#and I really think that that blessed the narrative

[evelynpr]

Might be a hot take as a bkdk and tgck truther here, but I find izuocha endlessly fascinating, beautiful, but also tearfully tragic.

I see their love for each other as something representative of their innocence and naivety when they only knew so little about who they were, and what was to come.

I think the main barrier of their relationship is that its rooted in how they see each other very idealistically, specifically that they're attached to the image of their Best Heroic Selves, and not the deeply selfish, destructive, freaky, and egotistical parts of them. To each other, they need to keep fulfilling that image or else that same person they looked up to would almost die in front of them, and that would be too cruel. Although that hero is still there, that same person they looked up to is not the same now because of...well...everything.

Izuku had barely even talked to girls when he first met her. She was Izuku's first ever real friend (Sorry Kats, everyone and him knows he was terrible), so he saved her in that entrance exam even if it was so dangerous. She gave a new meaning to his derogatory nickname just by being a friend that believed in him. After that, she saved him several more times (Blackwhip and Megaphone are the biggest samples iirc). It makes perfect sense that she is Deku's hero.

Ochako hardly knew what it meant to be a hero when she first got into UA. Just by reaching out to some kid tripping, she made a new friend who would then save her in that exam, then save him again in return. This boy then became someone who was always working so hard to save everyone in trouble, and she realized she wanted to be just like him too. "I want to save people"

But...Deku changes. The weight of One for All is on his shoulders and he needs someone to carry this burden with him. He continues to want to save other people at the expense of himself, still not letting his true selfishness and ego ever show- and it only grows more and more unbearable.

Then...Ochako fell in love with Himiko. Truly, relentlessly, selfishly and devotedly in love with a girl who then dies giving her blood to her- the greatest expression of love Himiko could ever give.

Not that they can't love each other because of this happening (and...so many other things oh god), I'm honestly not sure how to explain it- But them ending up together after losing that innocence and naivety? After Ochako will forever grieve the girl who showed her love in its most beautiful and ugly form? After Izuku changed so fundamentally as a person that the butterflies of a nice girl talking to you doesn't exist anymore? After that simple image of being a hero and being in love has completely changed for them both?

Even so, I believe they still love each other. There is no label I know of that can properly describe them though. They are each other's image of being a hero when it comes to saving people. Aside from Shoto, no one else can grasp the grief of the person you tried to save dying in your hands. They would no doubt try to cope with these losses together, and just try to get better together...but so much has changed. They've changed. The world changed. What are they now? Who are they now?

"What happened...to us?"

[raayllum]

What if… the last quasar diamond is used for Callum…? To completely purge the dark magic from him…? After Rayla tearfully keeps her promise of killing him, and is devastated, before remembering about the spell…?

Short Answer: I don't think the quasar diamond will be used for Callum, that he'll literally die, or that Rayla will kill him.

Long Answer: (aka why I think the above)

I don't think Callum is going to be permanently/temporarily killed this season. Some of this is because resurrection magic is very complicated in-universe and can't be something that's easily done (otherwise we'll run into trouble with stakes later). Aaravos helping Callum save Rayla's life (magic, corrupted primal stone, etc) feels within his aims for me, but someone doing something like that without Aaravos feels less tangible. Even with a quasar diamond, Rayla isn't a mage, and while quasar diamonds can restore a body to a separated soul, we know they can't restore it to lost souls (of people who are fully dead) otherwise Aaravos would've been able to restore and bring back Leola by opening up the Moon Nexus and unleashing the dead.

The other main reason is that Callum literally dying isn't really needed, I think, when it comes to his character arc. If/when he willingly corrupts himself with dark magic, he is going to be metaphorically killing himself three times over: it means allowing himself to be totally corrupted (death one), turning himself over to Aaravos (death two), and knowing he made Rayla promise to kill him (death three). (This is also why I find the "he uses dark magic to destroy/coin Aaravos" less effective, since it means that Rayla isn't bound to kill him — she only promised specifically if he's under Aaravos' control — and it removes the biggest fear factor of why Callum is scared to do dark magic as well.)

Either way, Callum dying wouldn't add much to Callum's arc, so what about the other half of the equation? What would killing him give to Rayla's arc?

Well, it also wouldn't give much. There'd be irony in Rayla starting arc 2 wanting to kill a high mage of Katolis but being unable to, only for her to kill the high mage she wanted to save more than anything? If this would be closer to the beginning of her season arc, with time to grow after (the regret, or un-making her choice later when another opportunity is presented). Rayla has had six seasons of routinely sacrificing herself and what she wants (being with her loved ones) with precious few exceptions, even if we've seen her steadily grow more positively in S4 onwards in particular (god bless you 5x04). Killing him is what's expected of her as an Assassin and a Good Moonshadow Elf, which is set in opposition to her being a Hero ("Rayla saves people" / "It was rescued? By who?" "...Me").

So Rayla, who always sacrifices, continues to sacrifice. Even though — from a meta narrative perspective — she and Callum are set up to the be the inversion of Viren and Lissa. Viren sacrificed the people around him (including her) and did dark magic, so she saw him as a monster and left. Meanwhile, Callum and Rayla are set up for Callum to do dark magic because he refuses to sacrifice Rayla. Because of this, even though he sees himself as a monster (evidenced by the corruption and Aaravos' control), Rayla will not and she will refuse to leave him, bringing him back to himself (possibly with Ezran's help).

I also think some of this ground work is laid because Callum isn't just scared of being possessed and hurting people; he's also specifically scared that Rayla will be scared of him (6x03), that he will no longer be someone she knows and loves. However, we also know thanks to 6x03 (and 6x06: "You're a good person Callum. Maybe the goodest") that that's not true or going to happen. She knows who he is, who he Truly is, and that he's acting out of love. In saving him, not only does she reaffirm his identity, she reaffirms her own (more on Rayla being unable to kill without also symbolically killing herself here) with the most important bit dropped in here:

As long as Callum is Callum (“you’re the destiny is a book you write yourself guy”), he’s worth saving. As long as Callum is Callum, she can be Rayla (“Rayla’s brave. She saves people” / “Rayla. My name is Rayla, and I’m going home”). As long as she’s Rayla, he can be Callum. Because if Callum isn’t Callum, then he’s dead, and if he’s dead, she can kill him. And if Rayla kills him, if Callum is dead, then she won’t be Rayla anymore. Because to literally kill Callum would be to simultaneously symbolically/emotionally kill herself.

In going to save him, also (which Runaan might be primed to encourage or be a catalyst for), Rayla gets to demonstrate her growth by refusing to sacrifice herself and refusing to sacrifice him. Previously, she's sacrificed herself for him, sacrificing both her life and their happiness. In 4x03/4x09 and throughout arc 2, what we see what she wants most is not just Callum being alive, but having a life with Callum ("what I most deeply desire is what I could've had all along"). To be together, rather than being separated (6x09). So Rayla choosing him, and their life together, and what she wants, un-making her choice to leave at the beginning of the arc / timeskip — refusing to sacrifice him the same way he refused to sacrifice her, reaffirming both their identities, bringing them both back from the dark paths they thought they couldn't escape (being Aaravos' puppet or dead, being an assassin or dead) — that's the Character Growth, and where I think we're headed.

Conversely, if she kills him — she arguably hasn't changed, and not even necessarily changed for the worst. It'd work more for me if it was like end of S6 with S7 to go and wrap up her arc, but given that it's the final season of the arc that started with "no I'm not going to kill you, I came back For You and will keep coming back for / To You"... yeah, we're gonna end S7 on a high note, character arc wise, for just about everyone in the main cast, I think (likely excluding Aaravos, possibly Claudia, and potentially Karim).

Additionally, although quasar diamonds aren't seemingly affected by being used for dark magic (i.e. there's no corruption), there's no indication they can purge dark magic. And even if they could, and it'd give Callum another blank slate, presumably... But would that really matter on the tail of a season where he had a blank slate and (under my assumptions, mind you) threw it all away under the worst possible circumstances/consequences of doing so? Am I really going to believe he'd always be able to stay away from dark magic no matter what after going back on that promise at least two, if not three, times? (As always, prepared to eat my words later, but this is where my head is at / where I think the narrative set up is going in terms of him using it again with what we have rn; more alternative narrative legwork could happen in S7 that'd make the opposite outcome make sense to me.)

I think it's far more effective if Callum keeps (or doesn't) the taint of dark magic, but Aaravos can never use it to control him again. He can use it under extreme circumstances (like Viren did in 6x08, which was the right thing to do) but without the biggest consequence of doing so. He'll also have the certainty that no matter what he did or what he does ("It doesn't matter what you did before, I just want you to be okay again" / "None of this matters... It means I trust her. Unconditionally"), Rayla will be there and they'll accept and love and fight for each other, always, that they'll never sacrifice each other but go together in all things, and that freedom to exist and be loved is True Freedom from Aaravos and from the corruption of dark magic.

[pinkopalina]

loyal to batjokes always but. poly bat+rouges though. batman/riddler/joker you could use a friend

[monsterfuckermilligan]

it’s very important to me how my therapist (attachment trauma specialist) who works with a lot of adoptees and ffy is also obsessed with supernatural. and agrees that jack is not adopted, and it’s important to his storyline that he isn’t. it’s so frustrating trying to explain to people that adoption isn’t about ‘what’s in their hearts’ or some other bullshit, because adoption isn’t about love, it’s a legal process that tfw don’t partake in. they never try to to erase his lineage or require it for there to be love. jack keeps his last name! jack has a picture of kelly at his bedside! jack gets the freedom to meet his first family, including lucifer! he gets to make his decisions about that even after he argues with cas about it! he is not adopted y’all just don’t know how else to describe their relationship because of the romanticization of adoption in ‘found family’ media and the fact that most non-adopted people have no idea what adoption actually is.

[sammygender]

THANK YOU OLI I don't get the season 8 hype. No Cas, Sam and Dean have the same conflict they've been having the entire show with no new angles like why????

YEAH LITERALLY. inital conflict is literally dean being angry at sam for trying to move on and heal which is just so intensely unlikeable and for some reason i was shocked by it and it made me genuinely dislike him. to me dean is at his most awful in s8..... like he's not. he's definitely not. gadreel possession in s9 and like most of s9/10 with the mark is much worse than anything he does in s8 and killing amy in s7 was sooo awful too. but dean is just so intensely a dick in s8 and i was so angry with him and not even in a fun way. like in s9/10 he is AWFUL but i enjoyed the drama. i didnt even enjoy the interpersonal drama in s8. which is when you know something is wrong

then again. im probably too harsh on it and am basing it off memories of sitting through the first half because i LOVE the trials and sacrifice and the great escapist so so much. and i love kevin <3 he's s8 right. but. to me s8 will always be the worst season. maybe i just hate what it brings to the shows canon. sam leaving dean for a girl and a dog (which is NOT EVEN WHAT HAPPENED... and if it WAS it wouldve been justified.... id support sam even if i thought he abandoned dean unprovoked idc.....) is constantly brought back like the worst of his sins even as late as like. s11. SHUT UP. first half of s8 is just upsetting for sam reasons and not in a fun way

[crossbackpoke-check]

I just need you to know I was reading your tags on the Sillinger/Fantilli Deadpool/Wolverine gifset going "YES THE EYE CONTACT! AND COLE'S WHOLE FACE JOURNEY! AND *OH MY GOD* ADAM'S HAND ALMOST BUT NOT GRIPPING AT COLE'S BICEP" like that near grip Adam took had me fainting like a fucking Victorian era man who saw a woman's bare ankles like W.H.A.T.

I neeeeed to write them omg.

ANON. ANON!!!! please. write them!!!!! and send me a link if/when you do 😇 i’ll prepare my fainting couch (the floor)

[thegreatyin]

okay so with the naturalist done let's go a bit weird

1, 9, 24 and 25, for The Boatman.

1 - Why do you like or dislike this character?

The chess games you can play with him are really fun. I love how the difficulty organically builds up over time the further you go and the more your PC perishes- it really feels like you're slowly bonding with the guy, getting more comfortable with him, getting more comfortable with the Neath in general, etc etc. Even if the watchful checks are a bitch by the time you hit endgame.

Seriously, look at this! Look at the progression!! It's so charming. I love it so much. I may be losing in my boardgames but I am winning in my heart.

-

9 - Could you be roommates with this character?

Hell yeah!! The Scoundrel is already practically roommates given how much they've died already/die on a bi-weekly basis. I wouldn't mind a skeleton homie. He's a little... intense, but he's a cool guy. I think we could hang out together. Some time off that boat would definitely do him good.

-

24 - What other character from another fandom of yours that reminds you of them?

I mean... pretty much any form of death/the grim reaper in any sort of media, really? He's pretty archetypal. If it's a skeleton representing death, it's reminiscent of him.

-

25 - What was your first impression of this character? How about now?

At first: eyy what's up my dude (fascinated by the new zone, passing 100% watchful checks with ease)

Now: EYYYY what's UP my dude (just chillin', failing a 63% watchful check 7 times in a row)

[thatonefandomjumper]

Someone posted a screenshot of this post on Twitter and it seems that many fans over there seem to be thoroughly ticked off over this take. (And like holy shit, a lot of people have seen it???)

Honestly, I'm taking this as a win. Those folks clearly don't know how to have fun with the media they consume and do not posses the ability to read the narrative in different and interesting ways. Whether that be shipping or not. I use shipping to analyze dynamics. It makes it more fun to engage with media when you look at it from different angels.

Like "I need to bleach my eyes," or "People like this need to get off the internet" or "Incorrect buzzer!" or whatever else people have said, like, who called the fun police, what the hell are you doing in fandom spaces if you can't have fun with it???

But as I have never truly experience hate on this scale before (and honestly, I am a little overwhelmed) it kind of just reinforces all my beliefs that some people refuse to let people who engage with stuff in a different way to them be, without having to loudly declare either their negative opinions or having to make sure they fit in with the masses or else the holy gospel that is Twitter will come to deliver justice.

Anyway, I might just write a follow up to this post out of spite explaining my thought process to each of the parings and how it relates to the canon material in the books along with what went unexplored.

Heroes of Olympus is just Leo being in love with Jason, who is in love with Nico, who is in love with Percy, who is in love with Annabeth, who is in love with Piper, who is in love with Reyna, who is in love with Hazel, who is in love with Frank, who is in love with Leo.

[thrashkink-coven]

Occultists, witches and spiritualists really need to stop peddling the lie that spirituality, witchcraft, paganism, etc. isn’t a psychological phenomenon as well as a mystical one. Your psychology will in fact, fundamentally inform your experiences with spirituality.

And we also need to stop pretending that spirituality and witchcraft are somehow contrary to mental illness. Or that having a mental illness means you can’t do witchcraft.

I’ll be completely honest with you guys and say that certain people with certain afflictions are more predisposed to different “mystical” experiences than others. I don’t think it’s a great coincidence that I am so great at visualization given that I was raised in a severely neglectful household. It doesn’t surprise me that many pagans are lonely people. This doesn’t mean to say that spirituality is “filling” a hole within anyone (although if it is, that’s great for you) but more so that, well, this path is unpopular for a reason. Alternative subcultures are alternative for a reason, and outcasts and rejects usually find a home there for a reason.

This also doesn’t mean to say that people who engage in witchcraft and spiritualism are inherently mentally ill. There is still a difference between hallucinations and spiritual encounters. And there was never any rule that said that both of these things cannot happen to a single person. For the safety of yourself and others we should be aware of the warning signs of dissociation and hallucination, but that doesn’t make anyone “wrong” for experiencing those things. And experiencing those things doesn’t mean you cannot explore spirituality or do witchcraft.

I hate it when “spiritualists” who are actually just anti-vax conservatives push the narrative that people with mental health issues cannot participate in spirituality. I also despise the notion that mental health issues are inherently a sign of an energetic imbalance. We’re all walking around with a special concoction of brain soup in our heads, it doesn’t surprise me that Ares devotees tend to have BPD, that many Aphrodite devotees struggle with self harm, that many people who work with angels have paranoia or generalized anxiety.

There was never any rule that said that you cannot use your deities or magic to help you cope with your mental health. I know some people will say “the Gods aren’t here to be your friend or hold your hand through life” but I’ve seen no evidence to suggest that’s true. I see no reason why a God like Ares couldn’t help his devotee with BPD come down after a bout of rage, I see no reason why Dionysus couldn’t help his devotee with their alcoholism or substance abuse, I see no reason why Aphrodite couldn’t help a devotee with relapse or negative self talk.

Witchcraft and paganism were historically used as a tool for survival, to bring people ease, to help people feel safe and secure, blessed and protected. That applied to all people, including those with mental health issues.

[red-velvet-0w0]

life series curses

another thing I find so interesting about the life series is the idea that every character in the games are cursed in some way. I know there are the obvious ones, canary curse, black widow curse, etc, but I feel like the idea of the watchers locking them in the games with their own curses to be so interesting. It really adds to the feel that a) they are all extremely unique characters with their own things going on and b) they are all in their own way doomed by the narrative as I really like thinking about the fact that the life series is inherantly a tragedy.

as for what curses I think everybody has, the obvious/well known canonical ones are of course:

Jimmy - Canary curse: probably the most famous curse in the life series, Jimmy is cursed to always be the first to die

Grian - Black Widow curse: grian always ends up betraying his teamates or being the cause of their deaths (killed scar in TL, jimmy & mumbo in LL, Scar again in DL, Jimmy in LimL)

Mumbo - Miners curse: always is the next to die after the canary, within a minute of jimmys death.

Scott: Sacrifice Blessing - only one to not exactly be a curse, his teamates will always make it top 3 but he will sacrifice his lives to do so.

Skizzleman: Bad Angel - always tries to help his friends but has legendarily bad luck and loses a lot of lives

Tango: Ash Curse - will always die by himself in a pathetic and underwhelming way (I call it the ash curse because I like the idea of him not dying in a blaze of glory but instead burning out, leaving nothing but a small pile of ashes)

Joel: Insanity Curse/Red Fever - will always end the series by going insane and trying to kill everybody

And then there are the curses I dont think Ive heard many people talk about:

Scar: Villain curse - Scar is cursed to always become enemies with almost everybody, usualy being isolated in a small corner of the map by himself

Cleo: Retribution Curse - will be betrayed by a teamate leading to them swearing vengeance and lashing out in anger (BigB, Martyn)

Ren: Last Stand Curse - dies alone in his own home trying to defend it

Etho: Loyalty Curse - will make a teamate at the very begining and stick with them the whole way through, though in the end his loyalty to them will lead to his death

Martyn: Betrayal Curse - will always plan or attempt to kill his teamate

Bdubs: Wierdly enough also the Betrayal Curse. just the exact same curse Martyn has. I dont know what this means

BigB: Isolation Curse - will always end up living on his own or seperate from the rest of the server

Pearl: Duel Curse: always dies (or wins) in an orginazed duel or battle, usualy including or orginized by Scott

Gem: hasnt been in the series long enough to have a recognizable curse, though she does have the boogeyman curse from secret life.

Lizzie: Failed Avenger Curse: when turning red will try to take revenge on the people who she believed wronged her, but will fail misserably and die trying

[asvtrials]

Hate that I want you

Hate that i want you      masterlist

part one      next part idea: @floydsfae tags: @ilovejeansosomuch. @spikedfearn (inspired by) summary: Parting ways with a friend group was always hard, somehow trying to rejoin that group was even harder. Especially when a particular quick-tempered someone is rather bitter about your choices. warnings/tags: lots of swearing. friends to enemies to lovers. Bjorn is a bitter and jealous shit. angst a/n: I'm not very familiar with the Alien franchise so forgive me if there are any inaccuracies. This is my first Tumblr post and I'm not used to writing in the second-person narrative so sadly this is not my best work but I still hope you like it. English is not my first language so please be nice. word count: 2394

“Fuck no.” That was your only answer before you covered yourself with your blanket and sank even deeper into your messy bed.

“Come on, Y/n!.” The muffled voice of your friend, Kay reached your ears under the blanket before she started to pull it away from you.

“Leave me alone.” You whined while trying to hold onto the covers until eventually Kay gave up

She sighed and sat next to you on the bed. “This is gonna be good for us.” She tried to reason. “You think that idiot was your way out? This is the way out.! She shook you a bit under the covers to make sure you were actually listening.

You rolled over, unsure if she actually believed in this nonsense or was that desperate to leave Jackson’s Star. You wouldn’t blame her if she was.

You stared at her for a long moment, brows furrowed. “Who had this idea in the first place?” You asked, surprised that anyone would think this would work.

“Tyler and Navarro. They said they pick-”

“Tyler and Navarro? Damn, they are really getting desperate.” You cut her off with a scoff.

“So, are you,” Kay added.

You couldn’t deny it.

You were tired. Tired of living the same day over and over again. Wake up at 6 am to the same darkness that followed you the entire day, get ready by 6:30 am, and begin your walk to the bus station to take the overcrowded bus that drove all of the workers to the mines.

Thankfully you were able to be transferred to the kitchen, away from the cramped caves. And as sad as it sounded, that was the only good thing that happened to you in a while.

You didn’t know if it was that or the resentful feeling of your fresh breakup but you let Kay pull you out of your bed and push you into the shower. You just knew you wanted to change this overwhelming routine of the past two months.

As soon as you got dressed, the girl led you through the busy, dimply-lit streets and toward an alleyway where the rest of the crew would wait for you.

You didn't know how to feel about this reunion. You haven't really seen them in a while, spending most of your time with your now ex-boyfriend. You were surprised they even included you in this ‘mission’. You figured it was probably Kay and Tyler, possibly Navarro too.

You turned around and were greeted by the figures of your old friends, Tyler and Bjorn.

When they met your nervous stare, you noticed Tyler’s expression mirrored yours even if it was for a split second. He quickly concealed his uncertainty with a smile that reached his eyes.

“Hey, Y/n. How have you been?” Tyler chuckled and pulled you into a hug, startling you a bit but soon enough you returned the affection

“Fine, I guess—” You began but before you could continue a different voice echoed in the empty alleyway, accent thick and tone dripping with accusation.

“We weren’t sure if you'd bless us with your ladyship.”

Of course, it was no other than Bjorn who would make a comment like this. He earned a glare from Tyler but he just shrugged s as if he was just making conversation.

An annoyed smile tugged at your lips as you spoke “Seems like you didn't change. Like at all.”

Bjorn ignored your comment and turned to Kay. “If she's all caught up, we should go.”

You raised your eyebrow at the way he brushed you off but you decided to let it go. “What about Navarro, Rain, and Andy?” You asked.

“Navarro’s fixing some other parts of the ship and Rain is—” Tyler paused for a moment, sending a glance at his half-sister. You followed his eyes but Kay just smiled at you “Busy with her job,” Tyler ended up saying.

“Is Rain all right?” You asked, chuckling a bit at their failed attempt to cover the truth.

“You’d know if you weren’t too busy snogging your boyfriend every chance you got,” Bjorn remarked with a smug smirk. You could feel your blood boiling at the mention of your ex.

“Bjorn! We talked about this.” Tyler warned the boy but he just scoffed.

“What? She was gone for two months and now acts all worried! That’s a load of bollocks!” He argued, gesturing towards you with a huff.

“Oh, fuck off, Bjorn!” You raised your voice over Tyler who was about to cuss his cousin out. This was already hard enough but having Bjorn act like a massive asshole wasn’t something you were going to sit through.

You did abandon them. You were a bitch, and a bad friend, and whatever this asshat wanted to call you but you didn’t need to hear it, especially from Bjorn out of all people.

You just wanted to have a better life, at least as good as it could get in this shitty colony. A future to look forward to and Noa made it look possible. He had ambition and connections and could easily get a better job than most of the Jackson Star residents. At the time you were stupid enough to believe that he wouldn’t drop you. Yet, as soon as he bagged a job in the ‘Office of Colony Affairs’ he dumped you because, in his words, you had ‘different life goals.’

Fuck. And fuck him, and Bjorn and whoever dared to call you a whore or an opportunist. All of you had the same life goals, get the fuck out of here. That’s why you were here. As crazy as this plan sounded, at least you would be doing something to get away from this place.

“I’m not going to apologize for wanting something better for myself!” You snapped.

Bjorn ran his tongue over his teeth, letting out a low chuckle to hide his irritation “So you dropped everyone to get that.” He stated before he met your eyes once more. You didn’t know what you saw in his gaze but it wasn’t simply anger.

“I didn’t drop any of you!” You began, throwing your hands in frustration. “I kept in touch with Kay and Navarro. I asked about all of you! If you weren’t such a dick you’d realize that you made it difficult to talk to you!”

Bjorn remained quiet as if he was trying to come up with a comeback. He tore his gaze away from you when he turned around and mumbled “Whatever.”

“We should really get going now,” Kay spoke nervously, more to Tyler than anyone else.

“Yeah, let’s go.” Tyler agreed noticeably glad that the fight would come to an end, for now at least.

You sent Bjorn one last glare before following Kay and Tyler, but he didn't look all that affected.

The walk to the abandoned warehouse was rather long. A couple of years ago it was busy with workers and clients, mostly to buy components for mining haulers and gear. But right now it was collecting dust and vines so it was the perfect place to get some forgotten parts and tools.

Tyler helped Kay jump over the tall fence while you and Bjorn were already on the other side. You smiled at the sweet moment between the siblings trying to ignore the panging feeling in your chest.

You tried to ignore the intense need you had to glance at the boy next to you but you couldn’t help it. His gaze was fixated on the tall building, holding the cigarette between his fingers. You tried to push away the bitter feeling that cursed through you.

It wasn’t that long ago that he helped you the same way, finding any excuse to feel your skin under his fingertips.

But that was just a childish game you two developed. Flirting jokingly, touching a bit more than necessary to see the other’s cheeks redden and hear your friends groan in disgust. Both of you comfortably balanced on the rope between friendly banter and romantic curiosity.

When both Kay and Tyler landed on the other side of the fence, you began walking toward the building.

You stepped inside and an aerie breeze hit you, from the way Kay started to rub her shoulders you guessed the rest felt the same.

“Bloody hell…” Bjorn mumbled as he walked to the front desk which was covered in dust and some dead bugs.

“Yeah, that’s nasty.” Kay agreed, keeping close to you and Tyler.

“I’ll go check the first floor, someone should check the second,” Tyler announced the plan, staring at the sketch of the parts Novarro drew him.

The group was surrounded by silence, the four of you looking at each other awkwardly until Kay decided to make it easier for all of you. “I can go with Bjorn.” She said cheerily trying to ignore the tension.

“Good, Y/n we’ll go together” Tyler nodded toward you and started walking up the stairs.

Bjorn's loud voice stopped both of you in your tracks. Bjorn tried to sound uninterested even amused as he spoke “I see, you act all tough yet can’t even spend five minutes alone with me. Scared I’ll hurt your feelings, innit?” The way those last words fell out of his lips in such a pitying manner really struck a nerve.

You knew what he was doing. He was baiting you. You saw him do it to everyone, although you weren’t sure if Andy even could understand that he did it just to annoy him.

Still, you weren’t one to give him the satisfaction. You let out a dry chuckle as you rolled your eyes. “Bjorn and I are going to check the second floor” You declared, not bothering to turn around.

“I can go with Y/n?” Kay tried to intervene but neither you nor Bjorn listened as you walked up the stairs.

“Remember, in and out! Be quick.” You heard Tyler’s voice bounce off the walls as you continue your path to the second floor, Bjorn hot in your trail.

You entered a room as soon as you reached the second floor. By the numerous boxes and shelves filled with dirty items, this was clearly one of the storage rooms

“You search the right side, I'll search the left side,” You said when you noticed Bjorn still walking behind you.

“Don’t tell me what to do” He quickly retorted.

You let out an exasperated sigh and walked to the right side instead, ignoring his snarkiness.

Neither of you talked for a long while, putting equipment that seemed useful in your bags or simply looking through the dusty machinery.

Bjorn was the first to break the uncomfortable silence “So how are things with your boyfriend.” You didn’t miss the way his tone changed to a mocking one at the word ‘boyfriend’ but you chose to ignore it.

You stayed quiet for a moment, not sure if you wanted to answer. “We don’t have to talk.”

“Come on, I’m trying to be nice.” He spoke over the loud noise of his hand rummaging through some drawers and you could practically hear his smirk.

A groan managed to slip past your lips before you said “We broke up.”

You heard Bjorn’s movements come to a halt momentarily followed by a breathy laugh. “Can’t say I'm surprised you dumped that twat.”

You remained silent once again only saying a drawn-out “Yeah”

“Wait a fucking minute.” Bjorn laughed, walking closer to you, a smug smirk spreading on his face “He dumped you!”

The amusement in his voice made your anger flare up once again causing your face to contort in irritation but you tried to ignore it and just get the job done, practically slamming the drawer shut.

“Why did he dump you? Did he find someone that matched his status? He did get promoted to a whole-ass desk job” He snorted.

You tried to be calm, you really did but all of it was so recent “Can you just shut the fuck up for once in your life?” You exploded, making his eyes leave the shelves and focus on you. “Is it really so funny that I was dumped?”

Bjorn stared at you for a long moment, before turning to continue searching. Obviously not without a sarcastic comment. “It’s funny that he dumped you but sorry, didn’t know you were so in love.”

You closed your eyes and exhaled through your nose to try and keep your cool. “As if you know what love is?” You tried to keep your voice from shaking with anger.

Bjorn met your scowl once again but to your surprise, his expression didn’t match yours. Unlike yours, his eyes didn’t hold any rage but something that made you unable to look away as he moved closer to you, looming above you.

“I know you two weren’t.” The low tone in his voice had you breathless for a moment.

Does it even matter if you loved Noa? Falling in love was never the point.

“You don’t know anything” You spat out, your voice as intense.

He raised his eyebrow at your words, staring down into your eyes “Really?” He dragged out the word. “You were in love with that asshat? You really want me to believe that?”

“I don’t care what you believe, that’s none of your fucking business.” You bit back, taking a step closer. You wanted to remain unbothered by how the corner plush lips tugged up but the warmth that spread through your cheeks was impossible to ignore.

“You’re not answering my question.” The almost gentleness in his voice quickly disappeared as he laughed, his breath hitting your face. His fingers slowly reached up to flick a strand of your hair mockingly.

You were about to slap away his hand when you heard Kay’s voice from the corridor.

“Guys, where are you?” She shouted.

“Uh—we’re here Kay” You yelled back, stepping back from Bjorn. You really didn’t notice how close you two were standing.

Soon enough Kay’s figure appeared in the doorframe.

“Glad to see you didn’t kill each other” She joked. “We found the thing Navarro needed, we can go.” She announced.

You hated how your eyes met Bjorn’s even if it was for a second, and you hated the feeling that erupted in your stomach even more.

[souji-upseta]

that. that is the angsty breakdown we fuckin deserve.

Often whenever I see people talking about ult Dirk getting a redemption they always mention wanting some kind of angsty breakdown from him where he's all distraught and 'I've done such shitty things and have lost track of the person I was and I really regret my actions and need someone to help me because for once in my life I don't know what to do' but that just seems so. Unrealistic and pretty fucking lame for a character as extreme as Ult Dirk? If there's any way I'd want a redemption arc for him to happen would be through him having the most disgustingly violent and self-destructive meltdown ever. Like at the end of the story when he's nearing his defeat and too scared to face the consequences (both physically and emotionally) he just starts flipping the fuck out to try and prevent any form of happy resolution for himself because he doesn't know if he could take something like that when he doesn't deserve or 'want' it. I need him to say and do absolutely unforgivable things just to prevent anyone from ever giving him the chance to make things right, and have someone still reach out to him despite that. I need him bawling his eyes out screaming shouting punching walls and lashing out in all directions out of fear, anger and misery because after everything he's fucked up, against his will or not, there's still hope for him as long as someone wants there to be

[thesiltverses]

hello mr ware, the siltcord has been discussing and so i would like to ask if you have any notes/thoughts on speculative biology or ecology in the world of the silt verses?

Howdy! That's a really fun question and I think my only note for anyone playing or imagining within the setting would be to run riot with it. (Because we're talking about a million different accelerated and highly localised evolutionary triggers compared to our world, right? What does happen to the fish swimming downriver from an automobile plant dedicated to a god of oil, coal and gas? What god are the bees worshipping when they construct their vast golden cathedrals, what blessings manifest in their swarms, and what happens if a hive grows large enough? Back in Season 1, we mention that something with a beautiful siren song joins the birds in the branches - how would the birds ultimately be changed by that and become its evangelists?)

I think there's a ton of inherent possibility in speculative biology and ecology if you want to get into the margins of the setting, even as a discipline - I wonder how brave and hardened you'd need to be to put on a pair of waders and head into the wilds trying to chart all of these localised mutations. But it's the sort of thing you need to be really cautious about within a compressed and discrete narrative - the more weird background detail you introduce, the more gonzo and alien the setting becomes, the more we lose the sense of familiar drabness and closeness to our world.

In other words, we barely touched it but it's out there as an idea and I think it's awesome.

PS: Apropos of nothing, a little while back I was reading Cuckoo by Gretchen Falker-Martin, who repeatedly introduces 'ghostly phlox' as a strange background detail of her desert landscape. It's such a wonderful choice because despite having a beautiful meaning, the name of the flower itself is fleshy, lumpen and weird. PHLOX. It sounds alien and wrong. I guess the tie-in is that if we'd done more with ecology in the show, it'd have been about looking for elements like that which are unobtrusively off but off nonetheless.

[bonefall]

also PLEASE can you make galestar and stripestar yaoi or yuri or yaori. gay love so powerful it merged clans

I was thinking that the whole time lmaoo

As you know, the Clan cats in BB don't forget history "out of shame" like canon does. They reframe stories in ways that fit their narrative, changing details and altering StarClan itself over the generations. So, I was struck with the idea that I'll adapt canon by making them misgender Galestar and Stripestar over the years.

As a recap; Clan Culture has three genders. It is a trinary gender system.

Ssuf/Tom (what we might consider masculine, linked to social passivity and out-of-camp activities)

Yaow/Molly (what we might consider feminine, linked to social aggression and camp-defensiveness)

Meewa/Gib (we don't really have a word for this in English. It's "above behavioral sex-based characteristics" in a way you could roughly describe as 'de-sexed,' but even that doesn't totally capture it. Linked to wisdom, long-term planning, and blessedness.)

The Clan Culture perception of a queer cat is one that doesn't fall into the trinary. Multigender (Finleap), agender (Twigbranch), and genderqueer (Dustpelt) cats are distinctly queer in a way that's hard to translate.

So, I'm thinking that BB!Galestar and BB!Stripestar were both Meewa-gendered cats (Xey/Xem in English), from birth. They seemed destined to eventually occupy positions of authority within WindClan and ThunderClan, and THAT is what was forgotten over the years. It was a great shame that two incredibly wise, blessed cats did something so drastic, so they were remembered as a molly and a tom instead.

Meewa-gender is usually assigned based on "atypical" traits in newborns, such as unusual colors, multiple toes, or even certain intersex traits. For Stripe and Gale, I'm thinking they actually had six toes each-- on the opposite side of each other. So when they put their paws together, it was like they made a complete set of twelve claws.

Symbols are also not that strange in BB!Clan Culture, as they have a rudimentary writing system. I might make it that StormClan's symbol isn't really the thing that the Clan cats used to signal to the Wildcats that they're allies-- but a pawprint with an extra toe.

(...It would also be neat if Galestar's wildcat mate had a 6th finger too. Something about the way xey associate it with xeir gender and inherent blessedness... only to find that such things exist everywhere. That xey weren't just made to fit one mate. Losing Stripestar isn't the end of xeir world but the start of a new one.)

[awfulalignmentcharts]

what the f%#$ does ____ mean on that stupid ass ship chart

saw a few questions, so ask (the air) and ye shall receive.

top section

"describe their vibe" — you can interpret this at will. it's just a space to put whatever you think encapsulates the vibes of their dynamic/them as a relationship. it can be like a list of tropes, a dumb tweet screenshot, some other type of image, anything really.

everything else should be straightforward lmao.

rest of the shit below the cut so i don't take up your dash space.

continuums section

"repressed vs (sexually) open" — as it sounds. repressed as in like they're a prude or open as in they're down to bang on the regular.

"no libido vs terminally horny" — not horny to very horny lmao

"aggressively romantic vs allergic to PDA" — kinda like how private the character is/how embarrassed are they by the notion of displays of romance. do they prefer lowkey displays of romance or are they dramatic about it?

"(severely) mentally ill vs mentally stable" — fairly self-explanatory. are they full of mental problems or are they actually mentally sound?

"kms'ing over being in love vs blushing giggling twirling hair" — pretty much their reaction to being in love, specifically with the other person. do they hate the fact they love the other person, or are they super giddy that they're in love?

"doomed by the narrative vs blessed by the narrative" — it's a little open to interpretation but my usage of it for individual use is like how fucked over by the canon events are they individually? (if the relationship's doomed, they're probably both on the doomed end; if the relationship ISN'T doomed but one was severely fucked over by the story's events, then they could be in the doomed section while the other one could be hovering elsewhere)

"big spoon vs little spoon" — self-explanatory. it's cuddle time. who's the big spoon, who's the little spoon.

"the weapon vs the wielder" — ngl, this continuum may not actually work too well for some healthier ships, but the general vibe of it is like the weapon is the one who tends to do things at the wielder's behest. the weapon is commonly more of a warrior type, more of the "protector" (and may also have self-worth issues), while the wielder is the one that typically gets protected, may have a great deal of importance for some reason, and is sort of the "user" of the weapon. you're more than welcome to make your own interpretations of it lmao

the pyjamas — based on this image: (who's the sleepy old man with the candle that goes snork mimimimi vs the beautiful wife who's likely also a damsel in distress)

"jealous vs chill" — should be fairly self-explanatory, but like is the person chill with their partner, or do they easily get jealous when the attention isn't on them?

"has zero game vs insane game" — are they bitchless or can they pull bitches? regardless of charisma (or lack thereof), can they actually get laid or not

"functional vs soggy loser" — are they a functional member of society with their shit together or are they born-in-a-wet-cardboard-box, perpetually soggy, capital P Pathetic?

the other shit

"what brings them together?" — what are some reasons that this ship actually has grounds? what do they have going for their relationship?

"what is keeping them/kept them apart?" — were/are there any reasons why they haven't just kissed yet? what are those reasons?

"poorly describe their meetcute" — describe how they met but be funny about it.

"list their reductive fandom tropes/fandom appeal" — reasons why people might ship them or like the ship. (e.g. enemies to lovers, angel and demon dichotomy, etc.)

"who's the armrest?" — two guys. one likes to turn the other into an armrest by sticking their arm on the other's shoulder (or something; done possibly with the intent to annoy). who's the one that's being used as the armrest more often?

"who's the headrest?" — two guys. one puts their head on the other more frequently. who's the one that's more often turned into a head rest?

"who fell first?" — who fell in love first?

"who fell harder?" — who fell in love harder?

"who cooks" — should be obvious lmao

"who cleans up more messes?" — can be literal messes, or who more often deals with the fallout of the bullshit one of them gets up to.

"who's the bigger yearner?" — who yearns more?

"who confessed first?" — should be literal.

touch

should be fairly self-explanatory, but it's kinda like what is or isn't off limits to contact of any form from the other person. say character A is entirely red while character B is entirely purple. A is allergic to any form of contact anywhere from B, while B fucking loves anything from A.

[raayllum]

Rayla as Callum's Deepest Truth - what does that mean? :: Or Truth in S6

Season six of The Dragon Prince talks a lot about truth.

It's a sentiment at least mentioned in almost every episode, and in a show featuring secrets, unreliable narrators, and characters routinely keeping information from or divulging information to one another, it's an accordingly complicated concept for both the characters and the show's broader narrative.

Thereby, we're going to start with the most straight forward associations in the season, beginning with Callum's plot line in 6x06 and the scene itself, and then work backwards through the various other aspects that contribute to both initial and more layered readings of the concept that we can extrapolate from other aspects / relationships the season explores through truth.

Let's begin.

Truth as Light and Love

The first and simplest readings of Rayla as Callum's Truth is that she is Light ("How do I find this light?" / "the one deep truth so bright it can fill the darkness") and Love. This isn't really a stretch, given that seeing and embracing Star Rayla causes a bright light to shine literally in canon, and successfully fill the hole in Callum's spirit with light and purify him of darkness. This also pulls on the most straight forward associations from Rayla and light in prior seasons.

We see this reflected in Janai and Amaya's blessing of the sun at their wedding—a request for "love and light"—and in their discussions with one another in 6x02. Amaya assures her that Janai can still fix what is broken for her people (put a pin that idea of broken + fixing for later) so long as she doesn't try to do it alone. Janai affirms this through her understanding of "The King with 1000 Eyes" story, stating that much like in the tale's pair of lovers, Amaya is also:

While this doesn't necessitate the idea of Truth as being romantic love for an individual, this line is one of the biggest reasons going into 6x06 that I thought maybe Rayla would end up being his Deepest Truth. This is also partially because they refer back to the idea of light and fixing, directly stating that "there is a way to fix it" through the star-light ritual, and we see this idea again with Rayla in 6x09 with Runaan.

Rayla was always set up to be Callum's alternative path in opposition to Aaravos as well (though again, we'll get to that specific path motif more later) through the framing of light. It's unsurprising then that in opposition to both metaphorical and literal darkness

we get Rayla and his love for her being a literal light.

These are the most straight forward, positive sides of Truth that we see, and the ones I think (mostly) that 6x06 plays most overtly, though there are others as well that we'll get to in a second. This is also the most straightforward the series has been about 'darkness = bad' and 'light = good' as well, even if there are always exceptions to every rule (which we'll get to later as well).

Light and love and Rayla can fix what is broken. She can save you. She can restore you. Her, and your love for her, leads you out of the darkness. Mends you. Makes you whole again.

That's some powerful stuff, especially as a basic surface level reading. (For a less than surface level one with this similar theme of broken and fixing, you can read this meta regarding Leola and Rayla.)

With that under our belts, I want to take this basis of "the Truth (Rayla) as love and light" to explore how it leads naturally into the final Rayla and Callum scene of the episode, featuring

Truth as Clarity

We've gone over light, and we'll go over purpose, but for now I want to talk about the idea of truth as clarity. To have clarity is to have a better sense of the reality of things, a founded understanding of a situation or person. The Celestial elves seek clarity through the "true light of the heavens." The clarity Callum receives in realizing and finding that Rayla is his one truth causes him to finally take the next step and begin their relationship fully again by kissing her, and by confessing his love to her.

Clarity is also derived from the basis of knowing, however—"Hold to what you've always known [...] the answer in your heart is clear / I am near, my love is here"—of knowing that is the truth. Of seeing clearly, of seeing someone, truly for who they are and loving them.

RAYLA: Why didn't you tell me? CALLUM: Cause I know you, Rayla. If I'd told you, you would've refused to go, because you never do anything for yourself.

He loves her because he knows her ("That's what makes her a hero. That's what makes her Rayla" / "She's not 'the elf'. She's Rayla") and he knows her because he loves her, because he understands her ("And I understand why you couldn't tell me") through love. His trial and Truth gave him the clarity to express it, and the purpose to do so in many ways. It's also a positive grasp of purpose, since Viren ("I have power, purpose, and I intend to use both of them") and Aaravos ("I chose to live, and my life took on new purpose") become dark, twisted, and self destructive. Loving each other makes Callum and Rayla mutually better, and it's something both are finally able to whole heartedly embrace. To love is simply to know this.

Between this, and Viren's whole assessment that "The path of freedom is the path of truth," what could possibly be bad potentially about Rayla being Callum's one Truth, or the truth in general? Well...

Truth as A Weapon / a Burden

I actually wrote a meta all about this theme in Arc 2 for season 4 and season 5 before S6 called "Knowledge as a Burden" that I recommend reading if you haven't already. However, it's not necessary as this section is about how the Truth or 'Knowledge' can be a burden and a weapon depending on what the truth is, and how the information is presented. And this eventually does make its way back to the more positive outcome of Rayla being Callum's truth, so we'll circle our way back around.

With all that in mind, let's start with the most obvious. In 6x06, "Moment of Truth," both Callum and Viren wrestle with the results of previous actions due to dark magic. In one timeline, Callum learns the truth about the pearl and spirals into self-despair; in the other, ultimately canon timeline, this truth is withheld from him, allowing him to maintain the courage and strength he needs to go through the star-light ritual ceremony. By withholding the truth, he's given clarity, light, and purpose, which we went over in the previous section.

Alternatively, Viren's arc in this episode leans more heavily onto the concept that giving Soren the letter would be shifting a burden to his son.

Are you providing clarity, light, and purpose, or are you shifting a burden to someone who needs all their strength?

Both these plot lines ultimately end in different ways. By sharing the truth, Callum and Rayla reconcile, and by withholding the truth, Viren spares his son more pain, and they don't ultimately reconcile. I'll definitely talk about Viren and Soren's arc together in S6 someday in a proper meta, so I don't want to touch on it too much here, but it is noteworthy because it reaffirms the concept in this season that sometimes, knowing the truth can make things worse, not better, and cause more pain, not less.

We see this in how Callum's dark magic use weighs on him heavily in 6x03, leading to an argument between him and Rayla, and that learning he did dark magic causes Rayla to respond differently to his request to kill him; whereas before she steadfastly refused, here she agrees because she can see the risk and concerns are more prominent. This doesn't of course make their bond better (although it doesn't worsen it, either), but their literal ship does catch on fire and sink when she demands that he sacrifice her, and promises to sacrifice him, so... It's not good, either, even if it's ultimately good that Callum shared it with her for his own sake.

Where we see the Truth most weaponized in the season, however, in moving away from 'the truth as light' is with Aaravos himself.

AARAVOS: Good, good. You've played your part well. Before you perish, would you like a reward, a small mercy perhaps? The mercy of truth. The answer to the mystery that has haunted you for a thousand years. What happened to your beloved mate that disappeared? SOL REGEM: Tell me, betrayer. What became of Aithne Solaire? AARAVOS: I should warn you, sometimes the line between mercy and cruelty can be thin. [...] It was you. You killed her. Go on, breathe deep. I know you can smell the truth from a lie, and this is a deep, dark truth. In your fury, you buried her alive.

This is, of course, a move Aaravos used before ("Arrogant, just like your grandmother. Would you like to know the truth of her fate before you meet yours? I swallowed her") with Khessa back in season three. This is also something he utilizes as a manipulation tactic with others, knowing the importance of withholding the truth until it is beneficial for you to reveal it ("Careful, if you tell the truth you will lose her") and Aaravos' own belief that "[he] never lies" which Claudia reaffirms in 6x01: "Aaravos wasn't lying."

Of course, just because something is true according to him and his worldview or vantage point doesn't mean that it is deeply, objectively true, but that's another matter.

What matters here for the sake of this meta is that the truth isn't always good. The truth can be withheld to protect others (2x03, 6x06), to protect yourself (although sometimes misguided), and to manipulate and control other people (Viren orchestrating the war in S2 and S3, Aaravos routinely, etc). The "mercy of truth" is sometimes not mercy at all, but cruelty, showcased in Aaravos revealing something he knew would devastate and harm an already dying dragon/enemy.

The truth can be cruel. The truth can be deep and dark, too, not just light and lifting burdens. Knowledge can be an terrible burden. The truth can be awful.

So can love.

So can your path.

Truth as a Path (Freedom)

VIREN: Despite all this, I am changed. I woke up feeling free for the first time in a very long time. I know I have led my sweet, brilliant daughter down the wrong path. I have led you by the hand and I have led you by my example. Perhaps now if I walk the path of freedom, you will find your path someday, too. CLAUDIA: What do you mean 'path of freedom'? VIREN: The path of freedom is the path of truth. I must face my truth... in Katolis.

The path motif was something touched on sparingly in the first three seasons, largely in response to actual, literal paths the characters were taking. However, beginning more overtly in season four and bolstered by season five, Arc 2 has steadily turned it into one of the most consistent motifs that runs throughout season six. What is created, then, is a set of binary paths. There is the Path of Freedom—moving away from the Cycle and a narrative of strength, away from trying to replicate or get back to the past and moving towards the future instead, away from Aaravos and dark magic—and the 'wrong, dark' Path of Fate that moves in opposition to it.

This is most directly stated in Viren's final dream with his past self:

PRESENT VIREN: The path of fate is already chosen. Every step I took, I took because I had to. YOUNG VIREN: No. That can't be true. No matter where you are on the path, no matter what you've done before, every step forward is a choice. I am free, and so are you.

reaffirmed in Viren's decision at the end of 5x09:

VIREN: No. I won't do it. I finally see the truth. I find myself here at these horrifying crossroads because I have followed a dark path. And worst of all, I have led my beloved daughter done this path. No more dark magic! Never again! I am done with it — and I am done with you!

and in Callum's conversation with Rayla in 4x07:

CALLUM: What if I'm on a path of darkness? RAYLA: Then take a different path, dummy!

All of this was just some of the set up that has routinely put Rayla and Aaravos in direct opposition of each other for Callum's fate. There are framing things like her and the mirror being two very overt paths stretching out before Callum when she comes back, and Rayla being what pulls his attention away from the mirror, but 4x07 made it in The Text by having her represent and literally remind Callum he always has choices: "No one can control you or make your choices for you" (which is partially pressed on in his assessment in "I didn't have a choice" in 6x03, but again: meta for another day). Rayla always represented freedom (his wings, agency) and light (all previous framing) and she still does so in being his Truth. Rayla is his Light, reminder of his freedom, and brings all those things into being his Truth; it is a beautiful culmination (for now) of Callum's choice to move away from dark magic and Aaravos' control by literally embracing his love for Rayla and all she represents in his life. (And yeah you've probably already noticed the snag here, but I'm gonna get to that in a sec.)

This connection between Truth and Path is affirmed in Terry's talk with Claudia in 6x04, in which they discuss:

CLAUDIA: Maybe I should be walking a different path, too. But Aaravos helped us. He followed through on everything he said he was going to do to save my Dad, and I promised to help free him. So should I quit dark magic? Please, Terry, tell me what to do. TERRY: Claudia, I can't. Only you can see your own deep truth. Only you can decide the path you're going to walk. You won't be alone. [...] But you have to choose the way. What do you need to find your truth?

So on top of being Light and Love, and Rayla being Callum's One Truth equalling the Path of Freedom, Rayla is just Callum's chosen Path. He chooses the Path of light, love, freedom — all good things through the embodiment of her and their relationship, much the way Callum has been her guiding star in pulling her away from her dark and self-destructive paths (going after Viren) and making measured choices (coming back in 4x09, realizing she can't/shouldn't separate Lain and Tiadrin, etc).

Okay great, awesome! Sounds like Callum has done what he needs to do, he's rid himself of the taint of dark magic and Aaravos' control by proxy. His love for Rayla got him through it. She's his path. She's his truth.

What could possibly be wrong with that?

The Truth is Everything

After season four aired, I wrote a meta about how Aaravos (Fate) and Rayla (Freedom) represented Callum's two paths going forward into S5 and beyond. Much of what was in that meta has already been touched on here, given that S6 evolved this dichotomy and this motif in largely the ways I thought it ultimately would.

However, in that past meta, I also posited that these two paths would ultimately not be as separate as they might appear, and would converge. Part of this was because S4 emphasized the importance of not treating dualities as binaries, but in reconciling them ("Now you're back. That's kind of good, and it's kind of bad" / "How can I have that and the life I want with you? [...] Just have two cakes" / "We have to hold pain and love in our hearts at the same time"). Specifically, that Rayla would be what leads Callum into getting closer to Aaravos and playing into his clutches, which 5x08, 6x03—and indeed the upped stakes for dark magic use ("if you ever use it again, the darkness and corruption will overwhelm you") coming off 6x06—feel like natural steps forward.

Because while the light, and Truth, and Rayla, is usually a Good Thing in Callum's life, as Soren points out, it isn't always.

After all, Callum only did dark magic—both times—because of Rayla.

CALLUM: I did one spell. One. I had to, to save my friends. (5x08)

CALLUM: I did it for you! Finnegrin was going to kill you. I didn't have a choice, because... I would do anything for you. (6x03)

His love for Rayla has already been his path to darkness and Aaravos just as much as it's been his path out of darkness to light and freedom away from Aaravos. Aaravos has both dark and light; so does Rayla as a literal Moonshadow elf, and her dual swords, and her juxtaposition of immense mercy and obsessive violence. He is "destined to play into [Aaravos'] hands," with Aaravos' scheme for Callum still clearly ongoing, given that Aaravos is out and the cube is still in play.

They also wouldn't 1) bring up the possession related promise and 2) have Rayla actually agree to it and then 3) have her affirm that Runaan taught her to never break her promises all in the same season if it wasn't going to come back into play, and the only way Aaravos can possess Callum again is if he does dark magic again. (I'll do a separate meta sometime after this regarding how S6 evolves the possession plotline in about every episode Callum and Rayla are mutually in, later, too.)

Just as Rayla was the reason Callum ever did dark magic or successfully got the cube in the first place, she will almost surely, inevitably, be the reason he does dark magic — breaking his promise, and opening up room for her to break her own.

RAYLA: Listen to me. If you ever have to choose between me or the greater good, do the right thing. Make the sacrifice.

Callum will choose Rayla every time, whether that leads to saving or destroying himself.

She is His Path, singular—the path of fate and free will, to light and to darkness, to destruction and salvation. The various dualities in their relationship will all be reconciled and brought to complete fruition.

And that's everything.