#and I wrote basically the whole comic at that time too

[purble-turble]

Macaque Meets Red Son Comic Part 29

First >> Prev >> Next (coming soon)

Uh oh… who saw that coming?? Certainly not MK haha

[theres-whump-in-that-nebula]

Against my better judgement I’ve acquired two new books from Ollie’s: Coriolanus by William Shakespeare and Empire Games by Charles Stross (which I didn’t know was a series when I got it lol whoopsie… I usually don’t read series; but this is classic-style dystopian sci-fi with time travel so it’s a little different).

[zarla-s]

I've always had a question regarding Handplates since it ended, Asgore never related the plates to Gaster? He kept a diary where he wrote everything about the skelebros and was intrigued by their past. It's not weird that the brothers had a plate with their dad's initials drilled into their hands? And if he made the connection, he simply decided not to push the issue further?

I thought about this, actually! I mean logically, you'd think Asgore would put the pieces together. I even wrote out several scripts following the idea, but in the end I didn't go for it. It'd be a long tangent at the end of the comic for one, but mostly because it just... didn't go anywhere. It dead-ends in an unsatisfying way where nothing really changes or gets resolved, so I just set it aside.

You're on the right track about him deciding not to push it! But basically I figured, if Asgore came and asked...

Gaster: he wouldn't tell him, in part because he's afraid of how Asgore would react and doesn't want to lose him, but also because he doesn't want to talk about something that personal to the brothers without their permission. Especially after Sans told him that he didn't want him to talk about what happened to them with anyone else! He'd probably talk around the issue, if he didn't outright lie about not knowing, and point Asgore in the brothers' direction so they could decide for themselves if they wanted him to know.

Sans: Already said he doesn't want anyone to know about what happened. 1-S is dead. He'd fend off any questions Asgore asked with silly joke answers and completely stonewall him on it.

Papyrus: Also doesn't like talking about "that stuff" with other people, and didn't like the pitying looks that Asgore gave him about his scars. He's with Sans in wanting to move on after what happened, and he also wants to keep Gaster in good standing with everyone and in a healthy living situation with Asgore. He'd fend off the questions in a way that'd make it clear that he was uncomfortable with the issue (much like how he fended off the kid's back at the beginning) and I feel like Asgore would sense that it's an uncomfortable topic and not press too hard.

So while Asgore might be suspicious and might figure out that the plates and Gaster are connected, none of the skeletons would actually tell him or explain anything about it, and since they've told no one else about what happened and no one remembers it, there's no real other source of information about it anywhere. So Asgore ends up empty-handed, and the reader would likewise feel disappointed that the whole thing ended up going nowhere. It'd just feel like a waste of time, I think, especially so close to the end of the story.

It is something I thought about though! Probably something better left for a fic or something, really...

[index]

[askew-d]

YIZHAN FIC REC LIST

— if you just got into the fandom, you might know switched, yizhan or yizhan through the years, so let’s go through other stuff! we’re gonna take another ride. also, if you care about this, green will be for bjyx dynamic, red will be for zsww and blue will be for lsfy. from my point of view, ofc. orange will be for the not specified, couldn’t grasp. let’s go.

• where else but home, by purplemoster — fluff story where wang yibo accidentally returns home to xiao zhan every time. super sweet read!

• ⭐️ cool boy gets a life, by saezutte — xiao zhan’s a writer and his character, cool buy wang yibo, gains life. it’s wonderful, i want a cool boy for myself. who wrote this did an awesome job.

• ⭐️ i’m not as good as you think (or as bad as they say), by ilyria — aaahh, what a gorgeous story! basically, xiao zhan becomes yibo manager and the idol, well, falls in love. there’s a sequel!

• follow shot, by cataclysms — cameraman wang yibo freaks out about idol xiao zhan. because, come on, it’s xiao zhan! we get you, boy. beautiful.

• xiao zhan’s graphic design playbook, by augmenti — this one’s absolutely gold! fantastic. xiao zhan as graphic designer and yibo as someone who thinks his prices are too small. sexual tension ensues.

• caffeine addictions and brain malfunctions, by little_passions — if you want a coffeeshop yizhan au, here’s your to-go! cute!

• query: cardiac, by iluvnaruto1412 — our radiographer technician wang yibo discovers that doctor xiao’s a hottie. there’s a whole series that’s outstanding, don’t mind the mcd in the last part, you’ll understand as you read.

• an ode to love, by spoonful_of_sugar — sappy reminiscent of their story. truly so fluffy i had toothaches the entire read.

• ⭐️ one feline war for love, by ilyria —a fierce cat becomes a human after xiao zhan saves him, and this human wants xiao zhan all for himself. so very good, i died and resuscitated. worth it.

• chef’s kiss, by jalpari — chef xiao zhan in day day for an episode and becomes enemies with wang yibo. but for a short time. love this development for them!! so well done.

• ⭐️ this is what they say, by xiaoyibao (a_storm_of_frustrations) — yibo thinks xiao zhan’s breaking up when the man’s actually trying to get married to him. comic, lovely, poetic!

• set me into motion, by deinde — backup dancers wang yibo and xiao zhan being whipped towards one another. an angel wrote this.

• ⭐️ finding yibo, by vesna (mrsronweasley) — kidfic where yibo transforms into a young version of himself and xiao zhan takes care of him. i’m losing my head. it’s great!

• ⭐️🎖️never close our eyes, series by thirtysixsavefiles — catboy wang yibo and kinda batman xiao zhan. perfect through every part. i’m flabbergasted.

• 119 my cat is struck, by serendiiii — fireman yibo, cat owner xiao zhan, you can have my heart! adorable!

• a spot of light, by akatsukishin — this is for everyone who loves a drama! delivery boy xiao zhan and successful ceo wang yibo.

• a story of others to tell, by deinde — this author has some seriously good plots. in this one, yibo pines enough to end up in cql world. extra nice!

• cut to the feeling, by vesna (mrsronweasley) — drama pa and the huge star xiao zhan. is there anything better?

• love thy neighbour, by jalpari — single dad xiao zhan and neighbour who becomes babysitter wang yibo. marvellous!

• ‘cos you make me feel electric, by chajatta — fansite xiao zhan loves his inspiration, wang-laoshi from uniq. i love this for them, genuinely.

• ⭐️🎖️ world of cultivation, by eggo — yibo and xiao zhan meet each other through a game; well, not only. hilarious! chaotic! romantic! perfect!

• gravitating towards you, by bittersweetirony — high school au with student council president xiao zhan and sports freak wang yibo, we all know we needed it.

• 181.3 cm high, by eleven14 — wang yibo wakes up high in anaesthesia. you might imagine what comes after. excellent!

• ⭐️ we are made to love, by jalpari — xiao zhan writes columns receives one letter questioning on love. aah, so poetic! definitely worth every second.

• no path better than our own, by athousandfaces — harry potter au! we’re lucky to have this gorgeous story. i had a lot of fun reading it.

• my future in your laugh, by timelykey — doctor xiao zhan falling in love with overworked wang yibo. wow, what a journey, you’re losing it if you haven’t read it yet.

• love in the time of coding, by thevoiryflute — a hacker au for yibo fits him so much, i don’t know why. just know that this perfectly-written story caused butterflies in my stomach.

• summer surf shop, by anonymous — yibo goes to a variety show and gets much more than he imagined. absolutely gold.

• pick me, pick me up, by domeneec — wrong number au for yizhan, we need it. and it’s so well-written too.

• escape velocity, redefined, by thirtysixsavefiles — i have to admit that this au of pirating away together with royalty made me suspicious at first. but after i read it, it’s so goddamn brilliant.

• 缘分 | (yuánfèn), by fyredancer — royalty au, give me more yizhan royalty. good writing, good development, good plot, had a good time reading it.

• signal fire, series by fireflavoredwhiskey — spiderman yibo! spiderman yibo! spiderman yibo! spiderman yibo! if he knew about that, he’d be happy to know that in an universe he gets to be his favorite superhero.

• ⭐️ the magic position, by sophiahelix — just a sweet, short story with yizhan being cute together and it melts my heart away every time.

• ⭐️🎖️ with joy and purpose, by feenwitch — android wang yibo living alone in a planet until xiao zhan crashes his plane there. it’s just perfect. and the writing’s wonderful.

• perfect match, by sandorara — personal ai for xiao zhan turns out to be more than he expected. gorgeous wang yibo affecting xiao-laoshi and changing his course of life. incredible!

• 🎖️ their kindred encounters, by fireflavoredwhiskey — can i have this printed, please? actually, i think there might have. it’s a the age of adeline au, xiao zhan doesn’t get old. melancholic in the ideal dosage. angst. comfort. everything.

• the ruby ox and the golden boy, series by aces_low — a mafia au that attracted me. i’m usually not into these kind of aus but aah this one… it’s unique.

• ⭐️ half is loss, half is gain, by yin_chi — celebrity xiao zhan needs a bodyguard and guess who it is? well, yeah, this story’s a blessing upon us here. i couldn’t stop reading once i began, just warning y’all. addictive, i want more.

• ⭐️🎖️ between holocenes, by fireflavoredwhiskey — this author broke the heart of so many people by just vanishing from the fandom, but ah how greatly they write and how extraordinary their works are. this is a the time traveler’s wife au and it rocks.

• fixtures and fittings, by ella_minnow — interior designer xiao zhan and motorcyclist wang yibo! believe me when i said i screamed during the development of their relationship.

• ⭐️ 为战而爱, series by anonymous — bits of sdc moments with established relationship yizhan, the works are seriously stunning.

• what i could do (if i didn’t love you), by trestle — one-night stand au with architect xiao zhan. seriously really good through and through.

• ⭐️ hand in glove, by pessoa — brat yibo; you have my heart. the development in this work’s crazy, it’s a whole rollercoaster of feelings. neighbours au!

• say you love me (again and again), by lanwuxiann — sweet story of yizhan growing up together and loving each other through every step of the way. hella soft!

• ⭐️ four of hearts (l-o-v-e me zhan-ge), by eleven14 — yibo being silly to win over xiao zhan’s heart, and of course, it works. short, but very funny and lovely.

• a head’s up, by madfilaments — xiao zhan arrives at sdc without giving a head’s up and yibo’s frustrated. a pretty satisfying thing to read. awesome.!

• 7 reasons to support your local cat café, by buttstrife — host wang yibo, cat café owner xiao zhan, a romance for the history books. they’re so very lovable.

• ⭐️ the bravest man i ever knew, by biscuitpoo — another hogwarts au! this time, xiao zhan’s a bit more slytherin-like, and it’s a whole show.

• ⭐️🎖️ so happy you could come; so happy to be here, by alex_mtg — a masterpiece! betrothed yizhan with royalty and the uniq boys and this sweet development of their relationship. just amazing! :)

• ⭐️ threads, by planet_b612 — a sherlock and watson au! it’s phenomenal! in fact, this author has only good works, so it’s definitely worthy to check out.

since i’m doing this already, might as well recommend some of my own stories, so i’ll be adding the ones i favour (sssh):

• half a bottle is enough — yizhan fight and xiao zhan gets home carrying a cardboard wang yibo. just some silly boyfriendos!

• falling; never broken — yibo has bulimia (please, be aware of the trigger warnings) and xiao zhan’s a doctor who helps him.

• a best friend and a lover — xiao zhan goes on different dates with different versions of wang yibo to look for a ‘type’. they’re both stupidly in love, your honour.

• darling you, play it cool — yizhan bodyswap au where only wang yibo’s famous though. i wrote this in 2023 and i’m the most proud of it.

• sleep tight until the moonlight — yizhan enemies to lovers where both of them spend their time being radio hosts in university :)

• whispering through dusty aisles — my au where xiao zhan’s a literary deity and yibo’s still famous, they meet occasionally and sparks fly. it’s my most poetic creation.

everyone, please remember this is my opinion! of course, there a lot of other works — famous or not — who aren’t in here. if you want to check out more recs of mine, see my bookmarks! thank you :)

[the-cat-and-the-birdie]

Hobie x Isekai!Reader

[Reading Between the Lines]

WEEOO WEEOO Platonic Fic Idea WEEOO WEEOO

Hobie x Reader Isekai fic where the reader (me) is a Spider-man meta-analysis writer and they fall into the ATSV universe.

They meet Hobie and are completely starstruck, unable to speak. Flabbergasted. Uhh okay imma just do the intro "Hi, My name's Hobie, Hobie Brown. I was bitten by a-"

"...WOULDN'T YOU LIKE TO KNOW YOU GET WHAT I MEAN!! And for the last three years I've been the one and only- *proceeds to do his whole intro for him*."

"What the fuck. Those are my lines. Bruv cut that shit out wth."

Everyone thinks they're weird as fuck, but Gwenpoole (and other Nexus beings) are taught about at The Society at least, so it's not a mystery why they are the way they are.

But they're just SO META

They're basically bouncing and they tell Hobie 'OMG, your like my favorite superhero. I write about you ALL THE TIME- Ignore the OC folder'

Hobies like 'I'm not a hero-'

'I knew you'd say that!!!!! AHHHHH!!!!!'

All of a sudden there's this huge Hobie groupie fan in the group that knows everything about them and their trauma 😭😭

The reader sees Gwen and is like '.......I know this isn't my place but I've read through the scene between you and your dad and I have some comments I'd like to make. I can leave out the ones where I wish him death.'

There's even a scene like this one between Miles and Gwen

Where Hobie is like 'oi this your analysis book lemme see-' only to open to dozens of pages of x-reader fics and Hobie x OC drawings

And reader is like

'Uh.... I ain't write that. I don't know how that got in there. That's not even my handwriting. I found that notebook actually 😭😭'

Meanwhile Hobies like 'Christ - how much time do you have on your hands 🤨🤔'

'....Is it that bad?'

'Oh I ain't say it was bad. Could use a some work though. Actually- *takes out Noir's reading glasses (which he stole) from his pocket because he's not gonna stand here and judge a book by its cover*'

Of course Hobie still reads the x-reader cause he's a cocky bastard.

And then he returns said fics covered in red pen and notes of 'I wouldn't do that-' or 'actually you should add this. This would be better.' or even 'Lemme do it. That other shite you wrote don't make no sense'

BASICALLY HELPING CONSTRUCT FICS ABOUT HIMSELF. Simply because he finds the concept hilarious.

He gets to the smut and he's like "How easy do you lot think I am? Think you can have a pass at me, you must be taking the fucking piss-" just ranting and raving as he STILL READS IT

Sitting there with a cup of tea reading smut of himself and covering it in red pen like it's the mornings crossword 😭😭

The crew eventually realize that the readers power of trope analysis crosses over and it's SO USEFUL

All they need to do is get reader in front of Miguel and reader gives him a heartfelt reading and connection of his trauma that equals the culmination of ten years of therapy

They're like 'i know this is all an act Miguel. I know this is all an act to cover up the crushing feeling of chaos and helplessness that comes from canon. And really, all of this is just a mirror - you wanting to control how things 'should be' because there were so many things you went through that you think shouldn't have. But those moments are apart of you-'

Miguel's likes 'WAIT WOAH STOP TALKING'

They start bringing up Gabriel and Xina and shit from the comics.

Everyone's like 'Who the hell is Gabriel-" meanwhile Miguel is on the floor sobbing going 'mi hermano. mi hermano pequeno 😭😭😭'

And it ends with them all hugging Miguel after this person just read him for filth using the power of Isekai Canon Knowledge

I'm having TOO MUCH FUN WITH THIS

In the end Reader and Hobie become best friends because they both stand out so much in other universes and both take nothing entirely serious.

Plus they're both really perceptive and nosey and good at reading people so sometimes they see some subtle shit go down and they look at each other like

"We minding our business~ 😩🎶🗣️ we ain't gon say shit~ We gon mind our goddamn business 🎤🎸🔈'

Ok ok I'm done I'm done 😭😭😭

[lightningarmour]

Absolute comics first thoughts

For the first time since the end of DOOMSDAY CLOCK I've been persuaded into paying money for a DC comic, and two, no less.

I've been 100% checked out of the DC sphere for about 5 years, only occasionally seeing some news here or there about the latest crossover event or fave character or what have you, and I regard those with the passing interest one might have in seeing a hot air balloon. Nothing has drawn me back partly because I'm old now and don't have the time or inclination to try catching up on years of crossover event, status quo altering storylines and yadda yadda.

I had heard about the new ABSOLUTE line of titles, but from the initial teasers and previews, not the least of which was the character design for Absolute Batman with his giant stupid fat bat symbol, I just wrote it off as them doing yet more edgy elseworlds stories, and thought no more on it until maybe three weeks ago. I saw a little roundup of details about Absolute Superman from an interview with Jason Aaron and it caught my attention.

I've gone on at length in the past about how I think that any earnest attempt at writing Superman for modern audiences that keeps true to the "idea" of Superman without making a cynical edgelord version of the character would need to depict Superman as a politically engaged, class conscious individual at least, and a full on Leninist at best. Now obviously I do not expect DC comics to publish a comic about communist superman without it being a laughable piece of propaganda like RED SON, but nonetheless, hearing that Absolute Superman is about a superman who is fighting a mining corporation to protect a community of abused labourers, and re-imagining Krypton as a caste-based society that was destroyed by reckless exploitation of the environment, I was certainly interested.

I resolved to check it out at least. I'd seen some of the details about Absolute Batman, that he's not a billionaire and whatever and still wasn't too interested, but realized I'd heard basically nothing about Absolute Wonder Woman. "She didn't grow up on Themyscira" okay what does that mean?

At this point both Batman and Wonder Woman were out so I looked it up and found some pages from Absolute Wonder Woman #1 and was pretty much instantly hooked because the art was tremendous, and Wonder Woman is flying on a skeleton pegasus with a huge Guts sword and like, that just fucking rocks ass, come on. So I was now sold on two Absolute series, I decided eh, what the hell I'll check out Absolute Batman #1, maybe I could be convinced.

So now that I've read all three first issues of the new ABSOLUTE Universe, I have some thoughts.

ABSOLUTE BATMAN #1 is a confused mess. I think that Batman, being easily the most popular DC character, with the broadest demographic appeal, has too much baggage. You'd kind of think that with a character like this where everyone knows his whole basic backstory, you could gloss over the details a bit more, but this issue is so concerned with establishing and referencing as many iconic Batman characters as possible, it's so bloated.

in this one(1) issue they set up or directly show you: Alfred Pennyworth, Jim Gordon, Barbara Gordon, Harvey Bullock, Killer Croc, Penguin, Riddler, Cat Woman, Two-Face, Black Mask, Ras Al Ghul, and of course we cannot go even one single issue without giving you The Joinker. It's too much. Ease off. We're not going to encounter probably two thirds of these people for ages. And, frankly establishing that half of Batman's presumptive rogue's gallery just so happened to be Bruce Wayne's childhood friends is dumb as shit. The dynamic between all of them is going to follow the exact same "gasp, could it be that my old friend is now a criminal?!" dynamic like 5 times in a row.

This is easily the most edgy of the current Absolute series and is basically exactly what I assumed the whole imprint was going to be, but it really feels in places like Scott Snyder wanted this to be a Batman that was darker and more violent but then DC editorial was like "no, Batman can't kill people" so he adjusted the script as little as possible to reassure the audience that he's rolling non-lethal damage as he stabs the shit out of people with his ear-knives and chops their hands off.

Despite all the parts I don't like about how they portray Batman, the thing that pisses me off is I really like the way they are doing Bruce Wayne.

Typically Bruce Wayne, the billionaire is kind of a hard character for me to like because of how much he serves this kind of great man power fantasy(yes, I know, superhero comics are inherently fascist) He has a vendetta against the concept of crime because his parents were killed by a criminal, so he takes it upon himself to "protect" Gotham, but in many depictions of Batman it's kind of like, what exactly is his connection to the city other than he lives there and presumably is the HQ of Wayne Enterprises. he views it the way a rich person would, dirty and too full of undesirable people who must be punished so that he, a wealthy socialite can enjoy the place without having to see the underclasses.

Making Bruce a working class urbanist is such a more interesting way of exploring the character. He loves the city because he grew up in it's streets, played in it's parks, attended it's schools, rode it's busses. Adding the layer on that that he became a civil engineer and worked with the municipal government does for the first time I've ever seen something interesting with Gotham by kind of interrogating the notion of what makes a city what it is. Is it the infrastructure, the people, the civil servants? It's the most interesting Bruce Wayne has ever been.

But then as Batman he's just fucking mutilating people and blowing them up with bombs and whatever. Yawn. I think that the Batman aspect also annoys me because it so blatantly disregards the central premise of the Absolute line. What if Batman wasn't a billionaire? Well then he wouldn't have access to tons of money and resources to do his Batman shit! So they like, half-ass that by giving him the kind of stripped-down arsenal. No gadgets and gizmos, just knives and a hunk of bat shaped metal used as a battle axe. But then oh yeah he also has some kind of miracle fabric that he can use as like tendrils or whatever and it's completely bullet-proof and so on and so forth. Like, Batman really really does not feel in any meaningful way like he is working at a disadvantage in this version of the story, and that just makes the whole thing so damn boring.

ABSOLUTE WONDER WOMAN #1 fucking kicks ass. This was by kind of a wide margin the best issue of the three series debut issues. I think that unlike Batman and Superman who both have quite a lot of baggage tied into their backstories and supporting cast and so forth, Wonder Woman has never quite achieved the level of iconography as they have so there's almost more freedom to do something new without hitting a bunch of prescribed plot points. In fact she might be the one of the trinity who has had the most attempts to re-imagine her and spruce her up to get people interested. I recall back in 2010 they did a big shake up that was not too dissimilar to this new take on the character. What if she never grew up on Themyscira? What if she didn't have the favour of the gods, etc. And I really liked that one, so I guess it's no surprise I'd be fond of this new version as well.

I think the number one thing that hooked me on this issue is the artwork, tbh. It's my favourite style so far of the Absolute comics, and everything just looks so cool and big and epic and awesome. That's it. It's just cool as hell.

The next most important thing is it has much better pacing than the other issues. You get a very simple, very effective set-up. The Amazons have been punished by the gods so this baby is being raised in hell by a witch. That's it. Good, effective time lapse of her growing up interspersed within the action scenes of her fighting monsters. It's simple and to the point but still leaves me invested int he mystery and wanting to know more. And again, it did not feel the need to shoe-horn a bunch of characters in so you can do the soyjack point at the issue. They could have easily shoved Steve Trevor in there as one of the soldiers responding to the freaky monster pyramid but that would have just been lame. It's confident enough in itself to not have to try and get you with low hanging fruit.

I don't really have much else to say, it's just cool and good and I'm unequivocally excited for more.

ABSOLUTE SUPERMAN #1 is a solid start. Now I'll admit I'm way more of a Superman-head than I am for Batman or Wonder Woman. This was the series that made me interested in the Absolute experiment in the first place, so I'm probably way more willing to be lenient towards a Superman title than say Batman.

That being said, this one also has like Batman, aspects I really like, and others I'm a bit iffy on, though not in as wide a gulf as Absolute Batman. As I said before, I've spent probably too much time trying to think of how to reinvent Superman in a modern context and, specifically, from a politically left-wing perspective, and I'll say that so far I think they're doing a decent job.

It's obviously nothing new to look at Superman as an immigrant story. Going all the way back to Siegel & Shuster, who were children of Jewish immigrants, the whole idea was what if this guy came from somewhere else. I think that the way that Jason Aaron has interpreted that concept for a modern context is actually quite brilliant. It's almost less of what if Superman was an immigrant than what if Superman was a refugee? Rather than unable to return to his homeland, but finding a new home with loving foster parents we are given the suggestion that he's never had a stable home since arriving on Earth. Moving from one place to another, nowhere to go home to, hiding among the economically exploited peoples of the global south.

It's such a riveting set up, I'm really excited to see how this version of the Character is informed by his history.

I also like the use of Krypton as kind of a heavy-handed double metaphor for stratified class society and the dangers of climate change. Like, it is presumably already dead and gone and unable to like, textually affect the story so who cares if it's allegorical nature is too on the nose. I also really like the notion of Kal El having like, living memory of Krypton, rather than only knowing about it from recordings on an alien flash drive or whatever.

I think the use of this "Lazarus" corporation as a kind of stand-in blanket evil corporation that does every kind of exploitative, extractive, broadly seen as morally wrong kinds of industries a bit hokey but hey it's a comic. I love the use of the Peacemakers as the like, corporate PMC security force though, that's fun. I am pretty curious if Lazarus is going to be a kind of fake-out Lexcorp. Like Luthor is the head of it but they called it by a different name so as not to ruin the surprise of his introduction. That or maybe it's related to Ras Al Ghul? Who knows, but I'm interested in what their whole deal is. They not only operate diamond mines and factory farms but also like, hunt down alien technology to reverse engineer?? And employ a Brainiac. curious as to what the deal is with the screaming jars. Does being shrunk down just like, really hurt? Seems like almost going overboard with the concept. Like not only does he shrink down cities and put them in jars but he also tortures the shrunken people? Like why, what's he getting out of it?

Some of the iffy parts for me include the suit AI thing he's got because I'm frankly sick of that trope by now. Ever since Iron man it's like every fucking character in comics has to have some kind of tech suit with a quirky robot voice. I'm willing to give it a chance on the grounds that it's like alien technology so sure whatever. I kind of like that he has to fucking charge the suit with a solar panel. I am curious about what exactly the breakdown is with the suit. He uses his x-ray and laser eyes so presumably it's still Kal himself who has super powers and they're not like, imbued by the suit. The suit seems like it is regulating his powers in some way. Like without it he couldn't control them and would cause havoc, but the fact that he has to like charge the suit's battery is kind of funny. Like, is the suit solar powered and his powers are just inherent no matter what, or does he still derive his power from sunlight as well? Fuzzy on the rules.

I also don't like the Lois reveal. It's just dull. Who care. The little teaser of Kent Farm is interesting to me. Feels like several different ways they could pivot:

Kal El's rocket lands and blows a hole in their barn, they find him and are frightened of him so they call the authorities/Lazarus and Kal flees.

Similar to above but they care for him like usual before Lazarus shows up looking for the alien craft and kill the Kents to remove any witnesses

Altogether it does enough things I'm interested in to keep me going with it despite the few quibbles I have. So far it's 2/3 on the Absolute universe and with the "phase 2" or whatever announced I'm 100% guaranteed also picking up Absolute Flash because it's my boy Wally and Jeff Lemire writing, like come the fuck on, how could I resist that.

[capybonara]

More personal thoughts under a cut

I’m not trying to think about the other day’s rude message but here I am trying to get my thoughts in order. I was vague in my last personal posts because I want to air out my grievances but not in a way that spreads negativity. But for clarity's sake, this message was a private tumblr dm from someone who didn’t follow me. Like, I think they felt they were trying to be helpful, but everything about it screamed "passive aggressive I-know-better-than-you" energy. And the implications it had is what I keep dwelling on; that my characters in my friends comic are/will be terribly written. And I’m like THAT'S MY WORK, THAT’S OUR WORK 😤 and that’s when I spiraled with thoughts like “oh so people who viewed the comic disliked them the whole time? Are my contributions/ideas that bad?”

I've been talking with @semirampant-dwickery and @smackins about this, and how these collaborative projects with zora characters reminded me of CDN. For context, that was a mass effect RP forum I was part of that focused on the lives of OCs. @werewolfsister added this nice response to a comic of mine, and all of this got me thinking about past projects and the kinds of things that worked, did not work, and the troubles we had in the forum.

The basic definition of a collaboration is a project between two or more people to work to create something. Using my own experiences, it was common courtesy to ask others if they were interested in joining in on a project/story. After someone said yes, we started talking about our characters to give each other a basic insight on their personalities, and hopefully we got a rough outline of the idea we wanted to execute and then wrote it out, drew scenes, or both!

The roadblocks I've come across are sometimes characters (and people) don't mesh well. Their ideas might not vibe with mine, and vice versa. As an example, I really enjoyed a lot of slice of life scenarios and many others wanted to do action related plots! And try as we might, a middle ground couldn't be reached so while it was a shame, no harm no foul! The community had mods to keep the peace, so if someone went too far with crossing lines they were given the boot!

You never want problems but at times they happen regardless. One example for myself involved a former writing partner who didn't want to do any work, but they still wanted the rewards of the end game. We talked about developing a ship between characters, but they didn't want to work on the in-between details. Details like first meetings, going out on dates, the realizations, etc. It was difficult to push anything along, and their personal end goal was for our characters to have sex (I guess in accordance to mass effect tradition of “we’ll bang, okay?” haha). I didn't feel comfortable with that and wanted to have the characters build a rapport first. Despite asking questions about their OCs, it usually ended up like this:

“Let’s start with something basic. What’s your characters fav thing to eat” “Your character 😏” “Ew dude cmon” “Lol I dunno, just food”

 which made me go AUGH! 😂😅

So, I started chatting with other forum members who were more than happy to brainstorm and make ideas happen. My character started making friends with other OCs, I joined other threads, but my other writing partner was feeling left out. And I sympathized because I wanted to work on the ship, I wanted them to feel included. Every time we talked though it was like hitting a wall. I was slowly getting the impression they didn't want to write. But they sure didn't complain with the art I drew of their OC! 

There’s a lot of details regarding that experience that's still ick to discuss openly. In the end, they unfortunately got banned for their behavior and it took a while to recover from it.

The happier side was, in time, I began collaborating with other, kinder people again. But after bad experiences I learned how important communication was. My characters got to engage in all kinds of adventures because all people involved were willing to talk. I learned it was important to let others know that I wanted to join something. I couldn't sit in my corner and hope someone noticed me. It was hard, and it still can be now because I'm shy, and bad experiences make me wary to try again. Though later I found out everyone I worked with had the same anxieties so we would discuss how we can help fight those insecurities. @smackins and I would build each other up to make posts because we were so worried we came off as dumb or annoying. And sometimes that's all you need, a little support and the courage to speak up. 

@semirampant-dwickery and I ran into each other by chance via an “in character” argument and his OC challenged mine. Originally, I wasn't going to accept because I was scared and I thought it'd just annoy him. Whenever we talk about it now, he always expresses how happy he was that I accepted his offer to write a thread with our characters meeting. Said meeting ended up being one of my favorites, a lot of improv that included musicals, a hologram room, feasts and a hammer to his OCs face xD

Werewolfsister’ss response to my comic got me waxing sentimental! This method of collaborating is a little different from CDN because it's more art focused but the same process applies. You chat with folks, you work on outlines or do fun improvs on the fly!

The other difference I noticed is how small cameos can turn into stories of their own!  Characters who appeared in her comic regularly are usually because communication continued between people. Some surprise art pieces prompted other people to reply with their own art. Like werewolf’s response said, it's how we ran into each other! I remember a few months back they were asking folks if they had diplomat characters they could include in their comic, and originally I wasn't going to join because of my own anxiety. But I realized nothing ventured, nothing gained, created Kaska and said “here's my submission!”

They later sent me a message asking if the zorca could participate in assisting other characters in a scene, and asked me questions regarding scenarios, and I answered to give an idea of what they could or couldn't do. I was excited for even the smallest role xD so when they asked more questions I gave more answers and ideas! The person who sent their “warning” to me the other day made an assumption my characters were being controlled by her, but everything dealing with them has my hand prints on it as well. Like with my friends on CDN, I offered suggestions, helped when they hit a roadblock and asked if I could contribute with my art!

Thinking on CDN, I know the roadblocks I personally hit was the lack of communication between parties involved. Like with my writing partner who didn't want to help do the work. I ran into others who came and went and the one complaint that stuck out for me was how I formed a “clique” with semirampant-dwickery, but the thing was, I sought their help the most because I knew they were fun and easy to speak with, and they helped me when I hit my own roadblocks. They proved to be a trustworthy and supportive partner! So of course I worked with them often! He’s done so much to write stories to get other members involved. 

I've received messages years later from people who admitted they made assumptions about us, and how anxiety kept them from joining our threads. I still grieve over those missed opportunities at times because I personally thought they were heckin cool! It is what it is though 😔

Because of those experiences and how difficult it can be to organize projects; I want to give werewolfsister praise for their hard work, their positive attitude, and welcoming presence. It's not easy communicating with a number of people, making outlines for the plot, and then drawing a comic where I've literally witnessed you dish out TEN+ PAGES A DAY. And you've been doing this since MAY! It's a lot of things to juggle alone. 

To the casual onlooker, it might look like a simple project with guest appearances she has full control of. But cameos remain cameos unless someone speaks up and offers more info and help. And characters who've had longer appearances were all discussed with her in chats; from permissions, to story outlines and boundaries. I've had the privilege to watch and be part of these discussions 👍 

I kept thinking about disengaging from the zora community, because of how that message had me focusing on the negative. It was one harassment message but honestly that's enough. I know why it came about, and I hate how that kind of negativity made me want to cut off from everything. Wanting to isolate is my knee jerk response because it made me paranoid. Who else am I upsetting? Who else will send more “warnings?” I'm an old millennial, I'm not here to have beef with strangers on the internet.

The paranoia has been an issue for me and that message “cemented” some other worries I had. For example, I made a previous post asking folks if they had characters that played instruments, then tried to clarify if anyone would be okay with their OCs interacting with Cironus. I got a few responses, but the tumblr dm responses I received, however, were details of who not to associate with, along with a fatphobic remark about Cironus. It left me feeling on edge: one wrong move from myself or my character, one piece of art that didn’t depict every detail correctly, and I was guaranteed to set something off.

I understand there are folks who have extremely personal connections to their characters, and I sympathize and respect that. And for the sake of everyone’s mental well being, I’m going to avoid them. Characters carrying that level of weight need complete control by the creator, and collaborating with others by definition means you have to relinquish some of that control. It requires that you retain a modicum of trust that other players are acting in good faith and not out to ruin your character. No one else gives over that control but you.

Collaboration is about trust, communication, and teamwork. CDN thrived when people came together, but if someone didn’t find the idea appealing, they chose to go solo and found other outlets. I came to this community with the hopes of creating stories with others. And if they don’t want that, like it was with the forum, we move on.

I know we can curate our spaces so we are surrounded by the things we enjoy, and choose to be around those who are supportive and understanding, but I’m not feeling very confident about finding more folks to work with. That’s not an invite to say you want to either. I need to think, and writing this helps me think. My original plan was to post about my zorca and Cironus to give what audience that's out there a better idea of my characters. 

As I write this I realize what I’m tired of is having to set things up like I’m preparing for an audition. I just want to draw, I want to include people and make them happy with the things I draw. This is a hobby I’m trying to have fun with. Outside of my friend group, I don’t think I’ve been able to casually share ideas about my characters with other people. I want to be seen, and connect with others. In turn, that usually became a chain of helping others feel seen too.

The negativity makes you feel powerless at times, but we have the ability to build the kind of communities we want. It takes time, it takes people you trust. I don’t want to say “be the change you want to see” because to me it always implied you have to do it alone. And we don’t.  CDN had a set of rules when working with others that allowed the community to last for years, and the one I try to follow the most is don’t be an asshole. Be kind, be respectful, uplift others when you can, and when you take, give back to others as well.

[yukipri]

Ngl this is sorta making me queasy with excitement/nervousness...

Especially coming right on the tail of:

So even though I will likely be a clown (again) this time tomorrow, here's what I wrote out in the twitter thread above:

Please @/starwars Obi-Wan Kenobi Season 2, this time with Ewan McGregor and Temuera Morrison as co-stars. There's closure now with Obi-Wan & Vader. Next, closure between the Jedi & the clones on Order 66, represented by the 2 we saw experience it first: Obi-Wan and Commander Cody

I know in the latest Obi-Wan comic, Obi-Wan basically goes "I miss Cody to this day, even though he tried to kill me. Ah well." And it just K*LLS me that that's it. Obi-Wan (and most the Jedi) have no clue that the clones were victims too.

Y'all are inserting Order 66 scenes in almost every show, so you can do it one more time, this time in an attempt to understand and gain closure. And this is a story that is genuinely best told through Obi-Wan and Cody. Palpatine sent the Order to Cody, first and most directly.

This is a story that doesn't need to mess with characters like Luke or Leia, who we know we'll see again. Cody is MIA as of TBB S2. Obi-Wan now also has some time after season 1, where we know he can't really be messing with Vader. This story can fit in well.

(heck, you can even insert more Clone Wars flashbacks, including young Ahsoka, you saw how much we all loved that in the Ahsoka show!) This show would let you share more about other clones and Jedi as well. Depending on how TBB S3 ends, we can have some connections there too.

PLUS! Temuera Morrison seems eager for a role. I'd love to see him again as Boba in TBOBF S2 (and have a whole 'nother pitch there), but Cody is a character that Tem personally originated in ROTS. He also had fantastic chemistry with Ewan as Jango!

So I'd love to see them share a screen again. (plus, age-wise, he's kinda closer to double-speed aged Cody than Boba?)

I could go on forever but…yes, please this.

(also can I help write it?😂😭🙏)

~~End Thread

But yeah, I know better than to get my hopes up, and I have been a clown about this many times before (including but not limited for the actual Obi-Wan S1 lmao).

So here I am with my clown mask ready: 🤡🤡🤡🤡🤡

(Edit: added this in the tags but:

It does occur to me that another very possible route they could take an Obi-Wan Kenobi season 2 is doing something with Quinlan, since they left that very obvious thread open in S1.

BUT I would still prefer Cody & clones centric😭🙏)

[kaimukiwahine]

Just gonna type my thoughts out based on my notes I wrote while playing the To the Moon Beach Episode. So spoilers/long ramble.

Short things:

They brought back many minor characters from Finding Paradise, thought that was very cute

References: The "Are you winning, son?" in the airport was charming but I did not expect to get a full FNAF section

I love the use of previous games OST: updated versions and the lo-fi versions

Animations were very charming and expressive; they even joke about it ("didn't have a budget for it. The dance lessons")

That inverted/hanging jellyfish planter. I need it. I need it now.

Rob learning what people are up to on the internet these days only to instantly regret it

Willis and Taima still going at it. They are lifelong couple goals: keeping the flame alive while dropping wisdom

I need that soundtrack.

Bigger things:

Johnny and River addressing what most players/general audience found concerning about the original game and overall premise of the series: Altering and overwriting of memories or basically the reality of the dying. While jokingly Johnny says he could never see himself using their services, both conclude it's their choice and they just need to accept it

This was slightly touched on in the Minisode but for it to be brought into attention by the original characters that kicked off this series, it's something.

The three books at the beginning already set forth what this game is gonna be all about: grieving and acceptance of the passing of a loved one. The first run through, Eva completely numbed her memories to enjoy the beach and time with Neil. But there was always something.

Second run, she "confronts" as Faye states the truth: Neil is dead.

It was hinted that Eva started drinking (in the store) and has been repeatedly using the machine Neil left behind that Neil becomes concerned for her. (Similar to Collin in Finding Paradise.) While she wants to stay on the beach and relive the same day over and over, it's not possible.

There was a brief mention of immortality. One being a jellyfish that reverts back to infancy as it reaches the end of their lifespan and questioning if it's still the same jellyfish or not. Then compared to humans how we regenerate new cells except the brain and heart.

Roxie finds it romantic, Eva wishes that those also gets replaced with every pass.

Neil's death was either sudden or his condition was kept secret from Eva? Eva mentioned he didn't give her enough time to prepare and Neil didn't know what to do and I think he said he made the machine just so he just doesn't disappear and to leave something behind for her.

*Edit* I completely forgot about Paper Memories. I'm guessing the phone call Eva got from Roxie was that Neil passed away (given how distressed Roxie was in that one panel). It is possible that that portion was in the machine and that Rob and Roxie were aware. That whole portion is basically like this Beach Episode.

Edit2: thinking again, the call could be him in critical condition since in the comic Neil mentions making that garden. Eva not replying to Neil on how he died makes it sound like it was traumatic. She mentioned something about a surgery when talking to Lynri and Quincy and asking how he is when he visits them but not sure if that's involved or just a throwaway line.

Neil lives on with regrets; mostly wishing Eva was his girlfriend and more. Though he isn't real in the game, he still carries the memories he had. He built her "a garden" (comic reference) but she started spending too much time. And she can't fully enjoy it because he continues to keep her at arms length.

Neil locked himself in his room, much like he did in many instances throughout the series and now canonically, all throughout the life Eva and Neil has been together. Thinking he's doing what's best for her when all she wanted is him to be "here'

He regrets those decisions but it's understandable on why he did it. In Impostor Factory, Lynri's condition was hereditary and is in Neil. Seeing Quincy's face of absolute loneliness knowing he's about to lose his wife and eventually his son, it would devastate anyone. Neil making a machine to make it so that Eva would never have to go through that, while admirable, changed nothing. If not, made things worse.

How they close the game was brutal: The world Neil created for Eva to never be alone after he has passed slowly fading away, concluding with Eva being alone, crying, as she turns the machine off.

You couldn't just leave it like this for them. Together alone on the beach.

No. It's just Eva. Alone.

[swiggity-swexual-i-am-asexual]

I'm not opposed to hear your rambling of DP in dungeon meshi

Ayyy someone asked! 

Oh, you’ve activated my trap card.

So, naturally, I cannot find the post because Tumblr ate it off my blog, BUT what they’re referring to is a post about how the Fenton parents could have TOTALLY ended up overshooting when trying to get to the Ghost Zone and ended up in different worlds instead… and thus decided ‘hey free children!’ And surprise adopted (read: kidnapped) both Jazz and Danny from two different realms. 

I actually had a LOT of ideas on how you could do this. But, I ultimately decided that a post-canon approach was best for this little exercise. Not that you COULDN’T add Jazz and Danny, I suppose, but the timeline and the character movements are, for lack of better terms of it, EXTREMELY tight. You can wiggle an OC in there, sure, but for a fully developed character from ANOTHER media, especially one as OP as Danny, it’s far more difficult. 

That’s my way of saying, this absolutely has Dungeon Meshi spoilers if you’ve never read the manga and don’t know how it ends. That’s my only warning. 

So here’s the ideas and eventual story (there’s elements that are general and some that are specific to whatever storyline I ended up with) that I have doubts I will ever write but someone might as well enjoy them. I technically wrote a few scenes in my notes app, but these aren’t those, this is—kind of the whole roadmap? It’s a little funky still though, haha. 

Here goes!

As with the post, Jazz is Barbara Gordon’s twin, and Danny was actually a half foot. And now he’s a halfa halffoot. Lmao. Lol even. 

Before I chose to do a post-canon approach, I considered having the Fentons as a party. Jazz and Danny are basically playing babysitter to their FAR too enthusiastic parents who keep almost or actually dying because they’re exploring the whole immortal dungeon thing. While that is scrapped, some of the ideas I did have came from this, er, phase of development? So I felt it was worth a shoutout. 

Marcille describes magic (well, mana) as coming from ‘The Infinite’, which is also where demons come from. And these demons can do things like grant wishes, ‘feed’ off of emotion, and change people. They also, once sealed into dungeons, do various things inside these dungeons, including making animals that cannot exist without magic for very long but also seem to still require a sort of internal logic. This sounds a LOT like how ghosts work in Danny Phantom, if you take maybe a hint of liberty and a dose of speculation about how lairs likely work. 

Basically, The Infinite = the Ghost Zone, also known as the Infinite Realms. Demons = Ghosts. Dungeons = Lairs. And, most importantly… Ectoplasm = Magic. 

For my own sanity and also for a successful meshing of these two very different universes, I’ve decided to go with the semi-fanon idea that the influences of the people in the living world can create things in the Infinite Realms. Belief creates reality, basically. For example, perhaps Pandora was never alive in the first place, but because people heard and believed her story so much, she became a ghost (realms being, demon, what have you). So, while those in Amity Park might not have initially believed much in ghosts, they saw them, and because people saw Phantom as powerful and either villain or hero-like, Danny and the rest of the ghosts became more like comic book characters than spooky ghosts (somewhat explains how things are still a LITTLE spooky, but seem a bit more heavy on the probably dead people thing at the beginning of the series). 

Similarly, demons became what they are over time as the people of the world influenced them. You could call what demons started as, as ‘proto ghosts’, and that every world that HAS ghosts has them, and the beliefs change them into whatever form and binds them to whatever rules the dimension now holds. 

There should still be some universal ‘laws’, though. For example, ghosts exist in both stories, and so do magic, as do spaces that operate at least SLIGHTLY outside the usual laws that govern the area outside of it (again, lairs and the Ghost Zone, dungeons in general). 

All this to say—when Danny ends up in the Dungeon Meshi world, he ends up being a very unorthodox and extremely powerful mage, but might lose a good percentage of his usual ghost powers. He is not salty about this, no, really, ITS FINE JAZZ.  

This would be less of a problem if there wasn’t a SLIGHT issue about halffoots being known as not being magically inclined… and those that might have had an interest in the past sorta-kinda got taken by the elves. 

Another note is that this isn’t going to be a particularly Fenton parents friendly sort of story, because the whole thing STARTS with them KIDNAPPING CHILDREN and passing them off as their own. I’m sure there are ways to spin it as a happy tale, but uhhhhhhhhhhh. I’m not. 

An additional point that you do NOT have to take from this if you make your own story is, if you’re a big fan of halffoots having tails (which, to fit with the humans-all-have-the-same-bones thing, are made of cartilage), you can have Danny have been docked as a baby by the Fentons. Adjust angst regarding that to your own tastes, but I imagine its probably something that HAD been done in the past for not-great-reasons, and so the social stigma for the parents doing that to their child is messed up—but due to the dangers of dungeoneering, some halffoots may have lost their tails in accidents or just because they were THAT serious. Point is, it’s at minimum a gossip point. 

Anyways, as halffoots are very short, and Danny is one, by age fourteen his teachers are probably going to go ‘uuuuhhhh, I think there’s a problem here?’ But the Fenton parents are oddly reluctant to arrange a doctor’s visit to check for various possible causes of potential dwarfism. Like, they’re already dodgy about doctor visits, but this seems particularly avoidant. 

Both Jazz and Danny might know that they’re adopted, but even if they don’t, they know where all their papers are. So they snoop through them to see if there’s any leads or anything. 

There’s various ways to for them to figure it out—realizing there’s no paper trail about their adoptions or about how delayed the at-home-birth paperwork was—but one that I did contemplate was that the Fentons KEPT the tail they cut off Danny as a baby, claiming it was a ‘lower spine surgery and don’t worry about it champ!’. 

As you might imagine, he’s worried about it. But also, you can nix that plot point if you’re not a fan. (Well, I mean it technically my own story developing here, but—part of this exercise is to see what other people would take away from what I’ve got too.)

More searching through papers and likely a conversation if not confrontation with the parents later, Jazz and Danny learn about the different realms and such. 

Jazz is still worried about Danny’s health. They SEEMED human, but what if they weren’t and they were just lucky to not have gotten super sick? Or what if they’ll live thousands of years or something?? 

Danny is, understandably, a little upset about everything too. So they both pack what they might need, basing their travel kits on what notes they DID have about the world they were heading to (minimal technology, so laptops were a bad idea, but Jazz did pack a bunch of instructional books on How To Make Things), and got the dimensional coordinates to where they needed to go. Or, if you don’t wanna explain HOW those dimensional coordinates are still accurate or how that system might work now that the Ghost Zone was there, because who knew how to navigate that place on a GOOD day, Danny could just ask Frostbite or Clockwork for a quick favor. On that note, Danny should probably have a way home—personally, I gave him the starting ability to make portals, although they’re not YET powerful to get through, which is why he’s concerned that he might actually be unwell on his human side. 

POINT IS. Jazz and Danny arrive, taking the name Nightingale just in case their parents went around calling themselves as Fenton and pissing people off by, oh say, kidnapping their child. 

A quick survey around tells them a bit about the world, with Danny probably very used to being very adaptable on the fly. And also we’ll let him keep invisibility. As a treat. Though it may now be a bit more difficult to do. Jazz is tasked to either help Danny to let him hide behind her presence when needing to actually be invisible, read through the travel journal from the Fentons to find clues to Danny’s birth family, and her own self imposed mission to reinvent running water and water filtration systems. She is not about this no-indoor-plumbing life. 

As it so happens, with the Golden Kingdom beginning to pop up, there’s plenty of spaces and houses in various states of repair that they’re currently REALLY trying to fill up. Jazz files some paperwork about being refugees, and they take a house that’s pretty far into the woods for most of the people looking for a place. The two need the space, as they are keeping literal dimensional secrets. Other than the lengthy walk to town, it’s fine. Plus, it lets Jazz do her plumbing project. 

Once they both have a pretty good grasp on things, Danny C-student Nightingale realizes OH. WHAT IF I’M A HALFFOOT— wait no I’m not going by that. Call me a hobbit instead. In Jazz’s defense, she spent most of her time grasping everything else about the world, or otherwise spent most of her time they spent either camping in the woods or making their new house LIVEABLE that the whole ‘different races’ thing completely sped by her. Plus, where they live might be more Tallman heavy. 

Good to know he’s healthy though! But they’re already here, and they do actually want to find Danny’s family, and… it’s just… been very nice and not stressful. The ghosts hadn’t been bothering Danny nearly as much back home, to the point where he felt pretty comfortable leaving it in Valerie’s capable hands, but this is the most relaxed he’s been in a while. It’s amazing what not living with people who would skin you semi-alive will do for mental health. 

They also realize they maybe need to like… make money. 

Good news is, when they switched dimensions, they automatically became able to speak Common. And, as a compensation for losing some of his other abilities, Danny can have omnilingualism. He also keeps his ice powers, mostly, and he’s pretty sure he kept his Ghostly Wail. 

There ARE reasons why he keeps the powers he does. In short, he’s still part ghost (or, part demon here, but words are just words and in this case, both just mean ‘realms being’), so turning invisible is fine. So is making things cold—and, as he’s also human and able to use magic, he can create ice like other mages do. He also has limited intangibility, but for reasons involving ‘I don’t recall any mages doing it’, he has more trouble with it than usual. As for the Ghostly Wail, its similar to the mandrake cry, and thus something that likely involves magic to do—as a veritable wellspring of magic, as he’s kinda sorta a dungeon master ruled by HIMSELF now, he has plenty to spare. Plus, banshee legends might still exist in Dungeon Meshi. As for the languages thing… it’s me throwing him a bone for taking away his ability to use lasers. I might let him overshadow people, but seeing as that just kills people in Dungeon Meshi, I might not. 

The two siblings begin taking odd jobs in town. The people think it’s a LITTLE odd that a Tallman (Jazz) and a Halffoot (HOBBIT, Danny) are siblings, but they usually just explain that they were both taken in by the same couple. If anyone even slightly insinuates it’s something else, the two both start gagging before they begin lecturing the gossiper. 

While Danny’s skills as an interpreter ARE extremely valuable, they find that with so many new people in this town that, apparently, JUST rose out of the gotdang sea, that there are many people looking for all sorts of odd things, and THAT is something Jazz is more suited for than translating, seeing as the only language that she knows from THIS world is Common. 

In short, she finds out about potions. You know, that thing mentioned like ONCE at the beginning of the Dungeon Meshi series and NEVER MENTIONED AGAIN (afaik). 

Ingredients are a liiiittle hard to come by in markets, but most of them just need magic to grow, right? And Danny can make magic ice that turns into magic water. 

Jazz starts a farm. When Danny starts taking home books and such to translate on a commission basis, mostly in order to avoid another close call about knowing ancient elvish languages that they may or may not be incredibly suspicious about him being able to know, he takes care of a lot of the gardening. 

It’s at this point that Danny finds out he can just take a mandrake that’s in a pot, dunk it in a barrel of water, and harvest that way. It’s still a bit LOUD, but it won’t harm or kill anyone. And, the water now has magic toxins or whatever, which could have uses of their own that Jazz is now experimenting with. 

So, basically, Jazz is out here doing the Dungeon Meshi Cooking Montages except its potions and it’s mildly terrifying. 

Danny is just glad that he’s ALSO legally a halffoot adult and can just go to town to a tavern whenever she’s being too weird. Good news: he can drink alcohol now! Bad news, sort of: it does nothing for him. I mean, go him for never getting drunk, but like, rude. 

Both Danny and Jazz are learning magic, mostly because Danny needs to offset some magic every now and again so it doesn’t build up (ie, his ice) and should at least look like he knows what he’s doing so he doesn’t get caught, and Jazz is learning so they can occasionally depend on her to claim that Danny’s magical whatever is actually HER doing. Plus, it helps with the potions. Most involve magical ingredients, so the maker doesn’t need to be a mage, but still. 

Danny gets a bit homesick about Sam and Tucker, so he makes a magic mirror in an afternoon and contacts them through one of Sam’s compact cases. It had some unique design she made on the back of it, so he’s able to hone in on it. Sam is EXTREMELY jealous that they’re living some kind of cottage witch fantasy, meanwhile Tucker is like ‘they have wHAT kind of meat? And you left me here?!’. 

Yeah. Tucker and Laois would get along, although Senshi would definitely have some words to say about his nutritional needs. 

SPEAKING OF the Dungeon Meshi characters. What, you think I wasn’t going to add them?

Falin likes to take walks through the area. As it so happens, the Nightingale House is about two hours of very casual strolling from the castle. She discovers them one day when she noticed Danny tending to the mandrake farm (there’s likely other magical plants, but I imagine Danny is wary of the more monster-like ones). 

Danny just can NOT keep her name in his head. He keeps calling her Bird Lady. Falin is not upset by this. She’s actually pretty glad to make somewhat friends with Danny and later Jazz, because they’re both pretty nonchalant about the feathers thing. Most are fine, but some are still… Off about her. Also they didn’t participate in the whole eating her thing, which she didn’t MIND but some people avoid her because they think she WOULD be upset. 

Falin is also glad to find that Danny can see ghosts like she can. She promised to keep his little magic secret, though she likely has no idea how powerful he actually IS, and she visits like twice a week. 

At some point, Itsuzumi claimed their front porch as one of her napping spots. Jazz thought they should maybe not have a cat girl sleeping on the doorstep. Danny agreed… by making a hammock. Jazz just accepted her fate and occasionally feeds her. That said, Itsuzumi doesn’t stay in one place as her ‘home’, so it’s a toss up if she’s there. Still, she somehow convinced the postmasters to only deliver mail to the Nightingales, seeing as they don’t mess with her letters and are out of the way enough that she has privacy when she does read them. If she’s there while it’s raining, she’ll take over the couch. 

Like, Itsuzumi doesn’t have keys to the house or anything, and Danny and Jazz are both a bit secretive, but that translates really well to respecting Itsuzumi’s privacy as long as she isn’t bringing huge problems to their doorstep. Danny did once offer to see about making up a guest room that was more or less hers—the house did need repairs, so some of the rooms weren’t quite habitable even if the house itself was fine to live in. Itsuzumi was not a fan of this, as I imagine her the type to not like feeling so tied down, but she did accept a compromise of having a closet space for her to store things. It’s where Danny and Jazz will put her letters when she DOES get them. 

Danny’s need to help people isn’t an obsession, but he IS quite fond of it, so as he does his work but also studies magic Just In Case, he finds a certain affinity for sensing magic, monsters, and breaking curses. The first one he broke was entirely by accident—the client had no idea that the book passages he gave to Danny were cursed. 

It worked out, it was fiiiine, stop worrying so much Jazz. 

While Danny certainly wasn’t advertising the curse breaking part, his previous client was told about it, and suddenly everyone knew that the Nightingales knew a little about curse breaking. They assume it’s Jazz, and Jazz has to learn on the fly how to break simple curses and protect herself until Danny can come actually work his literal magic. Jazz, oddly enough, is the one to figure out how to make protective charms. 

Also, she’s successfully made the first section of her water filtration system. 

Listen, they are very busy. But they’re hoping if they branch out enough, get a big enough system, they can find Danny’s parents. Because all they REALLY had to go on was One—They were halffoots, Two—Danny’s hair came from his mother, and Three—in both Jazz AND Danny’s cases, the Fentons kidnapped a twin. 

It’s this work as a cursebreaker and Jazz’s work as a near miracle worker at potions—her little mad scientist experiments were bearing fruit after all—that Falin brings Laios over to work with. Long story short, Danny’s general attitude about it is ‘fuck that lion guy’ because he recognizes the work of a ghost—er, demon—when he sees it. Sure, the Toudens don’t TELL Danny it was a winged lion, saying after a really long pause that the cursers name was Leo or whatever. But Danny isn’t completely stupid, especially not about something he can PLAINLY see. 

Also, a good note here is that neither Jazz nor Danny have ANY idea who Laios is. Sure, they’d HEARD of the King, but either Danny gave him a nickname, they think Laios is one of those cases where there’s an uptick of people named after a famous person, or it’s just a super common name. Or, heck, it’s entirely possible that Laios has a king monicker and that’s ALL that Jazz and Danny have heard, and they don’t know that the king’s name is Laios. 

Anyways, Danny is like ‘you have two curses from your frankly very petty curser’. And they’re like ‘yeah we know’. 

For the monster repellent curse, Falin points out (possibly on her own but also possibly remembering something Kabru said once) that it’s a pretty useful curse, but that it upsets Laios to have on him. So, Danny thinks ‘What Would Sam Do’ and makes a creepy doll. The idea is to attach the curse to the doll, but for various reasons involving having the curse NEED an amount of magic to stay going, it needs to be, well… fed. As you MIGHT recall from Dungeon Meshi, blood is pretty potent as a magic tool. 

So, anyways, blood sacrifice for the repellent doll curse, preferably either by Laios or someone of his blood. I’m sure this won’t become a plot point for a b rated adventure story several generations later where they need to find the One True Heir to help save the kingdom or whatever. 

As for the hunger curse, it’s a pretty tricky one. Most curses, Danny can kind of just. Push it out using his own magic, or trick it into thinking its done whatever the curse maker wanted it to do. But this curse is very ingrained, as hunger is something very basic to literally everyone, and it’s goal is basically ‘then SUFFER’ and that’s hard to make it understand when Laios is, technically, already and constantly suffering from it. 

So, it needs to be magically purged. Starve out the magic in Laios’s body, starve out the curse. Issue being that it’s EXCEPTIONALLY hard to do that when magic is LITERALLY in the air. 

With a bit of thinking, Danny comes up with a solution, and tells them to set up their creepy doll shrine and see him in three days. Also maybe haggles the price because while he DOES have a way to do this, it’s a bit risky to not only Laios but to the makers of Danny’s curse-breaking method. 

Danny contacts Sam, who contacts Frostbite, who is VERY against this but ultimately agrees so long as Danny is careful. Danny technically has Jazz do most of the next part, so he’s being cautious. 

The Toudens come back, with Laios happily chattering about a small monster he noticed just before they got to the Nightingales—good to know what the range of that is then, though it may have become smaller with the smaller vessel and the lesser amount of regenerating magic supplying it. I’m not looking up the one panel that sorta shows how big the field is right now. 

Danny is like, bundled up and covering his mouth, while Jazz is very careful with the prepared potions. 

Blood blossoms. Basically anti magic, which do not grow in this world naturally and should never do so, and involved Sam needing to travel back in time to grab a few. They explain their caution as Danny being extremely allergic to one of the ingredients and the effects of the potions being dangerous to mages in general by DESIGN. 

In short, Laios has to take these potions for three days—one bottle for each day—and to light a candle anointed with the potion in the forth bottle in a closed space he needs to stay in for the duration and at least an extra two days. There’s also a fifth bottle that he needs to sprinkle into any food or drink he has for that time until after the fifth day. Remember, magic is everywhere in Dungeon Meshi. This is basically him going into a sterile bubble field for a while, but also needing to include sterilizing the things he eats and drinks as well. 

“Don’t keep even a drop,” Danny warns them both very, very seriously. “This stuff shouldn’t exist here, but that is one NASTY curse you’ve got. Anything you’ve got leftover, including the bottles, bring back here.” 

He also tells them that its possible that Laios might never regain magical ability he had previous, or if he DID he had to relearn it. Laios accepts this risk. He wasn’t much for magic anyways. Danny also tells him to maybe make sure the room(s) he uses isn’t his usual bedroom, and again that he needs to stay in them as MUCH AS POSSIBLE, preferably not leaving at ALL, until after his treatment. 

They take his warnings seriously, at least, and they head off, carefully with the contents they just got. 

They actually do as instructed! Kabru did manage to take a drop, though, just to see what would happen. Holm’s undine DISSOLVED is what happened. Kabru did not take any more risks about that because WHAT the hell, WHAT. Laios and Falin also won’t tell him WHERE THEY GOT THIS FROM. At least, not until after they finish the treatment and see if it works. 

It does work though! He gets his normal hunger cues back after a couple of weeks, and Falin happily tells the Nightingales that it worked. Great! Never tell anyone what they did. Also give back the bottles please and thanks (handed off to Sam very carefully—although blood blossoms ARE a magic-and-ecto disruptor, they can be put through portals, such as the mirror phone things that technically also act as portals). 

A little late for total secrecy, but no one that the Toudens didn’t already trust with the numerous secrets they already had, including but not limited to Marcille’s fun necromancy habit. 

… Listen, I know that the curses Laios gets are like, consequences or something, but I didn’t like the hunger curse because of my own traumas and didn’t like the monster avoidance curse cause that just seemed cruel. Which I get was the point but I have OPINIONS on the whole thing, and it ultimately equals up to “Laios didn’t ask for this, and I’m not sure he’s actually happy in the end”. Anyways. 

Because they literally helped heal the king, Laios does invite them over to dinner in the castle. 

“That guy was a KING?!” Danny shouts. 

Jazz is just like. Yeah that fucking tracks. But hey we can ask his help about the parentage thing! 

So, now they’re going to dinner. That’s fun! Maybe! 

Side note, Jazz has now invented showers and indoor baths. She’s still working on a heating and cooling mechanism but at least all the water is clean. She’s still working on getting faucets for sinks, such as in the kitchen. 

Don’t ask how they have time for this, by the way. The gardening, their actual jobs of potion making and translations, Jazz’s plumbing project, Danny’s (and slightly Jazz’s) magic training, and the biological family search. To be fair, they probably have very few leads on that last one, so extending their social net is kind of their only plan. 

They get dressed up fairly nicely and go to the king’s castle for dinner because apparently Danny just cannot stop impressing royalty both dead AND ALIVE as it turns out. 

There, they meet the whole Touden party. Itsuzumi is there. Both parties are very surprised, but good to know, but also what. W h a t. 

Senshi likes hearing about how similar potion making and cooking is, and he and Jazz seem to be getting along pretty well! Chilchuck, meanwhile, is like. Why does this kid—sorry, young halffoot adult—look so gotdang familiar. Regardless, he offers to help teach him a few things about halffoot culture, seeing as Danny was apparently raised as a Tallman. 

“Yeah, we didn’t even know about other races! We just thought Danny was a little weird,” Jazz said. 

“That must have been really isolated,” Marcille replied. 

Oh, she didn’t even know the half of it. 

Of course, someone questions how Danny was so good with languages if their ‘isolated little village’ never said that any race other than Tallmen existed, to which Danny just kind of says he had a knack for it and was bored, so. Languages. They kind of just start following patterns after a certain point. And he and Jazz HAD been traveling for a while. 

Dinner goes well, with just one odd report about scratching in one of the mirror halls by the guards that Danny juuuust manages to hear before he and Jazz go out the doors. 

That’s probably nothing! 

A bit more time passes, with Senshi visiting Jazz and helping her learn ACTUAL cooking in exchange for those sweet sweet mandrakes and the water harvesting method while Danny gets lessons from Chilchuck and, ironically, another halffoot named Dandan about Halffoot culture. Luckily, Danny just so happened to know the halffoot language equivalent of Common, but they teach him a bit more about the language anyways. 

This is also when he learns that Halffoots tend to have twins, but also that it’s not terribly uncommon for one of the twins to die. Happened to both Dandan’s ex wife and to Chilchuck and also so, so many other halffoots. That just made Danny’s search even harder. Yikes. 

By week two, Danny is very tired of CONSTANTLY hearing the term halffoot, and so has requested Tucker get him a copy of the Hobbit and The Lord of the Rings trilogy to send through mirror-mail so that Danny can then translate THAT into Common and go publish. Maybe if he has a book or two to sell, he can make a passive income so he can concentrate on things other than translating YET ANOTHER tax form because the local government all wants Common—understandable—but not everyone can READ Common. 

This may be a time to give Danny a misadventure with some orcs that paint him as a fucking weirdo but ultimately friendly. 

Jazz gets the idea that hey, if the whole halffoots have lots of twins thing is true,  meaning that she and Danny are going to have a TIME of it trying to find HIS parents, maybe she and Danny should invent, like genetic testing with magic and or potions or whatever. It’s not like they don’t have an understanding of genetics, if what Kabru’s (adopted) mother teaches him is any indicator, but genetic testing it relatively modern by our own standards. 

So they start developing that. Falin still visits, mentioning how there seems to be a scratching that just won’t stop in the castle, but its always in the same hall of mirrors so at least its localized. Just, really weird. Everyone else thinks its ghosts, but Falin has checked so many times now and there just isn’t one. But Laios is doing fine, he’s very thankful, and Danny is like hahaha don’t mention it! No really, don’t! You already paid me! We had dinner! We’re friends now! Ahaha!

Should it be the case that Halffoots (-HOBBITS!) have tails, Chilchuck still has his, though it’s a liiiittle shorter than it should be, and he’s the sort thats proud about how long his wife and daughters’ tails are. He’s reconnecting with his family! Slowly but surely! In case you CAN’T tell, I actually like happy endings here. Despite the everything else I put in a story, ha. Anyways, as such, he’s a little offput by Danny’s parents since Danny admitted that they’re the ones who cut it off of him, and that even then they never told Danny that he wasn’t a Tallman despite having to have had at LEAST a clue that he wasn’t one. Shouldn’t the orphanage or however they got their kids from know? Don’t tell him that both Jazz AND Danny were just left on their doorsteps. 

“Definitely not that one, aha…” Danny quickly changes the topic. “So I wrote this story—or, well, its like this story that was SUPER popular where we’re from—“

Chilchuck also explains how Danny’s name is just SO weird to most of the other halffoots. Like, it’s not OUT there, per se, but definitely reads as Tallman. Even admitting its fully Daniel does not help. This is also when Chilchuck explains that part of the infant mortality rate, halffoots don’t get their names until their fourth month of life. 

Jazz made some liberties and changes to the Hobbit to fit in a little better with Dungeon Meshi and it’s whole world, but otherwise it’s mostly the same story. Chilchuck and Dandan get free copies as they’re helping Danny so much, especially with getting Danny used to other people like him (mostly). They’re both pretty impressed with it, though Danny insists that it wasn’t exactly his own writing. But, hey, the actual author was dead and he doubts any copies are going to come from his old hometown any time soon so like, might as well! 

Also, copyright law is probably far different in Dungeon Meshi than here, ha. I declare it—legally in the clear! 

Danny has a mission with this and that’s getting people to use the word Hobbit dammit! 

Surprisingly, despite not showing up in it, the gnomish community quite like it. And so do dwarves, and elves, and halffoots, and it becomes pretty popular. 

It’s The Hobbit. This is not an unexpected result. Thank you Chilchuck for helping with the printing rights and contracts for getting the book published. (And we can guess that the printing press DOES exist in Dungeon Meshi, since we can see the books they have—though there may be other obstacles about getting your hands on a book, we can see by the amount they have and how gimmicky Laios’ monster book is that printing a book itself is likely a done and solved issue in some way or another). 

Danny is extremely glad he did not put his own name as the pen name for that mess. 

While all that drama is happening, including the fact that Chilchuck’s wife—I have named her Brightmerry—is now a very avid fan and would love to meet Danny, Danny and Jazz have just about perfected their genetics test. Laios and Falin know about the test, although not WHY they’re doing it. Despite some concerns that the magic and chimeraism that probably STILL affects both, though Laios’s maybe got purged during the magic curse breaking thing, it certainly was unpleasant enough for him that he’d BELIEVE that he got part of him ripped out, they still seem to test just fine as siblings. Still, they need more tests. 

But it’s not like they know an entire family, do they? 

Danny complains about this issue to Dandan, in part to see if Dandan knew anyone that MIGHT be willing to help. 

As it so happens, Dandan volunteers Chilchuck. Chilchuck only agrees to drag his family into it because he generally trusts Danny and Jazz even if they ARE kind of weird and make incidental inventions at their house that they should REALLY sell, because WHAT do you MEAN you have a hot water shower?! He also knows that both Brightmerry and Fullertom would like to meet Danny because of the book he totally did not steal from another dimension to make a profit. Might as well drag the rest. Plus, they assure that the test itself won’t hurt, and will even demonstrate with themselves and with the Toudens what a false and what a positive result will look like. 

So, they arrange a date to do so at the castle. Kabru is pretty interested in the experiment, truthfully, because it seems neat! Not at all because of his own issues with his hometown involving his eye color! Why do you ask! 

Off they go, and the best space to do this in due to some preparation and magic circle nonsense is the same room Laios did his whole magic purge, which was the mirror hall. It’s small but open, with no windows except for a small one in an attached restroom area. Sure, there’s some creepy scratching going on from time to time, but no one has gotten hurt or recorded anything else odd. 

The magic genetics test involves having the participants positioned equally around a magic circle in little circles of their own, having a small cup of a potion that gives off a lot of steam or vapor—entirely harmless-, and pricking a drop of blood into the potion. What happens with a positive is that the vapor takes on a color and follows a trail through the magic circle, and the colors and how strong the connection between the vapor trails between two people tell how related they are. In a negative or, when two parents are in the circle, the vapor trails will not have ‘matching’ or similar colors, and the trails will not actually meet up with each other. 

It’s still a work in progress, but it should tell at least siblings. Luckily, Chilchuck did manage to get all three of his daughters and his wife along, with Dandan being invited as another variable to test with. 

Danny and Jazz go first, showing how their trails don’t meet up. And there’s not a particular meaning to what color a vapor trail is to a person—it can change and vary for each test, it’s only consistent when it’s a ‘positive’. 

Than Laios and Falin. Fittingly enough, their trails are fairly strong, with just a few different trails fraying off, and slightly different shades of green-ish yellow coming from their potion cups. 

The Chilchuck Family then take a turn, and they can observe the trails. Sure enough, Chilchuck and Brightmerry don’t have any connection, but seem to match and meet with each of their daughters’ trails, who also connect to each other in a web of vapor. They decide that maybe more than three is hard to read. 

They agree to do a couple of combinations and tests, which Jazz and Danny are like ‘sorry for all the finger pricks!’ But they DID bring a bunch of sterilized needles at least. And Falin is happy to heal them in the meantime—using the space as an anti magic purge room seems to not have left an affect on the magic now in the space. 

Dandan joins a few times so they can record how he doesn’t match at all. Laios then mentions why Danny isn’t doing that when they explain he’s adopted and therefore for all he knows, he’s distantly related. 

Which prompts them to have him test with Dandan and Chilchuck. 

He doesn’t match Dandan. 

But he does match Chilchuck. 

This does not change when he repeats the experiment. 

They then switch out Chilchuck for Brightmerry. 

… And he matches to Brightmerry. 

SEVERAL different trials later involving all the halffoots there confirms it. 

Somehow. Someway. 

He is Chilchuck and Brightmerry’s child. 

Are you surprised? Probably not that was a twist coming a mile away not going to lie. 

Anyways, the story THEY give is that he’s Puckpatti’s twin. They’d been napping outside while with one of Chilchuck’s brothers, when something or another distracted said brother for, at most, two minutes. But then Puckpatti’s twin was gone. He was stolen, although they hadn’t actually KNOWN what had happened, when he was three months. It’s why Puckpatti’s name was, well. Puckpatti. Puck was supposed to be her twin’s name, and they considering having her be Pattipuck, but Puckpatti worked better. It wasn’t particularly odd for twins where only one survived to carry the other twin’s name as either their first or second name. This is also why her usually nickname is Patti instead of Puck. 

Danny and Jazz explain that… yeah, they were taken in. As in kidnapped. Hadn’t wanted the pity points but saying they were adopted felt kiiiiinda wrong. 

Now, this would be a very touching family reunion scene. 

Except now that mirror scratching has started up. 

And its loud. 

And—Oh would you look at that. 

Mirror portal. 

Can you guess who pop through? 

It’s the Fentons! Say Hello to Jack and Maddie. 

It’s a whole confrontation scene, which BASICALLY goes with Maddie and Jack absolutely NOT realizing anything they did wrong, insisting they SAVED Danny, that there were two and it was fine, and BESIDES, JAZZ wanted a little sibling and when ASKED she asked for a brother, so really, its her fault. 

Jazz gets a guilt complex! Chilchuck tells the Fentons that thats NOT HOW THIS SITUATION WORKED, SHE WAS TWO! 

Jazz also has a horrifying memory of when she was four and Danny was two, and asking if they’d like a younger sibling, and that they’d have to agree, but Jazz said yes and Danny said NO and was this why there were only two of them?!?

Danny disowns them, pointedly saying that cutting off a baby’s tail is kind of MESSED UP DON’T YOU THINK.  And they go, well if you’re going to be ungrateful—and he gets like, hella hurt. 

More arguing and fighting, and Danny just kind of lays there and lets himself heal before propping himself back up like. Did. Did you think that would work. You have a magic science workshop that I regularly cleaned did you NOT THINk. THAT WOULD NOT HAVE AN AFFECT. 

The Fentons go ‘oh, he’s a ghost’ and disown him right back, though not in so many words. Whichever members of the Dungeon Meshi group you imagine are there right now take it as ‘he’s a MAGE?!’ 

Danny tricks the Fentons back through the mirror portal and shatter it. From what he guesses, the magic purging done to Laios let there be a slight thinning in the natural magical-ecto-whatever barrier that protected this world from another one. The Fentons didn’t know where the kids went, but might have figured out they went to another world, but couldn’t locate the notes to locate the Dungeon Meshi world. So, instead, they tracked Danny and Jazz themselves. With all the blood testing Danny did in the same room with a thinning veil, that meant they were finally able to break through by using him as an ‘anchor’ to follow through the mirrors. 

Universal constants, remember? Both magic mirrors AND portals are things in both worlds. 

Danny takes this time to go ‘well, they already know anyways’, and uses the opportunity and also all his blood now on the floor to make some quick magic barrier things with Jazz’s help. She’s better at protection sigils, after all, but he’s the more magically powerful. Together, they sort of ‘lock’ the dungeon meshi world. Or, more accurately, they lock out a certain scientific couple. And, because three is a stronger number for magic, they also block out Vlad. Three birds, one stone. 

THEN Danny passes out, you know, like a champion. 

Once awake and reunited with everyone, things begin to simmer down. Sure, Danny was just exposed as a powerful mage to the King, but the king is just like ‘Eh, won’t mention it, I don’t know anything I’m barely sure how I became king most days and I was THERE’. Marcille probably finds out, either because she was there or she’s just really good at finding out things she absolutely should not, also possible interest from a long time over Jazz and Danny and their whole deal. But she’s also just like NEAT. Translate these texts for me and we’re even. 

Danny is not convinced about her smile but goes with it regardless. 

Chilchuck and family are cautiously open to Danny. Of course they’re glad to have him home, but also—he’s lived his entire life ELSEWHERE, so while Chilchuck knows the most about him, he’s still a stranger. 

A few cute fluffy bits about learning about his siblings and his mother and father. Notably—Chilchuck is APPALLED that any child of his doesn’t know how to properly lock pick. Even Fullertom, the MOST disinterested in his line of work, is well aware of how to do it. Brightmerry is fond of reading, and Danny has lots of stories she’s never heard of going through his head. He insists they’re just local stories he’s heard of here and there, but she’s like. Suspicious of it. Not enough to cause him to stop telling her them, though. He also learns of the interests of his sisters, and is also like WHAT. WHAT DO YOU MEAN I’M STILL THE BABY. 

The three girls are also fond of Jazz, surprisingly enough. Like, I’d hardly call them besties, but they get along pretty well. Especially when teasing Danny. Jazz tells them of the occasions she’d dress Danny up as a princess when they were little, and next thing Chilchuck knows, he’s walking in to see his son—not resisting being dolled up, because he loves his sisters already, but also very clearly hoping for an out. 

“Have fun,” he says and leaves immediately before his daughters can drag him into it too. 

Jazz has completed her indoor plumbing project! They no longer have a latrine and cesspit! They have proper toilets AND a filtration system for both incoming AND outgoing water, and along the way she’s made a waterwheel for electricity to power the filtration system AND the heating and cooling systems. They’re ALMOST modern at the Nightingale house! 

From here, things are a bit more loose. 

Danny makes gifts for his family for some kind of festive holiday. For Chilchuck, he gets a wood carving for the night each of his children were born, as well as his own birthday and Brightmerry’s. Since Meijack and Fullertom are twins, as are Puckpatti and Danny, this means four carvings. Each carving is technically a thin piece of darkly painted wood with holes drilled through, but when a light is shined onto the correct side, such as a candle or Jazz’s next project involving lightbulbs, it projects out the night sky. 

Danny consulted a LOT of astrological charts for this thing, but due to how close their dimensions are, the stars were mostly the same between the two. It’s not a universal constant, but the closer two dimensions are, the more similarities there are. 

After all, the Fentons were trying to slip BETWEEN dimensions, which is kind of like sewing but only going through to BETWEEN two pieces of fabric, even if the fabrics are already rubbing against each other. In other words, precision was needed, and there was no point in aiming for a FAR dimension for this, that was more likely to end in failure. 

An alternate for Chilchuck is that Danny finds alcohol in the Infinite Realms to give him, if you want Danny to have more free access to the Realms. Just warns him to only drink it if he WANTS to be completely sloshed, and to maybe not do that at home, haha. 

Anyways, for Brightmerry, he gives her not the next one, but the entire Lord of the Rings trilogy, translated and edited for the Dungeon Meshi world. He assures his father they’ll get a copy for print later, but this was the first edition and it was for Brightmerry. 

Meijack got an armband for easily hold and quick access to her most common picklock tools. Kind of like a bracer or that sliding blade thing from Assassins Creed. 

Fullertom, Danny gave her a bunch of blue ribbons and accessories. Jazz had to point out for him that this meant he was supportive of her desire for marriage—Something old, something new, something borrowed, something blue. Usually a tradition reserved for the marriage, but anyways. 

As for Puckpatti, he makes her a magic compass. No matter where she is, she can always ask her to point it where she wants to go. North, South, the next town, home, to a specific person, so on. The first thing she has it point to is to Danny. It’s a much more touching moment than I am capable of writing right this second. 

Uhhhh a plot point I hadn’t integrated yet was that Danny absolutely cannot cook with meat. It was started in the ‘they met during canon dungeon adventure times’ but I hadn’t translated it fully yet. Basically, when Danny tries to cook with meat, it comes alive—like the turkey or the hot dogs in canon, and SOMEWHAT like the familiars do. Of course, it’d be really weird to be able to do that without even trying, and possibly mildly illegal, so they just have Danny not cook meat. Then a draft came to be where Danny was like ‘fine I’ll just SHOW YOU’ to Senshi, and if it was in the dungeon, then he’d use them against a monster, and if it was during post canon, it’d be against his parents. Then the point of WHY all or most of them were together during the Fenton’s break in changed from the dinner party to the genetics test, and there was no reason for Danny to have been cooking. 

Danny finds and introduces Fullertom to a dwarf that she starts dating. Chilchuck isn’t sure if he should be concerned or impressed with the portfolio Danny pulls out when Chilchuck asks about the dwarf and what Danny knows about him. 

Another plot point for why Jazz and Danny were staying so long, outside of finding Danny’s birth family since we have now figured out he WAS developing normally and the whole portal thing was just sorta because of how tricky that power is, is that Princess Dora wanted Danny to find a good host for the Necklace of Aragon so that her brother could no longer claim it. It would, predictably, eventually go to Laios. Also, I am starting to realize I am more partial to Laios than the other characters, whoops. Anyways, I hadn’t figured out if I could or even SHOULD integrate that into the plot. 

Payment for the blood blossoms were going to include five of Fallin’s feathers. They’re magically powerful, and three of them were going to be used for each name that was ‘blocked’ from the Dungeon Meshi world. So one feather for Jack, one for Maddie, and one for Vlad. I haven’t decided if I’d keep that or not, but I also wasn’t sure what to do with the other two feathers, and just asking for three and that HAPPENS to work out, the number being considered magic aside, felt a bit off and too convenient. 

Danny would eventually take on a new name in honor of his birth family. Danbright Chils. Dan is him, obviously, and since he’d be taking Chils for Chilchuck, he decided to take Bright for Brightmerry. (I actually debated between Bright or Bridge. So either Brightmerry and Danbright or Bridgemerry and Danbridge. This is directly because of Danny’s ‘be the bridge’ thing.)

Things are just starting to settle… 

Then, Sidney of all people shows up in Danny’s magic communication mirror. And we get information that due to Jazz and Danny’s mild meddling with the magic-ecto-whatever barriers, that Jazz’s twin has become aware of the fact she once had a twin—basically, Inspector Gordon kind of ‘felt reminded of [Jazz]’ and told Barbara about it. And since Barbara is part of the superheroes club, she was able to find out that not only was her twin alive, but in an entirely different dimension entirely. 

Annnnd that’s all I got. 

It’s a lot! Don’t expect me to publish it! Have a nice day! 

[threadandlace]

vocal rest- repost

Pairing: Josh Kiszka x female reader

Summary: Josh has been placed on vocal rest, something he is VERY displeased about

Word Count: 1.8 k (short and sweet)

Warnings: ☆ smut- NSFW, 18+ content, Minors DNI

“You’re pissed, aren’t you?” you asked before taking a sip of your drink, waiting for his response. Josh scribbled furiously on the pad of paper before lifting it up to show you. ‘You have no idea’ it said in his sloppy, rushed scroll. You leaned your head back and laughed before continuing, “this is going to be a hard couple of days for you, huh?” He glared at you, eyes sharp, before nodding. He got up and padded to the kitchen. You heard him clink bottles and move things around and you got up to go help him with whatever he was working on. “No alcohol either Josh, come on,” you said, reaching to grab the bottle of tequila from his hand, giggling. He spun and glared at you, clearly irritated at you finding his situation humorous. 

You had both gone to a festival the past week during his break from touring. Josh had overdone it with the yelling and singing along to the various bands. That, in addition to the dehydration he faced (he drank more alcohol than water that weekend) had led to him losing his voice. For most people, this would be no big deal. For a rockstar going back on tour in a week, this was detrimental. Josh’s doctor had put him on a strict regime- no talking and keeping anything that could irritate his vocal chords and throat to a minimum. Smoking, alcohol and sugar were off-limits as an abundance of caution. 

“So basically,” you said, intending to fuel the fire, “I can be as drunk and loud as I want, and you can’t stop me OR partake.” He gave you a grimace. “At least you’re the most theatrical person I know so your face can talk for you. But you’re also a rambling little old man who can’t stand to not hear your voice, so I know this is truly killing you,” you said, patting his shoulder. He rolled his eyes before watching you as you walked towards the fridge. You opened it and paused. “What do we want for dinner?” you asked, turning to face him. Josh’s mouth opened for a second. “Nuh uh, notepad,” you said, pointing to the notepad he had comically been wearing on a string around his neck. 

Josh rolled his eyes and walked over to you, pointing at various things in the fridge. “I’m not going to read your mind Joshua, use your notepad,” you said, clearly feigning annoyance. He turned to look at you, clearly irritated. You laughed hard, taking a few steps back after swinging the fridge door shut. ‘You drank too much wine’ he wrote before showing you. You nodded, “that’s true. Dealing with you being silent and mindreading is not a sober task.” You paused, watching his face contort with irritation “What? Is this really making you that mad? Because you can’t talk?” you said, moving forward and pointing a finger into his chest. He grabbed the notepad and scribbled ‘stop antagonizing me.’ “Never Josh, this is too much fun.” 

In an instant, he grabbed you and pushed you into the kitchen counter. “Oh, feisty huh?” you said, laughing. The whole situation was so funny- a seldom quiet man suddenly rendered silent. He leaned in to kiss you, hard, his hands finding their way to your butt and gripping. “Oh, no way Josh. There’s no way you’re going to have sex with me and stay silent. Impossible,” you said, scoffing at him. ‘Bet I can’ he wrote on his notepad, giving you a smirk. “Challenge accepted. If I make you talk, you owe me dinner,” you said. He nodded, giving you a wide grin. The thing about you was that you were a sore loser, so you simply didn’t lose. This was going to be a very fun night.

You placed both hands on Josh’s face and kissed him hard and passionately. You lifted his shirt off and ran your hands over his chest, playing with the small patch of chest hair that had started to grow during his time off. He tugged at your shirt and you obliged, removing it swiftly. “Let’s relocate before we really get into this,” you said, turning to pull him behind you. He paused- you knew he probably wanted to fuck you over the kitchen counter, but you weren’t about to let him win. You tugged at him, “come on, it’s my call tonight since you can’t tell me otherwise.” He huffed, but complied and followed you to your room. 

Once there, you quickly removed your pants and Josh did the same. You reached out to pull him closer to you as you sat on the bed, letting your hand trail down from his jaw, along his stomach and to his clothed erection. You rubbed your hand up and down it and he let his head fall back, clearly enjoying the sensation. You slid your hands under his underwear, pulling them down. His dick popped up, slapping his stomach. You giggled- clearly the wine you’d drank went straight to your head. 

Josh narrowed his eyes at you, lacing his hand in your hair and slightly pulling you forward, towards his erection. “Oh no, Josh, I’m on vocal rest, too. Gotta be easy on the throat,” you said, leaning back. He let out a growl, clearly unimpressed. “Shhh,” you murmured, “don’t strain yourself baby.” He started to stroke himself, watching you. “I can give you a little help,” you said, pulling yourself forward and leaning over, making deep eye contact with him before letting a stream of spit roll off of your tongue and onto his cock. He watched you before letting his eyes roll back with pleasure, groaning. “Hush,” you said, moving further onto the bed. You propped yourself up on some pillows, “I’ll be making the noise tonight. Or did you forget?”

 You ran your hands up and down your thighs before reaching up to pull your bralette down, letting your breasts spill out over the top. He sucked in a deep breath- you knew he loved the way they sat over the lacy fabric. You leaned your head back, letting your hands rub against your bare breasts and chest. He watched you, entranced, as he slowly stroked himself. 

You slowly let your hands slide down to your thighs, gripping the soft skin the way Josh often did. You palmed yourself over your underwear, “Wow, I’m so wet. I wonder who did that?” you asked, giving him a raised eyebrow. You could hear the response he’d want to give in your head- something to stroke his own ego yet also remind you that you were his. You slowly moved your underwear to the side, brushing your fingers around your cunt. You knew going slow tormented him, and you could tell it was working with how hard he was and the way his face was now completely flushed. He watched you, his eyes begging for more. 

You stroked between your lips with your middle finger, using the wetness to start making small, lazy circles on your clit. You let out some pornographic moans, really amping up the optics as you slipped a finger in, then two. “Fuck Josh, I’m so wet.” He reached out to touch and you snapped at him “no talking, no touching.” He let out a low guttural growl from deep in his throat. “Quit,” you said, before returning to pleasuring yourself. You watched him, his cock leaking precum. “Mmm, wish I could taste that,” you said and his eyes lowered to see what you were looking at. He squeezed it onto his finger before moving towards you, holding it out for you. You leaned in and sucked his finger into your mouth, swirling your tongue against him. He sucked in a quick breath, letting his head loll. 

You pulled back, releasing his finger with a pop. He watched you perched back, taking in the sight. “What do you want, Josh?” you asked, clearly antagonizing him. He lowered his head, looking up at you from beneath his curly hair. “What, baby?” you asked, giving him sweet, puppy-dog eyes. He lurched forward, pushing you back as he flattened himself on top of you. He held a hand over your mouth, silencing you for the first time that night. He leaned in close to your face before uttering the first words he’d said in almost 24 hours- “I need to fuck you.” His voice was hoarse, but still strong, lower in register and volume than he typically spoke. You removed his hand from your mouth, “so do it,” you said, grinning- you had won. 

He shoved inside of you and you both gasped, Josh’s forehead falling to meet yours. He pumped in and out of you with long, deep strokes. His right hand massaged your breasts, pulling on them as he wrestled with the fabric underneath them. “Fuck me harder, Josh,” you commanded. He flipped you over, spreading your ass before slapping it hard. You jumped at the sting and he wasted no time entering you again and fucking you hard. He wrapped his hands in your hair, pulling your head back. He leaned forward and kissed you, giving you a split second of his signature sweetness before he continued to fuck you senseless. 

You let him continue for a moment with his rhythm. “Let me get on top,” you said and he pulled out of you before dropping back onto the bed next to you. You slid over him, reaching down to help guide yourself onto him. You bounced a few times, reaching out to steady yourself with your hands on his chest. You then sat back and let your hips roll on top of him, enjoying your view of him under you. He reached out, placing his thumb onto your clit and circling it. He worked with you, the combination doing wonders. 

“Fuck Josh, I’m going to cum,” you announced, knowing he loved hearing you say it. You leaned forward to look him deep in his eyes as you moaned, cumming hard. You stopped riding him as you came, legs jolting underneath you. He took the break to push you back, getting back on top of you. He pressed his palm into your wet cunt, letting you finish riding your orgasm with the pressure he knew you loved. 

“Your turn,” you said, smiling at him. He grunted as he started to move in and out with deep strokes. His movements got sloppy quickly as he was clearly getting closer to the edge. “Cum for me Josh,” you said, locking eyes with him. That was all it took for him to cum, leaning forward to rest his head in the crook of your neck as he jolted, cumming deep inside you. 

He let his weight fall on you for a moment before rolling off of you, throwing an arm over you. You both laid there for a moment in ecstasy, connected by bare skin and jagged breathing. You rolled onto your side to face him. He looked up at you, his pupils huge with lust and complete relaxation. You reached out, pushing his hair back from his forehead. “You know you owe me dinner, right?” you said before breaking down into laughter. “Fuck off,” he said, his voice cracking with hoarseness. You both erupted in a fit of giggles.

[yrrtyrrtwhenihrrthrrt]

Good morning everyone. I haven't written smut since the last time I wrote smut so it's time for

✨ Goldenheart NSFW Kink Headcanons✨

For both versions. 🌶️Spicy🌶️ content beneath the cut (obviously)

Movie

First we have the obvious: praise, competency, body worship, it's basically canon at this point.

I also think they'd be very into roleplay. It helps them to escape their situation and enjoy each other in New Ways for a bit. Before the events of the movie, they would roleplay that Bal was a Knight and Ambrosius was a commoner, or that one of them was a villain, or any from a myriad of stranger meet-cute roleplays (they are both switches). Post-canon I think they'd work in a hero/villain roleplay to process some of their issues.

Heavy possessiveness kink from Bal. He wants to be marked up, he wants to be owned, he wants to remember constantly that he belongs with his man who makes him feel so loved and safe. Ambrosius is naturally a pretty respectful guy but upon receiving permission to be stupid possessive it comes easily to him (he wants nobody else to touch his man ever at all and he wants EVERYONE to know Ballister is his)

I think these two would also be into experimenting with some light BDSM stuff, like light bondage, teasing, edging, etc. They already explore power imbalance stuff in their roleplays so I think this just adds to it. While they are both switches Ambrosius Doms more often, especially post-canon because surrendering himself to Ambrosius really helps Bal build trust. Bal can certainly go freak-mode though, Ambrosius really likes getting his hips bruised from being gripped so hard by a metal hand while he's being railed. The hand-shaped purple mark on his skin is a sexy reminder of their activities.

Comic

Kinky kinky kinky motherfuckers these ones. As we know. Ballister always Doms, but he doesn't always top (it's rare for him to bottom, but he does ride on occasion, since Amb lacks lower body strength and mobility due to injury)

I think they'd be into a lot of BDSM practices. Nothing 24/7, just scenes, but I cannot imagine they wouldn't. Heavier bondage, chains, ropes, suspension, etc., it's fun for both of them when Ambrosius can't move beyond squirming. Degradation I can see being their biggest kink-- Ambrosius wants Ballister to be fucking mean to him. Call him pathetic, stupid, a slut, a fleshlight, a sex toy, fucking anything. Ambrosius doesn't know why but it gets him so riled up (it's because he felt pressured to be perfect his whole adult life and being broken down releases that pressure.) He wouldn't be into insults of his appearance though, bc he's insecure about it, and Ballister also could never call him ugly with a straight face even if he wanted because he is just way too smitten. In addition to that as far as BDSM goes I think they'd be into discipline/impact play. I can see spanking Ambrosius to be very cathartic for Ballister, and also very fun for Ambrosius.

Outside of typical BDSM shit I imagine that this Ballister also has a praise kink but is in Big Denial about it. He thinks that because he doesn't like being called a "good boy" he doesn't have one. He is not correct. Ambrosius has a praise kink too, on top of his degradation kink, but that's what comes out during vanilla sex.

Ballister is also a huge salirophiliac, he likes fucking Amb's appearance up, ripping the clothes off his body, messing up his hair, getting cum all over his face and body, he just wants to turn his prim and proper little dandy into an absolute fucking mess.

Lastly I think these two (particularly Amb) would be super into cockwarming, it's like cuddling x1000 intimacy and he loves having Bal inside of him. This ranges anywhere from incredibly intimate, quiet, soft cuddles where Ambrosius is in tears from how loved and safe he feels being filled and in those arms, to cheeky teasing exercises where one or both of them will try to get the other as desperate and whiny as possible until they cave and just have sex.

And both sets of gentlemen are of course incredibly good at aftercare and make each other feel safe, loved, and regulated after any kinky or intense sex 💛

[msmargarita]

✨🤓Johnathon/🕳️ Spot Headcanons✨

These are some headcanons I wrote for my two fics:

i'm not going to turn into a cosmic anomaly and leave you forever

and

i'm really serious this time, baby

It has !!spoilers!! for both of those fics!

It's basically an AU unless I somehow foresaw the future and guessed what happens in BTSV!

Beware the keep reading button. This is HUGE.

🤓 Johnathon HCs!

HE IS A GEMINI. Like come on. Talks a lot, nerdy, silly guy. He is a canonically silly guy! In his first fight with Miles he pretends to have hurt his nose (he doesn’t have one) to trick him. So silly! I would bet there's Capricorn somewhere in there too. And Pisces. I’ll make this man’s whole birth chart if you dare me. Just dare me. I’m insane.

Jason Schwartzman used to be in a band in the 00s. I think it would be cool if Johnathon also had some sort of interest in music. I think he would have tried to learn guitar in college but only got a few chords in before life got too chaotic and every now and then he thinks of picking it back up. 

He is also one of those guys who fanboys over old ass music, especially from the 60s and 70s. Loves Jazz, Funk and Prog Rock. Look at this man and tell me he is not a prog rock guy. He is a nerd, he might even be *shudders* a math rock guy. I also think he would have one completely random favorite artist that has nothing to do with the things listed above, like, idk Lizzo. Or Princess Nokia. He just looks like the type.

I think everyone agrees Johnathon is at least in his thirties, but I put him down as thirty-three in the end. I did that because Olivia is thirty-five tops in ITSV (according to Peter) and since he was her subordinate it makes sense that he would be just a little bit younger than her. 

“But hey! That's too young to get a PhD!” you might say, but I think Johnny is an overachiever. I think he was one of those super genius kids that got in early in college and lived for academia. A teacher's pet even.

He is a workaholic, so when he quits his job he gets really lost and doesn't know what to do with himself. He might have a new job soon doing what he loves, so you’re going to need to be on his ass so he doesn’t fall back into his old habit of overworking. 

I like to think that Miles would get an internship under Johnathon a few years in the future and they would learn a lot together. Jonathan would probably take a week to figure out he is Spider-Man and would cover for him when the boy needs to disappear. This actually sounds like a fun drabble to write about.

Johnathon may be a genius, but like he said, he is not too familiar with relationships. I think he might've had one or two in the past, but everything slowed down when he started working at Alchemax. “I’ve been told” is referring to those past relationships, in which he was probably told that he works too much and never has time to spend with his partners. He’s not been with anyone for a long time and his game consists of buying the first comic book he saw on a shelf in order to ask you out.

But that doesn't mean he is cold. Quite the opposite really, Johnathon is very touchy-feely. He hasn't been with anyone for a while and misses touching and being touched. He is most comfortable when being at least 70% curled around you. 

He smokes Dunhill Carltons (he likes to feel fancy), but less now that he isn't as stressed from work. Like he said, he used to go on walks to smoke and pass by the comic book store you work at before you guys had even met. I like to think he developed a little crush back then.

Had his tattoos done in college, so they are very faded now. He doesn’t think of redoing them because the mere thought of having to stay seated for hours in the same place feeling pain stresses him out. He was a lot more easygoing when he had them done.

He did have a superhero phase when he was a kid. He would fantasize a lot about having superpowers and flying away when the bullies showed up. Never thought about fighting back. Before becoming the Spot, he wasn't the confrontational type. The hero thing fizzled out as he grew older, but he would always dream about being stronger. Being a better version of himself in a kinda superficial, but understandable way.

He still has a bunch of action figures, he thinks they look cool. If you give him one, he won't even care if he knows the character or not, he just likes them.

Even though Johanthon says he is “good-looking”, he does add “for a scientist” in the end. I think he tries to mask his insecurities with humor, always putting himself down with a joke, always saying he’s too old, too corny, too nerdy. In the back of his head he knows the hair and the glasses are kind of a look, but he doesn’t feel handsome. You help as much as you can, but that’s an obstacle for him to overcome by himself. I think after i’m really serious this time, baby he gets better at this.

🕳️ The Spot HCs!

For clarification: the story of i’m not gonna turn into a cosmic anomaly and leave you forever stretches the plot of ATSV to a few weeks instead of a day. Just think of it like Spot taking a little longer to power up instead of a few hours.

Since he was forced to do crime to survive, I think he would've thought to himself: "Well, since I have to go rob a store anyway, might as well be that one where that cute cashier works at." 

Yes, Spot starts tracking and following you after you two meet. He uses his computer nerd powers for evil. A very unhealthy way of dealing with a crush, I think.

Spot can eat but he doesn't get any nutritional value from food. When you drink wine together or when he burns his tongue (?) from tea it's just a placebo effect. I like to think that Johnathon's mind is still inside The Spot's body, so he eats just for habit. He says he gets hungry all the time, but it's actually a deep need to consume everything around him. The little rascal.

As he powers up, Spot gets more confident in himself. He thinks the stronger he gets the further away he gets from Johnathon, his old self. Which, in the end, turns out to be true.

I think at first you don't really believe Spot is an actual supervillain which is why when you see him after the fight in Mumbattan it's such a shock. In a way, you did the same thing Miles did when he underestimated him, even if for whole different reasons. I think even though he knows you care about him, Spot knows you don't see him as a threat and that makes him want to impress you more. 

Spot knows that the reason you keep getting new jobs is because his own crazy supervillain life keeps interfering with yours, so he tries to keep it as much hidden from you as possible. He thinks what you don’t know can’t hurt you! As Johnathon, he feels guilty at first that you’re changing your whole life to go with him to New Jersey, BUT this time it was your choice! Not because of supervillain shenanigans!

He does love you (even if it was too early to know) and wants to be with you, but his head is so lost in the supervillain game, he thinks he can’t stop now. You never really realized how serious he was about “being stronger”. Which is why you never tried to stop him.

I chose I’d Rather Be With You as a theme song because I think it’s a song Johnathon/Spot would enjoy. But I also like how the lyrics match both their feelings towards you, in both fics. He wants to fly away with you once he gets all powered up, he loves your smile, etc. He does want to be your friend until the end as the Spot, but as Johanthon he is really committed to work on his bad habits in order to be with you. We gon' make it this time, baby! I cry, damnit. 

It’s also a surprisingly gender-neutral song, with no physical descriptions in it! Anyone can put themselves in the lover's place. Bootsy Collins is cool like that.

I like to think that, in the end, Spot didn't erase himself from the timeline. He just reloaded an old save. Does that make sense? Like you said, your relationship will always have happened, just in an old, non existent dimension. And since Johnathon and you still get dreams and deja vu about the whole thing (think of it as dimensional residue or whatever), you do have all the EXP of the old save. Johnathon, after going through the literal end of all existence and then forgetting about it, feels something compelling him to finally take a chance and enter the comic book store. It’s like when your body goes through something and it remembers later, even if your mind doesn't. Here's a (hopefully) comprehensive timeline:

the end.

Thank you for taking an interest in my weird AU! I would kill for you 💖

[akiizayoi4869]

Can I maybe have more insight into Sokkla?

Idk I've been wanting to get more into it but I'd just like to hear why people ship them, more depth into them as a ship, how they'd work out, etc

Have a great day ^^

Sure!

I was honestly so confused back when I first found out that people shipped them lol. They only had one scene in the entire show when they interacted and actually spoke to each other, and it wasn't good. But I decided to bite the bullet and check it out anyway. Think it was either one of @seyaryminamoto or @libbysatton25 Sokkla fics that I read, and by the end of it I was like "holy shit why do these two make so much sense for no reason"😂.

People ship them for a number of reasons. Both of them are very smart, are strategists, sense of humor is kinda the same, and they have similar issues when it comes to their parents and how the writers wrote it. With Sokka, his grief about Kya's death is never expanded on or given the same kind of depth like with Katara, even though it would have been really interesting if they did since it was painfully obvious that he had repressed memories of what happened that day, sine he couldn't even remember their mother's face. It's similar with Azula. Zuko's issues with Ozai is taken seriously by the narrative, as is Ursa leaving and how it affected him. With Azula, however, her issues with their mother are never given the same importance. Ignoring the shit comics, during the beach episode where she says "My own mother though I was a monster. She was right of course, but it still hurt" was interesting. For the first time ever, we saw a vulnerable side of Azula, a glimpse of into what her own experience with their family was like (even though we kinda did see it a bit on her end in the Zuko Alone flashback episode). Nobody responded to what she said (and to be fair to them, that's a subject that shouldn't be treated lightly, and they were all teenagers with their own problems, even though at the very least I think that Zuko should have said something) and the last bit of what she said makes the whole thing be treated as a joke.

Which, honestly? Is brilliant, because that's a defense mechanism. Showing a vulnerability without meaning to, and the moment you realize it, you try and deflect by making a joke or acting as if it's not a big deal. I've done that plenty of times. There's just one problem with this: the narrative actually frames what she said as a joke and that it's not a big deal, because she is in fact a monster and even she knows it (I swear narrative framing is seriously a bitch in this show) and it's never brought up in conversation again. Nobody asks her what she meant by that and actually try to talk to her about it, and the ideal candidate for this woukd have been Zuko, since he could sort of get where she's coming from since they have the same messed up family. Instead, it's only touched upon again in the finale during the mirror scene, and then that's it.

Ok I know that I said ignore the garbage comics, but they actually prove my point further. In The Search, Azula's issues with her mother definitely aren't taken seriously whatsoever, she's made to be seen as unreasonable because she's "crazy", and when they find out what actually happened to Ursa and Azula is rightfully angry about it? Once again she's written off as being unreasonable and doesn't get taken seriously at all, and she just runs off and nobody stops her. That entire comic was basically about Zuko and his relationship with their mother (see a pattern there?) and to this day her and Ursa have yet to have a one on one conversation with each other, because apparently this is too hard for the writers to do. The point that I'm trying to make here is that Azula surpresses her feelings because for her, it's a sign of weakness, and she was taught to not show any signs of weakness whatsoever. You know who else surpresses their feelings? Sokka. He obviously has his own feelings about Kya's death, but he pushes that aside for Katara. Yue's death definitely left a profound impact on him, but he never talks about it with anyone, not even his girlfriend Suki. He just bottled it up.

Although in Suki's case I think there's another reason why he doesn't tell her, something that I think nobody actually picked up on in the fandom because I've never seen anyone mentioning this: during the Serpent's Pass episode and the two of them are talking because Suki wants to know why he's being so overprotective of her all of a sudden, he tells her that it's because when they were in the Northern Water Tribe, something happened to somebody that he cared about and that he couldn't protect them. So he was telling her about Yue without really getting into it. In response, Suki sees that as an opportunity to tell Sokka how she feels about him, by saying "I lost someone too. He didn't die, he just went away." So basically, she got the implications of what he was trying to say, and she uses that as a way to confess. Now, if I were Sokka? I wouldn't want to talk about it with that person anymore. Idk why on earth the writers thought that would be romantic, but whatever. I'm not saying that this is the reason why he never tells her about Yue, as far as I'm concerned this is just a headcanon of mine, (and all of this is honestly the main reason why I don't care for Sukka whatsoever, aside from the fact that I find it to be boring and poorly written) but it's interesting to think about. Anyway, both Sokka and Azula bottle up their feelings, which is what a lot of Sokkla shippers picked up on, and it's what makes us think that they'd be able to connect with each other because of that, because they both understand what that's like.

So yeah, I think that's why a lot of people find these two interesting as a non canon couple. If any other Sokkla shippers see this, feel free to add on!

[magolandandfriends]

Magolor, did you ever have a reason as to why you pursued those ancient artifacts?

[Content Warning: character death (beheading aftermath) + (badly) drawn blood it’s not graphic but just in case]

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ ﾟ｡ ⋆ ⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ ﾟ｡ ⋆ ⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ ﾟ｡ ⋆

[He doesn’t wanna talk about it.]

(WOAH HEH GUYS LONG TIME SO SEE- this was going to be a short answer but i was like fuck it we ball and did a little backstory comic)

(I will say this right now any kind of asks/questions related to Magolors mom/family will be ignored. Not because I don’t wanna answer them but because I have no damn clue what kind of lore I have and this whole bit is pretty messy on its own- BUT- I’ll give a little lore dump for Magolors mom/Magolors family but that’s all you get unless if I feel extra)

-Magolor was alone most of his life- his mom was absent and don’t ask about the dad I never thought of him (he doesn’t exist)

- most of the ideas I came up with were all based off “daughter of evil” it’s a pretty good song and thats how I came up with Magolor mother lore- and maybe a little bit of cai but shhhhh don’t tell anyone-

- like I wrote before- yes his mom was absent/neglectful- was it intentional? No not really she spent a mass chunk of her life ruling halcandra (and taking the crown)- but this lead to Magolor basically almost forgetting about her completely- yes if you ask him about his parents he will answer “yeah I had a mom” but that’s about it

- if the last image wasn’t a dead giveaway she too had a crown obsession (like mom like son /j)- except it took full control over her and the people had to resort to execution just to get the damn crown off (but it doesn’t matter- dead or not the crown successfully took her soul)

(And that’s all I have- it’s very messy in very much aware but I don’t think i plan on jumping back into her lore anytime soon (hence why I don’t want any asks related to her- but maybe if I feel nice I’ll do a character portrait that’s the biggest maybe I’ll ever drop so plEASE SPARE ME-)

(But I just wanna drop this here but thank you so much for the ask and thank you for bearing with me- there’s a lot in my inbox rn and I feel bad closing it so I have to speed run + some I’m just not sure how to answer it takes a minute which leads to forgetting which leads to “WAIT I FORGOT ABOUT THAT ONE” a month later and I deeply apologize. But for now- I have to speedrun more shit-)

[moony-2001]

Lore Olympus ep. 254 critique

Well I can officially say that Persephone is the most selfish person in the comic

What in the Disney ripoff

So obviously it’s too late and Zeus is poisoned and ✨wow, how convenient✨ Apollo is suddenly there with Leto (who btw we haven’t seen in almost 100 episodes). I don't really want to focus on his confrontation with Eros and Psyche, because let's be real, it wasn't much of a confrontation. No, instead I want to focus on this:

My first thought when I saw the whole blackmail scene coupled with this was "What in the Lion King is this bullshit." Seriously. This is almost verbatim to what Scar says to Simba (except Scar as a villain is actually intimidating and Apollo, well...).

But here's the thing. This is how stupid Apollo is as a villain. Hebe has the least to gain from Zeus' poisoning and death. Look at the list of children that could stand to benefit from Zeus' demise:

An angry War god who was banished to the mortal realm for years by Zeus for pissing him off. Additionally, Zeus slept with his then-romantic partner and was implied to sleep with her often

The estranged daughter who literally thrives on chaos and is basically the goddess of "it's getting a little too chummy around here" who has beef with not only Zeus, but also Hera

A newly revealed son who has a tendency to heavily push boundaries and can't take no for an answer. This son additionally has been making moves to gain power politically

Compare this to Hebe, who we have only seen being kind to Zeus. No where in the comic is she seen harboring any kind of resentment towards him. Even when she criticizes him, it is gentle and she doesn’t push any further when he lays down the law.

Not only that but the whole prophecy- the usurp of power prophecy that Uranus got about Kronos, and Kronos got about his children, and so on- only applies to the sons of the tyrant in question. That was established in the myths, both in the Theogony and the Metamorphosis via a prophecy that usually came from Gaia. So that immediately takes Eris off the suspect list by virtue of the fact that she is a goddess. But even then, Hebe still shouldn't be a suspect.

How is Rachel expecting people to fall for this? Even her audience in some respect is calling out Apollo for being "back on his bullshit". Yet I can almost guarantee that everyone is going to fall for it because the only 2 gods who actually know are trapped in jail, Cassandra is probably going to disappear from the narrative for a while, and the rest of the general cast of characters only shares 2 brain cells between the lot of them. I can't wait to see this drag out over the course of, like, 15 episodes.

The most selfish thing

I just… wow. I have no words. Except yes I do or otherwise I wouldn’t be making this post. So we transition to the second half of the chapter where Persephone talks about her nonexistent connection with the snow and how maybe, just maybe, this is all her. Just like her act of wrath and what she did to Minthe, she has no one to blame but herself. And then she straight up goes “nah”.

I will be the first to admit, the way Rachel wrote Demeter during Persephone's homecoming/proposal was horrific. Demeter behaved horribly to Persephone. Now, I more blame Rachel for poor writing because if you have to make side characters look worse so your protagonists can look better, you suck at writing. BUT that does not excuse Demeter's initial actions and behavior toward Persephone.

However, in this situation, Demeter is not putting Persephone down for what she’s done. Obviously, Demeter is distressed, but she basically says “You tried, but now it’s time for the adults to handle it” and Hades agrees. He fucking agrees.

Demeter is far more capable and mature than Persephone due to being around for thousands of years. Demeter has had experience, she’s worked hard at maintaining everything, and she has even had hardships and failures. But because of this, she is a very very powerful goddess. Thus it makes the most sense for Demeter to step in to handle this situation. It is what's best for everyone, most of all for the mortal realm, which has been immediately affected.

But because Persephone has been told over and over that she’s hot shit, she's special (and has been treated as such), her ego can’t take the blow. She can’t take the L. She makes everything worse because she can’t stand the idea that she’s not special and that she's not this big bad goddess who has control over her abilities.

To me, this is so selfish. Persephone acknowledges that everything is dead. She acknowledges that she is the cause of this destruction. Yet she knowingly makes it worse because her ego can not handle the fact that she isn’t miss fucking perfect. This is the epitome of a child’s temper tantrum- like how when Nemo swims out to sea to touch the boat after Marlin tells him he can't do it. Because that’s what Persephone is. A child. In this case, it does not matter that she’s the age of an adult mortal woman. She is a god. She hasn’t even been around for 100 years. She still doesn’t have a handle on her powers. Persephone is being immature and selfish by stomping her feet and going “No, I can do it." Because of that, she makes everything so much worse.

Hades naturally makes this worse by enabling her. Although I genuinely can’t say I’m surprised since Hades has a history (especially post-marriage) of enabling Persephone’s bad behavior (like rewarding Persephone with sex after destroying the apartment of Leuce and threatening to kill her). When asked rightfully by Demeter if he’s going to do anything to try and talk her off the wall since Persephone has a history of not listening to anything Demeter has to say, Hades basically goes “Nah, my hands are tied, nothing I can do”, Despite the fact that he saw the destruction she caused and ACKNOWLEDGED IT WAS TIME FOR THE ACTUAL ADULTS TO STEP IN. This could’ve been a great moment for someone who wasn’t portrayed as a force against H&P (like the main love interest/husband) to hold her accountable. To say “That’s enough”. But nooooooo. No one, not even her own husband, is allowed to get in Persephone’s way.

Thus, Persephone continues to cause mass destruction and death until she passes out (this is important to note) and Demeter rightfully loses her damn shit.

Final thoughts

This is, I think, the worst chapter of Lore Olympus. Genuinely. As I stated in my last post, I had no idea where Rachel was going to take the whole “Persephone causes winter” idea and that there was no way she could make it more feminist than the original hymn. And boy was I right. Because I guess nothing is more feminist to Rachel than an ego-fueled power trip that results in the death of life in the mortal realm and also probably a good portion of the mortals who probably aren’t built to handle this kind of weather (by Persephone’s own admission that the mortal realm doesn’t get cold).

I'd also like to end on this note: if you're going to be a writer or artist or comic writer, don't treat your audience like they're fucking stupid.

Remember that little note I made about how it's important to remember that Persephone passes out? Yeah, well, that's because Persephone is actually unconscious and not dead. In literature and media today, people often use some version of the phrase "you've killed [x]" as a way to say not that whatever [x] is, is actually dead, but that it died in a metaphorical sense. You see a great example of this in the season finale of Arcane with Jinx. Powder doesn't actually die; Jinx is still very much alive. But Jinx metaphorically obliterated Powder to make room for the new her. The new Jinx, unburdened by her old self.

And that's what Demeter is saying. Hell, Hades even said that Persephone wasn't dead after presumably checking her vitals. Anyone who read the chapter would recognize this. But I guess Rachel thinks her audience doesn't have more than a 4th-grade level of reading comprehension because why else would she put in this, frankly demeaning, message at the end.

Oh boy. Welp. See y'all in my next post.