#and I learned a lot when working on these pieces too!

[silentgravesdontexist]

9. What are your favorite pair of shoes?

• Combat boots! Though they broke and I no longer have them but those kinds of shoes are my absolute favorite. I wanted them since I was like 12 but my parents won't let me buy a pair bc they said I'd look weird. They expected me to give up but I never did. Got my first pair when I was 16 and I still love combat boots to this day!

21. What keeps you going during the day?

• The idea of plopping down on my bed afterward. I'm partially kidding lol. Mnhhhh, it would probably my desire to want a comfortable life for myself? I'm innately lazy and laid back but I find it's easier to live comfortably if I work hard for a bit then get to relax afterwards.

• Ohhhh, ironically— I actually also made a promise to myself that I'd become an elder sister that my 'lil sis can be proud of (we aren't blood related but I love her like she's my own blood). In my defense, this happened before I knew abt Ace. So, yeah ehe

24. What's your favorite piece of jewelry you own?

• I do admit that I don't really wear a lot of jewelry. But I do have one singular thing that I wear every single day. It's a simple chain necklace with a rose quartz as a pendant. It has a lot of sentimental value to me. That's why I only ever take it off when I'm taking a bath.

• (Small note but I actually have other necklaces that I received as a gift. Obviously, I wanna wear them too...so that ends in an akward match-up with the necklace that I already have bc I refuse to take it off no matter what but I also wanna wear the gifted necklace to show my appreciation)

25. Favorite niche topic?

• Anything related to psychology. My best friend went into the topic of the human consciousness (which was a topic for a report I had at the time as well) and it ended with me yapping for over an hour long abt it. I dunno, I've just always love psychology since I was a kid and love learning anything abt the subject (except psychological statistics— that one's a nightmare pls)

You know me too well. Even when I'm in the middle of a now becoming obsession with Hoshina— that man is still lingering in my mind every now and then. The hold he has on me is too strong, I fear😭🫶

I enjoyed answering these questions! Thank you sm @that-student-that-has-homework !

Deep/Fun Questions to Ask!

Do you like watching sunsets?

Have you ever started a rumor?

What makes you laugh hard?

What's the last concert you went to?

If you believed in it, what would you be reincarnated to?

What's your current vocal stim?

What shirt are you wearing?

Who or what is on your mind?

What are your favorite pair of shoes?

What would easily win you over if someone gave you it?

What three words describe you?

What's a funny memory you have?

Do you have any drunk stories?

What's one thing you own that you're sure no one else has?

Do you have any superstitions?

What is your guilty pleasure?

What weird thing do you do when you're alone?

What is the worst food you've ever had?

What fictional character would you bring to life if you could?

If you could join a career immediately, what would it be?

What keeps you going during the day?

Current song on repeat?

Funniest inside joke?

What's your favorite piece of jewelry you own?

Favorite niche topic?

What fandom are you currently in?

Most controversial take?

Favorite ship and why?

Do you have any piercings or tattoos, and what are they?

What is your worst & best quality?

[urdreamydoodles]

MCU Characters x Reader (Part.1)

How they react when you are angry with them (Part.1)

Characters: Tony Stark, Steve Rogers, Natasha Romanoff, Bruce Banner, Clint Barton, Bucky Barnes, Sam Wilson, Peter Parker (Tom H.), Stephen Strange & Thor Odinson

I'm back in my MCU era, thanks to Agatha All Along, so expect a lot of MCU headcanons, feel free to request those!

Tony Stark

- When you’re angry with Tony, he’s a little stunned. He’s used to being able to charm his way through things or brush issues off with a joke, but the moment he realizes you’re genuinely upset, he feels the ground shift a little. Tony’s mind races, calculating what he did wrong, and for a second, he considers ignoring the problem—but not with you. You mean too much to him, and he can’t stand the idea of pushing you further away.

- He doesn’t immediately know how to apologize, so he leans into his classic defense mechanism: humor. He’ll try to make you laugh, throwing out quips, hoping you’ll crack a smile. When that doesn’t work, he gets a little awkward, mumbling things like, “This is why I avoid real feelings, you know?” as he fumbles through an apology. He’s not used to admitting fault, but with you, he’s learning to swallow his pride.

- Tony goes all out when he realizes he needs to make it up to you. He’ll throw himself into making amends, maybe even a little too extravagantly. Expect some grand, over-the-top gesture—a private jet to Paris, a limited-edition piece of tech he’s been tinkering on, or a fancy dinner in some exclusive place with an outfit he’s bought just for the occasion. He’s not subtle, and he knows it, but he’ll do anything if it means a smile from you.

- When the big gestures don’t work, he takes a different approach. He shows up at your door, looking strangely vulnerable, with something small and meaningful. Maybe it’s a handwritten letter he’s scribbled out, confessing how much he hates it when things aren’t okay between you two. It’s raw, real, and completely unlike Tony, but he means every word. This time, he wants to show that he’s willing to put the ego aside for you.

- Once you finally let him back in, Tony wraps you in his arms and doesn’t let go. He’ll joke that he’s not letting you get mad at him again, and maybe throw in a flirty quip about “testing his limits,” but there’s something deeper there too. Being loved by you has changed him, and he’s willing to work on himself for the first time in a long time. With you, Tony’s found a softness he didn’t know he had, and he’s not going to risk losing it.

Steve Rogers

- Steve Rogers doesn’t like conflict, especially not with you. When he realizes you’re angry, he immediately wants to address it and resolve it, hoping it won’t escalate. He tries to have a calm, level-headed conversation, but he can see that maybe it’s too soon. Steve’s patient, though; he’ll give you space if you need it, even if it pains him to let go for a while.

- While you’re cooling off, Steve takes time to reflect, replaying the situation in his mind, wondering where he went wrong. He’s his own worst critic and can be hard on himself, especially when it comes to you. He’ll try to see things from your perspective, understanding that sometimes his old-fashioned sense of right and wrong can be rigid. He’s willing to bend if it’s what’s needed to bridge the gap between you.

- When he approaches you again, he’s soft-spoken and earnest, offering a sincere apology. There are no excuses, no justifications—just him, owning up to whatever hurt you. His gaze doesn’t leave yours; he wants you to know he truly means it. And as he speaks, he promises he’ll do better, vowing to always listen to you and consider your feelings.

- To make it up to you, Steve chooses something simple but thoughtful, probably something he knows you love. It could be as quiet as a walk through your favorite park or as gentle as a handwritten note tucked into a book you’re reading. Steve understands that sometimes, it’s the little things that mean the most. He’ll give you the space to talk, letting you vent if you need to, always steady, always attentive.

- Once the air clears, Steve is more affectionate than usual, holding your hand, pressing soft kisses to your forehead, grateful to be back in your good graces. He values trust deeply and doesn’t take your forgiveness for granted. Steve knows relationships take work, and he’s fully committed to making it work with you, one respectful conversation at a time.

Natasha Romanoff

- Natasha doesn’t like it when things are off between you two, but she’s used to people being mad at her. Initially, she tries to shrug it off, acting like she doesn’t care, maybe even trying to ignore it. But you’re different. You’re not just anyone; you’re someone she actually trusts, and seeing you upset with her hits her hard.

- Natasha is far more comfortable dealing with enemies than emotional confrontations, so when she finally comes to you, she does it in a roundabout way. She might casually ask, “Are we good?” as if it’s not a big deal, but the nervous tension in her voice betrays her. She’s not great at apologies, so her attempt is awkward but sincere. It’s clear she’s trying, even if she doesn’t always have the words.

- To make it up to you, Natasha doesn’t go for big gestures but rather something deeply personal. She’ll take you to a place she loves—a quiet spot on a rooftop, a hidden café she discovered, somewhere she can let her guard down. She’s careful, almost shy, as she opens up a little about herself, sharing stories she rarely tells. In her own way, she’s letting you know how much she values you.

- Natasha doesn’t usually do comfort, but she’ll go out of her way to make you feel loved and safe. Maybe she’ll surprise you with breakfast or bring you something she knows you’ve been wanting. She pays attention, after all, even if she doesn’t always show it. Little by little, she’ll find ways to let you know that she’s there, committed to making things right.

- When you finally forgive her, Natasha breathes a sigh of relief, leaning in for a hug that lasts a beat longer than usual. She’s not big on words, but she’ll whisper something soft and sincere, just for you. Natasha’s fiercely protective, and after a falling-out, she’s even more attuned to making sure you feel cared for. She’ll stay close, a steady presence at your side, her quiet way of showing just how much she values you.

Bruce Banner

- When you’re angry with Bruce, he’s instantly anxious, worried he’s done something terribly wrong. Conflict isn’t his strong suit, and he’s painfully aware of his capacity for anger. He’s cautious, almost timid, when he realizes you’re upset, giving you space and time. He doesn’t want to make things worse or risk saying the wrong thing.

- Bruce spends time overthinking the situation, dissecting every detail. He questions himself, often getting caught in a loop of self-blame, wondering if he’s ever really been suited for a relationship. But even though he’s scared of confrontation, he values you too much to leave things unresolved. He wants to show you that he’s willing to work through whatever the issue is.

- When he finally comes to you, Bruce’s apology is soft, heartfelt, and a little self-deprecating. He’ll stumble through his words, not wanting to sound defensive, and there’s an earnestness in his gaze as he tries to convey just how much he wants to make things right. He’s not perfect, but he’s open to listening and doing better.

- To make it up to you, Bruce goes for something intimate and personal. He knows you appreciate small gestures, so he’ll show up with something that reflects his feelings for you—maybe a small book he thinks you’d love, or a little experiment from the lab that made him think of you. He’s shy about it, maybe a little embarrassed, but it’s his way of showing he cares.

- When you finally forgive him, Bruce visibly relaxes, wrapping you in a hug as if he never wants to let go. He’s careful, soft, and almost tentative, savoring the warmth of your embrace. Bruce cherishes the trust you give him and is deeply grateful to have someone willing to weather his insecurities. He might even joke, “You’re way too patient with me,” but the gratitude in his voice is genuine.

Clint Barton

- When Clint realizes you’re angry with him, his first reaction is a mix of regret and a slight laugh. He can’t believe he’s managed to mess things up this badly with you, of all people. He knows he tends to joke around a bit too much, so he tries to laugh it off at first, but when he sees how serious you are, his grin fades. He’ll look a bit awkward, rubbing the back of his neck, knowing he’s got some work to do.

- Clint’s never been one to give big, elaborate apologies. Instead, he’ll pull you aside, speaking quietly and genuinely. He’ll admit that he messed up, explaining that sometimes he forgets to take things seriously or considers others’ feelings the way he should. It’s a simple, heartfelt apology, showing his honest side that not many people get to see.

- Once he’s apologized, Clint is all about making you laugh. He’ll start cracking jokes, doing his best impressions, and even pull some ridiculous faces just to get a reaction out of you. Clint knows humor is his best weapon, and he’s shameless about using it if it means making things right. He’s determined not to let you stay mad at him for long, no matter what it takes.

- When his jokes don’t quite cut it, Clint switches gears and puts effort into something he knows will mean a lot to you. He’s a guy who pays attention to the little things, so he’ll show up with your favorite takeout, a warm blanket, or maybe even a funny book he picked up just for you. He knows that it’s the small gestures that can speak volumes.

- After things settle down, Clint wraps you in a warm, comfortable hug, one arm wrapped around your shoulder, making you feel like everything’s back to normal. He’ll joke about how lucky he is that you put up with him, throwing in a wink, but there’s a hint of seriousness behind his words. Clint doesn’t take his relationships for granted, and he’s grateful you’re in his life, even when he messes up.

Bucky Barnes

- Bucky’s heart sinks when he sees that you’re angry. He’s used to pushing people away, and now that he’s got you, he’s terrified of losing you over a misunderstanding. Bucky’s first instinct is to retreat, his mind already whispering that maybe he doesn’t deserve this, doesn’t deserve you. He’ll avoid confrontation if he can, hoping things might smooth over on their own.

- But when he realizes he needs to talk to you, he’s hesitant, nervous, almost as if he’s bracing himself for rejection. Bucky approaches you carefully, speaking in a low, almost shy voice. He struggles with apologies, but he looks you in the eyes, opening up about how hard he finds it to express his feelings. He’s used to running, and being with you is the first time he’s tried not to.

- Bucky tries to make it up to you in the most low-key, thoughtful way possible. He’s not one for grand gestures, but he’ll do something meaningful and heartfelt, like leaving you a note explaining how much you mean to him or bringing you something that he knows you love. He’s nervous about whether it’ll be enough, hoping you can see the sincerity in his actions.

- When he feels things softening between you, Bucky relaxes just a little, offering his support in any way you need. He’ll stay close, maybe cooking a meal for you or sitting quietly with you, sharing a comfortable silence. He wants you to know that he’s there, without needing to say much, because he’s always believed that actions speak louder than words.

- When you finally forgive him, Bucky is beyond relieved. He’s more open with his affection, drawing you into a tight embrace, his touch lingering as if he’s afraid to let go. He knows he doesn’t have many people he can count on, but he’s grateful that he can count on you. Bucky’s still working on believing he deserves happiness, but having you in his life makes him want to try.

Sam Wilson

- Sam immediately notices when you’re angry, and his first instinct is to find out what’s going on. He’s straightforward and doesn’t like tension hanging in the air, so he’ll ask, “Alright, what did I do?” in his calm, genuine way, hoping you’ll be willing to talk it out. He’s good at reading people, but he wants to hear it from you directly.

- Sam listens intently when you explain what’s bothering you, nodding and giving you his full attention. He’s respectful and thoughtful, making sure you know he understands where you’re coming from. He’s not the type to dodge blame; if he’s at fault, he’ll own up to it right away. There’s no defensiveness, no excuses—just an honest desire to make things right.

- To make it up to you, Sam takes you on a simple, meaningful outing—something where the two of you can connect and have fun. He’s all about shared experiences, so maybe it’s a long walk, a favorite food spot, or even a small adventure he’s planned just for you. He’s careful, attentive, making sure the focus is on you and helping you feel valued.

- When things calm down, Sam offers a mix of humor and reassurance, wrapping his arm around your shoulder and promising to do better. He’ll look you in the eyes and say something like, “I don’t like seeing you mad. Tell me if I mess up again.” He’s genuine and open, showing you he wants to grow from this experience and be a better partner.

- Once everything’s back to normal, Sam goes the extra mile, making sure you’re laughing and relaxed. He’s always there to lift you up, pulling you in for a warm, affectionate hug and giving you his full, unwavering attention. Sam’s presence is solid, reassuring, and he’ll make sure you know just how much he values having you in his life.

Peter Parker (Tom H.)

- Peter’s heart sinks when he realizes you’re angry with him. He’s young, a little clumsy with emotions, and absolutely hates the idea of upsetting you. His mind starts racing, thinking of everything he could have done wrong. He gets a little panicked, maybe even rambling apologies before he knows what’s going on, hoping you’ll give him a chance to explain.

- When you tell him what’s bothering you, Peter listens carefully, nodding along with wide, earnest eyes. He’s genuinely sorry, his voice soft as he stumbles through an apology. He’s never been great at handling relationship tension, but he’ll try his best to make sure you know how much he cares and how sorry he is for letting you down.

- To make it up to you, Peter goes for something heartfelt, maybe even a bit awkward, but completely sincere. He’ll show up at your window with a little homemade gift, something quirky and thoughtful—perhaps a playlist he made just for you or a funny little gadget he put together in the lab. He’s earnest, a little shy about it, hoping you’ll see how much effort he’s putting in.

- Peter spends extra time trying to lift your spirits, using every ounce of his playful personality to make you laugh. He’ll crack jokes, do silly impressions, or even attempt a bad dance routine just to get you smiling again. He knows he’s a bit of a dork, but he doesn’t mind if it means cheering you up. Peter’s all about making you feel comfortable and loved.

- When you finally forgive him, Peter’s face lights up with relief. He’ll pull you into a warm, enthusiastic hug, holding you close and babbling about how he’s “the luckiest person in the world” to have someone like you. He’s young, optimistic, and just incredibly happy that you’re not mad anymore. To Peter, you’re his world, and he’ll always do whatever it takes to make you feel special.

Stephen Strange

- When Stephen realizes you’re angry with him, he’s a bit taken aback. He’s used to being right and doesn’t often see things from others’ perspectives, so it takes him a moment to understand the weight of the situation. His initial reaction might even be a little defensive, but he quickly catches himself, knowing that with you, he has to try harder to listen and understand.

- Stephen struggles with apologies, often trying to explain away his actions or getting caught up in technicalities. He’s intelligent and analytical, but that doesn’t always work when emotions are involved. Eventually, though, he manages to offer a genuine apology, admitting that he’s not always the easiest person to be with and that he respects you enough to take responsibility.

- To make things right, Stephen will probably use a bit of magic to create something special just for you. It might be a small charm to keep you safe, a little illusion to make you smile, or even a glimpse into some place you’ve always wanted to see. It’s his way of saying he cares, using the one skill he knows best to bring you a little joy.

- As he tries to smooth things over, Stephen is careful, more attentive than usual, and visibly trying to understand your emotions. He may not be great at expressing his own feelings, but he’s willing to try if it means keeping you close. He’ll listen to you, nodding thoughtfully, and maybe even opening up a bit about his past mistakes and how much he values you.

- Once you forgive him, Stephen is visibly relieved, though he keeps it subtle. He gives you a small smile and pulls you close, brushing a gentle kiss to your forehead as he wraps his arms around you. He might even joke, “Guess I need to work on my bedside manner,” but there’s genuine affection behind his words. Stephen knows he’s lucky to have you, and he’s determined to keep learning how to love you better.

Thor Odinson

- Thor is visibly surprised when he realizes you’re angry with him. He’s naturally cheerful and doesn’t take most things too seriously, so the idea that he’s done something to upset you takes him off guard. At first, he tries to brush it off with a booming laugh, but when he sees the seriousness in your eyes, his smile fades. He immediately wants to fix things, willing to do whatever it takes to get you to smile again.

- Thor is quick to apologize, his voice earnest as he promises he didn’t mean to hurt you. He’s not one to overthink things, but he’s deeply sincere, and his apologies come straight from the heart. He’ll look you in the eyes and tell you he values you and never meant to cause any harm, his words laced with the kind of honesty that only Thor can deliver.

- To make it up to you, Thor goes all out. He’ll sweep you off on a grand adventure, maybe a spontaneous trip to Asgard (or at least what remains of it), or he’ll bring you somewhere beautiful and awe-inspiring. Thor loves to celebrate life and wants to remind you of all the incredible experiences the two of you can share. His enthusiasm is infectious, and he hopes that a bit of excitement will make things right.

- As you spend time together, Thor is extra affectionate, showering you with praise and hugs. He’s genuinely sorry and makes sure you feel loved and appreciated, maybe even telling you tales of his own mistakes and what he’s learned from them. He might tease himself a bit, but it’s all to make you laugh and remind you of his dedication to you.

- When you finally forgive him, Thor’s smile lights up the room. He laughs, pulling you into a bear hug, lifting you off your feet, and spinning you around. There’s nothing subtle about his relief and joy, and he’s not afraid to show it. Thor values you immensely and will do everything he can to make sure you know how much you mean to him, promising that he’ll try to be a little more mindful in the future.

[plaest2k]

hey, im a young nz artist too and i like making comics/want to do something bigger when im older, and i think your stuff is genuinely so fucking cool. i love it so much. i was wondering how you pursued art after highschool, like did you go to art school? if so, where and what was that like, and if not, how’d you find the time to continue doing it? its always felt like my opportunities for a career in art specifically seem smaller living in nz, but idk your stuff inspires me to think otherwise. thank you :)

kia ora!!

thanks so much for asking, it's truly so flattering that a young nz artist would ask me for advice! <3 sadly i might not necessarily be the best person to ask...

First of all, it's been a loooooong time since i've been a young artist hahaha I'm 32. After high school, I studied architecture at university because, as you're probably aware, we don't really have art schools like our peers do overseas. But after studying for a few years, I had a major depressive episode and dropped out. After that, I ran away to Korea to teach english for a year before coming back to work in cafes for about 6 years. Back then I was pursuing a career in editorial illustration cause that's what all my favourite artists were doing but I didn't realise that it was a dying industry at the time and there weren't exactly lot of full-time professional artists here who could have warned me...

So after about 10 years of trying to piece together some kind of profession in illustration, I ended up looking for a tattoo apprenticeship which was looking pretty promising but my bosses turned out to be not-so-great people. I tried to keep tattooing on my own but that was around the time COVID hit which wasn't (and still isn't) great for a job that requires you meet face-to-face with a lot of people. So, since the pandemic began, I've just been subsisting off of jobseeker, chipping away at comics and the occasional illustration gig.

The whole experience had me perpetually burnt out for the past ~15 years and made me realise that art as a career really just shouldn't be a thing. Under capitalism, it requires either an embarrassing level of compromise, privilege or luck to pursue. All the household-name artists you know in NZ either come from privilege or got unbelievably lucky. I don't say this as a value judgment or anything, most of them are truly wonderful people, it's just what I've learned about them as colleagues who've worked together a few times over the years.

I don't fault anyone for wanting to pursue that, but if you want to make uncompromising art that makes you feel fulfilled, you can't stake your livelihood on it. Art is supposed to be a by-product of life well lived, not content to be sold.

It's why I'm making plans to go back to uni next year to switch careers into a cushy office job because, as you've observed, even if you still want to pursue this as a full-time career, opportunities for artists in Aotearoa is extremely limited.

Having said all that, there's still a lot of nuance to this whole thing that would take me too long to cover in a tumblr post, so if you'd like me to elaborate or anything or have more questions, you're more than welcome to contact me through my email: plaest2k@gmail.com!

And this offer extends to literally anyone who might be looking for advice or just wants to talk about art <3

Final thing: the thought of studying something else at college/ university and keeping your art as a hobby might sound bleak when you're young, but life is so much longer than you think. You might feel like you have limitless creativity and ideas at the moment but when it becomes your entire life, you burn through it all faster than you'd think. It's because you need fuel to inform what you make and you can't get that from just making art. Like I always say, art is a by-product of a life well lived; You need life-experiences; You need to love, hate, care, be hated and loved to make art and you can't do that if you're too busy to do any of that. Those 3 years you spend on a bachelors is nothing in comparison to a lifetime of staring at a blank page, agonizing over what to make next.

[runawaymun]

Hey! Any advice on writing multi chaptered fics or just longer stories?

I feel like I'm okay for like snippets but have no idea how to write the middle of a story or move a character or story from point a to point b.

And asking you because you're writing is phenomenal and I'd love some advice.

(But if no brain space for advice I totally get that too and feel free to hide this ask or something)

(Anyway great updates on boundless and the one shot Brimbrond)

Sorry for taking so long to respond to this! I just wanted to take some good time to gather my thoughts because oh man oh boy I am a bit of a nerd about plot structure, even if I pants it a lot of the time -- because middles and structure absolutely plagued me when I was a beginner and so I spent a long, long time studying it and breaking it down.

I'm going to start with some very, very basic advice and then get into some more specific stuff. So let's talk first about how to structure a long-form plot first.

DISCLAIMER: this is how I personally structure plots. More often than not I veer off my own track. And this is a very western way of structuring a plot. It's well worth looking into how storytellers from around the world structure their work because it can vary wildly (Miyazaki is a great example of this). Take this with a grain of salt. It's a guideline which I find helpful. This is going to get very, very long. Bear with me:

When I'm first thinking about how to create a plot around a story I want to tell, this is the process I walk myself through, and it tends to work about 75% of the time for the stories I like to tell (I'm not much of a thriller or mystery writer and those tend to have different kinds of structure). Main recipe is as follows:

Status quo - establish the setting and the character. Do this by the middle-to-end of chapter one, preferably. You can get away with drawing it out a bit in sci-fi or fantasy works that require more worldbuilding, but try not to.

Inciting incident - I won't tell you to start in media res, as that varies from writer to writer and story to story. Generally you want to have this somewhere in chapters 1-3. Say we're talking about LOTR - I'd say the inciting incident is when Bilbo goes invisible at his birthday party and leaves for retirement. Everything sort of snowballs from there (Gandalf confirming this is The One Ring, the Ring being passed to Frodo, the adventure beginning, etc. etc). This is where your character can lose something, or be confronted with a huge problem, or gain some new information. This is the point where your story really picks up.

Point of no return - your character has been presented with a problem or is put in a situation and now they have to decide what to do about it. Sometimes characters choose to run away, or choose inaction. It's up to you and your character as to what they do next.

The annoying part - the most helpful way I've ever found to think about middles is in terms of a series of decisions and consequences. Your character must decide what to do (or try to get what they want), and this will then come with consequences to those decisions. I ignore a lot of writing advice because writers seem to be very cagey about how they compose middles and plots for some reason, but the one piece I heard that helped me was: "What does my character want, and what stops them from getting it?" -- and this can be anything, right? Frodo wants (has to) take the Ring to Mordor. Luke wants to learn to be a Jedi like his father. Inspector Poirot needs to catch the murderer. Odysseus wants to return home. Each of these characters are going to make a series of decisions toward their goal, and they may be working from incomplete information, or bad paradigms, or racing against the clock, or against impossible odds. They're going to make mistakes. Over and over and over again. The middle is a series of decisions, consequences for those decisions, and obstacles (more on that later).

Point of no return 2, electric boogaloo (i.e. the actual midpoint to the story) - the part right before the climax -- the climax IS NOT the midpoint of your story, nor is it the end. This is your midpoint where Everything Fucking Sucks. Your character's back is against the wall. They have to change, or fail.

Paradigm shift: your character learns something new, or develops in some crucial way that leads to:

The climax/confrontation: 3/4 - 7/8th of the way through your plot. Frodo decides to keep the ring. Luke uses the force to blow up the death star. Anakin's fear and the manipulation from Palpatine overtakes him and he turns to the dark side. Inspector Poirot gets his last crucial piece of information and gathers everybody together for the Big Reveal. Odysseus gets home and chases the suitors out of his house. Etc. Etc. This is that Big Point in the story we all think as the most important or crucial point (but it's not. That's the key here. THE most important point is the whole middle of how we got here).

Consequences and paradigm shift 2 electric boogaloo: varies from story to story, but this is the fallout of the last decision or confrontation. Your character may reflect on what they've learned. The killer goes to jail. Frodo returns to the Shire and it's saved, but not for him. The journey your character has been on has irreparably altered them, or the world around them -- for better or for worse.

Resolution: the place where you land the story ;) what is the final impression you want your readers to have of your character, or this world?

Alright so that's all kind of nebulous. Let me give you a slightly more specific form of this plot structure that I use pretty often, because I almost exclusively write character and relationship-driven stories since that's what interests me most:

So most of this looks much the same (the inciting incident is some kind of meetcute. The characters then have to decide if they want to have some kind of relationship -- I like to name this part the callback). Then we have a whole weird squishy section of building interest and tension, before once again we have The Big Fight (darkest before the dawn or what have you), before one or both characters have some kind of paradigm shift, they confess their feelings (or resolve the fight or whatever), and the security of the relationship is established -- happy go lucky times, everything is beautiful and nothing hurts.

So the middle here is of course still squishy and nebulous, but the focus here is still on "What decisions are the characters making? What are the consequences of those decisions? What are they learning, and how do they respond to it?" Maybe the tension is in one character being more reticent, while the other is more open. Maybe the tension is a sexual tension (will they, won't they?). Maybe a character is working off of incomplete information, or a misunderstanding, and that needs to be cleared up before the relationship (or even their own personal growth) can progress (both Elrian and Thalionel in Stars and Boundless Sky follow this pattern). The middle is a push-pull between your character's desires and outside forces that are stopping them from getting what they want, or achieving what they want to achieve.

So okay, that's all well and good. That's basic plot structure. Let me get into my thought process about middles specifically:

Begin with your ending in mind. I do not mean that you need to have like the whole resolution to your story fleshed out. If you're that kind of writer, great! But if you're more of a pantser like me, then that can be a big ask. Instead, ask yourself: what do I want my character to have learned by the end of the story? How do I want them to have changed, or grown? Do I want it to be for better, or for worse? Is there a specific plot goal you have in mind? (saving the world, or catching the murderer, solving the mystery, exorcizing the ghost, the couple getting together at the end, the found family finally gelling with each other, or whatever).

Once you have that thought in mind, now start to think about what your character might need to get from their starting point to their ending point. If it's a murder mystery, this is your information gathering section. You can lead your character to wrong or right conclusions. Have them make mistakes. Etc. etc. If it's a romance, this is where you create a string of scenes where the characters have opportunities to interact and learn more about each other (works for platonic slowburns, too). If this is a traditional hero's journey, this is where you plop in your actual journey.

Not to repeat this ad nauseum, but your middle is all about getting your character to your end goal, but in the most difficult way possible lmao. Let them make mistakes. Let them make bad decisions -- and then follow through with the consequences of those bad decisions. Give them bad information. This is where understanding your character's fundamental flaws becomes extremely important. Your entire plot, imo, stems from your character's fundamental flaws -- because ultimately that is what is going to slow them down the most from reaching their goal. Sure, you may have the big bad evil guy (bbeg), but we're not worried about him. That's an external factor and that's easy to drop in when you need a quick problem to place in front of your protagonist -- but that problem needs to be in service to your character or your worldbuilding. Teach them something. Give them an opportunity for growth. Aragorn needs to lead at Helm's Deep so he can inhabit his leadership role. The mountain pass of Caradhras needs to force the Fellowship through the mines so that Gandalf falls fighting the Balrog and comes back leveled up and ready to fight, and other characters in the fellowship have a chance to grow into their roles without relying on Gandalf for leadership. Your middle is all about crafting little opportunities for character growth, always while moving toward your end goal -- whatever that may be.

The paradigm shifts are crucial, and they can shift for better or for worse. It's up to you and your characters and the story you want to tell as to which it'll be.

If you're bored, your reader is bored. Only write what excites you, skip all the rest, and make it make sense at the end -- I'm so serious. Yes you need to add in breaks for pacing (like the whole Rivendell section in LOTR), but in those breaks still make sure that you're either expanding your worldbuilding, or giving your characters and opportunity for growth.

If you want to tell a really long (novel length) type of story, sideplots and alternate POVs are your best friend. They are structured exactly the same as a regular plot, they're just simpler or smaller and generally work in service to the main plot. Maybe there are side characters or side relationships you'd like to develop. Maybe there's a smaller mystery or a part of your worldbuilding you'd like to explore. Action plots can be side plots to romantic or platonic slowburn plots, just as much as it can be the other way around. And this is not something you need to structure out the gate. Just be curious and playful. Find points in your story that interest you, and explore them a bit. You'll find that they expand the story.

Biggest and best tip I can give you, when all is said and done, is to decide what kind of story you want to tell and then examine how other people are doing it. If you want to write a superhero story, pick out your favorites and look at how they're structured. If you want to write a mystery, same thing. If you're writing a romance or a drama, again -- same thing. Look at the pieces of fiction that you like, figure out what you like about it, and then apply it to your own work.

That's all the general advice off the top of my head. IDK how helpful this was lol. If you want more tips on middles I can try to look at it a bit more in depth, but to be quite honest middles are really what defines a genre. Romances have different middles to thrillers. Thrillers have different middles to mysteries. Mysteries have different middles to dystopian sci-fis. Etc. Etc. So take the general advice with a grain of salt and look more specifically at the genre of story that you're looking to tell.

Thanks for coming to my tedtalk <3

[pleasantbread286]

I have questions regarding some personal stuff, until a couple of month ago I was more into landscape, especially clouds and mountains. I never bother posting about that too much cuz it's time consuming to make and I never gathered much traction with it. Therefore I tried to learn new things, especially portrait (cuz I still have the hope of making an RPG someday and I'd like to know how to make character portrait) the thing is, when I began making portrait I used the same technique I used for landscape (lot of dithering) but It didn't always worked. That's why I made a lot of sprite last month, I don't think it was noticeable but I always tweaked a few things (amount of dithering, number of colours, canvas size etc...) and the thing is it devolved into two art style :

I use a lot of dithering when I want to do realistic pieces and no almost no dithering for others. Oddly enough it's way easier for me when I use a lot of dithering. I was wondering which one do you prefer

[cartwheellou]

He looks so charming and curious! I can tell you put a lot of effort into the coloring, what with all the scale detailing. I think the scale patterns look very nice, especially on his face.

Digital art can be a very different beast from traditional. Sorry in advance if anything I’m about to say is obvious, or you’re already doing it. Theyre all things I didnt know to do when I started transitioning from traditional to digital art.

Sometimes, the lines you draw on the traditional version look great as is, but when you digitize it, it just feels so wonk. Treat your traditional drawing as a rough draft. Focus less on tracing the traditional art, and spend more time looking only at what you have digitized and going, ‘do i like how this looks?’ It can help you from, at the end of the process, from going, ‘why did it turn out like that?’ And if its still not working out, turn off the traditional art layer and try freehanding it.

Inverse advice, while still making sure you spend time zoomed out looking at the whole piece, zoom in to draw lines. Yes, even further. It will make your lines straighter and help you bend that curve in the direction you want it to go. Then you zoom out and check it looks like you thought it would. It will also help you add detail where you would otherwise be afraid to put it in a traditional piece, like adding lots of detail in a folded wing.

What drawing app are you using, and what hardware do you have access to? Its stupid how much my art improved leaps and bounds when I switched to a better app and got a second hand tablet instead of using my laptop trackpad (if you can, use literally anything besides a laptop trackpad.)

Explore whatever app youre using a little more. Find a different brush, or at the very least, change the brush thickness depending on what youre drawing. It can be nice to have big, bold lines around the edge of the form, or to define his head from his body, but they suddenly seem clunkier when detailing his wing shoulder. A brush that changes thickness based on pressure is great for that, but again, just making the brush smaller does the trick too. The smaller brush will also help make added detail feel less clunky.

And whatever you do, dont berate your artistic skill if you dont like your digitized stuff. Its a different skill that you havent built yet. I can tell from this drawing that youre a good traditional artist, and you can be a good digital artist as well (after a series of what feels like failures but is actually just part of a learning process). Most of the stuff that Id pick on in this drawing are the product of unfamiliarity with digital art, and not having access to a tablet with a great drawing app and a pressure sensitive stylus. You can do great digital art without it, but it is harder and it does restrict your style.

Once you feel comfortable with it, try drawing something digitally without uploading a traditional rough draft. I actually found it a little easier!

I did a traditional drawing a few weeks ago and I decided to turn it into a piece of digital art :D

I would really appreciate some advice on how I could improve this :)

(yes I know he isn't grey idk what I was doing)

[kagooleo]

in 2021 I participated in the making of ‘shuwatch!! the ultraman fan zine’ for volume 2! I was able to draw a piece for one of my favorite series and a postcard set :D

it was awesome seeing so many works all going towards a good cause! I had a blast with these pieces and was an amazing learning experience to experiment with new mediums and techniques!!

[bonefall]

Is there a cat in cannon who got a good death who you think didn't deserve it? Especially if they committed crimes?

Tom the Wifebeater and his redemption death. No question. It's not even close.

Not only do I reject to the "redemption death" on the grounds of it being Tom the Wifebeater who is bullying others until his dying breath, even taunting Thunder about Turtle Tail is dead and the kits must be very torn up about it, but I reject "redemption through death" entirely. I don't like it in stories. It's a theme I deeply object to.

And again it's fucking wild that every time a character is a father, even if they are a wifebeater or a child abuser, the writers think that it bestows a glimmer of goodness into them which every abused child is forced to appreciate and cry about. Breezepelt, Thunder, Tallstar, Tom's children, all of them forced to reconcile and admit how much they wuv their papa.

Abusive dads in WC regularly get redemption deaths, too. Clear Sky dies saving his grandchild, Sandgorse died saving a rando in a tunnel, Tom the Wifebeater saving his daughter.

But Tom the Wifebeater is the worst example of it. Hands down.

[opens-up-4-nobody]

...

[galvanizedfriend]

A non-comprehensive list nobody asked for of

✨shit I found in my WIPs folder✨ (I didn't even remember some of these things)

I have not one, not two, but THREE 🎄Hallmark Xmas AUs🎄

🎅 AU #1 features Caroline getting invited to spend Christmas at a fancy English estate by her friend Enzo who recently married into the Mikaelson family (spoiler: it's not Rebekah he married). Since this would be her first Holidays without her mother and he didn't want her to spend Christmas alone, he asked her to tag along. Enzo swears the jackass she met at his wedding who said some crap about her then fiancé (whom he didn't even know!) that ended up leading to them breaking up not long after wouldn't be there. But then Klaus' flight gets canceled due to a snowstorm and he has to spend Christmas with the fam and now Caroline will have to deal. Key words: Mikaelsons galore, Christmas tree-hunting, annoying exes, a fancy Christmas ball.

🎅 AU #2 features Klaus inheriting a Christmas tree farm (!!) from his biological father. He doesn't want to accept it, since the man basically never tried to find him in life, but his lawyer (aka Elijah) convinces him that it's worth too much money for him to just relinquish the rights to the inheritance, and so Klaus decides to travel to the place to see what it's about. There he meets his dead father's lovely lawyer, who talks him into selling the property to someone interested in keeping the business open so the local community who depended heavily on it wouldn't be left with nothing. Since she is so persuasive he accepts all her terms. And in the process ends up finding out more about the dead father he never knew. Key words: Jul Land (I know), Elijah is kind of an ass but he saves face at the end, angsty in some parts, Klaus at a Christmas farm I don't know I just love the idea sue me.

🎅AU #3 was inspired by Christmas by Starlight which is one of my favorite Hallmark movies. Caroline's mom owns a staple of the neighborhood 20-years-old diner called Mystic Grill, but the entire block gets bought by a land development company hellbent on turning it into a modern shopping complex. She decides to give the Mikaelson Group a piece of her mind, but instead of finding the group's CEO, she finds the younger brother whose commitment to the family legacy is dubious to say the least. Klaus hates his work, but he does it out of spite almost. His callous disregard ends up causing them millions in damages and so Elijah decides he needs legal counsel with him at all times - enter Caroline, who's not there for a job, not interested in working for them in the least, and will accept to pose as legal counsel to keep Elijah off his back if Klaus promises to save her family's little bakery or whatever. To save his ass after yet another fuck up and make him keep his promise, she helps him throw a fundraiser to appease one of his would-be lawsuit cases. Klaus does not learn the spirit Christmas, does not start caring about the lives his predatory company ruins with its gentrification business, but he does care a lot about making this one particular girl happy. So he goes to war with Elijah. Key words: Scrooge, Caroline is literal sunshine, Klaus gets bossed around and secretly loves it.

Two different ❤️‍🔥Kleferoline AUs❤️‍🔥 lololol

💦 AU #1 features Caroline allowing herself to be impulsive and reckless for once in her life and ends up having an insane one night stand with two guys she met at a night club. One of the guys keeps trying to reach her after, but she has too much on her plate to give in, no matter how tempting it might be. Things should've ended there, but when someone shows up at her work place wanting to kill her, she realizes her one night of freedom is not going to have a lot more strings attached than she expected. They take her in for safety reasons, in order to keep her protected from the war being raged against them by their rival crime lords (Klaus' father and brothers), and well. You can guess what happens next. Key words: threesomes, thirsty thirsty thirsty, there is no rhyme or reason to this it's just thirsty.

💦 AU #2 is broody and angsty and way more complex where everyone is kind of fucked up in one way or another. Klaus and Stefan are married, but Stefan gets involved with Katherine, which leads to Caroline getting pulled into their circle and starting an affair with Klaus. Except while Katherine and Stefan fizzle out pretty fast, her thing with Klaus gets serious, and while she knows it's wrong wrong wrong to pretend to be friendly with Stefan while she screws his husband behind his back (even though she knows his marriage is far from perfect), she can't help the allure of danger. And also Klaus. Key words: everyone is fucked up, their marriage is a whole mess, lots of Mikaelsons involved, Stefan is a bit of a soft-spoken, nicely dressed jerk, they make the right choices in the end.

One 💍Arranged Marriage💍 AU

I am so mad at myself about this one right now because I was reading it thinking I had the whole thing mapped out, and it hooked me so much! And then I realized I didn't write the climax of the story. 🤡 Fuck me. Bill Forbes gets some pretty serious dirt on the Mikaelson family and threatens to expose them - unless one of them marries his daughter, which will open all kinds of doors to him and his business in the upper echelons of society. While the Forbes have made a fortune in trade, they have very little connections amongst the 1%, and what Bill really wants is to be treated like a king. Klaus gets the short straw and ends up engaged to Caroline in order to save the family (all Kol's fault). But it won't last for long, because he and Elijah have a plan to not only recover everything Bill has on Kol and their family's business, but to destroy the man in revenge. Caroline obviously has no clue, all she knows is her parents had been trying to set her up with rich heirs all her life, and a Mikaelson is kind of like hitting the jackpot. Klaus is obnoxious, infuriating, snobbish and all-around unpleasant asshole, but she's determined to at the very least try to make it work in order to please her parents. Worst comes to pass, they'll have a one-year long fake engagement and then call it quits. But in the process of pretending to be a happy couple, Caroline and Klaus end up catching feelings. The problem is that Klaus is not the only one enchanted by her, which causes even more rifts within the family. And all the while their plan to ruin her father is still on-going. Key words: jealous!Klaus, Elijah is hot for Caroline (he can't help it guys, she's awesome), Mikaelsons all over the place, DRAMA, thirsty moments.

One 👻Fake Dating, Friends-to-Lovers AU👻

Where Caroline is working hard to keep the business she inherited from her mother afloat (a tour guide agency where they offer ghost and occult tours), but it's been slow. So she signs up for a social media contest where this travel influencer will pick one place to win a prize cash plus all of the attention of her millions of followers. Except Caroline gets a little too into it and ends up doing a whole research on things that might help her gain points with this influencer based on her travel history and the stuff she chooses to showcase on her channels. So she makes up a story about how she met the love of her life in one of her tours and they now run the business together because the woman seems to have a soft spot for love stories. Except there is no love of her life, and she runs the business pretty much by herself. So with her two friends slash employees Bonnie and Enzo, they decide her best shot is to enlist the help of her foe-turned-friend who she did actually meet in one of her tours and whom she's had a secret crush on for ages but never said anything because she's pretty sure it's not requitted. A chance to fake date Caroline? Klaus doesn't even blink. And so they have to pretend to be in love not only to the influencer, but so the rest of the town will see them together and not think it's weird when/if she shows up on social media with him. But Kol always ruins everything. Key words: she catches feelings first!, or so she thinks, tropey af, Mikaelsons come in and out of this one, also Enzo.

Honestly, there's more shit here, but these are just the ones that were almost complete. When I say outlined, I mean scene by scene, with all the dialogues. Except I seem to have abandoned some of those before I actually made it to the end, and now I'm so pissed at myself. A lot of thdm were inspired by books I read or actual Hallmark movies. If posting half-written stories was a thing I'd have so much shit out there omfg. Was I high for some of these? Probably. But going back to read them they are pretty damn fun. Now if only I still knew how to whip out entire fics in a week. 🥲

That moment when you start reading something on your WIPs folder and it turns out to be very engaging and you're super interested and then you get to the end and remember that past-you didn't write the finale. I hate my life so much right now.

[turtlemagnum]

one of my favorite parts of strategy games like chess and advance wars is that feeling when you haven't quite won yet but the enemy has no real options so it feels like you're just sloowly wrapping around them like a snake. when all your enemy has is their king and you've managed to turn 3 of your pawns into queens, and all you've gotta do is get in juust the right position, and in the meantime all they can do is squirm. god, that's such a wonderful feeling. nothing quite like it

[as-rare-as-trees]

Repost of a Wang Yibo in watercolor I did in 2020 taking ispiration from my favourite photoshoot of his

[ironmanstan]

So much work to do but im actually doing it which scares me more than the fact i have work to do and u can tell bc i keep fucking posting like this

[whispering-kavka]

the struggles of today proved to me that i might indeed be a little mentally unwell

[fingertipsmp3]

I love reading because you’ll be like “okay let me just finish this chapter and then I’ll get some work done” and at the end of the chapter in question the main character gets sealed into a tomb against his will

[melzula]

well since requests are open i wanted to request a zuko fic?

zuko x waterbender reader in which someone from team avatar walks in on them kissing?

i feel like it’d be funny idk lol 😂

a/n: i love this trope it’s so funny. also it’s like subtly mentioned reader is a water bender since i didn’t wanna just shove it in there awkwardly. anyway hope you enjoy!

summary: a private moment between you and your boyfriend is interrupted by your unsuspecting friends

“Are you sure no one saw you come in here?”

“Yes, I’m sure,” Zuko says with a huff after closing the flaps of your tent. “You know, I’m starting to think you’re embarrassed to be seen with me.”

“You know that’s not true,” you argue with a frown. “I just enjoy having some privacy. I know those guys are going to make a big deal about us being together, and I just want to enjoy our relationship without having to deal with any prying eyes.”

“I know,” he admits with a sigh. “I’m just tired of sneaking around. Do you know how difficult it is not to kiss you or check on you after a fight with my sister? It’s torture.”

“It’s just until the war is over. There’s a lot at stake right now, and it would be a weird time to come clean. It’ll be over before you know it.”

“I hope you’re right,” Zuko murmurs with a frown, one that immediately melts away at the feel of your arms wrapping around his midsection. It’s hard to be upset when you’re smiling up at him with the purest look of adoration in your eyes. Despite everything, all of his flaws and mistakes and cruelty, you love him, and it fuels the warmth inside of his heart knowing he has someone like you. Maybe he would have joined the Avatar and his friends sooner if he knew it would lead him to you.

“At least we’re finally alone,” he notes with a faint smile before leaning down to press his lips against your own in a long awaited kiss. He hasn’t been able to give or receive affection all day, and it isn’t until now with your chest pressed against his own that he’s finally able to truly feel relaxed.

Unfortunately, you’re both too engrossed in each other to notice the rustling of your tent flaps as Sokka and Toph let themselves in without a second thought.

“Hey, y/n, Toph and I are gonna head into town, do you want to- oh, gross!” He cries after catching Zuko and yourself mid lip lock.

You both jump at the intrusion, knocking your head together on accident and groaning in unison at the impact.

“Sokka!” You cry out in embarrassment. “Monkey feathers, don’t you knock?!”

“It’s a tent! There is no knocking!” He yells back defensively, equally as upset as you are. “I can’t believe you guys were kissing!”

“We weren’t kissing,” Zuko argues, his face red with embarrassment. “We were… hugging… with our… mouths?”

“Oh, spirits,” you groan, your palm hitting your forehead in embarrassment at Zuko’s horrible attempt at lying. For a Prince, he has a terrible way with words. You’d think all that time spent with his Uncle would make his vocabulary more eloquent.

“If Toph could see she’d be very upset right now!” Sokka scolds, but the girl beside him simply shrugs.

“Actually, this works out great for me. Katara owes me five gold pieces now,” she says with a grin.

“You guys knew they were dating and didn’t tell me?!” The water tribe boy says in offense.

“I had a hunch, but Katara disagreed, so we made a bet.”

“Enough already! This is mortifying enough as it is,” you groan impatiently. “Sokka, we’ll talk about this later. For now, I need both of you out!”

After getting the two to leave the tent, you shut it closed with an irritated sigh. You’re absolutely humiliated, and you don’t think you can show your face to your friends ever again.

“So much for keeping it a secret,” the fire bender mutters.

“You,” you say with an accusatory finger pointed at the Prince, “need to learn how to lie better.”

“I know,” he admits meekly, awkwardly scratching the back of his neck. Sighing, you open your water pouch and tend to the growing bump on his head from your previous collision. You can’t stay mad at him when he looks so flustered and sweet, so instead you merely throw your arms around his neck and pull him back in for another kiss.

You can focus on coming clean later. For now, you just want to enjoy your moment of peace with the boy you love.

| zuko tags: @thebluelcdy @royahllty @the-firebender-girl @ilovespideyyy @yiyibetch @eridanuswave @lammello @a-monsters-love @knaite-solo @taeeemin @lora21