#and I admire that a lot on a technical level

[wordsandrobots]

I just don't get it.

I've been dwelling all day on the times I've seen someone claim/state that the characterisation in Iron-Blooded Orphans Season 2 is inconsistent with Season 1 and I still can't understand how people get to that conclusion. Clearly they do. But everything about S2 reads to me as a really straightforward acceleration of the flaws established in S1, and we know from the writing side, the intention was always to have this end in tragedy, even if the timescale changed. (Which, to be clear, is something I think was entirely to the show's benefit, allowing for a midway 'hope spot' where everything works out by the skin of its teeth, driving everyone to greater levels of reckless confidence.)

Most of the major personality rug-pulls happen by the time we hit the build-up to the climax of S1. We go from seeing Orga in his element -- the charismatic, clever military leader taking control of a miserable situation for the sake of his comrades -- to seeing what he's like in the wider world -- winging it, latching on to new ideas like a limpet, chasing the biggest rewards as fast as he can -- to seeing what's underneath it -- his awe/fear of Mika, his inability to do what's smart in the face of what his friends want, and the way he crumbles under the weight of casualties before stubbornly keeping onwards in an effort to turn the loss into a meaningful sacrifice. There is a straight line from the Dort Colonies where Orga gets pressured into becoming involved, to the point everyone insists on going after Jasley, to what happens in the middle of the battle with the Arianrhod Fleet. It's practically the same scene three times over with the desperation on Orga's face dialled up each time.

Same for the others. Despite his light-hearted presentation, Shino is deeply affected by his friends' deaths and commits himself to fighting so they don't have to, ego driving him to do reckless shit that doesn't quite work. Gaelio is a prideful dick who, while he has various good instincts, ultimately acts based on his emotional reactions alone. Hell, Mikazuki is literally introduced firing a gun that knocks him clean off his feet, his body too frail to withstand the violence he's committing on behalf of Orga, who watches with a mix of terror and amazement, that morphs into a teeth-clenched determination to keep going -- because what else do you do when faced with *that* level of devotion at your command?

McGillis is the only one where I can kind of grasp why it would seem inconsistent, because the reveals about the exact shape of his past are left to the back half of S2, and the twist that he was rooting his entire world-view in childish mythology is (deliberately) dissonant with his ruthless manipulation of the rest of the cast. But, like -- he treats Tekkadan as this amazing, miraculous event from the word go. He is heavily invested in imagery (around them, around Kudelia, around the Gundams) and waffles on endlessly about the Calamity War. His wearing of a mask is explicitly framed as playing dress-up, in which he takes a giddy delight. The revelations set all this in a new light, sure. They're hardly inconsistent with it. Not in a show chock full of people caught up in their own ideas about other people and what a better world would mean.

My point is, Iron-Blooded Orphans is about messed-up people in shitty situations making actively terrible life choices because they're trapped inside the event horizons of their own trauma. It is about everyone crushed by indifferent systems of power, shouting loud and proud that they are human beings with hopes and dreams and loves and fears, and smashing them to pieces regardless because that is what *happens* in an unjust world. It runs on its characters' flaws, like any good tragedy, on their flawed reactions to the very real problems they struggle against. Season 2 is an escalating series of runaway trains, each crisis shaping the reaction to the next in worse and worse ways. I could spend ages breaking down how it goes from Tekkadan at the peak of its ability to brazen through problems on sheer guts, to their strength actively working against them even when they are saving the world with it, to where it ends, a tragic, bittersweet peace that, as cynically as it could be read, still contains small triumphs.

At no point does it seem to me to be anything less than extremely clear and consistent about what it is saying. I've had people comment on my fic saying I've fixed the characterisation for them, and I have to state openly, that is not what I thought I was doing! I'm just taking what I saw in the series and extrapolating from it. There *are* parts where I've added stuff, to fill in the gaps you need to when you're making secondary characters into leads. But I know which bits I made up whole-cloth and, well, maybe I'm fooling myself but I don't think I ever had to introduce something to explain anyone's actions in the series itself.

Anyway, sorry for waffling on so long. Please don't take this as me calling anyone daft for where they landed on IBO, it's just that these reactions always make me twitch and wonder if I've hallucinated something over a gap somewhere. Then I go back to all the times Orga rides rough-shod over Biscuit's good advice and -- no! No, the text very firmly set up why this all goes horribly wrong and pays off each and every point like the world's most appalling check-list! You are 100% free to not enjoy that, but it's clearly working as intended

[batsplat]

literally nobody ever mentions that in uccio's crazy 2016 interview, you all know the one, he randomly brings in casey. like, marc he's got a feud with, maverick is valentino's next teammate, both those guys are in the question, what's casey got to do with it?

[alisonwritesimagines]

Please Don't Be In Love With Someone Else ~LA!Shanks x Reader x LA!Mihawk Imagine~

Summary: You keep waiting for Shanks. But someone new comes along and suddenly, you're not so lonely.

Author’s Note: You read the title correctly. I'm evilly laughing right now as you read this in pain. Also, this is technically a rewrite of the angst ending cause the one I wrote and in my drafts is more fluff than angst.

Angst Ending to I Was Enchanted to Meet You

Reader’s Pronouns: She/Her

Warnings: angst, fluff, but angst to all you Shanks lovers

Side Note: This is a secondary blog. If you comment a question down below, I will not answer since this is not the main blog. Please send the question to my inbox if you want a response back!

Do not repost this anywhere!

It had been years since you last saw Shanks. And it's been a year since you last saw Luffy. Ever since he was old enough to sail off in the world to find the One Piece to become King of the Pirates, you had been by yourself since. Of course you did a lot for your small village to keep you occupied but you still missed your boys.

You were tending to your garden as it was time for you to harvest before it became spoiled and over grown. That was until you heard someone say something behind you.

“You don’t seem like someone who can harm a fly."

You turned around to see the warlord Dracule Mihawk standing before you. You stood up straight to seemed less intimidated.

“I can hurt a fly. Don’t think I’m good at harming anyone else,” you tell him as you crossed your arms.

“I see.”

“I know who you are so what do you want?” You asked.

“I was sent to kill you but in all honesty, I don’t think I can kill you. You’re too beautiful to be killed,” he tells you.

“Who sent you to kill me?” You asked, now worried. You’ve stayed in the island since you were born. Not only that, you stayed even when Luffy left.

“Not to worry now. I don't have any intentions to kill you," he tells you.

"Then what are you still doing here?"

"I'm curious to see why someone would send me to go after you."

"Feel free to stay. Just to tell you, it's going to be quite boring," you tell him.

Mihawk stayed around the next day to watch over you. He didn't understand why Vice Admiral Garp would want a warlord like him to kill a sweet little thing like yourself. You did nothing of the sort that would be considered dangerous or even pirate bounty level dangerous.

"Ow!" You yelled as you accidently burnt yourself with the pan.

"What happened? What's wrong?" Mihawk asked you as he rushed inside your home.

"Just burned myself," you tell him.

Mihawk quickly grabbed your bucket of water before gently putting your finger in the cool liquid.

"Thanks," you tell him.

"Of course."

"I made extras if you'd like. I got used to cooking for two," you tell him.

"Was it for you and your past lover?" Mihawk asked you.

"Not really surprisingly. I used to take care of a little boy who used to live with me who had a bottomless stomach. He wanted to become a pirate so he set sail a year ago," you tell him.

"I see."

"So, dinner?"

"Why not."

—

Mihawk stayed for a couple more weeks before he needed to back out to sea. You stood on the deck as you watched Mihawk get ready to leave.

"So I guess this is farewell?" You asked him.

"For now. I will be back in a month at most," he tells you.

"To finish me off and claim your berry?" You asked.

"No. To come see you again," Mihawk said before sailing off. You shook your head at him before walking back to your home.

You assumed Mihawk was lying or joking when he said he was coming back to see you. But to your surprise, you opened your door to see him standing before you.

"Brought you some new seeds for you to grow in your garden," Mihawk tells you.

"I'm guessing you're staying for dinner?" You asked with a small smile.

"If you'd have me," Mihawk said. You nodded before letting him inside your house.

-

As much as you didn't want to admit, you fell for Mihawk. Even though part of you hoped for Shanks to come back, you appreciated the fact that no matter how long Mihawk was gone for or even if he was wounded badly, he came back to you. Even though Shanks would come back to you, he hasn't for years.

"Will you be mine?" Mihawk asked you one night. After a midnight stroll, you both headed back to your home. Mihawk stopped you from walking inside by holding your hand.

"What?" You asked in shock.

"Be mine. I've fallen for you Y/n. And I swear to you, I would never let anything happen to you," Mihawk tells you.

"Alright. I'll be yours," you tell him. Mihawk gave you a small smile before pulling you towards him.

"May I kiss you?" Mihawk asked you.

"Yes."

Mihawk cupped your cheek with his hand before leaning in to kiss you.

-

Shanks rushed over to your home after being away for so many years. He was excited to tell you his adventures and was looking forward to seeing you once again. He knocked on your door, his heart pounding in excitement.

Instead of seeing you, he saw someone else open the door. His smile faltered as he stared at the stranger in front of him.

"May I help you?" The stranger asked him.

"My apologies. I was hoping to find Y/n L/n? The woman who lived here?" Shanks asked.

"Oh. I'm sorry. She's been gone for quite sometime. She left the village I want to say two years ago? Her and her husband moved to another island."

"Her husband?"

"Yes. I'm surprised she married a warlord but he had been kind to the village whenever he was here," the stranger pointed out.

"Do you happened to know her husband's name?"

"I believe it was Dracule Mihawk."

—

Shanks made it to Mihawk's castle where he knew you would be at. After demanding to see you, Mihawk came out to talk to him.

"You should know my wife is resting," Mihawk tells him.

"You took her from me," Shanks angrily tell him.

"I didn't take her from anyone. When I met her, she was alone," Mihawk informs him.

"She never told you about me?" Shanks asked.

"No she has. I just never told her that I knew you."

"Please. Let me see her!" Shanks asked.

"Let me see if she's well enough to move," Mihawk said.

"Is she sick?" Shanks asked.

"Not entirely."

Shanks waited anxiously for you to come down. His eyes widen when he saw Mihawk helping you down. Your stomach was large but he knew that it was because you were pregnant. And what's worse was that it wasn't Shanks's child you were carrying. It was Mihawk's child.

"Shanks?" You asked in shock.

"Hi, Y/n."

-

You sat in the garden with Shanks alone so you two could talk. Shanks stared at you, admiring your beauty once more. While you thought you were alone, Shanks knew that Mihawk was watching nearby.

“Are you happy my love?” Shanks asked you as he held your hand.

“I am. Hawk Eye makes me happy,” you tell him with a small smile.

“I’m happy that you’re happy.”

“I did wait for you Shanks. I really did. But I feared that if I waited any longer, I’d be too old for you,” you tell him with a frown.

“You could never be too old for me. You could have white hair and many wrinkles and I’d still think you’re the most beautiful woman in the world,” Shanks tells you. You smiled at him before tearing up.

“I loved you Shanks. And I’m sorry I didn’t wait for you longer."

“Don’t apologize my love. I’m sorry I didn’t come back to you sooner,” Shanks said. You nodded before taking off your makeshift necklace that held the ring Shanks gave to you. You handed it over to Shanks before kissing his cheek.

“I hope life treats you well and I hope you find a woman who will love you endlessly as much as I did,” you tell him.

“And if Hawk Eyes dares to lay a hand on you, come find me. I’ll protect you.”

“I know you will."

"So this is goodbye then huh?" Shanks asked you.

"If you find Luffy, tell him I miss him and love him dearly. And that, he's more than welcome to visit me or find me whenever he wants," you tell him. After all, Luffy was yours and Shanks's unofficial son and you two were his unofficial parents.

"Goodbye, Shanks,” you tell him before giving him a kiss on the cheek once more.

“Goodbye, my love.”

—

You sat on the couch in your lounge room waiting for your son to arrive with his new fiancée. Twenty five years had gone by and you had lived your life. Dracule sat next to you as you both waited for your son to come home. Now that your husband has retired from being a pirate, he had spent his time with you while your children explored the world.

“I wonder what she’ll be like,” you tell your husband.

“I trust his judgement. After all, I chose well didn’t I?” Dracule joked.

“You most certainly did,” you smiled.

“Mom! Dad! I’m home!” You heard your son say.

“Over here!” You called from where you were.

You smiled at your son the moment he walked in but your eyes widen from the sight of the woman next to him. Not only did she have the exact same hair as Shanks, but she also had the same eyes as him. It was no doubt that she was Shanks's daughter.

“Mother. Father. This is my fiancée, May,” your son said proudly. You smiled at the woman before getting up from your chair to greet her.

“It’s nice to meet you, May,” you tell her.

“It’s a pleasure to meet you too, Mrs. Mihawk.”

“Please call me Y/n,” you tell her as you shook her hand. You noticed her necklace with a ring on it. It looked exactly like the one Shanks gave to you from years before.

“I like your necklace,” you say.

“Oh thank you. My father gave it to me. Said it was his prize possession,” she tells you. You felt your heart break a little from what she said.

“Will we be able to meet your parents soon?” You asked.

“Unfortunately no. My mother passed away from childbirth and my father passed away not too long ago,” she tells you. You frown from hearing that.

“I’m so sorry.”

“It’s alright. I’m really glad to have met your son,” May tells you. You smiled at her before giving her a hug.

“Well, I know my son will treat you well. And if he doesn’t, you tell me,” you tell her. May smiled at you before looking at your son.

At the end of the night, you stood outside on your balcony as you stared up at the stars.

Maybe this was the universe telling you that in another life, you and Shanks end up together. But you did wish he didn’t have to be gone so soon. You wished that he would’ve came back to you sooner and maybe you two could've had the future you two wanted together.

[whetstonefires]

main point of the post solid, but i thought that aside was a weird take about 'you' because who uses second person narration to be literally about the specific, unknown person of the reader?

'how dumb is that; who would do that? isn't it usually used to create a dissociative form of immersion, reminiscent of a dream, or other similar surreal effects? i think OP has failed to Get It.'

but then i remembered the entire XReader fic subgenre, where they do use the second person like that, and it is very weird. i just hate the basic premise of being asked to project myself into a shipping scenario so much that I never engaged with such a thing enough to notice the more subtle problem that I was of course being mischaracterized. ick.

so OP has failed to Get or possibly never encountered the normal literary uses of the second person, but they have an excuse.

The reason 1st Person POV is so derided in fanfic is because of characterization. In 3rd Person POV, you just have to convince us that the character would say or do that thing, and if not we’re sometimes willing to overlook it for the sake of the plot. In 1st Person, every single line of the story needs to feel In-Character, and OOC moments become grating faster because by sheer statistics they feel like they happen more often.

You basically have to find an author who perfectly vibes with your interpretation of that character and who’s a good enough writer that it doesn’t feel clunky. Original fiction doesn’t have this problem nearly so much, because there’s no pre-built expectations. “Ah, so this is what this character thinks when confronted with this thing? Good to know.” As opposed to fanfic, where the reader will often find themselves going, “No, that’s not what they’d think if they saw that. No, that’s not how they’d feel if someone said that. No, this narration is incorrect.” 

After being burned like that a certain number of times, lots of readers end up with a Pavlovian response. They see 1st Person POV, they see that first “I,” and they’re immediately annoyed because 1st Person POV stories have so often annoyed them in the past. They start avoiding them out of principle.

(This is not dissimilar to the problem with 2nd Person POV in any format, outside of maybe Choose Your Own Adventure novels. The author directly tells you, the reader, how you think/feel/react, and you, the reader, go, “WTF, no I don’t!” Which then jerks you out of the immersion & makes the story less enjoyable.)

None of which is to say don’t use those formats if you enjoy them. Just… I saw some people expressing frustration over the general distaste fandom culture seems to have for 1st Person POV, and while I don’t want to get involved in that argument, I did want to explain. For general information, I guess.

[icanseethefuture333]

Solar Return Chart: Asteroid observations

Asteroids used:

Starr (4150)

Singer (10698)

Tone (1266)

Fama (408)

Talent (33154)

Actor (12238)

Lumerie (775)

Fan (151590)

Industria (389)

Universitas (905)

Sagittarius Starr in the 1st house 7°:

Stardom is a stronger placement than Fama in my opinion. You could always experience fame at some point in your life (being a meme, having a video go viral, etc) but it's nowhere near the level of stardom. This placement specifically shows how I will stand out in comparison to others. Sagittarius is well known for being philosophical, optimistic, and honest. People could appreciate or admire these characteristics that I have. Starr being in the 1st house could mean being popular for taking on the role of a leader and not being a follower. 1st house also pertains to the physical appearance as well as 7° (Libra degree), so I could be seen as having attractive attributes. I also interpert this as my personality being considered humorous and that I will be fair to others

Sagittarius Singer in the 1st house 7.59 (could be rounded to 8)°:

Sagittarius is so prominent in my Solar return chart it seems?! I see this as being a singer who's versatile and carefree. As much as I enjoy singing, I am not professionally trained, nor would I consider myself a technical singer. I see this as actually putting in the effort to practice and gaining wisdom from other singers techniques. This could also mean to sing various musical genres or blending different cultures into the songs I sing. This could mean singing in a foreign language as well. 1st house means to be discovered quite fast and be acknowledged by others for being a singer. 7°/8° (Libra and Scorpio degree) people could consider my voice as pretty and transformative. I coild possibly collaborate with other artists, and be involved with a lot of business matters (marketing my music, signing contracts, etc).

Pisces Tone in the 4th house 28°:

What a watery aspect to have JEEZ 😂! Tone pertains to how someone's voice sounds, so my speech could be softer in general this year or I will have a duality to my speaking voice. Being able to play around with different notes or feeling comfortable singing low or high notes. 4th house and 28° both embody Cancer energy. My voice could be regarded as feminine, soft, and gentle. It could also be obvious by my tone what emotions I feel (angry, sad, happy, etc) and having a harder time masking that. There will overall be a sincerity expressed in how I talk.

Capricorn Fama in the 2nd house 18°:

Capricorn Fama is a interesting placement considering it feels neutral here. I see this as having knowledge and means for me to become a celebrity. As a child, I remember I used to watch Yogi Bear on Boomerang and he would always say that he was "Smarter than the average bear" when that wasn't actually true, Boo Boo was a cub and much smarter than his elder. It could be possible I meet celebrities who are well seasoned and think they could steal my "picnic basket" so to speak. They could think they're better than me and would try to convince me to take opportunities from others to get ahead, when that's not how I roll. This placement requires me to be wise when it comes to having fame. I interpert the 2nd house as if I work hard and focus on my goals, I should be able to succeed financially. 18° (Virgo Degree) I believe means there will have to be a balance of health and work. Being famous for health or humanitarian matters is also a factor.

Scorpio Talent in the 12th house 17°:

The talent asteroid is comfortable with the 17° (Leo degree). It represents long term fame and being well known for your talents. This placement represents me very well when it comes to my talents. I am someone who is quite shy and being in the spotlight can be nervewracking for me. I am able to do a lot of things from drawing, singing, etc, but I am not very public about my talents or skills because it draws too much attention. Scorpio is very private, they are known for hiding anything personal about themselves and typically are considered mysterious to others. The 12th house could also mean hidden talents coming to the surface. I see this as slowly coming out of the shadows and allowing my talents to speak for themselves. It reminds me of indie artists when they start gaining popularity and people have discussions as in "Have you heard of this person?" or "Do you know about xyz?". My talents could be spiritually guided or there will be inspiration that comes from my subconscious thoughts. It is possible I will receive signs or premonitions within my dreams. People could ask what is the meaning or how did I become so talented at something but my geniune response would be "I don't know where it came from it just came to me honestly?". I see this as being humble regarding talents and not being someone who brags. This is a comfortable placement for fame and I see this as being known for having a good reputation. My talents could pertain to psychology, the occult, divination, and the arts.

Leo Actor in the 9th house 5°:

I see that I would be successful if I were to start an acting career! There could be a lot of potential for my acting skills and I would have to take lessons to improve them (9th house often being considered the house of travel, knowledge, and education). This could also mean I will be casted for roles because of my race or cultural background. It is possible it would be required for me to travel for my acting career or I would have to speak in a foreign language. 5° degree is the Leo degree and it also signifies short term fame, going viral, or being famous for your beauty. So this could mean getting casted for advertisements, commercials, and passing modeling auditions. Either way, I will gain prominence in the acting industry because of my charm, charisma, and appearance (I.E: Being selected for roles solely because of my looks).

Leo Lumiere in the 9th house 29°:

This asteroid is specific to film and photography, astrologers interpert this as what roles an actor specializes in. I see the Leo energy for this asteroid as being casted for glamorous and lavish roles or being casted to play a character that's brave or having "main character" energy. As in films that have a coming of age story. I see that I could be casted for roles internationally or will have to film in places out of the country. 29° is a big indication of long term fame but since it is a karmic degree, it could possibly mean having to play in roles that are controversial or challenges what society views as the standard.

Aquarius Fan in the 3rd house 18°:

I could gain fans/followers for shared interests and values. There will be discussions surrounding activism and social causes. People could admire my individuality and ability to be a free thinker. My fans will be mostly on social media platforms and could see them being interested in what I think or have to say. This could mean gaining attention from videos, podcasts, blog posts, or any thing that is a form of written/verbal communication. I could form connections with students from my school as well. 18° (Virgo degree) pertains to health, analytics, and human services.

Gemini Industria in the 7th house 14°:

I am a Communication major and this is a significant placement for me since it pertains to jobs in that career field. It is likely I will be able to work in jobs that pertain to communication such as journalism, podcasts, social media influencer, and so on. The 7th House and 14° degree entails Venusian energy (The 7th house representing Libra and 14° is a Taurus degree). This could mean I could work in the beauty, music, banking/investment, & design industry. I could see myself working in jobs related to beauty advertisement, investing in stocks for companies, and working as a intern for a art gallery/fashion magazine. I also see this a positive indication for singing and modeling. This placement feels very luxurious to me and reminds me of "The Devil Wears Prada". Andy was a college graduate and aspiring journalist who ended up working at a fashion magazine. Could symbolize working in a industry that's Glamorous but also requires communication skills, diplomatic behavior, and great determination.

Aquarius Universitas in the 3rd house 17°:

I associate Aquarius with science and technology. My experience for university this could mostly focus on subjects related to this topic. Interesting enough, for this winter quarter I have 3 classes that are all focused on science (global climate, flower science, & the application of computers in technology). 3rd house has to do with communication, intrapersonal thoughts, and social activities. It is possibly I could make friends through my classes. I am likely to participate in more extracurricular activities or school events this year. 17° (Leo Degree), I see this being considered a "picture perfect student". My mother has spoken with one of my academic advisors recently and they have stated that they were impressed with my diligence when it comes to completing coursework. I might be included in one of the photographs for my university's newspaper or social media platforms.

[soaringwide]

Pick a Card - What is you Persona?

Today we're going to look at your persona, or as the definition goes:

"an individual's social facade or front that, especially in the analytical psychology of Carl Gustav Jung, reflects the role in life the individual is playing"

So this reading won't be about who you are from your point of view, but the role you play socially and lean into, and that others perceive you as. It's especially important for people in the public eye, but I think everyone can gain from being more aware of the mask they wear in society, whether you want to craft a mask of your choosing or desire to be more authentic.

If we're being technical, everyone has different persona depending on the social context (work vs friends, etc), but we'll look at one of them/the main one only.

As always, this is a general reading meant for multiple people so it might not apply to you 100%. Take what resonates and leave out the rest.

PILE 1

Cards: The Gem, The Thread, The Prayer, The Moon, 3 of Wands, the Empress, King of Cups, 8 of Pentacles, Justice, Knight of Pentacles, 4 of Wands, Ace of Pentacles, 2 of Wands

Let's start with a description of your persona, as in, the role you take on in society.

You role in society seems to be of someone who prioritize actions that assist and improve others, embodying the role of a helper. You are a path-maker and actively encourage people to follow along, and they do, because they sense that there is something you see or know that they don't. They see you as someone who has accumulated a lot of wisdom in their field of interest, that makes them some type of refined diamond that shines among common rocks. You are respected and admired for your abilities and people go to you for your specialized advice. They see you as a trailblazer, someone who is not afraid to take the lead and who people come to for their advice and knowledge.

The first impression people get from you is that you appear rather withdrawn and mysterious, secretive even. You don't seem to share a lot about yourself and they don't really get what's going on inside of your head. You might even come off as moody to some because they don't see the inner emotional tides that affect your behavior. This makes total sense after the last paragraph that highlighted that your role is someone who takes action, what you are on the inside you keep somewhat hidden and probably show that to only a few selected people. I'm getting internet persona for some, for others it has to do with work.

For the perceived qualities, people can see that you're someone who is a visionary, someone who has a higher perspective on things. They see you as driven, ambitious and a force to be reckoned with. You are able to communicate your energetic curiosity to others, which makes you a great team leader. Someone who's able to plan ahead and make the right decisions at the right time.

As for your flaws, they see you as someone who has a hard time enjoying the simple pleasures of life, because you're so dedicated to your cause. All work and no play, so to speak. You are very action-oriented and the drawback of that is that you seem rather unreachable, someone who is affected by nothing and that people have a hard time connecting with on a deeper level. They have a hard time getting to know you on a friend or romantic level because you are so focused on your own path that you don't let people in easily.

What others think drive you in life is your desire to be a positive influence on people around you and your dedication to whatever career or cause you are involved with. To lead with compassion and fairness with your greater understanding of things. They also see you as driven by the desire to better your craft and work for your community tirelessly and almost egolessly. So I think despite your withdrawn nature, you still come off as empathetic, it's just very neutral and it doesn't seem to affect you personally.

Above all, as someone who values integrity, you seem to fear unfairness and facing unjust repercussions. There is a fear of being attacked for the wrong reason or by the wrong people and not being able to defend yourself or the people you protect. I'm getting that in our world, things are not always just, in social settings, or even and especially on the political and executive level of things, which makes you very wary of that and you do your best to shield yourself or others from that. There is also a fear of losing control over the situation, again for reasons that would be unjust and outside of your control.

Now getting back to you, your persona has developed within you with the goal of being a link to your community, to bring you together and create a fairer and happier society for you and the people you care about. To bring forward the ideas and values you hold dear to your heart. It allows you to be someone people can rely on to have a positive impact on them. A solid foundation people can go back to when they need to. I'm also getting the word armor, as in, your persona protects yourself.

And it seems its quite aligned with your relationship with your persona, which I intended as a way to see its level of healthiness in your psyche's landscape. I think you're quite happy with the way you work in society. You persona does allow you to grab greater opportunities and makes things happen for you and your community. It's also a way to protect yourself by giving you some type of distance between your core-self and the way you are among others. It brings you a sense of control and security (which I was getting in the previous section), which is the goal of the persona.

I would say, however, that it might feel a bit lonely at time, so make sure you do share who you are on the inside with your chosen people and don't stay trapped in your persona at all times. I really think you're a great person who does amazing things, but don't forget that you also need deep connection and authentic exchanges to remain balanced and happy. You just need to find the right context to allow yourself to do that.

PILE 2

Cards: The Vow, The Lover, The High Priestess, 5 of Swords, 6 of Wands, 4 of Swords, 6 of Swords, Death, the Magician, the Chariot, Judgement, 7 of Swords, the Fool

First let's look at the description of your persona, as in, the role you take in society and how you appear.

You're someone who appears to others as having a rich inner world that they can't quite understand, as if they could sense the ties that bind you to the realm of the mind and the spirit. On the outside, they can tell that you seek living things deeply and experiencing reality with all senses, but that it's not superficial but rather a way for you to reach the meaning of life, in the way of the poet. But there's also some type of almost ascetic vibe to you, as if you indulged in excess in a serious manner. I don't think you appear very grounded or emotional, as if you explored your social settings in an almost disembodied, experimental way; gathering information for a purpose people cannot comprehend because you just don't talk about it and keep it to yourself. They can tell you have secrets and they might not dare asking. You also appear fully committed to your individuality and unapologetic about who you are. It's like you are not grounded in reality/society but rather grounded in your inner world. I will develop more further but I just wanted to give a heads up that this persona is quite complex and layered.

The first impression you make on people is of someone who is proud of the battle they fought and openly talks about their past struggles. They can sense that you are strong and confident even if you haven't exchanged any words yet. They can sense you are a very resilient person who will not let anyone belittle them. You might come off a bit strong though for those who do not resonate with your vibe. However I do think you are aware of that but just don't care.

For your perceived qualities, you appear rather calm and composed, as if nothing and no one could break your peace. They see you as easy going and not someone who will create needless drama with others. You keep to yourself and if there's mayhem around you, you just don't engage. There is again this idea that you're very connected to your inner self and have a lot of personal integrity and always try to align your words and actions.

For your perceived flaws, people can sense you still have some baggage you are dragging with you. You may have had your heart or mind broken a few times and it's making you lacking trust in social interactions and it's blocking you from forming deep connection. You have a vibe of someone who's always a foot in the door, as if you were just passing by. It's like, they can sense your authenticity and you do share who you are on some level, but you're also metaphorically facing away from others, not letting anyone close to your heart. There are no cups in this reading at all, so, again, you don't really show any emotions publicly and would rather show the way you think and your philosophy of the world rather than being emotionally vulnerable. You are very guarded in that sense.

As to what you show as driving you in life, you display the fact that you are here to keep changing and evolving, mastering your self completely and not letting any setbacks get in your way of doing so. You take the saying that one must change themselves in order to change the world at heart and make it a core principle. I keep getting this feeling that you're always pushing and pushing forward without rest, all consumed that you are by your what you desire to transmute.

So it makes sense that your fear would show up as the fear of losing control. Sometimes, it's like the mask of your persona slips for a second and that people see you are terrified of losing agency over your own world. You are afraid of getting lost or trapped in a situation that you do not like and it can make you quite rebellious in sudden outburst, when that mask slips. You don't like when people put into question your way of living and are very protective of your life choices and your personality. You may snap back at people who try to break your balance by attacking your personality, or at least that's what you perceive it as.

Your persona developed as a way to help you communicate the deep and intense person that you are on the outside. I also get the idea of showcasing some aspects of your personality in a way that is intentional and powerful. I think you may have been rather shy and withdrawn in the past, or even as a child, and this persona allows a safe way for you to exist in society with as much authenticity as possible. You have a very soft heat on the inside and you want to protect it.

Finally, for what's your relationship with your persona, which one could also read as how healthy it is, I'm getting that you are fully aware of the mask you wear or the trick you play on people so to speak. Not that you are lying, but you're forging a very specific image and I think you're stealing yourself a bit here because you are not communicating the full depth of your feelings to anyone unless you are 100% sure of their intentions, and it's shooting yourself in the foot because some people will just not connect to you at all because they feel that they can't since you won't allow them in.

However, I do get that your persona is prone to evolving and shifting easily, so I don't think you are stuck in that, at all. I think your persona will naturally evolve as you transmute things within yourself and feel safer expressing other facets of yourself. You do have a deep poetic heart and it would be a shame to hide it behind a wall of spikes at all times.

PILE 3

Cards: the Tear, the Prayer, 3 of Cups rx, 2 of Pentacles, the Tower, Knight of Pentacles, the High Priestess, Page of Pentacles, 8 of Pentacles, 9 of Swords, the Devil, 10 of Swords, King of Cups, the Hanged Man, 8 of Wands, 4 of Cups, Page of Wands rx

Right off the bat I get the sense that you are quite young or at least not fully developed yet and that your persona is not fully formed and is some type of unintentional byproduct of what happens on the inside of yourself. You are probably struggling with mental health issues which may also be why you are appearing in such state, because you got pulled back a bit.

But let's start by describing your persona, of the role you take on and how you appear to others.

You appear as rather closed-off, quite disconnected from the people around you. You may be shy, reserved or even socially anxious. People get the sense that you are quite vulnerable and easily overwhelmed and not at ease at all in social settings. A bit of an antisocial personality as well that make you withdraw and dislike connecting with others, perhaps because you just don't have the spoons although it's hard for other people to understand.

The first impression you make on people is that you are quite unbalanced in the way you behave and react. I get the sense of a past traumatic event that affects your personality greatly and that you're trying to balance by trying to be composed and grounded but it's like you keep shifting between those two opposite sides of the scale. You might appear erratic and unpredictable or the complete opposite depending on the day. But on the good days people can tell you are trying to move forward steadily and carefully.

For your perceived qualities, people can tell that you have gained some type of inner knowledge on life and its pain and that you are committed to rebuilding yourself with hope and dedicated, even if it's in its state of infancy. They can tell you hold some wisdom about human nature and you might be quite intuitive. It's like you're holding this treasure close to your heart and you sometimes show it to others very briefly.

For your perceived flaws, the idea of being disconnected from others show up again, this time to show you are not invested in your community and are very centered on yourself. Can't blame you as I think you have your reasons, but that's definitely something people see. I really think you're just very focused on rebuilding yourself and you don't have the energy to invest in others.

As to what people think drives you in life, it seems you are dead set on overcoming your deep anxiety and just get better and get out of the hole you are in currently. You have your own demons to fight and you are determined to slay them, so to speak. Again, I think you are definitely struggling with mental health issues or substance abuse, perhaps you're even hospitalized (or have been), or are in a time of recovery and that's what's being shown out: this desire to get better and to break the chains that hold you mentally and emotionally.

So it's interesting that for your perceived fear, getting worse and losing mastery of your emotions come forward. You are afraid of losing your stability and not being able to ask or reach out for help. There is a deep rooted fear of further isolation and losing grasp of anything good in life.

Why you developed this persona is because, well, it seems you just didn't have a choice and it happened as a way to survive in some way. You felt stuck as a result of your past struggles and it got pushed outside of you for others to see, so that you could communicate your inner issues and perhaps communicate your need for support in an indirect way. It all came with a sense of urgency like you suddenly had to shift the way you appeared to others in an emergency reaction of sorts.

As I said in the very beginning, you persona appears as an underdeveloped defense mechanism and I don't think it's in a healthy state at all. It's definitely not intentional and right now you're just living in it because that's all you can do. I think you have a very passionate and adventurous core to you that got somewhat pushed back but that will totally emerge again once the crisis is over. Keep hanging on, try to communicate with others more directly and have faith that things will get better because they will!

[koolades-world]

Hey! Can you do an mc that's sort of the emotional regulator of the family so their always careful with emotions and reactions and sort of gentle parent, even with being the youngest? I absolutely love your writing! Have a lovely day! ❤️

hello there :) you got it!

enjoy!!

Emotional regulator Mc

Lucifer

at first, he thought the two of you couldn't be more different

but once he actually got to know you, he realizes you're actually kinda similar

he really admires that you have the perspective of both the youngest, since you are, and the oldest in a way, since you act very grown up

however the place where you part is when it comes to punishment haha

at the end of the day, together you can unwind and chat about everything that happened earlier since you just get each other!

Mammon

he's the local hyper child whose bouncing off the walls and you're the tired mom waiting in line for his happy meal lol, or alternatively, he's the crazy, fun parent, and you're the one the kids ask to sign their permission slip lol

but fr he's for sure dragging you around place to place, trying to get you to "loosen up" as he says

he's very grateful for you because ever since you showed up luci has lightened up on his punishments

opposites attract, after all

Levi

he really enjoys the way you approach problems, and things in general

he loves lucifer but he hates how he just approaches things

yeah he gets in screaming and or physical fights with mammon, but that's justified! obviously lol

he feels like he doesn't appreciate you enough, so he always leaves you lots of little gifts instead of saying it directly to you, because he'd afraid he'll turn into a mess

Satan

you're in the opposite situation as you were with lucifer: he thought you might be really similar but once he got to know you he realized how wrong he actually was

but, the two of you compliment each other! this method works especially well when you're in class together so much so professors go out of their way to pair you together whenever possible

the two of you can connect on a deeper level and have a meaningful talk on emotions in general since you both seriously regulate them

technically, he's the youngest out of the brothers, so really, it works out well

Asmo

he knows he can always turn to you, problem big or small and he knows you won't mock him for it

whether he's having a fashion emergency, or he's having an awful day, he knows you're there for him

as a demon who has lots around him just to ride off the coattails of his fame and likability, he loves that he can place his full trust in you

you're another great duo, as the extrovert and the introvert he adopted haha

Beel

while he can be scary at first, i believe the two of you are really the most similar

he only resorts to more forceful means if he has to and prefers to talk things out despite his strength

he's one to always check up on you, because you always do the same for him

if you ever feel like you have an issue that you can't handle on your own, or that you've been bottling up, he hopes you'll feel like you can turn to him because you can trust him

Belphie

he enjoys being babied by you 100%

he always uses you and your gentle parenting method of things to protect himself from punshiment haha

however, in the back of his mind, he can't help but be grateful and wonder how you do it

he's always sweeter and kinder to you after he found out how much you actually helped him and his family

[st-just]

ive seeeen you mention listening to history podcasts before, are there any that youd recommend? I have looked at whats out there but a lot of the popular ones I saw seemed to be rather dubious if you get me

So an assortment off the top of my head

Mike Duncan's stuff is both generally very good and also the inspiration of 90% of the history podcasts I listen to, so useful for cultural literacy if nothing else. (He podcasted his way into being a bona fide public intellectual for a moment there!) History of Rome is exactly what it sounds like, a narrative history from the mythical foundation of the city to the fall of the Western Empire (getting much more detailed and in depth as it gets into the imperial era). Revolutions is an anthology on what can be called the great revolutions of the modern western world, with series on the English, American, French, Haitian, Spanish American, German/Italian/French again (1848), French round three (Paris commune), Mexican and Russian (also includes a semester-length intellectual history of 19th C europepan leftism) revolutions. First two series are fine but it really gets good with the French Revolution and the Haiti series is some of the best pop history I've listened to or read. Also doubles as just a decent history of the long 19th century in Europe.

Tides of History is the only one of this list that feels like it has an actual production budget and more than one person working on it as part of their actual job. The host is the other guy whose podcasted himself into being a bit of a public intellectual (would rec his substack!) The downside of having a budget is most of the older stuff being locked behind a paywall, which is a shame because the early seasons are some of the best approachable history on the late medieval and early early modern period in Europe I've heard or seen. The current season is about the late bronze age world, and continues to be excellent.

History of Byzantium is explicitly an attempt to pick off where Duncan left off and follow the Eastern Roman empire from the fall of the west to 1452 (it's still in progress, now well into the 13th century). Also much like History of Rome, it starts off fairly general and vague but gets much more detailed as it goes. The general narrative history is intercut with semi-regular interviews with academic historians about the subject of their expertise for more in depth and probably rigorous discussion.

Speaking of Byzantium and Friends is hosted by one of the more prominent working byzantinists and consists of absolutely nothing but that. Much, much more academic - there's a level of assumed background knowledge to get much of anything out of the episodes, and and a level of academic inside baseball, but accurcy-wise this is the podcast I trust most out of all of them.

History of Japan is, again, what it sounds like. One of many podcasts begun by a grad student probably procrastinating working on his thesis that has lasted long enough for him to graduate, get married, and settle into a full time job. Vast majority of episodes are 20-30-minute mini-histories on, say, the biography of a particular political figure or part of a mini-series on the spread of Buddhism or something (plus a few much, much longer series on e.g. the Meiji Restoration). Currently in the middle of remaking/expanding a series that's a general high-level survey of Japanese history to celebrate hitting episode 500.

Criminal Records shares a host with it, but is (intentionally) less rigorous and much more bantery (having two hosts helps, them being married presumably good for the chemistry), also technically a true crime podcast - specifically about weird crimes and legal cases throughout history. My favorite episode is the one on the oldest surviving court case in the record from ancient Sumeria.

The History of the Crusades and it's sequel Reconquista continue the trend of admirably self-explaining names. They're nearly-entirely narrative and political histories, so if you're not interested in crowns, marriages and wars probably give them a pass, but very granular and detailed as they go. Crusades finished after the fall of Jerusalem and then a follow-up about the Albigensian Crusade, Reconquista currently still ongoing (in the 11th century at the moment, I believe).

Pax Brittancia is the one I just finished binging as depression-ameliorating background noise and what I've been posting about recently. Another begun by a grad student avoiding their thesis who has since become a doctor (who had previously completed a podcast on the history of witchcraft, which I have not listened to). It's ostensibly a history of the British Empire, beginning with the Stuart Dynasty (and personal union with Scotland) and moving forward with sufficent attention to detail that after five years and change it's objectively just a very in depth history of the Wars of Three Kingdoms (incl. causes and aftermath). Includes many, many interviews with established historians, including a whole series on Covenanter Scotland and whether its rise should be considered a Scottish Revolution. The narrative just reached Cromwell's inauguration as Lord Protector.

[pikachu78109]

General Team Rainbow Rocket Headcanons

((I’ve been listening to some Team RR boss themes out of nostalgia and I have never written anything about the Pokémon villains (specifically Generation 1-6 respectively) and I figured I would shower my thoughts on these dudes))

Giovanni

Gonna start off with the one and only Giovanni. He’s a bit tricky to pinpoint, but as a Mafia inspired character, Giovanni works in the shadows. He doesn’t operate out in the open (I mean, obviously) and handles the more business side of things such as negotiations and elaborate planning. He doesn’t care about getting his hands dirty but don’t mistake him for being lazy or incapable of fighting.

As a villain, he’s the most put together. He’s a rational thinker and analyzes situations thoroughly. Not much of an optimist, but very opportunistic however it’s coupled with a hypothetical mindset. Giovanni never settles for one backup plan. He never bites off more than he can chew. He bides his time and attacks when the moment comes.

Obviously views himself highly and expects absolute respect. Has no tolerance for failure, like most other villains (except Archie) and punishes Grunts severely for any indiscretion.

Giovanni is aware of Maxie and Archie as they used to be part of Team Rocket in their early years. He has a low opinion of them, Archie especially for his goofy immaturity and lack of asserting his authority. Still, it does impress Giovanni that these two have managed to make a name for themselves as bosses.

Extremely patient. Giovanni can play the waiting game and he prefers it that way. He hates sloppiness and would rather surveillance his opponents before striking. He’s got eyes everywhere to ensure that no stone is left unturned.

Actually a decent father to Silver, but very much so a deadbeat. Not a lot of contact between the two. However, there were a few instances where they crossed paths but it’s usually brief and contains less pleasantries.

Maxie

Stereotypical nerd alert. Maxie is the epitome of the phrase “well, actually” and comes across as SUPER condescending. He thinks he’s doing people a favor by showering them with his logic and reasoning but really, at times, he’s speaking nonsense. He’s petty whenever Archie is around and does things that irk him, but between the two, Maxie does seem more mature albeit condescendingly. Hell, I’ll just say he’s condescending.

Long standing rivalry with Archie. It’s an amalgamation of being petty, competitive, and all round, goofy. On the outside, the other villains don’t take these two seriously. However, by himself, Maxie is actually calm and low key, so to an extent, he’s favored a bit more than Archie. Still, it doesn’t discredit the fact that this nerd has beef with a wannabe pirate over the expansion of landmass vs water.

Motive wise, the rest of the villains see Maxie and Archie’s motivations as idiotic. Biggest facepalm in motion.

Secretly admires Cyrus but at the same time developed a jealousy towards him. Maxie admires Cyrus’ technical abilities, his masterwork tinkering with machinery, and the like, but harbors resentment that he himself struggles with reaching that level of success and skill.

Archie

Loud, proud, and all round ruthless, this pirate has no qualms in throwing down. Very loose and probably the least threatening boss, Archie embraces the pirate life and shows no real strictness in his methods. He gives everything he has in battle and doesn’t have a serious persona like the other RR members, hence why nobody takes him seriously.

Again, he has beef with Maxie as mentioned prior. Archie thinks Maxie is too uptight about everything and needs to loosen up. Highly competitive (especially with Maxie) so Archie is willing to take on his counterpart any time or day.

Probably the friendliest villain in the Pokémon main line series. He’s approachable and has that chill uncle vibe.

He does the most reckless things out of the group. It doesn’t matter what it is. Archie will do some random things, no matter if he ends up getting hurt. He’s sturdy, he can handle anything.

Cyrus

Cyrus is a shut in, a recluse so to speak. He hates engaging with others and doesn’t like to be bothered. He only comes out of his room when he’s has to, but only related to Team RR business.

A quiet man. Rarely speaks but isn’t shy in throwing in his two cents. Can easily clap back an argument with a couple of sentences effortlessly (he’s good with his words) and uses vocabulary that makes Archie scratch his head.

Doesn’t take much for Cyrus to kill the mood. Hell, just his presence alone dies whatever mood everyone’s feeling down by an inch.

Probably one of the few villains that contemplates their actions (Maxie and Archie being in the same camp). He doesn’t regret his actions, but finds himself wondering if something else had occurred how would the outcome change? It’s clear that he gets on fine with your Rotom-Dex, so there is some soft side to this ice cold, stone faced man.

Aside from Ghetsis, the other RR bosses kind of show some level of genuine concern for Cyrus. Like, man, are you okay? Cyrus doesn’t get hounded mainly for the fact that there’s quite literally nothing to bully him for. He’s silent most of the time and, to put it simply, nihilistic (or depressed in some cases). He’s hard to relate to, but that doesn’t mean that the other RR bosses (except Ghetsis) don’t check up on him. Look, they may be evil bastards, but they don’t mess around when it comes to mental health (except Ghetsis; he can go fuck himself).

Ghetsis

A complete madman in the flesh. Ghetsis is an unstable man and let me say that no one approaches Ghetsis unless they have a death wish. The man’s only best friend is manipulation and that’s all he does. Fortunately, Giovanni is aware of this and uses simple yet effective intimidation tactics to unnerve Ghetsis.

Every Team RR Grunt fears Ghetsis. Enough said.

I completely support the theory about Ghetsis and his Hydreigon attacking him. It fits given that his Hydreigon knows the move Frustration (an attack that increases the more the Pokémon dislikes its Trainer) and has used said move on Ghetsis, causing near fatal injuries.

Linking with the prior point, Ghetsis’ right arm was torn off (by Hydreigon) and replaced with a prosthetic, same with his right eye. There are scars all over his torso and legs. He has some mobility issues but can get by okay without any assistance. He wears cloaks to cover every inch of his body to appear bigger, but in actuality, he’s quite scrawny.

Ghetsis tried, at one point, to manipulate each of the RR bosses. Almost worked on Archie (bc Archie is somewhat gullible) whereas Lysandre and Cyrus knew immediately what cyclops was putting down. Maxie kind of just didn’t care.

Inserts himself way. too. much. Ghetsis cannot stand being pushed aside and prefers to be the center of attention. Dramatic, yes, but I can only imagine that if the conversation doesn’t involve Ghetsis, he’ll make damn sure that it makes it back to him, revenant or not. He’s a narcissist trying to dominant, but Giovanni isn’t having it.

No one knows why Ghetsis appears and acts so cruelly. Some say he was just born to be evil while others pin a complex backstory. It’s been theorized that Ghetsis has an ancient linage; his ancestors ruling over Unova, the Abyssal Ruins being a towering fortress that, for the longest time, ruled with power and swath of knowledge and wisdom. Over time, the ruins sank to the bottom of the ocean, taking the last remnants of the Harmonia name with it, leaving behind Ghetsis to carry on that legacy many years later. Of course, Ghetsis perverts the family name by asserting his own sinister misdeeds, pushing his warped philosophy onto others, like N, with manipulation. The God complex he forms has consumed him to the point where he can barely distinguish reality apart from his own twisted fantasy.

Says some batshit insane things that no one can comprehend. Don’t bother arguing with him; he cannot be reasoned.

Lysandre

This man hides his insanity very well. He carries himself with confidence and pride, so you would never suspect this man having committed regional (or global) genocide.

Has a way with words, similar to Cyrus. He can talk his way out of situations with little to no effort as he’s both eloquent and charming.

Quite favorable with Giovanni and possibly with Cyrus.

Can never tell what he’s thinking. You don’t know if he’s joking or if he’s being serious. It’s a constant coin toss and he’ll keep you on your toes. He finds this trait about himself amusing while others, like Ghetsis and Archie, find it annoying.

Despite how insane and deeply twisted his actions are, Lysandre actually used to be a genuine human being. At some point in his early life, he tried to be giving and helping towards his community and all of Kalos, which did help improve the quality of life in the region. But, over time, the constant pressure of trying to solve every problem has left Lysandre empty and exhausted. He has kept trying to find an excuse to continue his good efforts, but every time it yielded the same results, the same cycle. People take advantage of kindness, people fight and bicker over generosity, and people demand more. Lysandre just… burnt out. He got tired and grew to resent humanity’s unwillingness to accept and appreciate what was being given to them, ruining the beauty of the world by perverting the generosity to match their own needs and desires. It disgusted Lysandre, hence why he chose the destructive path that he did. What other choice he did have?

Can be sincere at times. When he says something positive, he means it.

[oneshotnewbie]

Emily PrentissxJennifer JareauxReader:

The reader is working for the BAU and has a really bad migraine (She has chronic migraines but didn't tell anyone). She is really mad and distant toward her friends (you can include the boys too but make me girls main please) and they notice it and have a little intervention with her. After that a lot of fluff where Emily and JJ care for her

Authors note: Unfortunately I don´t have an Emily Prentiss x Daughter reader story, but I have added a new one to write. Until then, there is only one Emily Prentiss x Jennifer Jareau x Reader story from me today

ᕚ---ᕘ

You could say that you were a person with enormous stamina and a high tolerance level. Something that was a must for anyone who worked as a Supervisory Special Agent for the Behavioral Analysis Unit and under Aaron Hotch. Many people admired you for not jumping off the next cliff under the unbearable circumstances of this job.

And you yourself sometimes admired your own achievements. But everyone had their limits and it was a recurring thing that happened during your work hours. You ignored the first triggers. You exceeded your physical limits and your migraine appeared.

You could have guessed it when you got back on the plane from Oxford. The terrible serial killer and the panic it caused in the city, the fact that he had abused and murdered seven women. This case had taken more of a toll on you than you would have liked and you tried to deal with your problems in your own way. Which meant you threw yourself into the work, no matter how mundane every clue was and no matter what wall you hit.

“Y/n, maybe you should take a break?” begged Emily, noticing that you were doing everything you could to get Oxford out of your bones as quickly as possible. You, however, waved her off without saying a word and continued to stare at the white board on which every clue was hanging. "Do not need a break, I am fine." The black-haired went along with it, stayed by your side and tolerated your moods even when they drove her crazy.

Non-stop, without a break and with lack of sleep and malnutrition, you battled the nagging headaches and mild nausea. You became more and more tired, yawned and became increasingly sensitive to the loud noises of the office. Something you could tolerate skillfully. But Emily and your colleagues not.

You clearly knew you were on the verge of a migraine when you started seeing visual symptoms of a migraine aura. Your vision became distorted, sometimes weaker, sometimes sharper. For a few minutes you only saw white in your left eye, but you kept going, not giving yourself a break. You knew that no other woman could die because of you.

Hour after hour you were exhausted and just trudged from the office to the coffee machine. With a nasty headache and feeling like you might throw up, you swallowed it all and sat down on a chair while Penelope talked loudly to Derek. You felt like your head was going to explode at any moment from their voices. "Could you PLEASE shut up or at least go to another room to flirt with each other?" you huffed and massaged your temples, their sighs ringing like a hurricane in your ears. "Some people want to work here."

"Babygirl, are you okay?" he asked, surprised at your momentary outburst. He had never been allowed to see you like this, you had never snapped at him. A sharp pain shot through your temples and you hastily stood up. "Hey, cutie pie? What is going on?" the technical analyst also chimed in and waited for any kind of answer.

"I am fine, just leave me alone." your words came out of your mouth hastily and probably slurred, but you did not care. You had to go to the toilet immediately. Without turning around again, you quickly walked out of the office and stumbled in the direction you were heading. Every time you made contact with the ground, the headache got worse and you begged not to throw up on the way. You saw distorted vision in your right eye while small white flashes danced in front of it.

Rushing into the bathroom, you stood in front of the sink, panting and swallowing convulsively. Having migraines was terrible and right now you could not use one. You sighed in relief when you did not throw up, as long as you did not, it was not all that bad.

Loud footsteps sounded outside the door and a knock made your head explode. “Oh, y/n.” A rough voice spoke and you looked in the mirror. Emily and JJ had pushed through the door one after the other and were now standing with their backs to you, their arms crossed over their chests. Furthermore, you paid attention to your reflection in the mirror, which said that any idiot could see that a corpse in pathology looked healthier than you. So did the trained agents on your team. "What is wrong?"

You did not even hear half of the sentence, the second word was the end of it. You ran into one of the stables, fell to your knees and managed to bend over the toilet just in time. You squeezed your eyes shut as tears streamed down your cheeks and you threw up violently. “y/n?” the blondes voice had an worried undertone and you did not notice her standing strictly behind you. The next thing you felt were cool hands on your neck and shoulders.

Jerking away from the touch, leaning your head back against the wall as you pulled your knees into your body. You tried to block so many sounds and other sensations from your body, while only this crushing and throbbing pain existed in your head.

Once again you felt cold hands on your skin and everything in you protested as they helped him to his feet, an arm was placed around your shoulder and led you out of the bathroom and through the hallway. Soon your face made contact with a pillow and a relieved sigh rolled past your lips. You did not know where you were, just that it was quiet. Still, your currently oversensitive ears heard Hotch appearing to be talking to Emily, JJ, and the rest of the group. "No, we have no idea what is going on."

“Did you ask her?”

"We tried, but we got no response." at some point there was an angry snort at the blonde's answer and there were more footsteps in front of the door. The squeaking sound echoed through your head, pounding inside before the space on the couch shrank and a shadow appeared in front of you. "Sweetie, cards on the table. Tell us what is going on?"

The voice of the of the blonde was painful, yet it was strangely comforting to hear a familiar and loving voice. Still, you flinched violently as something cool was brushed onto your forehead. The nausea slowly subsided. "Chronic migraines since adolescence. But not so severe for a while."

Long fingers tugged at the disheveled and stray strands of hair on your face before she stood up again and walked to the windows. The room darkened, blinds closed and you moaned pleasantly. After making a trip to the door, she told the expected teammates what you had told her. You only heard a quiet "I will stay with her, but someone has to get me the medication out of my bag," before the door closed quietly and she sat down on the office chair, looking over you thoughtfully.

JJ waited for Emily to come back with some things and watched you laying there in pain, exhausted and completely distracted by the thunder in your head, trying to be as silent as she could. A few minutes later, the door opened again. You saw Emily through squinted eyes and spotted a bucket in her hand, a bowl of water, wipes under her arms and a large disposable syringe.

"What do you want to inject into me?" you asked surprised and a little frightened by the size of the abnormally large syringe. The blonde knelt down in front of you, pulling up your sweater and waiting for the black-haired one to hand it over. "Metoclopramide,"

"How do you know what to inject into me and where did you get it from?"

"You are not the only one who gets migraines. I used to get them often enough and since then I have always had an injection with me to protect myself from them in case they happen again." she frowned and laughed quietly. You nodded in acceptance and there was a moment of silence before a hot, stabbing pain shot through your lower torso and you cried out. "That hurts!"

Emily sat on the armrest and slipped her fingers between your own. You squeezed it tightly and she hoped to take the temporary pain away from you. "Why did not you tell us?" the black-haired asked sadly you huffed through gritted teeth. "I did not want to be a burden to you. I did not want to seem weak," you replied, shrugging.

"It was stupid of you not to say anything. At least to JJ or me." She paused briefly and you raised your head in confusion before nodding in understanding and looking over at the blonde. With a half-smile, she placed a band-aid on the wound and placed a thin blanket over your legs. "Okay. Next time I will let you know, I promise."

They both nodded and stood up. While JJ was putting away the trash, Emily leaned over and gave you a gentle kiss on the top of your head before she disappeared out of the door. "I will make you some tea,"

"You never make tea."

"I will do it today for a very special and stubborn person." She spoke in a whisper, winking at you. You laughed quietly and already felt a million times better than you did a few minutes ago. With a yawn, you sank deeper into the pillow and watched as the blonde turned on a small lamp at the desk in the dark room so she could continue working. "Thanks,"

[darklinaforever]

I don't understand why Charlie essentially thinks that Sauron would make Galadriel the equivalent of some sort of secretary for him ? A pretty queen to admire and nothing more ?

Maybe Sauron wants that, but the fact is that it definitely wouldn't happen that way if Galadriel succumbed.

Because we know very well from Tolkien himself that if Galadriel gave in to the temptation of the dark side, she would be much worse than Sauron.

Sauron would therefore have no real control over her. Rather the opposite would happen.

And while I think he would fight to be on the same level as her in terms of power seeing as how he is a control freak, well surely he couldn't help but become anyway a form follower of Galadriel.

After all, he becomes the slave of the rings (and the one ring) and not the other way around according to the show TROP itself as well (and even in the original trilogy with the one ring to which he is literally bind), even though he is their creator. Sauron is therefore technically always subject to something even while attempting to take power.

A lot of people think it would have to do with him being a Maiar and, as much as at first I had reservations, but as time goes by I agree more.

Even if Sauron continued to fight to be on the same level as Galadriel, or to give himself an illusion of domination over her, in the end he could not help but follow her and be submissive to her in one way or another. other.

As he was in season 1 (because he was clearly a follower of Galadriel at that time). As he was under Morgoth (Galadriel is literally compared by Adar to a potential successor to Morgoth in season 1 by the way). As he was under the rings.

[starriri]

Danganronpa Despair Time is a artistic masterpiece.

When I first stumbled upon DRDT, I didn’t see it as anything else but another danganronpa fangame, a simple derivative of the mainline series created by a admiring fan like all the other Fanganronpas invented (not to put shadow on other fangans, as they are all unique and also level to despair time. the skill and work put into them can’t be overlooked. take a look at Heartless Deceit and Brave Danganronpa for example!!! holy fuck!!!!!!!!!!!!). However, it did not take me long to realise that, in fact, Despair Time, is much more than that.

Danganronpa Despair Time is an amazing creation, a hidden gem with quite an alluring charm to it. What else is there to say? (there is a lot more to say.)

Ever since the prologue, the prelude, the start, the calm before the storm, released, Danganronpa Despair Time has never failed to deliver a beautiful and extremely compelling narrative. It doesn’t take a genius to tell that there has been an enormous amount of effort put into it.

The art, for one, is absolutely stunning. It’s level to the likes of famous games like, for example, Fortnite Battle Royale and Call of Duty: Modern Warfare IV. Both games have multiple artists, unlike Danganronpa Despair Time. The fact that it’s just one singular individual working on such is almost unbelievable.

The sprites mimic the Danganronpa style to a verisimilitude, looking extremely realistic. The cutscenes seem to also be similar, yet subtle hints of DTDev’s personal style are shown (eg. The lineweight), creating something that cannot be described as anything but perfection. It’s amazing how it works so nicely.

Let’s not forget the scriptwriting. The characters are extremely realistic, their struggles, goals and motivations hitting quite close to home for many individuals, including me.

For example, let’s take our protagonist, Teruko Tawaki. She is first introduced as someone who has no sense of belonging, not knowing who her parents are and being separated from her only (known) sibling at a young age. This, coupled with her amazing design, displays how Teruko is much more than the Ultimate Lucky Student, much more than simply the main character of Despair Time.

During chapter one, Teruko begins to feel more comfortable around the people around her, enjoying more of her time and even making friends. She builds trust with them, and forges bonds, just like we do.

However, when she meets up with Xander, things start going immediately downhill when he stabs Teruko, causing her to become unconscious and indirectly causing his own death in the process.

Once Teruko wakes up, she’s in the middle of a crime scene: Xander’s now a bloodied corpse, and she’s the main suspect for his murder. Because of this, everyone around her (who, mind you, got along with her extremely well before) began to move away from her.

This is exemplified even more during the first trial, where the spotlight ends up on Teruko, everyone seeming to believe that she was the one that killed Xander even though *he* was the one that attacked her first. Because of this, Teruko ends up flipping out in the middle of the trial, daring the others to vote for her, breaking down in anger and frustration for being betrayed by everyone in such a manner.

In the end, when Min is revealed to be the culprit and promptly executed, Teruko states that she hates everyone and says that she’s never going to trust anyone ever again, moving away.

A lot of people have said that they dislike Teruko for this, but I don’t share the same sentiment. In fact, I think it’s extremely realistic for her to have such a change in nature and breakdown. After all, consider:

- Someone she trusted immensely (Xander) tried to murder her and broke her trust through doing so. Infact, Xander was the first person Teruko met, so his bond with Teruko may have been stronger than the others.

- Min may have technically prevented Teruko’s death, but she also caused Xander’s and framed Teruko for it, making everyone think that Teruko was the one that killed him.

- Even though Teruko was clearly injured and frightened after being stabbed, the others kept seeing her as nothing but a potential murderer who’s proof of guilt would save their own lives, throwing heartless accusations at her without even letting her defend herself. Teruko had grown to like and trust most of them, so what do you think she’d feel if those people began to avoid her and think of her as a bad person who’d murdered someone out of cold blood?

How would *you* react if this happened to you?

Personally, I’d also react the same way as Teruko, throwing a fit and breaking down, perhaps even in tears. I don’t quite see why there’s any reason to hate her for such if you’re going to do the same thing in her position.

Then again, I’m not implying that Teruko is in the right, either. Especially since what she does in the Daily Life segment of Chapter 2, forcing Charles to take his clothes off and holding J at knifepoint among other things. However, there was a reason these occurred, that being the others’ betrayal of trust. Everyone’s technically in the wrong, and that’s the best part.

To elaborate on my last point in the previous paragraph- humans are not perfect. Pardon me for getting into a bit of philosophy and ethics, but there can never be a truly ‘good’ person as there is no true definition of morality, either. For example, someone stealing your copy of Persona 5 Clash Royale Silver isn’t nice, but so is yourself getting angry at them and burying them seven feet underground. Let’s all be honest here: We’ve all done something morally questionable in life at least once.

It’s also the same for the opposite end of the spectrum. In evil, there is still a hint of good. Your teacher in middle school may have been painfully strict, but he still had a soft spot for kittens. Criminals of all sorts have harmless hobbies, like gardening or cooking michelin star meals, that do not harm any humans in the process.

Danganronpa Despair Time understands that concept and utilises it with all the characters, not just Teruko. For example, Arei may seem quite rude, but in chapter two, when Arturo threatens Eden, she immediately jumps in to brutally roast Arturo to make him leave, but offers Eden to become her friend. She, like Teruko, is a extremely well-written character with many dimensions.

However, I digress. The point I’m trying to justify is that all of the individuals that make up the cast of Danganronpa Despair Time are beautiful characters that have clearly been well thought out.

Additionally, the story of Danganronpa Despair Time manages to sprinkle in the perfect mix of humour, drama and realism in its plotline and characters. Even if only two chapters have been released, you can tell that the future chapters will also be beautiful works of art. It’s just that sophisticated and fantastic. I’m surprised that Spike Chunsoft hasn’t contacted DTDev to make DRDT a real installment to the canon Danganronpa series.

Ultimately, to summarise, I’d like to reinstate that Danganronpa Despair Time is a gracious, absolutely splendid work of art this clearly has a lot of thought put into it. It’s characters, plot, story- everything, works together piece-by-piece to form an exquisite piece of media.

I’d like to thank everyone that has worked on DRDT- DTDev, Gen, Hydrator, Haru-Suwan, the voice actors, and the translators- for working to create such a sophisticated and sensational video series.

If anyone that I’ve mentioned above is reading this, from the bottom of my heart, I thank you for creating such a wonderful masterpiece. I cannot reiterate it enough. Thank you so much.

[paintedkinzy-88]

For the rottmnt dragon au, since Leo is jealous of the others ability to fly etc etc, do the other brothers also have elements of Leo that they’re jealous over?

Or follow up question: what are some very unique traits to each of the brothers and their “species” of dragon?

…This’ll definitely get so long, I apologize in advance XD

I’ll try to highlight which paragraph is for which character, maybe that’ll make it easier???

Starting with the unique traits! To get my thoughts together hahaha.

Mikey’s the fastest flier and can make those real quick maneuvers in midair! He likes testing his limits and learning new tricks, all of which give Raph a heart attack. He’s especially proud of dive bombing, where he can tuck in to basically a tiny missile. His tail’s also the most prehensile of the bunch! I gave him the long tail as a reference to his nunchuck chains, so you bet he can grab things and hang from it. Very useful in a fight!

Oh and he breathes fire. He’s the “truest” dragon of them, which is why he’s so much more mystically powerful later on.

Leo’s very similar to Mikey, but in the water. His scales are smooth and he’s physically lean, so he’s an incredibly fast swimmer — and those fins make for quick turns! He can regulate his body temperature a lot more than his brothers, making him less susceptible to the cold, which is helpful for diving. On smaller details, he has the best sight, underwater “hearing” (like he can feel vibrations in the water), and mystic talent (meaning portals are so hard to learn, and he figured it out pretty quickly, even if it might not look like it).

Donnie may not be the fastest swimmer, with his rougher scales and larger figure, but he is more physically strong than his younger brothers. He’s technically faster than Leo, but it’s only in small bursts, giving him a sort of “ramming” ability underwater. He may not be able to breathe fire like Mikey, but it’s clear he was meant to, as he can practically boil water in his throat and mouth to spit at threats. His bite is also quick and powerful, and his lack of chest plates leads to better flexibility in general!

Raph is obviously the tank of the group. He’s stronger in every physical aspect, including his jaws, wings, hands, and, more specifically, his tail. He has the sharpest claws/spines and the most durable body as well, meaning it’s incredibly hard to hurt him or even chip his spines/horns/claws. His size doesn’t make him very fast or agile, but he’s not slow either. He’s also the one that’s sufficient in both land and water (naturally, that is, now that Donnie built his own wings), though that may be more because he had to teach himself to swim well when the twins were younger…

Now, on the “jealousy” question…

Donnie has a tendency to try and match his brothers in areas he is not as naturally talented at, specifically flying and swimming. He admires Leo’s speed and diving abilities underwater, as well as Mikey’s speed and agility in the air. He has always challenged Leo in the water since they were tots, usually trying to test boosters and the such, but has more recently taken to trying to beat Mikey in flight instead. Either way, he hasn’t beaten them much even with his inventions. At this point, he’s just using the two of them as references and a challenge, and has accepted he’d likely never get to their level. (It also doesn’t help that both Mikey and Leo have STRONG competitive natures lmao)

He also wishes he had Raph’s durability, since his scales, though rough, aren’t much when it comes to protection. That’s probably his biggest concern.

Mikey wishes he could swim in general. The little guy’s more like an eagle in the water— he can somewhat swim but is very slow and vulnerable. Imagine a doggy paddle, but with the addition of flapping splashing wings. He also likes to challenge Leo to races, but aside from Mikey sometimes having an advantage in the air, Leo usually still wins. But, aside from maybe wanting Raph’s big size sometimes, the lil dude is pretty content as is!

Raph admires his all of his lil bros’ maneuverability and size (hard to hide in a busy city when you’re an absolute giant). He’s simultaneously envious and terrified of Mikey’s fire and Donnie’s boiling water abilities, too. As much as he would love to be more like a classic dragon, he also sees the absolute disaster it can be, and has been, for the two of them. They don’t need any more fires and scorch marks in the lair, thank you. Raph’s also jealous of Leo’s quick thinking and plan-making, but is equally as proud of it.

It’s all not really on the same level as Leo and flight though… a lot of this is wishing they could do something better like their brothers, or they just accept it’s not possible and move on. Leo dreams of doing something he physically cannot do, and is willing to put his life at risk to even try and fake the same feeling… He can’t accept it. Or at least he can’t move past it.

I like to think the one closest to understanding Leo’s inner turmoil is April! She’s been hanging around these living mythical creatures for years, and the best she can ever get to their level is riding on their back, and that’s really only comfortable on Donnie. At the end of the day, though, she’s the most jealous of Leo in particular, cuz as fun as it is to fly, she’s far more fascinated with the ocean’s mysteries, and Leo’s the only one who can dive deep enough to see them.

[textualviolence]

Meng Yao/Jin Guangyao's Lovers Fuckability ranking

Level minus zero: Lan Xichen. Does not have even a shred of a fatherly relationship to JGY. Treats him like an equal. Is kind to him. Respects him as a person and genuinely likes who he is. Probably inspires JGY to become celibate so they can be chaste together. Some erotic tension if they don't fuck, brushes of hands, purity and chastity causing a rising of tension etc. But there's no way they can have actual sex outside of maybe the hiding from the Wen context. I bet they write poems to each other though. That's very nice. 2/10

Level 1: Nie Mingjue pre-Meng Yao's dismissal. Is technically probably Meng Yao's first dubious fatherbosslover figure. I do imagine he had a certain degree of guilt about it which isn't hot for anyone being victimized by an older authority figure. Definitely probably a lot of the sex they had and especially the kind they didn't have hinged on the fact that Meng Yao looks exactly like Nie Huaisang. I think if NMJ had been willing to cross that line and actually made Meng Yao kinda sorta pretend to be his little brother he would be further up the ranking, alas. The most morally dubious it gets is that Meng Yao is his servant and social inferior and probably aged around 15. However the incredibly high amount of approval he probably dished out regularly and easily alongside sex and orders did prepare the grounds for Meng Yao to then crave that kind of validation all the time and go to ridiculous lengths for it. 4/10

Level 2: Wen Ruohan. Will groom Meng Yao without subjecting him to his weird morality complex. WRH is just a bad guy and doesn't care. Also will favor Meng Yao over his actual blood children, partly as a manipulation tactic and also because his children kind of suck. Definitely loves to play people against each other and will use the trading of sexual favors as a political tool. Actually old enough to be his dad and is also in the same social position as his dad, currently beating his dad in a war, and acting as his dad dangling promises of legitimization in between throne room handjobs and prisoner torture sessions. Can humiliate both NMJ and JGS. Honestly the ideal situation. Too ideal? It's just too straightforward. Give yourself over to me body and soul and do my evil bidding and in exchange i'll give you all the validation you crave. That's so reliable that its suspicious and kind of a turn off. Where's the excitement and rollercoaster of unpredictable reward/punishment? 6/10

Level 5: Nie Mingjue post-Meng Yao's dismissal: No more little brother issue now it's all about how NMJ just wants to kill him at all cost and will risk political disaster in order to do so. NMJ who used to shower him with affection and validation, telling him all the time that he was proud of him and what a good job he was doing as a deputy, now wants him dead. The dick must be incredible. They probably don't have sex often & its never not violent & dangerous, but the high of it lasts for days. It doesn't lessen the rage in the long term but it evacuates it in the short term & where before the sex was coexisting with the validation now the sex IS the validation. Which makes it hot no matter how unvalidating its actually meant to be. Half those bruises he's hiding under his sleeves aren't from Madam Jin let me tell you. Plus he's writing poems to Lan Xichen and strongly considering the benefits of a chaste existence in between. The guilt and hypocrisy and having to lie to Lan Xichen's concerned and loving face when he sees the bruises is only making it more intense. 9/10

Level 7: Mo Xuanyu: He gets to become his dad(s) and take advantage of the willingness and admiration of a beautiful youth who would do anything for him. On top of that they're related. It's 100% reenactment power reversal fantasy combined with the horror of his marriage to Qin Su finding a concrete twisted sexual outlet. This time he fucked a half-sibling on purpose!!! And then he can dismiss him for sexual impropriety the second he comes to his senses and be rid of the sin forever which was half of the need. And then he can feel even more like his dad. 8/10

Level 10: Jin Guangshan: What more can I say. He slaps with one hand and caresses with another. Literally makes Jin Guangyao do the most secret taboo vile political tasks he can't offload onto anyone else and then refuses to touch him because of it until Meng Yao performs some kind of cleansing action, for which he is briefly rewarded with mild approval and even certain shows of affection, but never outside of the bedroom. Keeps a large retinue of whores and plays them off against each other, includes Meng Yao in the games to make sure he feels like one of them. No way to ever feel too comfortable in the certainty he has his father's anything because any shred of positive interaction is extremely hard-earned, unless he shows sign of wanting to leave or waver in his loyalties, in which case his father WILL pull him back with more love and care than he's ever shown which will feel like a drug. I bet he had more than one fight with NMJ over the issue of which groomer his son was to listen to and he won everytime. One show of possessiveness equivalent to 10'000 hours of basic respect in Meng Yao's heart. 10/10

[mjrtaurus]

Crocodile was very, very lost at this moment in time.

Physically he knew where he was: he was seating a dinner table, eating said dinner with Dragon and his in-laws.

In fact this whole trip was to meet his in-laws.

Well yes, he had technically met Garp dozens of times in Warlord meetings but those barely count and until recently he was under the impression that his mother-in-law had passed on.

So when Dragon put the opportunity out there, to sit and have dinner with his parents, Crocodile had perked up in interest.

He had methodically planned everything down to the last detail: from his suit (freshly dry cleaned and pressed, sprayed generously but not excessively in his favourite cologne) to the gift he had brought for the apparently not deceased (flowers were so blasé, he had come with an Eastern Lily Cactus in tow).

He had even made sure to acquire a well aged bottle of whiskey, suited to the Vice Admiral's taste exactly, thanks to his contacts at the Baratie.

He was a careful man. He measures 3 times before he cuts with a single practiced swing. He was a stellar business man, charming as all hell and damn good with his money. He was going to win this dinner.

(Never mind the little voice in his head that sounded too much like his lover telling that a dinner/first impression is not something you can win. He knew that already! Let him have his moment of hyperbole!)

But his cigar had been sent on a one way sea voyage trip, his fine clothes soaked through with sweat while helping firewood and doused in dirt from assisting Dragon in the garden.

He had been given some version of ‘shovel talk’ from that was both way too late and way too graphic, laced with cartoon-ish level threats to his safety if even the thought of breaking Dragon's heart crossed his mind. And to top it all off, he had gotten into an argument because apparently Garp still had an issue with his son (the criminal) being with yet another criminal. Said argument reached its end with Crocodile blurted out “Everyone in your family has either been a criminal or is still currently a criminal. That pillar of moral high ground you believe you’re atop of has eroded to such a point that I am resisting the urge to crane my neck down.”

(Not his proudest moment but he swore he heard a laugh before it was quickly disguised as a cough.)

So here he sat, in borrowed clothes (he was so certain these pants were…polyester but for his sanity he refused to check), staring down at the delicious spread in front of him and the sounds of clinking utensils and light chatter surrounded at least 3 of his senses.

He had realized a few things at all once.

1. He was woefully unprepared for a Monkey D Family dinner.

2. Dragon looked like he wanted to drown himself in his soup, he might just join him.

3. He definitely needs to get the recipes for these dishes, Gabriel and the boys would love them.

Crocodile is a man that’s all about image. Always has been. He’s fashioned a grand persona to hide the flaws. He wears a mask of stoicism, biting sarcasm, and vicious calm to hide the fact that he is still a deeply insecure and wounded man.

And Urpi? She sees right through it. She thinks it’s ill-fitting. She knows he will never be able to be comfortable- truly comfortable- like this.

Dragon had told her that he was a guarded man, and she believed him with all her heart. But to see it in the flesh, to see this man who held her son’s heart looking like he was trying to convince himself just as much as he was trying to convince her that he had his shit together? Oh, she couldn’t have that. Nobody deserved that.

The evening comes around, and she sends Dragon and Garp to tend to the snails (there are a lot of them this season, so there should be plenty of time for her and Crocodile to talk).

“You don’t have to hide around us, dear. I know it’s easier said than done but… there’s nobody here that you need to impress. This is a family to be a part of, not a competition to win.” And she can tell the precise moment that the cool mask cracks. For a split second, he looks threatened, and then he looks skittish.

“Take whatever time you need, dear. Family waits for family. In the meantime, come pick out some recipes you and the boys might like so I can copy them down for you.”

[violant-apologia]

i think renown is like base stats. for a given character, you have to have to conceptualise it differently across the different factions. so uh. here's what high renown with each faction means for briar!

bohemians: this one's the most straightforward – briar is, in fact, renowned in many bohemian circles. many don't agree with him; many don't like his art, but none can deny that he is a prolific and talented artist.

constables: while briar has some qualms with london's constabulary (and they, thus, have some qualms with him) ultimately briar is a lawful guy and has assisted the constables more than his share of times. plus his connections with the masters gives him a level of unofficial authority over a lot of the constables.

criminals: briar used to be part of the underworld of london – nobody particularly important, but he had his own little gang and connections with bigger criminal names. even though he's cut out that part of his life, he's kept the connections.

hell: similar to criminals! he used to be in good with them, before realising they might not have his best interests in mind. he never really had connections with hell, though, so his renown mostly comes from their begrudging respect for his position in the GHR and aptitude with the terpsichore.

revolutionaries: it's not something briar publicises, but he is sympathetic to some revolutionary causes. the emancipationists and the prehistoricists, specifically. while most revolutionaries are anti-briar due to his wealth, respect for law and closeness with the masters, those who reside in the hinterlands view him a little more favourably – and he has substantial influence in pilgrim's dawn, too.

society: briar makes all the appearances he needs to to stay in the good graces of high society. he's viewed by them on the whole as "a bit of an odd one but generally alright". even the ones that look down on his lack of generational wealth have to respect the amount of personal power he's obtained.

the church: briar's efforts with the church at burrow are the primary angle that he relates to the church in london. while its beliefs certainly aren't christian, it still promotes many values that the london clergy find admirable. plus he's technically a bishop

the docks: while he doesn't often spend time with the dockers, briar is far-travelled, has an excellent boat and pays his employees handsomely. even though many dockers will slag him off behind his back, they'll still be clamouring to join up when he wants to hire on more crew.

the great game: this one's obvious. briar has a lot of power and influence in the world of spies – and he takes an active interest in using it. he might not personally be exchanging whispered passphrases or making covert pickups, but that's only because he's got his own pieces to do that for him.

the tomb-colonies: briar's spent decent stretches in the tomb-colonies a few times – after being kicked out of the court, after SMEN, etc.. his fighting style was also developed, in part, from duelling with the colonists – so he's known as an accomplished fencer there, too.

urchins: briar only really engages with urchins when he needs something, but work from him is known among them to be respectful, lucrative and often fun. he respects them in a way few adults do, having been in a similar position himself.