#and I honestly only got a couple episodes into season 5

[dancingplague]

I do think there is almost nothing as disappointing in a piece of art as when a serial work starts out rough and unpolished and kind of slapdash, and you have to ignore the rough bits to enjoy it, and then it technically improves and it hits its stride and gets bad concomitantly

[leupagus]

Guys I Might Have Three Nickels

I've been watching "Agatha Christie's Marple" for the past few days and it's pretty good! Marple adaptations all tend to have a better caliber of actors than a lot of bog-standard mystery shows (looking at you, "Madame Blanc"), and while Joan Hickson's Marple is right up there with David Suchet's Poirot and Jeremy Brett's Holmes as "literally can never be beaten, these are the best anyone's done it," both Geraldine McEwan and Julia McKenzie do a fantastic job as Miss Marple.

Then I got to "The Secret of Chimneys," Season 5 episode 2

and guys

Guys

So there's a murder of a viscount, like there is, and this detective Finch rolls up and immediately spots Miss Marple (in her NIGHTIE! standing at the window like some kind of hussy, honestly Jane) and doffs his cap to her with that little smile that makes you go, "huh."

At this point I've watched a couple dozen Miss Marple episodes where she goes through detectives like wildfire and this guy's supposed to be a "*guru*" so I'm expecting some battle of the egos or something and like, Stephen Dillane is great! But bleh, I might have to skip this one.

Then my dude asks Miss Marple to SHOW HIM THE BODY, with a pleased little smile at her as she goes "uhhhhhhhh but my knitting?" (He even does that thing where you use someone's honorific and wait for them to give you their name, and that's when I was like "ohhh this bitch knows exactly who she is.") What follows is what I can only describe as a meet-cute in the secret passageway where the viscount was shot (and in fact the body is STILL THERE) and where Miss Marple literally asks the police equivalent of "is there a Mrs Finch" and he looks at her like this:

At which point I'm like "ohhh my dude not only knows who she is, he deliberately came here without a sergeant so he could draft her," and sure enough he just starts...handing her pieces of evidence like "hey babe can you decipher this note for me thanks love you" while Miss Marple is like, "this approval and camaraderie coming from a cop... not sure if want."

Next is a series of romantic strolls through the gardens while they discuss murder, during which Finch reveals his undying love I mean his research into Miss Marple and the "dozen case files" of her previous exploits that he's collected like some deranged fanboy. Miss Marple responds to this by BLUSHING LIKE A SCHOOLGIRL and stammering about how pish tosh it's nothing really, and I couldn't find a gif of it but he's staring at her like this:

Yeah I bet u r tempted

He also makes a half-hearted attempt at negging her "amateur sleuth" status, only to then immediately assure her that he makes like, so much money being a big fancy detective and can keep her in all the yarn and garden seed she could ever desire.

There's also a late-night tryst at the compost pile right after Finch has been (mildly) poisoned and Miss Marple is like "men are so weak" as she roots through the garbage for clues.

Not how he wanted their first date to go D:

The next morning there's another murder which: bummer, but also allows the two of them to read love letters together and for Finch to give Miss Marple the following look as she explains how secret assignations among lovers can "quicken the ardor":

Miss Marple then goes onto solve the murders and btw hands over the priceless diamond that's been literally missing for two literal decades that she found in her spare time. The entire scene features Finch looking at her like this:

After the dust settles, Finch and Miss Marple have a lovely moment where he calls himself "another one of your casualties," then super casually mentions that he's probably going to have to go on assignment to use the diamond in a daring international espionage case and I can't decide if he's asking Miss Marple to go with him or simply trying to show her that he is cool and smart and would make an excellent wife, but either way the episode ends with her turning him down and Jane, we need to talk about your priorities.

Anyway I've already written 2K about the subsequent 10-year epistolary romance these two have following this episode because I make poor choices.

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#45: The Son's Best Friend (1.05)

gif cred: @ricksmarlene

He was in love with his son’s best friend. 😭

I had said there were two big lines in TOWL that would basically need a whole reflective post dedicated to them. And one of those lines was Michonne telling Rick the only time she feels safe is when she’s with him in ep 4. The other is this line here in ep 5 where Rick just makes every Richonne moment in TWD even better by confirming that before Richonne became canon, Rick was well aware that he was in love with Carl’s best friend 🥹...

In any post I have on Richonne's season 6 canon scene I have always expressed that it is so clear Rick is fully aware he’s in love with her before they sit on that couch. He knows. Not subconsciously but consciously knows he’s in love with Michonne before they ever kiss.

And for Rick to confirm this years later was just heavenly and it has given me a lot of new thoughts on Richonne’s TWD journey. So you know we gotta go in-depth and talk about it. 😋

After talking about RJ and Judith, Rick turns the attention back to Michonne when he holds up some toothpaste. And I love the playful way he says, “I got you something.”

gif cred: @riickgrimes

I always love a good callback so it’s great hearing him say this when he also told Michonne, "I got you something” regarding the mints during their season 6 canon episode.

Back then he had to make do with mints since the toothpaste sunk to the bottom of a lake - but now years later, Rick finally got her that toothpaste she wanted. Soon as he got it, she did. 😭

I really do marvel over the way TOWL came and just checked pretty much every possible Richonne thing we could have wanted and didn’t even know we wanted off the list.

And seeing Rick get this toothpaste was such a great full-circle callback to the episode where Richonne became official. Dental hygiene has been blessing the Richonne ship since season 5, y’all. And we’re still getting blessed by it in 2024. 🙌🏽

I’ve also always loved that Rick remembers every detail about Michonne so of course he remembers the exact flavor of toothpaste she likes as he walks over to her and says, “I think it was baking soda and spearmint. As requested.” So cute and Rick is the only man ever, just saying. 😋

gif cred: @ex0rin

I love his little playful flirty energy and that Michonne laughs as she immediately remembers the moment he’s calling back to. Michonne being courted by Rick is one of my favorite things and I love seeing her be so smitten by her handsome man yet again. Rick and Michonne are both a pro at getting each other to laugh and smile. 👌🏽

Then I love that she takes the toothpaste and all flirtily says, “Man of his word.” The way she’s smiling at him is so sweet. And then she says, “it only took a couple lifetimes” because they really have lived a whole lot of life since that day in season 6. 

gif cred: @ex0rin

And then next, y’all…I was attacked. I was attacked with a line so good it stayed stuck in my head for weeks. 😊

Because Rick then looks at Michonne and says,

“I was in love with my son’s best friend. I didn’t know what to do.” 🫠

The best. 😭😭😭

gif cred: @ex0rin

I had been hoping that TOWL would give Richonne a reflective moment to talk about and look back on their love story and this was such a great way to do it. It explains so much.

The ‘I was in love with my son's best friend’ line really is informative and got me reflecting back on Richonne's journey in The Walking Dead. And something that hit me was thinking about the tail end of season 4 - which I've always felt Rick was most definitely in love with Michonne by then.

I used to think it was only subconscious for him at that point but honestly...now I like to think he was even more aware he was in love with her than I originally thought at this time. He still was dealing with a lot mentally and externally of course, but he knew the love he had for Michonne was different in 4b.

And here’s where the son’s best friend part factors in - Rick realizes he’s in love with Michonne in 4b and what he also knows full well is that his son adores her and needs her. So at the same time that he’s realizing his feelings for Michonne, Carl is also forming this invaluable bond with Michonne. And Rick very clealry sees that.

gif cred: @tangerineprettygreen

Rick sees the way Carl genuinely laughs and has fun with Michonne over breakfast and on the train tracks. He sees how after the horrific trauma with the Claimers, Carl feels safe enough to fall asleep in Michonne’s lap.  (I like to think that Rick opened the car door to say it was time to head out and he saw his baby restful in her arms)

And while that’s more of a headcanon, we literally see Rick watch Michonne and Carl have a heart-to-heart in the forest that concludes with a hug during the s4 finale.

All of this is part of why this line in TOWL ep 5 is so fitting. Because during that s4 era, Rick had this romantic love for Michonne rising to the surface within him, but he also felt he needed to not act on those feelings because he saw his son needed Michonne just as much.

Every time Rick started looking at Michonne with those ILY eyes, he just had to look slightly to the side and see Carl looking up at Michonne as his best friend and safe space. And so as a caring dad, Rick didn't want to risk getting in the way of Carl and Michonne's bond.

But as Michonne says - Richonne's love can’t be denied - and it also can’t be avoided. So while Rick thought he could fend off or table his feelings - or idk what he thought he could do actually because he didn’t know what to do either - but any denial of their love was always going to be futile because Richonne was inevitable. They were meant to be. 😌

And one of the things that will always make my heart smile is knowing that Carl clearly seemed to feel Rick and Michonne were meant to be too, because he truly was not at all shocked when they finally got together.

When Carl found out about Richonne he fully approved and looked like the only thing that surprised him was that it hadn’t happened already. My boy Carl was looking at both Rick and Michonne with some 'duh, I been knew' energy the day after they got together. 😋

(Also, kids are super perceptive so I honestly wouldn’t be surprised if Carl could tell Rick was a lot happier in his relationship with Michonne than in his previous marriage.)

It turned out Rick never had to be worried about his love for Michonne complicating things between Michonne and Carl because not only was Richonne meant to be but so was Grimes Family 2.0.

They were always going to be the family they became because that’s just how destiny works. Beautiful destiny. 😌

(Side note: A few years ago I wrote a RIR post about that season 4 moment when Rick asks Michonne if she needs help cleaning up those walkers. To me, it really felt like Rick might have been intentionally waking up early to see Michonne. And after this “I was in love with my son's best friend” line now I'm just convinced that it’s true. 😋 Rick wanted to spend some alone time with his crush in that s4 scene. 👌���� Hence his cute little pouty face when Michonne warmly declined.)

And I love that Rick also admits he didn’t know what to do about the fact that he’d fallen in love with his son's best friend. That implies he thought about what to do and just came up short with an answer because he so badly didn’t want to potentially jeopardize Michonne’s vital role in his family’s life by trying to advance the relationship if it wasn’t something she also wanted.

It's funny how Rick and Michonne are very observant people but were hesitant to know for sure that the other really was into them romantically pre-canon. Even despite all the blatant attraction between them both. 😊

Had Rick or Michonne been observing any other two characters interact in the same way they do, they would have quickly clocked that the two have feelings for each other. But between them, they thought they had to ‘work up to’ finding out if the feeling was mutual when really they’ve been the others for the taking pretty much since season 4.

But it makes perfect sense that what took Rick so long to make his move wasn’t solely the world screaming at them, or the Lori baggage and PTSD he needed to heal from - it was also that he felt he’d need to tread lightly with his son’s best friend and not do anything to get in the way of Michonne and Carl's connection.

With what a loverboy Rick is, it actually would track that when love hit him he’d become aware of it sooner rather than later. Plus, the time between TWD 4.15 when Rick was looking at Michonne like 😍 on those train tracks & TWD 6.10 when Richonne got together on that couch was years for us but it was a much shorter span of time for the characters.

If Rick knew by the end of season 4 that he was in love with Michonne, to me his actions in season 5 really further solidify that he was in love with her and was at least somewhat aware that love was part of why she has so much influence on him and his decisions.

And when I think about it, even if Rick knew he was in love with Michonne at the end of season 4, there was hardly any room or privacy to forwardly act on the realization of those feelings during the majority of season 5.

They were busy escaping the jaws of cannibals, traveling on the road with scarce resources and team family always around, searching for a home base, and then arriving at ASZ, a place that initially put Rick more on edge than when they were roughing it outside the walls.

So that, on top of feeling like he can’t and won’t intervene in his son’s friendship with her by making his feelings known, makes a lot of sense as to why it took Rick the time it did to finally make his move. 

But even at a time where the weight of the world was on Rick's shoulders and so few could reach him in season 5, Michonne always could. She had his heart and there are moments in s5 where Rick could even be hinting that he knows she has his heart too.

I think about the 'Rules Keep Changing' scene in TWD 5.11 when Rick talks to Michonne about the rules changing regarding when to let someone in. After TOWL, I feel like that moment can be interpreted as Rick slowly coming around to maybe changing the rule that he can’t be with Michonne because she’s Carl’s bestie.

And you know what we gotta address next - when team family arrives at Alexandria, even the extremely brief and messy Jessie situation further aligns with Rick being in love with his son’s best friend if I do say so myself.

With Rick entering ASZ in love with a woman he's told himself is off limits because of his son, that would likely make Rick even more eager to divert that existing energy within him elsewhere since he at the time doesn’t feel he can bring that energy to his sons best friend, despite being in love with her.

It's like, on top of being rooted in his PTSD and paranoia, intervening with the Anderson situation gave Rick something to preoccupy that in-love-with-Michonne part of himself that he's trying to deny.

Even tho Rick still very much does bring that 'ILY' energy to Michonne in so many of Richonne's season 5b/6a scenes. Like how he's very adamant about securing the home she wants, how he 'signs the papers' with ASZ after Michonne confides in him about wanting a job and wanting this place to work, and how he directly lets her know that he knows she could've successfully talked him out of his under-the-table plans.

(Side note: The more I see this great Richonne season 5 finale scene, the more I feel like Rick actively wants to hint to Michonne that she's it for him with everything he's saying and doing here. It's just our girl Michonne was not yet translating all these signs from him as romantic interest in her, even tho Slick Rick was real obvious)

Also I noticed how the driving force of that whole thing with Jessie was never really rooted in Rick thinking ‘I want her’ but rather ‘She needs me.’

Rick mainly seemed to be thinking about how he was right for Jessie as a woman in need of protection, and he never really seemed to be assessing if she was right for him too. Never seemed to be considering his compatibility with her or focusing in on her based on anything unique/specific about her beyond surface-level attraction and the fact that she resembled what he was used to with Lori.

He didn’t evaluate any specifics or long-term outcomes with that Anderson situation (like how Carl would feel about all this) and he didn't tell anyone close to him about his dazed pursuit of her. And now I think that part of that is because Rick already knew the woman who was right for him. He knew the woman who had his heart and love already.

But the woman he wants is the woman he thinks he can't have because, being the selfless guy he is, he was not going to interfere with his son's relationship with his favorite person, even if Michonne had become Rick's favorite person too.

Women like Lori and Jessie were the type who would need to rely heavily on Rick’s protection to survive that world. And that's what Rick had been accustomed to. It's how he came to understand his own worth and value - through what he can do to save and rescue others.

However, Michonne doesn’t need Rick to survive in that way - but she does need him to live.

Michonne ushered in a whole new territory for Rick. One that was so refreshing and welcomed because she and him could lean on each other and not have things be one-sided. And I've always appreciated the way two very capable characters like Rick and Michonne so deeply and healthily need each other even with their individual capabilities. And I'm so happy with how that need for each other evolved into the deepest love for each other.

It just has always been so clear that by the time Rick kissed Michonne in s6 he was already fully in love with her. On that couch, they both kissed each other like they'd been wanting to do that a long while. That's part of why once Rick and Michonne kissed, their status didn't feel like gf/bf but husband and wife.

(Side note: I love how in TWD 6.11 Jesus assumed Rick and Michonne were Carl’s parents after walking in on them in the bedroom. That was Richonne’s very first time sleeping together and Jesus still quickly got the vibe that Rick and Michonne were in a committed relationship. ☺️)

(Another side note: it wasn't until this year that I noticed there's a quick wordless moment on that couch in 6.10 where Rick looks at Michonne and subtly gets permission to get on top of her. 😊 As many times as I've seen Richonne scenes there's always something new to catch.)

This immense love Richonne has for each other - it's not just made out to be this romantic and powerful in their spin-off series, it’s what it’s always been.

And when Rick and Michonne finally got together in 6.10 it wasn’t ushering in this wildly new dynamic between them - it was simply acknowledging their existing married dynamic and finally adding physical intimacy to the union.

Also, another one of the million things that I love about Richonne's first kiss in season 6 is that it seems like they immediately know this is right. Them being together romantically felt so right to them. And not only was connecting that way as good as they thought it'd be...it was even better. 😌

And after their canon ep, Rick was definitely of the mindset that he and Michonne were a ‘together forever’ couple in the way he was telling Michonne's bestie Carl 'This is different' the very next morning. 😋 Rick and Michonne were just in bed what a few hours ago? And Rick still already knew for certain what he has with Michonne is different and long-term. ☺️

Knowing he knew for a while that he was in love with his son's best friend, it makes it even more clear why Rick had that nervous energy when finally telling his son about him and Michonne. Behind that RV, Rick felt like he was approaching Carl not just as his son but as Michonne's best friend. Rick wanted to assure Carl that he has good intentions with his best friend since he knows how much Carl loves and is protective of Michonne.

Rick told Carl, "I was gonna tell you about me and Michonne..." and I'm convinced Rick meant that for a while he's been meaning to tell Carl about him and Michonne, not just since the night before.

(Side note: I was thinking about that scene in 6.12 when Rick leads a meeting in the church, telling ASZ about the plan to take out the Saviors. I always noticed how Rick ends the meeting by seemingly just walking out while they’re all still sitting there...and now, no one can tell me Rick didn’t walk out to go straight to moving Michonne’s stuff into his room. 😂

I believe this was their first time back home since his night with Michonne so Rick was like ‘listen community, I have some equally important matters to attend to like moving a bunch of tight pants and tank tops into my bedroom dresser so meeting adjourned.’ 👌🏽😋)

So now that I personally interpret that Rick was aware that he had fallen in love with Michonne earlier than previously thought, it led me to wonder about when I think Michonne was aware she'd fallen in love with him. While Rick and Michonne fell in love around the same time in season 4 to me, I feel Michonne became conscious of her feelings at a later time than Rick.

I'd say Rick knew his feelings for her before they entered ASZ. Like somewhere in between the train tracks scene in 4.15 and when Michonne takes Rick's hand outside the gates of ASZ in 5.11, he knows he's in love. And I think Michonne started to know consciously that she’d fallen in love with Rick after her chat with Deanna about what she wanted for herself.

It makes sense it would take a bit longer for Michonne to process and be aware of her feelings considering the losses and isolation she’d experienced at the start of the end of the world. She had a lot of time to wall up her heart after losing Mike and Andre, whereas Rick, even after he lost Lori, still had kids and a group he had to be present for.

Michonne was aware she felt safe with Rick and that he meant a lot to her for a while, but she just had to come around to fully realizing she was also utterly in love with him all this time too.

And again, it is always a little funny to me that Michonne thought she had to 'work up to' making her feelings known to Rick and seeing if it’s mutual when so many team family and ASZ members could already see that Rick and Michonne had something special between them and were each other's person.

(Another nother side note: I know we've wondered before why the show didn’t explore more men showing interest in Michonne when she’s an absolute catch in every way, but I think I might know why men weren’t more directly approaching her on that type of timing. After season 3 when the group was really small, season 4a when she was keeping herself at a friendly distance from tf, and 4b when she was pretty much only around the Grimes boys, she then had Rick Grimes - and Season 5 'Ain’t Nothing To Play With' Rick Grimes at that - showing clear signs that Michonne was the special woman in his life. I don’t think many men were gonna be bold enough to risk interfering with that when Richonne was basically out here already spoken for and living about as 'married with kids' as could be even before they became an official couple. 😅)

Also just hearing Michonne be referred to as Carl’s best friend again after all these years is so special. 🥹

She really was his best friend from season 4 to the very end, and I love that Rick has always known and appreciated that about Michonne and Carl’s tight-knit bond. 

So then I'm extra elated when Rick adds, “Then you asked for that toothpaste. I was damned if I didn’t find something.” 🫠💕

gif cred: @ex0rin

Every time I’ve watched that domestic opening scene in their canon ep, I’d always think about how clear it is that Rick was going to be adamant to bring home something to give Michonne. And that 'something' he found - those mints - will always hold a special place in their journey. 🥰

That’s another great thing about TOWL too is it allows you to watch Richonne's TWD journey with fresh eyes. Like the TWD Richonne moments already never got old but now not only do they not get old they almost feel a little fresh and new too.

And I love watching their moment on the couch and knowing when Rick reaches for those mints he's well aware that he pocketed those because he’s in love with her and wanted to show he could provide what Michonne wanted.

Like he acts like 'oh yeah I forgot, I have these mints'…but nah that was not an afterthought. That was a move lol. 😋 And honey, the move worked. 👌🏽

Rick was on that run with Daryl like if I do nothing else today I got to find something for her. He’s loved her a long time, y'all. We been knew and now it’s more than confirmed and it’s great. 🙌🏽

I love how, even after all these years, Rick still remembers the details of the day he and Michonne took their relationship to a new level and that he now gets to recall the details with Michonne. Just as his dreams suggested, falling in love with Michonne and Michonne falling in love with him are some of the things Rick is most grateful for in his life, so of course he remembers these things. I'm sure that man could give a play-by-play of that entire 6.10 day, from the morning to night. 😋

And I love that Rick wants Michonne to know he remembers. He wants her to know that everything about her and their love story is important to him. 🥲

Then it’s so sweet how Michonne hears this and pulls Rick in close to let him know, “You found your moment.” He really did, because bringing home those mints set off a canon. 😌

gif cred: @ex0rin

And then I love their flirty energy with Rick asking, “Is this one?” And Michonne all cutely shrugging and being like, look into my eyes, sir... “You tell me.” 😏 The way she’s smiling at him 🥹 - she’s down bad for her man y'all and it makes total sense.

Also, them playing all coy about whether this is a moment always makes me laugh cuz Richonne can turn any and every moment into a moment. 😋

Like they had a whole horny moment when CRM soldiers were just a few feet away and they didn't even try to align behind the bark of that boneless tree. They also had a quick makeout session mere seconds before a giant building collapsed. So they knew good and well this was a moment in the gift shop. It’s always a moment for Richonne, and we love this about them. 😇

gif cred: @nat111love

And because it’s always a moment, Rick leans in as they kiss and it’s just the best yet again. The way they said kissing is going to be embedded in the plot wherever it can is yet another TOWL blessing.

I love the kiss and then I especially love that Rick then kisses her neck. Prior to the show, I had been hoping for a Richonne gesture like this in TOWL and we got it cuz Richonne is the gift that keeps on giving and we’re spoiled.😋 They made me and @ririchonne's wish come true 🙌🏽😌

gif cred: @lousolversons

Also, Richonne has the best grown youthful love in media if you ask me and this moment was giving young energetic love in the best way. They have so many kisses in TOWL and each one is hot and sweet. 💯

So as they’re again getting lost in their blissful Richonne bubble, Michonne spots something and pulls away, and I love how Rick was so immersed in what they had going on that he’s a little caught off guard when she does that. 😋

And it’s so sweet that Michonne knows this and whispers, "sorry," giving him another kiss before checking out the front desk place. I love that little kiss and the way his arms are still around her until the last second.

Michonne notes that there’s a cabin nearby and Rick asks if she saw the sign on the road. Michonne smiles and takes a key, saying, “Looks like we found a place to stay for the night.” Fuel, food, room and board - I’m telling you, the Universe loves providing for Richonne because they know they’re the best soulmates in the land. 💁🏽‍♀️

gif cred: @nat111love

I love that when Richonne are in sync with each other, things just work out. And Rick notes this as he says, “Luck keeps holding up.” Normally those would be famous last words, but for Richonne they really do just win. 👌🏽

Now, I saw that there was originally a little flirty endbeat to this scene in the script that got cut. If that was filmed then I hope they release it as a deleted scene cuz I'm greedy when it comes to Richonne lol.🤞🏽 Either way, what did make the cut was excellent and I love that there was just so much Richonne gold within one scene.🥰

gif cred: @nat111love

Michonne was in love with her best friend's dad. 🥲 Rick was in love with his son's best friend. 🥲 And my heart will always be warmed thinking about how Rick knew he was in love with his son’s best friend and now that very woman has given him a son that he’ll soon get to meet. 🥲

Rick really went from being in love with his son’s best friend to being in love with his sons' and daughter’s mother. What a journey. 👌🏽🥹

[immaturityofthomasastruc]

Miraculous Ladybug Season 5 - An Overview

Well... that certainly was... the fifth season of Miraculous Ladybug.

While I was overall mixed on Season 4 with how much it varied in quality, I think I have a more concrete opinion of Season 5.

Yeah, this season was a real pain to review, but not for the reason you'd think. Most of the episodes were either dull or average, so there wasn't a lot for me to really talk about. Of course, when things were bad, dear lord, were they bad. This analysis is somehow longer than my Season 4 one and the ranking post. Other than real life stuff getting in the way, there's a damn good reason why this took so long to finish. I basically wrote a college thesis on this season.

The Things I Liked About Season 5

Let's get all the good things about this season out of the way first.

For one thing, one of my biggest complaints about Season 4 was sort of rectified, the portrayal of Adrien. While I still have problems with him (which I'll get to in a later section), they're more about his impact on the story. As for his personality and attitude, it's a big step up. There's much less complaining, he's more active in the action, and is far more intelligent. Compared to Season 4, where Cat Noir was affected by an Akuma's powers or taken out of commission in order to raise the stakes eleven times (Lies, Mr. Pigeon 72, Mega Leech, Guiltrip, Optigami, Sentibubbler, Wishmaker, Simpleman, Ephemeral, Penalteam, Risk), here, funnily enough, it only really happened five times in Season 5 (Jubilation, Illusion, Derision, Emotion, The Final Day). It's honestly amazing. There were times where I thought he was going to be taken out or get portrayed as an idiot, but that almost never happened this season. Even some of the weaker episodes this season featured Adrien in a more active role, like “Passion”, “Reunion”, “Elation”, and “Deflagration”.

Also, as much of a problem that I have with Cat Noir trying to Cataclysm his enemies, I'm glad that the show at least tries to acknowledge this by showing his worst nightmare is a world where everyone is dead because of him. It's not handled well, and it's only done just to bench him for the finale, but I'll at least give the writers credit for putting in the effort to give him more nuance. It's a hell of a lot better than what they did with Gabriel, but I'll get to him later. By extension, his relationship with Ladybug is much more tolerable. The two work together well, talk about the conflict with Monarch more often, and for the most part, feel like actual partners. Yeah, that dynamic falls apart towards the end of the season, but again, I'll give the writers an A+ for effort.

Another thing I like is that this season tries to focus more on character pieces, with episodes focusing on characters like Nathalie (Passion), Kagami (Perfection), Luka (Migration), and Zoe (Adoration). They're not handled the best, but I'm glad the show is at least trying to give the supporting characters time in the spotlight, even though they don't have their Miraculous anymore.

Speaking of, I like the idea of the Alliance rings. It's really the only time Gabriel actually takes advantage of his status as one of the most influential people in Paris to push the use of something specifically designed to help give his Akumas more power. Given how prevelant the marketing for Alliance rings is, it's easy to see his plan working in the long term.

We also had a couple decent new Akuma designs, like Safari, Bugfighter, and... uh... Yeah, I got nothing else. This is pretty much the most praise this season is going to get from me. Sure, I'll go into some other aspects I like during later sections, but other than that, this is it. Hell, even the parts I listed earlier are only mentioned for the ideas they present, not the way they're executed.

The Final Season... Of Filler

We've finally made it to Season 5, the climax of the conflict with Monarch. This is going to be epic, with all kinds of compelling stories that can be used for episodes, leading to a final product that will go down as—my God, why is this season so boring?!

Like I said earlier, this season was a lot harder to review than Season 4 was, and this was one of the biggest reasons why. As bad as that season was, I at least had stuff to talk about. Here? Almost nothing. A good chunk of the episodes I reviewed just didn't leave an impact on me. Most of them were either forgettable, mediocre, or just okay. Some of the episodes had decent ideas and a handful of good scenes, but it wasn't really enough to reach the highs of earlier seasons, including Season 4.

It's strange, because at first, it seemed like the show was learning from its mistakes during the first three episodes of this season. “Evolution”, “Multiplication”, and “Destruction” were far from perfect, but you could at least tell the show was trying something different. There was tighter continuity, clever mind games on both sides, a rare instance of nonlinear storytelling, and major changes to the status quo. They explained why Monarch can't just beat up Ladybug and Cat Noir himself, why the Rabbit and Rooster Miraculous can't be used to end the story, and why the Alliance rings were created.

When Ladybug got the Rabbit Miraculous after failing to get the other fourteen back, you would think that this would lead to an arc where Ladybug and Cat Noir gradually reclaimed the Miraculous from Monarch until the final battle, but what did we get instead in terms of plot development?

For what was supposed to be the final season, it felt like almost nothing happened. Sure, as always, the show tried to trick us into thinking stuff was happening, but several plotlines introduced this season were either abandoned or rushed through after a few episodes. The Resistance? Only relevant for five episodes, and even then, they didn't do much (Illusion, Deflagration, Confrontation, Revolution, Representation). Trying to discover how Monarch is giving the Akumas Miraculous powers? Only relevant in a single episode (Illusion). Felix having the Peacock Miraculous and being a total wild card? Only relevant for three episodes (Emotion, Pretension, Representation). The reverse Love Square? Only relevant for four episodes before it petered out (Determination, Passion, Reunion, Elation). Lila manipulating Kagami for some reason? Only relevant for two, maybe three episodes if you count that one scene in “Emotion”, and that was dropped in favor of her learning Monarch's identity offscreen (Perfection, Protection).

You'd think for a season with stakes this high, there would be bigger stories or more character drama, but we got nothing. The only real ongoing story we got was the Love Square finally happening, and trust me, I'll get to that later. There were plenty of ideas for story arcs here, but the writers pretty much ignored all of them.

Retcons! Retcons Everywhere!

This one's shorter, because it's a problem with the show in general, and I'll go into more detail about specific examples of this later on.

Miraculous Ladybug is a show that has always struggled to be consistent with its lore, worldbuilding, characters, story, and... well, a lot of things. I've talked about how often the show retcons things in order to justify whatever story they need to tell, not just for individual episodes, but story arcs too. There were so many episodes with stories that contradicted previous events or changed the motivations of certain characters on a whim.

In case you didn't keep track, here's a little highlight reel of some of the retcons this season.

Evolution: After both him and Ladybug were able to use multiple unifications last season with no problem, Monarch can't use too many of his powers without collapsing in pain. It also goes against what was established in “Kwamibuster”, the idea of using multiple Miraculous being enough to damage your sanity, where here, Monarch's body is damaged.

Multiplication: Adrien's reason for falling for Marinette was due to all the times she helped him, when it was usually the other way around in earlier seasons.

Determination: Adrien reveals he's had feelings for Marinette since the events of “The Puppeteer 2”, even though it never influenced any of their interactions between that episode and this one. It also contrasts the previous episode, where it said that Adrien was just starting to fall for Marinette for different reasons.

Derision: Chloe's bullying of Marinette had severe psychological damage that explains why she acts the way she does around Adrien... but ignores the romantic feelings Marinette has had for Luka and Cat Noir, and didn't act the same way around them, to say nothing about how she acted around Nathaniel when he had a crush on her during “The Evillustrator ”.

Intuition: The Snake Miraculous somehow makes Gabriel's Cataclysm wound worse even though the form of time travel it uses is mental, not physical.

Protection: Gabriel and Tomoe want their children to be in a relationship, yet Adrien and Kagami kept it a secret while they were dating.

Adoration: Zoe suddenly has feelings for Marinette despite showing no signs of it beforehand.

Emotion: Felix reveals he's doing everything for Adrien's safety, even though in his previous few appearances, he's done nothing but screw his cousin over by smearing his public image.

Pretension: Felix is against using a Sentimonster to defend himself and Kagami due to not wanting to force an innocent creature to follow his orders, yet he had no problem using a Sentimonster in the very last episode and in his next appearance.

Revelation: Lila has multiple secret identities she uses while pretending to be the child of several women, which had never come up at all during the last four seasons.

Representation: Kagami apparently learned Marinette was Ladybug right before she was akumatized in “Perfection”, yet Monarch didn't learn this like he did with Luka.

Do you see the problem here? Hell, I didn't even list every single retcon, or else we'd be here all day.

I don't get how a show that wants to be serialized can keep changing details like this. It's not even a case of the show replacing its writers with new ones who don't know as much as the old ones. This is mostly the same writing team for almost four seasons at this point.

Sometimes, the show will retcon stuff in order to justify stories when it doesn't need to. Remember how at the beginning of the season, Marinette was feeling guilty about her failure at the end of Season 4, and that influences her hesitance to accept Adrien's advances? The writers sure didn't, as “Derision” exists to give Marinette a whole new reason to not be comfortable around Adrien. Why the hell would you give Marinette a perfectly valid reason to not want to pursue Adrien, only to write an episode that gives her a different reason to not want to pursue Adrien? There was literally no reason to do this, especially during the last season of your first major story arc!

This season is clearly trying to be the most serialized of the bunch, yet the writers keep changing details about the story like that one Wallace and Gromit meme.

Season 5: The Show's Greatest Hits Album

Something I've noticed about this season is just how repetitive it can be. I know that sounds weird given this is a show that literally gave us the Status Quo-Yo, but please hear me out.

So many major story arcs and focus episodes are just rehashed versions of older things in this show, and not just the reused Akumas. Not only does the first half of Season 5 restate how complicated things are for Marinette's love live and how she can't love Adrien after what she did (something she gets over rather anticlimactically once Adrien confesses). Then there are other times where even plotlines established this season will get reused, and more often than not, it's worse.

In “Perfection”, Kagami is akumatized thanks to Lila's lies, and manages to break free from Monarch's influence thanks to her friends showing that they care for her. And then four episodes later, Kagami is akumatized again thanks to Lila's lies, only this time, she isn't able to break free. What... what was the point of having that emotional scene in “Perfection” if you're just going to treat her like a run of the mill Akuma a few episodes later?

And it's not just that. Big moments that happened in earlier seasons are pretty much redone but with a few changes to make it seem like they're different. Did you like seeing Adrien give up being Cat Noir in “Kuro Neko”? Well how about seeing Adrien and Marinette give up being superheroes in “The Kwamis' Choice”? Did you like seeing Chloe break off her friendship with Adrien in “Queen Banana”? How does seeing Adrien break off his friendship with Chloe in “Derision” sound?

But the worst of this has to be in the last seven episodes of the season. So much of what is essentially the culmination of five seasons' worth of story is just recycled. Let's go over why. In “Confrontation”, Marinette (and by her, I mean Sabrina with help from Marinette) manages to outsmart Chloe and Lila and put an end to their tyranny in the classroom. What are the next two episodes about? Marinette needing to outsmart Chloe and Lila, only now, they have reign over the city. This feels like something that should have been one major story, not something split up into two two-parters. Hell, you can't even say it's original to see Chloe in control, because this is also something that was done back in Season 1's “Rogercop”, only with the titular and the police following his orders for no reason instead of Chloe and her bootleg Daleks.

But hey, if an army of robots capable of using Miraculous powers, at least we can expect something even more creative for Monarch's ultimate plan, right? Yeah, Project “Perfect Alliance” is just a combination of Chloe's murder boxes and the exact same plan in “Heroes' Day”. People are brainwashed like in “Heroes' Day” and they get Miraculous powers like the robots in “Revolution”. Seriously? Nobody took a look at this and thought “Didn't we do this already?”

What's the point of making these two different evil plans when they're essentially the same thing? Why not give Chloe's robots various weapons instead of Miraculous powers if you're going to have an army of villains who have the same Miraculous powers two episodes later? Why not make it so the Miraculized are really the robots designed to help Chloe, only here, they have the ability to turn anyone wearing an Alliance ring into one of them, sort of like the Borg from Star Trek?

It's clear that after four seasons, the writing on this show has gotten incredibly stagnant if the major plotlines are just reused from earlier seasons. At best, it comes across like blatant fanservice, and at worst, it's a symptom of the writers struggling to come up with new ideas for stories. Either way, this is one of many reasons why not a lot of people are looking forward to Season 6. How can you expect interesting stories in the future when the writers keep recycling their old ones?

Felix and the Struggle With Sentimonsters or: This Is Starting to Sound Like a Bad Comic Book Plot!

Before I get into the problems with Felix this season, consider this: With Chloe (who I'll get to later), she was an example of someone who wouldn't get a redemption arc. Felix? This is the writers intentionally trying write a redemption arc. How did that turn out?

The obvious problem with Felix is mostly due to, like a lot of things in this show, poor time management. He only had three focus episodes, and in that time, the writers needed to explain his motivations, establish him as a wild card, have him realize the error of his ways, develop his relationship with Kagami, and help out Marinette. They really wanted to do a lot with Felix, yet with how rushed his arc was, I have to wonder if there was some trouble behind the scenes that prevented him from getting more focus.

It doesn't help that what little we got was confusing as all hell. I've already gone into detail about the problems with Felix's motivations not explaining his actions, but here's a list of all the problems with Felix.

If Felix wanted to get the Peacock Miraculous from the start, why didn't he try stealing that in “Felix”?

If Felix cared about Adrien, why did he spend most of his appearances mocking him and ruining his reputation by impersonating him in “Felix”, “Gabriel Agreste”, “Risk”, “Emotion”, and “Representation”?

If Felix knew who Gabriel was, why did he come up with this elaborate plan to get the Peacock Miraculous in a trade with him instead of going to Ladybug for help in “Strikeback”?

If Felix realized Gabriel was dangerous and capable of wiping him out, why did he decide to give him fifteen Miraculous in exchange for a single Miraculous without doing anything to stop him in “Strikeback”?

If Felix could easily get rid of Gabriel with a single Sentimonster like he did in “Emotion”, why didn't he immediately do that as soon as he got the Peacock Miraculous in “Strikeback”?

If Felix wanted to stop Gabriel, why did he decide to wipe out all of humanity alongside him in “Emotion”?

If Felix cared about innocent lives, why did he decide to wipe out all of humanity without showing any remorse except for when he had to get rid of Red Moon in “Emotion”?

If Felix didn't want to create any Sentimonsters just to end their lives in “Pretention”, why did he do just that in “Representation”?

If Felix knew Marinette was Ladybug, why did he choose to tell her who Gabriel was in an unnecessarily complicated way instead of telling it straight to her face in “Representation”?

If Felix really hated his abusive father, why didn't he show any hatred for Gabriel (who gave Colt the damaged Peacock Miraculous and did nothing to stop the abuse) as well during his little play in “Representation”?

If Felix cared about stopping Gabriel, why did he only decide to go to Ladybug for help when Gabriel was getting in the way of his relationship with Kagami in “Representation”?

If Felix was willing to tell Marinette about Gabriel being Monarch in “Representation”, why didn't he do anything else to help her stop Monarch in “Comformation” and “Re-Creation”?

With how many flaws his plans have, I'm surprised Felix hasn't said anything along the lines of “My pwan is gweat!”

For someone who claims to be doing a lot of things for Adrien, Felix tends to either screw over his cousin as part of his plans or forget him entirely. I don't mean he screws over Cat Noir, as his identity is one of the few things he doesn't know, but rather, how little his plans actually benefit Adrien. Putting aside his previous appearances in Seasons 3 and 4, in the span of a single episode, Felix pretended to be his cousin and smeared his public image, used a Sentimonster to wipe out all of his friends and loved ones while needing to be told by Adrien that doing so wasn't cool, and after that, he pretty much abandoned caring about Adrien.

Yeah, starting with “Pretension”, the writers once again change gears so Felix's primary goal is to help Kagami, not Adrien. It's Kagami that really helps inspire Felix's true turn to good, it's Kagami who he chooses to visit when she and Adrien are taken to London, and it's Kagami that helps him decide to tell Marinette Monarch's identity. Even though he only has three major appearances, the writers still decided to shake up his character arc for some reason. How does a team of paid writers struggle to stay consistent with any story or character arc they've written?

The worst part is that for a redemption arc, Felix shows little to no remorse for his actions. Not once does he apologize to anyone he's personally wronged, like Adrien, Marinette, or Kagami. He doesn't see anything wrong with giving Monarch more power and depriving Ladybug of almost all of her allies, and he had to be told that wiping all of humanity from existence was a bad thing. Felix has done so many terrible things in his quest for freedom, which isn't a bad idea, as it could make for an interesting discussion about whether the ends justify the means, but the show doesn't go that route. Instead, despite doing almost nothing but making things worse for Ladybug and Cat Noir, we're supposed to see Felix as a great person who just wants to have friends. Sure, having good social skills is a big part of being able to manipulate others, but let's just ignore all the people he's tricked and assume he doesn't know how to properly socialize with someone without stalking them.

It doesn't help that of all the characters this season, Felix makes the most progress in stopping Monarch. Puting aside his little genocide attempt in “Emotion”, he actually made an attempt to take Gabriel out of the equation, and later on, passed on intel about his true identity to Marinette. Think about that for a second. Marinette, despite being a hero with the ability to deduce what to do from simple clues given to her, isn't the one to figure out Monarch's identity. Instead, she has to be told who Monarch is, and is able to beat him only because Felix told her what to do. The worst part is that Felix doesn't even take part in the final battle when he has no excuse to not get involved. Remember, he doesn't have to worry about getting snapped away by Gabriel, so even though he cares so much about Adrien and Kagami, he does nothing to save either of them from their glorified solitary confinement.

Felix isn't a character. He's a glorified plot device who only shows up to advance the story instead of letting any character make progress by themselves. While Marinette and Adrien are focusing more on their love lives this season, Felix is the one actually getting things done. Because God forbid the two characters the show is named after actually do anything to stop the villain this season, am I right?

And that's not even getting into the Sentimonster stuff. Yep, to our collective horror, not only is Felix a Sentimonster, but it's also hinted that Adrien and Kagami are Sentimonsters too. I'm not sure why the writers are so hesitant to flat out say the latter two are Sentimonsters after all the obvious hints, especially when this is a show that loves to overly explain every plot detail and character trait. I don't know. Maybe they're just hedging their bets in case things don't go over well with audiences, but I can't possibly see anything bad coming from this. After all, how can you think of any uncomfortable implications stemming from the three major victims of child abuse literally being inhuman monsters who are physically unable to resist their abusers' orders?

With the Sentimonster “reveal”, Adrien and Kagami, two characters who were previously doing their best to be independent from their parents as they could at their age, are now physically incapable of even having a single negative thought about them without being ordered around while showing no resistance. Like I've mentioned before, it's a blatant retcon because it's never explained why Gabriel and Tomoe didn't do this during Seasons 2 and 3. It also gives the writers the opportunity to remove any agency Adrien and Kagami have in the plot, even though one is one of the two main characters, and the other plays a crucial role in helping another character expose the main villain's identity.

We're supposed to see Gabriel and Tomoe as wrong for ignoring their children's protests and forcing them to do things they don't want to do, but it doesn't lead to an arc where Adrien and Kagami rebel against their parents and break free from their influences. As soon as either Gabriel and Tomoe touch their respective rings, Adrien and Kagami are completely helpless, and there's no way for them to resist because of how powerful the link with their Amoks is. There's no hint that they have the potential to break free from their Amoks' influence, and the only time we saw that happen, it was a complete accident that Felix didn't even cause (Representation). Adrien and Kagami are both reduced to damsels in distress thanks to being Sentimonsters, and even though the show is trying to say they're trapped in a terrible situation, there's never a way out.

The most Adrien and Kagami do is express frustration with their situation, but most of the progress made in escaping their bad relationships is done by their respective love interests, Marinette and Felix. Yes, support systems are important, but rather than help Adrien and Kagami earn their freedom, Marinette and Felix do pretty much all of the work to save them during the latter half of this season. Hell, they couldn't even get that completely done by the time of the finale! Gabriel dropped dead and Adrien thinks he's a hero and Kagami's still living with Tomoe, only now she has her Amok ring. We're supposed to see this as a happy ending when they're both still influenced by their abusive parents, even if they don't have any physical control over them. The whole idea behind making Adrien and Kagami Sentimonsters should have been something about them, but with Gabriel and Tomoe, the writers only see them as helpless victims who can't do anything to save themselves. Sure, both of them have fought supervillains before, but we can't have them actually showing agency, can we?

I'm going to get into other ways Adrien and Kagami's characters were butchered this season, but for now, let's get into all the uncomfortable things this plotline implies. Now before I go any further, just remember that I am far from an expert on abuse or child psychology, so please take what I say with a heavy grain of salt. If there is anyone reading this who is a victim of abuse or knows someone who was, please don't be afraid to speak your mind about my analysis or correct me if I get any details wrong.

I get that making Adrien, Kagami, and Felix Sentimonsters was probably done so it'd be a way to explain the concept of child abuse to younger audiences, specifically to show how helpless the situation can be for victims, but the problem is how the allegory is handled. It wants to show how cruel the idea of child abuse is, but it doesn't want to outright vilify abusers like Gabriel or Tomoe. They usually try to sugarcoat it by saying that the two have good reasons for doing what they do, but that's a common problem with abusers. Abusive parents almost always believe that they're doing the right thing while their children think that they're just being punished for their own good, and the season ultimately takes that stance by the end.

The show is clearly trying to use the Sentimonster concept to tell a story about abuse, but I have no idea what exactly it's trying to say about it. “Child abuse is bad”? Okay, then why aren't you going to condemn the abusive parents for being abusive parents? And no, brief mentions of abusive parents who we never actually see onscreen don't count (Derision, Pretension, Representation). “Help out abused children”? Big talk coming from the season that only has two people actually fight to help the victims of child abuse, while treating another victim of child abuse as getting her just desserts (Revolution). “Parents have good reasons to do what they do”? Yeah, that normally applies to stopping your kid from getting a tattoo, not forcing them to whatever they want against their will.

The thing about writing abuse is that you need to acknowledge just how unhealthy it is, and do whatever it takes to take them out of the toxic environment. Here, nobody ever tries to remove Adrien from the toxic environment or tell him that what his father is doing isn't right. Sure, Felix tries to take Kagami away from her abusive mother, but that was only for like an hour at most, and then he just let her go back to her mother. Adrien doesn't even get that luxury. Hell, he isn't even allowed to know just how terrible his father was because he's just a sensitive baby according to the show. Portraying abuse victims as too emotionally fragile to know the truth is a pretty bad idea because, like I mentioned before, a big problem that abuse victims go through is that they're conditioned to see their treatment as normal at best, or see it as their fault at worst.

Like so many other serious topics discussed in this show, the writers clearly want to tell a story about abuse, but they're too afraid to actually take a proper stance on it, so they kept trying to play it safe in an attempt to not get backlash from audiences. Of course, because of that, they ended up portraying victims of child abuse as soulless husks who have almost no free will of their own, while ending the season by having them still under the influence of their abusive parents, even the dead one. Real bang-up job, there, writers. It says a lot when a Spider-Man PSA from almost 35 years ago did a better job tackling child abuse than you did.

And finally, let's talk about how this season's treatment of Sentimonsters indirectly influences our perception of them across the past two seasons. Even though the Sentimonsters created have shown almost no individuality from Seasons 2 to 4, only now are we supposed to see them as sentient beings, with Felix himself even taking offense at the idea at being called a Sentimonster. Never mind the fact that Felix never actually comes up with a proper alternative, so he just comes across as whiny when we're supposed to see him as a champion of the Sentimonsters.

In regards to the narrative the show decided it now wants to tell about Sentimonsters, I have two questions.

First, why should I care about Sentimonsters if the previous two seasons have portrayed them as nothing but soulless killing machines? If you're going to write a plot twist that changes the way we see Sentimonsters, you need to explain why we were wrong to only assume they're dangerous, especially since Argos' first Sentimonster literally wiped out all of humanity. For comparison, Ultraman Z did a similar plotline by having the main character realize that several of the monsters he killed as the titular hero weren't intentionally trying to harm humanity, so it caused him to doubt himself as a hero before he vowed to start finding non-violent ways to stop monsters if he could, while viewing the act of killing monsters that couldn't be reasoned with as a necessary evil. This show has no such arc and just expects us to ignore all the damage the Sentimonsters have caused since the end of Season 2.

Second, what about the Sentimonsters whose lives have been snuffed out by Mayura, Shadowmoth, and even Ladybug? The writers want us to sympathize with Sentimonsters and believe they get a bad rap? That's fine, but even if we did, what about the ones who were already wiped out of existence? Are we just not going to talk about them? Why should we only value the lives of Felix, Adrien, and Kagami and not any of the other Sentimonsters created in previous episodes? What, because they're not main characters, their lives don't matter?

All in all, everything about the Sentimonster was either poorly thought out or too preachy to take seriously, and Felix is emblematic of those problems with how he and the Sentimonsters are written. Oh right, I forgot Felix had a sidekick too, Kimberly—I mean, Kagami.

Kagami Never Hesitates to Be a Complete Idiot

If you read my overview of Season 4, I sang high praises for how Alya was written. Season 4 managed to take a character I had previously disliked and turn her into one of my favorite characters in the show. Now, with that being said, I want you to imagine the opposite of that happening to a different character, and you have my feelings on Kagami this season.

It's weird how, after she had made it through the past three seasons with her character somewhat intact, the writers decided to give her even more prominence by involving her in two separate arcs this season... and only made her nothing more than a damsel in distress who constantly needed to be saved in both of them. I'm not saying that Kagami should be able to beat the crap out of Monarch with her bare hands, but my point is that Kagami just lost so much agency this season.

When she wasn't being manipulated by Lila (Perfection, Protection), she was playing second fiddle to Felix and acting like he didn't hand over almost every Miraculous in Ladybug's possession to Monarch (Pretension, Representation). It's really strange, considering a defining character trait of hers is her hating liars like Marinette does, since it's why she dumped Adrien, yet here, she gets tangled up in the schemes of two different liars, Lila and Felix. I can at least get Lila (as dumb as her episodes are), since she's supposed to be seen as this master manipulator, but she just brushes all of Felix's crimes aside because he “doesn't know how to express himself”. Because even though she's always been loyal to Ladybug, she has no problem working with one of the only two people to betray her trust. But she loves Felix, so that makes it all okay.

What made Alya's arc last season work was that even though she was primarily Marinette's confidant, we also got episodes showing her struggling to balance her own desires with what needed to be done for the greater good (Optigami, Sentibubbler, Hack-San, Rocketear). She had to step up and become more than just one of the many temp heroes Ladybug called on, someone trustworthy enough to temporarily use the Ladybug Miraculous. Yes, she made bad calls, but when things went south because of her bad decisions, she normally took responsibility for her actions and vowed to do better. With Kagami, we don't get any internal conflict like that at all. She just blindly goes along with whatever Lila and Felix say, and even when bad things happen as a result, she never even thinks to call out either of them other than rarely saying something along the lines of “Hey, not cool.” (Protection, Pretension).

Kagami just doesn't get to do anything on her own terms this season. Her entire arc revolves around following Lila and Felix around like a lost puppy. And just remember, we're seriously supposed to act like Kagami is trustworthy enough to see that her defending Felix from Ladybug is enough to prove that he's a good person deep down... when this same season showed her easily falling for Lila's lies and getting akumatized twice as a result. It's like believing Dr. Nick can perform a life-saving kidney transplant after seeing him botch an open-heart surgery.

Even Kagami figuring out Marinette is Ladybug, something that should be a big deal like with Alya and Luka learning last season, is something we learn through a flashback and is, you guessed it, is only relevant to one of Felix's plans. And yeah, reveal your friend's secret to someone who someone who betrayed her. What could possibly go wrong? Again, when Alya screwed up, she was at least able to admit it to Marinette's face. Kagami never tells Marinette that she knows, and never faces consequences for throwing her lot in with Felix. What's her excuse, that she has too much love in her heart for Felix?

Speaking of which, let's talk about the biggest problem I have with Kagami this season, the way her relationship with Felix is handled. Let me make one thing clear: my problem isn't with people who ship the two together. Much like with the Love Square, my problem is how the show handles this romance. The two had almost no episodes together, and from what little we saw of them interacting, Kagami didn't like him, and for obvious reasons. But then “Pretension” came. Not only did Felix develop feelings for Kagami offscreen, all it took for Kagami to fall for Felix was a single conversation where he showed basic human decency. Yeah, Marinette fell for Adrien for similar reasons, but at least she and him took a while to actually get together. These two shared a handful of conversations, and now they're just made for each other.

The problem with this is that the relationship basically reduces Kagami to Felix's girlfriend and sidekick. All of her major appearances post-“Emotion” were in relation to Felix. She only helps him because of their relationship, and their relationship was the whole reason why Kagami convinced Felix to do what he should have done from the start, tell Ladybug who Monarch was... even though Astruc said this kind of relationship was toxic when discussing Lukloe.

You see, the difference between Lukloe and Feligami is (MAKE UP EXPLANATION LATER AND DON'T ACCIDENTALLY LEAVE THIS SPOT BLANK). And that's why we shouldn't see this as blatant hypocrisy on Astruc's part.

While it's par for the course, given how almost every female character in this show is connected to a male character in some way, the way Kagami is written this season is still part of a bigger problem. Kagami is not everyone's favorite character and not one people fiercely discuss as much as Marinette, Adrien, or even Chloe, but it's still baffling that out of all the characters in this season, Kagami would arguably sustain the most damage out of the entire cast. Given that this is the same season as Nino becoming the braindead leader of the Resistance, Chloe's brief stint as a tyrannical mayor, Nathalie choosing to do nothing about Gabriel until she was about to die, the baffling reveal of who Lila supposedly is (again, more on these later), or... really, a lot of things with both Marinette and Adrien, this is actually saying a lot. If you want to look at it at a particular angle, Kagami's actually a direct victim of practically all of the biggest problems in this season and I've had to mention her a lot more in this analysis than I anticipated. Then again, I suppose that's me showing more care to Kagami as a character than the writers did.

The Story of The Resistance (In Name Only)

I've already gone on about how underdeveloped most of the temp heroes are, so you can imagine the season where they try to help Ladybug without superpowers doesn't really change my opinion of them.

Remember how in episodes like Season 1's “Antibug”, Season 2's “The Dark Owl”, and even this season's “Jubilation” made it clear that trying to be a superhero without a Miraculous or proper training was essentially suicide? You know, how it was better to leave things to the actual superheroes? Well the writers sure didn't, as now we get to see a bunch of idiots try to take on supervillains with paintball guns and whatever they can throw at them. I'm pretty sure the writers put more effort into all the codenames themed after condiments than actually coming up with creative ways to fight Akumas. Because we all know how hilarious (citation needed) the flower codename gag from “Gigantitan” was, so let's do something like that, but for multiple episodes this season.

I'm just going to be blunt here when I say the Resistance this season sucked. Putting aside the fact that the writers couldn't come up with a less generic name or a name that wasn't already taken by the Ox Miraculous' power, this subplot was just so pointless. You have a team of former heroes who want to find a way to help Ladybug and Cat Noir stop Monarch, and rather than do things like pass intel along or find ways to stop people from getting akumatized, they decide to try taking them on themselves with their most powerful weapons being paintball guns. Congratulations, you now have all the equipment you need to take on Bart Simpson in a fight. Sure, they try to pass on intel to Ladybug and Cat Noir in their first episode, “Illusion”, but Nino's plan was so stupid, they ended up helping Monarch in the long term by letting his civilian identity into their team. Oh, I'm sorry, did you forget how Gabriel and Lila were inducted into the Resistance at the end of “Illusion”? It's okay, the writers did too.

And the idea of them passing on intel could have worked, as it would give Marinette a support system to help solve problems she can't figure out on her own, following up on her character arc from Season 4 where she learns to put her trust in people, but like a lot of things this season, the writers got bored halfway through and decided to change up this plotline. Now, they're prepared to fight anyone who gets akumatized. How many Akumas did the Resistance manage to stop completely on their own? One, and it was offscreen (Deflagration).

Trying to make the Resistance seem competent and effective comes at the price of making the villains look like idiots who can't handle a few teenagers without superpowers. Monarbug, someone who managed to unify with the Ladybug Miraculous, lost it thanks to the Resistance dogpiling him. Then, later on, they managed to stop Nightormentor, an akumatized Gabriel, by just throwing stuff at him. Do you have any idea how lame this makes Monarch look? It's like that scene from Robocop 3 where that kid somehow managed to make ED-209 as loyal as a puppy in a matter of seconds. It's not cool to see it happen. It diminishes the threat the formerly menacing villain posed.

The show loves to play up the Resistance as this amazing underground organization Nino is so proud of, but it doesn't work because you can count the number of times they've actually helped out on one hand, and even then, that's being that word Chloe doesn't know the meaning of (Deflagration, Revolution, Representation). Even then, they still fall for Lila's lies which, like Kagami, doesn't help establish any of them as trustworthy. The whole Resistance subplot is basically an excuse to make it seem like the former temp heroes aren't just sitting around, which again, isn't a bad idea, but nothing comes of it. We don't get to see any of them worry that they can't do anything without their Miraculous, we don't see where or when Nino got the idea to form the Resistance, and we don't even get any scenes where the worry about the captured Kwamis. The show just has them all operate under the same goal and makes it seem like they're making a difference when they barely do anything. None of them really feel like characters, and it shows this season.

Nino, despite labeling himself as the brave leader of the Resistance, is anything but. He constantly brags about how effective he is, but not only does he let anyone into his top secret organization without even thinking if they can really be trusted, all of his genius plans amount to, you guessed it, throwing stuff at the brainwashed people with superpowers. He's also so confident that he was awesome as Carapace when all he did was occasionally help Ladybug out with his Shelter, and then whines about not being chosen by Tikki and Plagg when Scarabella and Kitty Noire temporarily take over (Illusion, Deflagration). He's also so poor at gathering intel that not only did he fall for Gabriel's ruse and act like he figured out how the Akumas have Miraculous powers, he didn't even know his best friend was going to London until he got on the plane (Representation). I wasn't kidding when I said Nino was such a terrible leader, he makes Zapp Brannigan look competent by comparison.

And remember when Alya was a major character? Neither does the show! Out of the entire season, she was really only relevant to the plot when she became Scarabella for a few days, and even then, she didn't think that maybe she should take off the Alliance ring that monitors her every move if she's going to be a full-time hero again (Transmission, Deflagration). There is absolutely no follow-up to anything that happened to her in Season 4. She doesn't regret blowing her cover, she doesn't worry over not being able to help Ladybug as Rena Rouge, she doesn't worry about the safety of Trixx, she doesn't even consider the fact that she's not used to going back to full-time hero work after half a season of being undercover as Rena Furtive. At best, the whole thing with Alya exposing her cover to Nino last season gets played off for the sake of a cheap joke (Illusion).

Then there's Zoe. Like Season 4, I can definitely say that out of all the supporting characters, she was certainly one of them. They clearly try to give her these big moments in an attempt to endear her to the audience, like her brief stint as Kitty Noire or her coming out to Marinette, but because of how nonexistent her character development has been, these don't feel earned. I can't buy her friendship with Marinette or anyone else because of how little she appears. Hell, she was specifically introduced to act as a good counterpart to Chloe, and she did nothing to really contribute to her ultimate downfall other than sharing a single conversation during “Revolution”. That's how little the writers care about her, they don't even have her interact with the character she was designed to replace. I take back what I said about her being a Mary Sue way back in my “Sole Crusher” review, because at least those types of characters get plenty of focus in the narrative. All I can really say about Zoe after two seasons is that at least she's more interesting than Socqueline, a character so boring, this is the only time I'm going to mention her in this entire analysis.

And that's it for the Resistance. Only three side characters are actually worth talking about this season. That is how pointless of a group they are.

Chloe’s Arc That, in Case You Forgot, Was Totally Planned From the Start

I really don't know what else to say here. Remember, this entire blog was started because of how upset I was by Astruc's response to criticism of the Season 3 finale, specifically how Chloe's “damnation arc” was claimed to have planned out from the start.

For the sake of argument, let's go over this arc and just what happened with this character over the past eight years. In Season 1, Chloe started out as a standard high school mean girl who used her father's influence to get whatever she wanted, but wasn't that much of a threat compared to Hawkmoth and the Akumas. In Season 2, we got to see a different side to her that started a character arc, showing she was capable of changing and becoming a hero in her own right. In Season 3, while it seemed like Chloe was changing for the better, the finale had her betray Ladybug and go back to being the same mean girl she was before. In Season 4, we were introduced to Chloe's never before seen half-sister, Zoe, who only existed to replace Chloe as the user of the Bee Miraculous, and even though the very same episode where Zoe first got the Bee Miraculous hinted that there was still a chance of Chloe changing, the rest of the season acts like she's always been a menace to society with no redeeming qualities. In Season 5, Chloe was portrayed as a heartless monster who is worse than the main villain of the entire show, is simultaneously smart and cunning enough to bully Marinette in a way that would leave lasting mental scars for a year and also too incompetent to take seriously, and even though the season has made a big deal about how terrible child abuse is, her being sent off to live with her verbally abusive mother is seen as a perfectly suitable punishment for her.

I don't know what's worse, the fact that none of the writers had second thoughts about this character's “arc”, or the fact that Astruc probably thinks he made an antagonist as complex as Lady Macbeth. I also love how, despite all this supposed planning, not once do we get any explanation as to just why Chloe hates Marinette so much other than the fact that one's a rich person and the other is the main character in a cartoon.

Chloe's character was already going in a downward spiral in Season 4, but with Season 5, it feels like the writers just abandoned all attempts to be subtle and were determined to stop people from liking her. Like, it's amazing just how much time was spent hammering the point home. She got more focus as a villain than Lila and even Gabriel. We had about eight episodes this season that featured her in a major antagonistic role: “Determination”, “Deflagration”, “Derision”, “Adoration”, “Revelation”, “Confrontation”, “Collusion”, and “Revolution”. Almost a third of this season is dedicated to showing how evil Chloe is, as if she's somehow worse than people like Gabriel or Tomoe. And that's not even counting episodes where she got a line or two to remind the audience of how bad she is, like “Multiplication”, “Passion”, and “Reunion”.

The weird thing is that even though this was supposed to be the season where Chloe was at her worst, it still seemed like the writers couldn't make up their minds on what they wanted to do with her. For example, let's take a look at her relationship with Monarch. In “Multiplication”, she believed that Ladybug and Cat Noir should just give Monarch what he wants, implying she's still on his side. Then, in “Determination”, she blamed not having the Bee Miraculous on why Monarch was able to win, implying she wants to stop Monarch. And then in “Deflagration”, it's hinted that she once again willingly accepted an Akuma out of a desire to get revenge, implying that she's still on good terms with Monarch. Finally, in “Revolution”, she initially wanted to arrest Monarch when he arrived in her office, and had to be convinced to work with him again. Seriously, this is almost two seasons after she started working with Monarch in the first place. How the hell are the writers not sure if she's working with the villain or not?!

Of course, that's the least of my problems with Chloe this season. One such problem that it seems like the writers specifically went out of their way to ruin the few positive relationships Chloe had just so her fans would have less ground to stand on. Her friendship with Adrien? He finally decided to write her off as irredeemable just as he learned just how miserable she made Marinette (and only Marinette) at the end of “Derision”. Her friendship with Sabrina, as one-sided as it is? She doesn't even see Sabrina as a friend anymore, specifically referring to her as an underling starting with “Adoration”, and then Sabrina turns against her after she finds one specific scheme to be going too far. The sympathy Ms. Bustier had for Chloe, even though it wasn't relevant to her character after “Zombizou”? Chloe basically ignores any attempt made to reach out to her, and we're supposed to act like her wanting to help Chloe get a decent education because it's her job as a teacher is the stupidest idea in the world. Chloe's relationship with her own father? This season decided to make Andre out to be a man mentally broken by the bad treatment he gets from his daughter and totally not a corrupt politician, and outright disowns her in favor of adopting someone who isn't even his biological daughter.

It already felt like Season 4 exaggerated Chloe's negative traits, but now, the show doesn't want anyone to like her in-universe, as if showing basic human decency to her in the first place was off the table. Remember, in “Revelation”, Marinette's speech to Adrien was basically copied and pasted from one of Astruc's tweets, as if this was meant to address anyone who still liked the idea of Chloe changing for the better.

And trust me, I'll get to the characters who actually got redeemed later.

For now, let's talk about the main issue I have with her portrayal: The writers want her to be seen as a threat... but they don't want her to actually be a threat. Almost all of Chloe's appearances this season had her acting as a pawn to either Gabriel or Lila. This season also started to use dumb blonde jokes in order to show how incompetent she is, like having her struggle to understand the concept of the word “generous”, making her out as an idiot. The whole point of the “irredeemable villain” archetype is that the character is usually so big of a threat, there is absolutely no way of talking them down, so they need to be stopped through the use of force. Chloe is far from a threat, which is why all this talk about her being a monster falls flat.

At the end of the day, Chloe is easily at the bottom of the hierarchy of the villains on this show. She has no Miraculous like Gabriel, she has no advanced technology like Tomoe, and she's nowhere near as cunning as Lila is. The problem is that the show wants the audience to see Chloe as if she's the worst of them all. Fine, she may have the most obnoxious personality and least amount of redeeming qualities by the writers' standards, but this is a superhero show. You don't just rank villains on how mean they are, but also by how much of a threat they are to the hero. The moments where we're supposed to take Chloe seriously, the show keeps reminding us that she's only getting as far as she has because she's being used by other villains. It makes the moments where the heroes triumph over her ring hollow.

I'm not even joking here when I say that out of the show's entire rogues' gallery, Chloe is literally the only one who actually gets punished. Sabrina was able to wash their hands of her association with the bully, Andre was more than happy to give up his position as mayor and kidnap Zoe, Tomoe was never even exposed, Lila only faced a minor setback when she was exposed, Nathalie was healed by the wish, and even though he died, Gabriel died a martyr who never actually answered to any of his crimes. But Chloe? As fucked up as it was, she was the only one who received some form of punishment for everything she did. Congratulations, Ladybug and Cat Noir! After five seasons, you finally managed to defeat the Ringo Starr of your rogue's gallery, and all it took was unlocking the full power of your Miraculous.

I was initially angry at the show for just throwing away a character arc and mocking anyone who was interested in it, but now, I'm angry at the show for a different reason. Even if we were to assume that everything about Chloe was planned from the start, that she was supposed to be a fallen hero turned enemy, the show did nothing with it. If you're going to make Chloe a full-blown villain, then go nuts with the idea! Have her dedicate her life to beating Ladybug out of hatred, maybe even through a suit of armor like Princess Morbucks. Instead, this is the writing equivalent of intentionally setting your house on fire, but deciding you don't need the insurance money.

I'm actually going to say something that might sound blasphemous, especially coming from someone who has spent a lot of time talking about Chloe's character assassination, but I'm just going to admit it: I think Chloe should have been the next Hawkmoth, not Lila.

Yes, that's probably what you're thinking, but I'm serious. Think about it. Between her and Lila, who has the closer connection to Marinette as an enemy? Who has a more fleshed out reason to hate Marinette? Who got more focus as a villain this season? Who has more resources at her disposal? Essentially, the show put so much effort into making Chloe out to be Marinette's most personal enemy, that it makes no sense for them to not just go all the way and make her the next big bad. The writers already go on and on about how irredeemable she is, so why not make her an actual threat for a change?

But no. Instead, let's just keep her as comic relief who somehow gets more screentime than almost every other villain this season. That's a good way to tell our story, right?

Now You See That Evil Will Always Triumph Because Good Is Dumb... And So Is Evil, Apparently

This section should be relatively easy for me to get through, since not much has really changed with the villains since Season 4. They're all still idiots even though the show wants us to see them as a threat to the equally idiotic heroes.

Let's start with our only newcomer to the show's rogues' gallery, and definitely the weakest, Tomoe. I'll give the show a lot of credit with the foreshadowing for Tomoe here. Unlike other plotlines where the show bashes you over the head with obvious hints like with the Sentimonster stuff, the hints leading to the reveal of Tomoe being in leagues with Gabriel are far more subtle. They spend a lot of time in Seasons 3 and 4 discussing things offscreen (probably about some version of the Alliance rings), and both of Tomoe's akumatizations happen offscreen as well (since their conversation would give away their alliance). It's handled pretty well... which is more than I can say for Tomoe as a villain.

Tomoe is just such a confusing character, both conceptually and the way she was used this season. She's meant to be Gabriel's new confidant after Nathalie decided to stop being a villain while still mooching off him, but she pretty much does the same things Nathalie does, including the constant nagging about how inefficient he is. She even serves the same role Nathalie served in earlier episodes as Gabriel's technical advisor. Tomoe is basically a second Nathalie, with the only differences being that she's blind and that she wants Kagami to be with Adrien. Of course, this makes no sense because, like I mentioned in the retcon section, Adrien and Kagami tried to keep their relationship secret before their breakup. How could Tomoe not notice this? What is she, blind—oh right...

There's also the issue I have with the way Tomoe's nationality and disability is portrayed here, and how it really highlights how terrible this show is with representation (not to be confused with the episode of the same name). Like with my Sentimonster section, if there's anyone reading this who is disabled or a person of color, and you'd like to say anything about this part or how this show's representation is handled, feel free to voice your opinion or correct me if I get anything wrong.

With Tomoe, it feels like the writers slapped on every Japanese stereotype you could think of and called it a day, because we've seen all of these before. She's dressed in very traditional Japanese attire, is named after a famous Japanese warrior, uses a kendo shinai as a cane instead of a walking stick, is a strict parent to her child who expects the best from her, makes references to Japanese culture like samurai (Pretension) and taiko drums (Protection), is a technological genius, forces her child into an arranged marriage, and uses Japanese honorifics while talking with Gabriel even when they're not speaking Japanese. I'm not saying Japanese people can't talk about their culture at all, but when you're writing a character who happens to be a person of color, you need to do more than make references to their heritage.

With Tomoe, almost everything she says is referencing her heritage, which makes it come across like the writers cared more about her being Japanese than anything else. Because somehow, the writers were worried kids wouldn't pick up on the fact that she's Japanese... when she's wearing something that makes her look like she just stepped off the set of an Akira Kurosawa movie.

But hey, at least they say Tomoe is Japanese. I don't think there's a single indication that she's blind. At most, they give her the stereotypical superpower every blind person in superhero media seems to have, enhanced hearing. Of course, while characters like Daredevil and Toph Beifong have in-universe explanations for how they're able to “see” without their eyes (Daredevil's enhanced senses came from the same chemicals that blinded him in the first place, while Toph learned an advanced Earthbending technique that gave her the ability to sense others through vibrations in the earth), Tomoe just has them because the writers thought it would be cool. I know it might seem strange to say this after I talked about how too much focus was given to Tomoe's Japanese heritage, but you'd think more would be done with her being blind, and how it would factor into her motivation to create a better world through technology or her ideology about self-discipline. Instead, she acts like every other character on this show, to the point where all three times she was akumatized, she got her sight back.

The main problem with Tomoe is how other than her heritage and disability, she has almost no personality other than being a strict mother to Kagami (something that is also a negative Asian stereotype) and her vague ideology about suppressing her emotions. She's basically a female Gabriel, and because she's a woman in this show, lacks any depth or redeeming qualities. There just wasn't enough time to really develop Tomoe as a character in the same season she was revealed to be a villain. Sure, they try to hint at her having history with Gabriel, but that never goes anywhere, and we never even learn just why she's working with him in the first place other than some vague desire to make the world more technologically advanced in spite of also being a traditionalist who loves honoring old beliefs. Just remember, Chloe got eight focus episodes as a villain this season, yet Tomoe only got one.

Now for Lila, the most competent of the villains... by comparison. The show clearly wants her to be seen as a master manipulator in the same vein as David Xanatos from Gargoyles, but how they show it is just poorly executed. Sure, sometimes she would get ahead in clever ways during episodes like “Illusion” and “Revelation”, but other than that, a good chunk of her plans rely on contrivances that we're supposed to see as part of her plan when she would have no idea if it would actually happen or not. In fact, let's go over all the things Lila did during her last five episodes of the season and see how her master plan played out.

Step 1: Revelation – Convince Ms. Bustier to hold another election for class representative, lie your ass off to get the position while making it seem like you rejected an Akuma, and win the election.

Step 2: Confrontation – Tamper with confidential school documents while hoping your enemy doesn't plan anything to stop you, and if your plan falls through, abandon your identity entirely and hope nobody ever tries to look for you.

Step 3: Collusion – Convince your pawn to record a conversation between the mayor and the man you somehow know is Monarch and then after the conversation leads to an Akuma forcing him out of office, tell your pawn to accept an offer from Monarch's civilian identity that you somehow knew he'd make, leading to your pawn becoming the new mayor by force who everyone is too stupid to even think of opposing.

Step 4: Revolution – Tell your pawn to take an offer from the same supervillain she's willingly worked with before, watch her go mad with power and assume that Ladybug and Cat Noir will defeat her, and then in the chaos from her defeat, assume that one of Monarch's associates will randomly leave her computer behind for you to use.

Step 5: Re-Creation – Develop an immunity to magical nightmare dust, hack into the heavily-guarded mansion you know where Monarch lives while the city is being swarmed with supersoldiers, hope you don't run into Monarch or any heroes trying to stop him on the way there, take the hole created by a Cataclysm you know would be there, assume that Monarch will lose, and seize his Miraculous from the ruins of his lair that you somehow know how to navigate after surviving all of reality being rebooted.

General Patton, eat your heart out. I think we all know who the real tactical genius is here.

Seriously, how the hell did she even know half of the stuff involving Gabriel and Tomoe would happen? Yeah, she had Tomoe's laptop after the events of “Revolution”, but she didn't see how their final fight would play out. You could also argue that we technically never saw her go into Monarch's lair during the final battle (all we got was a shot of her looking down into the hole Bug Noire created with her Cataclysm), but why didn't she go down if she disguised herself to infiltrate Monarch's lair? Was she just scoping out the area? Was her entire plan just to steal Monarch's Miraculous? There were so many ways this could have blown up in her face, so let's go over all of them, shall we?

What if Ms. Bustier didn't agree to hold a reelection for class representative?

What if Marinette won the reelection anyway?

What if Lila wasn't able to escape during the chaos caused by Monarch's Megakuma targeting Mr. Damocles?

What if the school managed to contact one of Lila's moms and tell her about what her “daughter” did?

What if Chloe wasn't able to record the full conversation between Gabriel and Andre?

What if Andre agreed to use the police robots without any manipulation?

What if Miss Sans-Culotte wasn't able to get Andre to resign?

What if Andre did resign, but managed to appoint a interim mayor until the next election?

What if Chloe didn't accept Gabriel's offer?

What if Chloe didn't accept Monarch's offer?

What if Chloe managed to arrest Monarch with her robots and got all of the Miraculous herself?

What if the French military was sent to stop Chloe's abuse of power?

What if Ladybug and Cat Noir weren't able to stop Chloe and lost their Miraculous to Monarch?

What if Chloe double-crossed both Lila and Monarch and managed to get Ladybug and Cat Noir's Miraculous herself?

What if Tomoe didn't carelessly leave her laptop behind during the final battle with Chloe and her robots?

What if Tomoe realized she lost her laptop and sent someone to track it down?

What if Tomoe installed a kill switch on her laptop to make sure nobody would be able to do anything with it in the event it got stolen

What if Ladybug didn't learn Monarch's identity?

What if Lila fell victim to Nightormentor's nightmare dust?

What if Lila was attacked by some of the Miraculized before she could make it to the Agreste Mansion?

What if Gabriel caught Lila while she was attempting to sneak in?

What if Ladybug caught Lila while she was attempting to sneak in?

What if Nathalie caught Lila while she was attempting to sneak in?

What if the Gorilla caught Lila while she was attempting to sneak in?

What if some of the Miraculized caught Lila while she was attempting to sneak in?

What if Lila got caught in the crossfire during the final battle between Bug Noire and Monarch?

What if Bug Noire didn't Cataclysm the floor and beat Monarch at the entrance of the mansion?

What if Bug Noire wasn't able to defeat Monarch?

What if Ladybug managed to find the Butterfly Miraculous before she did?

What if Ladybug caught her while she was trying to find the Butterfly Miraculous?

Do you see why I only think Lila is the most competent villain by comparison? A good chunk of Lila's “plan” amounted to her waltzing over and reaping the benefits from every coincidence she's around to see. And she's supposed to be this criminal mastermind who thought this all out from the beginning?

Lila's planning makes about as much sense as her motivation. Why does she hate Marinette and Ladybug? They both called her out on her lies back in Season 1 and 3 respectively (Volpina, Chameleon). That's it. This is enough for Lila to want to become a supervillain and terrorize Paris. I get that the idea is to contrast with the more noble goal Gabriel had as a supervillain, but you need to give more of an explanation if you want the audience to care about Lila becoming the next Hawkmoth.

At the very least, if the writers wanted to build intrigue about Lila, have this be the season where she first appears. Build her up as this mysterious new girl who wins over Gabriel's trust, only she has an agenda of her own. By having most of her appearances be this season, it's more obvious that she has a bigger role to play, and would eventually become the next Hawkmoth. Instead, it seems like the writers put a bunch of names on a dartboard, Lila's name was the closest to the first dart they threw, and that's how they decided who Ladybug's next arch-enemy would be. And once again, Lila hasn't even touched a Miraculous in five seasons, yet we're supposed to believe that with the help of that vague glowing light she saw as soon as the first put on the Butterfly Miraculous, she'll be able to take on eighteen superheroes who have plenty of experience fighting Akumas?

Speaking of, let's get into the final main villain, Gabriel. Compared to the others, he had a pretty decent start. He felt a lot smarter than he usually did, like how he used his influence to market the Alliance rings in order to boost his Akumas' powers, or once again trick Ladybug and Cat Noir into thinking he isn't Monarch. He even managed to outsmart Scarabella and Kitty Noire by using the Alliance rings to learn their identities, and almost got their Miraculous as a result. For the most part, Gabriel was a pretty clever villain who capitalized on every screwup the heroes made, and actually came across as a threat... that is, until “Protection”.

Starting with “Protection”, Gabriel decided that even though he has only a few weeks to live at best, he needs to focus more on meddling in his son's love life instead of getting Ladybug and Cat Noir's Miraculous in order to save his wife. It comes across like he cares more about stopping Marinette than he does stopping Ladybug in the latter half of the season. Hell, Gabriel doesn't even set up any plans for what would happen to Adrien if he died despite once again claiming to be doing everything for his family. Also, for some reason, he really wants Adrien and Kagami to stay together and become a couple for reasons that I can only assume is because of some kind of social commentary on the rich. Is Gabriel trying to start a eugenics program? Is this how Khan was born?

The abrupt detour Gabriel's motivations take is connected to one of the bigger problems with this season: How Gabriel's Cataclysm wound is handled. We're supposed to sympathize with Gabriel and how his days are numbered thanks to what happened, all while he's desperate to achieve his goal... when not only did Gabriel Cataclysm himself at the beginning of the season, he almost never brings up his wound until the writers want to add unnecessary drama to the story. At most, he'll either flinch in pain a little because of the wound (Elation, Perfection, Intuition, Protection, Emotion, Confrontation), or show his purple hand to show how serious it's gotten while saying he doesn't have much time left (Passion, Pretension, Revelation, Collusion, Conformation). At least, we're supposed to see it as serious, as the injury never really gets in the way of his plans.

Rather than a painful injury that's slowly killing him, the show treats Gabriel's injury with the seriousness of a sprained ankle. Yeah, it's painful, but nothing serious. Aside from one episode (Intuition), we don't see Gabriel struggle that much with his deteriorating health or how it gets in the way of his plans. Compare this to how Nathalie's condition has been portrayed. As Season 3 progressed, Nathalie got weaker to the point of forcing Gabriel to abort his second outing as Scarletmoth (Ladybug), she became so sick, she had to be benched as Mayura by the end of Season 3, and needed cybernetic crutches just to help her walk during Seasons 4 and 5. While I criticized her sudden wrinkled appearance by the events of “Representation”, the show still made it clear that Nathalie was struggling to go about her everyday life over the course of the last three seasons. As for Gabriel, whose condition is supposedly more serious to the point where not even the Ladybug Miraculous can heal it? At most, it's less something influencing his belief that he has nothing left to lose, and more a mild injury at best.

Another problem I have with Gabriel is the same one I have with Tomoe and Lila: The lack of a proper backstory. Yes, we know the basics of it (his wife is comatose and/or dead, so he became a supervillain to get Ladybug and Cat Noir's Miraculous and save her), but we know nothing about his life before that. Thanks to “Revelation”, the most we get is that before he became a fashion designer who took an interest in discovering the Miraculous, he used to work in fast food like Skeet from Jimmy Neutron. Hell, the two even have similar haircuts.

Whether Gabriel knows the difference between salt and sodium chloride is still up for debate.

The show wants to say that Gabriel used to be different, but we don't get to see that side to him. If you want to say Gabriel used to be nicer, then give us a flashback to show how much Emilie's death affected him. That way, it would also give the scene in the finale where he breaks down have more weight to it, as it would show him letting down his emotional defenses.

Also, why was Gabriel so interested in the Miraculous in the first place if he found the Butterfly and Peacock Miraculous before Emilie got sick? The show establishes that Gabriel went exploring with Emilie and Nathalie, but why? What were they looking for? How did this lead to them getting into fashion? How did Gabriel and Emilie get so rich if Amelie inherited the Graham de Vanily fortune? This was the season that was supposed to wrap up the storyline regarding the Agreste family drama, yet we still know so little about them or how Gabriel and Emilie even met.

Finally, let's get to the Akumas. The season makes a huge deal about how dangerous Gabriel is now that he has almost every other Miraculous at his disposal, how hard the battle against him will become. How do the Akumas reflect that idea? Very poorly. Twelve of the season's Akumas were reused models (Ikari Gozen in “Multiplication”, Darker Owl in “Jubilation”, the Collector in “Illusion”, Glaciator in “Elation”, Sole Destroyer in “Deflagration”, Dark Humor in “Derision”, Riposte Prime in “Protection”, Vanisher in “Adoration”, Matagi Gozen in “Pretension”, Hoaxer in “Revelation”, Reflekta in “Confrontation”, and Nightormentor in “Representation”), and only ten of them were original (Manipula in “Determination”, Safari in Passion, Kikou in “Transmission”, Ryukomori in “Perfection”, Gold Record in “Migration”, Bugfighter in “Intuition”, Miss Sans-Culotte in “Collusion”, Queen Mayor in “Revolution”, King of Plastic in “Action”, and the Miraculized in “The Final Day”). I've also gone over this several times, but despite the main gimmick being that the Akumas have Miraculous powers now, the show never really explains why Monarch can't just give them those kind of powers himself, especially when he could easily recreate Miraculous powers as far back as Season 1 (Copycat, Antibug, Volpina).

Most of the Miraculous powers didn't actually feel like upgrades and just excuses to recycle Akumas on the basis of acting like they have new powers when it's almost always just giving them the same old powers. Either that, or with the new Akumas, they'll just make it so their only powers are related to their Miraculous powers, like Safari getting all of her gear thanks to the Goat Miraculous' Genesis, Kikou and Ryukomori's only abilities being related to their respective Miraculous powers, or Queen Mayor getting the power to control robots with multiple Miraculous powers. There were exceptions like Manipula getting the Ox Miraculous' Resistance as an added precaution, or Vanisher mixing her stealth with the Dog Miraculous' Fetch, but they were few and far between.

Overall, almost every villain this season was just so underwhelming. While the Akumas were once again mostly reused character models, we learned almost nothing about the villains other than the fact that they're idiots. Oh, I'm sorry. I forgot the fact that by the show's logic, almost all of the villains aren't really villains. Let's talk about how the show handles redemption arcs now.

The Redemption Misconception or: The Power of Love Always So Strong?

While younger readers might not understand this, there was once a time on the internet where one of the most debated shows was Steven Universe, and mainly for one reason: How it handled the topic of redemption. Pretty much every major antagonist had changed their ways by the end of the show, including Lapis Lazuli, Peridot, the Cluster, Bismuth, Spinel, Jasper, and even the Diamonds. While the quality of each of these redemption arcs varies from character to character, as is the moral status of each character, there's one thing I can say about how the show got the moral about redemption across: It was consistent. Aside from one or two characters like Eyeball or Aquamarine (who were more ignorant than anything else), there was never a case about someone being physically incapable of changing their ways, which tied into the overall theme of how important compassion is. With the way Miraculous Ladybug handles its redemption arcs, I unfortunately can't say it does it the same way Steven Universe does.

Pretty much every major villain, antagonist, or associate in the show gets a redemption of some kind. This includes Nathalie, Felix, Sabrina, Andre, and even Gabriel, while Chloe, Lila, and Tomoe are all viewed as beyond saving. The problem is rather than actually acknowledge the things any of them did as wrong before they start to change their ways, pretty much every “redemption” in this show amounts to downplaying their crimes. If the writers don't retcon the story so characters like Nathalie, Sabrina, and Andre were forced to help a greater threat instead of being willing accomplices, they'll retcon the story so characters like Felix and Gabriel were perfectly justified in their actions due to having a tragic backstory. Yes, while the point of a redemption arc is to have a former antagonist realize the error of their ways and turn a new leaf, it doesn't mean that the character who goes through this arc was never bad in the first place.

Like a lot of problems with this show, this is obviously contradicted by the way it handles Chloe. Any argument made on why every villain who was redeemed this season was stated to not apply to Chloe for some reason.

“Felix is a victim of child abuse and has a lot of emotional baggage!” Funny, because I remember in “Derision”, Mylene made a point about Chloe having a deadbeat parent not being enough to justify her actions, so by that logic, Felix shouldn't be getting away with anything.

“Sabrina and Andre were being forced to go along with Chloe's evil plans, so it's not their fault!” Chloe was also a pawn in Gabriel and Lila's schemes, yet we're still supposed to see her as evil. “But she still went along with Lila's plan!” By that logic, so did Sabrina and Andre, since they still listened to Chloe for a while instead of distancing themselves from her far earlier than they did.

“Gabriel and Nathalie are doing everything they can to help Adrien while they're both in poor health! Chloe didn't actually care about Adrien!” Sure, it's clear that (according to the retcons in Season 4), Chloe only cared about Adrien as a meal ticket, you can't say Gabriel and Nathalie care about Adrien either, since one is an abusive parent and the other did nothing to actually stop the abuse. Also, why should I feel bad for either of them when they routinely endanger lives and are only on death's door because of their own terrible choices?

I'm not saying that the show doesn't make decent points about why Chloe can't be redeemed. The issue is that these rules are never applied to anyone else who does get redeemed. The show tries to use characters like Chloe and Lila as a cautionary tale about how easy it is for your kindness to be taken advantage of, yet we never get any examples of compassion being a key factor in any major redemption this season.

Pretty much every villain who changes their ways only does so out of self-interest. Nathalie was fed up with Gabriel's constant failures and her own declining health, Felix only cared about doing things that would benefit himself like hooking up with Kagami, Andre was more than happy to resign even though he was forced to do so by an Akuma, Sabrina chose to stop helping Chloe after one particular plan goes too far (without actually apologizing for all the times she still went along with Chloe's schemes, no less), and Gabriel only stopped trying to hurt people once he got exactly what he wanted and died a martyr.

For a show with the lyrics “The power of love always so strong!”, why do we never actually see the power of love in action? And it's not just them. Whenever a character shows some form of compassion for an enemy, it's usually met with a dismissive attitude or fails miserably, and if it's not that, it's all lie to trick someone else.

In “Illusion”, Gabriel's plan to throw off suspicion that he's Monarch involves pretending to let Ladybug and Cat Noir get through to him.

In “Derision”, Rose pointed out Chloe's relationship with her mother as an excuse for why she's so mean, only for Mylene to argue against that despite being in a different boat than Chloe is.

In “Revelation”, Lila kept lying about having a caring attitude and believing that anyone can change, which was obviously meant to mock anyone who had that kind of viewpoint.

In “Collusion”, Ms. Bustier tries to reach out to Chloe after everything she's done, only to lose her job as a result.

In “Re-Creation”, the whole reason Bug Noire manages to beat Monarch was by putting him in a situation that would take advantage of his compassion for his wife, and later on, Gabriel manages to get the upper hand by taking advantage of Marinette's own compassion for him.

For a magical girl show, these writers are really terrible at teaching the lesson about showing kindness to your enemies, because more often than not, it's just violence that solves everything. Just ask the citizens of Paris in “Revolution”.

It doesn't help that the morality in this show isn't a complicated spectrum that weighs every action a character does and allows for other stances besides good or evil. Instead, it's like a light switch with two settings: “So good, you volunteer at the local children's hospital” and “So bad, you voluntarily send children to the hospital”. Characters in this show are either good or bad, and there's no room for in-between. Even when characters supposedly do change their ways, the show goes out of its way to claim that this is what they've always been like, which completely undermines the idea of what a redemption arc sets out to accomplish.

The thing is that I've actually seen examples of “Character X was only doing bad things as part of their plan!” and “Character X was only forced to do bad things for the villain!” done with one character, and it was a very recent example too. In the recently concluded Ohsama Sentai King-Ohger, one of the major villains was a tyrant named Racules, who took advantage of several monster attacks to secure more power for his kingdom, but later on, it's revealed he had a reason to do so. Long story short, Racules was the latest in a long line of rulers who was essentially blackmailed into carrying out a war by an immortal being from space named Dagded. However, Racules had a plan to secretly find a way to kill Dadged, and it involved playing along by pretending to be a heartless tyrant. By playing up his persona of a villain, not only did Racules drive his brother Gira (who was revealed to be an immortal creation of Dadged) to gain the weapons necessary to fight Dadged, Dagded trusted Racules so much, he decided to give him the power to kill an immortal. Guess who Racules chooses to kill as soon as he gets that ability.

While the reveal that Racules was good all along happened very late into the series, it worked far better than any redemption in this entire show for one reason: Racules isn't let off the hook for what he did. Everyone, Racules included, acknowledges that he did terrible things for years, and as soon as the situation is resolved, Racules is imprisoned for his crimes. Racules even admits to going mad with power at one point before he focused on his goal again, and he doesn't complain while he's in prison.

We never get any moments like this with the other redeemed characters. Nobody ever acknowledges that they went too far. They do one or two good things, and therefore, they're perfectly okay in Marinette's eyes.

Like a lot of topics it covers, this show wants to have its cake and eat it too when it comes to redemption. It wants to show characters changing their ways, but it doesn't want to actually hold those characters accountable for their actions. It wants to explain that not everyone can be redeemed, but it doesn't want to explain what causes people to want to redeem themselves. It wants to have an idealistic view of solving problems with compassion, yet it goes out of its way to mock those with that same ideology while claiming that violence is the only answer.

Maybe if Astruc spent less time arguing with people on Twitter over the concept of redemption, he and his team could have put more effort into fleshing out the all of the half-baked redemption arcs this season.

Adrienette Is Finally Canon! The Love Square? What’s That?

Well, it finally happened. After seven years, five months, fourteen days, 115 episodes and three specials since the show originally premiered in France on October 19th, 2015, Marinette and Adrien have finally gotten together for real. No cop-outs, no reset button, no misunderstandings, this is real. Credit where credit is due, the writers could have easily kept stalling and wait until the very end of the season for Marinette and Adrien to get together and called it a day, but they gave us over half a season of them in an actual relationship. Unfortunately, this also meant the writers had to rush the development of the relationship in order for Adrienette to become official in the first place.

Like a lot of stuff in the first half of this season, the writers pretty much speedran through the plotlines building up to Marinette and Adrien getting together. During the course of a mere eight episodes, we got a plotline about Marinette feeling guilty for letting her feelings for Adrien make her screw up, a plotline where Adrien realizes he has feelings for Marinette, a plotline where Marinette falls in love with Cat Noir, a plotline where Adrien stops having feelings for Ladybug, and finally, a plotline where Marinette stops having feelings for Cat Noir. These are all plotlines that we should have gotten over the course of the past four seasons, but instead, the writers are just cramming them all into less than a dozen episodes.

Considering how this was meant to be the final season originally, you can tell the writers realized they actually had to actually resolve the “Will they or won't they?” plotline instead of just padding things out like they normally do. But that's the problem. This was something fans, shippers, and general audiences were told to look forward to for years. Keep in mind, one of the biggest arguments you could make for just why the writers waited until Season 5 for Marinette and Adrien to officially get together was because they had something HUGE planned. This is a big deal for the show, something you can't take too lightly. If Astruc and the other writers were so intent on hyping up Adrienette for over four seasons to the point of showing two alternate timelines where they get together to tide viewers over, they needed to make sure they had a payoff so incredible, so satisfying, that their audiences would see it as more than worth the wait.

Just how was the big moment where Marinette and Adrien officially got together this season after so many years of buildup?

To be perfectly honest with you, I had absolutely no goddamn idea that the end of “Transmission” was meant to signify them finally starting a relationship. It just felt like the writers were doing the same thing about them being friends with a hint of something more on the horizon, but then the opening of “Deflagration” made it clear that here was major progress made in their relationship, though Marinette denied it due to her own anxiety, and by “Perfection”, it's confirmed that the two are dating. I just... really? This is how the two finally get together? It just... happens? No big dramatic confession? No romantic first date building up to this? Not even a kiss? The two talk for a few minutes, watch an Akuma fight, and now they're an item. Are you kidding me? Sure, most of the big moments in their relationship are saved for after they get together, but there's the problem: the writers half-ass the moment where Marinette and Adrien get together! It's more or less an afterthought in a two-parter involving a battle with Monarch where nothing was really accomplished.

You'd think for all the uncertainty Marinette felt over her feelings for Adrien this season, them getting together would be seen as a big moment, but it just doesn't for some reason. While you could argue it's a lesson in your fear of confessing being harder than the act itself, not much attention is given to Marinette growing closer with Adrien, because, for some reason, the writers decided to hold off the love confession and the first kiss for far later in the season (Pretension, Revolution). That's right, even after Marinette and Adrien finally get together, the show still needs to find a way to draw out the development of Adrienette.

I don't get it. Why couldn't the confession and kiss be what cements Adrienette, so more focus could be given to other plots? You can't say the “Will they or won't they?” stuff is the only draw to Adrienette, because there are plenty of plots you could write now that Marinette and Adrien are together. You could have an episode where Marinette invites Adrien over to breakfast with her parents in a follow-up to “Weredad”. You could have an episode where Marinette and Adrien try to go out on a perfect first date, only to struggle to balance their superhero lives getting in the way. You could have an episode where both Marinette and Adrien worry they're not good enough for each other, only for them to realize they love each other for who they really are. You could have an episode where Marinette and Adrien finally get closure on their former relationships with Luka and Kagami respectively. There were plenty of options for stories here, yet rather than do literally anything like that, not only did the writers drag out Marinette and Adrien's first kiss, they had the main villain take a break from trying to get the Miraculous to focus on breaking up the two.

As I mentioned earlier, we get a new arc all about Gabriel trying to break up Marinette and Adrien so Adrien can start dating Kagami again. Now I know what you're probably thinking: “IOTA, wasn't it implied that while Adrien and Kagami were dating, they were keeping their relationship a secret from their parents? Why are their parents suddenly obsessed with them getting together?” Well, you see, the answer to that is... that I have no answer because this makes no sense and is yet another excuse for a story arc that is somehow relevant to the overall plot. It's because of Gabriel's irrational hatred of Adrienette that Adrien is sent to London, and as a result, is absent from the final battle.

The sad thing is that I honestly thought Marinette and Adrien had some cute moments as a couple this season and had some believable chemistry. It's nothing groundbreaking, and there are plenty of flaws that I'll get to later, but for all intents and purposes, they still made a decent couple. It's just too bad that everyone else won't shut up about how amazing they are together. When their friends aren't trying to set up these cinematic scenarios for Marinette and Adrien that keep failing (Perfection, Protection,), they're gushing over how amazing of a couple the two are (Transmission, Deflagration, Revelation). At best, it comes across as the writers saying “How do you do, fellow shippers?”, and at worst, it comes across as the writers taking a victory lap while treating Adrienette as the greatest thing since sliced bread.

Adrienette just dominated the latter half of this season, and it really got in the way of the overall story regarding the conflict with Monarch. What's that? You're saying I forgot something, like the other three sides of the Love Square. Ah, good eye, my friend.

SO DID THE FUCKING SHOW.

For the thing that got a lot of people interested in the show in the first place, the rest of the Love Square is criminally underutilized this season. Marinette randomly develops feelings for Cat Noir for a handful of episodes, Cat Noir randomly moves on from Ladybug, and I don't think we even got a single Ladrien scene this season. It really felt like the writers realized this was meant to be the last season, so not only did they have to get Marinette and Adrien together as quickly as they could, they also had to acknowledge the other sides of the Love Square. Of course, they did that without actually doing an identity reveal.

There are theories that the reveal was going to happen this season with how much Marinette and Adrien only talked about each other and not their superhero partners (implying they both knew who the other was), but the writers changed it at the last minute because they got renewed for more seasons. I suppose it makes in a meta sense, but what about the in-universe explanation? What's stopping Ladybug and Cat Noir from learning each other's identities when literally every other hero in Paris can get their Miraculous back, even the ones who had their identities discovered? Were the writers so uncertain if people would still watch the show if there wasn't any mystery in Marinette and Adrien's relationship? What exactly is there left to explore with the Love Square when Adrienette is canon, while Ladynoir, Marichat, and Ladrien are all dead in the water?

Like a lot of things this season, the handling of the Love Square started off strong and gradually petered out to the point where I just don't care anymore. I started this season assuming the reveal would actually happen, but of course, the writers just won't let this subplot die already.

Adrien Who?

While I don't really have a lot of bad things to say about Adrien compared to last season, this is unfortunately part of the bigger problem with how he was handled this season.

Like I said earlier, it seemed like the writers actually learned from their mistakes last seasons with how Adrien was written during the earlier episodes last season. He stopped whining about how he was totally important and started pulling his weight in battle. He was very active in fighting Akumas and actually felt like an equal to Ladybug. Yeah, Ladybug still called the shots, but the two stopped bickering over stupid things and had more conversations about other things. It didn't matter if they were more casual chats about their lives (Perfection) or discussions on the enemy's plans (Intuition, Revolution).

The problem, like a lot of things this season now that I think about it, comes in the second half. Remember how last season made a big deal about how wrong it was to leave Adrien out of the loop with so many secrets? Once again, the writers seemed to have forgotten this major story arc that they wrote themselves. Now, not only does Gabriel crack down on his horrific treatment of Adrien through his ring, not only does Adrien's character regress to being nothing more than Marinette's trophy boyfriend, by the end of the season, Adrien is literally reduced to a damsel in distress who needs to be saved, instead of, you know, A SUPERHERO. And remember, the writers were very proud of how this was planned for almost a decade, all because they got to supposedly subvert fairy tale tropes.

I feel like this whole “Save Adrien” plotline could have worked if Adrien wasn't already a superhero, and was just a civilian Marinette knew. Yeah, it would still be using an overdone trope, but at least if that happened, Adrien would have an excuse to not be able to fight back as opposed to the several he made during the finale. Instead, for the majority of the season's second half, Adrien takes a backseat to a major story arc revolving around his family and isn't even given proper closure by the end.

“But IOTA!” You might say. “The show's called Miraculous Ladybug, not Miraculous Cat Noir! Of course Ladybug has to save the day! She's the main character!” That may be true, voice in my head, but here's the thing: If Adrien wasn't going to be part of the final battle, why wasn't this about Marinette's family? Why not make Monarch Tom or Sabine trying to bring back their spouse? Marinette is the main character, yes, but so much of the backstory in this show is connected to Adrien's family. The show tries to connect Marinette to this through her relationship with Adrien, but with how often she and Gabriel fight over what's best for him, Adrien kind of just sits around, not protesting against his father in the slightest. I'm not saying Adrien should be the main character. I'm saying that Marinette should be tied more into the story if you were going to base a lot of the drama on her perspective during the final battle. It's almost like making it so Adrien physically can't rebel against his father was a stupid way to keep him out of the conflict.

Why the hell couldn't we have gotten a scene where Adrien's connection to Gabriel was broken? There were plenty of options the writers could have used. You could have had Nathalie steal the other ring back from Gabriel to give to Adrien, have Argos use the Peacock Miraculous' powers to override Gabriel's commands, or have Adrien unlock a new form of Cataclysm that severs the bond with his Amok. And that's not even getting into the excuses the show made for why he can't get involved, because God forbid one of the two main characters in the show's title get to take part in the final battle.

In fact, I'm pretty sure this is why Felix was introduced, to do the things Adrien should be doing. Felix is the one who has a vendetta against Gabriel, a deeper connection with Kagami, knowledge that he's a Sentimonster, and an overall influence in the plot. The writers are so obsessed with coddling Adrien that they created an entirely different character to fill in a role for him, and Felix wasn't even in the final battle. And just remember, Adrien was originally created to replace Felix in the story, so Felix taking over Adrien's role as the character who helps advance the plot makes even less sense.

Even if the final battle is meant to be over Adrien, it comes across less like Marinette and Gabriel are fighting over his freedom and more who gets to control him. Gabriel doesn't use his wish to free Adrien from the shackles of the rings. He just gives Marinette the rings and hopes she won't do the same kind of things he did with the rings. Nothing changed over Adrien's treatment except who gets the keys.

It'd be one thing if Adrien at least chose Marinette over his father, but Adrien isn't even allowed to know the full story on anything, not even the Sentimonster stuff. Okay, putting aside the fact that Adrien has lots of friends and family to help him cope with this, maybe I can buy not telling him about Gabriel. Not telling him he's a Sentimonster is something I can't excuse. This is like not wanting to tell someone they have diabetes and hoping they know how to use their own insulin while they're downing Pepsi after Pepsi. It's not just a matter of hurting Adrien's feelings. His fucking life depends on those rings. He should obviously know to keep them safe and not trade them for magic beans or something stupid like that.

But the biggest problem with Adrien this season is how it goes against everything the show has said about him and his relationship with Marinette/Ladybug the last four seasons, and especially Season 4.

For the past four seasons, the show has loved to say that no matter what happens, Ladybug and Cat Noir will always be here for the other, even against the world. Put aside how unlikable Adrien was last season, that was the ultimate lesson, about the two reaffirming their bond. And yet, here we are in the Season 5 finale, when literally the entire world is against Ladybug and Cat Noir, and Cat Noir is nowhere to be seen.

One of the main reasons why Adrien jumped at the chance to be a superhero was the freedom it gave him from his restrictive lifestyle, and how it led to him making more friends at school. And that very same story ends with Adrien admitting it's a good thing for him to stay inside and never acknowledge the fact that his father was kind of a dick. Remember, this was planned in advance for YEARS, and absolutely nobody thought it contradicted one of the most important aspects of Adrien's character: his desire for freedom. Now the same person who would demand to not be kept in the dark about so many things (Lady Wifi, Syren, Lies, Sentibubbler, Rocketear, Risk) is now sitting around like a coward while everyone else saves the world instead.

I still think Adrien was at his worst in Season 4, with how much of an whiny and insufferable idiot he could be, but Adrien in Season 5 is a close second. Yes, I wanted him to stop acting out and demanding that the world cater to his every whim, but I also wanted him to prove he was as valuable as he says. The first half of this season seemed to understand this kind of criticism and reminded the audience that Cat Noir was still useful, but when the actual story kicked in, the writers were so determined to keep the secret identity bullshit going, Adrien somehow got less focus as a hero than the Resistance, a group of temp heroes who actually lost their Miraculous. And consider the fact that this season wrapped up the drama with the Agreste family, so for all we know, Adrien will get even less screentime next season.

If Adrien is supposed to be an invaluable ally to Ladybug, then why doesn't the writing accurately reflect it?

The Problem With the Biggest Idiot of Season 5: Moronette, “Of Course I Know What I’m Doing!” Royal-Pain, AKA, Ladydumb

You know, it's funny. I kept defending Marinette when the writing kept making her out to be a terrible hero last season while Adrien got by without a single criticism, to the point where I considered Adrien to be the worst part of the entire season. Oh, how the tables have turned with dear old Marinette, as the season that chose not to criticize every single action she took is when she's arguably at her worst.

You have to wonder if the writers finally realized how much crap they put Marinette through over the last few seasons by having her always forcing her to learn some contrived lesson and were like, “Oh yeah, she's supposed to be someone the audience is supposed to root for.” Unfortunately, they went way too far in the other direction with how they handled Marinette.

The way Marinette was written this season felt eerily similar to what happened with Adrien last season. Suddenly, her personal drama is of the utmost importance (Determination, Passion, Reunion, Elation, The Kwamis' Choice, Perfection, Migration, Derision, Adoration, Pretension, Representation), she's making incredibly stupid decisions in battle (Evolution, Destruction, Determination, Pretension), she becomes the moral compass of the show who lectures others on what to do (Revelation, Confrontation, Collusion, Revolution), and she's never really called out for her actions by the other characters despite how often she makes things worse.

So much of the first half of this season is the exact same crap over and over again. Marinette complains about how hard things are for her and her conflicting feelings for Adrien. I wouldn't really mind something like this if it wasn't for two things.

First, there's no real arc involved with this. Marinette keeps complaining about her love life, and she never really learns anything from it. She doesn't even get to confess to Adrien and show her growing as a character. Adrien confesses to her, and bam, the two are a couple now. Glad to see all the discussions about Marinette's anxiety was completely pointless since she doesn't get to be the one to really confront her inner demons. Well, there was one time in “Derision”, and we all know how well that turned out, right?

Second, more often than not, it seems like Marinette is prioritizing her personal life over the situation with Monarch. You know, the guy who has access to fourteen different Miraculous? After you only managed to get one back? I'd understand if we got this kind of arc in the earlier seasons, but by doing this, you're undermining the current threat Monarch poses. She's even willing to give up being a superhero if it means being with Adrien. That is how important her love life is to her. She's willing to let Tikki force the responsibility onto someone else if it means she can be happy. Of course, this isn't too surprising, as Astruc once said that the show is supposed to focus primarily on romance, not superhero action.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Just like with Adrien last season, the show seems to care more about Marinette's personal issues at the expense of other characters. Do you want to know how many episodes this season focused on Marinette's love life in some way? EIGHTEEN (Multiplication, Jubilation, Determination, Passion, Reunion, Elation, Transmission, Deflagration, Perfection, Derision, Protection, Adoration, Emotion, Pretension, Revolution, Representation, Conformation, Re-Creation). Literally two-thirds of the season includes Love Square drama. Even if you want to be generous and count both two-parters as single episodes, that's still more than half the season. This is yet another problem with waiting until what was originally supposed to be the last season to resolve your plot. You need to force all of this development through almost every episode until people get tired of it.

Because of this, Marinette basically took over the narrative of Season 5. Almost every major conflict revolved around her, even the stuff with Adrien. Rather than make a story about Marinette and Adrien working together to break free from Gabriel's influence, Marinette is the one who has to do the heavy lifting and save Adrien herself. I've already talked about this with Adrien, but it bears repeating, as this is same issue I had with Season 4. Just like how Adrien got more focus during a story arc that should have been about Marinette last season, Marinette is now getting more focus during a story arc that should have been about Adrien, to the point where Marinette gets to use Adrien's Miraculous during the final battle with Monarch.

I'd at least be somewhat forgiving towards the shift in focus if Marinette actually got to do anything to advance the plot herself. Because of how often the show focuses on Marinette's love life, very little time is dedicated to showing Ladybug making an effort to actually stop Monarch. The closest we got was in “Illusion”, and that was a plan spearheaded by Nino. Like I said earlier, Felix does more to advance the plot out of any character, even Marinette, THE ONE THE SHOW IS NAMED AFTER!

We have three separate episodes where Ladybug has Monarch at her mercy, but she decides to talk about how she's totally won and that Monarch can't get away at all, and then Monarch gets away in a matter of seconds. I just... this is “SHOOT THEM WITH THE DEHYDRATION GUN!” levels of stupid here! The only reason Monarch gets as far as he does is because Ladybug can't just grab any the Miraculous he has all over his body.

We're seriously supposed to see Marinette as an amazing hero when she keeps screwing up every opportunity she gets to stop Monarch. In the span of one season, Marinette went along with being forced to retire because she got a chance to date Adrien (The Kwamis' Choice), chose not to form a temporary alliance with an Akuma even if it meant possibly getting the Peacock Miraculous back and stopping a potential threat (Pretension), had absolutely no plan to stop Lila until someone else came forward with information on what she was doing (Confrontation), decided to let another Akuma force the mayor out of office (Collusion), and failed to stop Gabriel because she got tricked again and was completely helpless as the entire universe was recreated before she took credit for defeating Monarch afterwards in the new reality and then decided to honor the insane supervillain's wishes and keep her boyfriend completely in the dark about the truth even though she learned not to keep secrets from others (The Final Day) and MY GOD, I HATE THIS SEASON SO MUCH.

When Marinette isn't making terrible decisions, she's lecturing others on how to act around their enemies, and when I say “how to act”, I mean “refuse to give them even the slightest bit of respect after doing the bare minimum to help them try and change”. Marinette really lets her own personal biases toward Chloe and Lila get to her this season with how the latter half of the season had her tell others not to even consider trusting them because of how easy it is for them to take advantage of kindness. You know, something you'd hear someone like Superman or Spider-Man teach kids about.

In fact, here's a little game any aspiring writer can play when writing superhero characters: If you can't imagine someone as noble as Superman saying something like this...

Marinette: But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness.

Unless your intent is for them to be flawed or in the wrong instead of a complete paragon of virtue, you need to go through your drafts.

And just like Adrien, even though Marinette keeps screwing up, she's never held accountable for her actions. She's never allowed to be wrong, and is almost always the one who gets to lecture people, mainly towards the end of the season. A good example of how poorly written Marinette is this season is when she whines about Ms Bustier not punishing Chloe enough when not only does she fail to understand that Chloe is still being punished, but she did absolutely nothing to bring Chloe's cheating to her teacher's attention when as class representative, it's her job. I don't care how stupid that idea sounds, that's what the show goes with, and it makes Marinette's inaction come across as very irresponsible.

But then again, neglecting her duties at school is nothing compared to acting like Marinette didn't fail to save all of reality while not showing the least bit of remorse for it. I'm just saying, when even Ben 10: Omniverse of all shows does this kind of story better, you know you've screwed up. Again, we're supposed to see it like Marinette won because the universe is in one piece, when, once again, SHE FAILED! Like I said, she failed at pretty much everything she set out to do this season and didn't stop Monarch outside of warding off his Akumas. This is seriously how the show was supposed to end, with Marinette failing to save the universe and the audience just needing to accept it. Well, in case it wasn't obvious on my front, I don't. Hell, forget Ben 10: Omniverse. Even Star vs. the Forces of Evil had the main character save the day, even if it meant potentially screwing over countless lives by destroying all magic in the world. Marinette? “Well, everyone I know and love is technically dead and the madman I spent five seasons trying to stop gets to die a martyr, but everything looks like I saved the day, so that technically means I didsave the day! Man, I'm a great hero. Good thing the other characters basically exist to remind the audience of how amazing I am.”

If there's one thing to take away from everything that's happened, it's that this was the season where Marinette has arguably become one of the biggest examples of a show failing to make the audience like their main character. There was much time dedicated to rationalizing and trying to justify the worst possible decisions she could've made and acting like she's still an amazing hero. Stuff like this only serves to further validate the criticisms people have had for her as a character ever since Season 5. And remember, this is coming from someone who went out of their way to defend Marinette last season. In an attempt to show her at her most heroic and virtuous, Season 5 pretty much cemented Marinette as a terrible main character, a terrible superhero, and a terrible role model for children.

Eight Years for This?

I'm going to be perfectly honest with you guys. This season just broke me, and there was a good reason why this analysis took so long to write.

While there were a number of outside factors that made it hard for me to get the time to write (work, the holidays, family gatherings, etc), there were still times where I either didn't have a lot of material to work with, or I just couldn't find the motivation to work on the reviews. I guess throughout all these years, I figured that after all this buildup between the Love Square and Adrien's relationship with his father, there would at least be something I could find this season that would allow me to say this was worth the wait. Unfortunately, it was just disappointment after disappointment this season, with a universally hated finale to boot.

To me, this was the season that burned away the remaining goodwill I had for the show, because there's just no salvaging it at this point. The writers pretty much butchered every single character in some way, excused the main villain's actions for a sorry excuse for a heroic sacrifice, and literally reset the universe so all of the characters we've come to know for almost a decade technically don't exist anymore. Even the cliffhanger for Season 6 really excites me, because why should I care about a character we still know nothing about becoming the main villain? Why should I care at all when the writers have made it clear they don't care either? They don't care about writing character development, they don't care about writing consistent lore for their world, they don't care about approaching serious subjects with the delicacy they deserve and they certainly don't care about telling a consistent story.

Season 5 of Miraculous Ladybug was a failure in every conceivable definition of the word. It failed to deliver a satisfying conclusion to any of the stories that had been set up for years, and if this was how the main story ended, I don't really have a lot to look forward to when Season 6 premieres.

[nyasiaaaaa]

In the Bleak Mid-Winter

Pairing: Thomas Shelby x Fem reader (Nurse)  Fem reader x Arthur ( platonic )

Summary: This is a story about two people who become constants in each others lives, and eventually fall for each. While one learns to love again, the other learns the cost of loving a man like him. 

Word count: 5k

Warnings: Cursing, angst, fluff ,Tommy Shelby, y/n eats ( If I missed anything or you think something should be added please tell me.) Major character death from season 4 episode like 1/2

A/N: part 1 takes place during season two, part 2/3 season 3 and 4/5/6 season 4. This is a Slow burn there will be smut eventually. 

Part 1  Part 2  Part 3  Part 4   part 5

********************

It's been a year. 

A lot of things have changed since then; you've changed. 

You're not the same person you were a year ago; you're still a nurse and still work in the hospital, but in London now. 

You know the other nurse in hospital like the last, you eat lunch together but never go out. They always ask, but you always have the same excuse. 

It's not like you're lying. You really don't have anyone to watch her, but if you wanted to, you could find someone, but don't. Honestly, though, you prefer the company of a bottle of whiskey over anyone else. 

You also never have the energy to do anything anymore; you wake up throughout the night, then wake up to go to work, come home tired from a 12-hour shift, and go to sleep to do it all over again. 

You barely eat, you barely sleep. 

When you look in the mirror, you're just a hollow version of yourself, like you don't have control over your body. You're just sitting back as it goes through the motions, as someone else controls you. 

She's not the only reason you can't sleep; if she's not waking you up because of her screams, you're waking yourself up with your own. 

These nightmares are so haunting that most times, after you wake up, you just stay up. 

And that's where you're at now, waking up from a dream like every other night. 

You thrash around in your bed and suddenly wake up coughing as you grab hold of your throat. You get up from your bed, covered in sweat, and walk downstairs to the kitchen, rubbing your chest as you catch your breath. 

You walk around the corner to the kitchen and instantly jump when you see someone sitting at your table in the dark. The old you would've freaked, grabbed your gun and threatened them.

But you now couldn't care less; you just grabbed two glasses and a bottle of whiskey off the drink table. You bring it over and set it down, pouring the whiskey into each cup, filling it halfway, and then sliding one over to your companion. 

You then sit down and take a swing of your drink before reaching for your pack of cigarettes. 

"Want one," you ask, holding a cig out to them.

They take it, and you pull out one more for yourself; you then strike up a match, reaching towards them to light theirs first; once they got closer to the flame, it became clear who was sitting at this table with you. 

You light the cigarette, then pull the match to light your own; you take a drag, hold it in, and then blow it out. You do this action a couple more times, and neither of you says a word as you smoke; you both just sit there in silence. 

You finish up your cig, put it out in the ashtray, then proceed  to light another. Again, you smoke in silence, but this time, as you're almost finished with your cig, you speak up. 

"I thought you would've sent Micheal," You say as you reach to ash your cig in the ashtray.

He finishes up his cig, putting it out before responding to you. "He was busy," he shrugs. 

"'M honestly, I would've preferred Micheal." You put your cig out and then took a sip of your drink.

"Well, looks like you're out of luck 'cause I'm here." 

"Yes, you are; please do tell me why it is that you're here after all this time." 

"We got served a black hand," he spoke with such seriousness, but you were confused. 

"Ok, am I supposed to know what that means or what it has to do with me" 

He took a deep breath and said, "We have to tighten house. We killed one of theirs way back, and now they're coming to get even." 

You pursed your lips and turned your head to the side, slightly shrugging your shoulders. "And what does that have to do with me." 

"They killed John." 

"May he rest in peace? "even though you didn't mean for it to, it had come out more like a question than a statement. 

"But again, what does this have to do with me," you asked

He let out a dry laugh, licking his lips, then got up and got in your face. He took hold of your wrist and bent down to your height. 

"Because the Italian Mafia doesn't care if you don't fuck with me, they are going to kill everyone that has ever spoken to me, anyone who's ever been close to me to hurt me to break me down before killing me."

Even though he tried to seem calm and collected, you couldn't see it in his eyes or face, but you could hear it in his voice. 

He was hurting. 

You ripped your wrist from his grip and stood up, moving closer to him and getting in his face. 

"Well, Tommy, it seems like you have a real problem on your hands; best of luck to you." You smiled at him, then stood up and began to walk away

Suddenly, you were pushed against the wall and turned to face him. 

"Look, I—"his speech was cut short once he heard a cry coming from upstairs; his eyes darted down to you, his head tilted as he looked at you. 

"Tommy, I-"you start but stop once Tommy pushes off you.

You tried to get past him to go up the steps first, but he pulled out a gun on you and pushed you back into the kitchen. He slowly took a step back as you took steps forward.

"Do it, Do it, Tommy. Be a man. Do it," You said as you walked forward; you held your head high as you spoke so there was no room for doubt on Tommy's part. 

He looked at you, puzzled, then shut the door in your face. You immediately rushed to the door, but it was too late. He locked it. You tightened your grip on the door knob as you jiggled it relentlessly, 

"Tommy…. Fuck— Tommy, please" You were starting to panic; you had to get to her first. 

You dashed over to the drawers and started to throw everything out and slam it shut as you moved on to the next one. The key was in one of these drawers; it had to be you had remembered putting it in here you—

You found it in the last drawer; you ran over to the door but slipped on the things you had thrown on the floor and fell on your back, making the key fall out of your hand. You hop on your knees, ignoring the pain in your back that grew with every move you made as you searched the now messy floor for the key; you can already barely see because of the darkness, but the tears that start to build only make it worse. 

Your hand brushed against something sharp, and you turned your head in its direction as you stretched your hand out again, patting it around. Your hand instantly comes in contact with the cold metal key. You grab it, rushing to the door. You try to place the key in the door, but it keeps brushing past the hole. 

You stopped, took a deep breath, and tried again, and despite your shaking hand, you were able to place the key in and unlock the door. As soon as the door opens, you ran up the step to her room. 

It's too late. 

You walk into the room and see Tommy holding your daughter in his hands. 

Without thinking, you say, "She's not yours." 

It's a lie, you know it, and so does he. Anyone could see from a mile away that she was his, and it's not like she looked like him or you even; she was still too young to look like anyone. But she had those eyes, the same eyes her father had. 

You look up at Tommy and know you are in trouble. He had just met her, and already he was in love. He was already hell-bent on taking you with him, but now that he knew of her, there was no way he was letting y'all go. 

You're about to speak up but get cut off by some men behind you.

"We're here, Mr.Shebly. What do you want us to do?" 

You didn't turn around to see if you knew the men; you just kept your eyes forced ahead on Tommy. 

"Pack up the house, everything; we'll go through it later and see what we want." He barely spoke above a whisper and never looked up as he slowly rocked your baby back and forth. 

"Oi sir and your car is ready when you are." 

"Thank you, curly." 

They left, leaving you and Tommy alone. 

You opened your mouth to speak but didn't know what to say, so you stood there like a gaping fish as you struggled to find words. 

"It doesn't matter what you say; tonight, you will leave here with me, and so will the baby. You can put up a fight, but we will drug you if we must." The way he spoke, you knew he meant it; there would not be a fight, you couldn't take on Tommy, let alone all the men downstairs.

 So you just nodded your head, ok. 

Satisfied with your answer, he proceeded to exit the room but then stopped and turned towards you. 

"What's her name," he asks. 

"Ruby" 

"Ruby," He whispers, "Hi. Ruby, grab what you want and meet me in the car," He says, then leaves and goes downstairs. 

You want to cry, tear the room to pieces, throw a fit, and just sit there and cry. But you can't, so you make yourself and your daughter a travel bag, packing only what you need and leaving the rest for the guys to pack up. 

You finish packing and head upstairs; you walk past the men packing up your kitchen and head straight for the car. Once you're outside, you see a man waiting for you by the backseat door; he opens it for you as you approach it. You walk up to him, handing off your luggage, giving him a smile, and thanking him before sliding in next to Tommy, who's still holding your daughter tight to his chest. 

The driver places your stuff in the trunk, runs over to the driver's side, and hops in, wasting no time. He takes off instantly, driving to a destination unknown to you. 

 You glance over at Tommy, who is still in awe at seeing your daughter. You don't even try to take your baby away from Tommy, knowing that he will hold her as long as he can. 

So you sit there staring out the window, saying goodbye to the place you've called home for the past year, and try not to cry.

************************

For a long time, you were confused; you knew this wasn't the way to Tommy's house. It was east, and you had been heading west. You were about to ask where you were going, but then you started to recognize your surroundings, the shops you've walked past hundreds if not thousands of times. You even saw some people you knew past patients. 

You were back in Birmingham. 

Soon after you cross the line into Birmingham, it doesn't take long for you to reach your destination; you pull up next to many small townhomes. 

 Before you  get the chance, your door is opened for you, thanking the driver as you step out and observe your surroundings.  

"Where are we, Tommy," you ask. 

"We're home," he says simply, then starts making his way into one of the homes. 

You follow closely behind him as he steps into the house; you take in your new surroundings as you follow him; there are steps directly in front of you and a living room to your right that leads Into a kitchen. As soon as you step into the living room following Tommy, you're greeted by a maid who cut you off as you are about to ask Tommy another question. 

"Welcome back, Mr. Shebly. I set Charlie down for a nap upstairs a few minutes ago and just put dinner in the oven. Do you need anything else from me before I go" 

"No, Mary, that will be all thank you."

"It's not a problem, Mr.Shelby," she said, then went to leave but suddenly stopped at the door. "Oh, and I've had a bassinet put upstairs per your request." She gave both of you a tight smile, shutting the door as she exits, leaving you and Tommy alone. 

Tommy doesn't say a word as he turns away from you and walks upstairs; you're about to start looking around when a knock comes at the door. You get to the front to open it and is greeted by the driver, who has your bags in hand. You reach out, taking them from his hands and setting them to the side before giving him a smile. 

"Thank you so much; hold on, let me find my purse to pay you," you say as you step away from him in search of your bags.

The driver quickly stops you in your tracks when he calls after you using a name you've never heard associated with you. 

"Oi, that's quite alright, Mrs.Shebly; Tommy pays me good," he said, giving you a smile, then shuts the door before you could even correct him. 

"Ok," you say yourself as you shrug it off; you turn around just in time to see Tommy walking down the step, and you notice that your daughter is no longer in his hand. You assumed he must've put her down upstairs in the crib Mary set up. 

Once he gets down the steps, he immediately makes his way toward the Living room. He sits down in one of the chairs, and you decide to take a seat across from him. 

He pulls out his pack of cigs, offers you one, which you accept, and then takes one for himself. His lights yours first, then his own. You take a couple drags of your cig, then begin asking him a million questions you have swimming around in your head. 

"How long do we have to stay here," you ask as you blow out smoke and then take another drag. 

He shrugs his shoulders as he waves his hand around in no particular manner, "for however long it takes." 

You press your lips tightly and roll your eyes; you take a deep breath and let it out as you speak again, "Are we staying here with you."

"Yeah" 

"Is it safe?" 

"Yeah, you will have two guards stationed outside 24/7." 

"And where will you be?" 

"Out" 

"So Tommy, let me get this straight: I'm supposed to stay here for who knows how long, under constant surveillance from your men, and I'm assuming I'm not allowed to leave." You paused, waiting for an answer, to which he gave you a slight nod back. "Right, so basically, I'm a prisoner; I'm your prisoner. I'm not ok with that, Tommy. I-" 

Arthur suddenly burst through your door, calling out for Tommy. 

"Oi Tommy, I- "Arthur paused once his eyes landed on you; a big smile slowly crept up his face as he started making his way towards you.

"Sista, it's good to see you," Arthur said as he hugged you, picking you up slightly. 

"It's good to see you too...... I'm so sorry about John," you said as you hugged him back, and you were being honest. You didn't miss anything from your old life, but Arthur. After all the years, y'all were around each other. He truly started to feel like the brother you never had. 

Arthur pulled back from you slightly and looked you in the eyes; you gave him a tight smile, then pulled him back closer and hugged him tighter. 

Arthur pulled back again as he asked you a question, "Oi, I heard I had a niece. Where she." 

Before you were able to answer his question, Tommy interrupted you. 

"Are you two finished yet" You heard Tommy ask from behind you, making Arthur drop you. 

"Sorry, Tommy," he chuckled as he stepped further from you. "There's been an incident down at the boat house; we need you down there." 

"Thank you, Arthur; I'll meet you outside," Tommy said, then went into the kitchen to gather his things. 

Arthur gave you a small smile and whispered a quick bye before heading outside. 

You turn to face Tommy, who is putting on his coat; you see his collar sticking up, so you go over to him to help him fix it. You grab onto the jacket and pull him in close to you. 

"When will you be back?" You ask as you pat down his collar.

"When I'm finished" 

"That's not cool, Tommy; we have things we need to talk about." You grab on his collar and tighten. 

He gave you a look that you could only describe as assumed, then pulled you off him, holding your wrist in his hands. 

"And we will when I get back," he said, dropping your wrist and walking away. He suddenly stopped and turned around to face you. "Watch Charlie for me," He said with a tight smile, then reached for the door. 

You are so fed up with his bullshit that you pick up the first thing your hands touched and throw it at him. 

"Fuck you, Tommy" You screamed at him as the glass cup left your hands. 

Your aim is ass, so the cup smashed against the wall next to him, missing him by a couple feet. But still, it stopped him in his tracks; he stood there for a second, then turned around to face you, gave you a smug smile, then said

"You already did love." 

He quickly went to the door, leaving you there standing there stunned. 

You're so mad at him for coming into your life (again), picking you up, and dragging you into his mess (again). He constantly treats you like gum on the bottom of his shoe, and you're tired of it. 

You have this anger building up inside you; you're so mad, so you do the only thing you can think of. 

You scream.

You stand there and scream; you yell out towards the ceiling; you scream till your lungs start to burn. And then you collapse onto the floor. 

How did you end up here again? You thought you finally got away from this life. 

Before you had a chance to wallow in your self-pity, you heard a cry come from upstairs. You get slowly and make your way up the narrow stairs. Once you get upstairs, you notice there are only two rooms upstairs, one the bathroom and the other the bedroom. 

You enter the bedroom and see Charlie still fast asleep on the bed, the only bed, you might add. Your baby cried from her bassinet, and you went over, picking her up and rocked her  back and forth in her arms. She must've heard your scream and got startled. You were really loud; you're shocked that Charlie didn't wake up. 

You were able to get her back to sleep quite quickly; you placed her back in her bassinet and walked out the door back downstairs. 

As you walked down the steps, you started to sniff the air around you; it smelled like something was burning. 

You took off sprinting towards the kitchen once you remembered the dinner Mary said she had placed in the oven. You yanked the oven open and reached in to take the pan out. 

You jump back, saying a million curse words as you immediately pull your thumb in your mouth. You are so out of it that you forgot an oven mitt. You suck on your thumb for a couple of more seconds as you glance around the kitchen till your eyes land on the oven mitt. You grab them off the counter, head back to the oven, and pull the pot, placing it on the top of the stove. 

You open the pot, and to your surprise, it's a chicken roast dinner, and it's not that burnt, only a bit; really, it just looks extra crispy. 

You place the top back on and glance down at the clock next to the stove; it's barely a quarter past three. 

You decide to let the meal cool down, you get your bag from the door, and put it up where you see best upstairs. 

After you finished unpacking what you had on hand, you pre-made a couple of bottles for your daughter and then joined Charlie in the bed for a little nap after scooting him over a bit. 

That boy sleeps wild.

***********************

You felt yourself being shaken back and forth softly as if it was too hard for the person to push you. You open your eyes slowly and squint as they try to adjust to the dark; you look around the room in search of the person who worked you up, and soon, your eyes land on the smaller version of Thomas Shelby. 

The little boy turned his head to the side as she looked at you curiously. 

You sat up on your elbows and took a quick glance over to the clock next to you; it was seven on the dot. You turned back and looked over at Charlie, who was still looking at you.

"Yes, Charlie," you asked. 

"I'm hungry; where, Da," he asked, rubbing his eyes with the back of his hands. 

"He's out right now; I'm here. Is that ok," you asked; he nodded slowly in response.

"Ok, good, I have some food downstairs for you; we just have to get the baby up and well go, ok." 

"Baby?"

"Yeah, come look." You stood up, grabbed him, placed him on your hip, and showed him the baby below. 

"Who that" 

You thought about your answer before you responded to him. You didn't see the harm in telling him the truth, so you said, "She's your sister; her name is Ruby." 

He turned up to look at you so quick that you thought he gave himself whiplash. 

"My sista," he gasped and then tried to reach down to touch her.

"Yep, but wait, be careful, I'll put you down, and I'll grab her and show you." 

You put him down softly and then pick up your little girl; she begins to stir as you gently pick her up. You turned to see Charlie sitting waiting patiently with his feet swinging off the side of the bed. 

You sat down next to him and turned your body to face him; he glanced down at the baby, up at you, and down at the baby again. 

"Wow!" He said, then jumped down from the bed and took hold of your hand.

"Come on, me and baby hungry," he said, leading you downstairs. 

Once you got downstairs, you had him sit at the small table in the kitchen, and you kept Ruby in your arms as you fixed him a plate and then yourself. You warmed both plates on the stove and grabbed a pre-made bottle from the fridge while you waited. 

You sat down next to Charlie and offered him a proposition: "You want to feed her with me." 

He shook his head up and down so fast and tried to reach out to her. 

You pulled away from him slightly. "Wait, I'll hold her, and you hold the bottle, ok?"

He nodded and waited for you to give him the bottle; you showed him how to hold the bottle at an angle best for the baby and then let him take over. 

He reached over you slightly as he held the bottle to Ruby, and she took it instantly, drinking fast. 

After she was finished, you took her back upstairs to sleep; when you came back down, your food was finished warming, so you took both your plates out and cut up the food for him before handing it to him. 

Together, y'all both sat at the table and ate in silence.

"Are you my new ma" 

The piece of chicken you placed in your mouth instantly went down the wrong pipe, and you started to cough, your eyes began to water as your chest tightened. You reach for your glass of water on the table as you beat against your chest. 

As you drank your water, you glanced over at Charlie, who had started playing with his food. You cleared your throat a couple of times as you rubbed against it and drank more water, then set the cut back down next to your plate. 

You smack your lips against your teeth as you begin to speak. "Umm, w-what makes you uhhh what makes you say that." 

Charlie shrugged his causal shoulders, still glancing down at his food. "You're staying here with me and da; you sleep in the same bed as me and da and your baby’s ma." 

You tilted your head to the side, a puzzled look dancing across your face; you leaned down closer to Charlie and asked him a question, "You're four right." 

"Yep," he said, popping a piece of chicken in his mouth. 

"Um, yeah, no, Charlie, I'm not your "new" ma, and if I was, I wouldn't be your new ma, just another one, ok. Cause you ma Grace will always be your ma." 

He didn't say anything back to you, just nodded back slowly; it was clear that he was full now and probably was sleepy again. You assumed that you both had a long day of travel and these significant changes would take a second to get used to. 

You took both plates away, deciding that you were also finished eating; you quickly cleaned the plates and placed them in the drying rack. After you put the pot of food in the fridge, you pick Charlie up, take him upstairs with you. 

By the time your foot hit the last step, Charlie was somehow fast asleep; you brought him into the bedroom and carefully placed him down in the middle of the bed. You grab the covers, bring them over his body, and tuck him in slightly. 

After you check on your baby and find her still fast asleep. You decide to go back downstairs and sit in the living room to wait for Tommy; he should be home soon; he has been gone for hours now. Whatever he had to work on should be done by now……. Right?

.

.

.

You feel your oxygen supply getting cut off, and you start to struggle to breathe; you try to turn your head but to no avail because whatever's is on top of you is keeping you in place.

You begin to panic as you realize that you are asleep and have to force yourself away to be able to deal with whatever is keeping you from breathing. 

You feel your fingers begin twitching, then your eyes, and finally, after what seems like forever, you're able to open your eyes.

You squint your eyes as you try to help them adjust to the darkness, but it's still pitch black; you soon realize that the reason you can't see isn't because it's dark but because something lays on top of you. 

You lift your hand cautiously as you slowly lift Charlie's body off your head and back into the middle.

You lay there for a second as you try to catch your breath, then slowly, you sit up to check on your daughter, seeing as she has yet to wake you for a bottle tonight. You take a quick peek over into her bassinet. 

She's not there. 

You quickly shoot up in a panic, thinking your eyes are playing jokes on you, but once you get closer to the bassinet, you can confirm that she is not in there. 

You try to take deep to calm yourself down, but it gets caught in your throat as you slowly begin to spiral, and your mind starts to race with a million questions.

Where is she?

How could I not hear someone take her? 

When did I get up here? 

.

.

.

Wait, you pause for a second and try to think back to tonight. You didn't get in the bed. You remember waiting on the couch for Tommy; you must've fallen asleep, but how did you get up here?

Your head quickly pans over your shoulder, and in the bed next to Charlie, you see Tommy and your daughter lying on his chest and a half-empty bottle on the nightstand next to him. 

Relief floods your body as you slowly sit back down on the bed; you look back over at Tommy. The sight before you is truly something; if Tommy wasn't the devil reincarnated, it might make your heart swell. But instead, you're sitting there contemplating whether or not to get her off him and place her back in her bed. 

She seems fine, and there isn't much room for her or Tommy to roll around plus the risk of having to deal with her waking up in a sour mood if you move her isn't something you feel like doing right now. 

You lay back in bed next to Charlie, deciding to leave them be. 

As you fall back to sleep, instead of counting sheep, you tell yourself repeatedly.

That this is just for now and that

Thomas Shelby is in your past and not your future. 

***********************

Tag list:

@thhriller@macchiadinchiostro @naevisct @johnmurphys-sass @fannibalsrule @mysticalbouquetwolf-posts @sis7890

I apologize if y/n having a kid is a huge turn-off for some people, mainly because there isn't any warning, and we're so deep into the story. I wanted it to be a surprise, but again, I'm sorry. Also, this isn't the last part. There are two more, and then that's it; I broke it down because I felt like having everything In one or two parts would've made it seem like Y/n and Tommy's end result would become too quick and not in a organic way. Also, I've been told this story gives dead doves don't cry or something like that; it's not, I promise, a happy end or as happy as person can be with Thomas Shelby. Anyways, thanks for reading. The story should be finished and fully uploaded all parts by Friday, Feb 9th.

P.S: I can't tell if this chapter is shitty or not I was just trying to get it out for yall so I'm sorry if it is.

[shaunashipman]

Eddie was definitely more queercoded than Buck. He is written as a repressed gay man in comphet relationships. Buck's queercoding mostly consisted of one-off jokes while Eddie's has been baked into all of his romantic storylines. Also no one is saying he's gay because he treats women poorly. The reason he inadvertently hurts his partners is because he is trying to force himself into relationships that will never work. Calling that homophobic is laughable because so many gay men have dated women as beards which obviously ends up hurting the women. It's just a fact. It's honestly homophobic the way so many bucktommy shippers are obsessed with eddie being straight even when a multitude of gay people see themselves in him. Or does the gay male perspective only matter when in concerns tommy lol

ok, I wasn't even going to get into this. idc if you see eddie is queer, that's your prerogative. but you brought this into my inbox.

to start with, there are plenty of bucktommy shippers who also think eddie is gay. and the ones who don't are not obsessed with eddie being straight, we're just tired of it being touted as the only possible reading and if you don't get that then you're stupid. kind of like how they are with buddie

also buck's queercoding has not been one-off jokes, y'all just seem to think that queercoding that isn't angsty is being played for jokes.

but let's get into the queercoding of eddie

"baked into all his romantic storylines" all 3 of them? that gigantic number? let's go through them.

shannon. yes, only married because they got pregnant. but they got pregnant through having sex, which eddie was shown, multiple times, to enjoy having with shannon, a woman. she left him (not going deeply into her reasons, I've talked about what I think of shannn and her leaving) and eddie's response was to devote himself to being a father, then moved across country to the same place she was, implicitly because he wanted to make up with her, but couldn't work up the courage until forced. when he did contact her, his initial refusal to let her see chris was both because he didn't yet trust her again with chris and because he didn't trust her with himself. while deciding whether or not to let her see chris, they were fucking like bunnies. again, that eddie was shown very much to enjoy, to the point that it is explicitly something he fantasized about in s7. after he let her see chris again, we didn't see as much of them, but what we did see was the actions of a normal couple. then she said she thought she was pregnant and he re-proposed. could it be that eddie simply felt trapped again? sure. but if that were the case he could have simply not began a relationship with her again to start with. he had the excuse ready baked in of "we need to focus on chris". then she turned out not to be pregnant, asked for a divorce and died, and he's spent the last 5-15 years mourning and pining for her.

ana. initially met as a teacher at chris' school who eddie had an immediate crush on. didn't go anywhere that season because she was chris' teacher. when they met again eddie's only hesitance to date her was framed as trauma from shannon divorcing him and dying. then we get to s5 and his panic attack. which most took as being about the "ready-made family". I took as, the shop worker called ana chris' mom, chris' mom died, ana could die, cue panic attack. the only part of this relationship that I can remotely see as being indicative of sexual repression is how the break up went, which could also just be a result of his slow breakdown which had already been cooking for several months.

marisol. who eddie perused after he got out of the date his tía set up, talked to some people and decided he was ready to date again. then we didn't really see them again until the nun episode. also the point where so many ignored the majority of the ep just because eddie was talking about religion. also basically the only time religion has come up for eddie in more than passing, despite religious repression supposedly playing a large role in his queercoding. again, a relationship where eddie is shown to enthusiastically enjoy sex with women. his sudden hesitance to have sex with marisol was completely about her having been a nun, which if anything is about the madonna/whore complex, not about eddie's sexuality. and then eddie fucks up the relationship due to the shannon!doppler, because he's still in love with shannon NOT because he's closeted.

so where is the plethora of queercoding in all his relationships? and if all his relationships are comphet, but he's never shown an attraction to men (and he hasn't, not objectively, because him "looking" at buck is not attraction) why is him being gay the only option? what about asexual? or aromantic? or even bisexual, since as I've pointed out, he clearly enjoys sex with women.

also his poor treatment of the women he dates can very easily be traced to him growing up in a very patriarchal household, where dad works to the detriment of not knowing his kids, mom's job is to take care of the kids, and he as the only boy was delegated to the "man of the house" at a very young age. an extremely common family dynamic, and one that despite working on in other aspects, eddie clearly still ascribes to in some way, by how he's continuously looking for a wife and a mother, not a partner. could be that he's gay, could be that he was raised in a misogynistic world.

If you see him as gay, great, good for you. but to insist that that's the only correct view is wrong. and since you ended with an "lol" showing how seriously you take this, I'm gonna end with this

ryan, the one who plays eddie, has said multiple times now that eddie is heterosexual. and before you start, oliver at no point ever referred to buck as straight before the bisexual arc so 🤷‍♀️

[bouncy-dog-funeral]

Stiles Stilinski and how teen wolf fails his character and relationships

TW: mentions of charecters traumas, disibilitys not being taken seriously, toxic relationships, one sided attraction, and teen wolf hate cuz as much as I love some of the charecters… the show is kinda bad (it’s my special interest b4 I get hate)

ALSO!!!

I am just an autistic guy who’s been hyper fixated on stiles as a character for years. I am not telling you how to feel about the show or him, I’m just expressing how I feel through a long (and I mean it this is long so strap in… or don’t… I don’t control you) tumbler rant. I have not finished the show but I have done a lot of research (about episodes and seasons that I have not seen) but I’m just human. If I miss something or don’t get something right, you can just tell me!!

Stiles stilinski as a character, while not a revolution to tv, was a pretty iconic character. A show about werewolves and the supernatural was absolutely side stepped by the human of the series. From the moment he’s on screen, he brings a fun vibe and some pretty funny jokes but you’re not here to listen to me glaze a white guy from an early 2000s show. Too much of that on here any way so let’s get to the real meat and potato’s!

Stiles was failed by teen wolf. They failed to give him relationships (and I mean platonic and romantic relationships) that were reciprocated. His relationship with Scott is ok at best. In the first season stiles goes out of his way for Scott to help him find out what’s wrong with him and it’s seemingly the only reason he’s there other then to get Scott to go in the woods and to show that Scott isn’t friendless and what does Scott do? Kinda just ignore him to hang out with a girl HE JUST MET. This isn’t a one time thing either. Stiles goes out of his way for Scott 99% of the time. He’s loyal and honestly a really good friend. Scott does not meet him there unfortunately. This is not to say that Scott never helps stiles out or never shows care for him, he just kinda always puts his issues first. I think a famous example is season 5 episode 9. NOW BEFORE YOU SCOTT SYMPATHIZERS BOO ME I WOULD LIKE TO EXPLAIN MY POINT. Now Scott and Stiles have both gone through some traumatizing shit that no one, especially high schoolers but I can only give so much leniency. Scott is supposed to be a leader/alpha and although he’s bound to make mistakes, a good leader listens. He never really listens to stiles in this argument. He got told one story from Theo and just runs with it. He has this problem either way black and white thinking when everyone in this series is a person (werewolf’s and other supernatural creatures included) and being a person comes with not being perfectly good. Scott has this awful superiority complex when it comes to doing what he thinks is morally right. Scott through out the series proves that he is not as loyal to stiles is to him.

I’d also like to go over his relationship with Lydia cuz good god man. I don’t hate Lydia. I think she’s a great character that if not written in the early 2000s could really have potential but they make her mean to stiles (as most charecters are) and show no interest in stiles even as a nuisance and expect me to care about them as a couple. Now you could say the same thing about sterek (stiles x Derek) and you might even be typing up a comment now. Let me stop you. I think there is a key diffrance. We are supposed to root for stiles and Lydia. We are supposed to want them together when Lydia in all honesty is not intrested in him. It’s not a mutual arguing or back and forth. Stiles is deeply in love with some one who ignored his existence. As a afab person I feel bad for Lydia a little. Having the attention of a man that you don’t like all that much while you have a partner (Jackson in season 1 which he’s not a good partner but she’s still with someone) should get on my nerves and also kinda make me nervous. This is not me saying stiles is a creep or anything it’s just me highlighting the relationship that they share is kinda one sided. Now this is just personal preference and you might really like that dynamic but I don’t really want to root for a couple where it’s just pretty girl is there and she has some nerd who wants to be with her and she eventually gets with him cuz yay straight people. I know they grow and eventually Lydia is in love with him but I just can’t get behind it. It’s just nothing. The fact the he (stiles) yells at her at the school dance (season 1 episode 11) to get her to dance with him after she rejected the offer twice is weird!!! The whole speech is nice guy behavior on stiles part and it makes him seem down right disrespectful. I don’t care for the whole “no means I’m playing hard to get” idea. It makes stiles look like a dick, puts Lydia in the position where if she doesn’t say yes the audience will hate her, and it doesn’t progress the relationship in a healthy way. I think they would be really cute friends and you can even keep the “stiles has a crush on her” narrative and just make it to where he comes to an understanding that she has said no and they become friends. God knows we are lacking good platonic male/female relationships in media.

Now onto stiles and his disability. When I was in first obsessing over stiles in middle school or high school I was ecstatic to learn that stiles had adhd. I have been diagnosed with adhd since I was in elementary school. I was always an outcast cuz of it so to see a character, a fan fav at that, I was so happy. Getting any disability rep (especially from the mid 2000s) is crazy rare so I was happy to see it. Unfortunately in an interview Dylan o’brian (stiles actor) said that it was a joke. That even tho that in the series stiles says that he takes Adderall (a drug that treats adhd) he’s just like that. This was incredibly heart breaking to hear. Jeff Davis (creator of teen wolf) said that stiles had adhd later on Twitter but this isn’t a real relief to hear cuz either they wrote a “joke” that stiles might have adhd therefore dangling rep infront of disabled people’s faces while also having plausible deniability about having any rep in the show at all OR they wrote it in and just kinda ditched it at one point. They use derogatory terms for adhd to describe stiles like spaz just for him to be a nerotypical charecter??? Yeahhhhhh not a huge fan. If they actually wrote him to have adhd (which btw in my experience is like one of the most “accepted” disibiltys to portray in media so it wouldn’t even be taking a huge risk to give stiles adhd) then that would explain his behaviors, why he takes Adderall, why people other him when he seemingly does everything right. It was only ever a joke to the writers and I think unfortunately the actors. It made it to where other fans of the show can shut down the idea that stiles has adhd cuz “they don’t ever directly say it. It’s frustrating and overall makes me so sad.

Next his trauma. They put this man through a lot and just gloss over it. They do this with most of the charecters. Huge traumatic incadent then boom Scott saves the day we’re all fine!!! (Can you tell who my least fav charecter is through this rant?) it’s just annoying. Stiles was litterly possessed leaving him a broken man but it’s kinda just… there? No real ptsd. Hell he doesn’t even really have to deal with anything. They briefly go over that his mom died and kinda just became a shell of a person and that made his dad an alcoholic. It just happens. None of that affects stiles outside of that story line. Was it too much to write ptsd? Idk it just seems that anytime they have to write a charecter that isn’t a ambiguously white or white nerotypical untraumatized “normal” person, they fall flat *cough* BOYD *cough cough* DANNY *cough* what was that? Who said that? Any way it’s just weird and upsetting.

All of this to say…. I think teen wolf had so much potential and so many good ideas that just… didn’t make it. They failed stiles stilinski, not only that! They failed all of their character’s but I’m not crazy Coocoo about their character’s and it 1:38 in the morning so I’ll leave it with stiles. If you disagree with me that’s so fine, I’d love to have a conversation about your opinions! Just from my knowledge and experience, I feel like they could have done so much better for stiles

(Like make him a bisexual neurodivergent icon but whatever)

Have a lovely day! Thank you for listening. If you ever want to talk about teen wolf, my dms are always open and I’m crazy.

[gayofthefae]

They've said they want their show rewatchable. As someone who wasn't like SUPER invested in the ships/show before, the most rewatchable thing they can do is Mike's queerness.

I would not have rewatched it until season 5 came out. Maybe once before then if I got bored, but definitely not as much as I have without it. And the plots for Will have been too supernatural focused (also a good rewatch point after season 5 comes out, I'm sure) to be worth rewatching for his queer personal plot for two seasons before we even really get to it too much.

But Mike? Everything Mike does is impacted by his queerness. Will? Obviously. El? Most DEFINITELY. The Supernatural? You mean the thing that only ever affects Will and El? Yup.

Do you know my first thought, as someone not yet obsessed, when it started to become more clear that Mike was queer? "Oh, that's more interesting"

The average person isn't gonna drop the show because their ship broke up amicably. But they are going to if they get bored.

Mike having been queer the entire time, who cares if planned, as long as it isn't contradicted by anything prior (which is not possible because queerness is not disprovable) just gives a whole new view to everything he's ever done, making it less straightforward than you thought it was, changing your original view of the events, making you want to rewatch just to see how each moment is impact.

Making it more INTERESTING.

It's simple, honestly. Speaking as someone who passively thought the couples were cute and generally wanted the characters to be happy but wasn't deeply attached or fixating on any part of the show, Mike being queer is just more interesting than him being straight. That's all the people really want.

They've already gotten lots more residuals from this. And I'm sure they know that at least half of it isn't just because of the vol 2 lore drop. And it isn't because of what we think is gonna happen for Will in season 5 either, why watch seasons where it also hasn't happened yet. It's because of something else, much like the lore, that affects every facet of an entire plotline from the first episode. Not even the lore actually does that, it's just interesting to know, but that one's easier to connect back in your memory, but isn't as deeply rooted that you need to think through every singular behavior of the mind flayer. But with Mike, we know it affects it, but we immediately had to know how.

I probably would have rewatched it once by now. Maybe one more time a year from now to prepare for the season 5 release, but maybe not. I didn't do my rewatch before season 4's release, so I might not have. But instead, because of Mike and Mike only, I'm currently on my third watch since 2022. Maybe fourth, I'm not sure. Not just because of a ship I wanna see again because they're cute. Because I'm LEARNING something new every time I see his face on my screen. Not because I ship it, not even because I personally want it to be true for any character's sake.

But because Mike being queer is just. more. interesting.

[zluty-spendlik]

WAKFU REDESIGN AND REWRITE SERIES – PART 1

Evangelyne

Evangelyne used to be my favorite character growing up, which kind of sucks since she’s one of the flattest characters considering how much screentime she has.

Even when I was a little kid and watched this show I found it annoying how she was constantly drooled over by the guys and these days its pretty obvious she’s a very stereotypical not-like-the-other-girls girl, created solely to be Percedal’s (the literal incarnation of the expected target audience) love interest.

SHE EVEN HAS THE WHOLE „I let my hair down and now am so much prettier“ ARC HAPPEN FRICKING TWICE IN THE SPAN OF. WHAT- 5 EPISODES???

Evangelyne is a misogynistic character on so many levels, the only Eva-centric episodes we get are either ones she needs saving in (like Vampyro or the pirate one), or when she has a love arc with Percedal (the whole Rubilaxia shtick, or the tree of Life episode).

Honestly the only bearable scenes where she shows up are those where she interacts with Amalia and even those get twisted into weird sexist tropes: Evangelyne critisizing Amalia for buying too much clothes, or overall cringing at Amalia’s „too girly“ behaviour.

Even when they have a touching conversation after freeing Amalia’s father from the Tree of Life, Amalia immediatelly brings up Percedal and fails the Bechdel test.

I won’t even touch the Cleophée (or Cleome in english) trainwreck  the writers pulled in season 2 or the whole pregnant-damsel-in-distress thing she had going on in season 3- I didn’t watch season 3 and 4 mostly because I got so mad after the misogyny happening in the first episode and I didnt want to ruin my already fragile excitement over the series.

But don’t get me wrong – Even tho Wakfu has a lot of potential for growth, I still love the series dearly, and would love to give the characters justice. It is important to note that I am not a professional writer and Im mostly doing this for my own indulgence, so please feel free to throw constructive critisism towards me.

Character rewrite

We don’t know much about Evangelyne’s backstory, or rather her story before she meets Amalia – And in my head as a kid, I always assumed she was an orphaned kid basically living on the street with Cleophée, until someone (presumably Armand, since he has a long-term crush on her and Amalia hated her at first) took pity on her and took her to the palace (once I figure out Cleophées design Ill explain what happens with her).

Fast forward a couple years, Eva is officially Amalia’s bodyguard, yadayadayada.

Important thing is, that this shapes Evangelyne’s personality and self-perception –

I have divided my potential Eva Arc into 3.5 Categories:

Self-protection and perservation

Eva knows how dangerous the world can be (streets) and how serious her job is, but she’s only seventeen. She takes her job way too seriously, in the sense that she doesnt trust anybody they meet (which is especially shown when they meet the Tofu gang). She doesn’t want anyone but Amalia close and deep down, she’s scared of other people.

She is horrible at teamwork, which only frustrates her and everyone around her. She fails to see the affection Amalia has for her, because her entire self is just a bodyguard.

She doesn’t know who she is without that.

Depression

Dally’s sacrifce absolutely traumatizes Eva, both in the canon and my version. It doesnt need to be seen as romantic tho (we’ll get to that). On top of that AMALIA BRIEFLY DIES AND COMES BACK. Can you HEAR Evangelyne’s entire purpose crumbling down?

In her head, two people just died because of her.

Besides, Percedal sacrifices himself because he cares for her. Not as a „coworker“ or a teammate, but as a friend and Evangelyne cannot fathom that sort of service and relationship.

And even though she failed, her friends are there to support her.  Eva learns compassion.

Self-destruction

However, she now feels she has to „make up“ for her lack of compassion and her failings as a bodyguard. Long story short, she completely flips to the other extreme, basically throwing herself in any sort of danger to protect her friends  (hence when she hears Dally, she immediatelly goes to Rubilaxia). In the show this is less extreme but portrayed as her real and true personality: more reckless and adventureous – but i think the writers just wanted Eva to finally have something in common with Dally (which, btw, uncool), but I’d like this to be portrayed as a bad thing.

Eva fails to see that she’s hurting herself and fails to recognize herself as a person rather than basically a human shield. This arc climaxes in the Cleophée episode and Eva learns that compassion is not transactional, or something to be earned.

Her true self

Evangelyne's final form! We dont know much about Eva's hobbies other than her job and fighting skills, HOWEVER Dally mentions Eva taught him tracking at one point and tbh Evangelyne being a ranger or just studying nature fits her pretty well imo! She is also canonically artistic (as confirmed by the journal she keeps).

I take issue with Evangelyne always being seen as the “mom of the group”. Yes, she's smart and responsible and caring, but that's her job, she's an older sister, less of a mother figure and more of an equal to the others in the gang.

Design

In s1, Id like her to wear a lot of armour with chainmail directly on her skin (haha get it because trust issues), and with a mostly green colour palette, cause, Sadida kingdom yk.

In her s2 look, she throws away most of her armour and self perservation instincts and since her personality completely flips, so does her colour palette - red! The first aid kit is gone and she wears an ascot now (a torn bit from Dally's cape lol).

And finally, i made her a furry I gave her some gadget shoes from Cleophée, helping her move faster, I put some of the armour back and made her hair longer. Her colour palette now consists not only green, but also the "Yugo blue", which i plan on incorporating in everyone's final design :D

AND FINALLY, AN ART DUMP

[sevensoulmates]

Hi I just wanted to say I was on twitter and saw someone discussing and sharing your meta posts and I was genuinely intrigued and curious because you guys are obviously so devoted to the buddie couple and it's really endearing. And I was just really interesed about this perception of the couple you guys seem to have because is so different to the other side of the fandom I'm actively interacting with. I'm obviously a B/T shipper and only got into the fandom because of them but I'm really loving the show (currently I'm on season 5). I'm just curious about how is it that you guys see buddie as romantic when I think their interactions are clearly platonic, they obviously have a deep relationship, an intimate friendship but no more that that.

Again, I'm not trying to hate I just wanted to ask because it looks like the buddie shippers are settling themselves for disappointment just waiting for them to go canon. You all are obviously loyal fans and I think that's lovely but I honestly just don't see the show writing Eddie as queer now and I really think Tommy is here to stay (I think there's too many signs pointing to this fact like the buck actually episode and the old guy named Thomas). Again I'm not here trying to hate because I think you guys love the ship genuinely but I just wonder how is it that after all the things the shows portrays you guys are still rooting for buddie. Please feel free to ignore my question if I'm annoying you, I really don't want to come off as rude I was just really interesed in the topic.

There are a boatload of reasons why I and many other people ship Buddie. Most of them are far too long to get to in one ask like this because Buddie have had 6 years worth of material to sort through and it would just take far too long.

Long story short: in the same way that Buck was confirmed bisexual over the course of a single episode after years of many people saying Buck could never be anything other than straight, Buddie could be made canon in one single episode and it would be accepted just as easily even though it's been years and a lot of people are still saying they could never be together.

It's TV. The writers can do whatever they want. The second they decide to start bringing in more explicitly romantic things, people will suddenly start "getting" it.

To be more precise: I think it's easy for people to see a ship like Bucktommy and latch onto it because it's very clearly, explicitly queer. It's a lot harder for people to believe in or "see" ships where a queer couple hasn't done anything explicitly romantic like kiss or hold hands, etc. It's unfortunately due to heternomativity and the sad death of the slow burn. I can't really do anything about either of those things.

For me, the primary reason I ship buddie is because of the deep special bond and obvious family they've built over the years that feels different from every single other relationship they've had with literally anyone else on the show. That includes Tommy, Shannon, Abby, etc. You can view it as platonic if you want, that's anyone's subjective opinion.

You seem like a sweet person, but you're also coming into the show with a bias towards Bucktommy, which is fine. They're what brought you to the show, they're the ones who initially intrigued you, and they're also the only ones currently explicitly queer. I get it.

I am going to be so honest with you: I think the show has been writing both Buck and Eddie as queer men for many many years. But just like how Buck was only allowed to confirm it this most recent season, they haven't been able to confirm it for Eddie just yet. I could write essays and essays about how Eddie is so obviously deep deep in compulsory heterosexuality and has been almost since the beginning, but it would take too long. There's plenty of posts I and others have made all over tumblr and on my blog.

Slow queer burns featuring characters that aren't introduced in the first 5 seconds as queer are almost non-existent, they very rarely happen in popular media, and because of that it's almost impossible to ship something without someone coming at you saying "they don't see it". Fact of the matter is that Buddie is one of the easiest ships to "see", if you were looking at a man and a woman, but they're not. I can't really convince people to see what they don't want to see.

If you're curious about the specifics, I'd encourage you to go through my blog/meta or other buddie-positive blogs on tumblr to find many talented and intelligent individuals who will have a lot to say on why they believe in buddie.

When it comes down to it, I don't think the fandom at large is ever gonna believe it until they see it. That's kinda just human nature and the state of how we all consume media right now.

But once the show does go there, they're gonna be like damn can't believe I didn't see that until now while the rest of us sit here like "we've been trying to tell you this whole time."

In the meantime, I'm enjoying Bucktommy for what it is, for however long it lasts, and I'm gonna enjoy buddie just the same, regardless of if they go canon or not, or how long it takes.

[trutrustories]

STUDY IN LOKI ROMANCE Part 1: Ouroboros

Since we're only a few days away from the last episode, I decided to COUNT DOWN everything we´ve got so far ( that can be interpreted very easily as romantic ) and discuss what the actual fuck is going on with second season. Because even though I shipped lokius practically from S1E2, I absolutely did NOT expect this kind of development. (Not that I´m complaining) Warning: This is gonna be LONG post, lots of screenshots, lots of SPOILERS, lot of "oh-my-god-they-so-cute" language, and little bit of meta. I originally thought that this post would be everything at once, but since I have just too many screenshots this time around, I´ll have to split it. so every post will be one episode. Color coding means:

IIIIIIIIII = anything, that coud potentialy be just acting choice.

IIIIIIIIII = everything else (tzn.: whatever was written, and/or carefully prepared by filmmakers. )

side note: I already wrote, about how amazing it is, that Mobius is unable to fight but fights anyway and how beautifuly, and ridiculously brave he is HERE. But this is about Loki/Mobius interactions, so I´ll try my best not to talk about THAT. (Even when I´m really happy, that s2 continues with this formula and Mobius is still his completely defenseless while aggressively brave self. I love him, btw.)

Soooo EPISODE 1, le´t go: 1)"Mobius It´s me!" few second in and we have slowmo chasing scene with detail on Loki, and Mobius and then THIS Loki´s heartbreaking look on his face here.

2) "Tell me, you recognize me!" (Loki trying to desperetly find Mobius, and then running towards him) Also If this Time slipping didn´t triggered anything external, but It´s just his own, unlocked power - I honestly don´t know, how they will explain that - does that mean, that he unknowingly unlocked this power, because he was send by Silvie into the past, and then he was simply desperete and Mobius couldn´t recognized him so his body reacted by time slipping to place and time, where Mobius would know who he is???

3) this very unexpected exhibition of touches (meaning Mobius practicaly glueing himself to Loki for this entire section)

I´m sorry, but my man here is like "no, I´m not about to let you have a personal space. NOT. AN. OPTION. let me hold you some more" xD

4) This scene in in an elevator first of all, that was a second time, he slipped and was RIGHT back with Mobius, the very next second. secondly: Mobius being scared for Loki and insisting he needs immediate help thirdly: Loki reassuring Mobius, It´s not that bad.

also this "we just had sex in a cabin" shot:

and lastly...

Big thanks to the film crew for this shot to give us an idea just HOW MUCH OF AN UNUSED SPACE was in the elevator! 👌

5) Mobius and Loki talking to OB. being perfectly coordinated team and smoothly working together, while standing on a same spot, but in a completely different time.

poetry... just poetry!

6) Distressed God and his Happy Face just so we know: how long is it, since their reunion? Because I would swear that not even five minutes ago Loki was in state of complete panic, and look at him now:

Look at him smiling, enjoying view at struggling mobius 💚

few minutes with this man, and HE forgets all about his trauma and just vibing.

me too, Loki. Me too 🥲

btw, this thing over here?!!!!

7) bickering, like married couple, part 1

8) "Mobius if I don´t make it back" and "You´ll make it back". What was it, what where you about to say Loki? It sounded important! next time TALK FASTER!

9) Mobius risking his life SKIN for loki and refusing to give up on him.

10) Loki saves Mobius in an epic fashion and they end up in a hug: also they roll around the floor together

I mean... this whole scene was absolute TOP! So yeah. That was a first episode. before the premiere I was litteraly hoping, that I will see our Loki and our Mobius together at least ONCE, before first end credits. I actually couldn´t believe my own eyes, holy shit!

[angelthemanspanker]

my most tinfoil hat AtS opinion is that legit straight up canon spangel was like RIGHT beneath the surface of season 5, like the show was ready to pivot in the direction of them being at least friends with benefits at a moment's notice despite fate and the censors' best efforts

Season 1 had shit like Angel's first power walk shot set against a pride flag and him awkwardly telling guys he wasn't hitting on them, going for a kinda Adam West Batman kinda gay thing where people assume that about him bc it's the early 2000s and his clothes fit VS Season 5 in the premiere alone giving us Angel correcting a guy who calls him a "little fairy" with "I'm not little" and the legendary, blog-inspiring "I have no problem spanking men" (one of which he says to a guy he's about to kill and one to a guy he knocked out, almost like Angel lets gayer behaviour slip if he's around people who can't bring it up later hm) followed by the only man we KNOW Angel has fucked literally appearing from thin air in his office

then you get Life of the Party where Angel's Whacky Magic Antics are set off by Lorne telling Angel and the person he's having sexually tense arguments with to get a room, causing him to have ill-advised hate sex he ordinarily would not have with someone he is reluctantly attracted to. and I believe in my BONES that at SOME POINT in the scripting process that that person was gonna be Spike. Even setting aside my admittedly subjective opinion that Angel and Eve had even less sexual chemistry than Xander and Willow, it just... scans. Angel and Spike have their "I need to get our faces within an inch of each other or I'll die" arguments in front of EVERYBODY in literally every episode of the season, so I feel like if Lorne was gonna say it about ANYONE it'd be about them. I will never budge from my belief that Spike still being a ghost at this point and early 2000s tv politics caused them to abandon the Angel And Spike Magically Fuck At The Party plot early in the writing process for the episode and slot Eve in there instead while Spike gets the easy-to-write-into-existing-scenes positivity thing.

and THEN. AND THEN. it becomes a plot point that the show Angel's friends are suddenly really on board with him getting back out there dating-wise (the unperson-ing of Cordelia helps here. whee.), with us all suddenly being in agreement that there is little to no danger of his curse being triggered by sex (even though both times he's lost the soul since his curse, real or imagined sex played a significant role in the moment of happiness). Like, Nina is one of the more one-dimensional characters in the Buffyverse and her midness seems to be for the purpose of setting the audience at ease that Angel's soul ain't going anywhere from hooking up with her.

WESLEY is all for it! Wesley "Most Paranoid and Prepared For The Return of Angelus" Wyndam-Pryce is saying look man we're all rooting for you go have a relationship with a girl whose only flaw that I can come up with is that she's a werewolf. Like sir??? How can you be sure the Beautiful Engaging Young Woman Who Actually Wants You won't accidentally make Angel happy with her extremely inoffensive flavour of Nice?

Whereas if, say, there was a beautiful, engaging blonde who actually wants Angel and Angel wants but comes with the caveat that THIS beautiful blonde not only drives Angel up the fucking wall but recently had magical sex with Angel at the office party in front of the whole main cast, proving that as much as Angel gets off on screwing Spike that he is Not happy about it? I can see Wes giving the all clear on that one ngl

bonus points that Angel and Nina got the Official Couple upgrade in Smile Time which comes right before the Illyria tragedy forces Angel and Spike into the... maybe not friendly but LESS hostile dynamic they keep for the rest of the show, so the season structure of their relationship still follows a lot of the same beats. honestly besides getting a lot more moments of David Boreanaz and James Marsters trying to out-six-pack each other in their post-coital shirtless scenes the only thing you'd need to do is change the world-shattering "Me and Angel have never been intimate. Well except that one..." to something along the lines of "Me and Angel have never been intimate, I just shag the bastard"

[spaceorphan18]

More thoughts on XM97 - because of course I have more thoughts...

Doing some more reflection, because this is what I do during hyperfixation, apparently.

It helps to write things down and get them out of my head, I suppose. Honestly, it'll be nice to get past the last episode, because then I can compartmentalize and just push the thing away until season 2 (if the finale gives me any reason to want to come back).

DeMayo went on another tweeting spree (I just keep an eye on these things because I get curious) and during this particular bout, I feel like I've got somethings clarified. And I think my own personal frustrations come down to - the ideas of writing and creating vs fan expectations.

Overall, I do think that XM97 is a solidly good (or at least entertaining) show. The animation is good. The voice cast is good. And the ideas they are using, in theory, are more adult and mature and nuanced than the original kids' show ever was (which, I'll give TAS some credit - dug deeper a lot of times when most kids' cartoons of the time didn't).

One of the biggest issues for me has been execution. First of all, the show is way too short for the amount they're trying to pack in here. It almost feels like they wanted to do everything on their wishlist because if they didn't, they wouldn't get the chance to do it. And it feels, muddied... They really needed a full season to unpack a lot of this.

The thing about Rogue and Gambit's story.... I get the 'kill your darlings' strategy of writing. In fact, I agree that good stories are messy and have conflict and you should always put your heroes through the worst. I feel like there was a better way to do the story (I believe) they're telling.

I don't think Magneto needed to be a part of it at all, and the triangle just feels... forced in a lot of ways. I understand that they went there to give Remy some heartbreak along the way, but I truly believe the two of them, with their own issues, and the two of them being in an undefined relationship with complicated issues over touch -- still could have resulted in compelling TV, and still would kept the devastation of Gambit's death.

Episode 5 is still my favorite, and despite my distaste for the whole Magneto side of it, I think the writing there was top notch, and still the best this show has been. I get, though, that they wanted to have Rogue and Gambit "break up" for the impact to hit harder, for Rogue to feel much more guilt once he died, for that last line to be even more heartbreaking.

So, the easiest route was to add the Magneto of it all. Episode 5 is brilliant in a vacuum. But in greater context there are other ways you can get there. And, no, Magneto wasn't ultimately needed. Rogue still could have had regrets, there still could have been heartbreak, there are always things you just don't say before a tragedy.

The thing about it, had they set this up correctly, and in a way that was more satisfying and didn't involve third parties? You may have gotten way more of the Rogue and Gambit fans on board. (And I'll get to the fan side of this in a second.)

See, TAS flirted with Rogue and Gambit's romance but never pushed it too far. Not only was it a kids' show, but Rogue probably would have never had her powers under control and it just was never going to go that far. Meanwhile, the comics have moved way beyond where TAS was. Rogue and Gambit's relationship has evolved a lot in thirty years - way past the tragedy, past the will-they/won't-they, past the break ups and reunions, and in the comics, Rogue and Gambit are a relatively healthy (for a comic book couple) couple of best friends and old marrieds. They're story is so far beyond what they once were that going back to TAS feels... odd.

So, the show starting in this place where TAS left off feels awkward in a lot of ways. There's a lot of expectations layered onto this show, but the show -- being limited by external factors, can't really handle all of it.

I don't think the first few episodes of the show did enough to show the sheer strength of Rogue and Gambit's connection and relationship. And part of that was time and part of that is because it's a sequel to a show set thirty years ago and part of it is time compression and part of it is the writing wanting to leave some vague open-endedness to the relationship so that Episode 5 could work.

And thus Episode 5 feels a bit jarring. It's way more a mature script. There's much more going on in those relationships that we haven't seen set up. Not really. And it's almost relying too much on - things that were mildly set up in the original and the heavy history of the comics.

Which leads me to what has happened afterwards. I think that in a world sans the Magneto of it all, you still get a Rogue who is absolutely heartbroken over the loss of her love. She would still go dark. She would still seek vengeance. She would still wrap herself up in that trench coat and wreck havoc on everyone until she ultimately succumbed to her own grief and eventually dealt with it in one way or the other.

(The part that I just don't agree with -- besides giving up the trench coat, which I know is symbolic in gesture -- is her running off to play Colossus in Fatal Attractions. Which, again, is why they did add the Magneto of it all, but I'm digressing.)

Anyway, this leads me to the fan expectations, and why it does feel so raw for a lot of us. Rogue and Gambit have never really had their time to shine. The films are full of mischaracterizations and limited (very limited) appearances. The other TV shows never let the relationship shine. And even in the comics it felt like forever for the X-Office to take them seriously.

This TV show felt like an opportunity to start fresh. To be excited about something. To get behind the characters we love and celebrate them. We can still break their hearts. We can still even kill them off. But give us a reason to care!

But instead of building that relationship with us fans, it went a different route. And now we feel heartbroken and angry, instead of just heartbroken. Gambit fans - who get shit on so often - get one bright of moment of glory before a death that feels somewhat hollow when you start to realize it was in purpose of someone else's story. Rogue fans - have the internet hating her with a passion. It feels like once again - being set up only to fail.

It feels hurtful, even when, I truly believe, that was not the writers' intentions. Make your characters go through hell - yes, but you have to have your audience on your side to make it impactful.

I don't really know where the show goes from here. There's either going to be closure or a cliffhanger. What I'd really like, though, is some sort of hope.

Because I get real life sucks. And I get that we often reflect in our fiction that it does. But we're talking about a cartoon about superheroes. We're talking about escapism at its finest. I love complicated and messy and nuanced and sometimes even heartbreaking stories -- but I also want something that makes it all worth while.

There is still one episode left, and I'm curious as to where it's going to go. Because at the end of the day, X-Men has always been about hope, too.

[doomed2repeat]

Bridgerton Spoilers Below:

Guys…every couple on this show has something come between them until the 11th hour. We got more happy Polin than any other couple on the show if we’re being entirely honest. Y’all wanted Penelope to spend half the season making Colin grovel over one bad comment but are upset that Colin was in his feelings for 2 episodes about a huge lie that Penelope didn’t even tell him about so he had to find out on his own?

In comparison- Penelope overhears Colin say he would never court her. Penelope ghosts him for at least 4 months during the off season, and stays mad at him for about one full episode, since he apologizes at the very end of episode 1 and she forgives him. Colin finds out Penelope is Whistledown, that she’s been lying to him and keeping secrets, that the queen has nearly discovered her and is coming after his family, and that Penelope wants to keep writing despite it all, and he speed runs anger to acceptance to pride in about 2 episodes, all while still managing to express his love for her in the small ways he feels comfortable with, like his reassuring looks during the wedding ceremony, or dancing with her at the reception.

And I swear the audience of this show has a perception problem more than the show itself has a writing problem. People want this show to be something else, something that it never planned on being and then upset at the show that is IS and blow their complaints out of proportion. How can you honestly say Polin spent ALL of part 2 fighting when Colin doesn’t even find out about Whistledown until the very end of episode 6? They’re only really fighting for 1.5 episodes total, and their honeymoon period in episodes 5-6 is very strong. The engagement party with Colin’s sappy speech, Colin goofing off and then dancing in the church, Colin explaining his love for Pen to his brothers, and later saying he’s so in love that he can’t write, the engagement ring scene, Colin talking to Eloise about how Penelope and their future is the only thing that matters, Colin confronting Portia and that beautiful scene of Polin’s first time. Yes Penelope is going through it because of the weight of the LW secret, but that was full on honeymoon period mushy in-love Colin.

Happy Polin is good, but not at the expense of glossing over the real problems this couple had just to rush us to the part where Colin just becomes Penelope’s cheerleader with no interiority of his own. They gave us and Colin that high so that it could come crashing down with the reveal. We know that Colin feels things intensely and deeply, and while that means he’s excitable and giddy during happy moments, in means that his negative feelings are strong too. If you were into Colin when he careened headfirst off a cliff when he was falling for Penelope, that’s the same guy who careened headfirst off a cliff when he felt betrayed. He’s a sensitive guy, take it or leave it. Colin was not relegated to being a side character by the show, they allowed him to process and feel his emotions fully and make human and true to his character mistakes that actually give his character more agency than the audience who wanted him to get over LW quickly so we could use him for more sex scenes.

And I’m not saying the show is perfect in that regard- the very last sex scene when everything was open and Pen was on top should’ve been longer, the make out session on the street was the perfect opportunity to transition to a second carriage ride that would be more like the books- and I’m not even saying they’re perfect in how they used Luke Newton/ Colin - I would’ve preferred that he was able to stand by Penelope’s side more at the end, they really fumbled on the Polin vs the world aspect of the story we were all hoping for. BUT for a guy who connects sex with emotional closeness as much as Colin does in the show, it makes perfect sense that part of processing his feelings comes with not being intimate with Penelope and for a guy as sensitive as Colin he needed the grace to sort himself out.

[icearts]

A couple things about Sonic Prime that disappointed me

1. Shadow was in almost the entire trailer, but showed up for 3 out of the 7 episodes

2. An action scene that lasted for three episodes. It got redundant

3. There was an entire plot point where Sonic was dying from the prism energy being taken from him. This took 3 minutes of screen time and the risk felt minimal if it was there at all

4. No consequences = no stakes (literally there was no issue or "sacrifice" that came out of repairing the prism. Idk what i was hoping for, but the fact that everything was so easily fixed kinda hurt my feelings because it made the entirety of season 2 seem completely pointless and dumb)

5. Shadow was super protective of Sonic in the first episode, but never showed that same "Would kill and die for you in a seconds notice" energy he had in that first episode

6. The chaos emerald is mentioned again but never used as a plot point. Chekov's Gun is fake, apparently

7. It's said that Sonic can't exist in the Shatterspace without prism energy, but Shadow never had it in the first place. There is no provided explanation as to why this makes sense. The closest thing was "shadow wasn't there during the blast" but that only explains why he doesn't have the energy, not why he doesn't need it to live like Sonic does (I assume the others have at least a signature of it too which is why they cloned and Shadow didn't. Again this is unexplained in Prime. What does the prism energy even do for/to the supporting cast)

8. Why are there only 7 episodes? Why do they take up so much time in one place?

9. Rouge and Shadow only had one line of dialogue (this isn't a genuine critique I just wanted to see my favorite duo be a duo)

10. Sonic's Prism "Super Form" doesn't come back. Shadow doesn't get anything like that either. Another dud Chekov Gun. Why is this dumb little anecdotal metaphorical firearm never firing

I really loved the new season, and it was great and super fun, but those critiques really ruined some things because those were all things I thought would be a guarantee because of the trailer and because of how the other seasons were.

Why would they even bother to mention the chaos emerald, and this weird void thing if it wasn't going to be essential to the plot other than being an excuse to sideline Shadow. They could have just as easily said that chaos energy is neutralized in cyberspace because it's not connected to the world/chaos/master emerald. That works too!

Plus, why was Shadow sidelined so much? What's the reason? Why wasn't he allowed to use chaos energy and go apeshit? Why couldn't he take off his inhibitor rings in a desperate situation to protect Sonic and be able to teleport into shatterspaces even at the expense of his health?

I know it's a TV-Y7 show. It honestly did not need to be, but I'm sure it was a Netflix mandate to make sure their animation is all meant for kids and only kids, but they really ended up nerfing themselves by alienating their more passionate audience which would be teenagers and adults. Just make it TV PG that would've allowed you to work with higher stakes and a higher budget (oh wait that's what Netflix's intention was nevermind).

If you wanna see me make a list of things I genuinely liked, feel free to ask or comment that. I might do so anyway. I feel like the internet is too negative and critiques of shows tend to do too much of that, so sorry for contributing to that culture, but I really needed to get that disappointment out because it bothered me quite a bit. Feel free to disagree too, or say "bro it's a kids show. It's not that deep. Stop having passion and emotions for your special interests you dumb fuck" I get it. Anyways, good show, good season, highly recommend, it's very fun and enjoyable especially if you're a fan of Sonic

Last minute edit: I only saw the season once and my sense of media literacy isn't by any means perfect, and also, to clarify, most of my concern isn't quite "these plot points are 1000% absent and terrible" and more "I thought the distribution between the action scene in episodes 4-7 and the rest of the season's story was very poor and made the content I was more excited for seem watered down/unplanned/super easily resolved". Again the part of the show where Sonic almost dies because of the prism energy withdrawal was about 3 minutes long. Why did it feel so low-stakes?? I love action scenes. They're great, but when you dedicate over 30 minutes to one long fight scene, it becomes less interesting and there's still MORE OF THE SHOW TO GET THROUGH so those parts got super rushed

[bb-olicity]

On An Island Alone

It’s been 3 weeks since Chenford’s breakup and I feel like I’m on an island… alone.  The day after 6x06 aired, I made the decision to walk away from The Rookie. Well, at least until after the finale. I’ll decide if I'm walking away permanently once I check online and see how the season ended.  And before I go any further, to anyone who wants to say I'm not a true Rookie and (most importantly) Chenford fan: I have just as much right to stop watching the show as you do to keep watching it.

So why am I choosing to no longer watch the show?

The main reason I started watching the show in the first place is/was Chenford and I can’t sit there and watch them redo Seasons 4 and 5A and I won’t. Especially considering the fact we already know from Eric’s comments to TVLine they’re not getting back together by the end of the season finale.  I do not see them getting back together until at least the midseason finale next season.  Actually, if I’m being completely honest, I’m not sure they will get back together or if they even should.  I know me saying that will make a lot of people mad, but after reading Melissa and Eric’s post-episode interviews, I got a sense of finality when they were talking about Tim and Lucy’s relationship as a couple and the breakup.  Plus, I honestly don’t see how they can come back from what they did, which leads into the other reason why I’m not watching anymore.

Tim’s whole storyline rubs me the wrong way in so many ways.  They could’ve brought in his military past in so many other ways and still had him struggle without destroying his character in the process.  As it is, the storyline feels extremely forced just to cause drama for the sake of drama and, for me, irredeemably destroyed Tim’s character.  They completely erased 5 ½ seasons of character growth in the matter of only 1 ½ episodes.  And I'll never be able to see Tim the same way again, even if he goes to therapy.  I personally would never be able to trust him again and I honestly don’t see how Lucy could either.  That’s also why part of me feels like they should not get back together. Yes, I know it’s a short season and everything is condensed, but Alexi and the writers should not have done the storyline this late in the season, knowing they would not be able to do it justice with only 4 episodes left and not knowing the show’s fate by the time they finished filming the finale.  Since they were planning to break them up, I feel like they should’ve done it at the end of the premiere or by 6x03. That way there would’ve been time for Tim and Lucy to work through their struggles individually then work them as a couple by the end of the season.

Why do I feel like I’m on an island alone?

After the episode aired, a lot of the fandom was angry and a good number said they were done to show.  However, over the last few weeks, I’ve noticed that number dwindling and a lot fans are now justifying the breakup who weren’t before and they have absolutely every right to.  I can see where they’re coming from, to a certain extent.  Tim and Lucy both were hiding things from each other since they started dating and would just gloss over things that needed deep and meaningful conversations to work them out.  That said, I personally will never agree with the breakup or the whole (Tim’s) storyline and will always maintain the breakup was completely unnecessary and they could’ve (and should’ve) stayed together and worked through their struggles as a couple.  So yeah, I’m on an island alone… and that’s okay.