#ancient syria

[bronzegods]

Pantheon #1 - Rider of the Clouds (The Baal Cycle)

Three parts of the world contend as the sky, the sea, and the desert converge.

Commissioned from Amatsu (heitoramatsuart)

[ancientstuff]

Excellent use of old hardware.

[curatorpeyton]

So cool!!

[theancientwayoflife]

~ Bracelet.

Date: A.D. 175-225

Place of origin: Syria, Yakhmour (Necropolis)

Period: Imperial Roman

Medium: Gold; garnet (colored cabochons distributed over the entire surface of the bracelet), emerald root, sapphire, amethyst, chalcedony, glass.

[illustratus]

Queen Zenobia's last look upon Palmyra by Herbert Gustave Schmalz

[thebeautifulbook]

THE DAWN OF CIVILIZATION by G. Maspero and edited by A.H. Sayce. Numerous spot illustrations.

The history of Egypt, Chaldea, Syria, Babylonia, and Assyria.

source

[baebeylik]

Early depiction of Jesus curing a paralytic.

Dura Europos Church. Roman Syria. 3rd Century.

Mark 2:11

[archaeologs]

Palmyra. Temple of Baal. Main entrance showing engaged fluted columns.

Learn more / Daha fazlası https://www.archaeologs.com/w/palmyra/

[artifacts-and-arthropods]

The Lion of Mari, from Syria (Mesopotamia) c.1782-1759 BCE: this is one of two lion statues that once guarded the entrance to a temple in ancient Mari; the lions were partially crushed when Hammurabi laid waste to the city in 1759 BCE

That's a pretty fitting expression, given the circumstances

Together, the two lion statues that were found at the ruined temple are known as the "Lions of Mari." They were unearthed from the ruins at Tell Hariri, where the ancient city-state of Mari once stood; this site is located near the border between modern-day Syria and Iraq.

The lions were likely designed as protomes, given their lack of hindquarters. They were originally stationed on either side of the entrance to the temple, so they are often described as the "temple guardians."

This is the same statue that appears in the first three photos, just seen from a different angle

It's believed that the temple at this site was originally built in honor of a West Semitic deity known as Dagan. Dagan was the chief deity of the Mariote pantheon; he was a particularly prominent figure in the middle and upper regions of the Euphrates, with cult centers in Mari, Terqa, Tuttul, and Ebla, but he was known throughout many parts of the ancient Near East.

The lion is primarily made of copper, with limestone and shale inlay for the eyes, and it measures 53cm tall, 77.5cm long, and 43cm wide, weighing roughly 55kg (about 21in x 30.5in x 17in, with a weight of 121lbs)

The Lions of Mari were partially crushed when their temple was destroyed (along with the rest of Mari) by Hammurabi's forces in 1759 BCE, leaving the statues badly warped...which is why they look really upset.

It's hard to find high-quality photos of the second lion, but he does have a particularly distinctive appearance:

This second lion was most recently housed at the National Museum of Aleppo, in Syria, though its current location/status (in the aftermath of the Syrian Civil War) remains unclear.

These photographs were taken during the original excavations at the ruined temple; they depict the first lion statue as it was still being unearthed (top) and the second statue shortly after it was removed (bottom)

Sources & More Info:

The Louvre: Lion of Mari

Archeologie.culture.fr: Lion Protome

Archeologie.culture.fr: Detailed Information about Ancient Mari

Virtual Museum Syria: Lion Sculpture

[blueiscoool]

Stunning Greek Mosaics Uncovered in Syria

A rare and stunning mosaic panel depicting Greek scenes has recently been uncovered in the Homs province of Syria. Experts say it dates back to the Roman era.

Syrian state news agency SANA reported that archeologists unearthed the sizeable mosaic panel constructed 1,600 years ago in the city of al-Rastan, adding that “the panel has no parallel in the world”.

The Syrian Directorate of Antiquities noted that it was found in an area previously held by the opposition forces of Syria.

Dr. Humam Saad, director of excavation studies and the archaeological mission in al-Rastan, said that the discovery actually took place in 2018. But the Syrian opposition forces who controlled the Homs province meant that archeologists could not uncover it earlier.

However, with the return of Bashar Assad’s regime forces, archaeologists finally received access. This allowed them to reveal the mosaic, which has a length of 20 meters and a width of 6 meters.

Archaeologists still believe there is a possibility of finding more remains under the mosaic.

Unearthed Mosaic depicts two main Greek Scenes

The uncovered Mosaic features two main scenes. One depicts soldiers carrying swords with shields seen with the names of Greek leaders who took part in the Trojan War. The war was a legendary conflict between the ancient Greeks and the people of Troy more than 2,000 years ago.

The second is a portrayal of Neptune(Greek Poseidon), the Ancient Roman/Greek god of the sea, and 40 of his mistresses.

Around the 12th century BC when the rift between the ancient Greeks and the people of Troy began, the Trojan prince Paris abducted Helen, wife of king Menelaus of Sparta.

When Menelaus demanded her return, the Trojans refused. In turn, Menelaus persuaded his brother Agamemnon to lead an army against Troy.

The Greeks ravaged Troy’s surrounding cities and countryside for nine years. The city held out nonetheless, being well-fortified and commanded by Hector and other sons of the royal household.

On the 10th and final year of war, the Greeks had the brilliant idea to build a large hollow wooden horse and hide a select force of men inside. The Greeks pretended to sail away, and the Trojans pulled the horse into their city as a victory trophy. In this manner, they entered the city of Troy and won the war.

A long-held argument about whether the battle actually took place is still raging. Nevertheless, there is enough evidence indicating its truth. Unfortunately, however, no one has ever found the giant wooden horse.

The reality of the battle now justifies all the stories spread about the war. This includes the tale of Achilles. The great ancient Greek warrior was invulnerable because his mother dipped him in the River Styx while a child. Yet according to ancient Greek mythology, he was left vulnerable at the part of the body by which she held him; his left heel.

Greek Mosaic in Syria “complete and rarest of its kind”

Dr. Saad said “It is not the oldest of its kind, but it’s the most complete and the rarest,”

“We have no similar mosaic,” referring to the significance and uniqueness of the unearthed mosaic.

He also told the press that “What is in front of us is a discovery that is rare on a global scale.” Furthermore, he stated, the images are “rich in details, and includes scenes from the Trojan War between the Greeks and Trojans”.

In Ancient Greek and Roman mythology, the Greek demigod hero Hercules slayed Hippolyta, queen of the Amazons, in one of his 12 labours. That finding apparently connects with history.

Saad further added, “We can’t identify the type of the building, whether it’s a public bathhouse or something else, because we have not finished excavating yet.”

Prior to the armed conflict in Syria, there had not been significant excavation efforts in the city of al-Rastan, despite its historical significance in the country, Saad said.

He added that “Unfortunately, there were armed groups that tried to sell the mosaic at one point in 2017 and listed it on social media platforms.”

By James Ssengendo.

[barbucomedie]

Iron Socketed Spearhead from Northern Syria dated between 480-380 BCE on display at the Ashmolean Museum in Oxford, England

The archaeological site of Deve Hüyük in northern Syria was excavated by local villagers and the artefacts were bought by C.L. Wooley and T.E. Lawrence before World War 1.

Photographs taken by myself 2019

[postcard-from-the-past]

Ancient ruins of Palmyra, Syria

Syrian vintage postcard

[brunettedelulu]

The Timeless Divas of the Arab World: Icons of Culture and Power.

The Arab world has produced an array of legendary divas whose influence transcends borders and generations. From the enchanting voices of classical music to the bold icons of modernity, these women have shaped Arab culture while challenging societal norms. Their contributions to music, cinema, and even political movements have left an indelible mark not just in the Middle East, but globally. Let’s explore the rich tapestry of the most influential Arab divas whose legacies endure today.

Umm Kulthum: The Voice of Egypt

Often referred to as “Kawkab al-Sharq” (Star of the East), Umm Kulthum’s impact on Arabic music is unparalleled. Born in Egypt at the turn of the 20th century, her powerful voice and unique ability to convey deep emotions made her a beloved figure throughout the Arab world. Her music, grounded in traditional Arabic scales yet modern in its approach, was a source of unity in a politically fragmented region. With songs like Al-Atlal and Enta Omri, Umm Kulthum became not just a cultural figure but a symbol of Arab identity and pride.

Her monthly radio performances in the mid-20th century would bring cities to a standstill. It wasn’t just her mastery of Arabic maqam or her exceptional vocal control that captivated audiences; it was her ability to tell the story of an entire nation through music. She remains an iconic figure, revered across generations as the quintessential Arab diva.

Fairuz: The Eternal Voice of Lebanon

Fairuz, known as the “Jewel of Lebanon,” emerged during a period of immense political upheaval in the Arab world. Her music became synonymous with the resilience and beauty of Lebanon, particularly during the Lebanese Civil War. Her collaboration with the Rahbani Brothers produced timeless classics that blended Western influences with Arabic tradition, a reflection of the cultural crossroads that Beirut represents.

Fairuz’s voice, often described as ethereal, manages to evoke both nostalgia and hope. Her songs like Bint El Shalabiya and Le Beirut are as much personal odes as they are collective anthems for displaced populations and war-torn regions. Today, Fairuz’s music serves as a bridge between the past and present, her voice still celebrated across the Arab diaspora.

Asmahan: The Tragic Diva

Asmahan, born to a Syrian Druze family in 1912, had a short but highly influential career. Her life was the stuff of legend—drama, intrigue, and an untimely death at the age of 31. With a voice that could effortlessly glide between classical Arabic music and Western operatic styles, Asmahan’s songs reflected the complex identity of a woman navigating multiple cultural worlds. She captivated audiences with songs like Ya Habibi Ta’ala and her starring roles in Egyptian cinema.

Her mysterious death in a car accident has only added to her allure, sparking countless theories and immortalizing her as one of the most enigmatic figures in Arab entertainment history. Her legacy lies in her versatility, her ability to cross genres, and her willingness to push against the confines of traditional gender roles in a conservative society.

Modern Divas: Sherine and Majida El Roumi

The modern Arab world continues to produce iconic divas who both respect tradition and embrace contemporary trends. Sherine Abdel-Wahab, with her dynamic voice and bold personality, has risen to become a pop sensation across the Arab world. Her music blends traditional Egyptian rhythms with modern pop, making her a standout in today’s competitive industry.

On the other end of the spectrum is Majida El Roumi, whose operatic voice and commitment to classical Arabic music have earned her a loyal fanbase. Majida’s songs are marked by their poetic depth and social consciousness, making her not just an entertainer but a cultural commentator.

Divas as Cultural Icons

The influence of Arab divas goes beyond their musical talents. They are symbols of cultural resilience, often representing the hopes and struggles of their respective countries. Whether through their music, public personas, or political engagements, these women have consistently broken barriers, offering an empowering narrative for future generations.

In a region where social and political upheavals are commonplace, the Arab diva stands as a beacon of continuity, a reminder of the region’s rich cultural heritage. Their voices, whether mournful or joyous, continue to resonate with millions, proving that the power of music knows no bounds.

[merelygifted]

Comet explosion may have started agriculture in Syria 12,800 years ago | Space

[twofielder]

Coin of the Day #98 (8/10/2024)

Just upgraded the Elagabalus in my emperor set to a Tetradrachm…

Roman Province - Syria

AR Tetradrachm - 28mm 13.28g

Elagabalus 219 AD

Uncertain Syrian Mint

Obverse AVT K M A ANTWNEINOC CEB

Head of Elagabalus right, laureate, draped

Reverse ΔHMAPX EΞ YΠATOC TO B Δ E

Eagle standing front, head left, holding wreath in beak, * below

RPC IV 7959

[illustratus]

The Illness of Antiochus, or Antiochus and Stratonice (detail)

by Jean-Auguste-Dominique Ingres