#and I love that writer so much for making me think about this aspect of my muse and how it influences her interaction with other muses

[nylloth]

My opinion about Arcane s2 (mostly Viktor)

I'm trying to be neutral on this, but I'm upset with what they did to Viktor.

I was wrong about their relationship with Sky (but I had hope), you can see he never really cared for her and the animators put their all into conveying that. Plus, let's say Sky represents Viktor's humanity and Viktor himself gives up on her. And it's a lot easier for him to give her up than it is for Jayce, who he's trying to show this new “world” to.

They have a lot of gay moments with Jayce, I don't know why the writers call it “family”. It's really hard to see family in that. It seems like at some point they decided to change the plot, because at the end Jayce and Viktor just disappear and no one just doesn't care what Jayce has with Mel.

The thing I didn't like the most was how they changed Ryze, that now Ryze is Viktor, the all-powerful mage. We know from the documentary that it was Ryze at one point. That would make more sense than Viktor traveling through time and constantly dooming himself to a series of miseries. But then again, they added the “all for Jayce” aspect to it.

You can see it's supposed to be a different character, right?

I really didn't like how they treated Sky because obviously she wasn't an evil manipulative core. Viktor killed her twice for his own purposes. Once by accident, the second time on purpose. Look, you add a girl who is IN LOVE with a man, make her die twice for him, and show WHY he doesn't care. It's a dirty act. Amanda said she was “proud to write Sky”, I don't know what there is to be proud of. As a woman, it was painful for me to watch. You didn't have to do that. Did you mean to say the character is gay? You don't have to humiliate women to do that.

I always hoped Viktor wouldn't have any romantic innuendos because feelings, for Herald, are a weakness. But the fact that they're indulging JayVik fans makes it look NOTHING like that. Like, I'm not a fan of this ship, but even I don't consider what they showed as brotherly feelings. Especially from Viktor's side. He is literally too concerned with Jayce's opinion.

I also think that the writers largely emphasized the clips and fights, but didn't add to the story itself. I mean Silco's deep thoughts in the first season on political topics and the theme of family in general was shown much better.

Herald is essentially non-existent. It's a character for the last two episodes who is immediately killed off because of a few words from Jayce. Viktor returns and they vaporize somewhere. I take it this is starting a recurring time loop.

They kind of tried to put in Viktor's “here he's come to the realization on his own that humanity is bad”, but they did it SO FAST and literally because of one event that it looked bad. Yeah, it's not about hexcore. VIKTOR SUPPOSEDLY CAME TO THIS ON HIS OWN. Why? Because Jayce shot him, and then Jayce helped him realize otherwise. No, really, what was that?

I also didn't like the redesign. I was hoping the mask would look different, but it looks HORRIBLE.

It's supposed to give the impression that Viktor “shut down and withdrew into himself”, they also tried to make him a “deity”, but since it only lasted 20 minutes before he went back to his normal state, it didn't make any sense… Anyway… I sympathize with everyone who loved Viktor specifically, outside jayvik ship (happy for you guys). I know they are excited, but this is not Viktor's story. You see, Viktor doesn't have his own personal story now, he's too connected to Jayce. You could say he did everything and nothing at the same time. Because he keeps running this time loop, but he's running it because of Jayce's influence.

Waiting for his updated lore to read….. idk I'll read it and forget it like a bad dream.

[rosenfey]

things that are hard to find: writing advice that isn't condescending.

[longagoitwastuesday]

Do you have favorite actors for the various roles in "Cyrano de Bergerac"? I would love to hear your thoughts!

I do! I actually rambled a lot about this while I was watching the different productions I could get my hands on (I tagged it "Cyrano de Bergerac" and "I talk too much").

My favorite productions are the one with José Ferrer and the one with Benoit Solès, and those actors make the best Cyranos in my opinion. Though that's probably something in part beyond the actors' choice, their dynamic with their respective Roxane and Christian are the best ones, I think, and I find how Cyrano moves around these two particular characters at the core of a good Cyrano characterisation.

José Ferrer's use of his voice, which is arguably Cyrano's true most characteristic feature, is unmatched imo (although McAvoy does a very good job with this too), and he manauvers very well several of the different aspects of the character, such as his playfulness, his shittiness and longing. By the end of the play you believe he is the most beautiful man on Earth. Cyrano, however, is a bit pathetic (not just in a "pathos" way), and I'd say Ferrer gives off an air full of dignity very fitting of many scenes, but that eats almost entirely this aspect of Cyrano; Benoit Solès manages this very well, while also playing well with some of the other ones, such as the playfulness, the longing, the pain and the despair. Both Ferrer and Solès are hilarious, tender, a bit shitty, vulnerable, playful and sad. Albeit neither of them portrays 100% what Cyrano is, I think both come pretty close in slightly different flavours, and by the end of the play one ends up being terribly fond of them.

My favourite Roxane is Clara Huet in the production with Benoit Solès, but Mala Powers in the 1950 film is a close second. I think they portray wonderfully Roxane's spunk, and her mix of honest playful cheerfulness and her haughtiness, her intelligence and wit, and how much like Cyrano she is.

I've not come to love for now any Christian as much as I've loved Ferrer, Solès, Huet and Powers, but again I think the Christians in the 1950 film and the Solès productions are very very good. I love the dynamic they have with their Cyranos, especially the one Christian and Cyrano have in the 1950 film, enhanced positively by the added scenes (they actually work so well in showing their developing as friends, their deep love and care for each other!). I don't want to expand too much on this to avoid spoilers (beyond the already known 'Christian dies' ones I mean), but some things they do with both these Christians are a thing of genius, and both feel vulnerable, kind, ready to fight and truly desperate at times; I like when they do that.

There's an Italian production which has a Cyrano I truly enjoy as well, despite how they dumbify him more than I usually like my Christians. His mix of anger and deep pain when he discovers Cyrano's feelings for Roxane were so well made, and his physical presence makes you identify who Christian is even before the play starts.

The Podalydès production has two different Christians. The one in the version on youtube isn't bad, but @ride-a-dromedary likes Éric Ruf a lot. I actually adore him based on the clips and gifs she's posted of him, but I haven't been able to find the version with him online, so I can't know. But he truly seems one of the best. Based on what little I've seen, I love his intense gazes and subtle gestures.

I'm not entirely sold on any Le Bret, De Guiche or Ragueneau yet.

I think the German musical has a decent Ragueneau in vibes, and the 1990 French film does as well. I found his poem made song for what I think is a Spanish production (I'm not sure if it's a fan creation based on the Spanish production), and while I've not been able to find that production online, the song works well in vibes too I think.

The German musical's Le Bret in vibes is very good. He encompasses well his deep love and worry for Cyrano while also being done with his shit. They truly feel like close friends. The 1950 film kind of combines Gaston de Castel-Jaloux and Le Bret into one character, which sadly changes Le Bret's dynamic with Cyrano a bit, but that's a very good Le Bret as well. The one in Solès' production is pretty good too. He has my favourite delivery of the scene in which Le Bret chastises Cyrano for risking his life sending letters.

De Guiche is complicated. I think productions often make him too pathetic and laughable or too bad, so bad it makes the last act kind of not make sense. The 1950 one, the 1990 French one, the Kevin Kline one and the Solès one are all good, but I am not passionate for any of them either.

And basically that's it!

[kavehater]

I agree with absolutely everything she said his in game model is not as good as I envision him to be 😭 like fanart carries him FRRR but it’s honestly so sad ppl see the coolest ever character and be like yaoi 😋✌️how about NOOOO !!!! 😭😭😭 gosh this is so !!!! He has so many deep important aspects to himself, he’s so full of contradictions and despite it all he’s still one of the most kindest characters

[irrfahrer]

The most hialrious acknowledgment in RP -Theards that Ziv as a Muse is an Alien interacting with other Aliens and that her beeing an Alien influences the world around her very differently than if she would be a generic humanoid, is still written by @cfmartyrs , and is probably the most hiarlious sentences ever written in conection to Ziv:

“... and please, don’t hug me. My tooka gets upset when she finds your fur in my clothing.”

[the-dendrophile-bookdragon]

Perfect Size

Pairing: Daemon Targaryen x fem!reader

Warnings: reader is described as short, name-calling, swearing, Daemon being a horny menace, soft!dom! Daemon, talk of impregnation, talk of pregnancy, pregnancy, smut

Summary: It was Daemon’s life mission to remind you of your size difference, in every aspect of your shared lives.

A/N: This is part of the wonderful @targaryen-dynasty 3K celebration, congrats by the way!!!! I had so much fun with this prompt. Enjoy everyone and enjoy the other wonderful and talented writers' fics. 3K Celebration Masterlist

My masterlist

The gods make humans in their image. They make them grow until they see them as perfect. Or so your Septa used to say whenever you were frustrated about your small stature. And it was no help that the greatest rake of the realm, Lord Flea Bottom, the Rouge Prince himself, made it his life’s mission to remind you of how small you were.

As children, you had been a bit taller than him. He had a problem with it. The need to be bigger than a stupid girl was great. His growth spurt came and he nearly towered over you, looking down at you with a smirk on his lips. “How is the weather down there?” He would often tease. “Just fine.” You would retort back. “I hope your small brain will get enough air up there. A shame if you lost more of it.” Was your sarcastic comeback.

The older the two of you got, the taller he would get and you would only grow a few inches if you even grew at all. First, he was slightly lanky. His muscles had yet to grow. He would remind you of a newborn horse whenever he would stumble over his two long feet as he trained with his sword. Often giggling to his dismay.

“I will cut your head off, and then you will be smaller!” He would shout in anger when he saw you snickering. Daemon’s temper seemed to grow with every inch he gained. You enjoyed it immensely when it would rise because of you.

As young adults, it was fairly certain that you would grow no more. If you stood behind one of the large dinner chairs you could easily hide behind them. Everything seemed to dwarf you.

Daemon prided himself in the knowledge that he was taller than you. Towering over you like the Hightower in Oldtown. And he never passed down the opportunity to remind you. “Shouldn’t you be with your nurse, little one? I think you got the wrong room. The nursery is that way.” Or other things.

You would glare at him. Often kicked his shin when no one was watching. He would yowl in pain. Jump around and hold his leg. “You little pest.” “Maybe you should get your head out of the clouds.” You teased back.

But there were the times he would call you more affectionate words associated with your small stature.

“Why the sour face, my little love?” He mumbled into your ear as he stepped out of the shadows. He had been hiding from his grandmother and her attempts to put boring and plain noblewoman under his nose.

A huff of annoyance escaped your throat. “Mother forced me to wear this ridiculous gown.” You seethed. Your teeth bared like a wolf snarling.

Daemon found your discomfort rather amusing. You looked like a pretty doll all dressed up. Your hair braided into the style of the land you came from. The gown so unmistakably the colours of your house, shining in the light of the candles.

"Oh, no - you're a lady and you have to wear pretty dresses and jewels and oh no, how horrible!" He teased you lightly. He leaned his head on top of yours. A habit he adopted quite recently. Loving the way you fit under him.

You snorted, very un-ladylike. But he was used to your characteristics. You were not one of those up-tied, boring wenches who tried to turn his head. He would rather gauge his eyes out before he gave them a second of his attention.

His attention was only worthy of one woman. And she was right literally under his nose.

He leaned down, just next to your ear. His hot breath fanned over the sensitive shell. “Do you think it would fit?” You could feel the smirk in his voice. You turned to him with a confused look on your pretty face.  It stayed that way until you felt something. You felt it, him. Hard as a rock, pocking you through the fabric of your wedding gown.

Your face grew hotter than the flames of Caraxes. Your body stiffened as you felt him softly rub against your buttocks. He only laughed lowly. His chest vibrates, sending chills up and down your spine. “You scoundrel!” You lowly scoffed. Your heart beating faster.

Not from his antics. Oh no, you were used to them by now. About the whole banquet finding out about Daemon’s little innuendo. “Oh, little love. I am your scoundrel now. It was ordered by the Queen herself.” He chuckled darkly.

She hit his shoulder lightly. “Stop it!” You tried to reprimand him. But your words fell on deaf ears. “Oh, my little love. How funny you will look with my seed growing inside you.” He began to whisper his lewd words. “You probably won’t be able to walk, so large your belly will grow.”

Your body grew hotter and hotter. It didn’t help that he had you pressed to his chest. His erection pressed against the cheeks of your perfect ass. His hands wander lazily over the front of your dress. Stopping over your belly before wandering further down.

“Oh my little love, will it even fit in your little tight hole? Or will I have to mould your little cunny so only my cock can fit inside?” Your breathing hitched at his dark, lustful words. Daemon’s predatory smile grew at your body's reaction to his scandalous words whispered so softly into your ear.

He often wondered if he was unfair to his wife. She was small, her body had nearly strained from the weight of the beautiful two children she had already given him.

He was right at their wedding feast. Her swollen stomach looked too large for her body. It hadn’t been long before the first signs of pregnancy made themselves known.

From the small bump only three moons after they conceived. He still can remember how his hands could cover it until she was seven moons pregnant. She had been ordered to rest. To not exhaust herself too much.

Daemon, looking at the image of her laying in their bed, their little one nestled in her belly. The sight did things to him. Things where his darkest desires seemed light in comparison. Oh, how he had spent his days behind her, driving himself into her tight cunt instead of sitting in a boring small council meeting. His wife and unborn child needed him, and he needed them.

“Another one?” You looked at him from where you stood. Children’s toys in your arms as you helped your daughters clean the room for the day.

Daemon just shrugged. “Why not? Add another one to our hoard. What about you girls? Do you want another sibling?” He crouched down so he was level with Alyssa and Visenya. Both girls looked away from their task to clean up the solar, screeching with joy as their father spoke to them.

“They are tots, Daemon.” You protested. Picking up more of the girls’ toys. “They will agree to anything if you say it with enough enthusiasm.” Daemon chuckled. “Oh, I think they know what I am saying, elillus (honey).” He smirks softly. His eyes roamed her body without shame.

“It has been so long.” “It has only been a few hours. You had me in the morrow.” You snapped back. Cleaning your daughters’ toys from the floor. Putting it into the chest designated for their toys. “I did not mean our coupling, prūmȳs ñuhus (my heart). I meant another child. The girls are six and four.” He mumbled gently.

She looked up at him sitting in the armchair at the edge of the carpet where the girls were playing moments ago. His violet eyes were dark as he watched her like the hunter his prey. “I don’t know, valzȳrys (husband). You heard the maester's words after Visenya’s birth.”

Daemon saw the change in demeanour. He nearly had you, only a small push. “It is your choice, ābrāzȳrys (wife). I do not want to force you.” He stood up, kissing your forehead before helping you with cleaning the toys up.

You were tossing and turning in bed. Nothing seemed right. Thoughts swirled through your head. So many voices at once.

You wanted to scream. But you would only wake up your family.

“Tell me what is keeping you from sleep, ābrāzȳrys (wife)” Daemon's gravel voice rang through the room. He sounded tired. His back turned to you.

“It’s nothing.” You whispered. “Bullshit!” Daemon groaned. Turning to face you. “It feels like I am sleeping next to a bloody sack of kittens. What is it.” He tiredly glared at her. Knowing full well what was going on.

“You’ve gotten into my head, you menace!” You growled out. Pouting at him. His usual smirk grew on his lips, a soft chuckle escaping. “Apologies for that, ābrāzȳrys (wife).“ „You are not sorry, Daemon.” His grin widened more. “You know me so well.”

A huff escaped your lips. “Why must you torment me so?” Daemon sat up on his forearm, looking down at you. Your hair was splayed out in a messy halo. A bright smile adorned his face as he saw the light, tired glare and the pout on your lips.

“Oh, little love, I vowed to be the bane of your existence since we played with the small dragon figurines our daughters’ play with now. And ever since it was announced you would be my dear lady wife I swore to torture you even more.” He softly nipped at your collarbone, his large hands coming to rest on your rips, just under your breasts.

“Let me help you with your decision-making. Let me enter your little cunny and stay there when I cum. Let my seed fill your womb once more.” His imposing frame loomed over you. Covering you like a blanket.

“What if the maester is right?” “The maesters are cunts who want to see me unhappy and you in doubt. They told you after Alyssa you could not carry another child. Two years later they said the same after Visenya.” He kissed your shoulder gently before his expressive violet eyes stared at you. “What is your body telling you?”

You bit your lip gently, A small rumble going through Daemon’s chest at your gesture. But he restrained himself. “I want another one.” You whispered gently.

A smile broke greater than before out on his lips, his dimples showing. “I will not let anything happen to you. The moment your body is resisting, I will get you moon tea or whatever is necessary.” You nodded gently.

His eyes darkened with lust. “Now before we can even discuss the pregnancy, we must make it happen.”

He lifted himself so his arms were on either side of your head. “Oh my sweet, I longed to fill up your little cunny. Seeing it overflow with my seed. Stuffing it back in.” He laughed gently as you shuddered.

With haste born of his pent-up desire, he ripped all of your clothes off your and his body. You gasped softly, scolding him for literally ripping your nightgown. “I never liked it anyway.” He mumbled against the skin between your breasts. Slowly moving down to your stomach.

He worshipped your body, caressing your thighs and hips. Squeezing the flesh around them, even gently nibbling on it.

He kissed each and every lightning-bold-like scar. Mumbling with every kiss a small thanks. These were the marks of his children. Evidence of your brave sacrifice.

He went further down. His lips ghosted over the soft locks, his eyes watching you heave out breaths of anticipation.

A loud scream ripped from your throat when you felt his tongue plunge deeply into your wet core. The eagerness of his lapping overwhelmed your senses. His nose ever so lightly brushed against your pearl. Teasing it to shoot lightning throughout your body.

You came undone. His tongue, nose and two of his digits working in tandem to torture you. And it worked. Your back arched off the bed. Loud cries of his name and pleas for him to stop accompanied your downward spiral into the abyss of your pleasure.

He stared down at you hungrily. His vibrant eyes were dark with lust. He looked every bit the dragon he ought to be. “Little rabbit.” He growled out. “Sweet, little rabbit. Trapped beneath the large dragon.”

He leaned down again. Like Caraxes would decent upon his pray, Daemon came down upon you. Devouring you once more.

He held your thighs wide open as he ploughed into you. The wet sound of skin slapping against skin rang through the room. His large hand wrapped around your delicate neck, softly pressing against it. Your breathing coming out in small pants.

“You should see yourself, little darling. My large hand is like a necklace on your throat. I can nearly wrap it around.” He chuckled darkly.

His words elicited shivers to run up and down your spine. This action causes your body to tense slightly. Daemon roared as he felt you squeeze his cock. “Seven fucking hells, woman! Do you want to kill me?!” He panted out. Driving his cock deeper inside you. The stretch is a familiar pain. But not too unpleasant. He had prepared you for him. And he would hate for you not to enjoy your coupling.

He leaned down, capturing your lips in a soft, sensual kiss. It was so different from the way his hips moved. So slow and loving. “I am not hurting you, am I, my little darling?” He whispered. You shook your head. “Nothing I am not used to from you.” He grinned, nipping at your lower lip, “That’s my good girl.” He whispered.

He picked up his pace. His hands on your thighs clawing into your skin. His knuckles are white. He groaned and grunted, looking down at you with an intense stare. Your own moans and cries mingle with his. Creating a symphony of pleasure.

He came with a roar of your name, his face buried into your neck. Panting heavily next to your ear. Your own climax is triggered by the feeling of being filled with his potent seed. Both your eyes closed in bliss.

He stayed inside you even as his member softened inside you. The grip on your thigh remains tight. Like he needed to be grounded by you.

Your arms wrapped tighter around his neck, softly caressing his head. He hummed gently, letting you know he loved what you were doing. “Do not dare to stop.” He mumbled gently into your neck. You continued with your caress. Softly petting him like he was a dog.

He fell asleep like this. His spent cock inside you, keeping his precious seed inside you. His body acted like a blanket. Your hand in his hair.

[the-one-and-only-elita]

While I still feel like we should have gotten way more of Elita in TFOne, I do like what we saw of her and how she serves as a contrast to D-16. This especially goes for their respective relationships with Orion.

D-16 and Elita are pretty similar when you think about it. They are both pretty serious and driven people who both earnestly committed themselves to the system in hopes of climbing the latter.

Though its worth noting that while Elita is very proactive when it comes to climbing the latter, constantly chasing promotions, D-16 is much more passive, choosing to keep his head low and slowly but steadily work his way up.

When they learn the truth about Sentinel Prime's rule and how they were deceived and exploited, Elita does not lose herself to anger the way D-16 does, despite her intense devotion to succeeding within the system being her defining trait up until this point. I wish her feelings on the matter were explored more, but its clear her focus purely becomes about exposing Sentinel and freeing her fellow miners.

This is where Elita and D-16 go in complete opposite directions in terms of character development, which is illustrated in how they treat Orion.

D-16 completely shuts Orion out, even becoming aggressive towards him and blaming him for the pain of learning the truth. He completely disregards anything Orion has to say, paying no mind to any plan or strategy Orion proposes. He starts to treat him as a hindrance, and even before their relationship began to degrade, he was very reluctant to take part in Orion's "schemes." This of course, is what culminates in "I'm not saving you anymore" and D-16 deciding to drop Orion.

Then there is Elita, who in Orion's darkest hour, takes it upon herself to try and uplift him despite her inexperience with any sort of emotional intimacy. She makes it clear that she values his plans, his optimism, and his rebellious nature, everything D-16 grew to resent him for.

Both Elita and D-16 have very aggressive personalities, but while D-16 uses his to dominate his way to the top of the decepticon hierarchy, Elita uses her's to uplift Orion. She commands the attention of the other miners when Orion is too soft spoken to do so himself, and together they lead their people against their shared tyrant (much like what Orion wanted to do with D-16).

I personally love this dynamic between them. Elita having already mastered the assertive aspect of leadership, without the ability to adequately inspire or be charismatic; whereas Orion/Optimus brings the ideology and charisma to the equation, without the ability to properly assert himself in a way that leadership requires. (If I'm allowed to be unserious for a second, its very "Excuse me! He asked for no pickles")

While it's unclear if the writers intend to pursue a romantic arc between Optimus and Elita in the sequel, it's obvious by Optimus' decision to make Elita his Major that they will be working very closely with together going forward. While Orion may have been powerless to preserve his relationship with D-16, Optimus' relationship with Elita is the one he will be forging going into the future.

[tritoch]

i have seen people be like "if you think what the dawntrail protagonists do in zone six is valid you have to conceded emet's approach/perspective was valid, what you do is basically what he does" and it's like...nah. it's obviously intentionally very similar ("it's like poetry, it rhymes") but there's some key differences:

emet is disgusted by sundered life, which he sees as inhuman, and longs to return to the unrecoverable past. so he does seven(ish) planet-wide genocides. the endless aren't new life, their ability to grow and learn is specifically in question (at the very least they are fundamentally incapable of taking in new sensory experience of certain forms), they're shades from the unrecoverable past, and you are destroying them in favor of those still alive.

also, we aren't disgusted by them nor do we think anything is fundamentally justified if done to them (everyone pretty much no-sells cahciua "we aren't alive so it doesn't matter if you kill us :)," in fact). we don't have like 12,000 years and the most advanced magic known to anyone alive. we are forced by serious exigency to destroy them due to a political impasse with their leadership's policy re: resource extraction. this tonal difference is in fact extremely important.

the endless themselves seem pretty ambivalent about the whole deal. they're bored or they're wary of the way their world keeps shrinking, and it's very explicitly neither a functioning society by any recognizable human terms nor a paradise.

related to the above, basically every named endless turns to the person most relevant to them (cahciua to erenville, krile's parents to her, namikka to wuk lamat, otis to you) and is like, huh, i really appreciate having this moment of grace at the end of my journey to see that it was all worthwhile and to resolve my lasting regrets, but i understand what you're here to do and yeah, it's probably time for us to go. (does the writing put a finger on the scale by doing this? sure, but the writers also designed and built the scales and everything they're weighing on them, so i find it hard to discredit any one aspect for being the writers' invention.)

finally uh no one in the party has kids with the endless or lives a full human lifetime as one of them lol.

it's important to remember that emet was definitely at least somewhat lying about not seeing the sundered as real people. the fact that he has "lived a thousand thousand of your lives . . . broken bread with you, fought with you, grown ill, grown old, sired children and yes, welcomed death’s sweet embrace" makes everything he did soooooo much crazier than what you do. if i managed to convince an endless to fall in love with me and i had a kid with them and i loved that kid so much that their death threw me into a permanent grief spiral then like. yeah i guess i would have to be like "well hats off to emet, folks." but luckily the game doesn't make you do that.

even if you insist everyone in living memory was a full living person that we killed, you're still weighing like a city of people versus 7+ planet-wide mass murders. you do not under any circumstances got to hand it to him.

living memory absolutely is evocative of everything that happens in shadowbringers. but rather than placing us in emet's shoes, it forces us to relive what we already did, to really fully face up to what we have done by promising to remember emet's culture after destroying any chance of its return. after two games going hard on the hope part of the game's central theme of hope arising from grief, now we're doing grief. we are forced to see the past of our memories not as a cold, ghostly art deco cubus-plagued socratic method hellscape but as the most beautiful technicolor theme park where everyone's happy and no one's sad and there's parades every day and your parents are alive and they love you so much. and then the game's conclusion is, yeah, you were still right to let go. in fact, you were and are morally obliged to let go. the living were and are worth more than the dead. our grief in letting go of them may be immense and turns our world to bleak nothingness for a time, and that is important to recognize, but at the end of the day our most pressing duty is to those we can yet save, not those we have lost.

[loveemagicpeace]

🍸Saturn in Houses🍸

A lot of people ask me about Saturn in houses so I decided to make a new series about Saturn in houses in general.

☕️Most important thing about Saturn is that Saturn represent time , age ,reward , growth but in some kind of different way than Jupiter. Also represents your way of coping with life,things that you are more serious about and more responsible with. It also represents holidays. The planet is known for its reality and practicality, but also for its tendency to excessive strictness. His expectations may be too high. A strong Saturn in chart can indicate that we want to control everything in our life to the point that we consider ourselves a failure if we fail to reach the goals we have set for ourselves. However, Saturn provides the desire for we develop the areas in which we feel weak and this weakness can therefore become our greatest virtue. Strong Saturn connection between two charts in relationship (especially if saturn is in aspect with the moon or the sun) indicates a serious long-term commitment that can last forever (whether we like it or not). Saturn can also be cruel sometimes because it is the planet of hard reality but it also the planet that help us the most to achieve something much more greater than that.

🫧Saturn in 1st house- in your early age you can have problems with yourself image ,with your appearance ,confidence & energy. It can also be hard for you to express yourself. With Saturn here you can feel weak sometimes. You can feel like you don't have that much power that other people do have or you can feel like you are not good enough. Many people may underestimate you. Many times you can give off a very different energy than it really is (especially when people meet you for the first time). You are a more closed person and you only give energy to those who deserve it.

✨Saturn in 2nd house- maybe it's hard for you to find your value or set boundaries for yourself. You have very strong and serious approach to money you will never buy something that it's like I don't know some random thing. Also a lot of people think that you cannot work with money or things related to money maybe people don't trust you with that but this is all because they don't really know how smart you actually are. Low self-esteem is a characteristic trait of this placement in astrology. Self-confidence doesn’t come easy to you, though.

⭐️Saturn in 3rd house- many people underestimate your thinking, expression, intelligence. U can usually get insecure about the way you speak or the way you say some things. I think the fear in this house is that you are afraid that you will say something wrong. You have to be confident in whatever thing you say and you should say confidently because you are intelligent ,you're smart. You can also be a good writer & speaker. Many people can pass their driving test late, but that's exactly why they drive much better than others. You can get along better with your siblings later in life. You are capable of seeing things in depth.

🎧Saturn in 4th house- you can have a lot of rules in your early years. You grow up with rules at home that you can stick to. Your parents are more strict with you and allow you to do certain things later. I just feel like that parents will buy you a phone later in life or something. People usually come from a family where they weren’t emotionally nourished. But it's not always like that because when it comes to family the Moon is great indicator for how you feel at home and how you vibe at home. So saturn doesn't mean that your family cannot be good. You can also be the person who grows the fastest in the family.

❄️Saturn in 5th house- dating life can be very serious topic for you. You cannot date people with whom you don't feel that you can have committed relationships with. Saturn brings a strong desire for fame, recognition, and success but may result in delays and disappointments in love life and artistic creations. U can also struggle to find love. You can also have very high standards when it comes to love because 5th house represent dating ,represent meeting people and flirting and falling in love so usually people who have Saturn in 5th house are very serious when it comes to that. In some cases, your partners are older than you. Often, your love life significantly improves after the age of thirty. Your best relationships will probably come later in life. As you become more carefree and spontaneous, you become more attractive to others.

🍃Saturn in 6th house- you can have a lot of struggles in the work. You feel that working is just anxiety for you or when you work, people are just rude or mean to you. You are always in the shadow at work. People find you like you are not good enough or you don't do the job good enough. You can also stress a lot about your health and you can also be obsessed with being in the some kind of routine or having some lifestyle. Being healthy all the time.

🐚Saturn in 7th house- there can be issues with your relationships. You can have relationships in your early years or you don’t have for a long time. You usually have many karmic relationships from which you can learn a lot. Saturn helps you to choose the right person for yourself and to be happy in the end. You are a person who is serious when it comes to a relationship (when you find a person, then that person is the one and only for you), you hate cheating, and when you decide to leave then you leave. Saturn can also bring a sense of responsibility and duty to relationships. The individual may take their relationships seriously and work hard to maintain them.

☁️Saturn in 8th house- there can be a lot of family secrets that family kept from you. People with Saturn in this house usually feel very lonely or alone in their soul. They have this mindset that you are all alone in this world. You are aware of the hard truth in life that people don't. You can fear the death of loved ones. If you overcome the challenges of your Saturn in the eighth house, you will be able to understand people very well. You can develop a talent to see into the soul. Saturn here gives you a deep understanding of life, death, crisis, transformation, and sometimes a talent for healing.

⚡️Saturn in 9th house- Saturn gives you a deeper view of the world in which you live. Saturn in ninth house people have very strict moral code. This placement indicated a religious person, someone who either follows the set rules or makes their own views. You meet new people and experience new activities that make you see the world from a new perspective. You can also meet a lot of people that change your perspective and your mindset. But there can also be a deep fear of new views. Maybe you don't feel like you're not smart enough or that you're not educated enough.

🖤Saturn in 10th house- You usually go over many obstacles to finally achieve what you really want. Many people have problems with whether they will ever be successful or achieve it. But in the end, they achieve even more. Many times people don't believe in you and see you as a person who will never be that successful and then you surprise them all. You can learn a lot from your father and your father can be your role model or a person who helps you through life. The best advice will give you your father.

🫐Saturn in 11th house-you can have a lot of karmic friendships and you can change a lot of friends in your life. Every friend that you have is the friend that you have to learn something from them. Your hopes and wishes are another important life area associated with this house. It shows everything that comes into your life and how your dreams can come true. Saturn in eleventh house suggests that you are quiet and reserved when in a group. Sometimes you feel invisible: it feels like no one hears you out in a group. In this lifetime, you have to learn how to have a healthy relationship with groups and how to behave in your social circle.

🥃Saturn in 12th house- The individual may experience a strong sense of responsibility towards charitable or behind-the-scenes work. Sometimes you don’t let even those the closest to you to see your weaknesses. As a child, you had to learn to hide your feelings, especially the negative ones. You absorb all the energies around you, and if you are surrounded by negativity, it can affect you badly. It can happen that you have a job that requires you to be isolated in some way. Maybe you work in a hospital or prison. You are often unaware of the reason why you are in pain. If you have planets in the twelfth house, you can benefit a lot from psychotherapy. But when you have Saturn return you can benefit a lot from it and you can become very spiritual opened and you can have a lot of blessings.

🎸For personal readings u can sign up here: https://snipfeed.co/bekylibra 🎸

✨Ig-bekylibra✨

-Rebekah📀💘☁️

[alotofpockets]

When your heart stops beating | Part 2 | Leah Williamson x Lioness!Reader

Where you go down on the pitch and go into cardiac arrest

Warnings: previous cardiac arrest, medical talk, short mention of ptsd A/n: thank you to the woso writers fanfic club for your ideas on this one & @dyke-medic for your advice on the medical aspect of the recovery!

Read part 1 here

Woso masterlist | Words: 1.7k

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As a person who is generally very active, always on their feet, and doing one thing or another, bedrest has been hard for you. You knew it was what your body needed to rest, so you listened to the doctor’s advice, still it was a struggle to not just slip out of bed and go on small adventures inside of your home.

Leah had been absolutely amazing. Without a second thought she had called Sarina to tell her that she was pulling out of camp to take care of you. Sarina had completely understood, she had been there on the pitch when it happened, and was just glad to still have you and that Leah was there to take care of you.

Your girlfriend also knew how much of a struggle bedrest for you would be, so she had been distracting you with all kinds of light activity things to pass the time. You had started with movies like on the day that you came back from the hospital, but Leah quickly realised that your brain needed more stimulation than watching a movie, to get through this bedrest. 

So, while you were sleeping, she got her mum to help her get a few things to the house. Within an hour, Amanda had been at the door with a few puzzles, two lego sets you had been wanting, some canvasses and an array of painting supplies. 

“How is she doing?” Amanda asked when Leah handed her a cup of tea and sat down on the couch with her mom. “Other than struggling to stay put, I think she’s doing fine. She hasn’t complained about any pain, though I know she has to be in some. The doctors said her chest can feel sore for up to a month from the CPR.” Amanda didn’t miss the way her daughter’s eyes turned glossy for a second.

“And how are you holding up, sweetheart?” Her mom’s concerned voice got to her. So, when she looked up to her mom, tears welled in her eyes. “I just keep seeing her down on the field and-” She had been trying to stay strong through everything for you, but now that it was just her and her mom, she broke down. Amanda was quick to pull Leah into her. “Oh baby, I know that must have been so scary. It’s okay, let it all out.”

After Leah had shared all her troubles with her mom, and cried all the tears she had been holding back, she heard something behind her. “What are you doing out of bed?” Her eyes widen when she sees you standing at the bottom of the stairs. “Baby, you shouldn’t be walking the stairs all on your own.” She rushed to your side to stabilise you. “Love, I’m allowed to do light activity if I feel good enough, which I do. So, really it’s fine.” 

Amanda saw by her daughter’s body language that everything was moving too fast for her, so she stepped in. “Sweetheart, why don’t you take a shower? I’ll keep y/n company in the meantime.” Leah sighs reluctantly. “Fine,” She turned to you next, “but you, you will sit down while doing light activities.” You knew she was just worried about you and that she meant well. “Alright love, I will. Now go take a shower, I’ll be right here until you come back, I promise.” You sat down at the kitchen table. 

“I know it might seem like she’s being too overprotective, but our girl means well.” You smile when Amanda puts a sandwich down in front of you. “Yeah, I know she means well. I was a mess after seeing her do her ACL, so I can only imagine what it’s like for her, you know?” Amanda nods, “Yeah, maybe you two should stay away from injuries for the rest of your careers.” Her joke makes you chuckle, “Trust me, I am not planning to do anything like this ever again.”

When Leah gets back down she watches from the door frame as you’re laughing with her mom, at the dining table where you had promised to stay put, now with a puzzle in front of you on the table. She knew you were in good hands with her mom, still she worried that something would happen when she wasn’t there and she wouldn’t be able to do anything.

A big part of the afternoon was spent finishing the puzzle with the two Williamson women. For the first time since you left the hospital you had felt normal. Leah also noticed that you were way more relaxed like how she had thought something more interactive would do. 

Leah saw you physically getting stronger again, and it was helping ease her worries little by little. Today was the second full day at home, and you were ready to get some fresh air. It took some convincing for Leah to be okay with you going on a walk, but with her hand tightly wrapped around your hand, you were finally outside again. The fresh air did wonders to your mood, and having Leah with you was always an added bonus.

Though the walk was nice, you were exhausted after. This time it was Leah who had to do some convincing. It didn’t take much though, to get you to lay down and take a nap. She laid with you, and let you fall asleep in her arms.

After a good nap, you felt much better again, and Leah had lined up another activity. While she intended these for your recovery, she found herself enjoying them a lot. It wasn’t often when you had the time to do stuff like this during the football season. With both of you being starters for Arsenal and the Lionesses, your schedules were rather full, and when there was some free space, you were often found hanging out with friends and family. While this time stemmed from a bad situation, you made the best of it and enjoyed the time you got to spend together.

You were putting the finishing touches on your painting while Leah was staring at you lovingly. “Stop, you’re distracting me!” You chuckled. “Hm, I don’t know what you’re talking about.” You rolled your eyes in a joking manner, while you got your painting done. Leah had seen a few TikTok videos where couples would paint each other and then revealed them to each other at the end. 

“Please don’t be mad.” You looked over your canvas and to say it kindly, you were not artistically inclined enough to make your girlfriend look as beautiful as she was. “Oh, now I am very intrigued.” You showed off your masterpiece first. Leah tried to hold back her laughter, but failed miserably. “How does that look like me?” She said between tears. “Ehm, a blonde with Gunner earrings, there is no one else it could be.” You both had a laugh before it was Leah’s turn to show off her painting. “Oh my god, what are you complaining about, that doesn’t look any more like me than my painting looks like you!” 

You had also started on building the lego sets together, but you decided to do a couple pages a day to make the activity last a bit longer.

Over the next couple of days, you were able to walk further and further again. You wanted to try running again, but Leah managed to talk you down from that. “Let’s wait for the physios to be there, shall we?” You knew she was right, but you just wanted to get back out there. 

Another activity you had picked up was cooking together. Everyone knew that Leah was no chef and that you were a pretty decent home cook. So, you used the injury card to get to teach Leah some new things.

You were walking around the kitchen again as if nothing happened, and that is exactly how you felt. No more pain and no more energy loss. You were ready to get back to training, and tomorrow was finally that day.

“How are you feeling about tomorrow?” Leah asked as she plopped herself down on the counter. “I'm a little nervous, but I am ready to get back out there.” You get a bit of the pasta sauce you made from scratch on a spoon and feed it to Leah. “Hm, tastes amazing, love.” Stepping forwards, you stand between her legs. “How are you feeling about tomorrow?” She puts her arms around your waste. “It should be about you.” You shake your head, “It might be my comeback, but you and the team were the ones that experienced the scary part. Your feelings are valid too, and I want to know them.” Leah told you she was nervous too, but that she was confident that the physios and the rest of the medical team would take great care of you.

The next day you felt nervous on your way to the training centre, Leah tried her best to comfort you, but nerves were bound to happen. While the doctors said everything should be fine, it was still your heart you were talking about, so every precaution would be taken. 

The moment you walk into the dinning hall, you are hugged by your teammates, who are all happy to see you. All of them had come by on short visits over the past week, but nothing compared to seeing you decked out in your full training kit.

Leah’s eyes did not leave you for even a second, as you were training to the side with the physios. With a cardiac monitor to track everything properly, you were starting training slowly. Building up step by step, and you couldn’t be happier to be working on your comeback.

During a small break, Leah was by your side instantly to ask you how you were feeling. You hugged her and kissed her on her cheek. “I feel great.” Leah smiled at your enthusiasm. “I am so proud of you baby.”

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Lionesses just posted

Lionesses: Things we love to see! After being diagnosed with commotio cordis following a blunt trauma to the chest last week, Y/n has made her comeback to training. She will be training seperately from the team, so we can monitor her well. A full return doesn't seem far away!

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[loganhowlettshousewife]

animal

chapter 5.5

friendly reminder that i am not a writer, i'm just a girl who loves logan howlett and wanted to write something exploring his animalistic side since i so rarely see it done. my first language is also not english, so please do not be rude when giving me any feedback.

warnings: swearing, mentions of blood, introspection

series masterlist │my masterlist

“did you mean it? when you said you would want me even if i was more like,” a pause, “like an animal?”

you hum, cuddling further into his side, chasing the warmth of shared body heat. “of course. i kind of miss it, actually. there’s something weirdly attractive about you acting on just pure instinct, you know?”

he doesn’t know, actually. his entire life he’s been told to behave in a certain way - there were those who wanted him to be an animal, a violent killer with no human morals or thoughts to interfere with his orders, and those who told him he needed to reign in the feral aspects of his mutation, who called him a monster for the way he was born.

even amongst mutants he wasn’t always treated well. they had interesting abilities, beautiful things that belonged in movies or books or fairytale stories. they could control the elements and create things from practically nothing, while he only knew how to destroy. he brought chaos and bloodshed everywhere he went.

he was the kind of mutant that made people uncomfortable, the kind of mutant people saw as a freak of nature, a mistake. people like him were the reason mutants would never be accepted within society. he was too violent, too dangerous, too much of a threat.

they would fight for mutant rights, but turn right around and tell him to hide who he was, to be gentle or kind or better, whatever they decided that meant. because his nature made everyone uncomfortable.

and he understood that. because logan hated himself as much, if not more, than they all seemed to hate him. he’s always hated his instincts, hated how it made him feel, hated the way he felt that he couldn’t always control himself, hated what they made him.

so he’s always hidden parts of himself, never fully revealing who he is to anyone. in return, he finds people who love him, or at least who claim that they do, and the need for acceptance that presses down on his heart lessens into a bearable weight.

it was why he’d been so ashamed when he’d started to regain his memories, flashes of his past showing up in his dreams. for months he’d acted on his natural instincts with you, every lesson he’s ever been taught temporarily erased from his mind. he’d allowed himself to be wild, feral, a disgusting beast that doesn’t qualify as human. a monster.

and yet here you are, telling him that you find it attractive, smiling at him as if he hasn’t spent his entire life running from himself, being hunted down for his mutation for one reason or another, either to kill or to use. he’s a weapon to some, an uncontrollable animal to others, a mutant to be trained for a new purpose every time someone new finds him.

but to you, he’s just logan.

you don’t run or hide from what he is, you accept him with open arms. and that’s terrifying, the trust that you’ve placed in him, because all he’s ever done is hurt people, and you have absolutely no defences, nothing to protect you when he inevitably fucks up again.

he doesn’t think he’ll be able to let go of everything he’s taught himself just like that, let go of the control he’s spent centuries honing and perfecting to allow his instincts to crawl to the forefront of his mind. not after so long. but it physically hurts him to hold back at times, and the thought that maybe he’s finally found a place where he doesn’t need to deal with that pain, a place where he doesn’t need to hide - it makes the constant ache in his chest lessen just the slightest bit.

he’s still traumatised and plagued with horrible memories, anger still runs in his veins like blood, but all of that feels easier to cope with when he kisses and bites at your neck, scenting you, claiming you. and you let him, giggling with your hands in his hair.

your scent is happy, bright and warm like a sunny afternoon. he’s making you happy like this, the animal in him is making you happy like this.

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[cripplecharacters]

Hi, I have some questions regarding confusion over a certain topic. First off, I have a character with a severe scarring on the upper right side of their body. I've heard in some tumblr ppsts that such appearance shouldn't be fetished. Then I stumbled across some posts, mentioning how the character can be described as 'pretty with it'.

For sure, I'm trying my best to normalize the looks. Because I have a love interest set up for them and while they don't mind the looks, I feel confused on how to convey their appreciation for the character's looks even with the scarring. They like the character as they are and stuff.

Sorry if this is a lot, I tend to get confused on how to handle such scenarios. And this sort of varying opinions is making me go '???'.

It's okay if you take your time to answer! Have a good day ahead of ya!

Hi!

"Fetishization of a disability" and "thinking that a disabled person is pretty" are two very different things. Despite the somewhat similar sound, they're not connected by much.

In the context of scars, fetishization would be what I would call the "Zuko situation" (yes, I love ATLA as much as the next guy, let me explain) - the scar isn't really a scar, it's more of a, I don't know, make-up? It's just the color that changes, it's all sharp edges and intricate shapes, the facial structure stays the exact same. There's no physical symptoms. Essentially, it's permanent body paint.

It fetishizes a disability by making it inaccurate, sometimes almost mystical. You don't see anyone fetishizing how real people with facial burns look like because they only like the idea of it. They don't care for us; they don't care for Face Equality or why we are offended by "villain with scar #32482". It's just a fun splotch of color to add to your OC when you're out of ideas.

Another aspect of fetishization is the "a scar is the worst thing in the whole world", the tragedy porn. It's using a disability for cheap drama. Again; it's inaccurate and exploitative. I don't see writers excited to depict my "coming to terms with my facial difference as a teenager, and eventually being proud of it" experience because where's the shock value and pity points? Fetishization, again, is about liking the idea of it, not the real thing.

Describing your character as beautiful, well, isn't any of that.

The point that I tried to make on that post was that a scar is often considered inherently ugly. That it's a stain on someone's beauty, that it would be better if it wasn't there.

"Brown beautiful eyes, thick facial hair, strong cheekbones - he managed to be irresistibly handsome even with that nasty scar going across his nose."

This, well, sucks. It's as if the character's beauty and their disability are contradictory forces that have to fight each other. But in reality, scars and any other visible disabilities are neutral. If the character is pretty, their scar is pretty too. It's a part of them, so how could it not be?

"She was a cute girl; her pastel pink, thinly braided hair framed her face, defying gravity by curling towards her mouth. The burned skin on her lips shifted as she smiled, revealing a tooth gap. She played with her equally pink 'white' cane, holding it between the two fingers she had on her right hand, bopping it against the ground to the rhythm of the song."

This, on the other hand, just states her disability as a part of her person. It's nothing weird or shocking, she's pretty, has a burn on her face, she's blind, she's missing some fingers, she's enjoying the music - it's almost boring when compared to the usual "scar introduction". There's no "even with her horribly burnt face", no "if only she wasn't scarred she would be beautiful", no "poor thing, lost her fingers in a horrific fire" - instead, she is beautiful, and she has scars, and she sure is having fun. That's it.

This is my best shot at explaining the difference between "fetishization" and "yeah they're pretty :-)" ft. my questionable writing - I hope this makes sense.

I definitely took my time to answer, sorry about that. Thank you for your ask!

mod Sasza

[felassan]

July 22nd DA:TV Game Informer article (their last DA:TV coverage article) on Everything we Know about Bellara - cliff notes:

Bellara is Dalish elf (played by Jee Young Han as we know). There might be more to her than meets the eye

"Now, with two of [the elven] gods on the loose, magic has poured back into the world in a big way"

CC is expansive

Bellara is the first companion we will recruit (Neve and Harding join automatically it seems)

She is a mage, a Veil Jumper (who she represents), quirky, energetic, effervescent, optimistic, bubbly, academic, a tinkerer, an explorer of ancient elven ruins

John Epler wrote her and led her development, and collective team effort from lots of departments brought her to life

The BW team really love her

Gary McKay quote: "I love Bellara, I think she's fantastic. I see people that I know in her and so that's how she really resonates with me. I love the whole tinkerer aspect to her. It was a collective to bring that character to life. It was everything from the writers, to the editors, the animators, to character modelers, to the texturing, to how we light her. I'm really proud of that character."

She is a good choice in combat for both support and elemental combos. She starts out as a support character, but can be built in other ways

She attacks with a bow at range using electrically-charged arrows. She can also cast time-slow and healing spells (she can be built to heal Rook autonomously). She does this by channeling magical energy into her gauntlet

As such she leans into electrical damage

Damage type matters a lot in the strategy and tactics of combat

She can unleash a devastating vortex to pull enemies into an electrical storm (an AOE spell)

She can debuff enemies with the shocked affliction, which makes them take passive damage

Corinne Busche quote: "Oh my goodness, she is amazing. [The Veil Jumpers] investigate the ancient ruins of Arlathan. Everything about her character as a mage leans into that, but she also challenges the kind of archetypal idea of a mage."

The Veil Jumpers journey through Arlathan where the ancient empire used to exist and left a lot of artifacts and magical technology behind when it disappeared

Bellara represents this yearning to find the truth of who the elves were after they lost their magic, immortality and a lot of their history

"they still left a lot of their artifacts and a lot of their, for lack of a better term, magical technology behind"

John Epler quote: "A lot of what they know of their past is based on myth, it's based on rumor. Bellara is a knowledge seeker. She wants to find out what's true, what's not; she wants to find the pieces of who the elves used to be and really understand what their story was, where they came from, as well as figure out where they're going next, and find a future for the elves. And within the context of The Veilguard, she joins the team, first of all, to help stop the gods because Bellara feels at least partially responsible since they are elven gods, but also to maybe find a little bit more of who they used to be. Because again, you're dealing with these elves that were around millennia ago that have now reemerged into the world, and who better to teach her who the elves used to be than them."

Magic's place in the world in DA:TV differs from prior games. In Tevinter and other spaces in DA:TV it's much more present by definition and the lore (though the devs wanted to make sure magic didn't violate previously-established lore rules)

Solas is a "determined and tragic character" who "tends to wallow". [nb, these are quotes from the article]. in contrast, Bellara has seen a lot of tragedy in her backstory (we will see this as we get into her arc), but instead of wallowing, she has forced herself to push past it. "She looks at her regrets, and she tells herself, 'I don't want to feel regret'

John: "Whereas again, Solas tends to wallow in his to a large degree. And it allows us to create a very big differentiation. Part of it is also because Solas is an ancient elf, whereas Bellara is a Dalish elf, but she just sees a problem and wants to solve it. She feels a tremendous amount of responsibility to her people [...] to the Dalish, and to the Veil Jumpers, and that drives her forward. That said, she does have her moments where she has doubt, she has moments where she has a more grim outlook, and there are moments where you realize that some of her sunny, optimistic outlook is kind of a mask that she puts on to hide the fact that she's hurting, she's in pain. But in general, she doesn't see any benefit to wallowing in those regrets."

[source]

[amberarmedheart]

In Defense of John Watson and the Importance of the Besotted Narrator

Every couple of years, the world as a collective likes to ruminate and come up with a new adaptation of the stories of Sherlock Holmes, every single new one promising to be either "The Ultimate Adaptation" or "Holmes for the New Era", there is no in-between. And it is understandable, this amazement and awe we hold for the beloved mysteries, they are classics for a reason.

And despite that, time and again I see creators of tv shows, pastiches, and movies, neglect the most important aspect in every single Sherlock Holmes' story: the immovable presence of John Watson. Some even going as far as turning Watson into a villain, a caricature of himself, or even erasing him completely from the narrative. "After all, the important one is Holmes, isn't he? He is the genius, and Watson is there just his biographer."

That is the capital omission to me when it comes to any of the adaptations, because it ignores the vital part that Watson plays in Holmes' life. Watson is the companion, he is the bridge between the "normal" world and the genius that is Holmes' deductive brain. He is, for a lack of a better descriptor, the translator between what jumps in judgement and reasoning Holmes' brilliant mind comes up with, and the layman's language.

There is a reason why we as readers come up with the idea that Holmes is smart beyond his quirks and his drug addiction, beyond his ignorance of anything and everything that in his opinion doesn't help him solve the cases that distract him from the boredom of normal life... and that reason is that John Watson is the person narrating the whole thing. We are not introduced to Holmes through an omnipresent, anonymous narrator which is the case with other books. We are thrown in the middle of a mystery from the start the same way that Watson is unexpectedly thrown in 221b.

What we think of Holmes, what we feel for him, it is all because Watson wishes us to experience. The stories themselves carry with them one of the best storytelling devices graciously blended into the narrative, which is the fact that Watson is an incredibly good writer, so much that the public gazes into the spotlight where Holmes is and in most cases ignores that the one shining it down is Watson himself.

Creators who like to ignore Watson and his function in the narrative tend to see Holmes as their own self-insert: a super smart man whose genius cannot compare with the mediocre world population and who can barely tolerate their stupidity, basically a gift to men from god and who has to be worshipped for it... When the reality is that every single thing we perceive from Holmes is because of how Watson sees him.

Watson is our unreliable narrator, his descriptions and impressions of Holmes are the ones that are weaved into the story; even goes as far as giving us a glimpse of Holmes' opinion about it through the way the consultant detective sometimes accuses Watson of adding too many embellishments to his narrations. If we see Holmes as an incredible genius, as someone whose intelligence is above the rest of the world, it is because Watson says so. With every passing story, we come across different characters that every once in a while whose first impression of Holmes has been influenced by what they themselves read in Watson's stories... All in all, the in-universe characters falling under the same influence we, as readers, are.

John Watson's love for Holmes is one of the main plot points in the story, we see its evolution the same way as one normally goes through different stages of falling in love. We see Watson's first infatuation, his interest in what makes Holmes what he is, first in a superficial way and later on with every new story. We see them have misunderstandings, which most of the time end up in a deeper appreciation of Holmes as a person.

All culminating in the incredible rendition of The Final Problem, which could easily be seen, without little effort, as Holmes' planning his own death. By what means we are never completely sure, to be honest, since we can only see it through Watson's deep grief. It is true that Arthur Conan Doyle's plans were to end Holmes' adventures with the short story, but even with the author's motivations being the main recourse behind its inception, there is no doubt when reading the story that the focus of the narrative is Holmes' spending his last moments with Watson.

The subsequent creation of The Empty House and further adventures after that, diluted partially the importance of the whole ordeal, but gave us a different insight of Holmes and Watson's relationship. Through that lens, we as readers witness the evolution of it, the toll that Holmes' fake death had in both his biographer and his own author, adding depth through the strain put by the facade.

E. W. Hornung made one of my favorite homages to Holmes and Watson through his stories of The Gentleman Thief, and put a greater emphasis on the strained relationship between the two characters after the fake death. He gave his besotted narrator another source of turmoil: the fact that while Raffles (our stand-in Holmes) was away living life and even having a romantic interest, Bunny (his Watson) ends up falling in disgrace after being sent to jail.

A.J. Raffles' stories lean on the importance of the unreliable, uselessly enamored narrator, to the point that Hornung didn't shy away from having Bunny refer to Raffles as handsome and attractive in many different instances. He understood how there is no Holmes without a Watson to appreciate him, how their dynamic is the fuel behind the success of the whole series.

And ultimately, that it is impossible to have a good story without a good storyteller.

[maddyjones2]

On not idolising creative people

In the wake of the various recent allegations involving Neil Gaiman, people have been both very sad that someone who they looked up to as an inspiration has, allegedly, turned out to be something less than entirely admirable, and are now looking to see who is now left that they can rotate into the spot of “the good dude,” i.e., that one successful creative guy who they think or at least hope isn’t hiding a cellar full of awful actions. One name I see brought up is mine, in ways ranging from “Well, at least we still have Scalzi,” to “Oh, God, please don’t let Scalzi be a fucking creep too.” Which, uhhhh, yeah? Thanks?

I have many thoughts about this and I’m going to try to make sense of them here, as much for myself as anyone else, so this may be messy and discursive and long (seriously, 3600 words, y’all), but, well, welcome to me. So, ordered by how these things come out of my head:

1. Stop Idolizing Creative People. Creative people are easy to idolize because they create the art you love, and that gives you permission to feel things, and to see yourself and your desires reflected in that art. That is a powerful thing, and from the outside, it can feel like magic, and that the people who do it are tapped into something otherworldly and admirable. Plus, they often get to have cool lives and get to know other cool creative people. They do things that are removed from the day-to-day aspect of a “normal” life, and they’ll even post about them on social media where you can see them. Sometimes, independent of their art directly, they’ll speak about their life, or life in general, and they’ll seem wise and considered and kind. I mean, what’s not to like?

But please consider that this is all an extremely mediated experience of this person. The art is the edited and massaged result of hours and days and weeks and months of work, into which the work of many others is also added. My novels originate from me, but it’s not just me in there, nor is the final form of the novel an accurate statement of who I am as a person, not least of all for the simple reason that I am not trying to tell my story in my novels. I’m creating fictional characters, and the world in which they make sense, for the purpose of the story.

Despite how it might look from the outside, this is not sorcery. It’s years of experience at a craft. It’s not magic, just work. A completed novel (or any other piece of art) won’t tell you much about the specific, day-to-day life and inclinations of the individual who made it, other than a general nod toward their competence, and the competence of their collaborators. Likewise what you see of their lives, even from the illusorily close vantage of social media, is deeply mediated. Lives always look admirable at a distance, when you can only see the lofty peaks and not the rubble at the base — especially when your attention by design is pointed at those lofty peaks. There’s much you don’t see and that you’re not meant to see. The vast majority of what you’re not meant to see isn’t nefarious. It’s just not your business.

Now, before I was a professional creative person, I was an entertainment journalist who spent years interviewing writers, directors, movie stars, musicians, authors and other creative folks. Since I’ve been on the other side of the rope, I’ve likewise met a huge range of creative people from all walks of life. Please believe me when I assure you that creative people are just people. Richer and/or more famous? Sometimes (less often than you might think, though). Prettier and/or more charismatic? Especially if they’re actors or pop stars, often yes! But at the end of the day they are just folks, and they run the whole range of how people are. By and large, the day-to-day experience of getting through their life is the same as yours. Outside of their own specific field of work, they don’t know any more about life, have no more facility for dealing with the world, and have just as few clues about what’s going on in their own head, as anyone else.

They’re just people. Whose work is making the stuff you like! And that’s great, but that’s not a substantive basis for idolizing them. It makes no more sense to idolize them than to idolize a baker who makes cookies you like, or the guy who comes and trims your hedges the way you want them to be trimmed, or the plumber who fixes your clogged drain. You can appreciate what they do, and even admire they skill they have. But holding them up as a life model might be a bit much. Which is the point! If you’re not willing to idolize a plumber, then you shouldn’t idolize a creative person.

(“But a plumber doesn’t make me feel like a creative person does,” you say, to which I say, are you sure about that? Because I will tell you what, when my sump pump stopped working and the plumber got in there, replaced the pump and started draining out my basement which had an inch of standing water in it, that man was the focus of all my emotions and was my goddamned hero that day. My plumber that day did more for me than easily 90% of the great art I’ve ever experienced.)

Enjoy the art creative people do. Enjoy the experience of them in the mediated version of them you get online and elsewhere, if such is your joy. But remember that the art is from the artist, not the artist themselves, and the version of their life you see is usually just the version they choose to show. There is so much you don’t see, and so much you’re not meant to see. At the end of the day, you don’t have all the information about who they are that you would need to make them your idol, or someone you might choose to, in some significant way, pattern some fraction of your life on. And anyway creative people aren’t any better at life than anyone else.

Which brings up the next point:

2. Fuck idols anyway! People are complicated and contradictory and you don’t know everything about them! You don’t know everything even about your parents or siblings or best friends or your partner! People are hypocrites and liars and fail to live up to their own standards for themselves, much less yours! Your version of them in your head will always be different than the version that actually exists in the world! Because you’re not them! Stop pretending people won’t be fuck ups! They will! Always!

This sounds more pessimistic about humans than perhaps it should be. When I say, for example, that people are hypocrites and liars, I don’t mean that people take every single opportunity to be hypocrites and liars. Most people are decent in the moment. But none of us — not one! — has always lived up to our own standard of behavior, and all of us have had the moment where, when confronted with a situation that would become an immense pain in the ass if we stuck to our guns, or demanded the inconvenient truth, decided to just bail instead, because the situation wasn’t worth the drama, or we had somewhere else to be, or whatever. We all choose battles and we all make the call in the moment, and sometimes the call is, fuck this, I’m out.

Every person you’ve ever admired has fucked up, sometimes really badly. Everyone you’ve ever looked up to has secrets, and it’s possible some of those secrets would materially change how you think about them, not always for the better. Everyone you’ve ever known has things about them you don’t know, many of which aren’t even secrets, they’re just things you don’t engage with in your day-to-day experience of them. Nevertheless it’s possible if you were aware of them, it would change how you feel about them, for better or for worse. And now let’s flip that around! You have things about you that even your best friends don’t know, and might be surprised to learn! You have secrets you don’t wish to share with the class! You have fucked up, and lied, and have been a hypocrite too!

You are, in short, a human, as is everyone you know and every one you will know (pets and gregarious wild animals excepted). And all humans are, charitably, a mess. This doesn’t mean there aren’t good people or even exemplary people out there, since there are, along with the ones that are, charitably, a real shit show. What I am saying is that even the good or exemplary people out there are a mess, have been morally compromised at some point in their lives, and have not lived up to their own standards for themselves, independent of anyone else’s standard for them.

One of the aspects of being an “idol,” I think, is that higher standard that other people expect of you — that in every situation where the aspect they idolize you for is in play, you will act in a manner that is right and correct by their standard, which of course you will likely not know about because you don’t actually know them (or often know that they exist). This is, by definition, an impossible standard to be held to — you didn’t agree to it, or to engage with it — and an impossible standard to hold other people to without their direct consultation. Every human made to be an idol is destined to fail at the job. You don’t even have to have feet of clay! You just didn’t know you were on a pedestal to begin with.

(This does not excuse shitty action. The fact people should not be idols in the first place is not exculpatory for the choices one makes on one’s own. If you’re sexually assaulting people, or being a racist or sexist or homophobe or other flavor of bigot, or using your situational power coercively (as just a few examples), then hell yes you are going to be called out on it. And to be clear, it is not unreasonable, to put it mildly, to expect people not to sexually assault other people, or not to denigrate other humans for being who they are, etc. But this only adds to the point about idols, now, doesn’t it. You don’t know what you don’t see, and you don’t know what you’re not seeing, until it is hauled out into the light one way or the other. If it is hauled out into the light at all.)

I don’t think anyone should idolize anyone, ever. It’s not great for them, and it’s not great for you, they probably didn’t ask to be idolized (and if they did, holy shit, fucking run), and in the end unless you’re so completely wrapped up in their lives that they have no secrets from you — which is never — you don’t know enough to make that call. People do it anyway, and then disappointment happens, but they shouldn’t have done it in the first place. Stop idolizing people. It’s not fair for anyone.

What to do instead? Enjoy their work, if they’re a creative person. Appreciate the kind and good aspects of their life that you can see, and the decent actions they undertake in public, with the knowledge that what you see of them is a mediated and elided version. Understand that we all have a different version of ourself for every person we meet, and that every person we meet has a different vision of ourselves in their head, and very often, those two versions are not the same. Like them, based on what you know of them! Love them, if it comes to that. And when and if you learn something new about them that you didn’t know before, let empathy guide you to a new understanding of them and what they mean to you.

And now, taking all of the above into consideration:

3. Absolutely 100% do not idolize me. I don’t deserve to be idolized because no one deserves to be idolized, but also, holy fuck, I do know me and I’m a mess. There have been lots of things in my life that I’ve done that have not been admirable or kind. I can be petty and shitty and competitive and cruel. I am lazy and inattentive and when I let things slide (which is often), I end up jammed up on my responsibilities, which makes me irritable and no fun to be around. I have a temper which goes from zero to sixty almost instantaneously; if I’m not actively paying attention to it, I can become a sudden, unreasonable rage monster, which is a burden to people I love, and I hate that fact about myself (pro tip: don’t travel with me, the rage monster comes out a lot then).

I can be controlling and demanding but I want other people to handle the details, i.e., executive asshole. I am strategic in a way that can be bloodless. When I’m insecure I brag a lot, which is unflattering. If you cross me, I won’t go out of my way to make your life miserable (that would require effort on my part), but I will absolutely enjoy when you take a literal or metaphorical tumble down the stairs. God knows I’ve enjoyed the failures of the people who have spoken ill of me, almost as much as I’ve enjoyed the fuming, spittling rage they’ve felt when I’ve succeeded. I spent years cultivating a snarky persona online and while that was fun (for me), I’m increasingly aware that when the tally is added up for Who Ruined the Internet, I’m not necessarily going to be where I want to be on that particular ledger.

And these are only the bad qualities of mine I wish to admit to you at the moment. There are others, I assure you.

So, yes: Who wants to idolize me now?

“But you seemed so nice when I chatted with you online/met you at the convention/saw you at that one place that one time.” Well, thank you, I’ve been in the public eye in one manner or another for three and a half decades now and I understand my assignment; my public persona is friendly and engaging and sociable and mostly fun to be with. It’s not a fake version of me — I am all those things! Honest! — but, again, it’s a mediated version of me designed not only to be a positive experience for the people who meet me but also to get my actually introverted ass through a whole day of events at a convention/festival/book tour/whatever. When I’m done I collapse into an introverted hole. When I came back from Worldcon this week, I slept for 15 hours the first day I was home. It wasn’t just because of jet lag or con crud.

I rather famously call my public face “performance monkey mode,” and likewise what I say about my (current) online mode is that I’m cosplaying as a better version of myself, one that is kinder than I used to be online, and more patient than I am in the real world. If you meet me when I am “off” then you will find that, again, these versions of me are me, just with some things dialed up and other things dialed down. But even that is still a different version of me than, say, the version of me which is at home (which is in fact extremely boring; that version of me doesn’t talk much and mostly stays in my office).

Many of you who have followed me over the years are familiar with me saying things like this, of course, and are likewise familiar with me pointing out that there are a number of things about my life that I don’t mention in public, for whatever reasons I choose. But it’s also true that I’ve been actively online for 30+ years now, and people feel reasonably confident that they have a good bead on me and that there’s not much about me that will surprise them or change their understanding of me. So to bring home the point there are indeed things you don’t know, allow me to surface just one previously unaired fun fact:

I have a concealed carry license.

(Or did; it expired this year and I didn’t renew it, because Ohio changed its laws so that you no longer need a permit to conceal carry in the state. These days in Ohio you can just wander about with a handgun stuffed down your trousers without training or licensing because that’s a real good idea, now, isn’t it. Nevertheless, the license is not necessary anymore so there was not much point in renewing it, although if the law had not changed, I probably would have renewed.)

Why did I have a concealed carry license? Well, ultimately that’s not important. The point is I had one. I didn’t talk about it before because, among other things, the point of a concealed carry license (to me, anyway) is that its existence is not meant to be known by anyone other than that great state of Ohio itself. I am aware, and this is a dramatic understatement, that I am not a person most people would expect to have had such a thing. That the fact I had one will cause a number of people to reconsider what they know about me, for better or for worse. Which is also my point. All y’all have just learned this thing about me! Think about all the other things you don’t know!

Oh, God, this is where Scalzi starts admitting to terrible, terrible things. No. I feel pretty confident I live a tolerably ethical life. Part of the reason for this is that I have what I think is a decent operating principle, which is: If I’m thinking of doing something, and Krissy called me right then and asked “what are you doing?” and I would be tempted to lie to her about it, then I don’t do that thing. Because Krissy is the most important person in my life, and I don’t want to lie to her about what I’m doing (I have lied to her exactly once. She knew instantly. I haven’t bothered lying to her since). This is not replacing Krissy’s ethics with my own; it’s me knowing whether by my own ethics, I would be ashamed to tell to her what I am up to. It works very well. As such, the Krissy Test is an operating principle I highly suggest to others, although I’d suggest replacing Krissy with whomever your life is most important to you.

Be that as it may, my ethics are not universal and some others might not find them sufficient, for whatever reason. I am well aware I still disappoint many people, and that there are people who find my life choices, known positions or public statements (or lack of them, as the case may be) problematic, or who simply wish I would be other than what I am. I can’t help them with this, but again, this is the point. Given the fact that I am a fallible human who has an entire stratum of his life not visible to the world — and the strata of his life that are visible cause significant numbers of people to be irritated and exasperated — is it not better just to not hold me up as an ideal person, or the “good dude,” much less an idol of any sort?

I mean, shit. What Would John Scalzi Do? Solidly half the time, I have no fucking idea. I have to think about it, whatever it is. I have to think about whether I know enough to do or say something about it. I have to decide whether it’s something I want to engage with at all, and whether my engagement with it is something that would be of value to anyone, me included. I have to decide whether engaging with it is worth the shit I will get for it. And then I have to figure out what it means that I am engaging with it, since like it or not I’m a Dude of Reasonable Significance in My Field. I try to be a decent human, when people are looking at me and especially when they are not. But I also know me, and all my flaws and weaknesses and compromises.

What Would John Scalzi Do? The best he can, in the moment. Is that sufficient? For me, yes, most of the time. Is that sufficient for you? That’s up to you.

The point to this all is that people are just a big fucking mess, including the ones you might for whatever reason find admirable. I am no different than anyone else, and you should not be under the illusion that I am anything other than a shambling collection of flaws embedded inside a human form, which also, in its defense, has some pretty excellent qualities as well. We’re all this way! You too!

And while I want you to like my work, and to enjoy the version of me that you see here and elsewhere, don’t put me, or any other person, on a pedestal. Pedestals are wobbly and and don’t give actual humans a lot of room to move. We will inevitably fall off. Keep us with our feet on the ground. That way, when we stumble, there’s a chance we can get back up, and keep going.

— JS

[wonysugar]

self indulgent drabble because 1. writer’s block is truly eating my ass and 2. i just got struck with an idea as i heard an audio and i need to get it out of my system before i lose my motivation.. AND WHAT BETTER WAY TO DO THAT THAN WITH BELLEEE?!?

cw!! cheating(??) just to be safe, fem!reader is dating someone that’s amab! mentions of threesomes, lots, lots of dick mentions and dick sucking, if you don’t like dick at all this isn’t for you i’m really sorry</3

psst, by the way, p/n stands for partner name!

you and your partner have an amazing relationship, and an even better sex life, that much was obvious. although you both were content, you couldn’t help but feel the desire to improve your technique in certain.. aspects, of your love-making, mainly in terms of oral sex.

google was definitely not helping, and you were a bit too embarrassed to go and ask your significant other on feedback after having sex with them (despite how normal that actually is, contrary to popular belief.)

so, naturally, receiving your friend annabelle in your apartment a few days after having scheduled a, in her wise words, ‘important meeting’ wasn’t at all a surprise for you, especially since you made sure that p/n wasn’t at home at that time.

“hii!” belle stepped foot into your home as soon as you opened the door, immediately giving you a warm hug, thankful you even called her in here in the first place.

after politely offering her a cup of water and a bowl of snacks as thanks, she quickly got to work.

“alright, you were too nervous to explain it through text, so go ahead. what are the specifics here?” she asked, comically very serious about this whole thing.

you sighed, feeling the embarrassment leaving with each breath you exhaled, “it’s just— i think i have a problem when it comes to… you know.. my gag reflex, and all.”

“ah, i see..” she hummed, “‘problem’ is definitely a strong word though, no? oral sex isn’t a requirement, you know that better than anyone else, considering you’ve been with your partner for a while with no issues. i’m assuming you just want to learn to get them more riled up, huh?”

you stared, almost innocently, then nodded at the words.

“have you ever sucked dick before?” she continued, speaking as if this were a real professional appointment.

she chuckled upon seeing you reluctantly shake your head, “don’t worry sweetheart, by the time that we’re done, you’ll be able to take cock better than any porn star has.”

reaching for her large, seemingly filled-up backpack you had noticed her holding whilst walking in before digging into it. after a few seconds of anticipation, you saw your friend pull out a medium sized dildo, a slightly longer one and a much larger and more girthy than the previous ones.

“y-you brought stuff!?”

noticing how your blood rushed to your now fully covered face, she giggled, “of course i brought stuff y/n, i don’t think you realize how serious i’m actually taking this.” proceeding to pull out one more interesting looking item, “come on, you asked me for help, right? no need to get embarrassed now, girl.”

so you listened, and watched as she finished up preparing the materials, placing them in a line.

“alright, listen up.” she zipped the bag closed, threw it somewhere on the couch you two were sat on and sat up straight, motioning for you to do the same, and pointed to the first thing, “this is throat relaxant spray, like the name suggests, it relaxes your throat and your gag reflex, making it easier. now, i don’t really use it considering my gag reflex is practically non-existent,” you nodded at her words, your eyes fixed on said spray.

“but i did bring it thinking you’d maybe wanna start off slow just to be safe? maybe get used to the feeling of it in your mouth before going in raw and everything, but it’s honestly all up to you and what you wanna do.”

several minutes of her overexplaining the reasoning behind bringing each sanitized and differently sized dildo later, you eventually chose the format you found most similar to your partner’s and decided to opt out of the relaxant spray, much to annabelle’s pleasant surprise.

it didn’t take long before she stuck the phallic object to your wall and instructed you to suck on it the same way you would any other day. “don’t be nervous, i’m here to help.” she said, and that was somehow enough to put you at ease.

you began to do what you were told, fully aware that her attention was set on you, and you only. your lips wrapped around the head, you sucked and left gentle kisses whilst she watched you work your magic on the dildo. you heard occasional hums from beside you as you kept your mouth around the same area of the dick.

“you’re doing good, but, aren’t you spending a little bit too much time on the head?” she placed, making you pull away from the object before you, “i know you’ll gag, but try to give some attention to the entirety of the dick. here, let me show you.”

she scooted towards you, and you simply stared at her, “oh— we’re using the same.. dildo?”

“..yeah? it’s just a little spit.” her lips formed a smirk, “just watch me, okay?”

you nodded and sat there, watching her demonstrate her blowjob technique and feeling yourself get… weirdly turned on by the sight, instead of feeling ‘taught’, in a sense. the way she slowly worked her way up from kissing and licking the head to fitting the entire shaft into her mouth, almost effortlessly, got you thinking about how she’d give your partner head, guiding you on how to pleasure them further than you usually do— alright let’s not get ridiculous, you internally scolded yourself, leave the dirty fantasies for later, when you aren’t trying to learn from her.

“see how i did that? you can’t just focus on the head forever, that’s why i like to slightly pump the shaft with my hand whenever i’m not throating.”

“honestly just sounds like you’re just trying to brag, at this point.” you joked, faking an annoyed expression. that earned a laugh from her.

then, after a constant cycle that consisted of her explaining things and you doing them, annabelle had taken the dildo off of the wall whilst wearing a mischievous expression on her face. “now, let’s kick things up a notch; get on your knees.”

your eyebrows furrowed and eyes widened ever so slightly at her words, you stuttered, “excuse… excuse me?—“

“i said, get on your knees.”

and despite getting no further explanations, you still, for some unknown reason, did exactly as you were told. now sitting on the ground facing the sofa, you waited for further instructions.

“you need to get immersed.” she paused, then held up the dildo, “so, i’ll hold it for you and thrust it into your mouth while you suck it, alright? i won’t go fast or anything, so don’t worry about that.”

and of course, you obliged.

upon her signal, you immediately applied everything that she’s been teaching you throughout this entire session onto your technique, fueled by her occasional praise.

“remember to use your tongue, y/n.” she reminded, thrusting the cock in and out of your mouth, slowly, watching you as if she could feel it.

“suck the tip and—“ you bobbed your head down onto the shaft, taking in as much length as you could without gagging. “—work your way down, that’s it baby, slowly.”

oh man, that pet name definitely elicited a reaction from you that you did not expect; you felt butterflies in your stomach, almost certain that a pool was growing in between your legs.

she definitely noticed it, too. how could she miss it when you’re looking up at her like she was the one you were sucking off?

“awe, you’re getting excited, aren’t you?” she bit her lip as she tucked your hair behind your ear, “such an eager girl, suck on it baby.”

she let out quiet, airy moans as you worked your magic, in hopes to get you more and more immersed, and while it did, it also did nothing but get you riled up to a great extent. hell, you were practically drooling onto her— the cock at that point. “look at you, not even a few hours in and you’re already doing so good. mmh, you look so pretty taking it, too.”

that went on for a while, and what she didn’t tell you was that that dildo in particular, was an ejaculating one, you found that out by yourself later on.

needless to say, you felt especially different when you eventually walked her out of your apartment an hour later, and she couldn’t help but notice how still visibly embarrassed you were from that weirdly intimate interaction, but she found it amusing, endearing, almost.

“next time, you’ll invite p/n to tag along, won’t you?”