#and I hate how she treats him

[arbitrarystrawberry]

.

[bookalicent]

yeah so this was insane

[tackykachowch]

How it feels to not like timebomb after s2

[nonranghaes]

joshua thinks he loves you too much. that's why he's strolling up to this house 'late' for this christmas party, dressed up in a suit (rather than waiting for you in cozy sweats like you promised), and a bottle of wine he stole from jeonghan's apartment on the way over. this, in his humble opinion, is what a best friend is for: pretending to be your date when you see your ex with someone new at a christmas party you didn't know he'd be at. it's easy enough to find you socializing with this tight-lipped smile that melts into something genuine when you see him. he passes off the bottle of wine to the host and makes a beeline for you. you're a vision in blue and it's all too easy to look at you like you outshine everyone else in the room.

"hi, honey," he says, pressing a chaste kiss against your cheek. he lowers his voice to a whisper, "you owe me."

"i know." but you curl an arm around him all too easily, pulling him into your side as you immediately start introducing him and coming up with some casual lie as to why he's late.

the moment the two of you have a second to yourself, he leans in, pretending that all he's doing is stealing another little kiss and not also whispering to you. "where is he?"

"tall guy in the green sweater across the room. his new fiance looks like a candy cane."

joshua glances over, eyes widening a little at the red and white stripes that seem to jump out at him now. it's cute, sure, but still catches him off guard in a 'how did i miss them...?' kind of way. he turns back to you, and suddenly the word hits him harder. "fiance?!"

joshua remembers this guy too well: mister 'i don't think i'll ever get married again,' which wasn't a problem in the slightest in general, but it was one of the multiple reasons you ended up ending things with him. you just give him this tight-lipped smile, a hand coming to rest on his chest for a moment. you know. he can see the way you waver a little in front of him.

"fifteen minutes," he says to you. "and then we'll fake an emergency."

your hand slips into his, and he feels the way your lips press against his cheek and linger a few seconds too long. long enough to make him think a little too much about what it could mean. "thank you, honey. i owe you."

(his payment comes in the form of watching horror movies with him, dressed in your sweats again... and again when he feels you fall asleep against his shoulder, his heart fluttering in his chest.)

[abyssal-ilk]

the wrongful villainization of anders after dragon age 2 is directly linked to vivienne's writing as being a staunchly pro-circle character in dragon age inquisition. btw. and i think we must keep this in mind when we talk about her. dragon age inquisition pulled back HARD when it came to the mage/templar war in an effort to completely villainize what anders had done, ensure that no one could find him sympathetic, and tried to 'both sides' the conflict in attempting to present it as more gray and ended up failing in this attempt, at least imo. this centrist, toothless turn in writing that so blatantly points the finger at the mages reflects highly in vivienne's own characterization. and we must keep this in mind when talking about her beliefs and politics.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[justmenoworries]

Really funny how LO's narrative and fans wanna make us believe Hades' type are strong women when he literally has a history of sabotaging every ambitious woman in his life, making them dependant on him and then preying on them at their most vulnerable.

[quietwingsinthesky]

i really do think the desire to paint ten as unambiguously The Worst™️ when it comes to his relationship with martha is out of this desire to uncomplicate their relationship. to decouple them as friends and people who profoundly impacted each other’s lives. it’s just an easier narrative to swallow: that ten was Awful to her and then martha kicked him to the curb when she realized she was too good for him. easier, maybe, then dealing with the troubles of unrequited affection don’t have to be anyone’s fault, or that ten shut martha out in a lot of ways but let her in in others that he wouldn’t let any other companion near, or that they were still friends, they still wanted to see each other and be around each other, even though it was messy and sometimes hurt. you know?

[blanceyblance]

Can we guys stop blaming Lance for dating Allura?

I feel like in the klance fandom there is this feeling of Keith going 'How dare he go for the woman who never appreciated him?' and now Lance has to suffer for the terrible wrong of not choosing Keith first, like, 'how dare he?!' to be honest it feels very 'nice-guy' mentality.

Also, while I don't personally ship them in canon, Allura and Lance were friends? Allura DID have fondness for him, I would even say Allura ended up being closer to Lance than Pidge was.

Lance was her emotional support and she grew to trust him and feel like he was 'safe'. I think they worked better as friends but there was genuine affection between them.

And Keith was also, an ass at times to him, there where moments when Keith just pushed Lance away or was mean to him with no provocation.

Stop blaming Lance and acting like he betrayed Keith somehow. He was done dirty enough

[beanghostprincess]

Actually thinking more about Reiju's only sin being a woman and... Going into more depth, I know that logically/canonically she's smart and empathetic enough to not want to be in her brothers' place. She doesn't want to be an heir/ successor or follow the family's footsteps at all. She knows they're bad. She sees herself as such, too, unable to change/be different like Sanji was. She doesn't think she can bring her mother's kindness to this world the way Sanji does, so she sticks to what she knows, whether it is to protect Sanji too or to accept her fate.

BUT (and bear with me for a second here, I know I have been watching too much Succession lately) we also do know that during her childhood she didn't do anything to help Sanji from the abuse. She watched it happen because that was the way things went there and because she knew what would happen to her if she did. Of course, she ends up helping him escape and taking care of him but-- I'm just thinking, for a tiny little moment, about how she's actually the oldest.

She should be the heir. She should be the person everybody views Ichiji as. She should be considered the most responsible. The smartest. The strongest one. The one who should take the throne. And she doesn't even want it now, but what about back then? What about when she did have some little, tiny faith/hopes for her family and what they did? She sought approval and naively thought "my father is going to offer me the place I rightfully deserve, right?" blindly seeking acceptance like all of them did.

But no, because she might be the oldest but Ichiji is a man. She might be the strongest, the smartest, the most reliable... But she is not a man. And I believe there must have been a time when she expected her destiny to be something more, and once she realized she was just a woman in their eyes... Well, we know what happened.

I just keep finding similarities between The Vinsmokes (OP) and The Roys (Succession) and perhaps my headcanon of Reiju being similar to Shiv has gone a bit too far. But the scene where Shiv is like "This is real?" when Logan promises she'll be the CEO and he goes "This is real. Remember this. The slant of light" for it to be a lie later is something I fear could have happened with Reiju and Judge if Oda had given us more content,,,,

[butwhatifidothis]

I guess the ultimate thing that kills CF for me - or at least nudges it away from me saying I definitively like it - is just how much Edelgard is clearly written with the player in mind before she's written with her character in mind.

Because on all of the other routes, there's a power to Edelgard's presence. Even on BE, there's a sense that for as lonely as Edelgard might be, she still ultimately will do whatever it takes for her to get what she wants. Be that be killing her citizens (or otherwise letting them be killed), endangering her friends, assisting in kidnapping people, allowing Byleth to support her only when they have the Sword of the Creator, covering for TWS - no bar is too low for her to limbo under if doing so means she's even a step closer to her goals.

She's manipulative! She's deceitful! She doesn't care for the lives of her people! Even her friends are forfeit if they try to stand in her way! And this happens no matter how close you, the player, get to her, in the case of BE - C+ ain't stoppin' Remire, and going to the coronation ain't stopping the Holy Tomb.

And in the war phase, she is dominating the field. She has the Kingdom completely on the ropes, down to a few houses standing against Imperial rule, and the Alliance is stuck in neutrality - she may not be able to do much to it, but neither can they do anything to her (to say nothing of the Alliance houses who stand with her). She's far from the underdog in this race, and she shows off how threatening she can be.

CF? Her route?

She scweams at scawy rats. She gets embawwassed when you find her dwawings. She's just so wonewy, and she's just so gwad that you chose her. She somehow fails to capture Rhea, or frame Dimitri for regicide, and so now has to deal with that on the Kingdom's side of the war. But that doesn't stop Elly Welly-kins fwom twying to find her pwecious teacher, because you're just so important to her. She cwies and hugs you when you meet her in the Goddess Tower!! Because she missed you so much!!

It's like... Dimitri and Claude certainly show different sides of themselves on their respective routes. It's the whole point! You grow closer to them and thus see how they treat those close to them, as opposed to being the Kinda Neat Teacher they see run along every now and then. But, like... Claude doesn't become a blushing maiden whenever Byleth speaks with him on VW. Dimitri doesn't scream at scary rats and get called cute for it on AM. They don't get Basic Bitch Gap Moe Traits slapped onto them that are only ever shown to the player and only on their routes. Unlike Edelgard.

Dimitri's endearing trait is that he's this big huge dude who can bench-press forests and arm-wrestle god who still wants to learn to sew and who teaches kids to protect themselves and who buys candies for his friends. Claude's endearing trait is that he's this mastermind planner who has contingency and lie and obfuscation as three separate legal government names who still wants everyone to be safe and happy and hold hands and be friends.

Edelgard is strong, confident, and willing to do some of the shittiest things known to man for her goals. Her endearing trait is that her screams are cute. She's shy about her drawings of the player character. She blushes over the player potentially joking about having sex with her per her JPN version of her C support; you know, the one about how Byleth walks in on Edelgard muttering in her sleep from a nightmare about her tortured family? Perfect time to joke about fucking her! Dimitri and Claude's endearments are, well, endearing; Edelgard's are all straight up embarrassing for her.

Hell, even the smaller stuff is affected! Claude's passion for poisons and mushrooms are things he has no qualms about having others know about, despite how weird they are. Dimitri laughing at shitty jokes brings him no personal discomfort or embarrassment, despite just how loudly he laughs at them. They have traits to them that can easily be uwu worthy, and they don't care! Of the lords, only Edelgard does! Because, it feels like, the only way for a strong, resolute female character to come off as approachable is if she's knocked down a few pegs for specifically and only you, the player.

And that sucks ass! I'm sorry, but when I'm playing Edelgard's route I don't want to deal with her hiding herself away in her room for a month IN THE MIDDLE OF HER FUCKING WAR because she's just so embawwassed! It is so fucking insensitive that Edelgard is literally the only lord of the three who can have her trauma openly belittled at any point in the story by Byleth, all to have some cheap cutesy uwu moment about her fear of rats (calling her screaming in fear cute and INSISTING that it's really cute which is just. Fucking ew man)! Why can we fucking mock Edelgard's manner of speech during the MASSACRE OF REMIRE?

This shit doesn't happen to Claude or Dimitri! And saying "oh just don't pick those options then" is bullshit because no equivalent options exist for the male lords! It's piss-boilingly annoying that the second you choose to see things from the strong confident villainous ambitious female lord's perspective you can reduce her down to this bumbling moeblob just for you (sometimes unavoidably!) like!! Dude!

[dykedvonte]

I keep seeing fanarts of ppl's OC's being on the ship, so do you think that if there was 6st crewmember (specifically, another woman) Anya would've been more safe? Like, someone to actually call Jimmy's begaviour out, someone Anya might wanna trust? Is there a possibility something might have changed (even if a little) or it would not have mattered at all?

-💀

I feel like the game would make it part of the commentary on where she would believe and help Anya but still be sort of dismissive? Like the whole “don’t waste time crying and being scared keep going and move on, don’t let him win”. It’s supposed to be positive and reinforcing but sometimes it does more damage in those times of mourning and grief, it feels patronizing, like you don’t understand what you’re going through but they do. Even if they did call out his behavior it’s still on Curly to act and while another voice would help, it’s still 4 against 2 on guys that don’t get it until they have to vs women who always have to.

I don’t mind mouthwashing OCs but I do get a bit bored as they tend to be borderline saviors or like Jimmy aligned. They are either more complicit than Curly or just Jimmy haters for no reason, outside of what the creators know about what he did to Anya. I am never irked by OCs but in a story like mouthwashing you really need to think about what your character adds to the commentary, especially if they are there during the crash. It’s nice to have like characters on Anya’s side more whole heartedly and interesting to see characters who placate Jimmy but sometimes it’s one note.

I can’t and don’t want to police peoples OCs it’s never my intention when I comment on trends I notice, but I do feel like the way people make their OCs interact with these two characters and especially Curly, really show a grave misunderstanding of the narrative and these characters as people vs roles in the story. Still, I know people just make up characters for fun and that’s fine. Great even, but I guys I’m focusing more on OCs that are supposed to have those serious dynamics. My favs tend to be pretty-Tulpar or post-Tulpar au OCs.

The inevitably of the crash is on Jimmy. He did that not because he wasn’t stopped but because all his means to kill Anya were taken. The gun, the axe. Even if Curly did strip him of his co-pilot privileges and try to keep him contained there’s only so many people. An extra body helps but they have jobs they have to do, he’s the only one steering the whole ship and Jimmy would likely have an out: food, bathroom, etc. He’s not new and if he couldn’t crash the ship directly, who’s to say he wouldn’t sabotage something else? A clunker like the Tulpar wouldn’t take much. An extra person helps but it’s just another thing that prolongs what a person like Jimmy is willing to do to shirk responsibility.

It’s more than just needing someone to stand up to him and think that’s what is missing when it comes to inserting a character into the mouthwashing setting.

[sukibenders]

I'm a JayVik fan, I'm a MelJay fan, and I'm a MelJayVik fan (as well as a fan of all these characters), full disclosure, but it's really annoying how people in this fandom still only use Mel and Jay as props for Viktor, whilst ignoring who they are as characters outside of him. This is especially prevalent in shipping spaces where people will frame MelJay as being boring (they aren't, many people just can't get over themselves enough to see the value between them), to the point where you can hardly find things in their tag without it resorting back to Vik, over JayVik, but then, in turn, hardly add anything of equal value to Jay in JayVik regards, it's all about Viktor or how Jayce needs to make amends and grovel, but nothing of value besides making him the punching bag---something a lot of people in this fandom do (not saying all JayVik shippers do this, just to clarify). Like it's also very telling with the fact that you have two nuanced poc/poc coded (in Jayce's regards) characters, but can't/won't give them equal time of day as their white counterpart unless it's to elevate said counterpart (this is also prevalent in MelJayVik where some still completely push out Mel and make Jay oc just to focus on Viktor, yall are not slick). And this isn't me saying that you can't enjoy either of these ships or characters, nor dislike them, but it doesn't take much to see the flaws (and thinly coded forms of racism and misogynoir) that also play a role in this fandom. It's so frustrating to see.

[sideprince]

I resent getting dragged into the discourse but it's wild to me that there are people out there who read the HP books and laud Harry for being brave and having a big heart and redeeming the wizarding world with his unusually great ability to love, yet can't comprehend how he could learn to appreciate Snape's sacrifice.

I'm very specifically thinking of the fact that Harry watches Snape die. Snape, who is lying on the floor, gripping Harry's robes, and whose eyes Harry is looking into and seeing the life leave. I don't understand how people can humanize some fictional characters and treat them as if they were real and completely dehumanize another. Not even for Snape's sake, but for Harry's sake, do these people not understand what it is to watch someone die? What's the expectation, that the Capacity For Love Posterchild protagonist steps out of character and doesn't care about the guy he watches bleed out and die suffering because you, as a reader, don't like him?

Which is it? Does Harry have a huge capacity to love or not? Pick a lane. Either you value this character trait in Harry or you don't. But you have to take or leave everything it comes with, otherwise you're a hypocrite. Or maybe illiterate.

I just don't GET it.

[blue-rose-soul]

For hazbin hotel au: what if alastor arrives at young age? Let say an incident which both he and his ma die at same time but because of his heritage, he got sent to hell, forced to survive in the streets until he meet Charlie and the rest of the hotel residents. How do you think will happen if he meet Lucifer?

Oh, so an AU of the AU? Sounds fun! Let me think...

Well, my first thought is that Alastor's demon form would be fairly different, since it's so closely tied into the manner in which he died. Buuuuut... I really like him as a deer demon, so I'm going to handwave that away. I'm also going to have him keep his powers associated with radio, despite him not yet having become a radio host, with the justification that listening to the radio shows together with Nicaise and making her laugh by perfectly imitating the radio man's accent were such fond memories for him they carried over to his demon form.

Ultimately, this version of Alastor still becomes the Radio Demon. But unlike the Alastor who died as an adult, nobody knows what the Radio Demon looks like. He's a mystery, known only for his radio broadcasts and striking down Overlords from the shadows. So when this little red kid with deer ears shows up on Charlie's doorstep introducing himself as the Radio Demon, she and Vaggie are understandably skeptical.

That skepticism dies when he blasts Sir Pentious's airship right out of the sky.

Alastor still brings in Niffty and Husk - two of the only people who know who the Radio Demon really is - still fixes up the building, and still acts as the facility manager. But everyone involved in the hotel keeps his identity a secret, at his request.

When Lucifer arrives at the hotel, he's in sheer disbelief that the hotel's manager is this tiny kid. Never mind Alastor frequently pointing out that he's around a hundred years old now. That doesn't really clarify anything for Lucifer who's several millennia old. He's less of a condescending jerkass to Alastor at first, seeing him as a kid, but Alastor doesn't take kindly to being treated like a child. So Alastor does what Alastor does and prods under Lucifer's armor. He starts throwing himself at Charlie, hanging off her arm, acting like a precocious kid and interrupting Lucifer's attempts to bond with her while shooting the King of Hell smug looks.

Charlie finds it a bit weird given Alastor usually acts more like an adult, but she does think it's kind of cute so she allows it. Lucifer is furious. He frequently refers to Alastor as, 'that damn brat,' and casually picks him up and teleports him to other rooms of the hotel for 'a time out' and generally treats Alastor like he's a nuisance, not a member of the hotel staff.

And then... Alastor's parentage comes out.

Lucifer is just as awkward with the childlike version of Alastor as he is with the version who died as an adult. That awkwardness just manifests differently. He keeps trying to make amends by treating Alastor as though he's an actual kid, lavishing him with gifts, inviting him on trips, so on and so forth. Alastor really doesn't think he should have to decline a trip to Lu Lu World more than once. Charlie tries to step in on his behalf, but she's not so great at dealing with Lucifer's awkwardness either.

One of the most insulting gifts is a pet, similar to Razzle and Dazzle, who is supposed to keep Alastor safe.

Alastor explodes.

He died when he was ten and he's been keeping himself safe ever since then, thank you very much! He was strong enough and clever enough to become one of the most feared Overlords in the Pentagram, all without ever showing his face once! And it's been over a hundred years since then! If Lucifer wanted to be his dad, he's about a century too late!

Unfortunately, one of the downsides of being stuck in a child's body is that sometimes his adult emotions are too big for it. All the anger and frustration comes out as tears, which only makes Alastor that much angrier. Lucifer tries to offer comfort, to pull Alastor into a hug, but Alastor melts into the shadows before Lucifer can even touch him.

[ccbatman]

what if i said hal's mom called him "hally" specifically as a play on halley's comet, huh. what if i said she did that because she knew no matter how far he went, he'd always come back to her, hm. what then.