#and I was like. hm. that could actually be compelling

[m-s-justice]

Black Ops 6. I think I’ve seen tossed about is if the old crew is getting revived or mentioned or will be somehow relevant to the plot. 

Do I think they will bring the original crew back? Not really. Like a 25% yes, 75% no. The nostalgia bait would be Huge. A ton of people would come back, even if they’re just operator skins, I just know it. And considering corporate greed, I can’t realistically say they’re above baiting that nostalgia.

Thematically? There would be a lot going on about it thematically speaking.

A good question, and perhaps the biggest, would be “how”? Getting the audience on board with their revival is critical to the reception of them. If it’s an asspull, people will be pissy. If it makes sense, people will still be pissy because they’re cod fanboys but would not be as obnoxious about it. The only really good answer would be through the dark aether. Maybe Takeo and Dempsey’s souls could have endured the destruction of everything since they were technically in the summoning key when that happened (even though it broke in the process, and I’m not sure how one could finagle getting Nikolai back in that case). Maybe it’s some alternative version of them that was alive when the multiverse collapsed and were consumed and banished like Victis. Maybe they’ll tie in the fucking Cod Mobile lore happening over there. Maybe there’s like some kind of freaky Homestuck-esque Ultimate Self shenanigans going on there. An ego without the persona. A mind above partition. They were sort of leaning into that in Alpha Omega, so it’s not a complete stretch. But whatever.

Maybe Richtofen missed them. Their souls were bonded, afterall. With them gone, does he feel exposed? Alone? Where he, in the most intimate way, pressed against them, his very soul mixed with theirs, there is now gaping air, something missing. Perhaps the death of his family only worsened that feeling. Perhaps that’s why he wanted a family in the first place. Perhaps knowing that people can be ripped from him so suddenly, so violently, without any warning, makes him crave that familiarity, that guaranteed company, that there will always be someone there.

(Janus is a god of doorways and beginnings and endings.)

But what’s in there, thematically speaking?

I’d like to get a bit meta. (who would have thought?) Richtofen, at least in this hypothetical storyline, would be the community, or at least the old guard. Wanting that return, even if it wasn’t as great as he has made it out to be. (It was bad. He hurt people and was hurt himself.) So bringing his team back would symbolize him abandoning the future, the world that Nikolai sacrificed everything for, to go back.

Those opposing him, namely the new crew, possibly Samantha, would ultimately symbolize the future. Wanting to move forwards, to leave the past. That no one living can exist in the past. Even if it's different and scary and brand new, it has to be done. You have to keep moving or you will be left behind.

I think it would be something very hard to chew, but ultimately cathartic to the community. A more “proper” goodbye to the old crew. They were very, very, very unceremoniously killed off in a way the community perceived to be disrespectful to not only the characters themselves, but the player base,and the story itself. “Re-doing” that, in a sense, might give the characters themselves more time to come to terms with it, as well as the community.

Now, it’s fair to criticize bringing them back just to kill them immediately afterwards. But, isn’t that what happened in BO3? Perhaps, not an exact 1 to 1, but I do know a few old heads only stayed with BO3 because they would get to see Ultimis again after them being MIA in BO2 and slowly warmed up to Primis along the way.

Truthfully, I think they’re dead as doornails. At most, they live in whatever memories Eddie has. And ours, too, I guess. Anyway poll. For science. Zombie science!!!

[maulfucker]

If you ask me my honest opinion about Maul's eyecolor I think his eyes should be naturally yellow and the rings of red a fucked up eye injury that never healed right (which is why it's so spread out instead of a regular ring around his iris). I know canonically his eyes are red and yellow because he's an evil sith and full of rage, but Eye think him just naturally looking like everyone else's idea of evil is much more compelling than him being actually that evil

[todayisafridaynight]

confession: sometimes I come to look at your art as references because you have noted details like moles + looking at what colors u put down in my quest to find what something looks like under neutral lighting I know the shit here has been thoroughly researched

i will be normal upon learning this news.

[hazbinwhoree]

BRO?$!&?& OAAA I SAW YOU WERE OPEN TO ADAM REQUESTS AND OHHH. MY SNAP.

i am in desperate need. of adam smut.

NOW, WOULD IT BE OKAY FOR ME TO ASK FOR ADAM SMUT WITH A SUBMISSIVE FEMALE SINNER READER WHO IS:

usually shy nervous as fuck but absolutely watches him when he thinks he isn't looking

likes to compliment him in general (at the most random times too, despite the dickmaster being the FUCKING WORST, and she would get that but he IS kinda fine so)

touch-starved, incredibly easy to fluster and tease (bro has a thing for his voices and looks too, one word or look and she'd be on her knees)

pretty insecure in general (and is a sucker for being praised in bed)

I'd also specifically like to hear what he would say to the reader ESPECIALLY THAT IDFK AAA GO CRAZY

Adam’s Sinner

Part 1/3 Part 2

A/N: I was so fucking happy to get a request you don’t even understand. Anyway here it is, I hope I did it justice and you enjoy it!

Warnings: Smut

Adam had been aware of (Name) for about ten years. They met during the extermination, Adam cornering her in an alley. Something compelled him to spare her, and yes he realized what a hypocrite that made him. Poor Vaggie. “Fucking run, bitch.” She bolted. Adam looked around to make sure no one had seen.

The next year, Adam noticed (Name) watching him, hiding behind corners and in shadows. She did this during every extermination for about five years before Adam decided during one extermination to confront her.

(Name) peered around the corner of the dark alley she was hiding in, watching Adam kill a fellow sinner. It should disgust her, but ever since he spared her life she had a strange sort of attraction towards him. Adam looked up and (Name) ducked back behind the wall. When she peered out again, Adam was nowhere to be seen.

“What’s up, sugar tits?”

(Name) yelped, jumping when Adam appeared behind her. He put his hands on the wall on either side of her head, effectively caging her in. (Name) could feel her face heating up. Adam seemed to find it amusing. “Flustered?” (Name) swallowed.

“You know I’ve seen you watching me for the last few exterminations. What’s up with that, hm?”

(Name) had no answer.

“What’s your name?” Adam asked.

“(Name),” she answered quietly. Adam had to bend down to hear her. His proximity made her blush worse, and he snickered. “I think I figured out why. No surprise really, of course you’d want a piece of the first man in existence. I’m the fucking Dickmaster.”

He let her go shortly after their exchange, but confronted her again the next year. As years passed, Adam would spare thirty minutes every extermination to talk to (Name). He found himself becoming fond of the sinner. Her story of how she ended up in hell was interesting, and it definitely helped that she stroked his ego with compliments.

Adam found himself looking forward to seeing (Name) even more than he looked forward to the exterminations. He was grateful Lute hadn’t caught on.

A few years later, and Adam noticed (Name) wasn’t following him as she normally would. So he sought her out. She’d told him a few years ago where she lived, so that was the first place Adam checked. Sure enough, he found her there.

“Sup.”

(Name) jumped. “Adam!”

“What the fuck, babe, not interested in seeing me this year?” Adam placed his hand over his heart in mock hurt, although while he’d never admit it, it actually did hurt him.

“We can’t see each other anymore,” (Name) announced, looking away.

“Bitch why?”

“Because one of these days we’re going to get caught. I know what happened to Vaggie. What would happen if the exterminators found out their leader was socializing with a sinner?”

“You’re not like the other sinners,” Adam argued. “I’d show them that.”

“How?”

Adam was quiet.

“Exactly. And to be honest, I can’t take the emotional torture anymore.”

“The fuck are you on about, ‘emotional torture’? Come on babe-”

“Adam no. I can’t let myself get any closer to you. We only see each other once a year and I got attached, and dealing with only seeing you once a year has gotten too painful.”

Adam was rather taken aback by the confession. He felt the same way but had been gaslighting himself to believe he didn’t. For once in his life, Adam couldn’t find anything to say. He decided the best course was the course of action rather than talking.

He leaned down and abruptly pressed his lips to (Name)’s. Her eyes widened and her body stiffened. When Adam received no response on her end, he pulled back, worried he’d fucked up. She stared up at him with this look on her face that Adam couldn’t place. He didn’t know if it was positive or negative.

“Again,” she finally spoke in a small voice. A smirk stretched across Adam’s face, and he bent down once more to press his lips to hers. She kissed him back this time, almost desperately, and Adam’s arms wrapped around her waist. She shuddered and he pulled back.

“Are you okay?” No teasing or cursing.

“Yeah I just… I haven’t had anyone touch me like this in a long time.”

Adam couldn’t say the same, but this was the first time in a long time emotions had been involved. He kissed her again and snuck his tongue into her mouth as she kissed back. “I want to fuck you,” Adam mumbled against her lips. “Okay.”

Adam pushed her down on her bed, crawling on top of her. He reconnected their lips and slid a hand under her shirt. “Damn,” he commented when his wandering hand reached her chest. “Nice rack.” (Name) rolled her eyes. Adam began kissing down her neck, sucking and biting to leave his mark. (Name) moaned and grabbed onto his horns.

Adam pulled back to shed his robe, and (Name) yanked her shirt over her head. Now that Adam actually had eyes on her chest, he stared for a moment. “So pretty~” he cooed. (Name) blushed and swallowed.

“Oh~” Adam realized. “You like that, don’t you? You like being praised?”

(Name) looked away. Adam grabbed her chin, forcing her to look at him. “Don’t be embarrassed, babe, it’s cute.” He returned to her neck, kissing down and down, her shoulder, her collarbone. Then he slid down slightly to press his face between her breasts. He laid more kisses on her chest before taking a nipple into his mouth.

Sensitive, (Name) arched her back and whimpered. “I like that noise,” Adam said, moving to the other breast. “Make it again.” He sucked and she whimpered.

Adam was aware he had a short window of time to make this work, so he pulled back and pulled down (Name)’s pants and panties in one swift motion. (Name) got embarrassed being so exposed, so Adam quickly shed his own pants and boxers to level the playing field.

He noticed (Name) staring at his dick and smirked. He took it in his hand, pumping it a few times for show. “You like what you see, baby? Of course you do. Can’t beat the original dick.”

He crawled on top of her again, nudging her thighs apart with his knee to settle between them. He reconnected their lips while his hand traveled down to the place she wanted it the most. “So wet for me, good girl,” Adam teased. Flustered, (Name) shut him up with another kiss.

They made out while Adam experimentally slid one slender finger into her. Met with no resistance, he added another one, and began languidly pumping them in and out. (Name) was shaking. Eager to hurry this along, Adam added another finger. Three stretched her out and she moaned against his lips at the sensation. It made Adam’s dick throb.

He fingered her, with his thumb circling her clit, until he decided she was well enough prepared, pulling his hand away. (Name) whined at the loss but was quickly shut up by Adam grabbing her legs and throwing them over his shoulders. She gasped. Adam lined himself up with her entrance and sunk in slowly, giving her time to adjust. She squirmed, his girth proving to be a little painful to take.

Adam reached between them to give her clit attention, and that loosened her up right away. He bottomed out with a groan, closing his eyes. “Fuck, babe, you’re so tight.” Adam kissed her again, basically bending her in half as he began thrusting. He swallowed her whimpers and moans while his pace picked up in speed and intensity.

He had tried to be slow and gentle, he really had.

Adam set a brutal pace, and (Name) clawed at his back as he pounded into her. “Fuck, yeah, you’re so good for me, tits. Such a good girl, all mine,” Adam talked as he fucked her, and his every word brought (Name) closer to the edge. “You feel so fucking good.”

Adam’s thrusts were getting sloppy as he neared his own climax. “Cum for me,” he murmured. “Fucking cum for me, baby.” (Name) did, her back arching off the bed, her head thrown back and mouth open in slack pleasure. Her tightening around him pushed Adam over the edge, and he buried himself as deep as he could, cumming inside her.

They both panted, holding onto one another as they came down from their highs. Adam pulled out and rolled off of (Name), collapsing onto the bed next to her. He pulled her into his chest and covered her with one of his wings, nuzzling his face into her hair.

“I’ll find a way to see each other more,” he muttered. “I’ll figure something out.” (Name) buried her face in his chest. “Promise?” Her voice was muffled.

“Promise.”

[moonstruckme]

Glad your back love! I have a request if that’s alright. Remus and reader going on a bookstore date and lunch or something!! That would be so cute. Imagine how excited both of them would be picking out books and being affectionate. Just a lot of fluff and cuteness. Thanks sweetness hope you enjoyed your break!

Thanks for requesting sweetness!

Remus Lupin x fem!reader ♡ 1k words

You’re feeling a bit guilty about the teas you’ve snuck in, but if there are two people who can be trusted around books, it’s you and Remus. He takes a careful sip as he leans in to skim the titles, sticking one hand in the pocket of his pants. 

“Island of Love,” he reads, amusement lilting his tone. “Original.” 

“I think I’ve actually read some of that author’s stuff,” you say. 

Remus quirks a brow at you interestedly, hand coming out of his pocket to pull the novel from the shelf. “Let’s see, a summer wedding, the groom’s brother and bride’s maid of honor hate each other, but—oh, he’s frustratingly attractive…and something about passionate summer heat.” The corner of his mouth twitches. “Wonder what that could be alluding to.” 

“Alright.” You steal the book from him, slotting back into its space. “I never said this stuff was, like, literature to be studied at Oxford. If you’re going to disrespect my section, run along to yours.” 

“Fairly sure it’s considered rude to abandon your date,” he muses. “What’s my section, by the way?”

“Depressing stuff.” 

“Oh?” 

“Mhm.” You take a sip of your own tea, trying not to fluster under his attention. You scan the shelves idly for a distraction. “It’s all rather doom and gloom. Very well-written doom and gloom, to be fair, but I’m not always looking to have my life changed. This stuff is fun, at least.” 

“I see,” he hums. “Oh, this looks familiar.” 

You turn to see him holding up the shiny new version of the worn and waterstained paperback that rests perpetually on your nightstand at home. 

“How do you know about that?” you ask him. 

Remus smiles. Your heart flutters. “It was on the coffee table when I was over last week. Are you rereading it?” 

“Yeah.” You shrug, turning your eyes away from him. “I reread it a lot, it’s my favorite.” 

“Mm, I noticed it looked fairly battered.” 

“Well-loved,” you correct him. 

He chuckles quietly, and you grin because you can’t help it. “Right, so sorry. My mistake.” 

You brush a piece of hair out of your face, slotting it behind your ear. Watch Remus’ eyes track the movement. “So what’s your battered book?” 

“Hm?” 

“Your favorite,” you clarify. “The book that’s all war torn and full of nonsensical annotations.”

He thinks for a minute. “I’m not sure,” he admits. “I have a few I go back and forth between, but lately it’s been The Secret History.” 

You have to cover your mouth with a hand to hide the full breadth of your smile, and Remus narrows his eyes at you. 

“What?” he asks.

“That book is so depressing.” You shake your head, delighted at being so right. “I mean, it’s beautifully written,” you amend. “Really gorgeous. I’m just not sure I found the plot as compelling as the prose.” 

His mouth actually drops open. You can’t tell how much of the shock is teasing and how much is real. “You thought that book had no plot?” 

“No, I mean, plenty happened.” You turn to face him, forgetting about the books around you for a moment to focus on this one. “But I felt like it happened so slowly, and there was so much in between that was just tons of description. It was like they almost skimmed over the murder part! There were so many plotlines that were brought in and then just disappeared, though I guess I can respect the ways in which it reflected real life.”

You think for a second that Remus might argue with you (he should, really—it’s his favorite book and you’re slandering it), but he keeps his mouth shut, watching you interestedly. 

“And don’t you think Richard was a bit passive? Henry and Bunny had so much going on, but the narrator could have literally been a fly on the wall the whole time. He kind of reminds me of Nick Carroway, you know?” 

“From the Great Gastby?” He tilts his head, eyes squinting a bit (it’s devastatingly cute). “How’s that?” 

“Just, they’re both such flat characters.” You frown. “I don’t really think either of them needed to be in the story at all. I mean, having a narrator that’s a character with no personality is effectively the same as having a non-omniscient third-person narrator, right?” 

Remus is biting the inside corner of his lips like he’s trying not to smile. “Right.” 

“What?”

“I’m just thinking that I need to get you talking about books more often,” he says. And that’s real affection in his eyes, mixed in with the humor. 

You look down, grinning at the front of your shirt, but his little smile doesn’t waver. 

“Shouldn’t be hard,” you say. An awkward, obvious sidestep of the compliment, but he lets you get away with it. “Your turn. Let’s go to your section.” 

He shrugs. “If you think you can stand it,” he says, but starts moving in that direction. You notice he’s still holding the copy of your favorite book. 

“Aren’t you going to put that back?” 

“No.” He doesn’t need to look down to know what you’re talking about. “You’ve already torn one of my choice novels to shreds, now it’s my turn to read yours.” 

A little bite of nervousness snips behind your belly button even as his sidelong look lets you know he’s only joking. “You could always borrow mine.” 

Remus blinks. “I’m flattered that you’d trust me with it,” he says, and it almost has you blushing again, that he knows the significance of you offering him your copy, “but I think I’ll read the un-annotated version first. But if the offer still stands after I’m finished, I’d love to read your thoughts on it.” 

He says it like it’s nothing. Like taking the time to read your favorite book twice, just so he can get to know you more thoroughly, isn’t the sweetest thing anyone’s ever so much as thought of doing for you. You worry that if you look down, your heart will be glowing right through your shirt.

“Alright.” You muster your courage, taking him by the hand. “But now we also have to find one to read together.” 

Remus has looked down at your joined hands, something like shyness coloring his expression, but he looks up to quirk an eyebrow at you. “Are you so sure we’ll be able to find something we can agree upon?” “So long as it involves a main character that actually does something, I think we can manage.”

[piningforstan]

Talking in Your Sleep

Part One | Part Two

Summary: You start to suspect that there’s more to Stan than what he tells you, at least while he’s awake. Asleep is a different story

Pairings: Stanley Pines x GN!Reader

Word Count: 3k

Warnings: None, just angst

A/N: Don’t ask me why I put characters I love so much through so much heartache. There might be something wrong with me

“You dated him, didn’t you?”

“Hm?” You pretended not to be paying attention, wiping down the bar. No matter how many times you cleaned it, it stayed perpetually grimy to the touch. You doing the rag over your shoulder. “Who?”

“Weird guy. Lives in the woods.”

“Pines,” the other guy at the bar supplied. The foam of the cheap beer left a rim around his mouth. The former nodded.

“Oh, yeah,” you said casually, though it was anything but. Dated as in committed every dip and plane of his body to memory, told him about your childhood, envisioned a life unfolding before you with this man you considered your best friend. Until his lies ripped it away.

The two men continued their conversation then as if they only needed you to confirm something they already knew.

You would be lying if you said you didn’t partially want the job at Skull Fracture because you knew it was a notorious house of gossip and rumors, a way to check on Stan without actually having to speak to him. You picked up bits and pieces of what he was up to, how he was, all without actually inserting yourself.

In a small town like Gravity Falls there wasn’t much to talk about, and Stan posed a compelling story every time. You supposed it was a good thing that they never tired of him, speculating about his life and his job and everything else. You were of minor interest, too, since everyone knew you had lived and worked with him. But you never revealed much. It disgusted you, this unwavering loyalty to Stan. What did you owe him?

It became well known, anyway, that you refused to offer much in terms of fodder for gossip. You were intriguing in a vague, less interesting sense, a lens through which they hoped to grasp a better understanding of Stan.

The roar of the bar usually muted those thoughts of him. Music blared at all times of the day, men smoked and fought and cursed, greasy-smelling food wafted from the kitchen, and you facilitated all of it with a plastered smile. You needed money after leaving Stan. Gravity Falls wasn’t exactly a hotbed of employment opportunities, and unless you wanted to be stuck in the lumber business you had no other option than barkeep.

Your name floated over the din of drunk bikers, your manager appearing out of the back. “There’s a call. For you.”

You wiped your hands on your thighs and followed him to the phone. “Hello?”

“Doll, you gotta help me out.”

Stan’s voice, deep and rasping, struck you like a slap. Your stomach dropped. It took you a few moments to eke out a response. “Stan?”

“They, uh, got me down at the station. Some bogus arrest.”

“What?” You shook your head. “Stan, you got arrested?”

“Just say you’ll come down, eh?”

“Why are you calling me? I’m at work.”

A pause on his end, the sound of a door being slammed shut. “I ain’t got no one else.”

You inhaled sharply and exhaled out your mouth, fingers digging into the phone. You could examine your decision making abilities later. “Fine. Fine, Stan. How much is bail?”

“S’not much.”

It s’was much, you came to find out, nearly all of your savings. But for some godawful reason, you still loved Stan, and you knew since his voice rang out on the line that you would do anything he asked. You loathed yourself for this, loathed him for putting you in this position.

Stan was grinning sheepishly and rubbing his wrists as he walked out of the station. Everything you had to say, all of the reprimands and lectures, vanished upon seeing him.

“You cut your hair,” you blurted stupidly.

Gone was the mullet, the unruly curls. You quickly admired the shape of his jaw leading into his neck, his slightly too big ears that endeared you to him even more. He looked younger this way.

Stan rubbed the back of his neck, chuckling. “Yeah. If bad haircuts were a crime, I would’ve been arrested a lot sooner.”

You opened your mouth to tell him that you had loved his mullet, but promptly closed it again. It hurt to look at him, properly, since that night in the basement; the ache you carried in your heart increased tenfold now, throbbing so painfully that you thought you might now understand how people could die from broken hearts. You tore your gaze from him. Suddenly the bushes outside the station held your rapt attention.

“Listen, uh, thanks. For bailing me out. How much do I owe ya?”

“Stan, you’ve forgotten I’ve balanced your books. You couldn’t pay me back even if you wanted.”

“That’s not true,” Stan protested, “the Shack’s been breakin’ even most days. She’s doin’ alright. Not the same without you, though.”

He rushed this last part, an afterthought that he wanted to retract but had already brought to life.

“Well, that’s good to hear,” you said. Perhaps if you pretended you didn’t hear him entirely, it wouldn’t take roost in your mind.

“I’ve been meanin’ to tell ya —”

“I have to get back to work, Stan,” you said, sharper than you meant to. You couldn’t think with the amount of hurt being in his company afforded you. “Do you need a ride?”

He nodded, stuffing his hands in his pockets. The drive back transpired in silence. Your headlights sliced through the darkened woods like two sabers, finally falling onto the Mystery Shack as you pulled into the gravel lot. You still considered it more home than your place now, a room you rented from one of the locals. You didn’t realize just how much you missed it.

Your grip on the steering wheel tightened. “Have a good night, Stan.”

“You should come in. Please. I won’t keep ya long.”

Your resolve, well, dissolved. Not that it was heavily fortified to begin with. You found yourself crossing the lot to the porch and in through the front door, the process a lot like slipping into a familiar piece of clothing. It smelled distinctly Stan-ish, you noticed, though not unkindly. He had kept the place neat since you left. The reminder of that afternoon, dragging your meager belongings out, glared in your memory. Stan watching out the window as you drove away.

“Jus’ one cup. I swear.” He placed a mug of coffee in front of you. Your mug. The one you forgot.

“Thanks,” you mumbled. You were grateful for the excuse to do something with your hands, even though the coffee tasted like mornings with your feet in his lap and his lips on your shoulder.

“I hear yer workin’ at the bar now.”

You smiled grimly. “Regrettably.”

“Ya know you always have a job here,” Stan said.

“What’re you doing?” You set down the mug on the table. The anger boiled in you, words escaping like trapped steam with no where else to go. “You can’t just act like nothing happened. Like this is normal.”

“I jus’ wanted to talk,” Stan told you. His throat bobbed uncertainly. “To apologize.”

You stayed quiet.

When he realized you wouldn’t be responding, he forged ahead. “I should’ve been honest with you. From the beginning. But ya don’t understand where I was when I met you — I finally reconnected with my brother after ten years and then I lost him. Again. Because I fucked up.”

His hands formed into fists. Stan took a breath, seemingly to steady himself. “I was lost. I was angry. It was easier to lie. And what was I s’ppose to do? Spill the whole truth? When I first met you, you were a stranger. I had no idea that you would stick around w’me as long as you did.”

“That’s…fair.” Stan looked relieved at this, though it wasn’t long lasting. “But why not tell me the truth when I asked?”

“I didn’t know how. Every time I tried, I…I couldn’t. Would you have had a different reaction, though? I knew you would leave.”

“At least I would’ve heard it from you straight, Stan. I had to find out while you were asleep that you were keeping these huge secrets from me.”

“I know. I’m…I’m sorry. I didn’t want things to end the way they did.”

You bit down on your lip to keep the tears at bay. “Neither did I.”

“We could try it again, ya know.”

The way he looked at you was so earnest, so genuine, that you had to close your eyes to ward off the image of him as a skinned-knee child, the one who solved problems with his fists and resided just below the surface of this man now.

“Stan —”

“Please?”

You swallowed, your throat thick with emotion. “I don’t know if I can trust you again.”

“The truth is out now. You know everything.”

“But I will never be able to ignore the feeling that you’re hiding something from me,” you said. “So much is still unclear to me.”

“Ask me anythin’. I’ll tell ya.”

You couldn’t bear to look him in the eyes as you said, “Stop building the portal or whatever you’re doing. Focus on the people — here — in your life.”

Focus on me, you inwardly pleaded.

Stan’s jaw feathered. “I can’t stop working to get him back.”

The swift finality of his words washed over you, a decisive blow to the traitorous hope you still clung to. Coffee not even halfway drank, you stood and rounded the table. Stan’s cheeks were wet with tears as you put your hands to them, pressed a kiss to his forehead. “Goodnight, Stanley.”

The bar shined. It was never dirty for long, you ensured that when you bought it, ensured that you wiped away every mess. You could even see the door opening in the reflection of the bar, two small bodies stepping through. You looked up.

It wasn’t rare for new faces to visit. It was summer, the height of tourism season, and your bar was preferable to Skull Fracture. Gentle music drifted from the speakers. Bar wasn’t even the right word — you served small meals and drinks of all kinds, not just alcohol. You smiled at the two children as they approached. “Thirsty?”

“Yes!” The girl, buried in a sweater despite the heat, smiled brightly at you. Her braces winked in the low lighting.

“And,” the boy said, her brother, glancing at her purposefully, “we need to ask some questions.”

You nodded. “Ask away. Lemonade okay?”

The juxtaposition of the two, the girl, looking around eagerly, and the boy, doing his best to present himself as mature and composed, brought a smile to your face. He laid a notebook on the bar counter, brows furrowed.

“Where were you the night of June twenty-first?”

“Hm. At home, I suppose.”

“Can anyone confirm that?”

You peered at him. Amusement ignited inside you, a flicker of affection. You loved kids, always have. “I live alone, so, no.”

“Did you see anything…peculiar that night?”

“Not that I can recall.” You set down two glasses of lemonade in front of them. “Why?”

“There was a reported sighting of an unidentifiable object in the sky,” the boy said. “We were just gathering information about it.”

The girl wiggled her fingers, whispering conspiratorially, “Aaaaaliens.”

“We don’t know that,” the boy countered.

“I wouldn’t be surprised. Strange things always happen in this town,” you said.

“You see them too?”

You smiled softly at the two of them. “I do.”

“I’m Dipper. This is my sister, Mabel,” the boy introduced, jerking a thumb at her. “Would you mind telling me stories about what you’ve seen?”

You entertained their questions, recalling the unexplainable things you’d seen over the last thirty years. You refilled their drinks twice. They listened intently to your stories, interrupting only to clarify something specific.

There was something familiar in their shape of their mouths, the keen way that they interacted with their world. Had they been in town before? You knew some families returned to Gravity Falls every summer to enjoy the wilderness and disconnect.

“What did it look like?” Dipper asked, leaning forward in interest.

You had been telling them about the time you swear you saw glowing lights in the trees, floating blue spheres leading you away from the path. “Well, they —”

“Wait, wait, wait,” Dipper said. “I should be putting this in the journal.”

“Dipper,” Mabel warned him.

Dipper ignored her. “Would you mind following us home? I’d love to write everything down and-and draw a picture, if you don’t mind.”

His cheeks flushed at this.

You gazed around the empty bar, then shrugged. What point was there to owning your own business if you couldn’t close down when you wanted?

“Sure, give me one moment.”

The twins appealed to you. And you were curious to find out more about them. Not to mention, it had been a long time since someone wanted to talk to you. Really talk. You weren’t lonely, per se, but you sometimes missed the comfort of another person. As you closed the cash register and locked up, you couldn’t ignore the fact that you had wanted kids, long ago, but the years slipped away and now the dream was gone.

You liked these kids. Even though you’d only known them for an afternoon, you’d taken a shine to them — smart and witty, perceptive, the right amount of childish enthusiasm. You told them to put their bikes in the trunk of your car and followed their direction back home.

“You live…here?” Your stomach dropped as the Mystery Shack emerged from the dense forest, the S lying precariously on the roof.

“Kinda,” Mabel said, “we’re staying with our Grunkle Stan for the summer.”

Dipper, insisting that he got the front seat, turned to you. “Do you know him?”

“Kinda,” you muttered. “If it’s all the same to you, I might just stay in the car.”

The twins exchanged a look. A pointed, knowing look, like they suspected their uncle had done something to lose your favor. They weren’t wrong, exactly. Dipper and Mabel ran inside with the promise to return shortly. All you could do was stare at the Shack numbly, imagine the man within and the memories you held with him. You should’ve known that he would make an appearance, stomp out onto the porch after his niece and nephew to investigate.

Stan’s expression crumbled.

You couldn’t hear, but he uttered something to them. They gesticulated frantically back. Your heart had leapt into your throat by the time the three of them walked back to the car, Stan lingering a few steps behind.

“Grunkle Stan says we shouldn’t bother you,” Mabel said, pouting.

You finally forced your gaze to him. Stan had aged well, you reluctantly noticed, still unbearably handsome. The same broad shoulders. The features that you knew so well, lined with the years you spent apart.

“They aren’t bothering me,” you choked out.

“You shouldn’t fill their heads w’stories,” Stan replied, refusing to meet your eyes.

“They aren’t stories,” you and Dipper both protested at the same time. You shared a secretive smile with him.

“Jus’ tell the nice person sorry and let them get on with her day.”

Mabel tugged on his suit jacket. “They told us that you knew each other.”

“We-We did,” Stan said.

You supplied, “A long time ago.”

“Then come inside and catch up!” Mabel beamed at the idea. “You gave us lemonade so it’s only fair. I can make you Mabel-cakes!”

“If it’s fine with your uncle.”

Stan studied you closely. You could only imagine what he saw, your greying hair and swollen knuckles. “Uh, yeah…’course.”

You were both pleased and devastated to see how the inside of the Shack had changed. Judging by the “exhibits” and amount of items in the gift shop, business was prosperous. A redheaded girl at the register waved at you as you passed. Dipper disappeared upstairs to fetch his journal, and Mabel busied herself preparing the pancake mix, leaving you alone with Stan.

“It’s, uh, been awhile,” Stan said, effectively breaking the silence.

You feigned an interest in the water stains on the ceilings. “It has.”

The last time you were together had been almost— what, two years ago? You had knocked. Stan had answered. He touched you with expert precision, years of exploring one another resulting in experiences both familiar and new, somehow each brief encounter over the years never dulling your attraction. You weren’t proud, necessarily, of your weakness in the form of Stan Pines. You had almost overcome it until today; you should’ve known that the twins were Pines.

“How’s the bar?” Stan asked.

“Fine.”

“I’m sorry if they were botherin’ ya. Kids.”

“They weren’t,” you said, and you meant it. “They seem really great. They’re your niece and nephew?”

“Great niece and nephew. My brother’s grandkids.” When you arched a brow in confusion, Stan grimaced. “Other brother.”

“Oh.” You hugged your arms around yourself. Should you ask him how his search was? You wanted to care, but found it hard when it only brought back painful memories. Clearly it hadn’t been well, not if his brother was still absent.

You bit your lip. “Do they know?”

“No, they don’t.” Stan’s face shuttered closed.

Indignation swelled inside you, pressed against your rib cage. “You haven’t told them?”

“Everyone thinks that —” he lowered his voice, “—that Stanley Pines is dead. Including their parents and my brother.”

“I can’t believe you.”

“What I do with my life isn’t your problem,” Stan snapped. “You made that clear.”

“They’re good kids, Stan.”

“You don’t think I know that?”

“Don’t push them away, too,” you told him softly. “I-I need to go. Can you tell them I’m sorry? Say that I had to go back to work or something.”

Stan’s words chased you out the door: “Whose the liar now?”

Tags:

@gimmemorecherries @tellybearryyyy

[afreakingdork]

Deep Dive: Rise of the TMNT Donatello's Bad Boy Persona, His Cute, But Mean Type, and Why He is None of These Things

I made this presentation to delve into my take on Rise Donnie!

It was a power point, but I'm going to break it down here. I do want to preserve the first slide though because...

Did you know Black dahlia's aren't actually black? They're very dark red and in flower language they represent dishonesty!

Apropos, let's get into it...

Donnie is a Bad Liar

We see this throughout the show

“No? No… Of course I did… n't.”

"Uh, nothing. Just having a typical normal mystic free day."

"We are just typical, normal humans who got lost in the middle of our normal, everyday human lives. Nailed it."

"Oh man. Uh. This hurts me. Uh. I'm very sad?"

He has all the characteristics of a terrible liar. He sweats, his pitch warbles, his eyes dart, ect, everything you would expect.

Sarcasm! The Perfect Cover?

When Donnie does go for the use of sarcasm, he almost always points it out.

"I feel better already," he said without a hint of sarcasm."

"Oh, sure. Let me just load my tap-into-every-security-camera-in-New-York app. I'm sorry if that sounded like sarcasm, it wasn't. I am in."

Point Out the Obvious Much

However, when he doesn't point out the sarcasm, he also can't help but make mention of the oxymoron. We see this a lot, especially in Donnie vs. Witch Town.

"Oh yes very cool says Donnie as he quietly lets something go."

"Ooh, fireworks. Science never would have thought of something it was originally inventor of."

So basically, if Donnie tries to lie; he gives himself away. If Donnie tries to fudge the truth; he's compelled to make note of it.

I bring this all up to specifically tackle this sentence:

“So unfair. Although it is a boost for my emotionally unavailable bad boy image. “Y’ello.””

Why do I do so? Let me remind you of my first slide...

But how can that be? We just established that he's a bad liar. In the 'bad boy' line, he's not falling for any of his tells. He's body language gives no indication of lying. He doesn't make any note of sarcasm. No one after this line makes a face or corrects Donnie and he doesn't point out any discrepancies.

How could this be a lie?

Because Donnie himself doesn't know it's a lie.

Let Me Take You Back

Things I Did Unironically as a Teenager

Added Japanese honorifics to the end of my friends nicknames (-san, -chan, -kun)

Had my friends help me wrap myself up in caution tape for my birthday, but told people they made me

Wore a dog collar with a dog tag that had my name in Romanji on it

Had screen names like RubyBlueSango62 and blahweeblah626

But That’s Just Personal Experience!

Things Donnie has Unironically as a Teenager

"Ah, yes, so in this case a game of bask-eh-ball."

"Prepare to eateth thy words."

"Oh, hey guys. What’s the haps? Huh? Oh, oh this? I didn’t realize I had it on. This is my sweet new purple satin jacket- Got it from being a bit of a tech wiz. Purple Dragons. Members only. No big deal. Mm-hm. Well, you better grab some toast, fellas, 'cause you are all jelly!"

“It's Bootyyyshakker9000. Capital B and three Ys in booty.”

I believe it's a universal experience for teenagers to push boundaries. For so long, most parents decide everything for you. With hormones and growth, you want to experiment, but since autonomy is new, you try to break from the mold and do it uniquely. Anything that is outside your norm, especially things that swing wildly from what you once new seems especially exciting. From embellishing speech, to wearing specific clothing items, and even your first screen name, you don't know boundaries! It may be 'cringe' in the future, but when you first do it, it seems like the coolest thing ever! It's something that wholly represents you. This online space you. This you that is ungoverned! I'm an only child so I can't imagine, but I bet you especially want to do this when you have siblings. Where the shame in that?

I mean... Kat Haynes agrees with me on this...

Low Empathy

Now to get a little more serious. Alexithymia is a term that describes those who have difficulty feeling emotions. While not always associated with autism, it is more common in individuals with it. About 1 in 5 people who have autism also have alexithymia.

As already stated, it is clear the Donnie suffers from alexithymia. Most Donatello-centric conflicts in Rise have nothing to do with Donnie being emotionless and instead often deal with him lashing out due to his confusion or insecurities. We see this a lot especially in Witch Town where he is grappling with himself the entire episode. He's insecure about how he doesn't understand mysticism and he doesn't know how to process it or his place on the team. He's not emotionless, he's insecure when he doesn't understand something.

"Yes, feelings. Hot, cold, sleepy, hungry…"

"I don't normally feel things, but that one got through!"

Emotions on his Metaphorical Sleeve

Nothing about alexithymia says that you don't feel emotions. Instead, it's characterized by not understanding them. Donnie feels his emotions big and large just like Mikey does and especially if something is important to him, you'll see those reactions dialed up to eleven.

All Talk

While many think of the classic "semi-lethal" line and the "Speak for yourself" when Mikey says they aren't savages in regard to Donnie, he's not really the bad boy he plays himself up to be. When the theatrics are set aside, most of Donnie’s snap judgements are the altruistic kind or he thoughtfully plans out ways to not only take care of his family, but actively ensure their safety (to varying degrees of success, but that's not what we're saying here):

created devices which both counteracted his brother's flaws because they were getting them hurt

Used himself as a shield for Mikey on multiple occasions 

Risks his own safety and bodily harm especially in Turtle-dega Nights: The Ballad of Rat Man and Breaking Purple

Builds Escape pods for everyone 

Enters a sensory nightmare for the sake of the world

Often asks, especially Raph, if he's okay and looks out for the oldest brother

Yet the Presentation Continues?

Why yes, because there is another line of Donnie's that I want to tackle that I believe falls exactly in line with the 'bad boy image' one...

"Oh, you’re so cute, but so mean. Why do I always go for your type?"

You know what I'm about to posit again...

Insecure

As touched on previously, Donnie is insecure. He's insecure about his emotions. He's insecure about his place on the team. He's insecure about anything he doesn't understand and his insecurities are exceedingly personal in nature because he ties them intrinsically to his personality.

"The real thing is much more personal and thoughtful, and I really hope you like it, ‘cause if you don’t I will just be crushed!"

"This’ll teach you to compliment my work and give me my first positive reinforcement from a parent aged adult, ever!"

Speaking of parent aged adults... i wonder where this could stem from...

Role Model

Who do all the turtles model themselves after, but their own father? Whether they knew it or not, Lou Jitsu was someone they all strived to be like. They commited to learning all the lines from his movies. They fought like him outside of the training course Splinter sets them on. Heck, Donnie takes his hero worship so far that his character defining brows are exactly Lou Jitsu's! Babies start learning how to establish social and emotional relationships around 18 months. We have Splinter, a despondent, but loving care giver who unfortunately did not give Donnie the validation he craved. This manifests in his insecurities where he bends over backwards to get the attention he craves. He wants to be seen, again compounded by having three rowdy mutant-powered brothers, and so he ends up tying his worth into his ability.

Now, while for a majority of the series, the turtles don't know about Splinter's past or that he dated Big Mama, but it wasn't as if Splinter hid that part of himself away so obviously. In fact, because he himself is still mourning his lost humanity, he ends up feeding his son's a hardy diet of his life's existence. The boys are secondarily raised by Lou Jitsu movies in place where Splinter is not always present. Obviously, Lou Jitsu seemingly disappears, but Splinter's feelings on the matter don't. He openly still cares about Big Mama in the present and this I don't think it's a stretch to say that he would let these feelings leak in a similar way to how he presents Lou Jitsu in the boys lives. Big Mama is a attractive, albeit manipulative woman. This is awfully close to a little line someone says, especially when we consider that he models himself after this man.

Also, if we're taking models into account. Something we know for a fact shapes teenagers. Something we know for a fact that Donnie does. Something that is equally canonized in the show, then we have to talk about.

Donnie’s True Canonical Idol

That's right. You know her. You love her. You believe that Donnie is a thigh man because of this Lass' existence. Donnie says flat out that Atomic Lass is his childhood idol. He goes to great lengths to dance with her, smashing Leo out of the way. He then even goes so far as to ask if her and Atomic Lad have split up because his intention to date her is so clear. Now she was obviously a mutant in a costume, but that didn't matter because he loves Atomic Lass that much and Atomic Lass?

She's a heroine.

Only cute and mean in the context of the episode, this is not the Lass he fell in love with. The Lass he loves is a comic book hero that travels the universe doing good.

Also....

Ron Corcillo Agrees With Me

A staff writer on Rise, I apologize I can't show the origin tweet because it was deleted, but it was a dual question that asked both about the Turtles meeting Spider-man and about Donnie's preference. Now you could say he's forgotten a line that may not be as important to him, but doesn't that in and of itself say something? It says that it could have been a one-off joke or that it wasn't something that was necessarily intrinsic to the character.

To Recap:

Donnie doesn’t always know himself

Donnie is a cringey teen

Donnie is insecure

Donnie has difficulty understanding emotions and himself

Donnie isn’t actually an 'emotionally unavailable bad boy'

Donnie doesn’t actually like the ‘mean’ type

Sources:

Rise of the Teenage Mutant Ninja Turtles episodes:

Mystic Mayhem

Donnie's Gifts

Pizza Pit

Hot Soup: The Game

Shadow of Evil

Donnie vs. Witch Town

The Mutant Menace

Breaking Purple

Turtle-dega Nights: The Ballad of Rat Man

End Game

Repo Mantis

Mascot Melee

Donnie's Gifts

Bug Busters

War and Pizza

Goyles, Goyles, Goyles

Lair Games

Rise of the Teenage Mutant Ninja Turtles: The Movie

lactoseintolerentswag's post on Rise Characterizations Pt. 3!!!

skulltrot's Donnie (Rise of the TMNT) | Autism Representation in Media video

Ron Corcillo's tweet from Cartoon Brew's Feb 10, 2024 AMA

Alexithymia | Autistica

earthytzipi's post not understanding why people characterize Donnie has hiding his emotions

hyperfixatinator's post about ROTTMNT Theory: Donatello's Hidden Role

[thegamingcatmom]

Vampire!AU where Mother Miranda takes you as her bride.

...

That is all.

.

.

.

JK-

Right so:

Miranda is obv. the Vampire Queen or whatever.

Alcina and her daughters are vampires too, obv.

So are the maids that were canonically experimented on. (Miranda gotta have some numbers.)

Since we got vampires in there, we also gotta have werewolves, right?

-> Enter Heisenberg and his lycans.

Sal is the butler (aka: The heart and soul of the house, bless him).

Donna is...a mystery.

"The Mold" is basically Miranda´s nest

Eva is alive and kicking.

And a vampire too.

She can be...scary.

Just like Momma.

The "vessel" operation is still going strong. However-

It´s her long deceased wife Miri´s trying to bring back.

Reincarnation style, if you will.

Uhhh, what else...OH-

The villagers are under some sort of vampiric mind control (aka the mold?) that allows Miranda and her coven to feed on them undisturbed.

-> Enter MC (aka The Disturbance).

aka: The bane and salvation of Miranda´s existence.

Miranda is hooked right away for obv. reasons (points to the aforementioned wife thing).

(Eva will be overjoyed to learn her Mama has returned.)

She must have MC.

Their wedding shall be a grand celebration for the whole village to see.

A celebration fit for royalty, as it should-

MC: "Uhhh...excuse me?"

Miranda: *gradually snaps out of her frenzied inner monologue to blink at MC with a mix of confusion and reverence*

MC: "I´m looking for a dude called Heisen...*checks her palm* ...bur-BERG. HeisenBERG. Do you know where I can find him, by chance?"

Miranda: *slow blinking*

MC: *slow blinking too*

Miranda: *remembers this is her soon-to-be bride*

Miranda: "Ah...forgive my...manners. *awkward smile cause being nice is indeed quite awkward, bride or not*...Heisenberg, you say? Why, yes...I am quite familiar with that...man."

Miranda: *fights back an instinctive hiss! cause werewolf*

...

MC: "...O-kay...? Can you tell me where I can find him, then?"

Miranda: *slow blinking*

MC: *slow blinking too*

Miranda, getting sus: "...And to what possible end, if I might ask?"

MC: *tf is that question*

MC, getting annoyed: "...Because I asked...?"

Miranda: *eye starts twitching as she fights back the urge to lash out at the sheer audacity-*

Miranda: *...soon.to.be.bride*

...

Miranda: "...Of course... *dark fake chuckle*...You shall find him in that factory of his. *points down the road* Follow this trail until it splits, then proceed to the right, where you will come across a large windmill. From there, it is rather impossible to miss."

Miranda, under her breath: "Unfortunately..."

MC, who is totally not weirded out by now: "...Okay...thanks. Uh...cya around?"

Miranda: *wedding bells*

Miranda: *satisfied smile starts spreading*

Miranda: "Hm...cya, indeed..."

MC: "..."

Miranda: "..."

MC: *slowly turns around and continues down the road*

Miranda: "...Little bat?"

MC: *stops in her tracks*

MC: *hesitantly turns around cause, despite being the only other person present besides Strange Lady, she still doubts whether that nickname was actually meant for her cause...whut?*

MC: "...Yes?"

Miranda: *satisfied smile becomes even more satisfied because her term of endearment has been accepted*

Miranda: *turns serious all of a sudden*

Miranda, doing her vampire compelling thing: "...Tell me."

MC, without hesitation: "He´s my uncle."

...

Miranda:

.

.

.

This was supposed to be a sexy vampire thing and then it turned into reincarnation & vampires vs werewolves with MC in the middle of it all cause our girl might just be the only one capable of uniting their worlds and ending a war that has been raging for centuries.

(Could this war have anything to do with a certain someone dying at the hands of a certain someone else? Good question. 🤔)

And it all starts with a (rather questionable) marriage.

THAT IS ALL.

.

This post was brought to you by The Invitation - a (rather poorly made) movie about vampires.

.

.

.

EDIT:

NO BUT LISTEN-

Miranda going "I'll take what is due", just like she did in Resi Village? Except what is "due" is her wife, who died at the hands of one of the lycans? Or even Heisenberg himself??

Miranda going "I've waited so long for you..." when she meets MC, just like she did in Shadows of Rose when she met Rose??

THOUGHTS FEELS IDEAS 😭

(Dammit, I might actually have to write it now cause I am OBSESSED. 😩🤌)

[demonslushh]

HMS design sketches!

My mind Design has changed a bit since last time, if you remember my last post. But I would like to say, I have lots of explainations as to why I designed these guys the way I did.

I'll explain below the cut! Consider this a mini-analysis, especially regarding soul. If you guys are interested more in my breakdowns of lyrics and like this analysis, let me know so I can post my takes more, haha. I have lots to say about this album, but having some feedback might help me feel motivated to actually post my analyses!

Alright, so here we are. I'd like to say that, first off, Heart and Mind's designs are pretty self-explanitory — And mostly based off of personal headcanon. Albeit, there are a couple little details I want to highlight.

First, the angel/fallen angel imagery. I talked about this in a past post when I posted my previous mind design, and I really wanted to keep it. Something I noticed in fandom designs is that Heart would have a lot of Angelic traits and Mind didn't, which is totally fair, but I liked the idea of playing with the concept of a fallen angel/"dark" angel theming with him since they're represented as opposites in every other way.

I also do like the idea of Mind being a fallen angel based on a few themes through his story — Particularly in Be Born when he states that he once was in control. The prospect of him being pushed out of power at some point feeds well into this theming.

The other aspect I'd like to highlight is regarding Heart's "Face" and Mind's Chest.

Heart does not have a head in my design, and Mind's chest is completely hollow. I thought that it would be interesting to remove the other's main attribute from each of their designs — So heart does not have a head and, therefore no sort of physical brain, and Mind has no heart in his chest. Again, this was moreso just a headcanon choice, I think it plays into their stark divide during cocophany more. It was fun.

Now, for my favorite aspect: Soul.

My choices for his design do require a bit of explaination based on my analysis of lyrics throughout songs, so I will do just that.

I believe that soul is not a unique entity. Soul is not a third part of the whole — Rather, he is a "hallowed" out version of Whole, and only really exists when Heart and Mind are split, because they split out of him, not just from eachother.

Here's why I think this:

The way that Soul is discussed as opposed to the other three is different in many instances, which is why I've vnever really seen him as a unique Third part, but just a husk of whole.

In the first instance, Mind is saying that he and heart split into "two parts". (of course this could just be the matter of how early on Be Born was written, but ... Shhh.) To me, this says that Soul never "split" into a part — So then, what did happen? This line makes a lot more since when you consider the idea of Mind and Heart splitting off and leaving Soul as a product, rather than a third full party.

Second and Third refer to how Soul describes himself/Is described by others. The second example, from Storm and a Spring, I think is the most compelling evidence that made me really commit to this idea of Soul — "And Oath formed from us both that it would stay whole." This essentially directly states that Soul would be Whole, if not for Mind and Heart's split. And the third example says that Heart and Mind reside within him, which is just another supporting example to the other two points.

So for that reason, My Soul design is essentially "hollowed" — The open void in his chest has no heart or anything resembling it inside, and his mask is half cracked open to show Mind's vacancy as well. He still maintains a few traits from each of them, like one broken wing and one whole wing, having each of their halos, and two sets of arms — one organic and one robotic.

And yeah, that's sort of it. Hope you guys like them :D!

(I may render these later, too. Depends on where motivation takes me, haha.)

[mrsmikaelsxn]

Stay With Me

masterlist

pairing: niklaus mikaelson x female reader

warnings: fluff, cursing, kisses, a suggestive comment

summary: you are late to a meeting but nik is being a clingy boyfriend - requested by anon

a/n: thanks for the request! this is a cute idea and whats better than a clingy klaus

song: falling for ya - grace phipps

You were late to your meeting.

It was 2:27 pm and your meeting started at 2:15. You had tried to leave but your boyfriend refused to let you go.

"Nik, as much as I love you, I really need to go," you sigh.

"But, love, aren't I much better company than some old guys in a meeting," he pouts at you.

He walks closer to you and wraps his arms around your waist, pulling you into him.

"Of course you are, but I've already been late to so many," you laugh. This happened often. Not that you were upset because of his clingy-ness, it just led to you having a bad reputation of not being punctual.

"I get so lonely when you leave me," Nik frowns at you.

"You could always hang out with Bex, Lijah or Kol," you remind him.

"They are not you. Love, I can just compel the people at your job for you, problem solved," he grins at you.

"Hmm, I suppose you're right," you give up.

"That's my girl," he smiles at you and kisses you all over your face.

"Why do you work anyway? I have enough money so you don't have to work one day in your precious life," Nik wonders. He always spoils you, you told him he didn't have to get you anything, but he does anyway.

"It keeps me busy," you shrug.

"I can keep you busier," he smirks.

"Klaus!" you hit his shoulder with a laugh.

"Just putting it out there"

"Well, now thank you've convinced me to stay, what did you want to do?"

"I wanted to stay in bed with you and watch movies"

"Okay. But I'm choosing!"

"Sure"

You two get into bed and he wraps his arms around you, bringing you close to his side. He rests his head against yours as you scroll through movies on the tv.

"We are gonna watch..."

"Oh no," he sighs, having something in mind.

"The Twilight Saga!"

"For fucks sake," Nik shakes his head.

"Do you not like the movies," you frown at him.

"No- no, it's just that we have watched them at least thirty times!"

"Yes, because they are amazing, duh," you roll your eyes.

"But it's so unrealistic, vampires that sparkle," he scoffs.

"You're just mad that I made you put on glitter for Halloween"

"Do you have any idea how long that took for me to get you," he shudders at the memory.

"Oh well"

"That was so good!" you clap your hands.

"..."

"Nik? Nikki? Klaus?" you look at him noticing he was asleep, you were surprised you didn't notice. Then again, it was like you were in a trance when you watched these films.

"Niklaus!"

"Huh?" he rubs his eyes.

"You missed the movies"

"Did I? Hm, what a shame," he snaps his fingers.

"I think I finally realized why you don't like Twilight," you grin.

"Oh yeah? Why is that, love?"

"You are jealous of my obsession with Robert!"

"Absolutely am not"

"Absolutely are too!" you laugh and poke his side.

"Whatever you say"

"Exactly. I'm gonna get water," you sit up.

He quickly grabs your waist and pulls you back against him.

"No, stay with me," he whines.

"It's only going to be a minute or two"

"But you're keeping me warm"

"Put on another blanket"

"No, you are better than any blanket"

"Should I take that as a compliment?"

"Take that as whatever you want," he smiles.

"Nik, I'm actually dying of thirst"

"You can't die of thirst as a vampire," he points out.

"Sure I can, and I will if I don't drink water in the next two minutes"

"Fine"

You kiss his forehead and he reluctantly lets you go and get your water.

You come back with two waters and happily cuddle with him again.

"See, back in no time"

[more-mara]

Omg what tag is that. My favorite writer matching my freak.

Cockwarming Oscarmark 🫣 Oscar being horny and Mark’s like yeah if u want it that much then don’t let him come! Oops who said that.

Erm…anyways 🫶

Mark knew that morally this was wrong. That fucking a guy half your age who you're supposed to be managing was somewhat a conflict of interest but Oscar was addictive- so beautiful and pliant as he lay under Mark, cock hanging heavy between his legs as he got fucked within an inch of his life. Soft moans falling from his lips with every harsh thrust as he begged for release, eyes a little glassy and unfocused. Mark was only a weak man, who could blame him with such a sight underneath him.

But Oscar was, for lack of a better word, insatiable. It felt like he was horny all the time and maybe Mark was just getting old, his body not cut out to go at it for three rounds anymore despite how beautiful and compelling Oscar looked every time he begged for Marks cock.

It was often that Mark would get cornered in the garage, have Oscar leaning in to whisper something nasty in his ear before looking at him with big innocent doe eyes as if he hadn’t just asked if Mark would fuck him over his car despite the rather large number of engineers around them. Or sometimes, after a good race, Oscar wouldn’t give Mark a choice, would just show up at his hotel with a condom and a bottle of lube and bend over the nearest piece of furniture- stretching himself with careful fingers as Mark watched on, mouth agape as he wondered for the millionth time how he, of all people was able to bag a gorgeous 23 year old who, all consumingly wanted him.

Mark often wondered if he was even able to give Oscar what he wanted, his body was not as spry and flexible as it used to be and sex had become something more like a workout- he couldn’t fuck Oscar the same way he would have been able to if he was 20 years younger.

“Mark, I did well, didn’t I?” Oscar asked, and the question was innocent enough but the glint in Oscar’s eyes as he leaned in to rest his chin on Marks shoulder was an indication otherwise.

“Yes…you did,” Mark said suspiciously, not taking his attention away from the television as he tried to ignore the weight of Oscar’s dainty hand as it came to rest on his thigh.

“Don’t I deserve a reward? For driving so good?” Oscar asked, his voice sultry in tone as he placed a small kiss on Marks neck. Mark sighed, closing his eyes momentarily to try and steady himself.

“Hm, maybe you do,” Mark replied, still not looking at Oscar who was starting to squirm a little where he sat, clearly riled up- desperate to be fucked.

“I fingered myself already, you wanna take me? You can just slide right in, I’ve already done the hard part,” Oscar said, his voice quiet but steady and Mark didn’t bother to argue that the hard part for him was the actual sex- particularly when Oscar only ever wanted it rough, moaning ‘faster’ or ‘harder’ despite Mark pounding him as fast as he could.

“Mark, please,” Oscar whined impatiently, ghosting his hand over Marks crotch. Mark could feel his cock twitching in interest as Oscar placed another sloppy kiss on his neck.

“If you want it so bad, come and take it,” Mark grunted, watching as Oscar scrambled to remove both his own and Marks jeans, exposing Marks now half hard cock. Oscar clambered into his lap, all limbs as his ass started to grind down on Marks cock. Mark let out an oof as Oscar sat down on him with force. He gave a sheepish apology before guiding the leaking tip of Marks cock to his already stretched hole.

The picture as he sank down was something so beautiful that mark was sure he could die right now and be content, watching as Oscar’s face scrunched up as he took him inch by inch, sweet little moans falling from his reddened lips. Once Oscar had take his full length, he lay his head on marks shoulder, panting heavily with a small whine as he got used to the stretch. Mark felt when Oscar’s thighs started to flex- an indication that he was ready to move. Hands were gripping Oscar’s waist immediately, holding him down on his cock.

“M-mark?,” Oscar stuttered, both confused and incredibly turned on from being held down on Marks length.

“Stay still, my good boy,” Mark whispered, holding him firm. Oscar wriggled in his hold, grinding himself down on marks cock. Mark tutted at him which halted the younger boys movements immediately.

“Mark?” He questioned again, his beautiful brown eyes misting with lust as he stared at Mark, in all his gorgeous glory.

“My boy, my beautiful beautiful boy,” Mark whispered as he dragged a hand along Oscar’s jaw- Oscar leaned into the touch, his eyes slipping closed.

“Please, Mark, want you to fuck me,” Oscar said, eyes still screwed closed as his thighs shifted a little- cramp starting to build in them.

“If you can sit here and not cum, I’ll give you what you need,” Mark said and Oscar had to bite down his moan of complaint- he knew mark wouldn’t change his mind, the stubborn old man.

Oscar breathed in deep, settling himself into Marks hold as he huddled into his chest, his face in Marks neck. Marks arms wrapped around him, cuddling him close.

“That’s my boy,”

[thefaiao]

Do you remember what hooked you on the LISA series? It's a decently impactful set of games so I'm curious as to why you've created so many drawings from it

A great question. I don't think I can answer this with absolute precision, but I'll try. I'll begin explaining how exactly I first got into drawing LISA, and we'll work from there to the reason I believe I am still compelled to draw more of it.

I first played and finished LISA at the end of 2016. I was decently active at that point, but hadn't garnered much attention to my drawings. I had made a Hotline Miami post that had gotten decently popular, and a few Yogscast(1)(2)(3) drawings that also did decently well, but overall nothing super noteworthy. Most Yog fans at the time weren't into what I liked mainly, which was Shadow of Israphel.

I was immature at the time, so had a hard time connecting with people in fandoms. Not to mention, I was a Brasilian in a sea of Americans and Europeans. You'd be surprised how hard it was to relate with people in that setting, but I tried here and there.

I felt pretty strongly about the HM post though, since it felt like a great personal achievement. I felt a drawing I had a clear vision for had achieved what I set out to do with it. Seeing how much people liked it, it was pretty magical when you've never had a post "do well".

Anyway, people were hopping out of tumblr and onto twitter, and I did as well. Twitter, despite everything, sort of puts you way closer to other people. Your reply to someone important is very visible and hard to ignore. It was a type of equalizer. There I had gotten to get my drawings actually seen and shared by Austin, the guy who made the LISA games.

Having had my drawings shared and recognized that way had a strong impact on me, and I even got to talk with an artist I really looked up to at the time, Maren, who had also gotten into LISA. She had done art for SBFP and TF2, so it felt surreal to me to be acknowledged by someone like that. Up to that point I really felt like more of a passive observer to everything.

In 2014 I finished high-school, and 2015 I spent the whole year learning how to draw better. I tried so hard that I ended up dissociating, a very scary emotion, that I didn't even know was a thing at the time. It felt like all that time and effort was starting to pay off, and that there was a way forward here.

First I posted sketches, and the passion I had for the game and motivation from the recognition led me to put a lot more effort than usual into my drawings. I ended up making these, which got really popular, it was very validating.

So because of all that I kept drawing. I'll be honest, a lot of the time I just wanted to get even more of the attention of these weird new cool popular friends that were paying attention to me for some reason. I was very lonely at the time. I think I stayed lonely for a long time after too.

But eventually people move on, as is normal with fandoms. I didn't really feel my passion for drawing and LISA die out though. I had started a massive LISA art project at the time, that took me 5 long years, and also was more focused in college, where I did Game Design.

Drawing wise, eventually I branched out to other RPGmaker games, but LISA was very easy to draw. It was sort of a home-base for me. Something I could come back to when I was uncertain.

I think Urasawa put it quite well, with Billy Bat:

Drawing the same characters over and over is extremely rewarding, and a great way to reflect on your progress so far. I suppose it's meditative, but that's not quite the right word. It's very fun and constructive, and people can also keep track of your progress through that. I did the same with OFF characters, a game I had drawn way before all this.

Of course, I had a lot of issues because of how things developed. I related a lot of my self-worth with the validation I received from people online, and I still do, to an extent...

When I started taking the game I'm making, Meanderer, more seriously, and started living alone, posting anything felt awful. I didn't have the energy for bombastic posts, or the time spent developing the way I draw the characters like I did for LISA, that is, with ease and style. It felt very humiliating, but I understand it was a warped view of things.

It was a long and depressing time in my life, but it taught me a few important lessons, and made me sort of re-evaluate how I engage with "online" overall. But I still liked drawing LISA throughout all of this, I almost felt ashamed of it to a certain point.

All of this isn't to say I didn't love the game itself. It wasn't all just context. I really, really love LISA. It drove me to sobbing tears, which I don't think another game has gotten out of me. It's a fantastic game, that really showed what fresh things you could do with the medium. When I played it I'm not sure I fully understood how much I loved games.

I just grew up with the characters of LISA. Maybe not in my adolescence, but definitely in my adulthood, and with my art. These characters help me orient myself, understand my limits. And it's damn fun to get better at drawing them. Even just a character on an empty blank canvas, with only black and white lines. It's the most fun in the whole world.

To finish it off, I have a general philosophy of not republishing drawings. So whenever I want to do a LISA post I have to draw a LISA post. Just keep drawing and drawing. Don't get hung up on one drawing or idolize one thing you did. Keep making things. It doesn't have to make sense. Just keep drawing.

(There was a power outage while writing this and I had to retype this whole damn post by the way. Appreciate it!)

[foursaints]

I have Lily thoughts:

Listening to boygenius and the lyrics "always an angel never a god" stuck out to me. It feels immensely Lily-coded. I characterize her as always being put on a pedestal and being compared to an angel, treated like a porcelain doll. She hates it, but it's the role she's been given and can't change it, so she copes.

BUT. BUT. Barty????? Ooohhhhhh Barty would see her as a god and treat her as such. He would pray on the ground she walks on. He would call her a goddess, kneeling before her and calling her a god. I could see her getting drunk on power sometimes.

He would never call her an angel. Maybe mockingly, but Evan is his angel. This is my Bartylily Bible.

hm.. i totally agree about the boygenius lyrics but i actually feel the opposite way about bartylily! i agree that lily has spent the majority of her life being put on a pedestal in that way, whether she's made out to be The Brightest Witch or someone's Dream Girl, like you said.

bartylily is so special to me because i don't think barty sees her as an angel OR a god, he's the one person who just sees her as a regular fucking person! barty isn't the type to idolize people, especially not anyone as normative & successful & palatable as lily. he thinks she's a fucking dork!! and an annoying hard-ass, and bossy, and he's not afraid to point this out and make fun of her. he likes that she actually has flaws— it's his favorite thing about her.

when someone calls lily perfect, barty rolls his eyes and laughs in their face. and that's exactly what lily would find compelling about him... to me, barty is sarcastically swooning and going "oh lily, you're like a goddess... promise you'll go out with me if I get the quaffle for you?" while she swats at his arm and goes "STOP IT, barty, seriously, you're awful, potter's not THAT bad—" but she's laughing at it, too.

[marigold-hills]

Precious Things (Part 3)

a Remus Lupin Yuletide Miracle

Day Three: Frostbite | @wolfstarmicrofic

682 words

PART 1 | PREVIOUS PART | NEXT PART

*🎄🎄🎄*

There are two bookstores on Diagon Alley: Flourish and Blotts, with its mainstream catalogue and perpetual stock of school materials, and Behind the Pillar, so named for its rather unfortunate location with a door hidden by a Grade A Listed 18th century stack of bricks. This, usually Remus’ preference, carries obscure texts of muggle literature with Wizarding commentary, old half-banned books on spell creation, and the more favourable accounts of creatures such as the XXXXX-classified werewolf.

What it doesn’t carry is fad items such as the iQuill.

Remus reminds himself that he is a rather good employee and he likes being a good employee. The place has been decent to him, giving him time off for the full moons and never asking too many questions.

In truth, Remus doesn’t think Aberforth noticed the pattern in Remus’ mysterious illness, nor the frequency of it. As long as all the letters are accounted for by the end of the month, he doesn’t seem to care.

So, Remus says to himself: remain a good employee, listen to your boss’ orders, and steps inside Flourish and Blotts.

It’s cheerful inside. Something rather artificial about the cheerfulness, but still Remus can’t deny it - they have their own dressed up spruce tree, tiny enchanted balls of lights glowing in soothing, pulsating colours, and the whole floor is covered in a kind of artificial snow that makes Remus worry about frostbite.

The iQuill has its own display, prominently placed by the entrance, with a sign saying Perfect Yuletide Gift! above it.

As soon as he approaches it, a member of staff appears next to him - a young, overly-keen girl that makes Remus long for the iffy sellers at the Pillar, where commonly he has to spend upwards of fifteen minutes waiting to check out until whoever works there finishes making their tea.

“Would you care for a demonstration?” she asks with commerce-fuelled joy in her voice.

Remus wants to be kind - always wants to be kind - so he doesn’t tell her he knows how to use a quill and can’t imagine this one to be much more complicated, but she doesn’t wait for the response anyway before diving right into the sales pitch.

“We have the standard iQuill,” she pulls out one, a pretty little thing that actually looks like it would be rather nice to write with. “And for the Holiday special, the Mystery Pen Pal Bundle. Perfect if you’re after a little bit of a surprise!”

It’s a set of a quill, a bottle of ink and a leather bound notebook that makes Remus itch to run his fingers over the cover.

“What is that?” He asks because he’s a weak man for stationary.

“Each iQuill in the Bundle,” she tells him, animated and gesticulating widely, “is enchanted to perfectly match you with another soul out there who owns one. They will let you both know inside of the iBook,” she shakes the notebook a little bit.

Remus physically, viscerally cringes at the name.

Still, the magic sounds… interesting. Compelling. He thinks about who in his life could he realistically use the Quill to communicate with. He already has his weekly phone call with his mum (he uses a little red telephone booth outside of his flat), and even that seems to daunt her technophobic self. There is, of course, Aberforth, but Remus rather gets enough of him at work already.

So he asks “how does it work?” and feels a little put out about his limited choices.

“That’s patented spell work, I’m afraid - nobody knows but the Potters’ Emporium, the company who owns the iQuill brand. But it promises a discreet, non-human-interference to the matching process. The iQuill, unlike a wand, will read you and find the person who you truly need. A little Christmas miracle!” she falters at her own slip up. “Sorry. Yule I mean. A Yuletide miracle. I’m new here,” she laughs in a way that’s too self-deprecating and forceful to be counted as a laugh.

And Remus thinks: hmm. Thinks: that sounds… nice. That sounds like something he would, maybe, quite like.

NEXT PART

[destinygoldenstar]

'Jax is an NPC'

Hm... ... ...

No.

It's a good theory, don't get me wrong, I see the evidence, I see where you're coming from.

But it's not a theory I agree with. Let me explain.

Caine's line "But if I start losing track of who's a human and who's an NPC who knows what could happen" is very vague as is. This could mean a whole lot of things.

I said this in another post of one of my own theories. I think it's possible that Caine could've killed a human player and his trauma of that was showing.

We know A.I's can shed traumatic emotions. Look at Gummigoo.

Now, yes, Caine couldn't 100% kill a human. Otherwise he would delete the abstractions. And it seems like human players abstract when they die and that's the only way they CAN die.

So therefore Caine having killed a human player should be thrown out as a possibility.

BUT. Hear me out.

Abstractions are shown to be able to glitch several in game objects because of their abstraction. And we actually do NOT see if all the abstractions look exactly the same as Kaufmo's abstraction.

They could very well not.

Going to biblical text, Caine was the first murderer and received a permanent consequence.

Could a permanent consequence be, idk, failing at your programmed job over and over again and be forced to watch these humans abstract and perish forever?

Especially if because of the human player death's abstraction glitch, is WHY the other human players cannot leave the game!

If you look at Pomni's room in one shot, there's a couple of blocks that are stacked from top to bottom 'ABXEL'.

Could it be that the human player Caine killed was named Abel?

But there is also the other possibility that somehow, there is an NPC among the circus. So let me explain my thought on that possibility.

I don't think it's possible.

I think Caine would've noticed, especially if he immediately recognized GummiGoo wasn't supposed to be there.

If one of the circus folks were an NPC, their figure would've appeared with the others in the backrooms.

Now, there is the possibility that it was placed somewhere else, that place is huge after all. So take that with a grain of salt.

I'm not completely eliminating the 'Jax is an NPC' theory.

I get the evidence. He's constantly breaking the fourth wall. But I think that more so has to do with what I’m about to say.

He has keys to people's rooms. I get that one. That is definitely sus as hell and I'm not denying it is sus.

He also ‘lacks human physics.’

So does everyone else in the cast. Pomni can stretch her body out like Elastagirl. Ragatha has stuffing instead of blood. Kinger has his own glitchy moments. Gangle has two faces. Zoobles body can fall apart.

I’m just saying. These are not human physics either. So Jax being able to keep in place whenever he wants being only a Jax thing is not too far fetched compared to all these other examples.

But I also think, and this is my opinion, that he's much more compelling as a character as a sociopathic human player that is beyond saving and MENTALLY cannot be humanized again.

What I mean by that is that while he is TECHNICALLY a human player, MENTALLY, he is so detached from his humanity and moral code often associated with humanity that he acts more NPC-like as a side effect.

Jax is not designed to be a morally grey character. He is written to be the least moral of the entire show.

It would be SO EASY to excuse those moral wrongdoings as 'well they were never human to begin with'.

But I think that's the lazy way out, and I think this show is smarter than that.

Because here is the thing, there ARE some really REALLY terrible humans. Evil humans in fact.

WHY they're so terrible varies, but that doesn't make them less terrible.

And yes while some terrible people can get redeemed if they themselves can, this is NOT absolute. There are people that are just plain beyond saving. So beyond saving that they ditch their moral code, a code drilled into the human mind, that they SEEM inhuman to humans who can't relate.

This is a very real psychological thing.

With how many morally grey characters get thrown around as compelling these days, Jax NOT being written that way and instead being written as the morally worst would naturally make people go 'he must not be human'.

In psychology, behavior like that doesn't physically inhumanize them, but it MENTALLY does, they behave in a set of rules so different from the normal that it's corrupt to the normal.

So I think he is a human player like the others. But his MENTALITY is not, so he ACTS NPC-like as a side effect to that mental loss.

Not every human is morally grey and get cozy redemption arcs. There are some truly awful people in the world with no redeemable qualities whatsoever. I like that he represents that. I like that there's a character on this show that acts as that huge wake-up call of 'Yeah some people just plain suck and you shouldn't have to deal with them.'

But while I don't think Jax being an NPC would be the best route to take. That is just my opinion and I am not the one writing the show. If that IS the route they are taking, I am fine with that so long as it is written with proper care. I could definitely be reading this wrong.

[tossawary]

I found a beaten copy of the "Star Wars: Shadows of the Empire" novel (set between Ep5 and Ep6) in the thrift store and I'm trying to read it. I thought, "Oh, this was written in 1996, so that's before the prequels or any of the more recent shows. Even if this isn't good, it's not a long book, and it'll be interesting to catalogue some of the differences in world building and vibes."

And then I actually tried to read it and, uh, I would call the writing "competent on a basic level but not sophisticated". Like, I was trying to read some of the "Jedi Apprentice" novels earlier and I guess I was expecting, hm, something a little more advanced than those books? It's serviceable! There are many turns of phrase that I enjoy! It's just not as compelling stylistically or in world building as I might have hoped. And it wasn't long into the book before I was like, "Oh, right. Ah. Hm. I forgot what it was like to read Older Sci-Fi Written By A Straight Man. Of course, the main villain has a human-looking killer droid assistant who looks like a sexy blonde woman! Of course he does! Of course!" None of the characterizations are great, but the Leia POVs are making me since.

I'm having trouble taking the main villain seriously because he's just... he's just not interesting. Prince Xizor's secret backstory where his family's deaths were Darth Vader's fault are revealed to us in Chapter 3 via narration, he's just thinking about it, and it's like, "Well, that seems like it could have been saved for a more dramatic reveal later." And generally, he's such a Batman Gary Stu of a character so far: he's an unfathomably wealthy businessman, he's also an interstellar crime lord, he's also a master of martial arts, he's got an impeccable poker face, he's Vader's rival, he knows everything because he has spies everywhere, and the narration takes the time to tell us twice in 3 chapters that he is (and his species is) very, very sexy. Reader, you MUST know this. Trust us.

And I was reading these descriptions of him thinking, "This style of introduction reminds me almost EXACTLY of something else... but what...? OH. He's getting introduced like a HARLEQUIN ROMANCE NOVEL MALE LEAD." Which is super funny because Wikipedia claims this villain is supposed to try to seduce Leia later in the book; an attempt that the publishers apparently wanted to be successful but the author refused to do, fearing fan backlash. Which is just... thank fucking goodness, I WOULD have been pissed off, yes. WHY would Leia fuck this guy? Everything about him suggests she would choke him with a chain like she will with Jabba the Hutt. Let this woman have her loser smuggler with a heart of gold boyfriend!!! I hope she gets to shoot at this guy for a seduction attempt, but that won't make up for how incredibly boring this character is to read about in his every single scene.