Serious question.
Do you think we’ll see the parents/family of each of the guys???
Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….
Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.
I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)
Anyhow, any idea/headcannon about this? Who do you want to see first?
I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)
but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!
characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.
2K notes
·
View notes
more incorrect quotes for the stillborn danyal au - dpxdc
---------
Student: so like,, *gesturing to Plasmius* is he like,,, your dad or...??
Phantom: he would be if he wasn't such a BITCH
Plasmius: excuse me
Phantom: YOU HEARD ME
----------
Under the Bleachers: Danny and Dash smoking in solidarity
Dash:
Danny:
Dash: do you have notes from Lancer's class today
Danny: since when do I ever have notes from Lancer's class
Danny: I can ask Tucker but only if you have notes from Abernathy's class
Dash: deal
-----------
Sam and Tucker: *making s'mores with Danny's lava hair*
Danny, as Phantom: >:I
Sam: you're just mad because you didn't think of it first
Danny: yEAH
-----------
Danny, freshly ghosted: ....
Danny: well. at least i dont need to waste money on lighters anymore
-----------
Tucker: with how long your hair gets we may just have to start calling you rapunzel
Danny: don't you dare
Sam: rapunzel, rapunzel, let down your lava hair
Danny: NO
-----------
Danny's hair tie breaks in the middle of a fight
Danny: fuck
Skulker: language child
Danny, pushing lava bangs out of his face: fuck you! just for this im turning your suit into molten slag
Skulker: waitholdonwecantALK--
----------
Danny: you know, by your logic Maddie is equally as guilty for abandoning you as Jack. She also never visited you while you were in the hospital.
Vlad, had put his infatuation with Maddie aside but still kinda had feelings for her:
Vlad: you're right
Danny, not used to an adult agreeing with him: I-- huh, I am?
Vlad: yes. If Dr. Walker had cared about me -- even if only as a friend, she would have tried to remain in contact with me. But she didn't. She is also as equally guilty for the accident that took your life too since she also failed to properly check over the portal for flaws and any improper wiring.
Danny: wait- wait, i mean--
Vlad: this means only one thing
Danny, bewildered: ???
Vlad, extinguishing all lingering feelings: I have to kill her too (somehow)
Danny: nO.
356 notes
·
View notes
Great is a 30-year-old man, but episode seven of Wandee Goodday could've told me he was a 19-year-old child, and I would've went with it.
Because every time Yak looked sad, I was thinking about how the world was hurting Yei and Cher's only child. Their precious son was in pain!
And each time he was dealt another blow, he looked younger in my eyes. Here he is as a 15-year-old.
When Yei pulled him up by his shirt and threw the boxing gloves behind him, he was 12.
I have baby-fied this man, and the SECOND he said "Doc" in that tiny little voice the way he did, I would have given him EVERYTHING he wanted!
If he wanted a bouncy house, he would get a bouncy house. If he wanted fideo, I would've gotten up right then and there and made him fideo. If he just wanted to put his head in my lap and cry, I would've gotten a cramp in my leg because I wouldn't have moved until he was ready to get up as the little space-themed night light glowed in his room.
Yak is now tesorito (my little treasure).
And only Kao can come over to the house.
The rest of y'all are on notice for hurting mi cielo.
148 notes
·
View notes
ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
175 notes
·
View notes
honestly my case for aro/ace Jiang Cheng stems heavily from his list of traits he'd want in a future wife.
like putting aside the fact that his "pickiness" got him canonically blacklisted from a majority of their world's matchmakers, we have this:
naturally beautiful
graceful and obedient
hard-working and thrifty
coming from a respected family
cultivation level not too high
These are all just Standard Things That Ancient Chinese Society Says It's Good For Women To Be.
A woman who is too strong will surpass her husband which is a huge no-no in their society. Too weak and she's a disappointment (read: Jiang Yanli). Marrying within or above your own social class is just expected common sense, especially if you're born upper class.
Then you have these next three points:
personality not too strong
not too talkative
voice not too loud
Of course these are also generic Standard Things That Ancient Chinese Society Says It's Good For Women To Be, but they also stood out to me more than the previous points because all of them remind me of Yu Ziyuan.
Jiang Cheng is very similar to her, and of course even without that he still cares about her. But she was very difficult to please and nurtured his inferiority complex for years. Growing up with her volatility hurt everyone in that house.
AND THEN TACKED ON AT THE VERY END OF THE LIST:
must treat Jin Ling nicely.
So almost all of these bullet points are generic, intangible societal ideals. Rather than being actual preferences for a marriage or to fall in love with, his list reads to me more like this:
Things Everyone Says It's Good For A Wife To Be IDFK
Actually Now That I Think About It Don't Be Like My Mom.
BE NICE TO MY NEPHEW.
Even the 'must treat Jin Ling nicely' can be tied back to Yu Ziyuan if you choose to view it a certain way. A new wife might dislike Jin Ling since he was already there prior to her marriage to Jiang Cheng, even if he's a blood relative rather than a good friend's orphaned child.
An official wife could easily get angry or misguidedly jealous. She could distance or mistreat Jin Ling, an elder male child born to people who are now dead. Who does that remind you of...?
Really all this list proves is Jiang Cheng really, really cares about his nephew + Wei Wuxian and wants the child to be raised with sincere kindness and love. Everything else is just like a dart thrown at a dartboard blind. Sure, write that down. People say it's good for women to be like X and say Y and do Z, right? Sure. Okay.
TL;DR - It's easy to view Jiang Cheng as actually being that arrogant and holding people to every single standard in his list, but IMO he just can't think of traits he actually finds attractive in a person beyond Be Ideal, I Guess. Which is painfully relatable and a primary reason why I see him as aro/ace.
79 notes
·
View notes