#and I happen to favor what I favor

[fatedroses]

More than just the Demon.

[lizzieraindrops]

You know what, I figured out why we're having so many errors in Destiny 2 now. It's because with the addition of Micah-10, we've finally reached a critical mass of women with drop dead gorgeous voices, and the game simply can't handle it anymore. It's like Telesto. Too powerful. If they'd actually put Ikora Rey in a rendered cutscene for more than 5 seconds it would have shut down the servers for good

[canonkiller]

do you consider your self made?

[musical-chick-13]

This is the only thing I'm going to say about the election until it's over:

Anyone who did not vote for Harris or who attempted to dissuade people from voting for Harris, you are indirectly responsible for whatever shit Donald Trump does if he gets elected. That blood is primarily on his hands, yes. But it is also on yours. I hope you can live with that because I sure as hell wouldn't be able to.

[july-19th-club]

house md wildest show on earth. a main character outright assassinates a known dictator, a moment that would be the very beginning or the mid-series crisis in any other show - an act which creates a power vacuum in a foreign nation already filled with child soldiers and genocide, and it's literally only brought up again throughout the season because that guy's wife divorces him over it. and occasionally to explore his relationship with who he is as a person and a catholic after having deliberately taken a life for what he calculates as the greater good, but mostly it's about his divorce

[lady-harrowhark]

I promise I’m going somewhere with this but I am currently fixating on how seeing Naberius’s trident knife in the beginning of HtN gives Harrow the Gideon Memory Migraine™, despite no clear connection to Gideon:

Ianthe considered this. She nudged the confection basket hilt of the rapier at her hip aside, and took out a long knife that, again, ran a hot rill of pain down your temporal bone. It was—though you had never bothered to learn—Tern’s main-gauche, his trident knife, a long blade from which two other blades would spring at the press of some hidden mechanism; she flicked that mechanism now, and with a snickt they burst out like a firework, two hard points of gleaming steel. She flicked it again, and the blades went snickt back into their housing.

Is it simply that it’s something from the Canaan House era in general? Or is there more going on? Stick with me here.

One of my pet theories I’ve been harboring since Kiriona’s wounds were revealed is that Harrow herself wounded Gideon after she threw herself on the fence, paralleling Jesus’s side wound from being speared after his crucifixion. They needed to ensure Jesus was truly dead, and presumably Harrow also needed to be well and truly sure that Gideon was dead before proceeding. Ianthe says she put a sword through Naberius’s heart to pin his soul in place for her ascension, and we see his body run through with the sword. Harrow needing to do the same to Gideon would certainly be some very juicy angst fuel.

The other crucial component here is one of my other favorite pet theories: that Harrow knew Gideon’s sword was haunted, likely before even coming to Canaan House. I’ve seen a few people do some more detailed explanations about that, but I’ll do a brief rundown here. 

Harrow says as far back as GtN about the sword “I never liked that cursed thing anyway; I always felt like it was judging me.” After the events of HtN with the River and Canaan House 2.0, we know she has an innate and potentially subconscious talent with spirit magic; it seems likely she was able to sense what was in the sword whether she knew exactly what was going on or not.

In HtN, Guideline #3 in her her pre-lobotomy letters to her post-lobotomy self has several stipulations (wipe it down with arterial blood nightly, coat it in regenerating ash, don’t cut flesh or bone with it) that sound a lot like precautions one would take to keep a soul from hopping out of it.

When discussing the sword with Abigail in Canaan House 2.0, we get some very specific qualifiers around how much information Harrow is able to provide about the sword. Directly before remembering that the sword was Gideon’s we have: “Harrow’s brain, though still a jumble, was no longer a mess in a darkened room. Memory had gifted her a small torch she could light the disarray with.”

After that, she struggles to recall further details, her own brain providing obstacles: “The light was not proving helpful enough: she was, in desperation, kicking over piles of the rubble in her own brain.” In the end, she’s able to tell Abigail: “I hated that damned sword for years. I don’t know why; it just felt strange - rancorous. I cannot deny that I often assumed its edge would be the last thing I saw. I don’t know.”

Circling back to the final battle of GtN, we get my favorite little nugget of support for this: Harrow is described as looking “affrighted” when Gideon tells her to go get her two-hander. I’d initially taken that to mean she was startled (and maybe a bit annoyed) to find out that Gideon had brought it at all, or freaked out at the situation in general. But I’ve begun to wonder if she specifically didn’t want Gideon to bring that sword with her to Canaan House because she knew, or at least suspected, what it contained.

Which brings us to the trident knife. If Harrow needed to fix Gideon’s soul in place by impaling her herself, and she knew there was a malevolent soul in the two-hander that could conceivably hitch a ride in another body that it came into contact with, she would have needed a different tool for the job… Which may very well have been the trident knife. Seeing the weapon she used to mutilate her cavalier’s body with seems like exactly the sort of thing that would bring on one of Harrow’s Gideon-induced headaches, no? It’s also notable that when Harrow sees this knife, it’s directly before Ianthe stabs her through the hand, again analogous to crucifixion wounds. I gotta say, if this holds water, there’s a certain poetry to both Harrow and Gideon receiving versions of the Holy Wounds on the blade of the same knife.

(Edit to add: further theorizing prompted by @camilla-rekt‘s fab addition can be found on this reblog)

[kibbles-bits]

Hey, I love your AU but how does Douma eat? Does he just change diet to eating some other kind of being, still keeps it a secret, or is the lady just cool with it?

Douma still eats humans! It's kinda messed up! :D

If she knew about it she definitely wouldn't be okay with it! One fateful night, Kotoha decided to announce herself before opening the door.

And since then, Douma has taken his meals somewhere else so she won't ever find out.

Read more of the AU HERE

[water-mellie-seeds]

Itssss meeeeeeeeeeeee

Sifloop meeting after canon (with kiss)

FIINE^^

After this theres going to be a shitpost btw so watch out

Ok. Vague postgame blast!

(Not pictured, inbetween images 2 and 3: SifRUN)

siffrin, teary eyed and out of breath from sprinting to and finally seeing loop:

Loop,being kissed: I should ruin this. there's a bad touch joke i can make here. And it's the perfect time. <- they are the happiest they've ever been since the prologue)

[ateawithoney]

And when we get sapphic angst in the anime?? What then??

I Favor The Villainess; Ch.23: Passing By

[mechanicalinfection]

redraw wip ive been gatekeeping sorriezzz

[starry-bi-sky]

*grips Shen Qingqiu by the shoulders*

aren't you tired of being nice? Don't you want to crack under the pressure of the system and the robbed autonomy of being forced into a role you had no choice in but have to play anyways? don't you want to buckle under the realization that, to you, no matter what you do your life is going to end in a horrific death? Whether that be under Luo Binghe's hands or the System's?

Don't you want to realize that no matter all the good you have done and the lives you have changed and saved, you're still standing at the ledge of a cliff with a sword to your disciple's chest?

Shouldn't it be you at the edge instead? Balancing on the crumbling dirt's end of death on either side, and you can either walk into it or be forced?

don't you want to go apeshit?

[residentialsinyomakai]

Hello hello!!! Guess what. Yokai art dump below the cut!! So cool and shiny wow

Its true, I do >u<

I'll try and section these and give the usual explanations below! Image ID for more drawing specific inksplanation.

Click for full image! Since a lotta these are weirdly shaped they were cut off....augh...

McKraken and Maddiman related doodlesssss they're some of my faves <3 i will always love them even if they're not my focus characters atm (well. McKraken kinda is rn but also Babblong so YAY)

Misc. Yokai and ocs! The frog is Kerosque, the guy w the swirly pompadour thing is Swiss, and the monkey is Romono (although he's a Regretevator OC from FOREVER ago, he's still my son <33)

SWISS STUFF RAUGHHHH ! inconsistent style will be APPARENT here try not to notice shuhhhhhgh

Height for main yokai in my AU/on Casp's team! (In the anime it's just primary summons then wwwww)

Some yokai practice/design hcs bc my friend asked!! I was so happy to share 🤭 LOVE YOU CHERCHERRRR

Some of my little guys once more! Rawry' prob one of my faves yokai to draw, easy and fun to do show-accurate or stylized.

OCSSSSSS. AND BADDINYAN. MY EVIL CAT <3333 the guy next to the frog in the middle is an oc idea but idk for what yet =▽=

AUGH. THERES AN IMAGE LIMIT? Well in case you're wondering it's 30....post the rest after I get tomorrow's doodles. See you then and thank you for looking at and reading about my arts!

[ifyougoillfollow]

Chapters: 1/1 Fandom: 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia (Anime & Manga) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Aizawa Shouta | Eraserhead/Yamada Hizashi | Present Mic, Aizawa Shouta & Kayama Nemuri & Shirakumo Oboro & Yamada Hizashi Characters: Aizawa Shouta | Eraserhead, Yamada Hizashi | Present Mic, Kayama Nemuri | Midnight, Shirakumo Oboro Additional Tags: Spin the Bottle, not tagging who smooches who but thar be smoochin here, Fluff and Humor, Banter, Friendship/Love, Rooftop Gang Shenanigans, Teenage dumbassery, cannot stress enough how teenaged in their dumbassery these fools are here, To whit:, Underage Drinking, Gay crisis, Unrequited Crush, Crushes, Pining, Mutual Pining, these losers have it all!, Alternate Universe - Canon Divergence, Shirakumo Oboro Lives, You're Welcome, Gay Aizawa Shouta | Eraserhead, Oblivious Yamada Hizashi | Present Mic, Feelings Realization, Getting Together, Non-Linear Narrative

Summary:

In the end, it's Yamada's painfully obvious and just as grating attempts to spare Shouta some mild embarrassment that makes Shouta abandon all sense of logic and agree to just play the stupid game. There are worse fates to endure than being patronized, Shouta's sure, but if there are, he's having trouble imagining them in the face of Yamada freestyle rapping for fifteen straight minutes to a chorus of increasingly heartfelt boos from the other two idiots.

And so Shouta finds himself watching Yamada and Kayama suck face for the third time this evening. That's certainly a worse fate, Shouta decides, all the more so because he should have seen it coming.

They're playing spin the bottle, after all. ___ Rooftop Gang plays spin the bottle. Need I say more?

[chirpsythismorning]

Why I Don’t Experience Byler Doubt

It’s simple. One of the most essential techniques in storytelling: Show, don’t tell.

Show, don't tell is a technique that allows the audience to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than exclusively through the creators' exposition, summarization, and description.

Even more importantly (assuming we want to enjoy ourselves bc this is supposed to be high quality entertainment), it adds drama. Rather than telling viewers what's happening, a filmmaker will use this technique to show drama unfold. 'Telling' is factual and avoids detail; while 'showing,' is detailed and places the human subject at the centre of the drama.

This technique is literally playing out in the narrative when it comes to Mike’s inability to tell El he loves her (or even simply write love Mike in his letters), which he never would have had to tell her (spell out) in the first place, if he had just shown her that he loved her.

It’s no fun having to spoon feed your audience. Instead, it's much more enjoyable for the storyteller to present the truth in the details, even sometimes contradicting very basic assumptions that are being outright told. Hence why, for example, when the Duffers were asked about the Vecna reveal, Ross used the opportunity to go on a mini tangent: 'the best twists are ones that you go, “Oh, I should have seen that coming.” As opposed to the twists that go, “Oh, well that just came out of nowhere.” So, “Oh, I missed these clues along the way.” But you get nervous when you’re writing it because you go, “Well, to me it seems obvious--'.

In fact, Show, don't tell is what largely allows surprise revelations to hide in plain sight. Because obviously, if a writer just tells their audience everything that's happening while it's happening, we would always see what's coming next.

And so the problem I have with downplaying or even completely refusing to acknowledge the importance of Show, don't tell, in the case of Stranger Things especially, is that, in order to comfortably subscribe to what is being told, I have to ignore what is being shown.

We see this play out all the time on Reddit in particular, which if I'm being honest is the only platform at this point that treats mere speculation about Will and Mike's relationship as if it is the end of the world. On the rare occasion the mods don't remove a byler related post, the post is either already negative towards byler or the comments are filled with fury over the poster simply thinking critically by speculating about byler. Even if you manage to get a fan over there in the comments to consider certain evidence pointing towards byler as incriminating, they'll still manage to end it by downplaying the Duffers and their abilities, because 'They're not that smart!'...

They'll ask for evidence, be presented with it, only to insist that it's all reaching because details mean nothing and everything about the show is actually just surface level, ie. it's not that deep.

Without even realizing it, they're low-key admitting that going the byler route would be smart, and yet here they are tirelessly defending a show that, according to them, has shit writers and no deeper purpose. All this does is prove that they are hoping this is the case. Because even despite being presented with strong evidence that the show might very well be epic, they would rather reject it altogether.

They would rather have one of their favorite shows suck and defend it religiously, then consider the possibility that it's good and gay...

Don't get me wrong, there are definitely fans on reddit that don't hate byler. I imagine out of the million in that sub, there's a silent majority that would be open to it. Keep in mind, most fans still active at this point in hiatus are hardcore fans, and so they're obviously opinionated, that goes for everyone on most platforms rn. And yet, I know there are very likely casual fans who are popping in there every now and then, the same people in the majority when after s4 dropped, saw that monologue and said What the actual fuck was that?

There’s a reason no other couple on the show has needed to hear the words I love you to believe it. Well, besides Steve and Nancy…

Because SHOW, DON'T TELL. That's why!

So, what do I mean when I say that Show, don't tell is why I no longer have byler doubt?

It's actually pretty ironic, but basically the moment Mike told El he loved her, that's the moment they showed us that he didn't.

I mean, for starters, how does one go about filming a romantic love confession? Because if we're being entirely serious right now, they made just about every artistic and creative choice possible to go against what a romantic love confession should look like to feel satisfying.

I mean, you'd probably want the atmosphere to be intimate, right? Make the audience feel like these two are the only two people in the room (world) for this moment?

Well, that's not the case for Mike and El, nor is it the case for literally any of their scenes in s4 (arguably a lot of their scenes in the series; Will the wise drawing in El's room, I'm looking at you). Almost all of the scenes with them together in s4 had Will in the background, often times in the literal frame between them. That is NOT how you film scenes for a romantic pairing that you want the audience to root for, from beginning to end.

You guys gotta understand, rewatch value is one of the most important aspects to this story for the Duffers. When talking about the prospects of s5, they mentioned that they rewatched all the Lord of the Rings, saying how important it was, despite what some fans might say about the ending being too long, or this or that, bc to them, it was necessary to watch it all, and to rewatch it and rewatch it, in order to appreciate the entire story as a whole, aka the way it was intended.

If you're a serious about Mike and El as a romantic pairing, but because of the way the show has set up their relationship over the seasons, you can't sit down and enjoy more than a quarter of each season bc they're either separated, broken up, or on the rare occasion they are together and happy, they're accompanied by a kicked puppy in every shot, maybe all of that's for a reason.

And that applies to the scene in Surfer Boy more than any other scene in the show, a scene that is supposed to be Mike's monologue to El... You mean a scene that directly parallels Mike's monologue to Will in s2?

When planning the end of s4, do we think the Duffers just decided they wanted this intimate moment between Mike and El to have Will in the frame behind Mike (visually piggybacking off of him, in an episode titled The Piggyback...) in almost every shot, including when he said I love you for the first time, for no reason at all? Or is it possible there was a reason for it? Just like there's been a greater reason for everything?

Like bro, I'm sorry, but even if what's being told in that scene is relevant, all of it still reads as either a lie, a partial lie, a lie of omission or a platonic truth hiding behind romantic phrasing: I don't know how to live without you = platonic (trauma bond), whereas I can't live without you/I don't want to live without you = romantic. The later is out of desire/want, the former is out of fear of the unknown.

The entire scene the lighting is blinking rapidly. And so the vibe they're going for here is uncertainty, which is quite odd for a love confession that's supposed to feel certain? Then we have El seeing all red the entire time. She's literally choking, hearing Mike struggle to muster up anything that could help her pull through, only to overhear Will calling Mike the heart, followed by Mike finally saying I love you????

And I guess according to the Duffers, nothing says true love like a love confession ending abruptly by a two day time jump...

Oh and how about, instead of them taking the time at the end of the season for El and Mike to have a private moment, where they could finally address their love for one another, let’s have them barely on speaking terms, and the one time they do talk, let’s have it be offscreen and mentioned in a private moment between Will and Mike, who in contrast to Mike and El, we're going to prioritize having a scene with them alone together at the end of this season...

In the last minutes, let’s have El look at Mike and Will, only to avoid them with visible annoyance. And THEN let’s show Mike visibly defeated by El's annoyance, instead prioritizing reassuring Will, aka his friend with whom he shares an I didn’t say it/ You didn’t have to bond...

I mean? Are we just not going to talk about it? The fact that I didn't say it/You didn't have to could pass off as a literal synonym for Show, don't tell...

It just kills me that even with all of that, the Duffers were like, You know what? Fuck it. Let's show them all the endgame couples lined up next to each other, with Will and Mike in the middle and El standing on her own in front of them. If by now they still refuse to consider it, after everything, this ending probably wont convince them anyways, but it makes for great rewatch value...

Seriously, if you're subscribing fully to the belief that what is being told is the whole truth and nothing but the truth (so help you god), then you're having to ignore all of that. And I can't ignore all of that, I just can't. Which makes it impossible for me to experience doubt anymore.

[maxthesillyy]

as much as i like to have Max and Victoria leave each other on a high note at the party, i would be an absolute straight up liar if i ever claimed to not love Max’s bitchy as fuck line here— and that i didn’t think it’s one of the most slept on lines.

[sundial-bee-scribbles]

ok i lied here's another one