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shiggyscumrag · 3 months ago

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To fuck or not to fuck?

Synopsis- After joining the x men you train with them one on one till you are inevitably forced to train with Logan. During a rough training session a heated argument arises and there’s only one way to break the tension.

Warnings- open wound mentioned, blood mentioned, cussing, penetrative sex (pnv), cum play if you squint, light slapping, oral (male and female receiving), choking, gagging, a bit of crying, over stimulation, nicknames babe and princess used frequently, no pronouns are used for (y/n), I’m sorry if I missed any!

AN- look I’ll be honest I just wanted to write a situation where you hate fuck Logan 🙌🏻 also this is probably not gonna be lore accurate but does it really matter when it’s smut with no plot? NO!! so enjoy fuckers ;) I did channel Deadpool energy for this character bc why not? Also the characters power involves using their voice to manipulate the people around them into doing what they want. ily pookies 💋

Look you didn’t want to be a stupid X Men. You made it very clear since day one you just wanted to continue living your “civilian” life and to keep blending in. Of course it didn’t work out that way. Professor X was the one who pulled you out of this almost normal day to day life and threw you into his rich ass mansion full of freaks. Ok you’re a freak too but you’re not trained like them. You should be out working your five to nine barely making ends meet in your shitty one bedroom apartment, but no. Now, you’re tasked to help “save the world” from worse mutants than you.

Reluctantly, you decide since you have no choice being here, why not make something interesting out of this new arrangement? After the tour of your fancy new “home” (really a school/headquarters), it’s time to meet your new coworkers. Friends? Eh too soon.

It was a little intimidating with them all lined up staring you down when you walked into the final room of Xavier’s tour. Storm standing to your far left, Cyclops beside her, Rogue, Beast and finally the Wolverine. One by one they gave a greeting, some more friendly than others. Until Logan (you later learned) just muttered a “whatever” and left. Pushing past you while staring you down. Jesus, what’s up with that guy?

You decided it wasn’t worth it to fight on your first day so you let it go. Then weeks passed, with week after week going slowly from one mutant to another teaching you new techniques. When eventually the mutant you dreaded training with the most was up. The one and only Wolverine, Mister Logan Howlett. Bit of an ironic name you couldn’t help but chuckle at when Xavier introduced him officially. Since Logan was avoiding you at all cost the whole time you’ve been here you weren’t exactly familiar with his anger issues.

“What’s so funny bub?” You could see his claws starting to peak from his knuckles and didn’t stop another chuckle.

“Knives for hands here doesn’t even know me and he wants to shred me already. You sure I’m safe here?” You say as sarcastically as you can, really emphasizing the safe part. Xavier gave a curt nod and turned to Logan.

“Don’t embarrass me.” Leaving the room right after, you and Logan were dumbfounded. You finally let out the cackle you were holding back hunching over when the door finally closed.

“Ha!! You got in trouble!!” You stood up straight clapping your hands together “You should really start playing nice.”

“You’re real fucking immature, you know that?” He said his claws slowly peaking out more after each comment you make. You start to smirk.

“Yeah? Well I am 100 years younger than you sweet heart, so who’s really the immature one?” You could be less cruel and not want to irk him on, but that wouldn’t be interesting. Plus we’re here to train. so might as well get it started.

“I’m going to kill you.” Logan stops holding back and releases claws in one swift motion.

“What happened to this being a safe space?” Before you could continue being a smart ass he lunges at you.

Dodging you stop talking and actually try to use the training you’ve gotten to kick this guys ass. I mean what’s his fucking problem? You haven’t said a fucking word to him and he thinks he can just treat you this way with no consequences? Well fine douchbag you can get exactly what you want.

“You’re really fast! I can’t believe you’re like a thousand years old!” You say giggling as you move right in time to avoid a punch to the nose. “Now that would’ve hurt!” You spin around him kicking him straight in the back knocking him down. A quick groan and he’s back up in a flash.

Dodging and weaving his swift lunges and jabs, with a yelp you fall to the floor after he kicks your feet from under you. After being quickly tackled and claws threatening to break the skin right above one of your major artery’s you let out a small whimper.

“Are you finally going to shut the fuck up?” Logan growled a top of you teeth beared chest heaving and forehead sweaty. That was kind of fucking hot actually.

“Let’s just stop and talk this out, yeah?” You say holding your hands up next to your head giving him a big toothy smile.

Logan was more than a bit confused when his body started to move and his claws retracted. In his mind he’s screaming at his body for stopping. Pissed off at the fact he’s isn’t in control. Standing you dust yourself off and start again before he could get his control back.

“Now before you try to attack me again, let’s just take a breath and calm down. You’re fine by the way. I just have control over your body temporarily.” Anger flashes across his face and it hits you that it probably wasn’t the best idea to start with that.

“Since you’ve been a major fuck face these past few weeks you know shit about me. So let me have the pleasure of introducing myself again. My names (y/n) and I can control people with my mouth.” You smile pointing to your lips. He just stares back with slight confusion and disgust. “I tell them an action and they do it. I could hypothetically kill you at anytime too, so let’s be chill.” You say winking at him.

“Well it’s good thing I can’t die.” He says smirking back at you. Funny enough you released him a while ago yet he hasn’t attacked you again.

“You seem to be calm now?” You question. “Is that lesson one?” You poke at him.

“Don’t push it.” He huffs rolling his eyes and walking away. Doors closing behind him you crumble to the ground adrenaline rushing out of you.

A week or so of training later you and Logan still dislike each other as much as the first day you met, but you could feel a tension beneath the hate. A deep seated craving consisting of mostly hate but also a little curiosity. Maybe, even a bit of sexual frustration?

After a particularly long day of training you were quite irritated at Logan. He was being even harsher than he usually is, it was pissing you off. He lunged at you when you weren’t expecting it leaving a deep cut running down the center of your back and you couldn’t hold back a growl.

“What’s your fucking problem today?” Turning to him you stop making him hesitate. “Was I too nice for your liking, Wolvie?” You mock starting to walk towards him, frustration evident on your face.

“It is explanation enough to say that I just don’t like you?” Logan spit as venom coated every word, all while that stupid smirk wore his face. That’s it.

“Down.” Without a second to waste his knees hit the rough floor hard causing a groan to break his smugness. He couldn’t move, only being able to look at you and the anger that filled your eyes. Rage would be a better description. Joining him down on the floor you kneel as you find his chin making him lean closer to your face.

“You don’t have to be cruel Logan.” You pause looking right into his hazel eyes finding that look again. This time there was something different. You couldn’t help but soften slightly as your anger slowly started to fade. Then a sting of pain from sweat seeping into the cut he just gave you reignited the fire. Grabbing his chin harder he winces as you pull him against your forehead, noses practically touching and lips inches apart.

“Don’t let this happen again.” You push his face back hard making him tip over as you release him. Staring him down you finally turn once he stays put and leave.

Half way down the hall you hear the doors burst open with a loud bang and angry footsteps starting to rush after you. Turning you’re suddenly face to face again with Logan. This time your chins being grabbed and pulled towards his face.

“Look I don’t have a problem with you.” He whispers softly while he stares you right in the eye. It’s really hard to stay mad at him when his kitty hair is all disheveled and he’s flushed like a school girl who just got kissed for the first time.

“I didn’t mean to go as hard as I did.” He muttered out. You chuckled.

“I didn’t peg you as the type to be gentle. Unfortunately for you, I haven’t had the pleasure to figure that out.” With a smirk still on your face Logan swiftly throws you over his shoulder and starts walking down the hall. You wince as your fresh wound gets tugged distracting you from the fact that you’re going opposite of the med bay. Once you pass your room you finally noticed this not so fun fact.

“Hey, the med bay is the other way big guy. I kinda need to be stitched up here.” You say as a nervous chuckle escapes.

“I’ll stitch you up myself. I don’t need the professor all up my ass about it.” He doesn’t even look at you, just keeps walking. You hold in the laugh you so desperately want to let out because you don’t want to fuck this up. This is the nicest he has ever been. That’s right, that’s the end of that sentence with no buts! Except his actual ass being right in your view and if you could add you’d love to be all up in it.

Finally making it to his room he gently sits you on his bed. Turning around without saying a word he digs in his desk pulling out a fairly impressive med kit. Not one of those small ones no, no, like an actual emergency med bag. Your jaw dropped a little and he chuckled. Dropping it on the bed beside you he lifts your chin making you look up at him.

“You gotta take your suit off and lay down so I can stitch you up.” He said pointing to the clean plaid sheets. Looking where he pointed you chuckled.

“Well that’s a bit forward.” He rolled his eyes but this time he had a smile? “Wow I finally made you almost laugh!”

“Shut up and lay down already. I’m getting impatient.” Logan said it as harshly as he could but it came out more light than originally intended.

“Fine but turn around. You’re not getting a free show.” You wink as you give your finger a twirl. Sighing and softly shaking his head he turns around. Taking a moment to scan over his juicy toned muscular ass you then move on to actually do what you had him turn around for. Taking your top off you cup your chest and lay down.

“Alright bubble butt, I’m all yours.” Looking over your shoulder you see him turning around with an eyebrow raised until he finally sees you. His silent judgement turned into something darker. He collects himself and walks over to the bag once again shaking his head.

“Don’t stare at my ass, and definitely don’t make comments about it.” He says firmly, but you can tell he’s not being stern.

“Oh come on, it was right in front of my face! Plus, your hips sway slightly when you walk so it looked extra good-“ a loud whine stopped your sentence short when a sharp needle entered your back.

“A warning next time would be delightful!” You say sarcastically jaw clenched.

“I warned you not to talk about my ass.” That’s all he has to say?

“And once again, your ass was in my face! What else am I supposed to talk about? That’s a hypothetical by the way, it will always be about your ass.” At this point the adrenaline makes the pain in your back go numb. Fortunately, feeling his warm hand on your back kneading the needle through your skin has your panties wet. Luckily he’s fast with his needle work because two minutes later he’s done.

“Alright you’re all fixed up now.” He stands from the bed returning the supplies to his bag.

“Really?” You could have sworn that cut was huge. “Well I guess I’ll get dressed then.”

“Did you need me to turn around or are you going to finally act like I’ve seen tits before? That’s a hypothetical of course.” Mocking you with a cheeky smirk and one brow raised he tosses the med bag off the bed and onto the floor. Arms crossed he stares down at you still lying on the bed.

“Is that your way of asking to see my tits? I’d love to test and see if you’re as harsh in bed as you are during training.” Turning around still holding your chest you give your shoulders a slight shrug. “What’s it gonna be Logan? Hate sex or awkward eye contact in the hallway?”

As quick as he is in training, he’s now right in front of you, your jaw gripped by his hand. He leans down getting right in your face. You can feel his warmth radiating from his skin, it made you shiver.

“Don’t get all shy now,” He mocked. “I don’t hate you.” He looks you up and down scanning every inch of your body, unclothed and clothed. “I will fuck you though.”

“I didn’t think that’d actually work but show me what you got baby!” You say hands falling from your chest and pulling his jaw into a kiss. He kisses you back grabbing your side slowly moving to kneel on the bed. Lowering into the bed you’re now lying down. The pressure not the best feeling on your back you let out a quiet hiss.

“What’s the matter? Is it your back?” He asked gently leaning your back off the bed relieving the pain shooting though out you.

“Yeah, usually I wouldn’t mind missionary but I think your love swipe is begging for us to do something kinkier.” You say winking. Before he can say a word you hook your legs around his waist using your momentum to flip him under you on to the bed. Kissing the shock off his face he pulls back suddenly.

“Who taught you that?” He questioned, jealousy slightly peaking through.

“That’s a personal trick. Consider it a mini lesson of my own to you.” You leave a little boop to his nose finding his lips again before he could ask any more questions. Starting to grind down on him, he grabs your hips rolling them at a slower pace. It was deeper though, way harder. Slow hard and precise. You didn’t stop the moan that fell into his mouth. Groaning in response he squeezed your hips even tighter causing you to pull back. Arching your back while dry humping him you let out a breathy moan. Reaching up you grab your tits rolling your nipples in between your fingers. Still guiding your hips a low rumble growls from Logan’s throat as his head rolled back. A pretty erotic site.

“You’re killing me here bub.” He groaned out as he sat up meeting face to face. He starts kissing your jaw moving down to your pressure point playfully nibbling. You moan embarrassingly loud, you could feel his grin against your neck. That made you want to stroke your ego a bit. Pulling his head back by the roots of his hair you grind down extra hard feeling his hip buck to meet yours. You quietly laugh and push him back down. Crawling up an inch or two to give him one more sloppy kiss before sitting back up.

“Don’t worry baby you don’t have to wait for this pretty pussy any longer.” You’re unbuckling his belt and pulling his boxers down to remove his- holy shit huge cock.

“Damn Logan! They weren’t lying when they said you were huge down unda!” You turn to wink to the fourth wall.

“Usually that would kill the mood but you’re really fucking hot.” He pants out “Now back to what you were doing.” He pulls his pants further down his hips and you begin to stroke him.

Eventually getting to impatient you say fuck it and decide to take him all in one go. Loudly he groans, his eyes meet yours, his pupils fully blown out. At the sight you couldn’t help but start bouncing on his cock. Letting go of your hips he lets you set the pace. Grinding down you curve your hips so he could run against your walls deliciously rough. Getting slightly cock drunk after just a few strides your pace begins to increase wanting more of that feeling. Growing desperate you let out a whimpering moan. Hands falling from your chest to Logan’s chest.

“Logan, please.” You beg desperately. Still riding him you plead with him. You looked so pitiful, he couldn’t help the way his twitched hard deep in you. You’re so fucking beautiful.

“What do you want baby? Use your words.”

“I want you to fuck me.” You whine out, you want him to take control and fuck the shit out of you. “Fuck me so hard I won’t be able to walk tomorrow!” You moan out loudly as he bucks his hips up suddenly. Grabbing your hand he intertwines with your fingers squeezing hard and steadying you. Bucking up into you fast he doesn’t feel he is deep enough.

Moving to grab you by your waist he flips you onto your knees face being pushed into his pillows. Drool starts to pool in your mouth form being engulfed by the scent of his sheets. He pushes himself back in quickly making you moan out his name.

“This better princess?” He said with a big smirk “I only want to hear my name come out your mouth. Got it?”

“Yes, daddy!” You were half joking about that nickname. Good thing you felt his cock twitch before you let out that nervous laugh bubbling up your throat.

“Fuck me.” He moans out.

“No fuck me-“ cut off once again by his cock pounding into you. Grabbing at the sheets you could feel his hands move from your hips to rest on either side of your head. Hitting even deeper inside you he then grabs your throat with one hand making you sit up on your hands and knees. Still fucking into you he pulls you all the way up to his chest, grabbing his arm for support you feel him tighten his grip on your neck. This euphoria wasn’t going to last much longer because you were gonna cum hard.

“Logan- I’m gonna cum!” You could barely speak between your pants and erotic moans.

“Cum on my cock princess.” His other hand finds your clit rubbing it at the same pace his cock is pounding inside of you. Letting out a loud moan you could feel the warmth building fast.

“Want me to cum inside you? I want to cum with you.” Panting to the pace of his hips he continues “Fill you up like the slut you are.” He growls into your ear. His voice full of lust and desperation.

“Fill me up baby!” You laugh out in between moans. He groans as he feels your walls spasm around him. You feel bliss and see black speckles fill your vision as your cum dribbles down his cock. Reaching back your hands find his hair and dig hard into his scalp. The pain causes Logan to fall over the edge and cum hard deep inside you.

“Oh fuck, can’t stop!” He practically whined out still fucking into you chasing his high. Still rubbing your clit you start to whine out from over stimulation. Before he can stop himself from rutting into you anymore you come again. Almost screaming out a moan you dig your nails into his shoulders. You feel so fucking warm, soaking wet and tight. Logan can’t pull himself away from you. You feel to good.

“Logan, you horny bitch!” Smirking while grinding back into him you slow his pace down. Moving his hand away from your clit his hands find the inner parts of your thigh. Picking you up slightly to meet his hips even closer than before he groans into the side of your neck. You start to feel the familiar cold metal of his claws poking into your thighs.

“Feel good pretty boy?” You turn towards his face and move one of your hands to his jaw. Before he could answer you start to make out with him while still grinding into him harder. Logan moans into your mouth before pulling away. Finally stopping with his cock still hard inside you he sighs into your shoulder kissing you.

“Feel real fucking good.” Starting to leave a hickey right behind your ear you begin to pull away.

“You trying to go another round or do you need more time to recover hot stuff? I don’t want to hurt that metal hip you know how to move just right.” Squeezing his sides you can feel his abs move under your hands. You moan quietly moving your hands down to his v line. Eventually making your way to his ass giving it a firm squeeze. Turning your head at the same time you find the side of his neck biting down a little rough on the lobe of his ear.

He growls out and you can feel his claws start to push against the flesh of your thighs. Retracting them he pulls out and flips you around sitting you up on your knees facing him on the edge of the bed.

“Bend down and suck my dick loud mouth.” Grabbing you by the base of your hair you slowly started crawling down onto your hands and knees. Ass arched in the air you find the tip of his cock in your face. Pre cum falling from his pinkish tip. You lick your lips looking up at him.

“It’d be my pleasure.” Not getting a chance to say anything else he starts fucking into your mouth. Breathing through your nose you start to lick against his length going opposite of his thrusts. Loud squelching filled the room. It was absolutely filthy, but so fucking HOT! You moaned into his cock, the vibrations sending a shiver through him. Moaning loud he starts going faster. Tears start to roll down your cheeks and you feel nothing but pure pleasure.

“I’m gonna cum soon. Keep sucking baby.” His eyes are shut tightly and you decide then you want to see him totally fucked out. Sucking extra hard and messy you lock eyes with him when he looks down at you. Moaning loudly he starts to pant.

“Good girl! Fuck you’re really good! Don’t stop!” Using both hands he starts pushing your head down faster and way deeper. His dick was starting to go down your throat. Deep throating him you hold yourself down on his cock moaning out his name. Barely audible for obvious reasons, he pulled you off his cock.

“What’s my name princess?” He smirks holding the base of his cock in his other hand.

“Logan!” Sounding hoarse considering this is the first time you could breathe in the last 5 minutes.

“But I prefer wolf daddy!” Always gotta keep the mood light! Gently slapping you on your cheek he pushes your head all the way down his cock. Gagging from the sudden intrusion you quickly begin to suck on him again.

Logan’s hips bucked into your mouth over and over while his balls slapped against your chin. Slobber running down your chin reaching your throat dribbling all over his balls and down his pelvis. His pubes leading to a happy trail is all you can focus on for the moment. Some of your juice still glistening on his mound. You moan against his dick again finally pushing him over causing him to grip your hair tight. Swallowing every last drop he has to give you. A low hum comes from you as the veins on his chest pop out from the pleasure. God this man was fucking hot. Rock hard abs, a sweat glistened chest with the sexiest chest hair, his perfectly cut arms and beautifully sculpted legs. The full package. And god knows you LOVE his package.

Popping off his cock once he was down you swallow the rest of his cum in your mouth. Licking your lips you sit up meeting his lips so he could taste himself on your tongue. One passionate steamy kiss later you pull back running a hand through his hair down to his cheek.

“I’m surprised you can use that mouth for more than just shit talk.” He chuckles kissing you quickly on the cheek.

“You always have to be able to ride the cock if you’re gonna talk the talk. Is that how that saying goes?” Tilting your head he puts his hand over your mouth.

“Enough of that.” Shaking his head he leaves you on the bed going to his closet. He pulls out a new pair of boxers pulling them on and then grabbing a pair for you. Moving over he grabs a wife beater for himself and an over sized flannel for you. Walking back over he sets your clothes on the bed.

“Aren’t you forgetting something?” Pointing to your cunt that’s still dripping his cum. “It’s not very gentlemanly to leave a mess.”

Kneeling down he sits between your legs. Without saying a word he starts licking between your folds lapping up all the cum in its wake. Rolling your head back you fall back on to your elbows. Moaning out his name his tongue dives into your hole making your flinch. Hand instinctively finding his hair pulling a little. Finding your eyes he starts to suck on your clit. Flicking his tongue fast up and down, then swirling around you he moans. The noise mixed with being over stimulated already had you cumming again but this time into his mouth.

“God Logan don’t stop!” Riding against his face you stop a minute later once your high has passed. With a groan you fall limp against his sheets. Not even caring about the slight ache that goes through your back.

“I finally got you to shut up.” And without saying a word you’re already out cold. Getting a cloth he washes you up and dresses you in his clothes. I guess he didn’t mind spending the night with you in his bed. You were surprisingly cute when you slept snoring softly and cuddled all into his side. You were warm and soft too. Logan can learn to like this quiet side of you.

I hope you guys enjoyed this one, I haven’t posted for a while so it’s hard not to second guess myself. Let me know if you want anymore Wolverine and possibly even Deadpool content?

#logan howlett #wolverine #wolverine x reader #wolverine smut #logan howlett x reader #wolverine x you #wolverine xmen #x men smut #x men x reader

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felikatze · 11 months ago

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ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

#feli speaks #in stars and time #isat #isat spoilers #lays down on floor. it's done. it's done #i actually narrowed down in scope to just focus on the combat by the way. and this is like. several thousand words

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bones4thecats · 10 months ago

Note

Hello! If request aren't closed yet, could I request Giyuu, Tengen, and Sanemi with an s/o who's the opposite of them in every way? From their breathing technique, to their weapon choice, and personality.

Type of Writing: Request Characters: Giyuu Tomioka, Tengen Uzui, and Sanemi Shinazugawa Name: {Character} a Slayer! S/O who is their polar opposite Requester: Anonymous

A/N: My first ever Demon Slayer piece, I hope this is good for my first one, Anon! This was also very fun, I can actually see these three falling for someone that was kinda opposite from them!

✧⋆⋅⋆⋄✧⋄⋅⋆⋄✧⋄⋆⋅⋄✧⋄⋆⋅⋄✧⋄⋅⋆⋄✧⋄⋆⋆⋄✧⋄⋆⋆⋄✧⋄⋅⋆⋄✧⋆⋅⋆⋄✧⋄⋆⋆⋄✧⋄⋆⋆⋄✧⋄⋅⋆⋄✧⋆⋅⋆⋄✧⋆⋅⋆⋄✧⋄⋆⋅

🌊 Giyuu is a very distant person, so, when you noticed how closed-off and lonely he seemed, you just had to approach him

🌊 You were known for your happy personality and how amazing you were to talk to, since you would offer amazing advice and how you would give everyone the biggest boost of energy just by smiling at them

🌊 When you guys first revealed your relationship to your fellow Hashira, they were surprised for sure, and if their faces weren't enough proof, Sanemi and Obanai's objections definitely told you

🌊 He has water breathing while you have flame breathing, and you got your fun-loving personality from your mentor and best friend Rengoku Kyojuro

🌊 Giyuu loves to listen to you ramble, hearing about your stories of slaying demons to hearing about how you got Genya, Sanemi's brother, to crack a smile on your last mission together

🌊 The Water Hashira adores to watch as you train with Tanjiro, Zenitsu, and Inosuke, the flames enveloping the four of you as you laugh at their reactions

🌊 Your personalities may clash, but, you guys do work well together when it comes to your jobs, your many kunai getting coated in flames as his swords waters left a burning sensation on the demon you were fighting with

🌊 Shinobu loves teasing him about how you guys are different, but, he just looks over at you talking to Mitsuri and smiles on the inside, you may be polar opposites, but, he loves that about you

🔊 Uzui is very flamboyant and out there while you are far more reserved and down-to-earth

🔊 He first noticed you as Mitsuri dragged you to a meeting, as the newest Hashira you weren't very familiar with any of them, and they all could sense your nervousness

🔊 This guy definitely tried to woo you at first, giving you small actions of affection by patting you on the back or leaning his body weight on your head to make you stumble

🔊 Uzui teases you for ages until his wives meet you, he may want to marry you, but he always wants to know if his wives get along with you, it's a package deal

🔊 When they give him the thumbs up, you all spend time together, and they're whipped when they see you protect a bunch of children by releasing your breathing style, Breath of Water

🔊 Water muffles sound, so

🔊 Your new relationship baffles everyone, since his normal type, at least to outsiders, is one of the more flamboyant personality carrying people

🔊 But, he likes that you're more quiet, it makes him remember to slow things down and take a rest whenever needed

🔊 Uzui also loves to help you with your whip-sword, which you started learning about with Mitsuri, and watching you swing your waves around to cancel out his breaths makes him laugh

🍃 Sanemi is an aggressive person by nature, and you were a far kinder person, killing demons gently while he did so painfully and without a care in the world

🍃 When he first met you, Sanemi was definitely put off by how kind you were with the Kamaboko Squad, your job was to kill demons, and you were braiding the hair of a demon

🍃 You and him were on rocky ground at first, due to your clashing personalities, but, once you guys got used to one another, it was funny for the others to watch as you would pat his head when he finished training

🍃 Whenever you guys are on missions with each other, he devotes himself to protecting you

🍃 From sending blasts of wind to send the demon flying away from you as you protected a small group of children who lost their parents from said demon, to even kicking a demon away, he was ready to sacrifice himself to keep you safe

🍃 Sanemi isn't fond of public displays of affection, he has a reputation of being aggressive and hard to approach, and he'd prefer to keep that reputation strong until retirement

🍃 He loves watching you tease Obanai, just watching you be yourself while pissing someone off makes his day for some weird reason

🍃 He and Genya aren't very close, and watching as you try getting them closer despite his protests makes him chuckle on the inside

🍃 And whenever he hears about your progress in training his younger brother with your old sensei, Gyomei Himekima, who taught you Stone Breathing, he pretends to not be listening, despite others knowing he is

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dwaekkicidal · 4 months ago

Text

Curly Hair Routine with Changbin

˚ʚ♡ɞ˚ summary: Teaching Changbin how to take care of his curls. based off this post/request!

˚ʚ♡ɞ˚ word count: 1k (how did i do this.. i thought it was like 500)

˚ʚ♡ɞ˚ warnings: none really :3 just fluff and mentioned that reader has longish, curly hair

˚ʚ♡ɞ˚ notes: i saw a few moots repost that prompt and i have curly hair (like 3A/3B?) that i've been learning to take care of the last few years so :3 thought this was cyuuute!!! also probably gonna write chris' later today/tomorrow! (my insomnia came back so.. we'll see when it gets done LMFAO)

@chaeryred (also @httpdwaekki cause hehe) i hope you guys like it >< thought it came off a little messy but i still think its pretty cute

DO NOT republish or translate+post my work!

"YAH! IT'S TOO COLD"

"SIT STILL! I JUST HAVE TO WASH IT OUT-"

"NO!!!! MOM!!! HEEEEEEELP-"

After wrestling your boyfriend like a cat taking a bath, you managed to wash the rest of the conditioner out of his hair and wrap his head up in a towel. You sent him to sit on the floor in the living room while you went to grab all your products from your bedroom. Once you returned, you were met with the biggest pout you've ever seen mixed with the nastiest side eye known to man. His head is almost completely wrapped up in a towel, minus the big circle where part of his face peeks out, and his arms are crossed sassily.

You couldn't help but smile and chuckle, shaking your head as you dropped the products and tools on the couch. You sit directly behind him, putting your legs on either side of his shoulders and leaning him into you. He shivers and your heart pangs a little, but you lean forward and wrap your arms around him and rub them soothingly. A quiet 'hmph!' comes from him and you laugh again.

"I'm sorry, baby. You said you wanted to do my hair routine just like me. And I always end it off with rinsing with cold water." Your fingers sneak into the hole in the towel and pull it back some, exposing his cheeks more as well as some of his wet hair. He makes the angry noise again and throws a small fit, turning away from you and tugging the towel back to its previous position in defiance.

You peck his cheek a few times and combine it with a mumbled apology. Then a small smile forms on his face and you start ruffing the towel, rubbing your hands back and forth and using it to poke fun at him while also starting to dry his hair off. Giggles erupt from the both of you as he drops the tough act and reacts to the ticklish feeling, his distinct giggle ringing through your ears in the best way possible.

Once you both have calmed down, and he's no longer feigning distress, you start to gently dry his hair. "I brought a mirror too." His hair is mostly dry and you grab your brush before realizing that Changbin's eyes have been glued to the show on TV. This was supposed to be a learning experience so you wanted him to watch, but it was also endearing to see him trust you so blindly that he resorts to iPad-baby tendencies.

"Are you gonna watch me do it so you can learn, or was this just an excuse for you to get pampered?" You tease, tilting his head back gently so he can look you in the eyes. He smiles apologetically and reaches for the mirror, "Sorry, Bunny. Got a little distracted hehe. I am your apprentice tonight! Teach away, Jagi." You smile widely and lean down again to place a kiss on his lips. One he reciprocates it before fixing his posture and placing the mirror in position.

He then lowers the television down and sits there patiently, allowing you to take him through the steps and using the mirror to peek at what your hands are doing. You start it off by showing him the products and explaining what they do and then tell him how you're supposed to use them, using a strand of his hair as an example.

Each step doesn't take long, thanks to the fact that he memorized the first few steps of your routine; the brushing and cream application. What you did explain was the styling techniques. He could have just left it as is and not done anything, or he could do what you do and finger-coil each strand.

He had seen how you slaved over your hair for over an hour each time you finger-coiled it and was dreading his experience to be similar to that. But thanks to how short his hair was compared to yours, it was a cakewalk. However, when he tried to coil one strand himself, his fingers did manage to get tangled in each other a few times... but you have to experience something to really learn from it! And the texture of the gel you used seemed to drive him crazy, but he got used to it eventually.

Then it was onto drying! You had brought out the diffuser attachment- or.. what Changbin called the "claws of death," for your hair dryer. He had seen you use it countless times before, but it looked like a jumbled mess of things from the outside and he never knew if there was a technique to it or if it was just random movements.

After teaching him the tips and tricks you used for extra volume and just how to diffuse his hair in general on a small section of his hair, you watched proudly as he dried the rest of his hair on his own with little to no problems. You did a dramatic reveal, wiggling your fingers and adding a "Tada~" when he looked into the mirror for the final time.

He stared for a while, eyes tracing the unfamiliar, defined curls on his head. They were pretty, and you have literally never seen his hair like that before. But what really made it worth it was his reaction. A big smile grew on his face and he turned to you, crawling up the couch to give you a big kiss. "Thank you, Bunny."

"Of course, baby. You look good like this." You smiled and admired your handiwork for a while until you remembered that today was supposed to be your wash day in the first place.

"Okay!! Time for me to wash my hair now." You peck him on the lips and playfully shove him onto the couch, running away after. The pitter-patter of his steps chases after you and he wraps his hands around you once the water is turned back on.

"Wait. I want to do it!" He smiles widely despite the unsure face you make. But he's your Binnie, so it's kind of hard not to cave in. You agree and resume the same position he had earlier, sitting on the tile with your neck resting on the edge and your head hovering over the big bowl of the tub. He steals another kiss before gathering your hair products and directing the water to your head.

"Don't worry, Bunny. I'm a professional at this~"

Taglist:

@valkyriexo @lunearta @jabmastersupriseee @rylea08

@yaorzu-blog @amararosesblog @jiminssluttyminx @clemissleepy

@miss-daisy04 @kittyxnoa @dwaekkiiracha

@bubblerizz

#sian’s writing #changbin fluff #changbin x reader #changbin x reader fluff #skz fluff #skz x reader #skz x reader fluff #stray kids fluff #stray kids x reader #stray kids x reader fluff

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xokohaneazusawa · 19 days ago

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Blue Lock Husband Headcannons: Pt.2

Husband!Lorenzo who loves to see you smile and will ultimately do anything to achieve that. You think it’s funny when he dose a certain thing? Catch him doing it whenever you look even the slightest bit upset.

Husband!Karasu who you’ll play (one of the best) games with when your bored and in public. Just sitting around, wheather it be waiting for food, or stuck at an airport somewhere (hands down, airports are the best place to play this game) you’ll make up backstories for people. A guy with a briefcase and suit almost running to a gate? He’s actually a part of the mafia, and his wife was kidnapped and he needed 100 Million Dollars to save her and that’s what was in the case. An older couple? Their actually circus masters and are on the run from debt of their failed circus.

Husband!Shidou who absolutely adores play fighting with you. It never gets to the point of where he is with Sendo and Rin, but always just a playful tug here or a small kick there, and he’ll always egg you on to join in, and even if you don’t you’ll always end up on the nearest soft surface with him ticking the hell out of you.

Husband!Yukimiya who loves taking you around town, especially during spring when everything is in bloom. He’ll also do that thing where he puts flowers in your hair and loves it when they happen to fall down onto you, even if you complain when all the petals mess up your hair even after he made it look nice.

Husband!Sendo who almost worships the ground you walk on. Everyday he thinks about how lucky he was to get you instead of some random Hollywood model (though he does thnk that if the time ever came up, you would be amazing in a movie.)

Husband!Oliver who loves being anywhere with you, whether it be going to a party, letting you do the drinking (if you drink) so he can take care of you the next day or even the night after, or staying inside with you. Watching a movie, just cuddling with you. Dosen’t matter, he just loves being around you.

Husband!Otoya who loves using his “ninja” techniques on you. (yes, I got this based off the add. time) Most of them he learned trying to pick up girls, now he uses them as a surprise attack almost when he wants your affection. Just be ready for anything whenever you see him, or don’t. You probably won’t even know when he’s coming, so just be ready for him to back hug you at any moment before peppering your cheek with kisses.

#blue lock x reader #blue lock #bllk #bllk x reader #lorenzo x reader #don lorenzo #karasu x reader #karasu tabito #shidou x reader #shidou ryusei #yukimiya x reader #yukimiya kenyu #sendou x reader #sendou shuto #oliver x reader #oliver aiku #otoya x reader #Otoya eita #xokohaneazusawa’s writings!

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honeytonedhottie · 3 months ago

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HONEYS IT GIRL MAGAZINE july edition⋆.ೃ࿔*:･🎀

welcome back to honeys it girl magazine, this is the july catalog. get ready for the inside scoop on data that i've collected, things i've learned/started doing, and just general info like that organized in kind of a teen-magazine inspired fashion. a magazine for it girls ✨ and now please enjoy, the it girl magazine.

in this addition i've experimented with new sections (like the horoscope section) so i hope that u guys look forward to it and if u have any more suggestions for the magazine feel free to share and without further ado, lets get into it with some beauty talk…💬🎀

BEAUTY SHOPPING LIST ;

♡ kiko milano lipgloss

♡ L.A girl glitter spray

♡ cotton candy baby lipgloss from victorias secret

i've gone for more tubes of cotton candy baby because its just SUCH a good lipgloss but i recently lost mine and its been on my list to get next time i go to the mall…💬🎀

♡ crispy marshmallow bars body wash from philosophy

ugh just the NAME of this soap sounds absolutely delicious and im dying to try it out. im a big fan of the philosophy body washes anyways because of the quality and scents…💬🎀

♡ coconut craze lipgloss from victorias secret

♡ pink mimosa lipgloss from victorias secret

another thing that i wanted to talk about in this months beauty column is the DIFFERENCE that blush placement makes. so i was scrolling on pinterest when i came across this chart that talked about blush placement.

when you apply blush a certain way it balances out ur beautiful features and plays around with proportions in such a way that can make ur features more prominent. also the way that u apply ur blush totally changes the way that ur makeup looks.

for example when u apply blush to the apples of ur cheeks it gives a more youthful and glowy effect. when u put blush high on ur cheekbones it gives a more lifted and sculpted look which is where the blush chart comes in. depending on ur face shape u can determine which style of blush placement complements ur pretty face the best 💗

WHAT R WE LISTENING TO? ;

the most listened to album i've listened to all month has been butterfly by mariah carey. it was released in 1997 and every single song on that album is a total MASTER PIECE. some of my favorites include

♡ honey (DUH)

♡ babydoll

however that album is from 1997 so lets talk about some new music that i LOVED that also dropped this month…💬🎀

♡ brat- charli xcx

♡ muse - jimin

another album that has been gathering lots of attention on lots of social media platforms is ice spice's Y2K album and i've seen a lot of mixed reviews about it. personally im not a fan of the album, my favorite song on the album is did it first but im not a fan of the album as a whole. im curious though to hear what your thoughts on the album are…💬🎀

FASHION FLOPS VS FASHION BOPS ;

in this column, lets look at some old and new fashion trends and see which trends are flops and which ones are bops. my sources include vogue, and glamour magazine…💬🎀

according to vogue, statement gowns are OUT and discreet chics are IN. discreet chic is mixing basics in minimalist yet compelling ways. this includes things like trench coats, pencil skirts, trouser suits and good jeans.

according to glamour magazine, crisp whites and butter yellows are trending this summer. along with sequins and basics like denim pants and white t-shirts, polished kitten heels and mary jane flats also. the styles that are trending for this summer are boho 3.0 and little white dresses.

something i can DEF get behind is little white dresses. its like a blank canvas on which u can make the outfit into whatever you want. personally i would style a tiny white dress with chunky bracelets and wedges/kitten heels…💬🎀

LETS TALK MANIFESTATION ;

manifestation techniques are overrated - all you have to do to manifest is affirm -> persist. thats essentially all you have to do and when i first started i was so caught up in techniques and routines that i wasn't even affirming/persisting. i was doing anything and everything and i saw manifestation as a process and manifestation is NOT a process. when i shifted that and realized that manifesting is instant and all techniques are for funsies, the pressure was taken off.

this is an excerpt from my manifestation opinions post and i've released this poll to talk about what manifestation topic you guys would like me to talk about and the winner was saturation so lets talk about it. so what does it mean to saturate? i got this question a while ago in my inbox so im just gonna copy and paste my response.

saturating is simply soaking ur mind in the fact that u already have what u want. i do this with affirming, some people do other things to saturate but affirming is the most simple for me. just think as if u have it over and over and over again…💬🎀

you can saturate for hours at a time or a little bit everyday it doesnt rly matter its just thinking over and over again. i saturate while listening to music, playing video games, doing mundane tasks etc. all i do is think my affirmations and thats all! if theres something specific that u guys are curious about with saturation lemme know in the comments but its super simple bcuz MANIFESTING is super simple.

JENNIE KIM STYLE DISSECTION ;

jennie kim is a fashion ICON. i swear every photo that i see of her, her outfit, hair, face, everything is absolutely perfect. jennie's style is very posh and feminine. and a rly great example of this would be her look below. i love how she color coordinated her hair accessories to her outfit and the black and pink is so ICONIC cuz she was a black pink member.

shes rocking her trademark chanel in the form of a waist chain and everything just goes together beautifully. jennie knows how to mix posh and hyper femininity in her outfits super well and we can see that in her next outfit…💬🎀

THE CHANEL CHAIN AHHH IM OBSESSED. in the next outfit shes rocking a red two piece with buttons that just add that very chic and posh look. her chanel chain is such a statement piece and her matching chanel purse, shes literally chanels princess atp.

WHATS MY HOROSCOPE (JULY 22-29) ;

♡ its leo season and leo season is all about TIMING. you will receive ur answer very soon, listen to ur intuition and notice how everything is coming together for you. while you’re shining in the moment, remember to think about the future when mercury enters virgo and your value zone on thursday. you’ll want to go over details with a fine-tooth comb, so take your time making decisions. don’t rush into anything!

♡ for aries the next four weeks are ideal for enjoying entertainment, starting hobbies, and expressing yourself. indulge in the pleasures that summer has to offer without burning your life down.however, while you enjoy the rest of your summer, consider getting your life in order when mercury enters virgo and your productivity zone on thursday. the retrograde will be here shortly, aries, so take this time to get your ducks in a row.

♡ for taurus, start the week by practicing self-care when the sun enters leo and your home zone on monday. the next few weeks could be a little hectic, so try to spend as much time as you can with your loved ones. be generous with your time by hosting family dinners and small parties.despite the upcoming retrograde, you’ll still have plenty of opportunities for some fun when mercury enters virgo and your creativity zone on thursday. this is a great time to busy yourself with creative projects, flirt with people, and entertain yourself with concerts and movies. have fun!

♡ for gemini, you’ll have a flair for the dramatic over the next few weeks once the sun enters leo and your communication zone on monday. everything you do and say will be bold and vibrant. your social calendar will be full of summer activities, so enjoy yourself without getting exhausted.get ready to become the family problem solver when mercury enters virgo and your home zone on thursday. it seems like everyone is coming to you to fix their lives before the retrograde, so this is a great time to focus on domestic issues. remember to set boundaries so any family drama doesn’t bring you down, gemini.

♡ for cancer, as your season comes to an end, your mind will be on your financial security when the sun enters leo and your value zone on monday. however, if you want any luxury in your life, you’re going to have to work for it. this is a great time to start side hustles and invest in things that matter to you. say what you mean and mean what you say when mercury enters virgo and your communication zone on thursday. this transit gives you the ability to cut through the chaos and get to the truth of any issue.

♡ for virgo, spend the rest of your summer break away from the madding crowd when the sun enters leo and your privacy zone on monday. over the next few weeks, you might feel the need to retreat from the world and focus on yourself. give yourself a mental and emotional cleanse before your season begins. your communication skills get a major boost this week when mercury enters your sign on thursday. while this is a brief reunion before the retrograde, this is a great time for new beginnings and getting your point across. speak with confidence, virgo.

♡ for libra, you’ll be feeling like a social butterfly over the next few weeks once the sun enters leo and your friendship zone on monday. this is a great time to hit the summer parties and make some connections. you could even meet your new besties. have fun! however, you might feel the need to retreat into yourself when mercury enters virgo and your subconscious zone on thursday. perfectionism could lead to your undoing as you come to terms with what’s working and not working in your life. focus on how to fix these areas without overcorrecting, libra. analyze your dreams to find clarity.

♡ for scorpio, despite being in the heart of summer, you’re more focused on building a reputation and making a name for yourself when the sun enters leo and your public image zone on monday. over the next four weeks, go after your ambitions and stand out from the crowd to get noticed by the right people. you’ll be especially interested in your personal aspirations when mercury enters virgo and your humanitarian zone on thursday. you have some big dreams, so lay the groundwork to get them going. make a wish, scorpio. it might come true.

♡ for sagittarius, start the week on an adventurous note when the sun enters leo and your expansion zone on monday. the next few weeks will give you opportunities to expand your horizons, for better or worse. this is a great time to travel or interact with people from different walks of life. as we get into the heat of summer, start thinking about your future when mercury enters virgo and your career zone on thursday. this is a great time to think about your professional goals and how you can get ahead in the workplace. think smarter and harder, sagittarius.

♡ for capricorn, the start of the week brings changes to your life when the sun enters leo and your transformation zone on monday. you might feel like a phoenix over the next few weeks as you sit with the ashes of your former life. while the sun shines a light on everything that is hidden, you’ll need to decide what to let go of, capricorn. class is in session when mercury enters virgo and your expansion zone on thursday, especially since this transit will give you plenty of lessons to learn, for better or worse. this is a great time to expand your mental horizons through education. it could change your life.

♡ for aquarius, “me” turns into “we” over the next few weeks when the sun enters leo and your partnership zone on monday. this is more than just a summer fling; it’s the real thing, so lock it down now. however, make sure to balance your time together and apart or it could cause some drama. read between the lines and you can uncover hidden meanings when mercury enters virgo and your intuition zone on thursday. trust your gut, aquarius, because it can guide you through the hidden motives others might have for you. be careful, and don’t make any big decisions before the retrograde.

♡ for pisces, even in the heat of summer, you’ll still have plenty of work to do when the sun enters leo and your productivity zone on monday. work on taking care of yourself through self-improvement. what do you want to get better at, pisces? try it out now. the rest of the summer could be intense, so make sure you have a buddy to help you through when mercury enters virgo and your partnership zone on thursday. this is a great time to end all conflict and work on agreements before the retrograde hits. compromise is key, if you’re willing to work at it.

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wizlizbelle3 · 3 months ago

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You guys -

Context: I did enter the void for a few seconds a few days ago but have been pulling my hair out trynna do it again.

I asked @salemlunaa for advice and when they talked about knowing that you’re the void and KNOWING that you’ve achieved it, I started looking into that.

I watched a video on YouTube by Electrasoul about the void and she explained it in a great way.

Basically, if you KNOW that you’re one with the void, why do you need techniques or methods or subliminals? For example, do you need to listen to a subliminal so you can drink water or take a shit? No! There’s no “learn how to take a shit subliminal LISTEN ONCE ⚠️” subliminal (not talking about the constipation relief one - not that I’ve ever listened to it 😀)

So, I put down my phone. Didn’t check Instagram or tumblr for any new techniques (just to dm people), didn’t go on Reddit for anything, didn’t try to find meditations etc. I just kept affirming that I am in the void NOW.

I have never felt calmer about the void. Yes there were doubts but I just said “nope I am in the void right now”. Be aggressive with yourself!! You’re the one stopping your dreams from being yours just because you think you aren’t aligned with them!! YOU are the problem.

Also electrasoul talked about her way of getting into the void and it’s the best. Lie down, breathe, keep repeating I am in the void. That’s it. You can listen to a sub if you want but it’s not necessary.

Also, this other meditation channel who is really good at making frequencies and just knows their stuff also said that we’re in the void all the time because it is within us and everything that happens to us comes from there. We just need to take control and know it.

LASTLY, it does NOT take years of practice. I saw someone saying that and was like ??? Even meditation doesn’t take years. Anyone can meditate. I’m convinced people say that to keep others from succeeding.

Anyway I hope this helps!

#void #void post #void state

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lovelyyandereaddictionpoint · 11 months ago

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Hi! I really like your writing, and I was wondering if I could request a Yandere!Platonic 1st Years (+Grim) with an Eri!Reader?

How would they feel learning of her abused, trauma, and her unfamiliarity with general society and social norms? (Who’s looking murderous when they see just the scars littered around her arms and legs when her bandages are removed?)

Though it’s a whole different story when she says she sees her power as nothing but a ‘curse’, and her existence a ‘burden’ that only makes others suffer? All because of the man named ‘Overhaul’, the one who did this so her? (Who’s about to go feral when she admits she doesn’t remember how to smile?)

But she starts to become more positive thanks to Grim and slowly the others (She likes Grim and is very sparkly eyed because he talks, breaths fire and thinks he’s amazing)

Imagine when she says she made a friend all on her very own who’s ‘like her’, though they lightly chastise her that she shouldn’t talk with strangers (It’s Malleus, they’re both lonely, have horns she has 1, while Malleus has 2, have an incredible power that’s very dangerous, and they’re unfamiliar/slow with society)

Eri Reader | Yandere Twisted Wonderland

You’ve been through so much….so you’ve been told. The pain, the heartbreak, the constant voice in your head that has guilt weighing on your little heart. Your transportation to Twisted Wonderland couldn’t come at a better time. They’re going to welcome you cage you to this new world more than willing to spoil you to your hearts content:

Grim

“Oi oi servant they all think we’re monsters!”

“...yeah?”

“Yeah! So we gotta show them we’re gonna be the greatest mages in here!”

“Oh….okay!”

He’s the perfect chaotic companion

He teaches you to allow yourself to do what you want

Granted his guidance isn’t all knowing

No matter how tasty Heartslabyul’s tarts are you shouldn’t eat them everytime you visit — especially without permission

Either way you’re learning to forgive yourself and allow you to have fun

And leave it to Grim to say whatever snarky thing you’d like to say when your big-brothers get in the way

“Nyeh! You won’t be able to do anything against my flames, nyah!”

Ace Trappola

“Hey if I catch you moping about that plague doctor guy, I’ll sock ya in the head!”

“Ace?!”

“I-i-i won’t!”

In a weird way you’re so used to being bullied (by kai) that you tend to take his bully-affection to heart

You know he cares, he just won’t tell you often

He reminds you of a certain blonde…

It also makes you more privy to his very willing desire to steamroll over anyone he deems a problem for you

“I think he meant that as a joke, Ace…”

“Joke schmoke, I warned you, you stain! I’m putting you in the medical wing.”

“Ace, please!”

Deuce Spade

“(Y/n), did you eat today? Are you feeling well? Do you need me to carry you!”

Mother hen of the group

He’s hovering close behind even when you don’t see him

Always making sure you’re safe and happy as can be

He’s teeming with anxiety if he’s not watching you himself

Even worse if you get hurt accidentally or on purpose

Now he’s Mama bear totally bearing the claws to protect you

He’s not going to leave you to defend yourself

Especially when your abilities hinge on your mental state

He’s trying his best

“Are you doing the breathing techniques Crewel recommended? Where’s your paper bag?”

Jack Howl

“Hello little one.”

“Hi.”

“Would you…like to sit on my shoulders?”

“Yes!”

Your #1 guard dog

Doesn’t have to worry considering Deuce is freaking out for him

He’ll be the sane voice of reason because Ace isn’t anywhere close to reliable in his eyes

Naturally he entrances you with his tail and overall dog-like personality

But don’t forget he’s got the bite force of a wolf that he’s not afraid to use if he deems fit

“Pup, don’t stop yourself from having fun or being…young. I–we will keep you safe.”

Epel Felmier

“You’re so pretty.”

“...Thanks.”

You’re the only one who can get away with calling him that

And he loves nothing more than escaping Vil to find out what other sweet makes you smile sweetly

He’s also one of the first to join Ace as part of the self-proclaimed protection committee

He’s also one of the first to suggest taking it further than a mere beatdown

Anything for his new little sibling

“If there’s no body…there’ll be no problems.”

Sebek Zigvolt

“TINY HORNED HUMAN! WHERE IS YOUR DIASOMNIA PIN!”

“Uhm…Ace took it from me…said it was unfair.”

“THAT FOOL. COME CHILD I SHALL BESTOW UPON YOU THE PIN AGAIN.”

Is definitely apart of a brainwash committee of his own and is insistent you become Diasomnia’s new mascot…under Malleus of course

His loudness sometimes scares you off but he means well

And will no doubt join the others if a few heads need to roll

“Rest easy, child. On my watch, no one will harm you.”

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danieyells · 4 months ago

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@2flowerz also asked for Lyca so

NOW WITH 100% MORE DOGGO LYCA. HE IS DEFINITELY A HUMAN AND NOT A WEREWOLF. He is trying very hard to be a human. I love him very much. . . .

Hello: (the first time the game is opened after that character is set as home screen NPC. Only happens once per day, unless the character is switched out and back.)

"...You again. Where're we going today?"

You've Got Mail: (whenever there's something in the inbox, usually Arena rewards)

"Hey, you got letters. Don't you have to read them? Oh, don't you know how?"

he understands if you can't read, man. neither can he.

Default: (requires no affinity, has no time constraints)

"You smell sweeter than usual today... Stop. Go away."

after learning that the pc is going to turn into the anomaly that cursed them any sort of 'you smell nicer than normal' feels like such a threat lmao

"You want to touch me? Fine. Ten seconds and that's it."

that is more than enough my good sir

"When I find Neros, I wanna prove I've been getting along with humans. Then he'll definitely let me live with him."

considering he related the term 'neglect play' to what Neros did to him. . .I'm not so sure. . .and if Neros was as old as he sounds like he was, I wonder if he's even still alive. . . .

"Hey! Moth-eaten Casanova! Where'd you go? I'm gonna show you my special move today."

"special move" in Japanese is 「必殺技」 or 'lethal move'/'killer technique', usually unique to a person or fighting style. Not sure if he wants to show Ed how cool he is or try and kill him lmao--

"This phone thingy they gave me keeps making noises and making me jump... Why do I gotta carry it everywhere? It's scary!"

Affinity 1: (between 5am and 11am)

"Mnn... Let me sleep... Don't touch me... Zzz..."

Affinity 2: (between 11am and 4pm)

"Laws, school regulations, anomalous law... Manners, morals, rules... How're you s'posed to remember all that?"

man i wish i could tell you. . .i've mostly got the morals in order, that's basically just 'don't do harm to others' when you get down to it. laws are about 50% 'don't do things that may endanger you or others' and 50% bullshit. the rest you're kinda on your own with.

Affinity 3: (between 4pm and 8pm)

"Urgh... My skin's crawling... Moon must be gettin' round soon..."

Affinity 4: (between 8pm and 5am)

"At first I was sad 'cause I got put in a different house to Suba, but all kinds of stuff happens here every day so it was fine."

awww he was sad because he doesn't get to see Subaru as often but he's not bored so it's alright! glad he's comfortable ;u;

Affinity 5: (between 8pm and 5am)

"H-Hey, don't come so close! Somethin' about your scent makes my stomach feel weird!"

WE'RE ONLY ON AFFINITY 5 DUDE YOU CAN'T BE CATCHING FEELINGS THIS EARLY it's probably because he's scared of girls or something lol

Affinity 6: (between 4pm and 8pm)

"I didn't do anything wrong! Those guys were saying mean stuff about me 'cause they thought I couldn't hear. All I did was yell at them."

I hate how they won't even let Lyca defend himself verbally. . . .

Affinity 7: (between 11am and 4pm)

"I don't mind classes. The teachers say cool stuff. Once I learn to read the textbooks and the notes and the blackboard it'll be perfect."

HE'S GONNA BE SUCH A GOOD STUDENT WHEN HE CAN READ???

Affinity 8: (between 4pm and 8pm)

"There was this big noise in our practical class and my ears popped out. Everyone ran away screaming. Damn it..."

wow they're cowards if the ears alone scared them. . .how're they supposed to deal with anomalies if that scared them!?

Affinity 9: (between 8pm and 5am)

"This? It's a picture book, duh. How come you don't know that when you're a human? I study with it before bed, everyone does it."

I wonder who made him a picture book of all the things he'd be learning as a first year to study with. . . . . .or maybe it's just a generic picture book lol

Affinity 10: (between 10pm and midnight)

"This blanket's not trash, it's just dirty. I can't sleep without it, so hands off."

he really loves that blanket huh. it must be one of the only things he had from his childhood or from being looked after by neros. . . .

Affinity 11: (between 5am and 11am)

"What's a "so-shul skill"? That blond gigolo was talking about them. He said I don't have any. Is that a good thing?"

he's got social skills!! Just. . .not very human social skills!!!

Affinity 12: (between 11am and 4pm)

"I'm starving... I wanna eat Sho's food, but I can't order it without Suba... Wait, you can read, right?"

Lyca slowly realizing how many people he knows can actually read and thus can help him with placing orders for delicious foods--

Affinity 13: (between 4pm and 8pm)

"That moth-eaten Casanova's in his room all day so I tried to take him for a walk, but he locked his door and ignored me. The hell?!"

LYCA CONTINUES TO SCRATCH AT ED'S DOOR COME FOR WALKIES ED!!!!

Affinity 14: (between 5am and 11am)

"That stupid blond gigolo ran off with my blanket. I'm not done sleeping yet..."

tbf your blanket is filthy. . .and I get it, it's what you've got and it smells familiar but. . . .

Affinity 15: (between 5am and 11am)

"I can't get back to sleep... I'm gonna wake up that moth-eaten Casanova for a walk."

lyca is a dog scratching at your bedroom door with his leash in his mouth like 'yes it is time for walkies now rise human'

Affinity 16: (between 11am and 4pm)

"The teacher asked us to name an anomalous plant you can eat but when I did he said humans can't eat it. So what? I can, so I'm not wrong."

I AGREE WITH HIM HE SHOULD NOT GET THAT MARKED WRONG. if you only want a human applicable question say 'humans' not 'you.

Affinity 17: (between 10pm and midnight)

"In the last place I never knew what time it was and I pretty much just slept all day. Now I gotta get used to having a "roo-teen.""

Affinity 18: (between 8pm and 5am)

"I'm drawing. If I draw all the good stuff and bad stuff that happened every day I won't forget about it."

if he could write he'd keep a diary but since he can't write he's keeping a picture diary. . .and he's a really good artist according to his character story, so it's probably a pretty faithful recreation of whatever happened that day. i'd love to see his picture diary. . . .

Affinity 19: (between 10pm and midnight)

"Huh? The blood on my bed? ...It's nothing. Don't touch my stuff, you're gonna get your smell all over it!"

WHY IS THERE BLOOD IN YOUR BED, BUDDY. ARE YOU OKAY??? IF YOU ATE SOMETHING IN BED THAT'S FINE I JUST DON'T WANT YOU TO BE INJURED. . . .

Affinity 20: (between 5am and 11am)

"...Did you cry? Your scent is all squeezy. How come?"

smelling you sad makes him sad too so tell him why you're feeling sad and he can make the sad go away?

Affinity 21: (between 11am and 4pm)

"I wanna go to the cafeteria, but the teachers won't give me my pocket money. They said I'll get "spoiled." The hell does that mean?!"

GIVE HIM SOME MONEY SO HE CAN BUY FOOD???? HE NEEDS TO EAT????? HE'S BUSY WITH CLASS SO HE CAN'T GO ON MISSIONS YOU CAN'T JUST STARVE THE BOY????

Affinity 22: (between 4pm and 8pm)

"That moth-eaten Casanova told me humans like it if you ignore them sometimes. Something about playing hard to get? I'm gonna try it tomorrow."

I wonder if that has anything to do with Subaru's home screen chat where he wonders why Lyca hasn't messaged him back. . .he's trying to play hard to get because he thinks it'll make Subaru like him more. . . .

Affinity 23: (between 8pm and 5am)

"I'll stay here and be quiet at night, even when the moon's not round. 'Cause you're tired, aren't you? Go sleep."

even if he doesn't have to stay or even if he wants to make lots of noise, he'll stay and be quiet so it's easier for you to fall asleep. He won't be loud and you don't have to worry about him! so sleep tight!

Affinity 24: (between 10pm and midnight)

"Sleep here. Huh? Is there a law that says we can't sleep together? There's not, is there? Hurry up and lie down."

it's pretty much innocent. . .he just wants you close by. . .being able to smell you while he sleeps would probably make it easier to fall asleep. . .feel safe and familiar and everything. . . .

Affinity 25(max): (no time constraints)

"I'm gonna work hard... I'll gonna work so hard, they're gonna say I can live with humans forever..."

Lyca, despite being a werewolf, is a lot like Kaito in that he just wants to be a normal human. Except he never started as a normal human, so he has a bit further of a distance to go to become one. . .he's not a dog, he doesn't wanna be a pet or an animal or anything like that. He wants to be a person like everyone else. But it's hard when others reject him, and when everyone says they think he's too dangerous even when he hasn't done anything wrong. Other ghouls--other humans--do way worse stuff than he does, and yet he's still held to a higher standard. It's not fair. But he's working as hard as he can to catch up. . . .

Spring: (March-May) (between 5am and 11am)

"That blond gigolo tried to wash my blanket! He's never coming in my room again!"

he does not like spring cleaning--

(between 11am and 4pm)

"Lately there's flower smells everywhere, but sometimes there's one that kinda smells like you."

IT'S GONNA BE HILARIOUS IF THE ANOMALY THAT CURSED YOU HAPPENS TO LIVE IN OBSCUARY'S FOREST. . .LIKE YEAH IT'S JUST OUT THERE IT WAS ALWAYS ON CAMPUS IDK WHAT TO TELL YOU WE COULD'VE BEEN WORKING ON THIS CURE BEFORE YOU GOT IT.

(between 4pm and 8pm)

"Harurin kept nagging, so I went to the safari park. Not gonna lie...it was super fun."

I love that Lyca uses the nicknames Rui uses for some people lol and I bet he loved running around Jabberwock!!! All that fresh open air and the wildlife. . .he's a wolf at heart really and truly.

(between 8pm and 5am)

"Cherry blossom petals are super fun. They're like, whoosh, then they fall everywhere. I wish our house had some."

Summer: (June-August) (between 5am and 11am)

"Urgh... My head...it hurts... This? It's shaved ice. The blond gigolo told me to eat it so I don't get "heat eggs-aw-schun.""

oh buddy you're eating it too fast. . . . . .

(between 11am and 4pm)

"I was just in that moth-eaten Casanova's room and it was so cold I thought it was gonna snow! Is he secretly a yeti?"

okay it was only 63 degrees in there it wasn't THAT cold Lyca.

(between 4pm and 8pm)

"I'm gonna go practice swimming at Harurin's place. Can you do other stuff besides doggy paddle?"

I can't swim at all so. you are miles ahead of me my friend.

(between 8pm and 5am)

"I know I said I always wanted to do sparklers, but... you sure this's okay? I thought we're not s'posed to play with fire!"

canid instincts are kicking in--fire BAD and SCARY and DANGEROUS. ABORT MISSION.

Autumn: (September-November) (between 5am and 11am)

"I just tried to join in with some guys playing with a ball, but they said I don't know the rules and told me to go away."

THEN TEACH HIM THE RULES god they're such jerks around here.

(between 11am and 4pm)

"Blond Gigolo was makin' this massive fire near the garden just now. It smelled all burnt and sweet... Is that some kinda ritual?"

(between 4pm and 8pm)

"Finished my picture. That Romi guy who comes to the bar all the time said he wanted one, so it's for him."

Romeo does like fine things. This just goes to show how good of an artist Lyca is! I bet Romeo's gonna frame it and put it somewhere people can see lol or maybe just keep it in his room. . .that or he wants to see if he can get him to make a forgery and profit off poor Lyca--

(between 8pm and 5am)

"Moth-eaten Casanova said humans like looking at the moon... D'you get sad if you can't see it?"

Winter: (December-February) (between 5am and 11am)

"I'm gonna go play at that big ice castle after class! Huh? 'Cause playing in the snow's fun."

THE FROSTHEIMERS BETTER NOT GIVE HIM TROUBLE LET MY BOY RUN AND ROMP IN THE SNOW!!!!!!!

(between 11am and 4pm)

"Mm, I don't really feel the cold. Humans get warm when they run around too, don't they? Race you over there! "

he is having so much fun in the winter ;;;;; just running around and playing. . . .

(between 4pm and 8pm)

"My fingers have been gettin' all tingly and stiff and my hair's all crunchy! What's up with that? "

maybe playing in the snow a little too much lol--

(between 8pm and 5am)

"How d'you drink hot drinks so quick? They always burn my tongue... Huh? Dogs have sensitive tongues? I'm a wolf, not a dog..."

His birthday: (April 19th)

"Oh right, it's my birthday. Neros told me my mom wrote down the date."

Your birthday:

"It's your birthday, right? No, I only know 'cause that blond gigolo was yelling about it. ...Here's your present."

I bet he drew something really nice or found you something really cool ;3;

New Years: (January 1st)

"Hope you have a happy and prop...props... prosp...prospinous? new year... Damn it, I practiced that for ages..."

Valentine's Day: (February 14th)

"Oh, thanks. Professor Nicolas said I can't eat chocolate, so I'll give it to Casanova and Gigolo!"

why would you even risk giving him chocolate in the first place lmao. . .also in Japanese he says "I'll share with those two idiots" instead of "casanova and gigolo" lmao

White Day: (March 14th)

"This is for you. I dunno what kinda stuff human girls like, but Suba helped me pick it, so it's prob'ly fine."

Subaru knows girls' tastes is Lyca's logic I guess lmao Subaru is a lil on the femme side comparatively--

April Fool's Day: (April 1st)

"Why's everyone being so mean today?! Telling lies and laughing at me... They're all jerks...!"

please explain the day to him. . .people are mean enough to him as it is. . . .

Halloween: (October 31st)

"My ears and tail are out? I know, I'm doing it on purpose. The moth-eaten Casanova said it's okay today."

THE ONE DAY HE CAN BE HIMSELF IS HALLOWEEN BECAUSE NO ONE WILL THINK ANYTHING OF IT. . .they'll just think it's a cool costume or maybe a fox robe! And he'll get candy for it!!!

Christmas: (December 25th)

"Hey, look! When I got up this present was next to my pillow! Santa really came..."

WHO TAUGHT HIM ABOUT SANTA. . .AND WHY. . .then again Romeo said Santa's reindeer is real so. . .it probably isn't actually harmful to teach him about Santa since Santa's probably somewhat real here. . . .

Idle: (about 20 seconds without interacting with the game) (below 13 affinity)

"...I'm going for a walk."

(13 affinity and above)

"Hey, you alive? Huh, you're breathing so I guess so."

Absent: (logging in for the first time in 2 or more days?)

"How come you stopped coming? Do you hate me? It made my heart all squeezy, so don't do it again."

oh no sweetie. . .sometimes we just have to take care of things and disappear without wanting to. . .sometimes life gets in the way instead of finding away. . . . . . . .

JUST. . .SWEETEST OF SWEETHEARTS. HE'S SO CHILDISH AND ADORABLE AND SWEET AND GOOD. . .I WILL USE MY TEN SECONDS OF PETTING TIME WISELY. He really does try harder than anyone, he's so determined and I believe in him so much. I want my boy to be happy.

#lyca colt #tokyo debunker #tokyo debunker spoilers #datamining cw #danie yells at tokyo debunker

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decepti-thots · 7 months ago

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okay well ACTUALLY i will elaborate on my Whirl feelings. fandom tends to parse 'I want my hands back' as Whirl very specifically being upset he has claws, because they are assumed to be less functional, and broadly that he wants a body which is not empurata'd again. but as I said in this post, we know people who underwent empurata can get new hands and faces- perfectly good ones. tarn used to be damus and damus was a victim of it too, and they got the guy a whole new body! there's no way that with ratchet as autobot CMO, he would not be insistent that they make time and find resources for any empuratee who wants new hands or a new face at SOME point throughout the war. let alone now it's over.

but they would be new ones. the point is that when whirl says 'i want my hands back' he doesn't (just) literally mean 'i want hands again instead of claws', or even 'i want the original hands i was forged with back'. i would argue he means he wants to go back to the person he used to be before the shit he went through beat him into a new shape he hates. (because whirl reeeeally hates himself. we are literally introduced to him during a suicide attempt as his defining character moment, i mean…) but he can't, because that's not possible, and getting new hands won't magically make him the person he was when he was a watchmaker even if it'd make it easier to make watches again.

and that's why whirl doesn't get new hands or a new face! because it's scary to admit that doing so doesn't make him the person he once was again, and if he did it and was still the same damn person, it would be that ultimate proof that nothing he does will ever acheive this. it's safer to remain as he is in a body he hates than to change it and not actually have solved the underlying issue.

it's also why he rejects the offer of ratchet's hands in LL #25. at that point, he has been able to accept the person he now is and will always be going forward, so they no longer carry the same symbolism. sure, that means he could choose to take them without fear, but it also means he can reject them as not really necessary anymore, and i think it makes the most sense for whirl's arc that he chooses the latter, tbh.

(sidenote: especially worth noting we never actually see if whirl can't make watches with his claws. he can at least make clocks! i've seen people suggest you can interpret it as him actually being perfectly capable with his current frame and he doesn't want to admit it and learn a new way because *points at above*, and honestly, intentional reading or not, i fully buy this. i like to imagine post-canon, he's perfectly good at making them with his current hands, because now he's not so hung up on all that baggage that teaching himself the necessary new techniques is unbearable to consider like it was before. this also has the bonus of mitigating some of the comic's uhhh. confusing? messaging around forged/constructed stuff and disability, so i'll take it.)

#i don't talk about whirl as much as some characters but pound for pound #he just is one of the BEST characters in the comic imo #just such a solid throughline that rewards paying close attention to him #idw #whirl #meta

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hockeyassforposterity · 8 days ago

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A beginner’s guide to goalie equipment

I’m taking a class dedicated to zine making and self-publishing this semester - and I made this for my first assignment. It’s twenty eight pages, printed on cream coloured paper, and saddlestitch bound with blue linen thread.

You guys seem to love goalies so I thought you might like this. I also love goalies, but in a sort of narcissistic way.

Full transcript with page numbers below the cut

(3) Under normal circumstances, there are six players on the ice from each team. One of these players is a goalie.

Hockey has a lot of rules, but to understand goaltending, you actually don’t need to understand most of them. All you need to know is that your team’s objective is to put a vulcanized rubber disk into your opponent’s net. This is called a goal. If you’re a goalie, then all you need to do is to stop your opponent from doing that to you. Most goals wins. Simple.

If items in pairs are treated as a single piece, then my goalie equipment consists of eleven pieces. They are as follows:

(4) It’s called a jock or a jill depending on your personal plumbing. This is the one that keeps you from getting hit directly in the junk.

They make ones specifically designed for goalies, but I don’t have one. After thirteen years as a full time goalie, this is the only piece of equipment designed for players that I still own.

“Jock and Jill went up the hill…”

(5) They look like shorts but they call them pants.

Goalie pants have extra padding to protect the front of your legs and very little padding on the back. If you fall on your ass, it’s gonna hurt. Ask me how I know.

(6/7) In comparison to the skates worn by players, goalie skates are shorter. The boot sits in this hard plastic dish called a cowling that keeps your feet from getting broken. New goalie skates have these built in.

Skating technique for goalies is based on pushing laterally rather than gliding forward, so the blades are straight instead of curved.

I’ve had my skates for almost ten years.

(8/9) Big, box-shaped pads made of synthetic leather that attach to your legs with straps, designed to take up as much space as possible. Hard enough that pucks bounce off, but soft enough to move in. Smooth on the sides so they can slide across the ice.

(10/11) If I needed a visual metaphor for goalie pads, I would represent them as wings.

(12/13) A piece of cut resistant fabric and padding that wraps around the neck and is secured with velcro, protecting it from cuts and from the impact of getting hit.

There’s an additional piece of hard plastic that hangs off the goalie mask by strings so you won’t get hit in the neck at all. These are known colloquially as danglers.

Neck guards are not mandatory in the NHL or PWHL. Some players wear them, but most players don’t. It’s your life, but I think you should wear one.

It is mandatory to wear a neck guard in minor hockey.

(14) One big piece of equipment that covers your entire upper body. A lot of little plates all connected to each other.

There is a lot of padding on the front.

And no padding on the back.

Goalie equipment is like a turtle shell, but in front of you instead of on your back. You have to learn not to be afraid. You won’t get hurt if you let yourself get hit head on.

(15) Why do they wear jerseys in any sport? So everyone looks the same, but with numbers to still be identifiable, I guess. In hockey, the number 1, but also the number 30 and 31 and other numbers in the 30s are widely considered to be numbers specially for goalies.

(16/17) A lot of goalie masks have custom paint jobs. My dream is to someday paint my own. If you know someone who could help me with that, please give them this zine.

I want to cover it in hands, because I love drawing them - but I’m worried that would make me look like a freak. Maybe that’s the point, everyone always says that goalies are weird.

Goalies wear pads and goalies wear art and goalies have special numbers just for them. Goalies do not have to look the same.

(18/19) It’s loud when you get hit in the head. If you get hit hard enough, the material of the mask will flex to mitigate the force of the impact and the straps keeping it attached to your head will pop off. So you don’t get hurt, your mask is designed to fail.

I once heard someone say they could never be a goalie because they aren’t mentally strong enough.

I don’t think this is true. Every kid cries at first when they get scored on and then sooner or later they stop. You will learn how to fail.

(20) Called a catcher or a trapper, but sometimes just referred to casually as the glove, it has a pocket to catch the puck. You have to break it in like a baseball glove. My dad and I spent years playing catch to break in my first glove.

My parents have two daughters and no sons. After we were born, people would ask my dad if he was disappointed to have no sons.

I don’t know why. You can play catch with your daughters.

(21) The blocker goes on your dominant hand and is the one you use to hold the stick. It’s a glove with a literal block of padding attached to it. If you position it properly, pucks will bounce off.

Like your pants, like your chest protector, like your mask, you have to face the puck head on. If you’re afraid, then you’ll get hurt. Do not be afraid.

(22/23) Hockey sticks are made out of molded carbon fibre and are hollow on the inside. Goalie sticks have a wider section at the base referred to as a paddle. The ideal paddle length varies depending on your height. You wrap the blade and end of the stick in tape for increased grip.

When I was fourteen I subbed as a goalie for another team at a tournament. My first crush on a girl was on a player on that team. She was blonde and wore glasses. I don’t remember her name. I haven’t seen her since.

There is a company that makes hockey tape with a rainbow pattern explicitly as a symbol of inclusion.

Last year the NHL banned its teams from wearing specialty jerseys in support of causes, any cause, on the ice. Later, they banned players from using pride tape on their sticks. When Travis Dermott used it anyway, the ban was overturned.

Marie-Philip Poulin is the captain of the Canadian national women's team. She plays on the same team as her wife, Laura Stacey.

We’ll get through this, please don’t be afraid.

(24/25) Goaltending works by covering as much of the net as you can. Obviously, the taller you are, the easier this is, but the way it’s actually achieved is with angles.

The closer you are to the puck, the less net there is to see. The better you face the puck, the less net there is to see. And of course, the faster you get to the puck, the better.

I am not tall, but I can get to the puck anyway.

If I needed a visual metaphor for goalie pads, I would represent them as wings. Why else would they call it the butterfly?

(26) How to be a goalie, in four simple steps:

Learn how to put on your equipment.

Learn to fail.

Learn to fly.

Do not be afraid.

#hockey art #sorry about the bright pink post-it note #but it’s doing the important work of covering up my full legal name lmao #I’ve been sitting on this in my drafts for a while now #I was never quite sure when it was the right time to share it

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yourstru1y4ever · 30 days ago

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Day 11 - Breast Worship (18+)

Pairing: Satoru Gojo x F!Reader Word Count: 2.1k (whoops) Content: Smut with a little bit of plot beforehand because why not? 18+ MDNI, Gojo calls Reader sweetheart a lot I’m sorry (I never really took Gojo for a pet name kind of guy but him saying sweetheart does something for me I dunno) Tuna-Tober 2024 Masterlist <- check out the other fics posted this month!

A/N: This is now my second time writing smut and it’s still probably cringe but it’s okay!!! We learn!! And grow!!! . . . hopefully. This was also meant to be less than 1k but here we are at 2k words. . . this is why it’s a day late. I wanted to make sure everything made sense and worked well!

What you said to him last night hasn’t left his brain all day. He crosses his arms and looks over towards you. You’re teaching the first years some defensive techniques out in the training grounds. Helping the kids out and smiling through it all as if what happened last night doesn’t bother you. It should. . .

He needs to fix his mistake. . . now. He walks himself to the fields and doesn’t acknowledge his students.

“Satoru?”

“Gojo-sensei! What are you-?” Before Yuji could finish, you disappear with Gojo from their vision.

“What. . . just happened?” Yuji turns to Megumi who shakes his head disapprovingly.

“Hell if I know.”

In a blink of your eye you went from teaching your students outside to being back in your apartment room with Gojo holding onto your arm with no intention of letting you go anytime soon.

“Satoru, what-?”

“Did you mean what you said last night?”

“Oh.” You crack a smile, “Is that what you’re worried about? It’s alright.” You try to take his hand off your arm, but he doesn’t budge.

“Satoru, we’re both busy. I’m not actually expecting you to take your time with me. It’s been like this for so long, I’m used to it at this point.” His mouth hangs agape at your admission.

“You’re used to me rushing into sex?”

You give him a questioning look, “. . .yes?”

He moves his hands to lift your head up so your eyes can meet his, “I’m sorry.”

“It’s fine, like I said we’re both busy-”

“We aren’t right now.”

You look away from him, sighing, “That’s because you forced me out of teaching the first year's combat.”

“Let me make it up to you. Let me worship you the way you deserve.”

You pause and really look at him this time. He’s looking at you with so much devotion that your lips part and whisper, “Okay.”

In an instant he pulls your face towards his and he kisses you with a passion you’d never felt from him before. It’s slow at first really getting a feel for each other, like you’d never really see each other again. His hands move from your face down to your body as he takes his time feeling each part of you. You step closer towards him, arms wrapping around his shoulders and your hands effortlessly taking off his bandana.

Once it’s off he pulls away from you, holding you by your waist, a smirk gracing his lips. Before you can make a remark he leans down and quickly grabs the back of your thighs, lifting you up.

You wrap your legs around his torso as his arms keep you steady. Your hands cup his face as you smile down at him, but before you can kiss him again he starts kissing your neck. You tilt your head to the side to give him better access and you can feel him smile against your throat. With careful steps he’s able to walk you both to your bedroom and he guides you down to your bed.

Satoru slowly works his way down, hands carefully removing your teaching uniform. You try to sit up to help him take off his clothes but he gently pushes you back onto the bed once he has your shirt off, “I’ve got this sweetheart~ Just relax.”

You breathe out a laugh, but it quickly turns into a soft moan as Satoru takes one of your boobs in his hand. He sighs contentedly, bringing his other hand up to join and soon just burying his face in between them.

“I could live here forever,” He mutters between kissing them.

“You do sleep on my chest a lot Toru,” You breath out, your hands playing with his hair.

He hums in response as he kisses one of your nipples, his tongue slowly swirling around it. You back arches towards his body as he just smiles and looks up at you.

“I didn’t realize you were so sensitive here,”

He switches to the other, making sure to give both sides the proper attention. When he is kissing and sucking on one side, his hand is massaging the other, his finger gently circling around your nipple. Your moans become a little louder and you start squirming from his touch, trying to relieve the tension working through your body.

Your hips buck up to meet his and you can already feel how painfully hard he is, you both moan at the contact, your head rolling to the side. He continues to kiss down your body, making sure not to miss a single area. You can’t help but whine when he eventually stops kissing your boobs, but he does keep a hand up there to keep playing with your nipples, tweaking them ever so gently to hear you moan his name again.

Satoru kneels at the end of the bed, pulling you towards him so that he can take off your skirt and underwear in one motion. Once you’re fully bare to him, he puts his hands on your thighs, placing them on his shoulders as he slowly brings his face up towards your pussy.

He gets close enough that you can feel his breath on you. You try to push yourself onto him, but he backs away, a teasing smile on his face.

“I thought someone wanted me to take my time with this,” He kisses the inside of your thigh and he can feel your legs tense with anticipation. “I mean you're already so wet for me, and I haven’t even given you proper attention.” His fingers quickly press onto your clit and before you can rock your hips into his hand, he pulls away.

“Please. . .” you whine and he just laughs, “Please. . . what?” A mischievous glint appears in his eyes as he waits for you to finish your sentence.

You prop yourself up from your elbows, “Please just eat me-!” Your head leans back as you moan, unable to finish your sentence because Satoru buries his face into your cunt, truly a starved man.

You’re able to hear the lewd sounds of Satoru eating you out, hearing him moan against your pussy, licking up every part of you that he can. One of his hands reaches up your body, grabbing onto your boobs, continuing what he was doing earlier only this time he’s pinching your nipples a little bit harder, borderline groping your boobs.

With every twist he did, you can feel your body tense further, slowly reaching your breaking point. You grab the back of his head and push him closer to yourself, wanting to chase the high.

You can feel him smile as he continues to eat you out, his hand remaining on your breast, gently twisting. His tongue works faster as he continues to work it inside your walls, his nose brushing against your clit every now and again. You grip onto his hair tighter, pushing his mouth towards your clit and he finally relents, giving you what you want.

His mouth wraps around your clit and he starts using his tongue to stimulate it. You instantly wrap your legs around his head, crying out his name. You feel yourself crest over the edge and you start cumming against his mouth. He doesn’t let up, constantly licking up everything your body is giving him. He only stops once you start pushing yourself away from him instinctively from being overstimulated.

Your body lays flat on the bed, a hand reaching down towards him for him to join you. When he stands up, your mouth opens slightly, staring at awe of him fucking himself in his hand. He looks down at your blissed out gaze, “Like what you see?”

You nod your head at him and you try to stand, but your legs keep shaking. He stops what he’s doing to hold onto your shoulders to help you stand, “Sweetheart, what-?”

“I want to help you,” You kneel down in front of him and his breath hitches. He shakes his head, “You don’t have to-”

You hold up your boobs in front of him as best you can, “I want to,” you peer up at him through your eyelashes, blinking towards him, “Please.”

His hand goes back to his cock, moving it up and down with ease, like he’s done countless times before, only this time you’re right in front of him watching, taking mental notes of what he likes.

“I’ve always wanted this y’know,” He lines his cock up in between your boobs as you push them together. He groans as you set a slow pace up and down his cock, looking up at him with a small smile on your lips.

“It’s all I’ve thought about these past few days, just fucking your tits. They’re just so-” You start moving faster, dribbling spit onto his cock to make it slide better, “So fucking perfect.”

He grabs onto them and starts fucking your boobs at a relentless pace, his hands squeezing them and twisting your nipples again causing you to moan out.

“So fucking pretty on your knees for me. I wish I could do this to you every time. Shit-”

He throws his head back, moaning with you as you can start to feel the familiar build up growing in your cunt. Without a second thought you start toying with your clit, helping to bring yourself to cum with him.

In a few more thrusts his brows pinch together as he looks down at you, and when he sees you touching yourself he starts cumming. He stops holding your boobs and holds onto his cock, painting white ropes all over your chest. You can feel the tension building up, but you just needed some help to get over the edge.

You moan out his name and Satoru immediately understands what you need, “Come on sweetheart, come for me,” He crashes his lips onto your and you feel yourself topple over the edge and start cumming for a second time. You moan into the kiss, your hands wrapping around his shoulders. He lifts you up with ease and brings you both over to your bed, gently placing you down.

Once you’re sitting on the bed, he goes over to the bedside drawer and pulls out a clean washcloth. He wipes it across your chest, removing the sticky cum and cleaning you up. He wipes himself down too, before he joins you in the bed.

“Need anything else?” He asks, slipping on his boxers,

You hold your hand out to him, “No, just you.” You say softly. He smiles and joins you in bed, holding you close as you both come down from your high.

You both just lay there for a moment, holding onto each other. He gives you small kisses on your back and you hold onto his arms tighter.

“Can I tell you something?” Satoru hums at you, waiting for you to tell him. You cover your face in embarrassment.

“Don’t laugh.”

He tightens his hold around you, “Fine.”

“I don’t think I’ve ever came that hard before,”

He lets go of you and gives you an incredulous look, “Seriously?!”

You turn to face him, “It’s not like you couldn’t make me cum before but-”

“Never that hard?!”

“Toru just-” You bring your hands up to his face.

“Holy fuck I’m bad at sex if that’s the first time -”

“It’s not! I just- I don’t know, felt more appreciated. Felt more loved that time, like you had all the time in the world to give to me.”

He finally stills, and reaches up to hold your hand, “I’m sorry I didn’t do it sooner. I wanted to but those fucking Elders-”

“I know, always giving us last minute missions.” You drop your hands from his face and turn back around facing away from him.

“I’m glad they didn’t disturb us right now,” He wraps his arms around you again, pulling you close to him, “Because we can always go for another round, if you’re up for it~”

You can feel his cock start to get hard behind you and you grind up against him.

“I mean. . . I wouldn’t be opposed.” You breathe out.

Satoru grins as he starts kissing your neck again. The less you knew about one of the Elders overhearing you two in your room the better; besides now this really meant he could take all of his time with you.

#satoru gojo x reader #gojo satoru x reader #satoru gojo x f!reader #jjk x reader #satoru gojo x you #gojo x reader #satoru gojo smut #tuna tober 2024 #satoru gojo #gojo satoru #gojo x you

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skylarkspinner · 8 months ago

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fiber art adventures in egypt

I recently got back from a trip to Egypt & finally got around to organizing some pictures to share. One of the things I was most excited about was seeing what I could find on fiber arts and textiles.

Dropping everything under a read more, 'cause this will be a long post haha

first visit: the National Museum of Egyptian Civilization (NMEC)

At the time of visiting, they had a special textiles exhibit. It covered Pharonic Egypt all the way up to modern times, although I only had time to check out the dynastic & a bit of the Coptic portion of the exhibit (which was what I was really hoping to see anyways)

Was super excited to see this diorama in person. I knew about it but had never seen good pictures of it. From the little I've seen of ancient Egyptian spinning, spinning with two spindles seems to be the norm rather than a master technique? It also shows up in tomb art, which the exhibit also shared:

They also used a different fiber preparation (splicing to create a rove of fiber, no traditional drafting to my understanding) so that probably made a difference? Regardless I really want to see if I can replicate the technique, especially because their spindles look so similar to modern spindles??

I took so many pictures of spindles, guys, and I fully intend to either have a few replicas made or to learn to make some myself. Also, although they were unlabeled... I'm pretty sure those are beaters for weaving? That was a bit of a trend with this trip, so much stuff was unlabeled :( I would've killed to at least get some date estimates for some of the stuff they had on display. I was nerding out in here though, and my family took a few pictures of how excited I was getting. A bit embarrassing, but eh haha

The exhibit also had a section on natural dyes used with a fun visual;

There was several diagrams specifically describing each dye source, but in the interest of not overloading on pictures I'll just list them out. For blues; woad, Yellows; turmeric, safflower, saffron, or yellow ochre; reds; madder, henna, pomegranate, and kermes. I originally thought kermes was another way to say cochineal, but it only seems to be distantly related.

next visit: Ramses Wissa Wassef Art Center

A small art center dedicated to hand-weaving wool and cotton tapestries. All of their work was museum quality & awe inspiring!!

Was even invited to their back rooms to watch a few of their weavers working; no I don't have room to put a room-sized loom anywhere but heck do I want one now

Our guide that took us through talked a bit about the natural dyes they use (all of their dyes are dyed in house with what they grow in their dye garden!!!) and got excited to hear I was also interested in natural dyes! He seemed a bit disappointed I'd never worked with indigo and. while indigo scares me, I'll take it as a sign that maybe I should try some time this year haha.

final visit; the Egyptian Museum

we really had to rush through this one which was a huge shame because it's packed full of artifacts. Also, the lighting in there is atrocious, so apologies for the not great pictures ahead.

They had a fascinating display of textile tools, more than what the NMEC had;

(Hand for size reference) I want all of these spindles! So badly! But a few of them look so much like a few of the spindles I own already?? A few of them had a spiraling notch, that's so cool? But also, what's going on with the one with two whorls? I have no idea. I'm fascinated.

Look at these whorls!! Although again, I'm a bit confused; the lack of labeling strikes again. Unsure why some of these "whorls" have two holes, or what the metal object with the wooden handle is. The display implies sewing needles, and some of them do look like it, but others.... really don't look like sewing needles. I'm absolutely enchanted by this little whorl though. I think it has birds on it?

More objects that I'm baffled by- the signage doesn't really indicate what some of this stuff is, if it's even known. Also confused by the object wrapped in white string in the right pic; it looks like a distaff but to the best of my knowledge the (ancient at least) Egyptians didn't use distaffs. It probably popped up in later times and was put in this display since it was still relevant, but I'm still not sure.

I have so many more pictures & thoughts but I'll save those for more specific future projects. I've been doing research outside this trip on ancient Egyptian spinning techniques and desperately want to go deeper into that, this trip just solidified how excited it makes me. If you made it all the way through this, many thanks for reading!

Bonus; look at this ancient linen 🥺

#hand spinning #archaeology #extant artifact #weaving #fiber arts #long post #letters from skylark #sorry for the overall low quality images in this post. Got a new camera and wasn't the best at using it this trip #also the raw image files were huge so I heavily downsized them to make sure this post wasn't a beast to load #would be happy to share the raw images if desired though

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linkspooky · 7 months ago

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The Supreme King Judai vs. Dark Deku: How To Do a Dark Deconstruction of your Shonen Hero!

Think of this as less me complaining about My Hero Academia, and more me taking a closer look at the writing of the Dark Deku arc and why it failed to achieve what it set out to achieve.

I like to look at writing on a deeper level than Thing Bad, and Thing Good. Imagine a story is a car engine that won't start, in order to find the problem you've got to disassemble all the pieces and look at them one by one to see what pieces aren't working. That's the kind of criticism I'm talking about, break storytelling down into different tools like parts of an engine, plot, world, characterization, ideas, actions and consequences and then look if the author is using those tools effectively to sell a story.

In other words we're talking about the difference in ideas and execution. All works of fiction have ideas, even bad anime can have good ideas inside of it. The idea in question is Judai's case is can exploring the dark side of a hero. Can a hero's positive qualities also lead them down a dark path? Yu-Gi-Oh Gx answers this in a satisfying way, and My Hero Academia I'm going to argue does not.

IDEAS VS EXECUTION

One piece of writing advice I heard from Brandon Sanderson of all people that always stuck with me is "Ideas are cheap. You can always come up with more ideas."

All works of fiction have ideas and themes no matter what the Game of Thrones guy say, but some works are better at communicating their ideas than others. I want to quote a Homestuck Ending analysis of all things to explain what I'm talking about.

When you are a writer you can write anything you want. But if you want to write a story that people want to read you have to follow the rules of good storytelling. There are reasons why storytelling rules exist. A story is a bond between author and reader, readers to other readers. It is a communication between humans and humans work in a certain way. Storytelling rules are rules of communication. Rules for handling expectations and saying what you intend to say without it being misheard. Rules for tugging at emotions and pulling heartstrings in a good way rather than a bad way. Storytelling rules are lessons learned by authors of the past that failed to communicate what they needed to. They are not that subjective.

Chief among these rules is buildup and payoff. In fact one of the most basic techniques of storytelling is foreshadowing, in screenplays you usually foreshadow one important twist, then add a reminder so the audience doesn't forget, before finally paying it off.

To simplify build up and pay off I like to refer to it as question and answer. Usually a story will ask its audience a question, and usually by the end that question is answered, unless the point is to leave that question unanswered / ambiguous.

Character arcs are examples of buildup and payoff too, a lot of characters, especially in serialized media are sold on their potential future development. Here's an example, how may people got invested in Dabi years in advance because of the Dabi is a Todoroki Theory? That's an example of good buildup and payoff, because the author sewed just enough hints to build up an audience expectation and then paid it off. People became invested in the story, because they thought their investment and theories would pay off eventually and it did - so hooray!

Both MHA and YGOGX dedicate an entire arc to trying to deconstruct their main protagonist. They also seek to deconstruct the "Hero Complex" or "Saving People Complex" that each protagonist has, and ask the question if those traits are really a good thing.

This post puts it better than me so I'm going to quote tumblr user rhodanum.

‘Hero complex’ or 'saving people complex’ — an obsession with rescuing people in the face of danger, often to the exclusion of all higher thought processes. All too prevalent among shounen main leads, especially hot-blooded shounen main leads. Yuki Judai is certainly no exception. What is interesting in his case is that the writers follow the consequences of his rash, reckless, often thoughtless actions all the way to their heartbreaking logical conclusion. For those not fully in the know, it involves spiky black armor, an army of sycophants and a fall from grace that caused as much damage as a thermonuclear bomb. Don’t make perky, happy shounen protagonists snap, people. First rule.

I'm going to quote another video too, to add onto the above quote. It's from this video, starting at around 39:52

"GX is kind of famous among fans for taking its happy protagonist and stripping him down to all of his worst qualities. And that's fun. So Judai is a character who's really interesting. He's definitely open to a lot of interpretation, and you know we're gonna be leaning on my interpretation of him. Sorry. It's my video. I think he's commonly referred to a "very typical shonen protag" probably one of the most shonen protag of the yu gi oh protagonists. He is headstrong and loud, and (makes punching noises while air boxing), he is a type of character who's like I'm gonna be the best and brings everyone along on the ride. He's the kind of protagonist that everybody loves him they're all fighting over him, and Yu Gi Oh Gx really puts him up on the pedestal, of like THIS GUY. THIS GUY DOES IT ALL. Then season 3 rolls around and dares to ask: but what if that's selfish behavior?"

That's the question both MHA and YGOGX are asking in Dark Deku arc and Season 3 respectively, what if all of those behaviors that make them the typical hot blooded shonen protagonist are actually selfish? Is their hero complex really a good thing?

Each arc is tasked with exploiting the main character's flaws, until they reach their emotional breaking point and lowest point in the story. Let's see how each story treats their main character and from comparing that I want to make a point about what makes effective storytelling.

The Supreme King Haou Arc

Instead of recapping the entire arc to you, I'm going to touch upon what ideas the story setup in regards to Judai's character and how it paid off those ideas. What are the questions the story asks and what answers does it give us?

I'm going to focus on the two questions I outlined above. Is their hero complex a good thing? and What if this is selfish behavior?

Yu-Gi-Oh GX is an anime where instead of using super powers, the main characters fight each other with a magical trading card game. Besides that fact there's a lot of similarities between GX and MHA. They both take place in an academy setting where the main characters learn about using their quirks, and playing the card game better respectively. It is a shonen battle anime where almost everything is solved with a shonen fight, they just use cards instead of flashy superpowers. The main characters are all students who have to grow up and enter the adult world.

Judai and Deku are both characters that deconstruct the "hero complex" of shonen main characters. Judai is themed entirely around heroes, he has an elemental hero deck where every hero is based off a hero that appears in popular culture, he is the best duelist in the school and the one everyone calls on to save the day over and over again. As stated above he is the most Shonen Protag to ever Shonen Protag, he's a warrior therapist who makes friends and saves the day because he's really good at the card game, and will always show up to fight for his friends.

For the first two seasons Judai is built up on this pedestal of the ideal Shonen Protagonist, and praised by basically every single character for being "childish" and "pure of heart" however when Season 3 comes around the narrative stops heaping endless praise on him and starts to challenge him. However, this doesn't come from nowhere there are signs of these personality flaws of Judai, they just get swept under the rug the first two seasons.

There are several moments such as the climaxes to season 1 and season 2 where Judai fails to grasp the stakes of the situation, saying things like "Oh, this card game is really fun" when he's dueling with lives on the line. Judai in fact has a pattern of "only wanting to duel for fun", he fights because it's fun to him not because it's the right thing to do. However, he's continually forced into high stakes situation where he has to fight for others just because he's the strongest character - and constantly having to carry that on his shoulders starts to weigh on him after awhile. Judai will show up to fight and save his friends every single time they need him, and that's the source of his hero complex because after a certain point his friends start relying on him too much.

In general he also doesn't have deep thoughts of what heroes are, he admires heroes but it basically boils down do "Heroes are cool." He's kind of like Goku where he doesn't really fight for any idea of justice or to save others, just for the thrill of fighting itself. He also has a tendency to be insensitive to other people's feelings and take things for granted. For example, in Season 2 like three of his friends get possessed and Judai doesn't even do anything about it for half a season because he's too busy participating in the dueling tournament.

In general though it's a pattern of Judai only wanting to "duel for fun" and him being forced to duel to save others instead, and be responsible for other people. Judai will show up to fight for his friends, but even then he falls back on just "dueling for fun" because always having to fight for others is too much responsibility to put on his shoulders.

There's a lot of hints of Judai's flaws, but they also tend to get brushed off because shonen protagonists are just like that. Like, Judai can say some insensitive things to his friends sometimes and be oblivious to their feelings, well he's just a book dumb shonen protagonist. Judai should be taking this fight seriously, well he's just being a happy go lucky shonen protagonist, etc. etc. A lot of these things are also just swept under the rug as him just being a child, a boy-at-heart like most shonen protagonists are supposed to be.

However, season 3 starts looking at Judai not as a shonen protagonist but as a person, and it all starts with the suggestion that maybe Judai remaining a child at heart is a bad thing, especially when his friends around him are all growing up. It all starts with the introduction of this guy right here - Johan Anderson.

Johan shares many things in common with Judai, he can see spirits, he's a duelist who loves to duel, he has a strong connection with his cards. However, the more you compare them the more you notice that Johan has a lot of things that Judai lacks. They are so similiar that they become almost instant best friends, but even then Johan himself notices there are a few things off about Judai's behavior.

Sho: Bro... I thought you would have something to say to me. Johan: He seems lost. I think he just wanted you to give him some advice. Judai: SHo will be fine. Johan: Judai, you're colder than I thought.

It takes someone completely new to the dynamic between Judai and his friends, who likes Judai but hasn't spent the past two seasons idolizing him to realize that some of his behaviors are kind of off. That Judai isn't really the most empathic, or even that good at understanding other's feelings.

Johan is the one to point this out because he has the emotional intelligence that Judai lacks. We've been told Judai is our shonen protagonist for two seasons, only for the real shonen protag Johan to step up out of nowhere and show them how it's done. Johan is good at seeing other people's emotions, and he becomes a near instant pillar of emotional support for Judai. More than that, he also is the first person to treat Judai like an equal, he never asks Judai to save him like all of Judai's friends do, if anything they both save each other.

Johan also exists to show what Judai is lacking, mainly a reason behind why he fights.

Judai: I do it because it's fun. Or because of the surprise and delight, I guess. Well, I guess that comes down to "because it's fun", huh? Sorry, I guess that's an awkward question to ask out of nowhere. Johan: What's wrong, Juadi? Judai: Nothing, really. Johan: I have a proper goal. Judai: Don't tell anyone. Even if people don't have the power to see spirits, they can still commune with them. That's why, for those people as well... (I want to be a bridge between humans and spirits).

Judai is someone who will always show up to save his friends when he is asked, but he doesn't really have a concept of what being a hero is or the repsonsibilities it entails, he just admires heroes in a pure hearted way. Johan on the other hand has a reason to fight and that's to help humans and card spirits get along, and Judai expresses admiration for Johan because he has a goal.

At the same time this is happening, Judai gets picked apart by two villains for his lack of reason for fighting. Judai has been praised to death for two seasons for being pure of heart, but now the villains are challenging him by saying he has no "darkness of the heart". That without it the reasons that Judai fights are superficial and frivolous.

We have something that you lack. Judai: That I lack? Yes the darkness of the heart that slumbers deep within a duelist. The burden that a duelist bears in his heart. Judai, you have none of that. Judai: A burden in my heart. I have nver, not even once, dueled for myself. I doubt someone like you, who only thinks of himself could udnerstand that. Judai: What would be fun about a duel like that? It isn't fun at all! You must bear other's expectations while remaining strong. That is what it means.

Judai is a bit of a blood knight, he will be dueling with his friends lives on the lines and stop to go "Wow, this duel is really fun" and it's usually just dismissed a shim being a shonen protagonist until suddenly it isn't.

I'm gonna draw a deliberate parallel between Deku and Judai here that I'll reference later on, they both don't understand "darkness of the heart" and they need to understand it in order to grow as people.

There's also the underlying notion that being a hero is not all it's chalked up to be, to be a hero, to fight for other people's sake means also taking on their suffering. As noble as that may seem suffering is suffering.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.

In the context of this scene, Cobra has told everyone that he's currently enacting his evil plan out of the vain hope that he can somehow revive his son from the dead.

As insane as "I think I can revive the dead" is as a motivation, fighting for the sake of your dead son is a much stronger motivation than "I think duels are fun."

Judai doesn't have an appropriate answer as to why he fights when he's questioned by the villains, and instead of coming up with his own answer he relies on the answer Johan provided for him.

Johan: You idiot. Why are you so shaken Judai? You think you have nothing on your shoulders? Give me a break! You always bear other's expectations on your shoulders. When you have other people's expectations riding on you, it means they've trusted you with their hopes! Don't you always carry those? If you lose what will happen to us here?

Johan's words snap him out of it, but this isn't Judai coming up with an answer himself it's just taking the one that's provided for him.

This is also the point where we get start to develop an answer to our question. Is Judai selfish?

In action he's not. His actions are selfless. Judai is always fighting for others, even when he only wants to duel for fun. He will show up and fight if you ask him too.

However, in motivation he is selfish. His motivations are selfish. Judai isn't fighting out of some selflessness, but because fighting for the sake of other people gives him a purpose. He keeps fighting for his friends, because he's built all of his friendships around being the one to solve their problems. It's why he Johan's answer suits Judai so well, because he thinks that's how friendship works that he has to keep carrying everyone's burden for them.

Not only does it lead to unhealthy friendships (he sees his friends as burdens) but also it's unhealthy for Judai himself (he can't keep carrying other people's burdens without getting weighed down).

Judai's hero complex, this pressure he feels to save everyone around him arises from two things, it gives him friends when he'd been a lonely child before that, and it gives him purpose. Playing the hero is how he made all of his friends, and now it's how he keeps them.

However, in spite of doing all this to keep his friends, Judai's relationship with his friends is so all give and no take that he's practically fighting alone until Johan shows up. Judai doesn't form a healthy and stable relationship with Johan however, Johan just becomes a crutch.

In Summary:

Judai's actions are selfless.

His motivations are selfish.

Judai's purpose is to carry everyone's burdens on his shoulders.

Judai's friends exist to be saved by him.

The following arc is roughly divided into four sections. Everything I've covered above happens in the first section the Cobra Arc.

Cobra Arc

Zombie Survival Arc

Dark World / Supreme King Arc

Oh Shit, Yubel's Back

The cobra arc is the introduction and it sets up the basic ideas of Judai's character that I listed above, in addition it focuses on the question of if Judai is selfish, and the idea that being a hero is a burden. There's also the third question where Judai is called to understand darkness of the heart, something Deku will also be called to do.

The Zombie Survival arc is an arc where the school is teleported to another dimension and they have to survive for several days with a limited food supply, everyone fighting, and an outbreak of zombies.

The main setup of this arc is to show how everyone is working well together as a team, even in a high stress situation. Alexis, Judai, Misawa, Kenzan, all pull together with the help of new students Johan, Austin O'Brien and Jim Crocodile Cook.

However, I'm brushing over this arc because Judai doesn't actually do much this arc. If you analyze who does what, it's mainly Johan and Austin O'Brien who are in charge of the entire school. Johan demonstrates leadership skills, calls on everyone to pull together in a time of crisis, and most importantly emotionally supports Judai all throughout.

Even when Judai is confronting the main villain of this scenario Yubel, it's Johan who shows up to support Judai, and it's Johan who wins the duel at the sacrifice of his own life. Everyone gets through the zombie arc unscathed, but it's because Johan is the hero of this part of the arc, not because of anything Judai really did.

Judai who having gone on so long carrying other people's burdens to the point where he's made saving others his purpose, has for the first time experienced someone helping him carry those burdens only to disappear and Judai does not react well to it.

This is when the story has finished setting up all the dominoes that are about to fall. We have one mini-arc drawing attention to the dark side of Judai's personality and how he doesn't understand his own darkness, and one mini-arc showing Johan being a much more effective hero and leader than Judai, demonstrating everything Judai lacks.

You Either Die a Hero, or You Live Long Enough...

Yadda yadda you know the rest. A character being undone by the same traits that made them a hero, is classic tragedy 101. It's called the Hamartia or the fatal flaw. A character's greatest strength in some situations can be their greatest weakness in others. The Supreme King Arc is a masterclass in showing how the traits Judai had that led to his success in the first season, can lead to his total ruin, and even to him becoming the villain of his own story.

Hero and Villain are much closer than you'd realize, and this becomes especially true in the relationship between Judai and Yubel. Judai shares an extremely close relationship to his antagonist foil, just like Deku does with Shigaraki.

However, in Judai's case he's the reason that Yubel turned evil. While it's not entirely his fault, Judai's decision to abandon Yubel when he was a child, made Yubel go through ten years of painful torture all alone, which is the reason behind their current madness.

To summarize Yubel and Judai's story briefly. Yubel is a card spirit, the thing that Johan wants to serve as a bridge between card spirits and humans. Judai had an incredibly close relationship with Yubel as a child, but Yubel was overprotective and used their powers to harm anyone who came near Judai. Judai launched Yubel into space hoping the righteous space rays of justice would calm Yubel down (I know that sounds stupid just go with it) but instead Yubel was hit with the light of destruction a corrupting force that made them endure years of torture. They called out for Judai's help in their dreams only for Judai to eventually forget about them with a psychologist's intervention. Eventually the satellite they were trapped in made it's way back to earth, and they almost died burning up on re-entry. When they finally crawled their way back to Judai, they found Judai had been living the past ten years happy and surrounded by friends, while they had been tortured in space and nearly died all alone.

At which point Yubel snaps, hard.

While it's not Judai's fault entirely because he was a child and he didn't know what was going to happen, he still made the decision to abandon Yubel and stuck them in that situation. Judai's actions creaeted Yubel, and now Yubel is here broken and hurt and determined to hurt all of Judai's friends.

Judai doesn't know how to cope with the guilt or responsibility for either of these things. Both for creating Yubel, and for the fact that because of Yubel Johan might now be dead.

I'm the one who made her what she is!

This is where the show starts demonstrating that understand in darkness of the heart is necessary, because Judai can't understand two things, number one the fact he might have hurt Yubel, and two how to deal with the sense of responsibility he feels towards Yubel becoming what they are, and for Johan's apparent death.

He just feels a lot of guilt, and as someone who's only been the carefree hero up until this point he doesn't know how to deal with that guilt.

Judai makes a very similiar decision to Deku. He decides to go out and hunt for Johan by himself, leaving his friends behind so he won't risk their safety. Unlike Deku however, his friends immediately follow and insist on coming along.

This is when the problems start appearing, because the second everyone enters the Dark World to look for Johan, the show starts demonstrating clearly how different Judai's leadership is from Johan.

All of Judai's flaws start popping up, he's tactless, self-centered, and doesn't consider others feelings, and most importantly of all he doesn't look before he leaps. These behaviors that could earlier be swept under the rug, just become aggravated in a high stakes situation where everyone's lives are on the line. Judai came together with everyone to look for Johan, but he keeps acting like he's alone.

Another user's meta post here summarizes Judai's actions in the Different Dimmension, more succinctly so I'm going to quote them.

Shit Judai’s friends signed up for when they went into the Different Dimension with him:

searching for Johan

working as a team

deciding as a group what risks they’re willing to take

risking their lives together, on an even playing field

Shit Judai’s friends didn’t sign up for when they went into the Different Dimension with him:

having their input thoroughly ignored

being left behind while their friend recklessly charged ahead

having essential information kept from them (Judai didn’t tell them about the fatal consequences of dueling in Dark World)

being kept from dueling without their opinion on the matter ever being taken into account

having their physical, mental and emotional well-being be completely ignored by the de-facto group-leader

being relegated to secondary importance in comparison to Johan, in Judai’s eyes

having their group leader outright break the promises he made to them

To name a few things Judai does while in the different dimmension. Almost immediately after entering the dimension he runs away from the rest of the group, forcing Austin O'Brien to follow before anyone has even gotten their bearings or investigated where they are. Make an agreement with everyone to rest and wait for Dawn to search for Johan, only to run off into the middle of the night without telling anyone. Run off ahead of the group leaving several of their members behind, and when O'Brien tells Judai that members of their group are missing and that he should go back and search for them, Judai asks O'Brien to just do it instead.

Judai doesn't see the flaws in this behavior because it's how he's been acting all along, he always runs off into danger head first and he always fights on his own. Judai's never been good at considering the feelings of others though because he's a tad socially impaired, so he just doesn't seem to notice everyone's growing concerns with how he's acting.

Once again we are asked the question, is Judai's behavior selfish?

Judai deliberately abandons his friends three times, and the third time everyone stops to discuss his behavior.

Kenzan: True, we did come to this world to save Johan, saurus... Fubuki: He did find some minor clues as to Johan's whereabouts, so I suppose it's only natural, but... Asuka: But right now, I feel something is different about Judai. Menajoume: That's right. He got us all riled up about this, and now he's totally forgotten the comrades who came along with him. Kenzan: That's really irresponsible, Saurus. Fubuki: I don't mean to be a wet blanket, but I wish he'd realize the anguish he's putting us through. Asuka: Judai isn't doing this for Johan or us now. It's for himself. He just seems to be rushing forward, headlong, to forget the responsibility he bears on his shoulders.

The answer now is yes, his motivation is selfish because it's no longer about saving Johan, but just to stop himself from feeling guilty.

The stress of the situation is aggravating Judai's worst qualities yes, but Judai's always thought about himself first before others, he's always viewed his friends more as burdens / people to be saved rather than equals.

This all leads to a situation where Judai messes up big time. The same way he abandoned Yubel, he abandons the rest of his friends to run ahead and search for Johan.

They are all kidnapped - and it's Austin who notices they are missing Judai isn't even paying attention. Austin says they should head back and look for the others, but Judai asks Austin and Jim to handle that alone so he can keep searching for Johan.

Jim: The others haven't arrived yet. Something might have happned to them on the way. Judai: I see. Sorry, but could you go back and fetch them? Jim: What? You mean you don't care what happens to them? Austin: Don't forget these are the friends that are in this with you. To fulfill our objective in this dimmension we need everyone working together. You wait here until we return. Judai: Okay, I will.

Austin and Jim agree to go back and search for the others, if Judai promises to wait for them here instead of going on ahead. A promise which Judai immediately breaks.

Which is how Judai walks right into a trap.

Judai abandons his friend so they get kidnapped. He doesn't go back to look for them, so he misses out on a chance to save them. He doesn't wait for Austin and Jim to come back, and because of that he wanders all alone into a trap.

That trap is a sacrifice ritual where the leader Brron challenges him to a duel, and every time Judai attacks one of his friends are sacrificed. Judai is forced to attack and each friend dies one by one.

Judai didn't want to attack, he didn't choose to sacrifice his friends, but he did make every decision leading up to that. The trap was easily avoidable if he 1) didn't leave his friends behind 2) went looking for his friends after they were left behind or 3) waited for Jim and Austin to come back.

Judai didn't mean to sacrifice his friends, but it's a result of his own bad decisions. It's the culmination of an arc where he's been selfishly taking his friends for granted. It's a consequence for Judai just choosing to recklessly barrel forward because he can't cope with his guilt.

Judai's lack of darkness of the heart really dooms him here, because he was blind to his own flaws until it was too late. This isn't even the part where Judai does the bad thing, Judai's careless actions lead to four of his friends dying but he doesn't learn from his mistakes. He snaps, hard.

Judai: But at least I avenged them. Sho I'm really glad you're alive. Sho: Those words... they're just lip service. Bro... bro, you're selfish. Before now, I thought of you as the sun. Someone who gave others energy and made the impossible possible. But, I was wrong. All you care about is getting your way. You don't care who you sacrifice. You'll do anything in the name of your goal. Avenging them won't bring back the people you sacrificed. You're just dueling to satisfy yourself. Judai: O'brien! Austin: I thought I told you to wait. Judai: Are you saying what I did was wrong? Austin: Think it over for yourself. Judai: Why? What did I do that was so wrong? I... I did the right thing! And yet... everyone keeps leaving me! What... What is wrong with me? Supreme King: Yuki Judai. To be willing to be evil to defeat evil. This world exemplfiies survival of the fittest. It must be ruled with power. Judai: Power? I don't have that much power... Supreme King: You hold the Super Polymerization card in your hand. Defeat the spirits that stand against you. Breathe their lives into it and complete that card.

After this point Judai decides to sacrifice everything else for power, and to complete the Super Polymerization card he's already sacrificed four friends four.

It's the culmination of an arc where Judai's only been praised for his strength and his ability to win duels. Where he constantly has been called to win duels to solve problems, until that stops working. When everyone is gone, all that's left is his strength. He had to keep winning to keep people safe, but even that wasn't enough, he was still missing something.

He knew he was missing something, that there was something wrong with him and he didn't know where to look.

Conclusion?

He needed power. If he had power, then he wouldn't have lost. If he had power then everything would have turned out alright. He didn't have the strength to carry everyone's burdens for them, that's why he lost, so what he needs is more power. He's been demanded to win, win, and win again so now winning is all that matters.

Now we have our second question: Is Judai's hero complex a good thing?

That's a definite no, because the pressure to always win, to always save everyone and carry their responsibilities has now completely broken Judai. To the point where he now believes that the only thing good about himself is that he's powerful, but he now is willing to sacrifice others to gain more power.

My name is the Supreme King.

Now here's the best part about Judai actively having a villain arc.

He does bad thngs. He does a lot of bad things.

It turns out when you're abandoned and left alone to suffer you do bad things, crazy that, I'm sure Yubel would have a lot to say about that.

Judai is also not being possessed in this scenario. They state it several times. You could say he's Shadow possessed in a Jungian sense. The supreme King is the symbolic embodiment of all of Judai's flaws that he's been ignoring until now. You could say Haou is representative of Judai's subconscious that has been repressed for so long until all those flaws finally surfaced, and that the Judai we see on a day to day basis is his ego, that the relationship between the two is a metaphor for conscious and subconscious.

Jim does a deep dive into Judai's mind, where we're shown a symbolic sequence of what the inside of his head looks like. Judai witnesses his friends appear in mirrors before they shatter one by one, all while he mumbles about how he needs to get stronger.

These are all storytelling devices to show Judai's fractured psyche, but Judai is still in control of his actions. Judai talks and responds to questions when he's addressed. Judai's friends confirm that it's still Judai, he's not a puppet or possessed.

Misawa says later to Judai's face that he and the supreme king are the same person. Judai later is able to use the Supreme King's powers and maintain complete control, because the Supreme King isn't a split personality. Judai even says when Amon is sacrificing someone he loved for power, that he was doing the same thing as the Supreme King, sacrificing everything for power.

We later learn that the ritual that sacrificed four of Judai's friends was a part of Yubel's schemes, but that's the only thing Yubel set up. Judai made every bad irresponsible decision that led to his friends being captured. Judai was the one who snapped and decided to complete Super Polyermization after it was completed. Learning Yubel was behind the sacrifice ritual doesn't take away any agency from Judai at all, because Judai is responsible for his own decisions.

What it does do is create another parallel between them, because we learn the reason Yubel set up the sacrifice was to make Judai walk the same path that they did.

Judai is hurt, abandoned and isolated and in that situation he ends up lashing out at everyone around him in a similiar manner to Yubel. When Judai is put through similiar trauma, he doesn't overcome it in some heroic way because he's an innately good person, no he succumbs and behaves in ways that are incredibly similiar to Yubel.

Even when Judai's friends selflessly try to help Judai, he resists them every step of the way. He ignores their constant calls to him, their comfort, and he even fights them. Judai is eventually reached by the efforts of Jim and Austin combined, but they both die in the effort. Judai is saved because Jim and Austin were way better friends to him than he was to them.

Judai is effectively snapped out of his destructive spiral, but he's left alone with the sobering realization of everything he's done and the blood of two more friends on his hand.

When it's time for our hero to finally face Yubel, he no longer has the moral highground. Now when he faces Yubel it's not as hero and villain, they're just two sides of the same coin. Two people who when they were abandoned, lashed out and hurt everyone around them.

The question is no longer can Judai save Johan. The question now is whether Judai can live with the guilt he's carrying within him, and for that matter can Yubel live with the guilt of what they've done now too?

By this point Judai's been completely deconstructed. He's no longer the hero of the story, he's just a flawed person who needs to fix his flaws. He has the choice to live with his mistakes, and the biggest conflict now is whether he's going to save his villain foil Yubel, or strike them down in order to save the rest of his friends (the three that are left).

This also creates a much more compelling reason for Judai to save Yubel. Not just because Judai is responsible for Yubel's creation, but because they've both made the same mistakes, they have the same traumas and the same scars. Jim and Austin were willing to risk everything to save Judai even when he didn't deserve it, and didn't want it. Now is Judai capable of doing the same thing, of reaching Yubel the way he was reached, not for the sake of saving the world but for helping a friend?

I just want to save my friend. That's all.

This is to me a very compelling setup for the challenge of whether or not Yubel can be saved. Judai's not really saving a helpless victim, he's not acting out of a sense of duty to sacrifice himself for the world, he's being challenged to save someone who suffers from all the same flaws that he does. Judai and Yubel are so similiar at this point it's really just Judai saving himself.

The Dark Deku Arc - Setup

This is the part where I'm actually going to praise MHA. Shocking I know. Season 1 and 2 of Yu-Gi-Oh GX are about 105 episodes in total. The Dark Deku arc begins at about episode 131 with Deku's decision to leave the hospital by himself to hunt down Shigaraki and AFO alone and try to understand villains better.

The 130 episodes up until that point are much better build up, than the first 105 episodes of Yu-Gi-Oh GX. To put it frankly GX is paced like ass. There's far too much filler, and because of that the plot points the anime is trying to make are delivered less efectively. In fact 105 is a good example of what I said above, that ideas are one thing and execution are another.

Season 2 especially is a season filled with good ideas and weak execution due to pacing. Here's one I use as a go-to example. There's a character named Edo Phoenix who's on a quest to find who killed his father. The ending of his plotline is he discovers that in a twist, the man who adopted him is the one who killed his father, and he's been encouraging Edo to investigate because it lets him spy on the police investigation and keep it off his tail.

That's a good twist - however that twist happens in the same episode that Edo's adoptive father is introduced. The audience is given literally no time to even get to know Edo's adoptive father, or get invested in their relationship so the twist doesn't hit at all. A better paced story would show Edo's relationship to his adoptive father early on, get you invested in them, only to pull the rug out from under you so you would feel the shock of that betrayal alongside Edo.

GX establishes its character cast, and yes the filler does give the cast time to breathe and they're all well characterized but because the plot around them is so poorly structured, none of the plot points really hit. Okay, Edo's adoptive dad is evil. Next! You can have good characters, but if you don't put them in a strong narrative framework that challenges them then those characters are just gonna kinda sit there.

The first 105 episodes of Yu Gi Oh GX does succesfully characterize most of the main cast, but it also feels like everyone's just goofing around. In comparison the first 135 episodes of MHA much more successfully builds an escalating conflict. Each new arc either introduces you to a new facet of the world, makes the amin characters more complex, or adds to the conflict.

We basically go from arc 1 "The hero high school is fun" to Arc 2 "The villains are a serious threat" to the Camp Arc "Oh shit, Shigaraki is learning and the villains are getting stronger."

When Bakugo is kidnapped at the end of the camp arc, the tension is ramped way up with the appearance of AFO, and All Might's retirement.

After that point we're introduced to the Overhaul arc, which not only again makes the League of Villains more complex and sympathetic, but also introduces the audience to All Might's more flawed side - the fact that All Might literally worked himself to death saving others and it still didn't work.

Then My Villain Academia -> The Villains are now a threat and they have an army.

Each arc builds on a previous arc, the characters and the world grow more complex, and it feels like you're learning about these complex issues alongside the characters. It just makes Yu Gi Oh Gx look like the silly card games show by comparison, by setting up this very layered world, and conflict, and heroes that challenge the protagonists on what it means to be a hero and what it means to be a victim.

Then all of that great setup.

We are side by side with the proagonist. We, like Deku now want to see if someone like Shigaraki can be saved. We, alongisde Deku want to better understand the villains and learn to see them as people. We want to know if the corrupt hero system can be salvaged.

However, these are too many questions so let's boil it down to two once more, because this is looking at Deku's character.

Deku and Judai are in some ways different as night and day. Deku is an introverted nerd and the victim of bullying, and he starts out with no quirk at all. Judai is a self-confident, charismatic prodigy who instantly seems to charm and befriend everyone around him. Deku desperately wants to be the hero and works his way up there, whereas Judai is just kind of thrown into the school hero because he's the best at dueling.

Judai is kind of a mix of Bakugo and Deku's traits, he's a self confident prodigy who always wins, but he's also someone obsessed with heroes and who has a hero-complex where he's continually forced to save others.

The Dark Deku arc, like the Supreme King Arc looks to take a darker, more introspective look at Deku's character, while also exposing Deku who is a sheltered kid to the a very grey on grey world. It also seeks to deconstruct Deku's suposed "hero complex". Despite the many differences between Deku and Judai I believe the two questions an be boiled down to the same thing.

Is Deku Selfish?

Is Deku's hero complex a bad thing?

These are the questions the series itself is asking in the deconstruction of Deku's character. Deku himself is asking if there's a better way to save villains tha just beating them down or outright killing them, but we'll discuss that later.

Just like Judai there is some setup before this to give a previously very one-note Shonen protagonist mor depth. Deku and Judai are both people who fit the determined, punchy, solve everything fist fight shonen protagonist to a T, on top of being the one to always show up to fight for their friends. Just like in the beginning of season 3, we do have some hints before this that there's something wrong with this attitude. That there's something about Deku that's not entirely there.

There's a flashback of All Might talking with Bakugo where Bakugo discusses that the fact that Deku never takes cares of himself or factors himself into the equation when he always puts others first deeply bothers him and there's "something wrong with it" that's made him always push Deku away.

This flashback also leads into a scene where Bakugo pushes Deku out of the way of one of AFO's attacks, telling him to "stop trying to win this on his own." In an attempt to make Deku see that he's not fighting alone this time.

Deku has also been warned repeatedly about the way his power destroys his own body when he uses it, warnings he's repeatedly chosen to ignore. Saving others isn't just a goal for Deku, you could arguably say it's a method of self-harm and that's what unnerves Bakugo. Bakugo even gave a similiar speech in the past, about how someone like Deku shouldn't take all of the bullying that Bakugo has given him over the years and still try to be his friend afterwards. At this point it's not really like Bakugo's done anything other than tone down the constant insults a little bit, he hasn't apologized or anything but even this early in the manga Deku has a tendency to just let Bakugo's treatment of him go. It's not like they were super best friends forever before the bullying started either despite what the shippers might tell you. Bakugo is saying it's weird that this kid just takes it, and takes it, and takes it without fighting back like he doesn't care about how people treat him and Bakugo is right... that is weird!

Deku either has such low standards for how he's treated that he just lets Bakugo get away with it, or he just doesn't hold a grudge when he is mistreated because his pain and his suffering just always matters less. Either way it's not healthy, and it could be indicative of a deeper problem hiding behind the surface.

Either way there's setup here, because on one hand you have everyone and their grandma praising Deku for his "drive to save others that eclipses all common understanding."

While at the same time he's criticized by Bakugo for having no regard for others. This could be the setup for the character trait that led to his earlier success leading to his downfall later. In Judai's case, everyone praises his purity of heart, but then that purity is later criticized as childishness, naivete and a refusal to grow up.

As for Deku...

How can you protect others if you can't even bother to protect yourself? How can you save others if you can't save yourself? That's the question Touka asked of Kaneki in Tokyo Ghoul when she rightly called out his desire to protect everyone at the Anteiku Cafe as just a roundabout way of getting himself hurt by acting recklessly.

In Kaneki's case he's not trying to protect anybody, he's just picking battles against the doves and getting himself hurt. He's acting out a hero complex in the sense that if he feels like he didn't fight his friends battles for them like Judai then he wouldn't have any friends to begin with. That's why Touka also says "Besides that, everyone doesn't belong to you. You have no business protecting us."

Is Deku fighting for the same reason? Does he harm himself to protect others because he views himself to be worthless and the only way to demonstrate his worth is try and fight to save others?

We don't get an answer for that question. Judai thinks duels are fun, and he's really good at them, and because he's good at dueling he's made friends. He think to keep those friends he has to keep dueling for the sake of others.

Deku's not motivated by the idea of protecting or keeping his friends, that's a secondary motivation. All we have on Deku is that he feels a strong desire to save others, and that he worshipped heroes like All Might growing up but has a naive idea of what a hero is supposed to be. However, his lack of motivation could be the "something that's missing" just like Judai has.

The GX writers did some hardcore digging into Judai's character by focusing on how shallow he was in motivation compared to everyone else, and showing that to be a symptom of his childish naivete.

There's also the potential parallel between All Might and Nighteye's breakup, and Deku's decision to leave all his friends behind to hunt for Shigaraki himself.

Even if Deku doesn't have a deeper motivation than just "an unnatural drive to save others" then you could show the effects of Deku walking down the same path that All Might did, the belief that he has to be the one to save everyone singlehandedly and if he rests for a single moment than someone might die, leads to him not only destroying his body, but also doing permanent damage to all of his social relationships.

Even if Deku's motivation isn't too deep, you could still have the traits that led him to earlier success now driving him to ruin as the story punishes Deku for his excessive selfishness.

This is also where we finally get back to Deku's goal of understanding Shigaraki, and contemplating whether or not it's possible to save villains without killing them.

I draw a parallel between this and Judai's enemies calling him out on lacking "darkness of the heart" and that without understanding that darkness he can't win.

Judai's lack of darkness of the heart means two things, he's not mature enough to understand the reason why his enemies are fighting, and he's also not mature enough to se the darkness in his own heart which is why he ends up blind to his own flaws and making pretty severe mistakes later on.

For Deku, it's mainly a lack of understanding of the motivations of the villains he's fighting again, villains he's only ever really beat down with his fists until now.

However, for Deku lacking darkness of the heart you could also re-contextualize that as meaning because of his idealization of heroes he's never once looked at the darker sides of hero society that might have driven people into becoming villains.

Deku's lack of inner darkness may just come from the fact that compared to the villains he's fighting against, he's gotten to live a pampered life. Without understanding that darkness, he can't be a full person because he'll still be a naive sheltered child, and not an adult wise to the way the world works and the moral greys he inhibits. Either way, it's just as necessary for Deku to gain an understanding of "Darkness of the Heart' as it is Judai.

So here's all the setup for the start of Deku's Dark deconstruction arc. As different as these characters and scenarios you can still boil it down to those three narrative questions about Deku / Judai, is there behavior selfish? Are there hero compelexes a good thing? Do they need to understand darkness of the heart?

Before moving on I'm going to summarize Deku's setup as thus:

Deku's actions are selfless.

Deku's motivations are also selfless (a desire to save others).

Deku does not benefit from saving others in any way, if anything he actively harms himself in order to do so.

Bakugo finds this behavior incredibly disturbing.

All Might destroyed his body and burned all bridges because of similiar flaws to Deku.

So the answer to the first question is Deku selflish? No. Is his hero-complex a bad thing? Potentially.

While Deku himself decides that he needs to understand darkness of the heart in order to better understand villains. Deku is actually more set up to contemplate darkness of the heart than Judai is, because Judai charges into the dark world blindly with only the motivation of saving Johan not even caring for Yubel, while Deku has the explicit motivation of trying to understand the little boy inside Shigaraki.

DEKU LEFT THE HERO ACADEMY

Deku begins the arc by leaving alone to go searching for Shigaraki, with hand-written letters addressed to all of his friends that tell the truth about One for All and also say Goodbye. He makes the deliberate decision to leave them behind so they don't get targeted alongside of him. It's a pretty classical superhero motivation, I need to cut myself out of my loved ones life in order to protect them. Of course this sort of ignores that everyone in his class has super-powers too, but you know heroes they're all such drama queens.

Is this selfish behavior?

This is going to be the only time I'm going to solidly answer yes. Deku clearly did not take his friends feelings into account. His desire to protect them, is more important than their own agency. They also might want to fight alongside him, they'd be upset if they saw him die or get hurt trying to protect them. Deku thinks of his own feelings of wanting to keep them safe and not being able to handle the emotional burden of protecting him, more than he does their own personal feelings.

This is also something that All Might did they permanently burned all of his bridges with his sidekick and friends, and deeply hurt his sidekick who was just asking him to take a break so he did not get himself killed and quit because he didn't want to watch All Might slowly kill himself by inches.

Deku is being selfish here, and later on when he does face his friends he even acts pretty condescending belittling them and insisting they can't fight on their own or keep up with him.

However, I need to ask a secondary question.

Is there any lasting consequences for this selfish behavior?

Besides the fact that it hurt his friends feelings for a little bit, no. I spent a much longer time covering this in Judai's sections because Judai's selfish behavior led to character conflicts. Judai disregarding his friends led to everyone starting to resent him in the Dark World, and their once tight-knit friend group further falling apart.

Judai on three seperate occasions makes impulsive decisions to run ahead without consulting with the group. The second time he outright lies to the group and sneaks ahead without them. THe second time all of his friends are captured when they go after him and try to follow him to give their support because they're worried about him. The third time he makes the decision to run ahead, he knows about the danger they're in and the risk of getting captured and he just blatantly ignores them. When Austin notices they're missing Judai doesn't even go looking for them because they're not a priority at this point - saving Johan is.

This is something that has very real and lasting consequences in the story, they're captured because of his recklessness, and sacrificed in front of his eyes. Even though they technically come back in season 4, the trust between Judai and his friends is all but gone and he's alone for a lot of Season 4.

Judai's decision to abandon his friends has direct and lasting consequences. He is being punished for his hero complex. Running ahead, and fighting alone against the bad guys is what Judai has always done and what's worked before, but now in a more complicated world it's not cutting it and Judai is being challenged for his flaws.

Deku hurts his friends feelings a little bit, but even in that case the focus is on how sad it is for Deku, how hard it must be to be a noble hero fighting alone.

Deku's Mary Jane and Spiderman bullshit never impacts his friends directly, other than the fact that they find it slightly condescending. His "I need to keep secrets from my loved ones attitude" is challenged because his friends want to fight alongside him, but there's never any narrative punishment delivered to him. It's just solved with one fight scene and a character holding out their hands. Whereas, the consequences for Judai's rash actions last two seasons.

I call it "Mary Jane and Spiderman" Bullshit, because Spiderman keeping his identity a secret from all his loved ones is a big conflict in the comics. Something that got Gwen Stacy killed, because Peter Parker never told her his identity in order to protect her, and then that just ended up with Norman Osborne finding out about her anyway and kidnapping and killing her.

You might have heard of the "Death of Gwen Stacy" it's a pretty famous moment in comics. It's also a case where it shows that the Hero's failure to communicate honestly with their loved ones in the name of "Protecting Them" can actually get them killed.

There's even consequences in MHA itself for heroes choosing to sacrifice their personal lives to help complete strangers. Shigaraki literally made a whole speech about it. Kotaro Shimura is traumatized for life over his mother's decision to abandon him instead of giving up on being a hero. Nana Shimura believed she was doing something selfless in sending her child into foster care to keep him out of AFO's clutches, but that was shown to be wrong as AFO just found Kotaro's household and then destroyed him later on in adulthood anyway.

So in the story we are shown scenarios where choosing to abandon your loved ones in the name of "protecting them" can have disastrous and lasting consequences, but as for Deku himself, the decision to leave the school has basically no consequences whatsoever.

Well, Deku making the decision to fight alone is something that might lead to some consequences. After all, Judai's breakdown came about because he always felt the pressure to fight alone and carry everyone's weight on his shoulders until he couldn't.

Perhaps, with Deku fighting alone to protect everyone we'll reach a similiar breaking point. Just as Judai couldn't handle carrying everyone's burdens, looking for Johan, and leading his friends into the Dark World all that the same time and eventually broke down maybe we'll see Deku break down because he just like All Might can't carry the burdens of an entire nation - oh wait nevermind he's working with the Top 3 Heroes.

Even the premise that this is Deku leaving the school, to become something like a vigilante wandering the countryside trying to fight AFO on his own is just incorrect because Deku is receiving government assistance right now.

In the Dark World it was really just Judai and his friends, so every single bad decision Judai made had consequences because they were well and truly alone. Deku has backup so he's not even really "alone" in the arc that's supposed to be about him fighting AFO and trying to understand Shigaraki alone.

ALL YOU'LL FIND IS BLOOD AND VIOLENCE

Let's briefly focus on questions two and three, is Deku's hero complex bad, and does Deku need to understand darkness of the heart?

Judai's hero complex was based on the idea that if he wanted to have friends he needed to fight for them and solve their problems for them.

Judai got in such an unhealthy negative feedback loop, that he had to carry his friends burdens in order to maintain his friendships with them, but at the same time he couldn't receive any help from them because he made their friendship all about him carrying their burdens. He was operating underneath an amazing pressure to always win until he lost. The very thing he did to try to maintain his friendships, keeping his friends at arm's length and fighting alone is exactly what ends up driving them away and leaving him alone.

But, still...! They're all... They're all gone. There really was something missing in me. But what is it? What was missing? What should a duelist burden themselves with?

Judai paradoxically fights alone in order to keep his friend group together, which only ends up with him losing four friends and being abandoned by the rest when they're disappointed for him in his selfish behavior. Judai screams out why, realizing he did something wrong here, that something went wrong because he's been winning duels, he's been fighting the same way he did before only to end up with the worst option possible. The realization that he is truly alone breaks him down entirely.

Judai's hero complex unwravels when simply charging ahead to fight doesn't work for him anymore, because the situation becomes more complicated than that. Darkness of the heart can mean many things. Judai not understanding his own personal flaws. Judai not seeing how his flaws are affecting others. Judai not looking at other people's emotions, he doesn't hear or respond to criticism when his friends start trying to tell him how is selfish decisions making is making them feel.

I can't just stay and wait. All this time I've run on instinct, never second-guessing myself. If I just stand still now... I'm sure I won't be able to start running again. And I won't be able to get to Johan.

Judai's hero complex has a clear source - he believes he has to keep running ahead and fighting for his friends the same way he always has in order to keep those friends and if he stops he'll lose everything / succumb to the guilt he now feels about being uanble to save Johan. His Hero Complex also has clear consequences, him running ahead without thinking gets all of his friends kidnapped and used in a sacrifice ritual that could have been avoided if he had made different choices.

Spiderman kills Gwen Stacy because Peter Parker deciding to not tell her about his secret identity to protect her backfired and made her an easy target to the Green Goblin.

Heck, Spiderman's entire character is about how the burden of being Spiderman and his Hero Complex constantly sabotages any attempt he makes at having a personal life. Miguel O'Hara's catchphrase in the incredibly popular Spiderman movie is that "Being Spiderman is a sacrifice" and he's not wrong either.

SO, is the narrative punishing Deku's hero complex in any way?

Well, the one warning he did receive that if he kept fighting he'd lose permanent loss of his arms turns out to not matter anymore because his body is just stronger now.

So, even the phyiscal toll of fighting alone that's a consequence for Deku doesn't actually apply here.

I keep talking about consequences but what do I actually mean? Am I talking about strictly punishment? Do bad things need to happen to characters in order to get their lessons?

Not necessarily.

When I say "consequences" I mean in terms of actions always having consequences in a story. The best stories are succinct, that means you basically cut down in as many frivolous details in a story as much as possible so everything that happens onscreen is something that matters and contributes to the whole. Therefore, every action should have a consequence directly seen onscreen in story. Stories are all actions and consequences, the choices the characters make should have direct impact on the plots and the other characters because it makes those choices seem like they matter.

If the story constantly draws attention to the fact that Deku is afraid of ducks, but the story takes place on the moon and there are no ducks living on the moon then that's a wasted plot thread because there are no consequences. If a character does something bad, other characters should discuss it, or it should negatively impact them in some way.

When Judai decides to run ahead without all of his friends for the first time after they all agreed on a plan, the result is the next episode they all start talking about their shared doubts with Judai when he's not around. If they all just swept Judai abandoning them under the rug, then Judai running ahead and leaving the others alone doesn't feel like an impactful character flaw.

There's no lasting consequence for Deku's hero complex. It doesn't drive him to any kind of breaking point like it does Judai.

I think the reason why is because there's no real moment of failure for Deku. When he tries to ask Muscular why he fights, and Muscular rejects him and says that he was just born evil and has no deeper motivations, Deku's not frustrated at all.

Deku who feels a "unnatural desire to save others" isn't really bothered by the fact that Muscular insists that he can't be saved and that they can only fight. Despite this technically being a failure, Deku has failed to talk a villain down, failed to find a way other than fighting and also failed to understand the darkness in someone's heart it's of little consequence because it's not framed as a failure.

Deku just punches Muscular, back to the drawing board.

There's another manga called Choujin X running right now, where the main character is on a similiar quest trying to see if there's a way they can save the big bad Sora Shihouhin, and when he is forced to fight against a villain who won't back down, de-escalate, or listen to reason he has a complete emotional breakdown.

This is the reaction of someone who's genuinly invested in the idea of saving the villain, and frustrated with the reality that he might not be able to save her, that he can't talk to the villains or convince them to back down. Tokio's not even characterized by an unnatural desire to save others like Deku is, so why is he the one breaking down and not Deku someone apparently so selfless that he wants to save the mass murderer that's trying to destroy society?

If Deku's desire to save others is so strong why doesn't he show frustration at being unable to talk down, or understand Muscular?

Judai is stuck in a negative feedback loop where he's forced to fight for others, because he believes he has no worth to his friends otherwise. All we're told of why Deku feels the need to save everyone around him is that he's just like that, he just feels like saving everyone no matter who they are the moment they come into view.

If we're choosing to characterize Deku that way, then number one he should be attempting to save everyone, and number two the stress of having to save everyone is something that should get to him. His "Hero Complex" should be what's breaking him down at the moment. The unnatural desire to save everyone around him that led him to so much success should be what's punishing him this arc.

Judai felt pressure from two aspects, first the pressure to carry everyone's burdens, and second the lack of understanding of darkness of the heart. Unlike Judai who doesn't want to understand darkness and who avoids it as long as possible, Deku goes into this arc actively seeking to understand how his villains think.

Deku and Judai also suffer from a lack of darkess in their own hearts. This leads to them having empty motivations. Judai has a childish desire to enjoy fun duels. Deku has a childish desire to save everyone. Neither of them have tried to grow or change or even question those motivations in any way and because of that they're stunted people.

Judai doesn't know why he fights. He doesn't question why he fights. He just takes on the burdens of others to give him something to fight for. This all together leaves Judai blind to his own personal darkness, and also because of that blindness he can't grow in any way because he never evaluates himself, he never looks at himself and tries to change.

When he's on his knees and at his breaking point he screams at the top of his lungs, "WHY? WHAT AM I MISSING? WHAT DID I DO WRONG?" simply because Judai's never thought about these things.

Deku's asked these same questions both in the Dark Deku arc, and hundreds of chapters later he's asked what he's planning on doing as a hero in order to make things better and Deku never materializes an answer.

Pre-Dark Deku Arc, during Dark-Deku Arc and Post Dark Deku arc, Deku always solves his problems by recklessly jumping in and saving others. There's never any point where he's punished or criticized for this behavior in any significant lasting way. He never has to self reflect and develop a reason on why he wants to save others, or eve think about how he's going to save others, he can just keep acting as the rash, impulsive hero.

Judai and Deku are both characters who are empty, and lacking in motivation but Judai is ruthlessly criticized for that until he reaches his breaking point and is forced to look at his motives.

This once again comes from a lack of failure on Deku's part. Deku never fails the way that Judai does. There's a scene where you could have easily had Deku fail. The entire Nagant vs. Deku fight where Deku fails to give her any substantive answers to his questions.

Imagine if Deku's simple philosophy of always extending a helping hand failed here. Imagine if Deku actually got deeply ivnested in the idea of saving Lady Nagant, and did his beset to talk and reach out to her but his answers weren't enough and because of that she just chooses something like suicide. Imagine he has her by the hand, and she's dangling off of the roof and he thinks that his impressive move to save her should have been enough - he's reached out a hand like always. He thinks this should have won her heart over, by showing her that someone still cares in all of her despair.

Then, Nagant in one final spiteful move lets go. The person he heard her entire backstory, the person maybe he once was a huge fan of her when she wasa hero, the person he wants to save the same way he wants to save Shigaraki chooses to let go and fall to her death because dying would be better than living in whatever kind of corrupt world that Deku is trying to build.

This could be Deku's Gwen Stacy moment. Spiderman carelessly webs Gwen Stacy whe she's falling to catch her and for a moment he thinks he's saved her because he's overconfident and has caught people falling like this a thousand times, only to find out he's snapped her spine. His overconfidence, his hero complex making him believe everything magically would work out led Gwen Stacy to her death. This could show the simple act of just offering a hand out to someone in need isn't enough, without empathy and understanding.

Instead, AFO just blows Nagant up in Deku's face.

Except, that isn't even a failure bcause Nagant turns out to be just fine! There's no point in blowing up Nagant except for the spectacle of it, because she turns out to be fine five minutes later and even shows up to fight in the next arc.

There's no consequencs to anything that happens in this scene. Deku doesn't suffer any consequences for being blind to the faults of society. (He's working right alongisde a killer cop just like Nagant and he doesn't even care.) Deku isn't forced to reflect on what saving people or making society better would even mean. He also isn't punished for his lack of understanding the way that Judai is.

Afterwards, Deku denies help to a very mentally-ill Overhaul, who is apparently not one of the villains that Deku wanted to save. There's a whole buch of asterisks on that "Deku wants to save everyone***" goal. This also isn't framed or used to paint Deku in a bad light because Overhaul is unworthy of salvation in Deku's eyes for hurting Eri.

Is this action part of an arc? Is Deku reaching his limit with trying to sympathize with villains only to see people like Overhaul and Muscular fighting him every step of the way and telling him they don't want to change?

Nope, this scene is never brought up again.

Deku never fails, and he never does anything wrong. Even when there are situations where you could argue he does do soemthing wrong, like denying the armless, mentally ill Overhaul help - he's not painted as being in the wrong.

The entire arc is supposed to be about criticizing the protagonist for their hero complex, and their lack of understanding of the darkness of the world but for Deku there's no criticism to be had here.

Compare this to the sacrifice ritual in the Supreme King Arc, where not only does Judai fail to save his friends, but the friends that survive ruthlessly tear into him aftewards for his selfish behavior. THe actions of one protagonist matter, have consequences in the story and are criticized. The actions of another protagonist have no real consequences and are never criticized.

The whole mansion blows up and... nothing happens. No one's injured in the explosion. It may as well have not happened in the story because there are no consequences for Deku just continually choosing to blindly run ahead like his hero complex tells him to.

There's evena moment where Deku winds up in a similiar situation to the dark ritual. After receiving information from Nagant, he blindly wanders into a mansion in Haibori woods believing it to be AFO's base, only to find out it was a trap and AFO was waiting for him to blindly charge in all along.

THAT'S WHAT MAKES US HEROES AND VILLAINS

This is where I'm going to talk about another big similarity between Deku and Judai, and also the biggest point of divergence in the Dark Deku and Supreme King Haou arcs.

Deku and Judai are both character foils with Shigaraki and Yubel respectively. This is where I'm going to praise MHA again, surprising everyone.

The foiling between Shigaraki and Deku is masterful. They both started out in relatively the same place, as boys with dreams to become heroes who were softly told no by their parents. Tragedy struck Shigaraki and he killed his family on accident and wound up alone wandering the street for days until he was found by AFO.

They're both the students of the greatest hero and villain of the last generation. They both end up being surrounded by a group of close Nakama that they want to protect. They're both continually challenged to grow up, and show how they're going to be better than their predecessor for the hero and villain sides respectively. They both have to prove they are worthy successors. Shigaraki has all the heroic spunk and determination that Deku has but on the villain's side, and while Deku loves heroes, Shigaraki is hero society's critic wants to bring down the hero system that didn't save him.

You get the feeling that Shigaraki really is Deku just in a different situation, a same person on the opposite sides of the conflict kind of character foiling.

As the biggest Yubel stan here, in some ways the foiling for Shigaraki works better than the foiling for Yubel because Shigaraki isn't just Deku's foil, he's the foil for all of society. Yu-Gi-Oh Gx takes place in a society run where everything centers around card games, it's not really that deep. In My Hero Academia you have that 100 episodes of great setup where Deku is not only learning to look at the darkness within himself, but also the darkness within hero society around him.

Judai's narrative as much as I love it, is entirety about Judai.

Not only could Dark Deku arc develop Deku's character, it could also say something deeper about the world it's taking place it, because Deku has all these connections to Shigaraki, who also kind of represents the orphaned boy failed on all levels by the society around him.

Shigaraki is the shadow of -> Deku, but also Shigaraki is the shadow of -> all of society.

Yubel is the shadow of -> Judai, and only relates to Judai's personal growth.

Yubel is Judai's personal villain, and was created by his actions as a child. His decision to abandon Yubel into space, led to Yubel being tortured and their later madness.

Yubel is also Judai's shadow. They carry all the same flaws, but those flaws are obvious in Yubel and repressed in Judai. Yubel's belief is that Judai is someone who purposefully enjoys hurting their friends, and that's how he shows his love. While that's twisted it's not hard to see how Yubel came to that conclusion. After all, Yubel loved Judai so much only for Judai to abandon them and turn a blind eye to their suffering. In the Dark World, Judai abandons his other friends continually in order to search for Johan, and they wind up suffering too.

While Judai doesn't sadistically enjoy hurting others as Yubel put it, there's an element of truth to Yubel's criticism. Judai does abandon people, Judai isn't as empathic as he seems to be. When Judai is subjected to the same kind of isolation and abandonment that Yubel has endured for the past ten years, Judai loses his mind a whole lot quicker and starts lashing out at everything around him the same way Yubel has. Judai without the love of his friends starts to hurt everyone around him in his lashing out, the same way that Yubel desperate for love starts to inflict pain on the people she loves. Even before the ritual happened, Judai was unwittingly hurting his friends with his own selfish behavior.

Yubel's stated criticism is "of Judai is "Anguish and sorrow born from loneliness. That is the nature of love as you taught it to me" and further beyond that "When you forgot about me, I suffered. It's hot. It hurts. I am in pain. Why? You know how much I love you? Why did you do this to me, Judai? In that moment I realized that was how you showed love. Because you loved me, you hurt me and made me suffer."

That sounds crazy, but hasn't Judai been hurting the people he loved for his own selfish reasons this entire arc? Is it that crazy then to conclude that neglect and abandonment must be how Judai treats everyone he loves, so surely he loves me.

One of the biggest criticisms of this arc is how Judai's behaviors impact his relationships, so of course his most personal villain and foil is his jilted ex nonbinary dragon lover. On a less joking note, when Yubel was displaying troubling behavior as a child, Judai's first response was to abandon them. Which is ironic for someone like Judai so paralyzingly afraid of being abandoned that he became everyone's workhorse and worked himself to death solving their problems for them. Who when abandoned by those friends finally, snaps just as hard as Yubel did when they were abandoned.

Do you see the parallel I'm drawing here? Judai is slotted into the spot of the protagonist who's friends with everyone he meets, who loves and fights for his Nakama. Yet under closer scrutiny he's shown that he doesn't really understand what love or friendship is or how to give and receive love from others in a healthy way. His antagonist is his former childhood best friend, who is obsessed with love and demands that Judai love them back. Judai's lack of understanding of relationships and love takes a dark twist with Yubel, their shadow, foil and antagonist.

These are once again very personal challenges to Judai, society doesn't really factor into this equation. Though, Judai is somewhat challenged as a hero because there's an irony to Judai plunging into the world to save his best friend Johan who he's known for like three weeks, but not really lifting a finger to save the antagonist of the arc Yubel who he's known since childhood and is personal responsible for putting through torture.

That hypocrisy there too, is a personal challenge to Judai that paints him in a less heroic light. He wants to save Johan and ignore Yubel because it's easier, because saving Johan relieves him of his guilt. He doesn't even know what to do about Yubel, so he doesn't try and falls back on his previously established behavior of playing the hero.

The hero is really just a mask for Judai at this point, something the story has ripped right off of his face by the time it comes to face Yubel.

There are two ways in which Yubel serves as an ultimate foil to Judai.

Yubel acts like a callout post to all of Judai's flaws

Yubel represents a dark path Judai could have taken.

This second one is what Shigaraki and Deku have in Common with Judai + Yubel. There's something deeply tragic about the idea that while Deku was making friends, getting taught by a loving teacher like All Might, Shigaraki was all alone being pushed by a ruthless manipulator like AFO into becoming the worst villain.

Judai and Yubel's lives follow the same tragic parallel path. They began in the same place as childhood friends, but after abandoning Yubel, Judai spent the next ten years growing up, making friends in a healthy and safe envirnoment while Yubel the one who was abandoned was alone in space desperately crying for Judai to come save them only to be ignored because Judai has long forgotten them.

However, there's a striking difference there too. Yubel is created directly by Judai's neglect and actions. Whereas Shigaraki is created by the neglect of all of society, it's not Deku's fault directly.

#1 Shigaraki acting as a callout post to Deku's Flaws

However, this is where Shigaraki's callout post comes in. Shigaraki gives a long speech on how the existence of heroes itself, creates villains like him.

"You heroes pretend to be society's guardians. For generations you pretended not to see those you couldn't protect and swept their pain under the rug. It's tainted everything you've built. That means your system's all rotten from the inside with maggots crawling out. It builds up little by little, over time, you've got the common trash all too dependent on being protected. And the brave guardians who created the trash that need coddling. It's a corrupt, vicious, cycle. Everything I've witnessed. This whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I take power for myself. Simple enough, yeah? You don't understand because you can't understand, that's what makes us heroes and villains."

To break it down simply, heroes look away from the faults in their society, they intentionally ignore the people they cannot save, and when those people turn into villains the heroes beat them down hard. The villain attacks then convince the common people of the need for heroes, and the cycle perpetuates itself. This is all powered by the people's blind, uncritical faith in heroes.

Deku is a person who has that same blind, uncritical faith in hereoes, and until this point has never thought of Shigaraki as anything more than a villain to be punched until he stops. Which is why this is still a callout post that applies to Deku, because Deku's blind admiration for the Hero System is part of the problem that enables the very flawed hero system.

Deku does not understand darkness of the heart, therefore Deku does not understand that heroes could possibly be bad, and he could possibly be supporting a bad system until he's slapped in the face with it.

However, is there a lasting consequence for Deku's blind support of the hero system?

Nope.

I just described up above what could have been a consequence, if Lady Nagant refused to have faith in Deku since he didn't back his words up with action.

Deku also clearly does not want to break away from the corrupt hero system that created Shigaraki, because the heroes that he brought along to fight with him are Endeavor, Hawks and Jeanist, a child abuser, a state sponsored murderer, and a guy who makes bad puns. He doesn't change any of his bahavior that enables the corrupt system to stay in power.

Not teaming up with the Top 3 heroes, and deciding to go full vigilante would have at least have been breaking away from that system.

This circles around to a big underlying problem in this whole arc in that Deku isn't really doing anything different from what he was doing before, and he's not punished for his character stagnancy either.

So we're left with.

#2 Shigaraki represents a dark path that Deku could have Taken

This is where Judai / Yubel succeeds and Shigaraki / Deku falls flat on its face.

When pushed to his absolute limit after failing repeatedly, Judai snaps. With no friends left he decides that all that matters is power. This path seems natural for him because we've already seen what being abandoned and left alone can do to a person and how it twisted Yubel. The story hints again and again at Judai's blood knight tendencies, and that he thinks the only thing he has of value to offer others is strength by fighting for them.

He loses his friends and the fighting is all he has left.

At the point of despair he decides to just embrace power. If he cares about nothing more than strength, at least that will give him some sense of control over his life after the out of control tragedy that happened to him.

"Yuki Judai. In order to defeat evil, one must become evil. In a world with the law of the jungle at work, one must rule with power." "Power? I don't have that kind of power." "In your hand lies the super polymerization card. Defeat any spirits who may oppose you, and combine their lives into it to perfect the card."

Supreme King is just a villain persona that Judai adopts to as a protetive blanket for all the hurt and pain they've gone through, just like ding, ding, ding, the villain persona Shigaraki Tomura is for Shimura Tenko.

Judai snapping under such intense pressure shows us that if even the faultless hero can snap, then how much can we blame the villain for snapping under similar circumstances? Maybe the reason both the hero and the villain fell is because they're both equally human and to fall down is human.

Deku never falls down as hard as Judai does. He doesn't even fall down and scrape his knee. There's no instance where he fails to save anyone. There's no instance where his actions hurt anyone. There's no instance where he takes things too far and hurts a villain. I kow it's unlikely for Deku to turn into a villain, but he could have at least gotten so frustrated he turned into a punisher style vigilante! Is that too much to ask?

There's not even a single moment where Deku goes too hard in a fight and injures or even kills a villain. They could have pulled an "I thought you were stronger" moment like in Invincible.

I don't know why this is called the Dark Deku arc because there's no darkness in Deku's heart for him to exploit, nor is he actually called to better his understanding of the darkness in others hearts. Judai understands Yubel's darkness because by the end of his personal arc he's been there, he's not the hero he's the atoner. He can either punish Yubel, or hold a hand out to help Yubel atone.

Deku's arc might as well be called the "My Little Pony Friendship is Magic Arc" because he never does or confronts anything dark. His worst crime is not showering. All that isolation and his repeatd failures in hunting AFO down should have worn Deku down, but it didn't because he's just that special of a boy!

Deku's hero complex also is completely uncriticized from beginning to finish. Judai's hero complex is an unhealthy behavior that utterly destroys him. Deku's hero complex is a job interview flaw.

FRIENDSHIP IS MAGIC

Just to hammer my point in I'd like to compare these two scenes. One is in the middle of the Supreme King Arc, the sacrifice ritual scene where all of Judai's friends are blaming him for the fact that they're about to be sacrificed while he's still trying to save them.

The second is the climax of the Dark Deku arc, where all of Deku's friends are showing up to fight him and convincing him to accept their help.

Just look at how vastly different these two shows treat their shonen protagonists when it comes to his flaws.

For the ritual sacrifice scene. This is immediately after Manjoume wakes up to find that he has been chained and kidnapped with Judai standing right there.

Judai: Sit tight! I'll save you soon! Manjoume: Wait, is he dueling? JUdai you damned idiot! Weren't you going to save Johan with us!? Getting yourself all flared up. You didn't even stop to think about us at all, did you? Judai: That's not it. Manjoume: That's just how you are! You were the only one in your kingdom from the get-go. We were the idiots for getting all motivated with you and feeling some sense of friendship with you being like that!

Then Judai watches helplessly as Manjoume dies. His other friends don't fare much better.

Kenzan: Big Bro? Why'd you want to save Freed's comrades when it meant sacrificing us-don!? Judai: You're wrong. That's not it. Fubuki: It's painful. This pain isn't just physical. It's the pain of a friends' betrayal that I have tearing my soul. apart. Asuka: I'm being betrayed and sent away by you. To think that I'll have to bear a sadness like this.

All of Judai's friends die spitting on him and telling him what a terrible friend he is and that this is all his fault. Which it is, because his decision to abandon them got them captured and led up to the sacrifice ritual.

Now, what scathing criticisms do our heroes have to give Deku after he left them all behind to fight Shigaraki alone?

Denki: Midoriya! We get that all for one is really importnat but you got something even more important in your life! Me and you we aint'g otta ton in common, but you're still a friend! Even if we gotta force this friendship down your throat. TodorokI: What a look you have on your face. Is this resposnibility so much that you can't let yourself cry? Seems like a burden you should share with the rest of us. Uraraka: The thing is Deku, we don't want to be protected by you and reject who you are and what you're doing, we just want to be with you (this part is narration).

Deku is told that none of his friends are mad, they want to be by his side no matter what, and that it's okay for him to cry.

I should also mention how underdeveloped this supposed nakama group is in the manga itself. The entirety of Season 3 of GX is tha the bond between Judai and his friends are more shallow then it appears, but he's also spent two whole seasons bonding with a group that consists of: Asuka, Sho, Kenzan, Fubuki, Manjoume. That's six people total including Judai who serve as is primary friend group. Their friendship is more unhealthy than it appears, but Judai has spent the past two seasons hanging out with one small friendgroup.

Meanwhile the entirety of Class 1-A shows up to tell Deku how much they love him and how much he means to them, and Deku's hung out with maybe like... four of them?

You have one bond shown to be how shallow it is, and one shallow bond treated like it's the deepest, most loving friend group in all of fiction. Deku doesn't even receive some lgiht criticism for how inftantalizing it was for him to abandon them for their own protection, because no one resents Deku or is capable of holding any negative or critical emotions towards him whatsoever. He's just told how much everyone loves him and wants him to come home.

And yes, Judai also does get two characters sacrificing themselves to try to reach him when he's the Supreme King.

However, as I stated above Jim sacrifices himself to help Judai because that's who JIm is as a person. Austin does it after Jim fails, both to honor his friendship with Jim, and also because of someone who got scared and ran he feels like he has to confront the darkness of the heart.

Jim and Austin O'brien's sacrifice is also a sacrifice. They died trying to save Judai, and Judai has to wake up with the knowledge that not only did he kill a bunch of people in his quest for power, he killed two more friends who were only trying to help him.

At the end of the arc, Judai has woken up with the knowledge that he has done bad things that can't be taken back and he's barely better than Yubel at this point.

At the end of the Dark Deku arc, Deku gets a speech from Uraraka about how amazing and selfless he is, and how he never gives up and how he always pushes forward, and how everyone at the UA shelter should appreciate him more.

The Supreme King arc exists to criticize Judai. The Dark Deku arc does nothing but flatter Deku from beginning to end.

Judai's hero mask is ripped off and he's forced to be a person. Deku's hero mask stays on, his hero complex is unchallenged, and he's praised for being teh greatest hero evarz.

I often get accused of not liking MHA simply because I expect it to be a different story than what it is. That I want it to be darker, when it's a more optimistic shonen manga.

However, here's my secret. I hate edgy superheroes. I don't like watching stuff like The Boys because it gets too dark for me. The oly reason I read invincible is because my friend told me that Omni-Man got a redemption arc. My favorite DC Superhero is Superman. My favorite Superhero of ALL TIME is Spiderman.

The thing about Spiderman though, is that it is hard to be Spiderman. The entire point of Peter Parker's character is that he has a terrible work/life balance and constantly loses people around him because being Spiderman is a sacrifice. The story doesn't bend over backwards to praise Spiderman as being a selfless hero, in fact it points out what a loser he is constantly. Peter Parker's friends are always frustrated with him and he's a wreck of a person.

Yet, the fact that being Spiderman is such a sacrifice and he keeps choosing to make it, shows what kind of person Peter Parker is, and that's just a person who does whatever he can to help out.

Even Peter Parker, the nicest, most well-intentioned boy ever has the Symbiote arc. One of the most famous arcs in comics dealing with Peter is when he lets Venom graft onto his suit, and even though the symbiote makes him violent, and makes his behavior change he spends the longest time not wanting to peel it off because the power boost the symbiote suit gave him made his life that much easier.

Dark Deku is an obvious reference to the Venom Suit, but a completely shallow reference because Dark Deku acts exactly the same as regular Deku the only reason he looks like that is he forgot to take a shower.

Superhero stories don't need to be Dark Deconstrutions, but they do need to be SOMETHING. They need to say something about the character. The problem with the Dark Deku arc isn't that Deku didn't experience a villain arc.

It's that nothing of consequence happened in the entire arc. Nothing changed. The story asked us if Deku's hero complex was a bad thing, and then it didn't deliver any answer. The story asked us if Deku needs to understand darkness better and then didn't answer that.

These are ideas that the audience promised were going to get answered. We were told Deku was going to get his development this arc that he was going to be pushed to the edge. The entire premise of this arc was that it was supposed to better help Deku understand Shigaraki and Hero Society only for Deku to not learn about either of those things.

Deku's learned nothing. We've learned nothing. Nothing has changed in the story itself. The only thing we've accomplished was wasting a lot of time that we could have been using watching Yu-Gi-Oh GX!

#mha meta #ygo gx meta #yu gi oh gx #yuki judai #judai yuki #supreme king haou #supreme king jaden #supreme king judai #yu gi oh gx meta #dark deku #ygo #ygx meta #ygo meta

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