#and be an interesting character study

[1nterspace-2]

‘The Fallen King’

[dragonpyre]

Maybe the whole point of Under the Red Hood was Jason thinking he was too much of a coward to commit suicide and hoped his dad would do it if he saw how much of a monster he was

[mangozic]

hello gortash nation i cannot stop drawing this man

[pollyanna-nana]

Imagine you’re Delgal. Imagine you were raised from birth alongside the court jester. You do everything together. You look up to him, being so much older. He seems wise and responsible, and always encouraging you and caring for you, more than your own busy parents are able to. In every sense of the word, he is your brother, despite how different you look and the distance of your station. The people around you tell you that he is an elf, the tone of their voice implying that’s something scary or even dangerous. But you disagree. That’s Thistle, your big brother.

But… as you age, things become confusing. You get taller, smarter, stronger, and Thistle is there for you through it all. Only… he never seems to change. In your entire journey to adulthood, he hardly seems to have aged a few years, if that. It’s amusing when you first grow taller than him, then grow facial hair, while Thistle’s short stature and youthful face remains the same. Still, you love him, love his music and his wit and even the bold-faced honesty that gets him in trouble if you’re not around to diffuse the situation. You wonder why such a person has been relegated to the inglorious job of jester, and your father tells you very simply that the magic elves wield is too powerful and dangerous to belong to any other position. But you think that’s nonsense, you’ve trusted Thistle from the day you were born and would do so until the day you die.

It isn’t until what should’ve been the happiest day of your life that you truly start to understand just how different Thistle is from you. Kneeling over your father’s cooling corpse, you take in the elf’s panicked face. He’s so young, so unchanged, and in that moment he seems nearly immortal to you. You’ve heard the stories of elf magic, how their spells could be used to heal wounds and raise the dead, but Thistle can’t do any of that. He hasn’t been allowed to. There’s nothing that either of you can do but watch your father slowly die in front of you.

You never want this to happen again, not when there’s something that can stop it. You make Thistle the court sorcerer, even as your advisors warn against it. But you’re the king, goddamn it, and you trust him. But more than that, you want what he can give to you. A power greater than any tallman could achieve. You become busier and busier, only checking up occasionally on his studies. He’s become incredibly proficient in a short amount of time, but your thoughts are elsewhere. Enemies knock on your door, famine chokes the population, and worst of all your beloved son has fallen ill. It’s just like the day of your wedding, but this time, you have something that can defy that fate. Thistle.

But still, it’s not enough. It seems that even elf magic has its limits, and you can’t help but become angry with him. He reacts like a scorned child— is a scorned child, as you’ve come to realize— and you apologize. But he tells you he has something secret to show you, something he’s been searching for, researching for these past few years. The idea unsettles you, but you’ve become desperate, and you can see that he has, too. So you follow him into the dungeon, watch him smash the statue of your kingdom’s guardian and pull the book from the rubble that would decide your and your people’s fate.

Your son is healed, your enemies repelled, and your people fed and taken care of. You’re happy, and so Thistle is, too. You recognize, vaguely, that despite this achievement the familial bonds between the two of you have never been thinner. But you don’t dwell on it. He did what you needed him to do, and now you no longer had to fear the indignity of death or strife.

But of course, things do not remain sweet forever. Thistle has only grown more attached to you, more loyal, and his behavior has become erratic and strange. He keeps you all cooped up in the dungeon, insisting that the outside world is too dangerous. There’s a hardness to his still-youthful features that you never saw throughout all those years growing up alongside him. Slowly but surely the person in your memory is replaced by something frightening, almost repulsive, after he strips your own son’s soul from his body. He seems so unaffected by it all, so… inhuman.

Eventually he decides to give you what you said you wanted all those years ago: to no longer fear death. To become immortal. But it is not what you had hoped for— every day seems to drag into infinity, with joy and mirth seeping rapidly from the unsettled townsfolk as decades, then centuries pass. Thistle has become entirely unapproachable, spending all his time fortifying the dungeon and watching obsessively for any signs of traitors that might challenge the throne. You feel hopeless in it all. No matter how you beg, he never seems to hear you. His power is overwhelming and you fear how he might react to more direct commands. The guilt is intense… you know you pushed him into this, pushed him to find a way to achieve everlasting peace at any cost. But this cost is too much. How could he not see that?

1000 years. 1000 years of this torture, and the population of your kingdom has dwindled to almost nothing. In your dreams you see the vision of a golden lion in chains, its wings pinned as it pleads with you to save it. To save your kingdom, to put the remaining souls to rest. You know what needs to be done, it’s told you the best way. You tell the mad mage that you wish to have dinner together with the whole ‘family’— just like the olden days— and the way his face lights up is almost enough to make you reconsider. Almost.

It was a lie, of course. While he’s distracted you take your son’s empty body, making your way to the surface as fast as your legs can carry you. You know what’s about to happen. You’ll become nothing but dust, but you’ll be free. And with any luck, soon everyone else will be, too. Breaching the surface you get the first rays of sun on your face in a millennium, take your last breaths of fresh air as you tell the story that will free your kingdom.

As you crumble away to nothing, a last thought enters your mind. Perhaps they were all right. Perhaps it was a mistake to trust an elf.

[teamfortressblr]

Team Fortress 2's concept art featured in The Art of Videogames (2007)

A transcription of the paragraphs shown can be found below.

Inspiration

"To both complement Team Fortress 2's exaggerated gameplay and differentiate ourselves from the modern photorealistic look of most other multiplayer action games, we chose to employ an art style inspired by early- to mid-20th-century commercial illustration alongside 1960s industrial design elements. Specifically, we drew inspirartion from the styles of commercial illustrators such as JC Leyendecker, Dean Cornwell and Norman Rockwell. These artists were known for illustrating characters using strong, distinctive silhouettes with emphasis on clothing folds, and they tended to use shading techniques which accentuated the internal shape of objects and characters while emphasising silhouettes with rim highlights rather than dark outlines. The nine character classes of Team Fortress 2 were designed to be visually distinct from one another. Even when viewed only in silhouette with no internal shading at all, the characters needed to be readily indeitifiable to players. For elements of the world associated with each of the two teams, blue and red, we defined specific contrasting properties to set them apart. While the red team's base tends to use warm colours, wooden materials and angular geometry, the blue team's base is composed of cool colours, industrial materials and orthogonal forms. We also deliberately avoided modelling the world in an overly complex or geometrically off-kilter manner, as this would add an unnecessary level of visual noise — not to mention memory-hungry vertices — to the scene. We found that keeping repetitive structures such as the bridge trusses, telephone poles or railroad ties to a minimum is preferable for our style, as conveying the impression of repetition in the space is more important than representing every detail explicitly. In general, the texture maps used on the 3D world are impressionistic, meaning that they are painterly and maintain a minimum level of visual noise. This is consistent with the style of painting used on background plates in many animated films, particularly those of Hayao Miyazaki, in whic broad brush strokes appear in perspective as if present in the 3D world rather than on the 2D image plane. Miyazaki also influenced the game's world and character colour palette." — Charlie Brown, project lead

Art and technology

"Valve is a goal-driven technology company, and game and visual design goals drove Team Fortress 2's technology requirements. Its unique look relies on artistic decisions made before the technology was implemented. For instance, a phong/rim-lighting shader was created specifically to help the characters 'pop' out of the environments. It removes detail in colour and then adds detail back in as highlights, giving the characters a stylised look that's simple yet sophisticated." — Charlie Brown

Bold outlines

"The specific characteristics we needed were mostly dictated by Team Fortress 2's gameplay. Foremost, we wanted players to be able to intuit each character's unique gameplay features at a glance. The Heavy Weapons character, for example, had to quickly convey strength, sturdiness, slowness, and the ability to pack a real wallop. To further aid in quick readability, each character class requires a bold, distinct silhouette shape." — Charlie Brown

[sweetgladesofhemlock]

We don’t talk about “booksical” Fiyero enough, like so many aspects of his character from the book (being a POC from a marginalized tribe, experiencing discrimination) give his character and relationship with Elphaba much more depth. But I feel like (especially in fics) people always treat musical and book Fiyero as completely separate characters, but honestly, giving the popular, jockish prince a background of racial discrimination and cultural assimilation could be SO interesting.

(might write a fic tbh)

[pianokantzart]

Not enough of us talk about the fact that one of Reclusa's many powers is the ability read memories and figure out people's greatest desires.

I feel like there's a lot of fanfic potential there.

[ganondoodle]

About Shargon: What kind of compound are their horns made of? Is it the same as his teeth or skeleton? What’s the reason behind their glow? I think it’s really cool so I thought I’d ask

Thank you for the ask!

so, alot of demon anatomy revolves around their demonic heart and its blood (which is concentrated energy/magic- the color of which is determined by their elemental type, Shargon is type lightning, which is generally a mid blue going into greenish, but there are always slight color variations even between the same types) their bones too are made of crystalized demonic blood, its coated in a black layer of depleted blood (so the substance without energy) that acts as a sort of armor and makes the bones more durable and able to withstand even alot of bending (when a demon shape shifts their bones have to decrystalize to some extent to shift into different forms and sizes, its really uncomfortable or even painful depending on how well trained they are or in stressful situations since that process is something that needs to be done right or they end up really messy and vunerable) bones are also hollow and filled with demonic blood, it also aids their flexibility and the shapeshifting process and makes sure that if one is broken its quickly healed again since the bone doesnt have to decrystalize first

teeth and claws are not hollow and lack the black layer bc it eases using magic/energy through them and makes them harder to break, unlike the bones they are as hard as possible instead of flexible; the liquid blood isnt necessary since a broken tooth or claw usually gets discarded entirely and regrown from the ground up

horns are a mix of both, they dont have a black layer but are hollow (at least partly through) and filled with an even more concentrated version of demonic blood, very similar to heartblood (only found in the heart, the most concentrated version with a similar consistency; like a thick floaty liquid) and connected to it (you could see or feel a pulse in Shargons horns) but it lacks the genetic information actual heartblood carries- horns act mainly as a sensing aid ... like antenna in a way, or how whales melons work, it aids in sensing energy nearby, navigation, limited long range communication or if an energy wave that was sent out has hit something like a living demon .. or a dead one if theres still some remaining energy left (works best between demons of the same elemental type, but isnt limited to them and also depends on how skilled or mighty a demon is- for example, Eadrya, type water but extraordinarily powerful, could sent out even a really weak energy wave and they would be able to sense if it hits Shargon while Shargon himself might just feel there was some energy, but not from who or what type) and can pick up frequencies of distress calls that have lost the hearable part

the downside to that is if a horn was to break it might actually be the most painful thing to happen to a demon, even worse so if it draws blood, its like stabbing the most sensitive nerve that goes through their head and spine and heart, depending on the severity of the injury it might be paralyzing or drive a demon temporarily mad- worse than a stabwound into the heart itself

not all demons have horns, they are a very diverse kind of creatures that are each built better for different things (Eadrya doesnt have horns, the extreme amount of energy at their disposal pretty much closes any gap horns could have made in aiding senses- an advantage being less vunerability, a downside though is easy disturbance of anything relating to those senses by other energy types or frequencies .... and a general downside to Eadryas .. overproduction of magic even, is being basically the most detectable demon in the world due to them constantly emitting energy at very high levels if they are in good health)

(since Shargon (he/they) is the main example here, hes a demon that is built for speed and flexibility, for quick strikes out of the shadows, his bones are thin and bendable, his teeth are long, sharp and angled in various ways so if he bites he can lock it down hard without escape, even if the force of his bite isnt the strongest in itself- he can turn his head fully around multiple times (like an owl but worse) and his throat is largely made of pure muscle (the most muscle on him is his throat and to the big primary arms) perfect to bite and pull and twist until whatever he bit into gives out, getting him off of something is rather impossible without doing massive damage to it in the process (unless he lets go willingly of course)

-since i compared him to Eadrya (they/them) already- they are quick but only in water, their sheer size, thick skin, bones and well, body is really hard to damage, their teeth are small and all in the same shape in two rows on both sides, their maw is really wide and their bite force is pretty strong- if they bite it is with the intent to bite clean through, if that doesnt work they would need to let go and go for it again here older art but just to give you a general idea for Eadrya (demon form):

Thor (any pronouns) is another one that is really different- they are massive and armored with thick, hard plates, they are slow and have little mobility but are nigh impossible to take down unless you know exactly how; they dont have alot of teeth, rather small and probably not very sharp either and due to her two big tusks going forward its rather hard to actually get to anything to bite into, if she were though it would be somewhat akin to alligators (i think) that just smash their massive bones together to break whatever is in between with little to no actual 'biting' going on

(rather outdated art that i still, somehow, like- her humaoid form:

and an even MORE outdated ancient doodle of her demon form:

the only somewhat accurate part is the general shape and head, though the mouth isnt accurate anymore either ... barely anything is but something is better than nothing and the roughly lobster inspired design idea is still currently the idea)

OC lore ramble over :3

[ryllen]

something i promised on my kofi 6 months ago... 🫠

[manekijinx]

Sleep Paralysis.

Vaguely inspired by this unfinished fic.

[barbieaiden]

yeah um clearly late august me was going through something

[suudonym]

trying new stuff means new balam portrait

[acewitch-writes]

I love Canon Remus and all of his flaws. Enough of this "Casanova of Gryffindor Tower" BS, Remus is the cowardly lion of Gryffindor tower. He values bravery because it is something that he lacks and yet still strives to be. He has an ingrained sense of shame and self-loathing and an inferiority complex that stems from society's contempt and marginalization towards Lycanthropy, a condition he was cursed with from a very young age. He wasn't a leader, he was a follower. A blind follower who believed to his core that he was unworthy of love and respect because of what he was.

Which opens the door to what I believe to be Remus' greatest flaw: His unwavering, unquestioning devotion to Albus Dumbledore.

I think Remus saw Dumbledore as the perfect encapsulation of Good. He was everything that Remus desperately wanted to be, everything that society was determined to believe a werewolf could never be. And maybe, if Remus could earn (and cling to) Dumbledore's favor and make him proud, he would prove to the world and himself that he is Good, too, in spite of his lifelong curse.

Remus felt that he owed Dumbledore a debt he could never hope to repay for allowing this chronically ill little boy into his school when no werewolf before him had ever been given such an opportunity. So many of Remus' choices in canon stem directly from this imagined debt that he had dedicated his life to paying. Hell, he didn't even hold a grudge against Snape for OUTING HIM to the entire wizarding world simply because Dumbledore trusted him.

Remus trusted Dumbledore wholeheartedly. And Dumbledore personally saw to Harry's placement with the Dursleys. Why should Remus have considered, for even a moment, that Harry wasn't safe? Certainly far safer than he would have been with a monster in close proximity, as Remus believed himself to be. In his mind, staying away from Harry was what was best for Harry. Until Dumbledore needed a favor, that is.

It's reductive to suggest that Remus failed Harry (and by extension, James) for putting his trust in Dumbledore to do right by Harry. James and Sirius trusted Dumbledore, too. They all did. Stripping away all of the nuance and blaming the abuse Harry suffered on Remus is simply unfair. NO ONE helped Harry, not even those who were fully equipped to do so, and Remus was the farthest thing from being equipped to take that on, what with being an impoverished werewolf living in a society that reviles his very existence. The only person who could have saved Harry from the abuse was the very man that placed him in that home, the very man that Remus revered with blind conviction.

[crimescrimson]

Albert Wesker in Resident Evil Remastered (2002)

[kagooleo]

happy new years 2025! it's been nearly a whole year since I started posting about fluffyriceshipping here, and my art has changed a lot since then! what better way to start the new year than with some sweet potatoes with their partners 🍠🌅

[biblicalhorror]

Okayyyyy yeah also let's talk about Tammy. I didn't know how I felt about her for awhile because she did very much feel like the Disposable Black Girlfriend, but I'm seeing people saying she's an "abuser" or God forbid "just as bad as Kevin" and that's just. Not at all true.

Yes, Tammy is controlling. She doesn't seem to really like Patty for who she is, and kind of seems to want to change her into someone else instead. HOWEVER, I think we need to look at the whole character to understand WHY she's like that. I don't think she's controlling Patty for personal gain or for the sake of manipulating her. I think she's lonely and desperate for companionship, which leads to her ignoring/pushing past the obvious incompatibility in her relationship with Patty.

Here's what we know about Tammy:

1. She seems to be the only black person in the Worcester social circle. She also mentions frequently how she's surrounded entirely by white men at work.

2. She is also the only openly lgbt person in the area, other than Patty, who is still not exactly out and proud.

3. She describes her entire job as "making excuses for" and "cleaning up after" the men at her job, particularly her partner (whose name I am unfortunately forgetting, does anyone remember?), who even had her plant evidence for him on at least one occasion.

4. Despite being very competent and good at her job, the white men around her keep failing upwards (she mentions a few times that people beneath her keep getting promoted) while she remains stagnant in her career. There doesn't seem to be any explanation for this other than the fact that she is a black lesbian in an extremely white, conservative community.

Basically, Tammy seems like someone who has been taught (like many black women) that she will have to work much harder than everyone else to get ahead in any capacity. She is also likely very, very lonely. She doesn't seem to have any friends outside of work, which isn't surprising given the above. It seems like she doesn't exactly have a ton of prospects, dating-wise, other than Patty. In my opinion, it's really no wonder that she clung to Patty so desperately and immediately and tried to forcibly mold her into someone who could be compatible. She's tough, smart, organized, direct, manipulative, no-nonsense and controlling because, well, she had to be. And she ends up trying to "rein in" Patty because, in her mind, what's the other option? She ends up alone, surrounded by men who force her to cover for their antics and don't care if she lives or dies.

I'm not saying her behavior is healthy. But it comes from an entirely different place than Kevin's abuse, or Chuck's, or even Neil's. And it's also not uncommon. In real life, I know many queer women (specifically small-town lesbians) who end up in relationship dynamics just like that over and over again because they start dating someone who doesn't quite fit, and they compensate for it by trying to force a connection instead of accepting loneliness and isolation. I have a lot of sympathy for Tammy. And I wish the show had taken more care to establish the abuse she faced from her coworkers off-camera.