#and a majority of the merch here

[flowerakatsuka]

Tarot Medicos Entertainment ( 2024 )

[britney-rosberg06]

papaya looks so good on the crowd

[floridasmash]

some of the arts i made for my r*db*bble [e, u] over the years. these and a few others are available as stickers +more on my RB @ AKGizmo

2024 EDIT: Well it had to happen eventually, my art was removed by RB for obvious reasons. If you find them hosted anywhere else, it’s stolen. I’m working on printing my own stickers to sell on ko-fi instead.

[liiontai]

i thought tumblr might like to see my scooby shelf

[emotargaryen]

they were right when they said something just switches when you turn 25/26 bc ive been consistently spending my days off cleaning of my own will. like not just dishes or laundry but im cleaning my closet AGAIN for the like 4th time in the past 2 months

[kuvention]

First post of the year! Emmet cooldown doodle I did after designing some merch 🤍✨

[dix-rose]

Disney is missing the opportunity to sell plastic forks and call them dinglehoppers

[perry-the-purple-platypus]

i love it when internet person merch is like ACTUALLY GOOD AND COOL !!! the designs are so so good

my merch is officially out, please enjoy :)

[sleepy-grav3]

Amity Park hates the Justice League but loves Red Hood and sometimes other heroes

A/n: I got this random idea so here it is. Oh, and this is good reveal AU ok?

-------

Due to the Justice League mocking them and ignoring their villain problems that were also publicly interdimensional problems, everyone hates the JL. It got worst with the GIW coming in, who blatantly went against the meta-laws (which included aliens, demons and so much more that weren't human from the beginning). They started to think the Justice League supported them.

In the Infinite Realms, however, there's a revenant that many adored and others respected. He did not hold back against criminals. Criminals that would rape, kill, traffic, sell drugs, and more to people. He especially didn't like when they brought kids into this. He'd avenge people the way they should've been: by promising that their abuser/killer/whatever wouldn't be able to do it again. And in the place they lived in, the only way for that to be possible was by major injury, heavy social outcasting, and/or death. Most prefer the 3rd.

And after how long the Amitians dealt with the attacks which eventually came to a slow once or twice a week type thing, they started opening their minds to the idea of coexistence. Well, further than they had. So when people started to cross over and start making their small haunts in their side of the veil, the Amitian's began to become aware of the popular hero Red Hood. He was part of the undead community, which was trustworthy in everyone's books.

So Amity Park started making merch. Most of it was for Team Phantom, but there was plenty for Red Hood as well. There were other heroes on the side, like for Superboy 1 (who they renamed to Supernova due to their hatred for Superman for 2 reasons, the obvious and that he rejected a mirror-born), and Raven (the half demon).

And with this coexistence, Team Phantom had noticed the positive feedback about killing in the name of vengeance. So they went on the offensive, and after a good year of that, the GIW lost funding for producing no results and just taking up resources. The acts were still there, but nobody enacted them in Amity, and nobody actually knew or believed them outside of the haunted city.

Then the Justice League find out about the hero group there due to tracking merchandise after they started to sell outside of the city. Superman was the guy everyone liked, so he was sent over. He immediately got thrown out and was now questioning who the heck Supernova was and when he rejected him.

Flash? Outcast. Everyone ignored and walked away from him. they had the police, who never did anything or even had to anymore, kick him out.

Green Lanter? Oh the poor guy. He had his ring taken away and thrown out of the city somehow. It took hours to find it.

Wonder Woman, they had to be ok with her. Not at first, but once Phantom had a talk with her and people learned that they were cousins through Clockwork (Kronos) and Pandora, they were ok. ish. Tolerated was the best word and she got the info back to the league.

The batfamily took a trip there, dragging Red Hood along somehow. And right when Red Hood was noticed, a crowd began to form as everyone practically worshipped him. There were many victims he had avenged and an Ancient (Lady Gotham) came and gave him the gifts she couldn't without scaring the guy.

At one point, the poor guy even cried.

[itsallyscorner]

Like Father, Like Son | CL16

pairing: Charles Leclerc x reader

summary: Leo is just as clingy as Charles. Some cute little fluff moments

warnings: none! Italics are flashbacks, if there’s any spelling errors pretend you didn’t see them x

author’s note: A little all over the place, but I hope you guys enjoy the read! First time writing for Charles, so I hope it’s decent :)

Charles was a clingy boyfriend.

He knew it, you knew it, and everyone else who’s witnessed him practically attached to you knew it. But he couldn’t help it, Charles loved and adored every single part of you. Which was why he somehow needed to always be attached to you.

Whether you guys were at home, at the paddock, or just out and about, Charles always had to have you close. Majority of the time, he can be seen having his hand interlocked with yours or walking about with his arm around your waist. On rare occasions, fans have even spotted the Ferrari driver walking around while hugging you from behind, his chin resting on your shoulder and hands connected at the front of your waist.

Fans melted at the sight of Charles being so clingy. His friends on the other hand—along with some fellow drivers on the grid—found Charles’s little habit as the perfect opportunity to tease him until he was as red as his race suit.

The Miami sun beamed on you as you and Charles entered the paddock. Immediately, fans recognized your boyfriend, calling him for his attention to sign merch and take pictures.

You gently released his hand, causing him to look at you with a pout, “Bébé, hold my hand.”

“Cha, they’re calling you and I know you want to go say hi.” You insisted, encouraging him to greet the fans by nudging him towards the barricades.

With a pout still on his face, Charles looked around, “You might get lost, it’s your first time here.” He knew you were fully capable of finding your way around the paddock and locating the Ferrari motorhome, but he just didn’t want you to leave his side. The moment he’d step into the Ferrari hospitality, he’d be pulled away from you to film content and do media. Which meant he wouldn’t see you till a couple of hours later. So basically, he was shamelessly finding excuses for you to stay with him.

“I’ll be fine, Joris is here and he’s going to hospitality too, I’ll just go with him.” You assured your boyfriend, motioning to his best friend behind you.

Charles’s brows furrowed together, his hand finding yours and tangling them together.

“Joris doesn’t know where the hospitality is.” Charles reasoned, obviously lying. Joris opened his mouth to object but quickly shut his mouth once his friend shot him a look.

“Please bébé, just come with me. They’re going to make me do media once I get there and I won’t see you till after.” Charles tried again to make you stay, slightly tugging on your hand. Joris shook his head at his best friend.

“Charles, your fans want to see you, they don’t want to see me. Just have some one on one time with them.” You encouraged him again, a slight smile on your face at how clingy your boyfriend was being.

“Nonsense, I’m sure they have some of those friendship bracelets you like so much. They’re always telling me to share them with you.” Charles said, dragging you along with him to the fans.

Once you get to the barricades, you’re approached by Lando and Fernando, who are already smirking at the both of you.

“Morning love birds!” Lando greeted you both, shifting his eye from Charles to you, “Is he holding you hostage again? Blink if you need help (y/n), security’s right there.”

Charles rolled his eyes at his friend, signing posters for a couple of fans and taking selfies with them.

“Pretty sure it’s going to take more than security to get him off of me.” You teased, raising your interlocked hands up and shaking it in the air. Charles paused the selfie he was about to take and turned to you with a feigned look of offense.

“I’m kidding, babe.” You smiled at him, rubbing your thumb over his hand. Fernando tsked at Charles playfully, “Ai, Charles no one is going to steal her away from you!”

A couple of the fans caught on with the banter you were all having and decided to join in.

“WE’LL STEAL HER!” A fan screamed.

“CAN WE HAVE (Y/N)?” Another fan from the back chimed in. Charles’s eyes widened at the crowd in front of him, a slight blush on his cheeks from all the teasing.

“You guys are all mean!” He jokingly yelled at the fans, pulling you away with him as he ran towards the garages.

While your boyfriend was clingy, you did not hate it one single bit. Majority of the time, you weren’t in the same time zones, so all the cuddling and hand holding made up for lost time.

Charles hated being away from you. He hated it even more when you were at his apartment in Monaco, sleeping in your shared bed without him after admitting how much you missed him. He knew you understood why he had to travel so much, it came with his job, but he still felt guilty leaving you alone so often.

Which is how you both ended up with sweet Leo.

Charles watched through his phone as you adjusted yourself in bed. You were in your pajamas, your nightly skin routine was done, and you were ready for bed. Before you can settle, you grabbed Charles’s pillow and cuddled it.

“I miss you, Cha.” You hummed quietly. You looked so cuddly, the blankets were pulled up to your chin and the pillows looked so fluffy around you. He wished he were there to snuggle up beside you and hide his face in your neck, basking in the scent of you.

“I know mon cœur (my heart), I miss you too, so much.” He was currently in Australia for the third race of the season. He wanted you to be there, but too many things were happening at your job for you to travel this weekend.

“It’s so quiet, I miss hearing you just yap and play piano.” You pouted, eyes beginning to feel heavy.

“I don’t yap.” Charles’s disagreed, his nose wrinkling.

You huffed out a laugh, “Yes, you do! Sometimes you’re just as bad a Max!”

Charles gasped at you, “That is a strong accusation, bébé. I am not as bad as Max, he never stops.”

You playfully rolled your eyes at your boyfriend, “Whatever helps you sleep at night, Cha.”

Charles went quiet for a bit, causing you to look at him.

“What’s wrong?” You asked him through the phone. You see him shrug, “Nothing’s wrong, don’t worry.”

“So what is it?”

“What if we got a dog?” He suddenly suggested. The thought of a dog made your sleepiness go away. You weren’t against getting a dog, but with how busy you and Charles got, you weren’t really sure if now was the right time.

“A dog?” Your eyes squinted at your boyfriend. Charles hummed and nodded at you, “Yeah. I think it would be nice, no? You could have company whenever I’m away and we’ll be our own little family.”

Your heart swelled at Charles, the thought of having a family together one day was definitely something you both saw in your futures. But again, you were both too busy to start one, so maybe a dog would suffice.

“You’re right.” You began, “But having a dog is a big responsibility, Cha. Who’s going to watch them if we’re both away?”

“We can always take them. If we can’t, I’m sure maman wouldn’t mind.” Charles suggested, running a hand through his hair. He began to go through the other logistics, but sleep was beginning to take over you.

“I guess, baby. Let me sleep on it and I’ll let you know tomorrow, okay Cha?” You tell him, rubbing your eye. Charles smiled at you and blew you a kiss through the phone, “Don’t worry too much, mon chéri (my darling). I love you, sleep well.”

You mirrored his smile, “I love you too, Cha.”

After having a conversation about the responsibilities of having a dog, you and Charles decided that you were ready. So he reached out to a couple of breeders and some pet shops in Monaco until you guys found the right pup fit for you and Charles.

Leo was like the missing piece of you and Charles. You didn’t feel it before, but after seeing the small pup nuzzling between you and Charles you felt complete.

The English cream miniature dachshund was a bundle of joy and full of energy despite his small size. Leo’s daily schedule consisted of him eating, sleeping, playing, cuddles, eating, and more sleeping. He demanded both yours and Charles’s attention, though he demanded yours more. It was like he was in his own little world and the two of you were living in it.

Charles and Leo were like two peas in a pod. While one was a dog and the other was human, the similarities in their personalities were uncanny. They were the biggest sweethearts around you, constantly cuddling into your side and pressing kisses (or in Leo’s case—licks) onto your face—the two adored you and always wanted to be in your space. Wherever you went, they followed. But whenever you were gone, they were miserable.

Which brings you to today.

Leo whined as he sat beside the front door of Charles’s apartment. He pawed at the door, the sound of his tiny nails filling the room. You had gone out to have a girls day, visiting your favorite cafe with a couple of your friends and getting your nails done. Which left Leo to his own devices at his dad’s (Charles’s) apartment.

Charles was in the living room, going through a couple of emails from the team and his engineers about data from recent races and about the car. Though, he wasn’t able to focus since the six pound dog you both shared was constantly whining at the door waiting for you to come home.

Getting up from the couch, Charles made his way to the entrance of his apartment. Leo jumped up at the sight of Charles, immediately approaching his giant feet.

“Mon cœur, maman will be home soon.” He crouched to pick up Leo, who climbed up his chest and began licking his face. Charles let out a chuckle, “You’ve been acting like I was chopped liver for the past two hours, Leo. Don’t act so surprised to see me.”

As if Leo understood him, the dog nipped at his nose, making Charles yelp, “Ah! Leo!”

“You’re lucky you’re cute.”

Holding the dog against his chest, Charles made his way back to the couch. He moved his laptop aside, already knowing he wouldn’t be getting any work done anytime soon. He laid horizontally on the couch with Leo sat on his chest, the dog still nipping and licking at him excitedly.

“Do you miss maman too, Leo?” He softly asked the dog, petting Leo’s head and smoothing the soft fur of his ears. The dog let out a small sound, as if he agreed with his dad.

Still stroking Leo’s head, Charles continued to talk to the dog, “I always miss your maman, Leo. Whether she’s gone for a couple of hours or when I’m away overseas, she’s always on my mind. Just like you mon cœur.”

Leo had settled on nuzzling himself into the crook of Charles’s neck, similar to how you would, and laid down against his chest. Charles soothingly rubbed Leo’s back as his eyes began to feel heavier.

“We’re very lucky to have maman, right Leo? She’s perfect for us and she takes care of us all the time. I know you like to cuddle with her more, that’s okay though, she gives very nice cuddles.” Charles could feel himself doze off. The afternoon sun was shining against the windows of his living room and the couch was incredibly comfy—it was perfect for an afternoon nap.

Before he can completely fall asleep, Leo suddenly whipped his head away from Charles, making the man groan at the dog. Leo’s tail began to wag excitedly, his paws tapping on Charles’s chest, begging to be let go.

Leo barked at the sound of your keys turning in the lock. Instead of placing Leo back on the floor, Charles picked him up and walked towards the entrance to greet you once you’ve come in.

Leo’s tiny body shook even more as he watched you walk through the door. You beamed at the sight before you, your boyfriend dressed in sweatpants and a sweatshirt, cradling your extremely hyper dog.

“Aww, hi babies!” You cooed, dropping your bag to the side and gently taking Leo from Charles. You giggled as Leo covered your face in kisses, sniffing at your hair, and nudging your face with his cold wet nose.

Charles softly smiled at you and Leo, “Hey, I missed you too, bébé.”

“I know you did, Cha.” You hummed, walking into his waiting arms and pressing a kiss onto his cheek. Charles made a sound of disapproval, “You missed, mon chéri.”

You chucked at your boyfriend, “Oh, I’m sorry.” You pressed a tender kiss onto his awaiting lips, a hum of satisfaction coming from Charles. His arms tightened around you as he led you to the couch, only letting you go so you can settle onto the cushions.

Picking up your hand, Charles inspected your nails, “I like them, they look good on you.”

“Thank you, Cha. How was your day with Leo?” You sat back into the couch with Leo still cuddled into your chest. Charles sat beside you, wrapping his arms around you and placing his chin on your shoulder.

“I tried to get work done but Leo kept crying, so we decided to cuddle and talk about how much we missed you.” Charles answered, feeling the sleepiness come over him again.

“Oh, really?”

Charles nodded, “Yeah, our child’s a boy of many words, mon chéri.” You looked down at the pup to see him dozing off like Charles.

“Can we take a nap?” Charles asked, moving the both of you so you were laying down on the couch. You laid beneath Charles and Leo, your two boys nuzzled into your sides.

“Of course we can, Cha.” You hummed, pressing a kiss to his forehead and another onto Leo’s.

“I love you.” You whispered to Charles, you felt him smile against you, “I love you always, Mon cœur (my heart).”

You watched the two of them as they fell fast asleep on you. Your boys were clingy, but you wouldn’t have it any other way.

“Like father, like son, I guess.” You whispered before falling asleep yourself.

[blacktabbygames]

We're thrilled to announce that we've wrapped principal development work on Slay the Princess — The Pristine Cut. We'll be releasing it this Fall (date TBD) so we can simultaneous ship the update with both the game's console release (surprise!) as well as official subtitling support for 11 new languages, all with the help of our wonderful new partners at Serenity Forge (who you might know from their publishing work on Doki Doki Literature Club Plus!)

There's a lot for us to share about The Pristine Cut, but before we get into the details, please check out our new trailer!

Here's what we've got coming for you: Content

For those of you who are just now hearing about The Pristine Cut, it's an entirely free director's cut of the game that adds about 35% more content on top of the initial release.

This includes massive expansions to The Den, The Apotheosis, and The Fury routes, each of which is over three times bigger than their release versions, with tons of variations to discover across multiple playthroughs.

On top of this, we're adding three brand new chapter three routes that will add even more depth to your stories with The Damsel, The Prisoner, and The Spectre.

And we're adding a new ending.

All in all, these additions come to over 2,500 new voice lines, over 1,200 new hand-drawn illustrations, and over 15 new tracks of music.

We're also adding an extensive CG gallery with over 400 unlocks to help all you completionists track your progress, complete with cryptic hints to help you discover some of the game's more obscure and buried interactions.

Languages

And all of this is coming with a giant wave of localization support, covering the following languages: Simplified and Traditional Chinese, Korean, Japanese, French, German, Russian, Spanish (Latin American), Brazilian Portuguese, Italian, and Polish. These localizations are just going to cover subtitles, so we can be as thorough as possible about maintaining the quality of Jonny and Nichole's performances.

Consoles, Physical Release and New Merch

With the help of Serenity Forge, we’re bringing Slay the Princess — The Pristine Cut to every major current console — Nintendo Switch, PS4 + 5, and Xbox.

And these won’t just be available as digital downloads. You’ll also be able to pick up a physical edition for the Switch and PS5, with an exclusive sticker sheet and a download code for the game’s soundtrack.

And if that’s not enough we’re also doing a Collector’s Edition, complete with a 7 inch statue of the Princess, a mirror with a lenticular lens, an acrylic standee, and more.

And finally (for now), we’re launching the first wave of new line of sticker sheets, featuring chibi art of the Princesses as seen in The Pristine Cut’s new gallery. Pre-order them now at Topatoco!

Alongside these developments, we've also launched a new website for the game: check out slaytheprincess.com where you can order the physical editions, check out merch, and more!

Thank you so much for your patience while we've worked to make The Pristine Cut the definitive version of Slay the Princess. We can't wait to share all of the game's new stories with you this Fall.

Until then, we're back to working full-time on the next Episode of Scarlet Hollow (and have been for about a few weeks now!)

Best, Abby and Tony

[amplifyordie]

i would really appreciate it if the shirt i ordered from kleaver with spencer’s face on it would just... ship. i ordered it in september lmao

(also miw can you pls ship my dogtag and my cd i’m begging)

[dumbseee]

oh shit.

pro hero!bakugo who has a crush on you.

pro hero!bakugo katsuki x idol!reader.

genre: fluff

__

- the first time bakugo agreed to do an interview was because todoroki and izuku were also there. the top three heroes were asked all sorts of questions before the journalist finally asked thee question. "so~ you guys are so private, we don’t really know much about you. so let’s get to know our top three heroes! first question, who is your celebrity crush?" she asked, a smirk on her lips as she looked at the three heroes in front of her. izuku blushed, fumbling with his answer, todoroki crossed his arms on his chest, saying that he had no time for that kind of stuff, and bakugo scoffed, crossing his legs on the small table in front of them. "celebrity crush? do you have other shitty questions or are we done?" he glared at the interviewer who nearly melted on the spot. izuku elbowed his friend and offered an awkward smile to the poor woman. "but aren’t you a big fan of y/n? i heard you sing her songs under the shower, one time." shoto chimed in, face blank. "what?! no! what are you saying ice hot?! i’ll fucking crush your face, come here!" bakugo jumped from his seat and had to be restrained by izuku and a few security guards, meanwhile shoto sat there, wondering what he did wrong this time.

- the interview went viral, with everyone making fun of the mighty dynamight and his little crush on you. he nearly sent shoto to the moon after seeing all those edits of you and him on social media or your fans calling him the president of the fandom. your fans are even shipping you together! and he’d be lying if he said that he didn’t like it. he actually made a fake twitter and tiktok account where he’d like and favourite every single edit/tweet about you. he’d be smiling and blushing like a high schooler in the dark of his room.

- he has a locked drawer in his room, where he keeps all your albums and merch. he’d literally set on fire whoever manage to open it and discover his little secret.

- he spent hours in front of his phone, the screen showing your dm page on instagram, he wanted to dm you so bad. make the first move and try to get close to you, but bakugo was a coward, as funny as it sounded, bakugo was very intimidated by you. he ended up throwing his phone away, he’d try again tomorrow.

- one day he got called for an incident involving a woman and someone who tried to break into her house. nothing major so bakugo went alone, imagine his shock when he saw that the victim was you and the man was your stalker who’s been following you and harassing you for months. he immediately saw red and grabbed the man, slammed him to the ground and threatened to shove a bomb down his ass if he moved. "are you okay?" when you saw dynamite arrive from your window, you immediately ran outside, since you felt safe with the hero around. you hugged yourself and nodded, looking down at the shaking man, but bakugo didn’t believe you. soon enough, police arrived to arrest the man and everyone left, leaving you alone with bakugo. "he’ll leave you alone now, i’ll make sure of it." he smiled gently, putting a hand on your shoulder you forced a smile but slowly lost it when you saw him getting ready to leave. you quickly grabbed his hand and looked at him with pleading eyes, the sight made his heart jump. "please, will you stay with me?" how could he say no?

- bakugo couldn’t get rid of the pink color decorating his cheeks. it was the first time he met his celebrity crush and bakugo wished it was different. he wished he came earlier so you wouldn’t even be aware that your stalker was trying to break into your home. you offered him some food and water but he declined everything, you were getting ready for bed when the incident happened so you were exhausted from practice and rehearsal. you also felt bad for keeping him with you when he was clearly busy or tired from patrolling. "i’m so sorry for bothering you, i know he won’t come back, but i’m still terrified." you played with your hand and felt tears burning your eyes. "don’t. you don’t have to be ashamed for feeling scared, but trust me when i say this, this bastard won’t ever come close to you again." he said it in such a low tone, you thought you imagined it. you nodded and hugged him, which surprised him to no end and also made him as red as a tomato. he didn’t know what to do with his hands so he simply put them around your waist, gently patting your back.

- you fell asleep with the light on, bakugo was sitting on the chair next to your bed and kept his eye on you. he stayed with you till the sun woke up. he noticed every detail of your face, the small freckles decorating your beautiful nose, your long and dark lashes, your full and soft lips and overall your beautiful face. you were, without a doubt, the most beautiful woman bakugo had ever seen in his life. while looking at you, he felt a weird sense of possessiveness and protection wash over him. he wanted to protect you and make sure no one would ever hurt you again.

- when you woke up, you saw a small note on your nightstand, "had to leave for work pretty girl, but don’t worry i’ll see you soon. here’s my number: xxx - xxx - xxx" you didn’t know why but you smiled at his note. of course, you immediately registered his number and sent him a lovely text, thanking him again for yesterday and inviting him for dinner some day. you also signed it "your celebrity crush (;" bakugo almost choke on his coffee when he read your text.

[kitsuneisi]

Despite literally ordering volume one (so excited btw- anytime i think about the fact i was lucky enough to order everything i literally buzz with excitment and flap my hands) I always forget that Double Hearted is like. A real thing. With multiple volumes. With multiple chapters in those volumes. Like this is Real. This right here? This is a whole complete comic SERIES.

Do you realize how cool that is? How amazing you and Maruu are? Do you understand that you guys have basically revolutionized the art community within the Hc/life series fandom? You guys didn't just create a silly little au with amazing writing and drawings, you guys created a real, tangible, thing that hasn't fully been done before. Comics? Sure. Merch? Sure. But ddvau is different, because its not only spiraled into something that is known by the majority of the fans here, but it's literally not even the whole au. Double Hearted is just a mini story, something happening in the background of your own original story.

And that? That amazes me. You and Maruu are so talented, and have created something that will probably go down in the metaphorical history books of the HermitCraft/Life Series fandom. You guys deserve so much love, because you have inspired hundreds of people, if not thousands, and that alone is something most artists only wish they could do.

BUBUBUUBUBUBUBUBUBUUUUBUBUB

[fuckyeahgoodomens]

Good Omens graphic novel update: June 2024

Welcome to the June update. A lot of behind the scenes work at the moment but we're grabbing the travel sweets, popping in the Bentley and hitting the road. More on that below.

Admin

Ongoing reminder that the project FAQ can be found here. 

I pledged using my Apple ID, or no longer use the address my pledge is attached to, or I cannot work out what email address my pledge is connected to. What should I do? Please contact us via your Kickstarter account where the pledge is connected; we will be able to see on our system which address it is. If it's one you have access to, great! The FAQ has information on how to resend your invite link to access the PledgeManager. If it's one you are not able to access, then you can let us know which email is preferred and we can update this on the system, which will automatically send a new invite.

Events

We've had a lot of queries about when the Good Omens team will be attending events more formally, after some Aziraphale and Crowley spotting at conventions we'd been to previously. Well, we're excited to confirm the first: Good Omens HQ will be at ACME Comic Con in Glasgow, Scotland this September.

We'll be bringing the actual-real-life-home-to-Crowley-and-his-plants Bentley from Season 2 of Good Omens, the first time the car has been made available publicly for fans to come see and get photos with, ahead of its journey back to the set and the start of Season 3 filming.

We also see Quelin Sepulveda, aka Muriel, has been announced for the event for some additional ineffable joy.

You can get your tickets for ACME Comic Con here. We hope to see some of you there.

While we won't be rocking up with the Bentley to this next one, we want to let you know about Ineffable Con which, though sold out in person, is also taking place virtually in July. The fan-run event hosts great panels, auctions and more, with money raised going to Alzheimer’s Research UK, in memory of Sir Terry Pratchett.

Where next? We have - not an exaggeration - a list of about 200 events somewhere from when we asked fans this on Instagram and while we can't promise quite that amount of convention attendance, we're certainly looking to do some more things in future with Good Omens at large. Watch this space.  

Good Omens items...

This month has largely seen prototypes and samples for the wider Good Omens merch store arriving, and while we can't share those yet, we are certainly excited to see more fan product suggestions coming to life. That does, however, leave our public item updates a little slim on the ground.

To make up for that, here's some new panels from Colleen:

Also known as, "What could possibly go wrong?" And:

Also known as, "Well why don't you ▇▇▇ ▇▇▇▇▇▇ ▇▇▇ ▇▇!@#▇" or words to that effect, we'd imagine.  

Update from Colleen

Following such a positive response to Colleen's piece last month, bringing you behind the scenes into making the Good Omens graphic novel, we are delighted to say that she has agreed to write something for our updates going forward! For June, she's going more in depth into the process of flatting and the technicalities of colouring on screen vs print. Over to you, Colleen.

---

I mentioned the other month that I use a flatter to help me with technical work on GOOD OMENS, and here is a great example.

This is my original, hand drawn line art.

And this is the flatting file which was created using the MultiFill computer program.

It will put your eyes out.

The raw image above demonstrates how the color art lines up solidly under the line art. If it doesn't do that, you get a weird phenomenon in print called ghosting, a tiny little line of white around each segment of color. I had this issue on one major project and ended up redoing every single color file after I got a look at the first printing. Nearly two weeks of work.

The same image with the line art on top.

The layer order looks like this.

Background copy is the clean, line art layer.

I scan the art at 600 dpi, then make the blacks pure black, the whites pure white. Then I convert back to greyscale, then RGB, then duplicate the layer. Then I delete the white on the upper layer so the line art layer is transparent but the blacks on that layer are not.

If you have blacks on a layer that has been multiplied, you can see slight color through those blacks. You want pure black.

The lower layer is where I use the MultiFill program to create the digital flats. First you use MultiFill to drop in the random colors, then the companion plug-in Flatter Pro to make those colors seal under the black lines.

This probably sounds like a silly thing to worry about, but if the flat colors don’t line up perfectly under the black line art, you get the dreaded ghosting I mentioned. You can see it below in this image. It’s a tiny little white line that will appear around the black lines and color areas.

This drives me nuts and is an absolute nightmare to fix.

It’s a very common problem, especially for people who work for web and don’t anticipate the problems going from web to print.

What looks great on your computer can cause big problems in print.

From here, my flatter Jul Mae Kristoffer, who is way over in the Philippines, does flatting that is more in keeping with the areas of color I want to isolate. As you see on Layer 1.

But again, this is still pretty ugly, and not what I would use for final color. Flatting is a technical issue, not a creative one, though in some cases a flatter will make choices you may use. Most of the time they don't.

Here is my final color page.

Sometimes my MultiFill flats are so wonky I have a hard time getting my brain to snap out of what I see before me. If I get stuck, it's a good idea to just pick at it and come back to it later.

If it really, really bothers me, I’ll take the MultiFill flatter layer and desaturate the color so it doesn’t poke my eyes out.

Here’s an example. The digital flat file.

The desaturated flat file that doesn’t make me want to poke my eyes out.

And the final color.

Sometimes I just put in a solid white layer so I don’t see the flats at all. Flatting is there to allow you to easily pick spots to color in, and doesn’t usually appear in the final work.

Sometimes I want to create my colors using transparent color over a white ground, which is more delicate in the final.

Here’s an example from Neil Gaiman’s American Gods. I also selected all black line art here and converted it to sepia to give it a vintage look. Except for the fairies. They’re green.

A colorist must also consider color settings.

Different clients can have different requirements. I find these color settings, which I got from the Hi-Fi Studio, to be pretty solid. I use them as my default for all my projects unless otherwise requested. If your publisher has other settings, they’ll usually send you a csf file which you can upload to Photoshop. The program will save your files and you can just switch between them as you need them.

This tells the printer things about the paper and the spread of the ink you will use. That’s what dot gain means - it makes printed color look darker than intended, so you set up your files to account for it.

When you hover your pointer over each box, it will tell you what each setting is supposed to accomplish.

Another really important thing to consider when coloring comics is color range.

I’m coloring this book in RGB range, but for print you use CMYK.

I’m about to confuse the heck out of some people with this post, I’m afraid. But here we go.

Here is this shot in RGB color setting.

And here is the same page calibrated for print in CMYK.

The biggest shift is in the reds. Print cannot match those reds.

You may not see much difference here, but it’s the sort of thing that drives artists crazy.

A computer should be perfect for conveying exactly what you want, right? It's all just 0's and 1's, binary information, and that information should be the same from one computer to the next?

Nope. Not even close.

First off, computer monitors must be calibrated. You can use a computer program or a tool that measures the color on your computer screen and then adjusts the color to an industry standard.

Have you ever been in an electronics shop where a bunch of TV shows were on display, all of them playing the same show, and have you noticed how different the color was from one TV to the next?

It's like that.

I freely admit I don't pay a whole lot of attention to calibration, but if I were a professional photographer I would. I'd have a little spectrometer attached to my screen and software would adjust my monitor to the best possible standard range. As it is, I just use the default setting on my computer and hope for the best.

If your monitor is properly calibrated and your art is shown on another monitor that is properly calibrated, the art will look almost identical from one monitor to the next.

YAY!

But from one monitor to the next, that's about where the resemblance ends.

Colors are calibrated to something called RGB, or Red, Green, Blue.

All colors come from a mix of red green and blue. At their greatest intensity, all the colors in the spectrum together become pure white light.

This is why RGB is called ADDITIVE color, because you ADD colors from the spectrum to get ALL colors, and all colors create the entirety of the rainbow, and pure white light.

Your computer monitor, your phone, your television, all images are created via light using RGB, a gamut that covers all possible colors that can be created.

That's a lot.

And that's why some of the colors you see on your TV or phone are so deep and intense.

For the widest possible range of color and intensity, you use RGB.

Unfortunately, there is what you can create with light, and then there is what you can create with pigment or ink. And that is why printing what you see on your computer almost never looks exactly like what you see in a book.

For printing, you must use a color setting known as CMYK. This stands for Cyan, Magenta, Yellow and Key/Black.

In printing, the pure blue is actually Cyan and the pure red is actually Magenta.

CMYK color range is not created by addition, but by SUBTRACTION. In order to get the color you want, you reduce the percentage of one of the four colors for ink mixing. Mixing all colors, instead of giving you white, gives you black.

The gamut of CMYK is limited to what can be created with ink.

You've probably heard the term four color press? This is what that means. Four colors, with each color of ink run over the paper on rollers which, combined in varying layers of opacity, create all the printing colors you see.

But remember, what you see on your computer monitor and what CMYK gamut can handle are two different things.

Now, I’ve been really careful with the color settings on Good Omens, so there haven’t been any big surprises, but let me show you a snippet of a project I did for the French fashion house Balmain.

The RGB version:

And then this shot after it was converted to a CMYK file for print.

That's a pretty big difference.

Now, you see this shift mostly with vibrant colors, such as that pink there. But other colors hardly changed at all, right?

That's because this issue is about range of color. CMYK and RGB occupy a shared range which you can see demonstrated by this graphic I got from Wikipedia.

The graphic shows the RGB ranges supported by various digital formats. SWOP CMYK is the most common range my publishers use. Note that the bounding box line shared by the RGB and SWOP CMYK formats shares about half the range space. So whatever RGB colors you use that are outside that range will be digitally converted to the smaller SWOP CMYK range.

And you may not like what you end up with.

As you can see, some of the most ethereal and intense colors get lost outside of the SWOP CMYK boundary.

A look at the Dark Horse Comics color settings in Photoshop. Theoretically, this information should prevent your art from looking like mud on publication.

Now, after I just told you the dangers of coloring in RGB then converting to CMYK for print, I tell you I am coloring Good Omens in RGB anyway. There’s a couple of reasons for this.

Remember, RGB give you a greater range of color, so it can be to your advantage to preserve your original files using a format that gives you the greatest range.

Again, here is the unaltered file.

You can see what the CMYK result will be simply by clicking the Proof Colors button here. This will show you how the art will convert.

And the Gamut Warning will show you which colors are out of gamut range for print.

The intensity of that magenta and that purple in the top right are not going to print true.

This is how it will look in final.

So even if you do what you think is perfect color on screen, there is no way it can perfectly convert to print. Almost everything will involve a little bit of compromise.

Even though you have to consider the color shift issues, preserving your files in RGB gives you greater wiggle room, especially if you get lucky someday and get to work with a printer who can print in 6 colors. Or maybe some technology you don’t know about will pop up and make printing super glorious. Who knows.

Regardless, you should keep an eye on that gamut and color for CMYK print, while preserving your master files in RGB.

Until next time.

[purplealmonds]

Finished this just in time for the new trailer drop! This is my Mononoke illustration featuring assorted merch from the anime, movie, and stage play! How many can you recognize? ⚖️👹

(Yes, please send answers in the replies! Answers, progress pics, artist commentary will be drafted on a separate post when I'm less tired) ⭐️ UPDATE 04/03/24: Abridged artist commentary is now available under the cut! For the full version, please see the Google Doc linked in the replies.

👁️Overview 

Late last year, I rather belatedly discovered Mononoke’s 15th anniversary came and went, and with it, an entire swath of new content to manically pore over. This is an illustration of the various Mononoke merchandise, props, and set dressing I discovered.

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🔎Scope

Some fun facts regarding the work that went into this illustration!

Not including research time, this project ran for roughly two months, consuming much of my waking hours outside of my full time and freelance jobs.

While the illustration does not depict all of my findings, it does feature over 120 unique props and set dressings!

The majority of the props and set dressing were modeled to varying degrees of detail in SketchUp.

To model prep, I often put together schematics on Photoshop or Illustrators. Some were created from scratch. Others were created with the liberal usage of the Photoshop transform and perspective warp function. 

The master file is 1.5GB. The dimensions are 6400x3600 at 300 dpi, and contains over 2,200 layers. 

Near the end of production, the master file became so unwieldy I created a separate working file. This way, I could create assets lag-free then import the layers into the master file. 

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Past this point is where most of the commentary cuts were made for the sake of brevity. Again, look in the replies for the Google Doc link containing the full version with a table of contents for easier navigation!

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🗳️3D Layout

As you can see, the backbone of this illustration is the 3D model. I spent perhaps 30-40% of my production time on this stage.

And this is the lit version. The lighting ultimately got downplayed in favor of showcasing the vibrant colors. I like how simple it looks though!

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🎬Production-Based Set Dressing

In addition to merchandise, I wanted to insert set dressing and props from the various Mononoke productions. 

🦊Kusuriuri

It’s odd to have a section dedicated just to him, but his unique appearance warrants it. His garb and overall appearance is an amalgam of the anime and movie. The original intent was ambiguity– kind of like the blue/black vs. yellow/white dress phenomena a few years back. But after doing the color flats, I rather liked how the rich, unaltered colored fit with the overall composition so it became more blatant. I’m surprised that nobody has commented on this since I published the illustration. Maybe because I didn’t feature him in a close-up?

🐈 kai ~Ayakashi~Bake Neko (2006)

Finding props iconic to this story arc (outside of the Kusuriuri’s tools of trade, of course) was somewhat difficult. While the environment was richly decorated, it mainly consisted of 2D artwork which I wasn’t keen on retracing. I opted to paint objects that characters interacted with or featured heavily in the show.

Salt Jar

Candlestick

Rat Trap

🦋Mononoke (2007)

The props fall into three distinct categories here: Kusuriuri’s tools and trinkets; things featured in the opening and ending credits; and objects iconic to each of the five story arcs in the series. I tried to keep most of them clustered on the tatami, but as space grew scarce some props trickled up onto the deck as well.

Medicine Box

Exorcism Sword

Tenbin

Paper Talisman

Mirror

Ring

Geta Sandal

Necklace

Paper Umbrella (Zashikiwarashi)

Daruma Dolls ( Zashikiwarashi)

Gunpowder Ball (Umi Bozu)

Smoking Pipe (Nopperabou)

Genjiko Blocks (Nue)

Train Ticket (Bake Neko)

Lantern (Anime OP)

Butterflies (Anime EP)

☂️Mononoke: Karakasa (2024)

Pretty slim pickings for the new movie since I only had the teaser, first trailer, and movie poster to reference from. Kusuriuri’s tools of trade were a given, but finding memorable and narratively significant objects was a tad troublesome.

Thankfully, the set dressing ended up (however subconsciously) strikingly similar to the movie’s environment design, down to the green tatami and multicolor shoji screen. I suppose at this point I was so immersed in Mononoke content that its aesthetics subconsciously informed my design choices! 

Exorcism Sword

Tenbin

Paper Talisman

Comb

Movie Poster

Butterfly (Custom design)

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🪭Official Merchandise

Goods related to canonical narratives and/or productions.

🎊15th Anniversary

Mononoke Shu - A light novel by Hideyui Niki & illustrated by 2964_KO

Whiskey Glass & Box

📖 Key Frame Art Books by Hashimoto Takashi

Ayakashi Key Art Frame Book (2010)

Key Frame Art Book vol.9 (2017)

📚Manga by Yaeko Ninagawa

Kai Ayakashi: Bake Neko Vol. 1-2

Kai Ayakashi: Mononoke Prequel

Mononoke Vol. 1-10

🎭Butai Mononoke

Bakeneko Pamphlet 

Zashikiwarashi Pamphlet

Zashikiwarashi Acrylic Standees

Zashikiwarashi Manegi

💿Physical Media

Official OST CD

DVD Box Set

Yokai Pattern Fabric

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Common Collab Merchandise

This category consists of goods that are generally more affordable and feature graphics from the source material with minimal alterations.

Amnibus

Wall Scrolls

Tenugui Fabric 

Shot Glasses

Minoyaki Bean Plates

ANIGA-TER

Stickers

Can Badges

Canvas Prints

Anique

Diorama Acrylic Stand

Acrylic Blocks

Challenge Kuji

Kusuriuri & Hyper Clocks

eeo Store Online

Folding Fan

Keychains

Can Badges

gj character G

Cushion

Acrylic Charms

Neo Gate

Satchels

Mini Badges

Mini Badges by Mame Shinoda

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High-End Collab Merchandise

Goods which derive motifs from the characters, props, and patterns from the production and transform them in an elevated manner through abstraction or usage of precious materials.

gj character G

Exorcism Sword Ring

Goodsmile

Kusuriuri Nendoroid Figurine

Folding Screen

Kusuriuri & Hyper Plush

Tote Bag

Kaya

Umbrella

Tenbin Kanzashi

Tabi Socks

Dress

Kotobukiya

Figurine

Mayla

Pump Heels

Kusuriuri & Hyper Hairpins

Tenbin Earrings

Hyper Earrings

Noitamina Apparel

Perfume

Tenbin Necklace

Folding Fan

Super Groupies

Purse

Wallet

Watch

Tsumuji Design

Exorcism Sword Necklace

Ofuda Bracelet

Useless Use Lab

Fragrance Set

Air Purifier

Three-Sided Mirror