#and I'd prefer not to argue about it

[thequeenofsastiel]

Fadel grabbing Style's chin and dominating him, while Style clearly loves every second of it.

Bonus!

Switchy Style grabbing Fadel's chin and attempting to dominate his very not switchy Dom, who looks both slightly confused and annoyed.

Jfc I love them so much.

[widowshill]

the people aren't ready to hear this but angelique arbitrarily picking quentin to decide to be in love with out of nowhere, bewitching roger into marriage and then absolutely not wanting him to touch her, and constantly pursuing men's (chiefly barn's) attention only when it's clear he doesn't want her, is soooo comp het of her.

[thatswhatsushesaid]

Honestly the empathy sequence makes NMJ kinda strike me as an entitled/abusive parental figure. Maybe I'm just drawing paralels that aren't there, but:

Feeling entitled to JGY's time and attention? He interrupts his conversations with LXC (twice, I think), one of said times because he was eavesdropping on them AND got angry about JGY expressing fear to LXC IN PRIVATE

Not letting JGY explain himself/ not listening when he tries. At the point of the staircase scene NMJ has been poisoned to hell and back by baxia, but I do believe it's not just that. He sees his moral code as absolute certainty and his inflexible nature makes it that he doesn't take well to deviance from that. Aka has to get his way or gets Angry

I think NMJ was an absolute idiot to let JGY ppay clarity for hin after the staircase thing! That draws more into the paralel because abusive people often hurt others and then act like nothing happened, as if their target doesn't have the right to be upset (see again: qi deviating over JGY expressing fear to LXC). NMJ does this to a degree that paints him as almost oblivious imo

I actually do quite like NMJ but he's. So many shades of fucked up, Christ alive

i am going to proceed cautiously here for several reasons, but primarily because:

i have been drawn into the "is nmj an evil abuser" discourse once before on discord (in defence of da-ge, believe it or not) and i Did Not Enjoy It At All, Actually, and

while i think the behaviour described above absolutely qualifies as abusive, nmj's intentions also matter, and i don't think what nmj is trying to do can be boiled down to simply exerting coercive control over jgy. initially on the hejian front when he eavesdrops on meng yao and lan xichen, he wants to help him; the second time he eavesdrops, it's because he straight up views jgy as a threat, and decides to kill him because of it.

imo their dynamic is dysfunctional and toxic and is a powder keg set to explode essentially from the moment nmj sees meng yao killing the jin commander on the langya front, but i think calling it abusive is an over-simplification of what is going on between them.

that said, i do think there is a character in the novel canon who nmj repeatedly tries to exert coercive control over, who is fully and unquestionably under his authority and influence, and who he treats with wildly vacillating levels of either patience or explosive anger depending on the canon point, and that character is nie huaisang.

---

this post has been added to my dreamwidth meta archive here: https://thatswhatsushewrote.dreamwidth.org/7080.html

[nostalgia-tblr]

Currently reading a book about Queen Jane (don't worry I already know this Does Not End Well) and this may be the one time when Mary Tudor's stubbornly sticking to her guns until everyone around her Sees Reason actually works. Though not quite, I suppose, since it didn't take long for her to get the throne. But! Someone else made a decision that affected her life and she went "Get fucked" and insisted she was still queen of England* and won! Sadly I remember it being mostly downhill for her from here but still! She won a thing!

Jane's problem partly seems to be that the public phone-in vote for "Who Should Be Queen?" is running the one everyone's long been assuming would be queen against an unknown who was only added to the poll so there'd be some Drama created by the idea that the favourite might not win. Otherwise Mary's fans might not bother to pay £1 to vote for her, and then where would we be? (Answer: poorer, and in a reality where there were phones in the 16th century.)

John Dudley has a lot of sons, I bet Henry 8th hated him. At least one of them dies in this story, and it's weird that the highlight here is the occasional glimpse of the son you know from books about Elizabeth 1st, who also hasn't done much in this tale but ooh it's another Celeb Cameo when she pops up to claim to be too ill to travel!

Actually I was surprised by how late Dudley & Co left the "capture the two people ahead of Jane in the line of succession" part of their plot, but I suppose they didn't know when Edward was going to die and if you move too soon everyone's just going to ask "Why have you put the princesses in the Tower? Are you doing a sequel to Richard 3rd?" which would be Awkward AF at the very least. Especially if Edward then somehow didn't even die. But anyway they did leave it a bit late and were left in an "oh shit, the other queen can move across the board in any direction" panic.

It's quite shite for Jane, really. She didn't want to be queen anyway, she just wanted to read books :(

(*she's also claiming to be queen of France and Ireland, as was traditional, but those are... "less fact-based" we might say.)

[the-owl-tree]

listen, i think you can interpret many things from this series that the author didn't intend but, as an afab poc, i think the reading of frostpaw's spaying as anything but the erins trying to create drama regarding fertility is kind of a reach like.... the erins do not care about poc and/or indigenous people and they have made that abundantly clear and trying to hone in on people saying "hey, give this series, who historically has profited off of and appropriated indigenous cultures is trying to talk about forced sterilization" is a naive reading at best and a generous reading all around. these white brits do no care about us please stop giving them the benefit of the doubt when they have made it abundantly clear we are a side show to them. where as with the over arching misogyny its not something they intend to write, it is just a reflection of how sexist brits see the world like for the love of god do not give them this when they time and time again have demonstrated they are just white cishet spectators

I ended up going on twitter to find the thread just to see what was being said and....yeah, I still don't really agree it's to that level, but I read through and I still hesitate to knock down concerns from readers of color, you know? I definitely agree that the authors are definitely not trying to talk about political issues (I think Berryheart and RiverClan's occupation are filling that void for what it's worth), but I can't lie and say I don't understand where dots are being connected.

Anyways, I probably won't continue to answer asks on this. I just feel waaaaayy out of my depth in this discussion, so apologies for that.

[t-u-i-t-c]

[themanwhomadeamonster]

me reminding dd players that so much of the worldbuilding and lore is inferred from npc dialogue and their routines and that you really should be paying attention to what anyone and everyone has to say because the series design intentionally wants you to look out for these things rather than just drop it on your lap and that's not necessarily a design flaw that's just their way of storytelling to line up with the game's thesis

[barin-mclegg]

What fucked up social rule is this supposed to be about. Don't ask people that are in your life to help and support you and be helped and supported to help you with something or spend quality time together? Are people going insane? Am I going insane? Is this another nt rule that I can't hope to understand, like "you have to phrase things that are demands as questions"?

[bigthingsforeverintheworks]

yea danganronpa i love that series i mean yeah it's the scourge of the earth but it has kyoko kirigiri & like 5 other good characters

[profound-bouquetbird]

i would absolutely ADORE some daisuke smut. i feel as if he'd have a praise kink...

Guess I'm writing smut now 🤷

These headcanons are mostly gender neutral but since I'm a girl its written from a female perspective, if one of you request these headcanons with a male s/o it's no big deal! I'll write it :)

Also, I will be following a nsfw alphabet list but in a crappy order 👍

Also, I did use a picture instead of a gif, sue me.

❥ Starting off with the headcanon you already mentioned: I do believe Daisuke has some sort of praise kink. He would love to get praised for doing the simplest of things, but he doesn't get a hard on every time you praise him, only if it's in a dirty context ☝️

❥ It will take a bit to get this man going. If you decide to drop subtle hints, he will get it but will ultimately think it is all in his head, so you have to be a bit straight forward most of the time. Example:

"Gosh... My head hurts." Daisuke complained, taking a seat next to you on the couch. A bright idea suddenly enters your mind as you smirk to yourself, turning to your boyfriend, Daisuke, with a suggestive look.

"I know what can cure a headache..." You stated, resting your head on his shoulder with a wide smirk. Daisuke stares at you for a moment, as if to process your words.

"... You'll grab me a painkiller?" He said after a couple moments of silence. That ultimately killed your mood as you let out a loud sigh, pinching the bridge of your nose in exhaustion.

❥ Yeah... be a bit more straight forward.

❥ As for the top or bottom dilemma, he'd be a switch leaning bottom. Why leaning bottom, you may ask? It just feels right.

❥ He can be a top if asked, but he'll still require huge amounts of praise and reassurance to make sure he's doing a good job. He prefers to have you on top so that he can feel of use, since you're the one that knows your body the best. But he does have occasional bursts of dominance where he is actually being a soft dom. Also yes, if he were to be a top he'd be a soft dom., argue w the wall.

❥ He is vocal in bed, and when I say vocal, I mean it. If he's not moaning and groaning, he's babbling nonsense into your ear. It doesn't even have to be sexy 😭. He would just be whining about work or a hard video game level while he pounds into you or when you're riding him.

"Swansea was... mhn- so rude today." Daisuke panted, gripping onto your hips tightly as you bounced up and down.

"Tell me more, Hon." You moaned above, quickening your pace as you rested your hands on his chest. He let out a couple of groans and moans before continuing to whine about how bad his day was.

❥ As for his favorite position? Doggy. He's a simple man. Hitting it from the back and pressing up against you from above while biting onto your shoulder to suppress his moans? What more could a man want.

❥ Even though he's not often in that position, it's still one of his favorites. He probably suggested to do positions you haven't done before just to see if they feel good or bad for you two. As I mentioned, he's eager to please and wants what makes you feel best.

❥ Stamina? Average. He could go two to three rounds without a problem, but after the third he'll feel overstimulated and tired. If you're still energetic and want more, he'll eat you out/suck you off until you're satisfied.

❥ What about aftercare? The king of aftercare... in his own special way. He would continuously ask you what you need, what you want, what he should do, is he hurting you? He's sorry if he is. Meanwhile you're lying there, barely able to comprehend his words from how fast he is speaking. After a while you two eventually get into a routine and he doesn't bombard you with questions as often.

❥ What about experience? He has had a couple of girlfriends before he met you, but it only led to make out sessions, nothing more. Unless you count his own hand as experience, I wouldn't put him very high on the list.

❥ What about how they are in the moment? Serious or silly? I'd say he leans towards silly more, but he can be serious when the time calls for it. As I mentioned previously, he rants about dumb stuff and on a couple occasions you had to stop what you were doing to laugh.

❥ As for where you two have sex, it mostly stays in the bedroom. If you're on the ship, it definitely stays in the bedroom. But when you're on land/in the comfort of your own home? No surface is safe if he's horny enough.

❥ As for his kinks, he doesn't have many. As I mentioned, praise in one, but on the list also falls blindfold sex, gagging, maybe spanking, and maybe a bit of hair pulling (both his and yours).

❥ Oral? He doesn't love it, nor does he hate it. As much as he wants to please you, he prefers getting head than giving. Don't get him wrong! He enjoys giving you head too, but even he has to be selfish sometimes. He'll ask for head in the most random times too, mostly because he's messing around. But if you accept? He was serious all along! I don't know why you would think otherwise 😁.

You were just sitting in the lounge area, already being done with your chores for the day and just waiting to be given a task. Though, your boyfriend, Daisuke, also seemed to be done with his tasks, taking a seat next to you in silence.

That silence was soon broken as Daisuke leaned into your ear with a shit eating grin.

"Wanna give me head?" He asked quietly, setting back down. He just wanted to fluster you because captain Curly was also in the room. You looked back at him, completely unphased as you shrugged

"Sure." That took him by surprise, his own face turning pink instead of yours as he looked around sheepishly. He quickly, yet gently grabbed your wrist before pulling you into a more secluded area.

❥ This man is a roller-coaster when it comes to that type of stuff. He would tease you to no end, but when you actually tease back? How could you! Now he's all red and flustered >:(

❥ He's awful when it comes to taking care of himself down there. It's not like he has a jungle, but his hair is just cut weirdly, and he doesn't know how to take care of certain parts. If you offer to help him, he'll be embarrassed as hell and would initially refuse, but after a bit of convincing he would cave.

❥ He has stolen your underwear at least once to see if it gets him going, which it kind of does but he is overwhelmed with embarrassment and overall feels bad. If you're a woman, he would grab a bra to recreate those videos you see on TikTok of men pretending to be flies, He even tries to put it on for a bit.

❥ As for his pace, it again really depends. Though he can get off by being slow, he does need a bit more roughness in order to finish off properly. Not full on pounding into you until your legs go numb, bit just enough (if you suggest the prior, he wouldn't be totally opposed, but you'll have to reassure him a shit ton during it and after).

❥ He thinks extreme dirty talk is cringe, change my mind. This man cannot take you nor himself seriously while trying to talk dirty like in the movies.

"Oh- yeah? You like that? You li-" Daisuke cut himself off with a loud wheeze, immediately stopping with his thrusting as he covered his mouth to laugh to himself.

"Don't laugh-" You tried to scold, but ultimately caved and began laughing as well.

"I can't- 'm sorry--" He wheezed once more, being overwhelmed by embarrassment at his words.

---

Thats all folks!

[tetsvya]

clueless, kuroo tetsuro

ˏˋ°•*⁀➷  kuroo tetsuro has a thing for girls with long hair. so what if you're a girl with long hair? that doesn’t mean anything!

➼ pairing! kuroo tetsuro x fem!manager!reader

➼ warnings! none, just fluff and humor. maybe ooc because i haven't written in years??? unfortunately, because this is based on the scene of kuroo and yaku arguing about their preference, this is really for my long haired girlies 😣 i apologize to the short haired readers

➼ word count! about 1.4k

➼ author’s note! "haikyuu renassiance!" we all cheer in unison. anywho, this is my first time posting in two years. please be nice to me 🫡

"So, you prefer girls with short hair then, Yaku?" Kai asks, shedding off the white button-up of his school uniform and revealing his black practice t-shirt. The three third-year Nekoma players had found themselves in an empty classroom, deciding to use it as a makeshift changing room. Luckily for them, they had all worn their clean practice clothes under their school uniforms. Doing so allowed them to save time and cut back the number of minutes they were already going to be late to practice, thanks to Yaku getting distracted by a group of girls, which Kai noted all had short hair. Hence, his question.

Yaku paused his work of ridding himself of his tie to send Kai a proud grin, pointing towards him with both hands, “Yesss!

"And you, Kuroo?" Kai turns to him, now curious to know his captain's answer as well.

"Long." Kuroo's answer is firm, leaving no room for debate. Still, he glances at Yaku, as if daring him to try.

Yaku only snorts, shaking his head in amusement as he too turns to look at his captain, "Like that wasn't obvious."

"Ehh," Kuroo's eyes narrow, head craning down to peer at the libero, "What's that supposed to mean?"

"It means," Yaku starts, taking a step closer as he peers right back up at Kuroo, "Everyone knows you have a crush on our manager, who just so happens to have the longest hair I've ever seen!"

"Ehh?" Kuroo repeats, louder this time as he cranes his head down even more, "Who says I have a crush—"

"Hey!" The door to the classroom slides open with a shocking force, startling the boys and drawing the attention of all three of them to it. Kuroo and Yaku both grow rigid as they find you standing in its opening. Quiet pants slip past your lips, and you take a moment to catch your breath as you stare at the three of them before you begin speaking, "There you guys are! I've been looking for the three of you everywhere."

"Hello," Kai greets kindly, the only one not left in a stupor at your sudden appearance, smiling as you make your way into the classroom. "We apologize, we're running a bit late."

"Yeah," You huff, coming to a stop a few steps away from them as you cross your arms, "It was your guys' turn to set up the nets. So when you guys didn't show up in time to do so and none of you answered your phones, Coach sent me to find you guys. Didn't know I'd be going on a wild goose chase."

Your words leave you in a huff before your eyes land on Kuroo, raising an eyebrow at the captain. His shoulders tense even more at the sudden eye contact and he's quick to snap his head in the other direction. Kuroo suddenly feels warm, realizing how you could have easily heard the conversation transpiring between the three of them. Stupid Yaku, Kuroo curses the libero in his head, doesn't even know what he's talking about.

"Sorry, Y/N." And of course it’s Yaku who disrupts his thoughts, pulling Kuroo's eyes to him just as he sends you an innocent smile, "We got carried away, talking."

There's a teasing tone to Yaku's voice, and Kuroo knows it's directed at him. Why is he friends with him again?

"I don't even want to know," You speak, and Kuroo can envision you shaking your head at the three of them, "Just get dressed and get to the gym as quick as possible, please."

All three boys give some noise of recognition in response to your words, and Kuroo takes the chance to glance at you then. He's quick to regret it. Your hand rises just as he locks eyes with you, reaching up to tuck some of the more unruly pieces of your hair (which most likely came undone due to your seemingly frantic search of the three third years) behind your ear and out of your face. Kuroo's eyes follow the movement of your hand, trailing downwards and taking in the long strands of hair that fall well past your shoulders. Once again all too aware of the conversation he was just having with his teammates, the tips of his ears burn as he pulls his gaze away from you once more. He shakes his head, trying to get Yaku's words out of his mind. Just because he liked girls with long hair, and just because you so happened to be a girl with long hair, did not mean he liked you.

Right?

A snort of laughter suddenly leaves Yaku, having caught the interaction, and Kuroo turns to him with a heated glare. You don't miss the exchange between them either.

"Are you two having one of your petty arguments again?" You accuse, eyes glancing between Kuroo and Yaku who are suddenly staring back at you like two deers caught in headlights. "Seriously, you've been fighting like this since first year. What topic could you guys possibly still be discussing?"

Yaku's smirk returns as he glances at his captain with an all too knowing look before he turns back to you, "Well, if you really want to kn—"

"Nope!" Kuroo is quick to interject, speaking for the first time since you entered and drawing your attention away from Yaku and back to the captain himself. Your eyes widen as he begins to take long strides in your direction. "No arguing here!"

Your lips part, confusion taking over your features at the odd behavior your captain is displaying. You don't get the chance to say anything, however, as Kuroo makes a show of glancing at the clock on the wall before turning back to you with a dramatic gasp, "Oh, would you look at the time! We should really be heading to practice."

"You still have your school shirt on, Kuroo.” You point out when he stops in front of you, pointedly glancing down at Kuroo's attire, which consisted of his practice shorts and white button-up, with his red school tie hung loosely around his neck.

"I'll just change it once we're in the gym," Kuroo responds, waving away your interjections before he drops his hands onto your shoulders and forces you to turn around and back toward the door. You attempt to dig your heels down when he begins to push you in the direction of the door, but you're truly no match for his strength. Stupid volleyball training.

"Kuroo," You voice your protests, attempting to swat at his hands in order to get him to release you. Once again, your attempts remain futile, "Let go of me!"

"No can do! As captain and manager, it's our job to be on time to every practice. What would our team do without us?" Kuroo shakes his head, clicking his tongue as if he's scolding you. He turns back to Kai and Yaku, flashing them a warning smile, daring them to say another word. Yaku merely watches on with an unamused look, while Kai holds a placid smile. There's extra sweetness in his voice as he practically chirps out, "Bring my stuff to the club room, will you?"

"I was on time!" You retort, not giving Kai nor Yaku a chance to respond to their exasperating captain as you send them a pointed look, all the while succumbing to your fate and allowing Kuroo to push you out of the classroom. After all, he did have a point. It probably wouldn't be long before Lev managed to push somebody's buttons (most likely Yamamoto’s) one too many times and ended up in hot water. "The only reason I'm not there right now is because I came looking for you guys!"

"Ah, now is not the time to deal blame, Y/N. Our juniors are waiting on us." Kuroo argues back, shaking his head as he removes one hand from your shoulder to slide the door shut behind the two of you. Still, Yaku and Kai face the door as the sound of your guys' bickering persists. It grows quieter and quieter with each passing moment, and it isn’t until they can no longer hear your guys' voices does Yaku glance away with a shake of his head.

"He's clueless." Yaku deadpans, glancing back down at his tie as he continues to work on untying it.

Kai nods, neatly folding his button-up before placing it in his bag. "Completely."

[auroralwriting]

poker face

spencer reid x fem!bau!reader

spencer and you go to the casino to find the unsub. you think he looks pretty hot playing poker.

word count: 2.0k

warnings: making out, gambling, poker face spencer aghhh

"Forensics got a fingerprint match on the last victim. Eddie Langdon. We're looking into him." You said as you walked back into the office that held some of your team members.

Hotch came in behind you, "Hey, any luck?" Emily asked.

"No, they don't want to allocate agency funds for the buy-in. I'm still working on it." Hotch replied, looking down to his phone as he got back on another call.

Rossi chuckled, "Well, I can't imagine why not. We're only asking for fifty thousand bucks of taxpayer money so that FBI agents can play Texas hold 'em."

Emily eyed Rossi, "Hey, what about you?"

"What about me? What?"

"You could stake us the buy-in." Emily smirked.

Spencer sat down next to you, "Yeah, you're a best-selling author."

You nodded enthusiastically, "Don't forget a best-selling author and longtime FBI agent. You could loan us the money, or something."

"No," Rossi shook his head.

"Why not?" Emily frowned.

"One, it's against regulations, and I'd like to hold on to this job for a little while longer." Rossi began.

Under your breath, you muttered, "It's just a little violation, 's all."

Rossi just rolled his eyes at your comment. "And two, I prefer to spend my money on actual things, like single-malt scotch, a fine cigar, beautiful artwork."

"Poker chips are things!" JJ replied quickly with a smile.

Rossi just scoffed as Spencer spoke up again. "Maybe just think of it as like a new experience. I mean, at your age, how often does that happen?" Oh, no he didn't.

"At my what?" Rossi slowly turned his head to Spencer who just gulped and awkwardly looked away.

"Rossi, this may be our only chance to get this guy." You said slowly. "They government isn't going to give us the money. You're our only way to catch this killer. Please?" You paused for a moment. "And if it helps, you can just write a new book to get some more cha-ching."

Rossi sighed, "All right, fine. But I'm ignoring that last comment. I'm a decent poker player, but I can't promise that I can stay in the game long enough to--"

"You know what?" Emily interrupted. "I bet you're a great poker player, but what if we sent in Reid?"

"I am banned from casinos in Las Vegas, Laughlin, and Parump because of my card-counting ability." Spencer commented as if it was the most casual thing in the whole world.

You raised your hand slightly, "Why did I not know this sooner?"

"Look, I know I'm not a genius like the boy wonder here, but poker is not Blackjack." Rossi argued. "It's about bluffing, reading human nature, head games. It's not math."

That's when Spencer stood up, "That's not entirely accurate. There actually is a mathematical equation for knowing when to raise and when to fold. If P represents the size of the pot at the time of play, then P times N minus one, with N representing the estimated number of players in the final round of betting--"

"Okay! Fine, I surrender!" Rossi cut Spencer off quickly. "Just try not to lose all my money. Actually, you know what?" Rossi quickly spoke your name. "Take her with you, I don't want you losing all my money and if she needs to interrupt the game, then so be it."

Your eyes widened, "Rossi, I've never stepped foot into a casino in my life."

"You'll be fine!" Rossi waved it off as Spencer gave you a comforting look.

Oh, this was not what you expected at all.

Spencer and you had to get checked by security with the handheld metal detectors. Yours didn't go off, but Spencer's did. He played it off as just a pen. Thank god they accepted that.

The two of you walked in. For someone who stared at dead bodies and killers all day, this was the most nerve wracking thing you'd experienced in a while. It also didn't help that Hotch decided you and Spencer were to play a couple when you had such a big crush on him.

"Hey," Spencer muttered, "It's okay."

"Just nervous," You replied under your breath. The two of you made your way to the bar. Spencer got himself a drink, and you got some champagne. "Is it really just math?"

Spencer nodded, "Math, and a little bit of luck."

The moment you felt Spencer take your hand, you tried to pull away. "Spencer, what about germs--"

"I don't mind your germs, you're my friend. Plus, we have a part to play, remember?" Spencer muttered, locking his fingers between yours. Your heart pounded as you did the same.

"I'll observe as you play," You muttered, remembering the list of things you needed to look for to find the unsub. "I know you don't need it, but good luck."

Spencer smiled at you, the comment being just so sweet and innocent. "Thank you." You looked so nervous, so out of place. It made Spencer notice you more.

Spencer had taken a seat at a table, which you stood behind him, leaning over his shoulder. Your hands rested on the back of the chair. So far, no one caught your eye, until one man at another table did. Casually, you poked Spencer and he caught onto your stare.

"You know, would it be all right if I sat at table two instead of four? I have a pre-glaucoma condition and the light's kind of bothering my eyes." Spencer called over the employee, who took him to the desired table.

The men didn't just eye Spencer as he sat down, you noticed they eyed you too. Defensively, you wrapped your arms around Spencer's neck from behind. "Ah, I'm calling." One of the men said."

"I'll raise." One guy said. You stared at him, noticing his red eyes. Weird. "Eight thousand."

"Eight thousand.. That's, uh, fifty-six months wages for the average person in Bangladesh." Spencer commented casually. In reply, you giggled and played with some of hair, pushing it out of his face. Spencer hoped you didn't feel his face turn hot under your fingers. "Uh, kind of makes you think, doesn't it?"

"Hey, it's eight thou to you." One guy remarked. "Now, are you in or are you out?"

Spencer sighed, "I.. am in. And I raise."

"Three raise? That's too rich for my blood." The guy sighed. One man, the one who raised before Spencer, bored holes into him.

"Are you in, sir?" Spencer asked.

"I'll call."

"Call?"

Spencer flipped his cards, "Straight."

Based on everyone's reactions and Spencer's coy face, straight was a very good thing. Playing the act, you kissed Spencer's forehead and squealed lightly, deciding to stroke his cheek for a moment. "A gut shot straight draw? Are you kidding me?"

"That is just-- that is nuts."

It was no wonder Spencer was banned from casinos. Spencer's poker face was good. He simply just covered his mouth after a moment and stared, watching everyone's reactions. His hand slowly ran down to his chin, and in that moment, it did it for you. Sure, Spencer was your cute little nerd, but he'd never been so hot to you.

You noticed next to the man who was staring, he had an eight ball keychain. "Hey, mind if I look at this?" You asked, reaching for it.

The man was quick to grab your hand hard. Spencer jumped into action, pulling you from him.

"Hey. What's the problem, sir?" An employee asked.

"She's reaching for my chips!"

"I'm not even in the game," You remarked.

The employee grabbed your arms, "You need to come with me."

If Spencer's eyes could've gotten any wider, they would've popped out of his head. "Hey! Don't manhandle her! She can walk, let go!" Spencer ripped the mans arms off of you and pulled you into his chest. "Come on, love. Let's just go."

Spencer's words caused your chest to tingle as he guided you away. You watched as he clicked the call-device, it lit up red. The look on the mans face, your unsub, was clear. He knew.

You met up with the team as you were lead out the doors, "They're FBI agents," Hotch informed the guard.

"There he goes, plaid shirt, baseball hat." Spencer pointed.

After searching the whole casino, the unsub made a break for it. His name was Curtis Banks. You and Spencer were sent to his house to see if he was there. After a quick search, it was clear he wasn't there.

"Hey Hotch, he isn't here. There's a foreclosure sign in the lawn." You informed your chief.

"All right, you and Reid stay there in case he comes back." Hotch hung up the phone.

You shrugged to Spencer, "And we wait."

After a beat of silence, Spencer turned to you. "At the casino, you couldn't keep your hands off of me after I won." Spencer said out of nowhere. "Your physical proximity was close, you frequently stared at me--"

"I was playing my part," You argued.

"Yeah, too well." Spencer pointed out. "Were you checking me out?"

Heat rose to your cheeks, "No. Why would I do that?"

"Look at me and say it," Spencer demanded, but his tone wasn't harsh. It was simply just firm. "You won't look at me."

Slowly, you turned to look at Spencer, "I wasn't checking you out."

"You can't look me in the eyes. You've never not looked me in the eyes." Spencer continued.

"Stop profiling me," You tried to end the discussion. It was clear Spencer had caught you. You weren't interested in being turned down, especially when you were in some sort of steak-out with the genius.

Spencer frowned, "I'm not profiling you. I'm just telling you as it is."

"That's what profiling is," You countered. "We don't need to have this conversation. Was I checking you out? Yes, I was. Is that what you wanted me to say? That you looked so damn hot winning thousands of dollars with your best poker face while you let me all over you?"

Spencer said your name, but you kept rambling. It took him grabbing your chin and forcing your face closer to his to make you stop. "You think I'm hot?"

"Yeah," You stuttered. "Yeah, I do."

Slowly, Spencer trailed his finger over your bottom lip. "I always thought you were the most gorgeous girl I'd ever seen."

"Where's this confidence coming from?" You asked.

Spencer shrugged, "Gamblers frequently experience a phenomenon called the 'winning high,' it releases dopamine and adrenaline, making gamblers do riskier things than they'd normally do."

"You gonna use that high to kiss me?" Your voice was a mere mutter. Your lips were just grazing Spencers.

"Is that what you want?" Spencer lowly asked.

"What do you think?" You retorted.

Spencer's lips slammed onto your own, harder than you expected. His large hand had the back of your neck, and he pulled you impossibly closer. It was hot, just how you wanted it. Flimsily, Spencer reached to the bottom of his seat to scoot it back. His hands went to your hips, guiding you to move across the seats to his lap.

"You know, we're still on the lookout." You mumbled, pressing another kiss to the genius's lips.

"They haven't called us yet." Spencer challenged, hand running down your back to your waist.

Slowly, Spencer's hand began to creep up your shirt, just to your navel-level. His kisses descended to your neck, pressing opened mouth, warm kisses to your skin.

"Spence," You whined, grabbing his hair to push him closer. He sighed in reply.

You both jolted when your phone began to ring. You grabbed it quickly, "What?"

"Ooh, someone's frisky." Derek teased over the phone. "We got the guy. You two are all good to head back."

"Thanks, Morgan. See you back there." You hung up the phone, tossing it back to to your seat. "Looks like we have to wrap this up."

Spencer smirked, "We fly back in the morning. We'll find some time soon."

Spencer's words weren't a tease, they were a promise.

[thewriteadviceforwriters]

The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[lambilegs]

best friend's older sister!sevika headcanons pt. 2

contains: modern!au, nsfw content (so minors/ageless blogs dni!!), cursing, reader is mentioned to have family issues, hcs + blurbs set pre-confession and post-confession, mention of spanking, strap-on sex (reader receiving), breeding kink, dirty talk, degrading (the word "slut" is used), humiliation kink, sevika physically teasing reader at family dinner, mention of smoking, reader's body is referred to w the terms "pussy" and "clit"

pt. 1

best friend's older sister!sevika who pauses outside her door when she hears the muffled noises of your crying, followed by her sister's voice. her eyebrows immediately draw in concern, stomach turning as possibilities run through her mind. you mentioned having an exam earlier this week -- did you fail it? was someone bothering you? did you need her to do anything?

when her sister's in the shower, she knocks quietly on the door, your call of, "yeah?" pushing her to enter.

once she does, her eyes immediately scan your face, looking for signs of distress. when she finds your eyes pink and glossy, a bolt of nervousness shoots through her, taking her off guard for a second.

once she swallows down the feeling, she tilts her head at you, leaning on the frame. "all okay?" she asks, trying to keep her voice levelled, not wanting to reveal just how much worry is stirring within.

"yeah." your mouth is twisted in something resembling pain, and she eyes you carefully as you sit up in the bed. "it's just, you know, family stuff."

she nods. she understands that, alright. most people would think that being the older of the two, she'd fight with her father less than her little sister, but the truth is that out of everyone in her house, they butt heads more than anyone else. she usually shrugs it off when anyone asks, with her most popular coping mechanism being fuming in her bedroom with a cigar while heavy music blankets over all her thoughts. probably not the healthiest way to react, but it's worked for this long. besides, she doesn't have the patience to sit at a desk and do that journalling bullshit her sister always prattles on about.

"sorry." she contemplates for a few moments on what else she could say to help, rocking on the balls of her sock-clad feet. all she comes up with is, "families suck," silently berating herself for being so incompetent.

but, at least you laugh, the noise a bit breathless, so sevika takes pride in that. "yeah, that's the understatement of the century."

"do you wanna, I don't know, talk about it?" just to ease the weight of the question, she mutters, "you know, I'm pretty good at belting insults at anyone who deserves it."

"oh, yes, I'm sure of it." you nod at the wall where the shower can be heard from. "she's told me how vicious you were in middle school."

she bristles, feeling her stomach tighten in embarrassment. she was a little asshole, alright, and she can't lie, her younger sister bore the brunt of it. something she secretly regrets now -- not that she'd ever admit to it. she probably never would've revealed it you in the first place if not for her sister ratting her out.

"well, I-- that was middle school. I'm not like that now."

your eyebrow raises, lips tilting up. "you know, some people would argue that who you are as a kid shows what kind of person you are at the core of it."

she scoffs. "who, freud? considering the other stuff I've heard about that guy, I think I'll pass on believing that bullshit."

"oh, c'mon, I can tell you all the merits about his theories."

"and while that sounds riveting, I guess, I'd prefer knowing if you... you know, need anything?" she shrugs, her eyes trained on you.

you smile softly, the corners of your lips crinkling. "thank you. I don't feel like talking about it much now, but I appreciate it a lot."

she nods, rasping on the doorframe, unsure as to how to proceed now.

"huh, someone's not really used to this."

she rolls her eyes, sending you a half-hearted glare. "oh, shut up."

best friend's older sister!sevika whose attention towards you is beginning to become obvious, even for you. she's started seeking you out instead of any of your other friends when she's looking for her sister, and when she enters the room, her eyes always flicker to you immediately. it makes you feel like a spotlight is casted upon you, your entire body, your entire being, reserved for sevika.

one day, one of the girls in your group leans over to you, her tone lowered with conspiracy. "you know, I think sevika has a thing for you."

your best friend groans, smacking her arm. "god, please! that's my sister, for god's sake."

"and? she's hot?"

her face morphs into complete disgust, eyes squeezing shut. "please, that's so fucking gross."

while you laugh along with the conversation, you can't help but warily glance to your best friend, mind whirring with thoughts of whether or not she's being earnest. you and sevika aren't, well, anything really -- at least not anything officially declared or acted upon. for months, it's just been tosses and back-and-forths of teasing and flirting. but, there has been no step over the threshold that divides you two between nameless, vague chemistry and the agreement to work towards a real relationship.

but, still, there is something there, and you cradle a hope in your chest that it'll turn into more one day, an actual thing that can be named. but, it's hard to feel positive about that outcome when you're not even certain if your best friend would approve or feel comfortable.

she meets your pondering stare, and you immediately backtrack, turning away so she can't read what's on your face.

a moment later, her palm rests on your knee and she laughs, tone as casual as ever when she says, "honestly, if anyone could tame her, it's you."

your lips part in shock, but she simply squeezes down gently before carrying on with the conversation.

best friend's older sister!sevika who pretty much wants to wring her cousin's neck out when she spots her conversing with you. well, it's not the conversing that's the problem -- she's not that crazy. or at least, she pretends not to be.

it's the fact that she knows her cousin hits on every one of her and her sister's friends, and she's clearly doing that with you right now, eyes half-lidded and voice lowered to what sevika hopes sounds more like darth vader than sexy to you. god, she nearly wants to kill her sister for being stupid enough to leave you alone with her. but, judging from her sister's shit-eating grin from where she stands at the food table, sevika suspects that it was intentional.

she tries not to crush her plastic red cup in her hand and send her vodka-spiked punch spilling everywhere. when her sister had casually mentioned last night that you'd be showing up to this family barbecue, sevika, much to her own embarrassment, had felt an immediate buzz of anticipation at knowing you'd be there. it's stupid, she knows. she's a grown ass woman, not some teenager -- yet, there she was, biting back a smile as she walked up the flight of stairs back to her bedroom. and when she reached her destination, she could barely focus, her thoughts straying to how she'll get a rise out of you rather than remaining on the toy she was meant to be building for the kid she babysits, isha.

she couldn't lie to herself about it. she was goddamn excited.

if only she had known how the day would wind up. it's nearing to late afternoon, and still, she hasn't spoken to you once. as soon as you and her sister had reached, the two of you had met with your usual gaggle of girls. and sevika hadn't been in the mood to entertain their giggles and leering stares upon coming to get you from them. and so, she waited. and then, you were dragged off to talk to her sister's favourite cousins, and then, to the idiot you're currently speaking to. a few minutes into what sevika hopes is a cringe-inducing conversation, her sister had left you to go to the food table.

she knows she has no reason to be jealous of her cousin. after all, look at the dimwit, she barely has game. she's so flashy with it, no subtlety. if you weren't the object of her cousin's attention, she might've actually taken some amusement in watching from afar.

but, no, it just had to be you. she can't even blame her cousin -- after all, you do look damn good, that's for certain. if this wasn't a family event, she'd be dragging you to the nearest corner, pushing you against the wall, and teasing you until you're a squirming little mess. god, she's just throbbing at the idea of it.

but, the feeling gets washed over with ice when her dumb cousin starts stroking her knuckles against your arm. stupid kid. and why are you smiling at her? do you not realize she's flirting? do you like that she's flirting? oh, now that thought leaves a sour taste in her mouth.

her composure snaps when she sees you laugh, and with a firm toss of her cup in the nearest garbage bag, she calmly makes her way to you. she knows she ought to be better than this. she should be the one with sense, with rationality -- the one who keeps her shit together while you become a fumbling mess whose feelings might as well be written on your forehead. that should be you. not her.

but, it's like her mind is working on overdrive, all her instincts honed in on making sure she takes you away and has you all to herself.

when she slides next to you two, your jump in surprise, looking up at her. her eyes rove over your features, drinking you in, wondering momentarily if you even realize how crazy you drive her.

"hey, sev, are you looking for your sister? because she's--"

"no," she cuts in, her palm bracing against the small of your back. "give us a sec."

"wha-- but, I--"

sevika doesn't give her cousin a moment to protest, firmly guiding you away to the front of her house, which has been left secluded now that people are eating in the backyard.

when you stumble into her back from her sudden halt, you blow out a frustrated puff of air. "what the hell was that?"

she feels her thick, dark eyebrows furrow, her gaze casted down on you, unwavering and focused. "I should be asking you that. why were you talking to her?"

"your sister left me with her!" you protest, your voice raising a pitch she'd find cuter if it weren't for the sour taste in her mouth.

"and? that makes you incapable of leaving a conversation afterwards?"

your eye twitches. "and why should I have left the conversation?"

sevika swallows, feeling her throat bob with the movement. if she acts like some jealous girlfriend, it'll be all too clear what it is she feels. and that's a bit too exposing for her. sure, you two flirt and push-and-pull, but it's something she could easily pass as a game if ever needed be. but, jealousy, disliking you talking to someone other than her? that's way too obvious, and there's no way of covering that up.

so, she takes a different route. "you know, if you're gonna be hitting on someone at this thing, it should be--"

"you?"

she nearly splutters, blinking hard at your growing smirk before continuing. "no. it should be someone other than the fuckboy-wanna-be relative who hits on anything with a pair of nice legs and pretty eyes."

your smile only widens and sevika has the sudden urge to bend you over her lap until you're a sobbing mess.

"so, you think I have nice legs and pretty eyes?"

"are you dense? how is that what you focus on?" despite the harsh undertone of her words, she can feel her body stiffening up under your watchful gaze, desperately hoping you don't realize just how badly she wants your attention. it feels pathetic, really, to be putting up a fit like this because just you spoke to someone flirtatious other than her. shit, she needs to save some face.

"yeah, because I think it's weird how you're dictating who I can speak to as though you're my girlfriend or something!"

"that's not how I'm acting--"

"yes, it is!" you scoff, stalking up to her and pointing a finger against her chest, the contact making her jerk back from the spark it leaves. "you wouldn't be this pissed if it was just about concern."

she's silent for a few seconds, her mind running through possible comebacks. the only one she can think of is a hard, "you don't know that."

you tilt your head at her, as though she's some kid in need of a scolding. it only exacerbates her frustration, causing it to flare up low in her gut. "well, if it's just about you being concerned, then let me continue talking to her. you warned me, I took it in stride, and if things go wrong, you can always rub it in my face late, okay?"

she sighs, beginning to regret having ever acted out now that this is the turn the situation is taking. you were supposed to take her words in, and do as she says. instead, you're arguing back, just like you always do. but, she knows that at this point, she'd be a hypocrite to complain about it. she knows it's why she likes you.

"you really want that?"

you cross your arms over your chest, and sevika tries not to let her eyes stray downwards. "is there a reason why I shouldn't?"

stupid mind games. sometimes, she hated being gay because of this.

she likes you, sure, but she doesn't have the patience to beat around the bush. which she's aware is hypocritical and stupid, considering that's what she's been doing this entire conversation. but, still.

so, she shrugs. "beats me."

your eyes flash with something, jaw clenching. sevika can't tell if it's a look of determination or anger.

but, what does it matter if you're spinning around to stomp back into the backyard?

she releases an exasperated breath, fishing for her cigarettes.

best friend's older sister!sevika whose voice makes you jump when you're stirring instant noodles in a frothy pot of water later that night.

"jesus, sevika!" you gasp, your other hand flying to clutch your chest. "what the fuck are you doing here?"

"it's my house, remember?" she dryly remarks, padding over to the fridge and grabbing a carton of milk. pinching the flap open, she drinks straight from it. you'd find it gross if it weren't for the way her lips wrap around the soggy cardboard material, the muscles of her neck protruding as she gulps it down.

when she bends down to put it back, you turn away, your stomach churning from how any bit of laughter is totally drained from her voice, leaving it flat and achingly unfamiliar.

you've felt guilty since the barbecue. sure, it's annoying that she makes demands of you without actually admitting her feelings. but, it's clear that she was upset in that moment. so, maybe you should've been a tad nicer.

"uh, sevika?" you meekly call out right as she's about to exit the kitchen.

she freezes in the entryway, casting you a sidelong glance over her shoulder, which is pinched from the strap of her tight tank top. god, you wanna kiss the indent it leaves.

"I..." you trail off, shifting side to side on your feet, the low bubbling of the water the only noise filling the room. you don't know what's too much or too little, so you mull over your words before tentatively saying, "you know, I'm not interested in your cousin. like, at all. I had no intention of flirting back with her, or, like, pursuing something with her."

she's silent for a few seconds, her eyes flicking away as her jaw tenses, which sends her cheeks hollowing out. you stare at her for a few seconds before focusing your attention back to stirring the noodles, needing something to occupy your thoughts other than the thick, stifling tension seizing the air.

finally, she speaks, her voice low but firm with surety. "well, I didn't want you to flirt with her... for reasons other than what I said."

your stomach tightens up in anxious, gut-wrenching excitement, forcing your mouth to remain in a clenched line. you know this isn't exactly a confession, but it's unspoken between you two -- what she means, that is. there could only be one reason other than concern that would explain how protective she was earlier. a reason that, sure, you're not certain about regarding the details or her intentions, but that nonetheless has you feeling like you could jump with the amount of energy surging through you at the mention of it. no matter how vague.

you can sense she won't say anymore, though, her body rigid with tension. so, to try to lighten the mood, your own body sagging in relief now that you two have somewhat made amends, you drawl out, "yeah, that much was clear."

she snickers, turning fully to you and propping her arm on the door frame. you expect her to give her own retort, but instead, she just... watches you. smirk slowly curling on her face, eyes crinkling in amusement, she simply stares at you.

after a few moments of feeling like the side of your head is burning from her razor-sharp gaze, you say, "what?"

the corner of her mouth quirks up further. "for someone who says it was obvious, that was a pretty big grin you had on your face just now."

you huff indignantly, ducking you head down to the noodles in order to avoid getting caught in your flustered state. "well, I'm just grinning because my noodles are almost done."

she peers at the time flashing over the stove before shaking her head and grimacing at the pot. "why are you even eating this crap at 2:00AM? we have actual food in the fridge."

"I was craving this," you defend with a squeak, shooting her what you pray is a convincing glare despite your heart racing from her earlier words. "besides, I didn't know if your family would be having the leftovers."

"don't be stupid," she chides gruffly. after a pause, she adds, "you know you're family."

this time, you can't resist the beam that overtakes your face, eyes squeezing in delight as your cheeks throb pleasantly from the joy embracing you. you've, of course, heard this sentiment from your best friend plenty of times before, but never from sevika.

"thanks," you murmur feebly, sending her a small, bash smile.

she simply nods in return, her lips pressing together as she continues observing you.

part of you basks under it. the attention of her focused grey eyes, the heavy weight of her gaze -- it all sends a thrill to you that's hot and burning, making you feel you're being revived from a lifelong slumber. how did you ever manage without the life-altering feeling which is sevika's gaze directed to you?

"so, I guess I should head up," she says, sticking a thumb behind her.

your body immediately tenses in protest. she can't leave -- not like this, not after this tender moment you two just shared. not when her presence here holds the contrast of warm assurance and ice-cold surprise that you're always craving.

a loud "no!" bursts from your lip as she's just about to turn.

when she sends you an inquisitive stare, forehead wrinkled in confusion, you feel your face heat up in embarrassment over your over-eagerness. but, it's too late to scale back, so you force yourself to proceed with, "I just-- why don't we hang out a bit? maybe watch gilmore girls. and, I don't know, share the noodles and, well, left overs."

her eyes widen, lips parting in surprise, and it almost makes you want to cackle. how could she even be surprised you want to spend time with her? are you just that good at hiding your want for her, or is she that romantically dense?

"um, yeah, okay," she says, a hand curving up along the back of her neck. "but, don't think I'll eat that crap you're making."

your shoulders ease at the joke, laughing as you wag your wooden spoon at her. "it's good, okay? I don't know why you'd deprive yourself of it."

"if I didn't deprive myself, I wouldn't have these." she flexes her bicep, and you try not to let your gaze roam over the toned muscle bulging out. no need to satisfy her that much. "and wouldn't that be a pity for you?"

you bristle, but still find yourself unable to quell the laughter that bubbles up your throat. "fuck off. my life isn't so sad that your muscles are my sanctuary."

"fair point -- maybe 'religion' is a better term."

ugh, her grin is infuriatingly coy as she heads back to the fridge, pulling out a tupperware, her veins bulging out as she grips it.

you want to fuck her so bad. and then, yell at her. and then, fuck her again.

"just, shut up and heat up the leftovers," you grumble, turning your back to her as her laugh, hearty and scratchy in all the right ways, flows from her lips.

honestly, the lack of eye contact is for both of your guys' benefit. god knows how you'll react if you see that cute gap again.

best friend's older sister!sevika who, after you two start dating, places her long fingers on your thigh when you join her family for dinner. she knows it's a bit evil of her, but she can't help it. your body is just so reactive -- a fact that she was delighted to learn upon your first time sleeping together. it just makes it so much fun to toy with you like this.

your leg immediately flinches when her fingernails skim along your skin, and she'd probably smile if she wasn't so well-trained in public play to know exactly how to keep a straight face.

but, you? she knows you're struggling. she can feel it in the way you shift in your seat, shoulders rolling as her warm palm flattens against your skin, her fingers sinking into the plush of your thigh. or how your body suddenly lurches forward when she suddenly pinches her nails into the skin, causing everyone at the table to dart concerned glances your way.

you sheepishly laugh it off, shaking your head and saying, "sorry, I, um-- I just got a weird shiver."

sevika honestly feels impressed that you're able to keep your cool this well, glancing at you with a raised eyebrow. she knows it probably goes against the whole supportive girlfriend thing, but seeing you manage to remain calm only makes her want to test you even more.

and so, she inches her fingers up so that they smooth along the tender skin of your inner thigh. you immediately stiffen up, your back straightening to an almost comedic right angle. sevika's mouth twists, trying to hold in a chuckle at how you writhe when her blunt nails begin to trace shapes into the hot patch of skin. god, she wants to dip her fingers in further, feel the tight heat of your pussy wrap around her digit as she pumps it in and out of you.

she clears her own throat to cut off her breaths from getting too shallow. god, she needs a cold shower or some shit. plus, the entire point was to get you hot and bothered, not her.

trying to gather her bearings, she presses her fingers into the sensitive area, slightly digging in the curves of her nails, trying to replicate she sharp sting you feel when she sinks her teeth into that spot before eating you out.

it seems se's successful, based on the way your legs shift again, pressing together and trapping her hand there. and your cute face is noticeably distracted, expression glazed over, lips hanging open.

when your fingers curl around her wrist, keeping her hand there, she smirks behind the rim of her glass, taking a careful sip before wrenching her hand free from your grip, continuing with her meal.

through the animated conversation her sister and old man are having, she can hear you grunt in frustration.

but, she doesn't even turn to you. after all, what would be the fun if she just gave you what you wanted?

best friend's older sister!sevika who shakes you from your deep sleep when you're curled up on the mattress in her living room, your best friend fast asleep on the couch. before you can mumble incoherently, your eyes barely making out her broad frame through the sleep-tinged blur, she presses a finger to your mouth, quietly shushing you.

you nod, your heavy eyes blinking rapidly to register what's going on. but, you can barely get a whisper in before sevika scoops you up, her strong arms easily carrying you up the stairs to her bedroom. you have to bite back a gasp at the sudden manhandling, though a spike of arousal zips through you from how easily she takes you to her bedroom, dropping you unceremoniously onto her navy blankets.

you frown at her, eyes sharpened into a glare. "sevika, wha--"

she plants her lips on you, crawling on top of you and pinning your body to the bed with hers. she's sloppy and ungraceful with it, shoving her tongue into your mouth and swirling it around yours as a hand slides up to loosely grip your throat.

"you didn't think I'd leave you hanging, did you?" she mumbles against your lips, her hand drifting down your body to start fiddling with the waistband of your pajama shorts.

"well, you already did once, so I wouldn't be surprised if it happened again," you murmur against her prodding mouth, trying to keep your voice dignified in light of all the pants and whines beginning to crawl up your throat.

"awe, c'mon, baby," she snickers, pressing an open-mouthed kiss to your cheek while the rest of you practically combusts from the low, scolding tone she takes when calling you that. "even I have my limits."

and, oh, how fucking good it feels for sevika's limits to be broken, you think as she pounds into you with her dark purple strap-on, her hand over your mouth as she pumps her hips steadily, hissing whenever her bed frame bumps too loudly against the wall.

you wrap your legs around her, nails raking up her back as the toy plunges into you over and over again, stretching your walls taut. it feels good, so good, the dull ache of her nearly-too-big dildo making your entire pussy throb in a way that makes you feel impossibly full.

"listen to that," she whispers against your ear, the hot moist of her breath making you break out into shivers. "your pussy is soaking my new sheets. such a mess you're making."

god, you just leak even more from those words, the mix of your juices and the lube creating deliciously loud squelching noises in her room, only growing more pointed and firm when she begins to drill particularly hard, intentional thrusts into you. the movements have the bulb her of dick pushing against your g-spot with every rock of her body, and it sends a warm tingle through you, wrapping your nerves in pleasure and sparking them to life.

you whine against her hand, eyes rolling back when her cold, mechanical finger begins to flick along your clit. the cool, steel-hard texture of it against your swollen little nub has your body arching up, each brush and flick feeling so heightened through all the other sensations running through you.

"yeah," she chuckles darkly, grazing her teeth along your earlobe. "you like that, don't you? getting this pussy slutted out, having me fucking up your guts and making room for my babies?"

your hips jolt up at those words, a loud whine erupting from your mouth before you can stop it. sevika hisses at it, pressing her mouth to yours, her thighs smacking against yours as she continues drilling you into her mattress.

"be quiet," she rasps, her breaths shattering into uneven little pants. "you want everyone in this house to know what a slut you are? you want everyone to know you couldn't last a night in here without getting dicked down by your best friend's sister?"

you can barely respond, your entire body set aflame with the pleasure of her on top of you, surrounding you with nothing but warm skin, hard muscle and filthy, nasty little noises.

"ah," you moan quietly against her mouth, fingers tracing the indents your nails have left in her back. "feels s'good, I just-- I can't--"

"I know, baby, I know," she grunts, fingers wrapping around your jaw and shaking your face like you're her personal doll. "no need to worry your pretty head with talking, yeah? just be good and let me cream this pussy."

and so, you do. over and over and over again.

best friend's older sister!sevika who tries not to smirk too hard when her sister asks over breakfast why you're wearing a turtleneck in the middle of july.

[alchemistc]

"He wants to take me golfing," Buck pouts, and Tommy raises a brow.

"Evan, I'm doing some of my best work, here." His breath brushes over a nipple as he shifts, and Buck still absolutely wants him to keep doing what he's doing but also, he wants to complain.

"I didn't even do it on purpose! I - the tackle was instinct, okay, I should have just -."

"Yes, please tell me how you should have just let Gerrard play out a Final Destination death in your firehouse, you cold blooded killer."

He nips at Buck's chest, tips the sharp edge of his chin against Buck's sternum. Buck sighs. They'll get back to the other stuff.

"Okay of course I don't want him to be dead. I just also don't want him to be grateful to me for saving his life."

"You don't have to say yes," Tommy intones, and Buck sort of wishes he'd heard that six hours earlier. Tommy blows out a breath of laughter. "You already said yes."

"What else was I supposed to do? He was lying there all pathetic and - and pale and mustachioed!"

"You looked that up to make fun of Eddie."

"Of course I looked it up to make fun of Eddie, it just worked out that I have two freaks with mustaches in my life."

"So that's a no go on me growing out my own whiskers."

Buck tucks a finger sideways over Tommy's top lip and squints. "Stop trying to distract me from my rant."

"But I really want to distract you from your rant."

"Fine. I feel stupid for agreeing to golf with that asshole and if you grow out a mustache I'd prefer the whole beard so until you retire I'm gonna have to settle for clean shaven."

"Settle?"

"You can go back to doing what you were doing."

Tommy looks like he's considering it, but instead he digs a finger into Buck's ribs. "Settle?"

"The 72 off stubble on day three is nice," Buck admits, and enjoys the rasp when he slides a hand over 36-hours off growth. "Let me enjoy all the manly things I find attractive about you."

Tommy looks like he wants to argue, so ever the contrarian, he instead returns to mapping out the dips and hills of Buck's ribcage with his mouth. Buck thinks he hears some grumbling about 'show you settle' but he's too busy winding himself back up to fully catch it.

Tommy's lips catch the underside of one pec and Buck shifts. "It's just - I don't even like golf." and Tommy just sighs and shifts his weight up into one elbow to make himself a present audience for Buck to whine some more.

[helenhuntingdon]

I cannot imagine caring about beef between 2 tv shows