an apartment building rather than a ship

other tenants of the building include: -Picard (the head of the college that Data attends) and Q (no one really knows what he does, he just pops in and out whenever he pleases) -Troi (high school guidance counselor) and Riker (personal trainer) and Worf used to live here too but he moved out -Beverly (still a doctor) and Wesley (burnt out college freshman) -Barclay (works at Blockbusters w/ Data and Geordi) -Guinan (bartender of a secretly gay bar)

the ds9 apartment is a whole other story

[rufwooff]

HERE WE GOOOOO THE WHOLE HAMATO GANG (I don’t really like this art, they don’t look like themselves here)

I've never drawn Splinter so often in my life ngl

OH AND I SAW PICTURES OF TANUKI AND IT'S SUPER FLUFFY SO

[anbaisai]

he's so mean

[wlw-webcomic-bracket]

This is the panel that finally convinced me to read Dungeon Meshi. It's the only comic I've ever seen that gets crying right - it's awkward and uncomfortable, it's not remotely photogenic, there are way too many fluids involved.

And also Izutsumi.

[diamondsunbursts-and-marblehalls]

The first real conversation Katniss has with Peeta is when he tells her that he wants to die as himself, that he doesn't want the games to change him into something he's not, and that he wants to keep his identity and prove he's more than just a piece in their games because that's the only thing he has left to care about.

The first time we see Lucy Gray she sings a song that basically says that nothing they could take from her was worth keeping. "Can't take my past. Can't take my history... You can't take my charm. You can't take my health."

The capitol has taken everything from them both, but at the same time, they could never take away who they are.

They are both likeable charismatic and funny, with the kindest hearts, and incredibly loyal to the people they care about.

At the same time, everything they do before the games, and during is calculated. Lucy Gray singing a love song and winning the hearts of the capitol. Peeta confesses he's in love with his district partner, therefore cementing her identity as desirable. Both of them know how to sway people with words, how to charm people, and how to manipulate crowds. Neither of them has any problem doing so to keep themselves, and the people they love safe.

Lucy Gray's song The Old Therebefore, about learning how to love and live her life to the fullest before death, a final and calculated stroke in a last-ditch effort to save herself from the arena. This evokes enough emotion in the watchers to get them to rise to their feet and plead for her life alongside Snow.

Snow, watching the 74th and preparing for the 75th Hunger Games sees Lucy Gray in Katniss. A young girl, from the 12th district. Unafraid at the reaping. Selling a false love story, manipulating a boy who loves her in order to get out and supporting the revolution with the mockingjay as her symbol.

He threatens her family to get her to sell that she and Peeta are in love, to prevent the revolution, because obviously, she's pretending. He's had experience with a girl just like her before. He has no doubt that she has the acting ability to sell this story because clearly, she manipulated the first Hunger Games in her favor, the same way Lucy Gray manipulated him.

Watching the interviews for the 75th Hunger Games he realizes-

Katniss is just an impulsive girl, in a Mockingjay dress she didn't know about, made by someone who supports the revolution.

Peeta is a boy who has the ability to move people with just his words. He made Katniss desirable, he was the one who sold the love story, and he was the one to make their romance seem real. Katniss only started the revolution because she would rather risk dying with him than live without him. A concept President Snow was completely unfamiliar with. And it is with all these realizations crashing around him Peeta drops the baby bomb. He knows the baby's not real, and so does Snow. But it evokes enough emotion in the watchers to get them to rise to their feet and plead for the lives of the tributes.

Is it Lucy Gray or Peeta?

By the time Snow realizes he's made a mistake, it's too late.

Peeta is still charming and manipulating the capitol. Katniss is in love.

He goes up against a kindhearted boy expecting to beat Sejanus again, only to find out that it's Lucy Gray he's fighting; knowing he will never be able to escape their ghosts.

-from a conversation i had with @grandtyphoonpoetry breaking down every character in the hunger games.