#and also hezenkoss is there

[tuxedo-rabbit]

I do think it's interesting how canon does not present lich!Emmrich as being emotionally detached or doomed to unhappines.

He's grieving Manfred, yes.

But we get a whole lot more about how he's experiencing the world in a whole new way and finds it fascinating.

Then there's the bits about getting to know the other liches. When he brings them up in banter, they don't sound like ominous callous beings at all. They call him "Young Volkarin" and tell him not to rush getting settled in.

Like, I don't actually think Emmrich is going to be lonely. I don't think he's going to become cruel. He has a whole community to interact with in the Necropolis. Spirits. Other liches. Hezenkoss. Heck, Harding might be immortal even.

I think he's gonna be just fine.

[incoherentchanting]

this shit is so funny

[volkoss]

Fic: Brilliant Things

While Rook is trapped in the Fade prison, Johanna and Emmrich are forced to help each other overcome their own regrets. DRAGON AGE | EMMRICH & JOHANNA; EMMROOK | WORDS: 4,553 | RATED: G

(AO3 LINK)

It’s pathetic, really. Volkarin has always been a soft touch, but this snivelling is something else.

Despite her own prodigious knowledge of anatomy and the undead, Johanna had not known the human body capable of making such a hideous racket prior to the events of these past few days. Corpses do not weep, and even if they did, she hardly cares. 

The worst part isn’t even that she’s reduced to mere ornamentation in the already ostentatious study of one of Nevarra’s greatest necromancers, forced to watch him burn a hole in the floorboards with each anguished thump, thump, thump of his feet as he teeters at the edge of a nervous breakdown borne by the weight of his own misplaced compassion. No, this part was inevitable. Volkarin had always been destined to crack one day—she just wished she could have been the one to cause it.   

No, the absolute worst part, worse than having been denied the opportunity to gloat over her lifelong rival, is that despite the circumstances, the lovelorn fool’s dedication to his Watcher duties have been thorough to a fault. Johanna has of course tested the wards binding her soul to her remains multiple times; she’d been trying to escape before this most recent escalation in their circumstances, it would be downright idiotic not to try when facing down the end of the world as they know it. Especially while her only hope at salvation rubs his red-rimmed eyes and mutters inconsolably under his breath, unwilling to accept that it is in fact his infernal meddling which has doomed them all.  

It’s simple, really: if Volkarin had just stayed out of her way, left her alone, Johanna would still have her beautiful bone construct—the culmination of her life’s work—with which she would’ve had the power to raise an army of undead to defeat this so-called god, this Elgar’nan. 

But Volkarin had possessed the sheer nerve to outplay her at the most inopportune moment. Although she’s ordinarily capable of giving credit where it’s due, she cannot respect the lack of long-term strategy. Of all moments to finally locate his own backbone!  Volkarin had always been like that, though. Capable of surpassing his own self-imposed limitations given the correct impetus. What else could one expect from such a hot-headed, idealistic man as he. Ugh. And couple that all that with a new paramour, a bright-eyed young thing surely twenty years his junior, it’s no wonder Volkarin’s been distracted (but not distracted enough) of late. 

What needs to be done now is plainly obvious to Johanna, or indeed, anyone with half a functioning brain. For whatever reason, everyone in this crackpot team of would-be heroes that Volkarin has somehow gotten himself mixed up in relies on Rook, even though Johanna’s not sure what the impudent whelp brings to the team, other than a tendency to meddle which rivals even Volkarin’s. And as the group’s resident expert on the Fade, Volkarin is the most well-placed to tear a hole in reality itself to locate his misplaced lover. Even Johanna can see that would make for a most romantic story indeed, and she doesn’t even read that sort of dreck.

But it’s clear to Johanna that Volkarin is functioning at perhaps one-tenth of his usual operating capacity, compromised as he is by needless sentimentality. Of course, the type of man who would sacrifice not only his lifelong dream—immortality itself!— for a mere wisp, of all things, would struggle without the guidance of a more indomitable hand.

And in Rook’s absence, the task falls to Johanna. Unfortunately. Here she’d hoped her days of solving Emmrich Volkarin’s problems for him were over, but no matter. Unlike Volkarin, Johanna Hezenkoss does not shy away from necessary evils. 

As always, she chooses her words carefully, delicately balancing dramatic effect and efficiency.

“You know this is entirely your fault, don’t you?” 

Volkarin stops dead in his tracks as though she’d just punched him. The respite from his infernal pacing is most pleasant indeed, and she’s elated by the knowledge she can still instil such a reaction in him even while bereft of limbs.

Expression jumping from shock to outrage and then, most curiously, to acceptance, Volkarin raises two fingers to rub at his temples, quietly answering, “I know.” 

Johanna’s mandibles clench tightly and it is only with some difficulty that she manages to relax them. For Volkarin to admit his failings so readily, the situation must be worse than she had feared. “And what do you have to say for yourself?” she asks instead. The last thing she needs him to know is that she’s worried. 

Volkarin averts his gaze as he hunches into himself. She remembers the stance well from his days as a young child at the Necropolis. “I should have confessed the truth to Rook while I had the chance,” he admits in the most mournful, pitiful tone that makes even Johanna feel sorry for him as much as it makes her want to vomit, if she were still capable of such a thing. 

While it’s not quite the answer she’d hoped for—then again, Volkarin would never debase himself by offering her a proper apology for everything he’d put her through—it’s one Johanna can work with nonetheless.  Doing her best approximation of a tongue-clicking noise, she replies, “Don’t tell me you’re still hung up on that argument you had with your paramour.” 

As planned, the words bait him back into action with a sputter. Back straightening and fingers curling into the palms of his ungloved and unadorned hands, he snaps, “Still hung up on—” before cutting himself off and pinching the bridge of his nose as he breathes deeply to regulate his emotions, the same exercises they’d been taught as apprentices. Johanna had never cared much for them. 

The next words that come out of Volkarin’s mouth throw her for a loop. “Have you ever been in love, Johanna?”

One of the downsides of no longer having muscles or tendons is the inability to answer questions through exaggerated facial expressions alone. As much as it pains her to lend legitimacy to this line of inquiry, there’s a frightening intensity in his eyes suggestive of a commitment to this topic of conversation. She suspects he won’t accept a total deflection, or worse, that such an attempt might set off his moping again.

That still doesn’t mean it’s any of his blasted business. The time to be asking these types of questions was thirty years ago, not now. “I’m familiar with the concept,” she says acridly, hoping it’s enough to satisfy his curiosity before swiftly adding, “Not that I see how it’s of any relevance.”

Of course, Volkarin simply can’t leave it there. Instead, his lips purse, the look he now fixes Johanna with one of mixed pity and disappointment.

Infuriating man, to think such condescension could possibly affect her!

“Then you would know what it feels like,” he continues quietly, “to leave such matters unresolved with no resolution.”

Of course he would turn it around on her: a most pathetic and transparent attempt to make this an exercise in ‘practicing empathy’ instead of learning to properly communicate himself. She deftly avoids the obvious trap, cutting to the chase instead.

“You’re an idiot,” she states cleanly, simply. There’s a lack of malice in her words that surprises even her.

Volkarin must sense it too, because even though his body visibly tenses at the accusation, his reaction is short-lived. Instead, he allows his shoulders to slump—terrible posture, really—before running a hand through his tousled hair, the action accentuating the dark circles beneath his eyes. Finally, he sighs, a little huff of intermingled acceptance and defeat. Pinching the bridge of his nose once more, he answers, “I’m afraid you’ll have to explain yourself, Johanna.”

Now she’s really concerned, and even more adamant about not admitting it. Esteemed Professor Volkarin, inviting her to lecture? She’d never thought she’d see the day. Preening nonetheless, she doesn’t bother to disguise the elation from her voice as she points out the obvious. “Your paramour is trapped physically in the Fade, correct?”

Volkarin blinks; it’s too difficult for Johanna to distinguish whether he’s simply concentrating or staving off a fresh wave of tears, so she doesn’t bother.

“Correct,” he answers, fingers rubbing at his chin now, itching at the three-day-old growth which is a sight bewildering to even Johanna.

She does her best to continue ignoring the absurdity of it all as she continues.  “And my understanding is that you are indeed Professor Volkarin of the Mourn Watch, one of Thedas’s leading experts on the properties of said Fade, are you not?”

The masseter muscle in Volkarin’s jaw twitches. “I don’t see where you’re going with this.”

“You always did lack a certain vision,” she says with a sigh which could be described as downright nostalgic. “I simply ask, what would happen were the situation reversed? If you were the one trapped in the Fade?”

Volkarin’s face softens, lips twisted into a smile so besotted it sickens her. “Rook would stop at nothing less than breaking into the Fade barehanded.” Johanna watches him expectantly as his eyes widen in realisation and he mutters, “Oh. Oh dear.”

It would, of course, be too much to hope for him to actually admit that she had a point, that she was in fact, entirely correct as always.  “You always did give up far too easily,” she admonishes instead. “I’m frankly astonished you ever got anything done without me.”

Not only does he have to the gall to ignore her reprimand, he even adds to her immense displeasure by resuming his infernal pacing. There he goes, thump, thump, thump against the floorboards again. All take and no give, just as always.

A newfound wave of frustration pulses through Johanna’s consciousness and she’s hardly a patient person to begin with. “You know, when I told you this situation was entirely your fault, I wasn’t talking about the missteps you’ve made in your pathetic love life.” There’s a new vigour—an urgency—to his steps when he finally deigns to face her. His hands together with frenetic energy. “Johanna, this is hardly the time. There’s so much to set in motion—”

No. Absolutely not.

She refuses to be overlooked again.

Shouting over him, she demands to be heard. “YOU. RUINED. EVERYTHING.”

But Volkarin still won’t be diverted and waves a hand as though before himself as though to dismiss her accusations. What’s downright infuriating is the confirmation that this infatuation with some youth he’s known for less than six months means more to him than all the years they’d spent working together. He pulls books off their shelves with alarming velocity, muttering titles under his breath that Johanna can’t quite decipher.

Never one to back down from a challenge, Johanna tries again. “If only there was more at stake than locating your lost paramour,” she hedges.

Volkarin continues to ignore her, but she can see his hands shake.

She makes another attempt, but this time she doesn’t even bother to disguise any lingering traces of bitterness evident in her voice. Not that she had been holding back on purpose, of course. It’s simply a most peculiar situation in which they find themselves. “If only you had an old friend with practical experience in creating receptive Fade eddies.”

A sharp intake of breath. Aha! A reaction! He doesn’t look at her yet. “What do you suggest?”

She’s not going to let him off that easily. “I don’t know. I didn’t realise you were seeking my opinion on the matter.”

“Johanna.” He finally turns from the bookshelf, pushing back unruly locks of hair from his forehead. “I could not have expressed myself any more clearly.” “Only because I had to do nearly all the work of leading you there!” she snaps back in return. Despite her gnawing frustration, there’s comfort in the familiarity of their conflict, the back-and-forth, the diametric oppositions of their world views.

Johanna will never, ever admit it aloud, but she has missed him. Not that it means she wants to spend the rest of his life trapped in his study, mind you.

But still, better this than death, better this than the cowardice Volkarin had embraced with open arms. For all that the good professor harps on about morality, of propriety, of decorum, of kindness, the real difference between them is that Volkarin is little more than a persnickety academic, but Johanna is the true innovator. An inventor. Her experiments speak for themselves. Yes, her aptitude for the more experiential aspects of their art had resulted in her current predicament, but failure is only ever a temporary setback, so long as the fundamental nature of existence remains intact.

And right now, that can't be relied upon. Elgar’nan had changed the trajectory of the moon itself! Even Johanna balks at such audacity.

It's only then that she realises Volkarin has been silent too long, which is entirely suspicious for a man who so adores the sound of his own voice. But at least he isn’t snivelling again. No, instead his forehead is furrowed deep in thought, fingers scratching at his chin once more.

“Careful,” she warns.

Volkarin blinks, his attention snapping back to her. “What is it?”

“You’ll hurt yourself, thinking that hard about it.”

Strangely, he begins to smile. Maddening man! “I suppose it would be too much to hope for you to simply help me out of mere goodwill.”

Something about his tone and his expression manages to get under her skin even though she no longer has any. “Obviously. You know me better than that.”

“But you are considering offering lending your knowledge to our cause due to the mutually-aligned nature of our interests.” “I would’ve used less words,” she answers in agreement. He holds up an index finger as though about to lecture, but it’s evident in his posture that he’s barely able to restrain himself from pacing again. That he does manage to do so is a point in his favour, for now. “You’ve certainly made clear your opinion on my relationship with Rook.” When she opens her mouth to interject, he raises the other fingers on his hand, and despite herself, Johanna falls silent and allows him to continue. “Which brings me to the realisation your motive was to provide a distraction from my grief so I could recalibrate and continue on the necessary work that must be done in Rook’s … absence.”

While she’s glad to hear Volkarin’s voice tremble as he dances around the topic of the void Rook has left in his otherwise obviously miserable life, the fact that it even does so still rankles her. Even more frustrating is Volkarin ascribing emotions and feelings to her that she does not possess, as though he’s some sort of Chantry sister instead of a powerful necromancer.  “I just wanted to stop the racket,” she snaps.   

“Be that as it may, I couldn’t help but notice your choice of topic.” He sighs again, an exhalation of air that’s heavier than any of the noises she’s heard him make throughout their entire conversation. His shoulders slump. It makes her wish she could slap him with a ruler.

“For what it’s worth,” he continues, “I am sorry. Sorry lichdom failed you. Sorry you were unable to reach out to me. I amespecially sorry you felt the need to conquer the capital in order to attract my attention.” When he lifts his gaze to look at her properly, she is surprised to find his eyes glittering with a mischief that makes her feel thirty years younger. “Forgive me, but I am unaccustomed to receiving overtures of friendship disguised as attempted acts of war.” 

She has told herself many times over the years that she has always hated him. She wants to continue hating him the same way she has survived these last decades in his absence. But in this moment, something within her breaks. Perhaps it’s the way they’re hovering on the precipice of the end of the world, or maybe it’s even the way Volkarin’s eyes resemble a baby labrador’s. 

As it turns out, even she is not entirely immune to the proximity of Emmrich Volkarin’s moral fortitude. Everything according to the Mourn Watch’s plan, no doubt. Oh, she’s not an idiot: she knows why it’s his office in which she has been assigned to complete this part of her penance, even if Volkarin pretends they’re still figuring out the details. All these years of exile but still trapped by the consequences of oaths she had made when she had been much younger and more naïve.  

The realisation should really disgust her but she finds herself devoid of her usual anger and envy, bitterness and rage. She realises, too late, what it is that has broken inside her: the dam that had kept any other most inconvenient emotions at bay.  

A wave of vulnerability crashes over her and she is powerless to stop it. Her next words slip out of her before she’s even had time to think.

“You abandoned me.” Once spoken aloud, she wishes for nothing more than the ability to take the words back, if only to stop Volkarin staring at her like she’s just kicked him. The flame of hatred she holds for him at her core begins to flicker back to life.  

“Johanna, I….”

“Don’t you dare apologise to me!” she screams. Maker, she’d throttle him if she could. Discrete emotions become increasingly difficult to identify, she only knows that she’s been knocked off course and discombobulated despite only trying to help for once. She feels seven years old again, lost and scared in the chambers of the Grand Necropolis, hating all these stuffy mages and their prim propriety, hating the newfound knowledge that such arcane energies filled her veins as well. The only friendly face a shy boy not much older than herself, and she’d helped him out of his shell with her façade of fearlessness.

And in turn, she had watched as he had become one of them.

“You don’t understand,” she hisses. She chances a look directly at his eyes again. He’s patient. Waiting. Despite it all, he wants to understand. Damn him.  

But whether Johanna is capable of letting herself be understood is shakier ground, part of a vast expanse of uncharted territory that lies between them.

Putting it as bluntly as she can, she simply states, “Your parents died. Your parents loved you.”

Volkarin steeples his hands together, comprehension dawning on his features despite what continues to be left unsaid between them. “Ah. I—you never did tell me how you came to live at the Grand Necropolis.”

She scoffs. “What was there to tell? It’s only the same tale from all over Thedas. Parents have child. Parents don’t want a child with magic. Pah!” A surge of resentment swells within her. Why is she talking about this? Why is she talking about this with him? She hasn’t so much as thought about this in years. It hardly matters now. Just look at everything she’s achieved! She’s fifty-one years young and she’s going to live forever.

The thoughtful expression has returned to Volkarin’s face, and she’s grateful to find herself capable of hating it again. “You told me you were born near Perendale.” Why does he even remember that? Regretting ever telling him anything about herself, she answers, “I don’t see how that’s relevant.” Next he was going to be asking her whether she had ever been in love again. Why did he always insist on meddling in matters that didn’t concern him!

“That’s no insignificant distance to travel, especially with a young child in tow.”

“As though you’re an expert on travelling with young children,” she answers hotly, before recalling that pet skeleton of his. The way he doted on it, Johanna would be unsurprised to discover that Volkarin had indeed mistaken it for a real boy.  Very magnanimously, she decides against saying this part aloud.

She just wishes Volkarin would let the topic drop. In the past, she’d always retreated whenever he had threatened to dismantle her walls and bluster with his disaffecting sincerity and dogged determination.

But now, she is at his mercy. And she knows—better than anyone—that despite his spotty track record at seeing through his commitments, Volkarin is nothing if not thorough.  He’s an indecisive man, not a slothful one.

“I simply believe most parents do their best with the resources available to them.” He scratches at the side of his nose. “Most people do, in fact. Even if we cannot, at times, predict the consequences of our actions.” At this, he fixes her with a downright professorial stare.

“I am grateful I wasn’t snatched up by templars,” she begrudgingly admits. “I could have been sent to Kirkwall.”

The corner of Volkarin’s lips twitch. “Perish the thought. I do profess my gratitude that the Mourn Watch was able to take me into their care.”

It’s only when Johanna remains silent that Volkarin appears to realise his mistake. “Ah. Of course. They never did truly appreciate you.”

Volkarin’s words sound downright strange to her until she’s able to identify the anomaly: the phrasing is hers, not his. She continues to say nothing, entirely too suspicious of where he’s beginning to go with this. “And although I wouldn’t, as you said, dare apologise to you, I do want you to know I am aware that it was wrong of me not to speak in your defense when it came to the growing number of censures that had been amassed against you, even though your experiments benefitted my research. If I could redo that time in our lives again, I would have severed our partnership earlier and provided you a proper explanation of my decisions. “I suppose I assumed you would come around to my position on the matter. But I dare say you thought the same as well.” She watches the smooth column of his throat as he swallows nervously. “There was so much I was willing to overlook until I thought the price too high to pay. Naturally, recent events and conversations have elucidated to me that we have vastly different thresholds for such matters.” To say she is stunned is an understatement: that she has allowed him to prattle for this long without interruption is testimony to this fact. But it is even more stunning that to receive a proper explanation for the events that have haunted her for decades from the most conflict-avoidant man she has ever known. Other partnerships are unlikely to be repaired by an admission that they should have separated sooner, but nothing had ever been what one would call normal when it came to the two of them.

As much as it displeases her to admit it, Johanna is certain that Volkarin’s capacity to deliver his soliloquy was driven by Rook’s influence. What other force in this world but love would be strong enough to push a man like Volkarin to the brink of foolhardy bravery?

And while the thought is still annoying, it doesn’t sting as much as it once had.  

Thus, it is with nostalgia and not bitterness that she remarks, “We could have done brilliant things together, Emmrich.”

Her use of his first name does not go unnoticed. How could it? His eyebrows raise so high they nearly disappear into his receded hairline. “You haven’t called me that in over thirty years,” he protests.

“And it’ll be thirty more until I use it again,” she insists in return. “Just tell me the truth. Was there ever a moment in time when you appreciated the power and potential at our fingertips? That you thought we could have been the ones to rule this world?”

He averts his gaze. Grinds his teeth. “Yes,” he finally admits. “I saw it. But it would have never been worth the cost.” Johanna scoffs. “There’s always some crackpot trying to take over the world. It might as well have been us. We had the best chance of it. Both of us liches, our knowledge combined, my brilliance counterbalanced with your compassion… There was a reason I kept a bleeding heart like you as a partner for so many years. But I underestimated your sentimentality.” She wouldn’t be making that mistake again, that was for certain. Just look at the situation it had landed her in! She would simply have to figure out how to best wield it to her purposes while she remained trapped here. If Volkarin thought she wasn’t going to continue using every tool at her disposal to facilitate her great escape, then he was sorely mistaken.

“Yes,” Volkarin answers softly, crows’ feet at the corner of his eyes wrinkling as he gazes at her with discomfiting fondness. “I dare say you did. Just as I am guilty at times of underestimating your brilliance.” He swivels on the spot and Johanna is afraid he’s going to resume his pacing but the walk he has in mind for now is mercifully short, only over to the bowl on his desk where he’s deposited the majority of his grave gold.

“What are you doing?” she hisses, hating how urgent her voice sounds to her own consciousness. She always hates it when he behaves erratically.

“I was under the impression we had work to do, my dear.”

“Absolutely not.” Surely it hadn’t been so long he’d forgotten her utter loathing of pet names.

He laughs, then, long and rich. It is a definite improvement on the snivelling. “Force of habit. Won’t happen again,” he promises. “First things first. I do believe you had some knowledge to impart on the practical applications of receptive Fade eddies?”

“Getting ahead of yourself as always, Volkarin,” she says by way of reprimand. “You need a bath. I don’t have olfactory glands and even I can tell that you reek. And a shave.”

He rubs his hand against his chin again, eyes widening as though surprised to find it covered by hair. “Ah! Yes. Thank you.”

“Completely and utterly useless.” This time, she’s disgusted by the tenderness in her own voice. Oh, no, this won’t do at all. “While you’re at it,” she adds, determined to get their shared task back on track, “get the elf girl and your skeleton boy. We’ll need to replace the stolen dagger in order to kill a god. And I don’t know about you, but ancient elven gadgets are hardly my area of expertise.”

“Of course, I’ll speak with Bellara.” His brow furrows. “But why do you want Manfred?”

“Because I don’t have arms, you idiot.” It really does make building things more difficult. And she won’t even be able to inadvertently kill the wisp this time due to the aforementioned lack of limbs. It’ll work perfectly, really.

“Consider it done.”

Not having much other choice in the matter, Johanna watches as Volkarin gathers his bathing supplies and heads towards the door.

It is on the threshold that he pauses and looks back at her, his hazel eyes bright with fiery determination. “I’ve always appreciated you, Johanna Hezenkoss. Let us continue doing brilliant things together.”

And then he is gone, door to his study closing gently shut behind him.

[sorbriquette]

All I'm saying is that if we simply let Johanna Hezenkoss complete her skeleton mech she could easily have taken down that archdemon the crushed Elgar'nan like a bug.

Ghilan'nain too.

Companions live, jobs a good one, home in time for tea. The TRUE good ending.

[yappacadaver]

Obedient and ferocious, the best a dog can be ♥

Emmrich and his puppy Jovus, as commissioned by @avoskorm!

Commissions always open ♥

[vaguely-concerned]

so when adaar tells harding that they got her mother out of danger in ferelden before the blight really hit, and that she's safe with 'some old friends' for the duration... good people of tumblr I was just hit with the incredibly funny concept that harding's ma is spending the entirety of the veilguard double blight hanging out with the valo-kas mercenary company. ma harding and shokrakar is the buddy comedy duo I didn't realize I needed until right in this moment. they butt heads to begin with but end up seeing eye to eye eventually. with the help of some crates, and creativity.

(...in fact since harding's parents have canonically amicably divorced since inquisition.......( ͡° ͜ʖ ͡°) hello my second nichest but also perhaps most valid dragon age pairing thus far. lace bringing taash home with her for the first time only to find her mother standing on a chair to also be passionately making out with a powerful and bluntly hilarious vashoth warrior is something that can actually be so personal.)

[deadlysoupy]

this might be one of my favourite cutscenes in the entire game

it has (almost) everything. fun, playful music. good characters and interesting plot. i actually think Emmrich's questline is one of the better ones, and the Watchers are very well written (Veiljumpers and Lords of Fortune fans i feel you, not all factions were created equal)

but my favourite part of this HAS to be "first off, i am not a "hanger-on" LIKE I DON'T KNOW I'M A SIMPLE BITCH I LIKE MY JOKES STUPID AND WITH THE OVERALL TONE OF THE HAND AND STUFF I LAUGHED SO HARD I CHOCKED (this fight was so unnecessarily hard like what the fuck)

anyway. second playthrough with the same character is so worth it don't let anyone convince you otherwise

[cybershock24601]

In honor of April Fool's Day, let me tell you all about the crack Venture Bros au I came up with for Veilguard based off Hezenkoss having huge supervillian vibes and an almost Monarch like pathological obsession with Emmrich and Lucanis' 9 to 5 approach to assassination work that aligns so well with what the Guild of Calamitous Intent has going on.

So I'm imagining Emmrich as this cross between Dr. Orpheus and the super scientist archetype that's honestly pretty B-tier as protagonists go but gets brought into all the supervillain/superhero stuff because Hezenkoss is pretty high up in the ranks of the Guild because she just has that quintessential supervillain flair. So Emmrich just tries to get through his day with his lab assistants Bellara and Rook, skeletal helper Manfred, and gets top OSI agent Davrin as protection while constantly having to deal with Hezenkoss' shenanigans. It's all very routine but eventually Hezenkoss just gets a little too intense so the Guild forces her to switch up protagonists and let me just tell you she absolutely spirals Monarch style and is doing a whole bunch behind the scenes to try to reclaim her rightful place as Emmrich's archnemesis.

Enter Lucanis who's been assigned to arch Emmrich. The thing about Lucanis is that they've known him for years because he and Rook are engaged, they've all gone to regular dinner parties at their apartment, and Davrin and he are even friends but none of them knew that Lucanis was a supervillain because Lucanis and Rook have a strict policy of leaving work at the door and arching is really a very 9 to 5 sort of thing to Lucanis anyways.

Lucanis really only does it because Caterina, also known as The Talon, is on the Council and really wants Lucanis to take her place even though it's pretty apparent to everyone that Illario is the one that enjoys supervillainy and has much more of a flair for it. Lucanis is competent but really just going through the motions especially since he got together with Rook and would be much happier with his job if he was just a Guild assassin or hell, even an anti hero would suit him more than supervillain.

Anyways, Lucanis shows up and Davrin is the most upset about finding out Lucanis is a villain because they were bros and also it does sting Davrin's professional pride that he never knew about it especially since something about Lucanis rubbed him the wrong way in the beginning but Davrin just ended up having to write that feeling off because Lucanis was a good dude and an excellent partner to Rook. Emmrich is very surprised but does appreciate Lucanis' professionalism even if he does end up having to go through paperwork about the best ways to menace him.

Rook on the other hand is just relentlessness flirting with her fiance because she's always thought he looks hot in his costume while Lucanis just blushes and bashfully tells her that he's trying to work right now. Bellara who's very much an outsider on all this is just full of questions and finds the whole thing fascinating because what do you mean there's whole Guild of supervillains with rules and regulations because Bellara was just under the impression that Hezenkoss was just criminally insane to go after Emmrich the way she did which is actually a pretty accurate assessment of Hezenkoss's whole deal.

Rook also comes from a legacy family seeing as she's an Amell but they're all protagonists and she rather deliberately took up a job as Emmrich's assistant/sidekick to try and avoid getting dragged into more supervillain shenanigans than necessary because otherwise there would likely be a lot of low level villains attempting to menace her to make a name for themselves but as Emmrich's sidekick Guild rules would keep her from being bothered outside of whoever was currently arching him. Rook keeps her family relations quiet though and always surprises Davrin with how much she knows about Guild procedure and the ins and outs of the OSI.

More highlights of this au include them being invited to Villa Dellamorte for a celebration held by Caterina in honor of her grandson getting a new arch which is super awkward for them all, Illario getting fed up with never being allowed to advance in the Guild and deciding to turn coat to the Peril Partnership, Hezenkoss doing the Most in the background to try and get back to arching Emmrich, and finally Lucanis and Rook's wedding getting ruined because there are a lot of heroes and villains and secret agents that had to be invited to the thing and all those big personalities cause things to descend into absolute chaos that finally pushes Lucanis far enough that he decides to leave the Guild.

[stormwifewrites]

Manifesting more young Johanna Hezenkoss art content into the universe 🙏 (this is how that works right) 🙏 Because if real artists don't draw it I will have to try and nobody wants that 🫣

[acepalindrome]

The scene in Undertale when Undyne tells Frisk they’re going to be besties, and words it like a threat? That’s how I imagine kid!Johanna befriending kid!Emmrich. Get in, nerd, you’re my best friend now. It’s not optional.

And no, Johanna is not also a nerd, she’s a scholar and/or mad scientist as the mood strikes her, because she’s cooler than Emmrich (according to Johanna, everyone else knows they’re both just nerds.)

[volkoss]

do you think the flayed skull of hezenkoss and the lava lamp meredith lives in could make it work

I DO!!!! I believe in women supporting women’s war crimes 🥰

[hellomehlo]

“KICK HER ASS, EMMRICH.” - Rook

[oopsallmabari]

like i'm about to start putting in applications to be the kronk to johanna hezenkoss' yzma

[transmasc-tabris]

Johanna Hezenkoss I love you and your stupid apron and absolutely fuckass goggles and unbridled madness.

[vaguely-concerned]

some excellently good and wonderful to me personally ingellvar moments from the first jaunt into blackthorn manor with emmrich! I love the little touches included to really make it feel like mourn watch mage rook is also a necromancer, and that they and emmrich are colleagues. the 'ma'am, I'm going to have to ask you to please put that death lantern full of murdered souls down and step back before someone gets hurt' energy... I must reiterate my point that ingellvar carries themselves like something between a cosmic janitor or plumber and a first responder arriving at the apocalypse.

+ as is tradition around these parts: some bonus emotional support lucanis coming along on mourn watch business and having the weirdest time of it that anyone has ever had. the sheer ben affleck smoking meme energy he manages to exude just. Standing there in the second johanna confrontation... he is everything to me you see. the things a man does for love. at least he gets to have the competency kink tingles whenever rye breaks out his Watcher Voice, that can get a person through a lot. a newly discovered realm of and after all this im still horny. the human spirit is unbreakable etc. to help him weather the horrors

[nerdsandqueens]

Every Ghilan'nain sighting in the Dragon Age The Veilguard Artbook preview of early ideas and storyboards under Project Joplin (2015-2017). These ideas were ultimately scrapped as the project faced a reboot in 2021.