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liiterarylancers · 1 year ago

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Why do we visit Pyramids?

“From the heights of these pyramids, forty centuries look down on us.”

-Napoleon Bonaparte

For centuries pyramids have attracted both curiosities and invaders alike. Now that

invasions have stopped and curiosities have been partly fed, it attracts millions of

travellers each year.

But what is so fascinating about these stacked blocks in a conical shape that so many

people are enchanted to visit the harsh deserts of Egypt to get a good glance at this

structure?

It is the mystery that surrounds the construction that captivates historians and tourists

alike. What were pyramids built for? Who built them? Were they just burials or

something more than that?

Mastabas, or bench-shaped mounds, were used as the early Egyptian monarchs'

tombs. Imhotep, King Djoser's architect, constructed the first pyramid around 2780 BCE

by stacking six mastabas, each smaller than the one below, to create a pyramid that

rose in steps. This Step Pyramid is located at Sakkara, close to Memphis, on the

western bank of the Nile River. It has a number of rooms and tunnels, including the

king's burial chamber, just like later pyramids.

Khufu, also known as Cheops, the later Greek form of Snefru's name, erected the Great

Pyramid at Giza, the largest and most well-known of all the pyramids.

A real, but squat-appearing pyramid was created at Dahshur by building a second great

pyramid there with its sides rising at an inclination of slightly more than 43 degrees.

The Pyramid Texts, a significant repository of knowledge about Egyptian religion, are

inscriptions found on the walls of the Fifth and Sixth Dynasty pyramids. However, due to

the absence of historical records, it is challenging to be certain of the specific burial

practices or the uses of all the structures in the pyramid complex. The king's body is

believed to have been transported by boat up the Nile to the pyramid's location, where it

was likely mummified at the Valley Temple before being interred.

Pyramid construction has given rise to rumors. The rather soft stone may have been cut

using the copper chisels, drills, and saws that the Egyptians had at their disposal. A

more challenging issue would have arisen from the use of hard granite for the walls of

the burial chambers and some of the outer casing. The orientation of the pyramids to

the cardinal points required astronomical knowledge.

Whether some things remain clear or not, one thing we know for sure is that these

glorious figures were not just mere burials, but were built for future generations to know

and acknowledge these emperors’ existence, their power, their prestige, and their

splendor.

Today, like many historic structures, the pyramids of Egypt stand strong and high to tell

us all a tale of history and from time to time give us all a detour from our daily lives to

stop and admire what stands behind us is equally mysterious and ravishing as what

stands ahead of us.

#egypt #egyptian #ancient egypt #pyramids #ruins #ancient #article

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rboooks · 1 year ago

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DC x DP Fic idea: The Royal Consort

Wesley Weston runs a blog after getting over his desire to expose Danny's secret- primarily due to no one believing him- and no one pays attention to it since almost all of Casper high school has one too.

The difference between the hundreds of other blogs is that one of his pictures of Phantom is clear. A perfectly uncorrected image of the famous ghost, whereas nearly all other pictures are blurry due to ghosts disrupting cameras. Even Wes isn't sure how he managed to capture him so well.

Another difference between his blog and others is that one of his followers happens to be John Constantine, who followed the kid a long time ago due to the fanfiction of the Bats and found them hilarious.

John opens his phone app, expecting a new chapter to the Bruce Wayne/Superman fic, and spits out his tea upon seeing the High King of the Dead casually in the human world. Horrified that the King has not been appropriately welcomed- which could lead to a war that the humans would never win- he calls an emergency Justice League and Justice League Dark meeting.

It didn't help that they had allowed a county to pass the anti-ecto laws, which ruined any attempt to appease the Ghost King once the news broke to the public. The League still worried about a declaration of war even after they demolished the laws and the United Nations had the States apologize on humans' behalf.

They quickly discover High King Phantom has been visiting Earth for almost three years. Before his coronation, Phantom had not been outside the Infinite Realms very often though he has appeared throughout history. Cave drawings date back thousands of years before the first ancient Egyptians, but he's visits are few and short.

Life would naturally send him back to the Realms because he had too much power and ectoplasm. After taking the throne, his powers only grew, which meant someone had to summon him as the only way for him to stay on Earth longer than an hour.

Now as King, he appeared only within the small town of Amity Park daily. Why?

John sighs. "He has an anchor. Someone is tying him to this plane. Like the helmet for Nabu, which allows Doctor Fate to exist here without being launched back to the Infinite Releams, Phantom has bonded himself. And I know who that is"

He pulls up a class photo on Weston's blog and points to a boy wearing a particular necklace.

"Danny Fenton is wearing the official Royal Consort of the Infinite Realms symbol and has been since he was fourteen. Phantom's husband may be our only hope to salvage the terrible mess the USA's bloody GIW placed the rest of us in."

Danny loved the necklace he found in Pariah Dark's old haunt. He inherited Pariah's haunt and everything inside once he was crowned and hasn't taken it off since. He didn't think it would be an issue. It's not like it would out his secret to his parents or anyone else since it was in Ghost Speech. Even he didn't know what it said.

Then one morning he comes down for breakfast only to have the most important members of the Justice League sitting in his living room waiting to greet him.

Desperate to keep his halfa status a secret, Danny must convince the entire world watching him, that he's just a human who scandalously eloped at age fourteen with one of the strongest beings in the mulitverse.

Jack's horrified "We were shooting my son-in-law this whole time" became a meme that has trended for months.

( Part 2 )

#dc x dp #dc x dp crossover #Danny is girlboss gaslight his way through this #his parents knew he was bi but married!?#The Royal Consort

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phoenix-creates · 4 months ago

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Genshin Impact, Both the Game and the Community, Cannot Hide Their Colorism or Racism Anymore

This is going to be a long read. I refuse to stay silent.

I've played Genshin Impact on and off since 2021 when I was first introduced to it. I drew fanart but rarely participated in the fandom, as Genshin has one of the most toxic and racist fandoms that takes pleasure in driving off content creators of color, perpetuating racism within the communities, as well as harassing and threatening people who dare try to speak out about it. But, for as racist as the fandom is, what can I expect from them considering Hoyoverse as a whole has it's own set of racial problems.

It is clear from the release of Sumeru to the recent teasers of Natlan. Hoyoverse has colorism problems and racism problems and we're going to take a look at them here.

Before we begin, I want to take a moment to say that there will be a lot of information presented in this post. I ask that you read carefully and be considerate of every talking point presented.

Now, let's talk about Sumeru.

Sumeru, the fourth region released in Genshin Impact, draws a lot of real world inspiration from Middle Eastern culture, with even the geography mimicking the real world geography of China and India. The characters, music, food, and geography all draw inspiration from various different real world cultures, and just from a few glances, it is easy to see exactly where and what cultures they’re taking from.

Candace for instance, from name to appearance, draws inspiration from kandakes, which was the title of a queen mother in Nubian kingdoms. Even her accessories, her talents, and her weapon take pieces from other aspects of Egyptian culture.

Cyno, another character from Sumeru, is dressed in garb that mimics depictions of Anubis, the ancient Egyptian God of funerary rites and protector of graves. As with Candace, his talents and abilities reference Egypt.

Even Sethos, a newcomer to the game and also a Sumeru character, has clothes, skills, and a name that alludes to either the Egyptian God Set, the god of the desert and storms, the Egyptian pantheon in general, or the Ancient Egyptian King Seti/Sethos.

These three characters are tanned, anyone can see that, but if you take a closer look you'll notice that they're all around the same shade. Considering all three of them take inspiration from real world Egyptian culture, it is insane to me that they're all a similar shade of the same slightly tanned tone. It is unacceptable that they're all a shade or two away from white when all of them has some aspect of Egyptian culture in their character.

To further shed light on Sumeru's racist sins, there exists a long standing conflict in Sumeru regarding The Eremites, a race of people descended from the ancient, now-collapsed civilization who primarily live in the desert. These people are the enemies in the game. You read that right. The desert dwellers are the enemies and not only that, but unlike the treasure hoarders who disappear into smoke when defeated, the Eremites collapse to the ground like the Fatui.

Why do the Treasure Hoarders, a band of pale skinned thieves, get away but the Eremites, treated as if their culture is lesser, presumably die?

Worse than that, there is a long quest in Sumeru where a white academic from Sumeru spends nearly the entire length of the quest insulting an Eremite. The quest I'm referring to, Golden Slumber, is a multi part quest that has the Traveler accompanying a researcher named Tirzad who is exploring the ruins in the deserts of Sumeru. Throughout the quest, Tirzad spends most of his time complaining and insulting Jeht and Jebrael, calling the latter an uneducated brute whenever Jebrael tries to do anything. And the Traveler is no help, with dialogue options remaining neutral instead of rightfully telling Tirzad to stop.

What we have here is a white man stereotyping a man of color and assuming things about himself and his race due to his own racist biases.

Many players have called out the racism in Tirzad’s actions and this quest overall, but Tirzad at multiple times fails to see the error of his ways and leads the group into life threatening situations simply because he can’t believe an “uneducated desert brute” could possibly know more than him.

I could sit here and pick apart more aspects of Sumeru and it's failures to properly represent the culture it's using, but I want to get into the inciting incident of this entire post, which is Natlan.

When the teaser for Natlan was released, it was just another failure on Hoyoverse's part. To understand why, we can break it down into parts, starting with the character leaks:

Mavuika, presumably the pyro archon, with a name inspired by Māori fire deity Mahuika.

Ororon, a mispelling of the Yoruba god Ọlọrun, the creator deity in the Yoruban pantheon.

Kinich, named after the Mayan god of the sun.

Iansan, another character whose name comes from the Yoruba pantheon.

Xilonen, this name coming from one of the aspects of the Aztec goddess of maize and the goddess of sustenance.

Kachina, name inspiration directly lifted from the religious beliefs of the indigenous Pueblos people.

Chasca, name coming from the Incan goddess of dawn and twilight.

Citlali, a name derived from Nahuatl, which is a language from ancient Mexico.

Are you seeing something interesting with these characters?

Hoyoverse has shoved multiple different cultures under one region and whitewashed every character. They did the bare bones work of lifting names and small design inspirations from so many different cultures and using them in the laziest way possible. If not pale white, the few characters who are tanned are a mere shade darker than Cyno and almost the same shade as Kaeya. There is nothing darker in sight with any of these characters.

Cultural representation matters. If Hoyoverse can explore the cultures of Germany (Mondstadt), China (Liyue), Japan (Inazuma), and France (Fontaine), it is insane that the same sort of love couldn't be given to both Sumeru and Natlan, both nations where we should rightfully be seeing more people of color.

(Side note, we should be seeing more people of color in the previous regions as well, even as NPCs. Bi-racial people exist all over the world, not just in America. Quick google searches will show what I mean.)

I can already hear the arguments against me.

"But Hoyoverse is an East Asian company! They don't need to/don't care about representation!"

Oh really? Because Lilithgames, the company behind Dislyte, is a company based in Shanghai, China. And when you compare the variety of skin tones of Dislyte to Genshin, you cannot make the argument that a company based in Asia doesn't care about diversity. Hoyoverse does not seem to care, but don't make it a blanket statement for all companies.

Still not convinced? Bluepoch, a small Chinese company behind Reverse:1999, is responsible for this character:

Smite, a game published by Hi-Rez Studios and Tencent Games (A Chinese publisher), has a character based on Olorun. And they did just fine in their depiction of him:

And the director behind Tekken 7, Katsuhiro Harad, shared concept art of an Arab fighter they want to add to the game. Why? Because he wanted to make sure he was respecting Middle Eastern culture and asked for feedback to see what can be improved. He posted this concept art and asked the community for input to make Shaheen as accurate as possible:

But sure. Asian companies don't care.

"It's a fantasy world! It doesn't have to 1-to-1 mimic the real world!"

Oh really? So why are characters named after real world cultural figures, why is the food based around real world food, why are outfits somewhat inspired by real world garbs then? If you're gonna draw inspiration from something and use the real world in your game, the world is a diverse place. It is not all white nor all slightly tanned.

"You can always stop playing the game."

I could, but that would mean letting them win and get away with their racism. It would mean letting Hoyoverse think this is the norm instead of the outlier. It would mean staying silent during injustice. I can do a lot of things, and exposing their issues is one of them.

"It could be difficult for them to implement dark-skinned characters."

It actually is not. Look at all the examples from other games and companies discussed previously. It's not hard. Plus, take a look at Wriothesley's concept art:

Originally, he had a different skin tone. So characters with different tones existed but got lightened and changed over time.

"I don't want [insert race here] in my fantasy game/it doesn't matter!"

Honey, you're just racist.

"Wow, I get it now. This is bad. What can I do to help?"

There are several ways:

Use Surveys and Feedback when you log into Hoyoverse games. This problem extends past Genshin, into HSR and ZZZ (a game whose ads promote itself with rap music and yet noticeably lack playable dark skinned characters so far). Use the platforms that they gave us in order to spread the word. Tell them that you're dissatisfied with the cultural appropriation and disappointed in Hoyoverse for taking certain cultures and whitewashing them. Email [email protected] if the feedback buttons aren't working for some reason.

Stop putting money into the game. A lot of companies listen when there's monetary loss involved. Show them that you mean business and stop supporting their business. You can also leave a one star and a review with your thoughts on their cultural appropriation.

Amplify the voices of those speaking out. There are plenty of posts out there better worded than mine that go in depth into a lot of these problems. Multiple voice actors of all ethnicities and backgrounds have spoken up about Hoyoverse’s injustices as well (many of the VAs from the game, including the voices of Albedo, Sucrose, Layla, Beidou, and even VAs for smaller NPCs have spoken out). When you see those posts, share them. Spread the word. Get those voices out there.

Shut down those silencing others. For as many posts out there trying to bring more light to this issue, there are others who try to shut us down. They continue to be racist and double down that nothing is wrong with Natlan. Do not let them get away with this. Show them this post or the myriad of other posts that exist. Tell them to shut the fuck up. Call them out. But don't let them silence anyone else.

If you've made it to the end and learned something, I'm glad. If you've made it to the end and want to further support me or anyone else in this fight, share this post and others like it.

Thank you for reading.

EDIT: As noted in this ask, the naming conventions of characters from other regions as opposed to Sumeru and Natlan. I’ll be adding a separate reblog to this post with a full list of naming conventions from each region.

#genshin impact #natlan #sumeru #genshin #hoyoverse #vent post #genshin cyno #candace genshin #sethos genshin #kaeya genshin impact #colorism #antiblackness

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leroibobo · 1 year ago

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when the homes in the depopulated palestinian village of lifta were originally built is impossible to tell and most likely varies from house to house. the area's been known since ancient times, including having been written about in the hebrew bible. it's retained multiple different names throughout history - lifta by romans, nephto by byzantines, clepsta by crusaders, then lifta again by arabs. in more recent times, the area saw battle in the early 19th century, when it saw a peasant's revolt against egyptian conscription and taxation policies. (egyptian-ottoman ruler muhammad ali had attempted to become independent from the ottoman empire, and sought to use the area of "greater syria" which palestine was apart of as a buffer state.)

the village was predominantly muslim with a mosque, a maqām for local sage shaykh badr, a few shops, a social club, two coffee houses, and an elementary school which opened in 1945. its economy was based in farming - being a village of jerusalem, farmers would sell their produce in the city's markets. an olive press which remains in the village gives evidence to one of the most important crops its residents farmed. the historically wealthy village was known for its intricate embroidery and sewing, particularly of thob ghabani bridal dresses, which attracted buyers from across the levant.

lifta also represents one of the few palestinian villages in which the structures weren't totally or mostly decimated during the 1948 nakba. 60 of the 450 original houses remain intact. from zochrot's entry on lifta:

israel's absentee property law of 1950 permits the state to expropriate land and assets left behind, and denies palestinians the right to return to old homes or to reclaim their property. it's estimated that there's around 400,000 descendants of the village's original refugee population dispersed in east jerusalem, the west bank, jordan, and the palestinian diaspora.

like many depopulated palestinian houses, some of those in lifta were initially used to settle predominantly mizrahi immigrants and refugees, in this case 300 jewish families from yemen and kurdistan. the houses weren't registered in their names, and the area generally saw poor infrastructure and no resources including water and electricity provided by the government. most left in the early 1970s as a part of a compensation program to move out people who'd been settled in depopulated palestinian houses - if they didn't, they were referred to as "squatters" and evicted. (holes were even drilled in the roofs of evacuated buildings to make them less habitable). the 13 families which remain there today only managed to do so because they lived close to the edge of the village.

in 1987, the israeli nature reserves authority planned to restore the "long-abandoned village" and turn it into a natural history center which would "stress the jewish roots of the site", but nothing came of it. several more government proposals on what to do with the land had been brought up since then. this culminated in in 2021 when the israel land administration announced without informing the jerusalem municipal authorities that it issued a tender for the construction of a luxury neighborhood on the village's ruins, consisting of 259 villas, a hotel, and a mall. since 2023, they've agreed to shelve and "rethink" these plans after widespread objection.

the reasons for the objections varied significantly between the opposing israeli politicians - who see the village as an exemplar of cultural heritage and "frozen in time" model of palestinian villages before 1948 - and palestinians - who largely see the village as a witness of the nakba and a symbol of hope for their return. lifta is currently listed by unesco as a potential world heritage site, a designation netanyahu has threatened to remove several times.

many palestinians who are descendent from its former residents still live nearby. like with many other depopulated palestinian villages, they've never ceased to visit, organize tours of the village, and advocate for its preservation.

#palestine #info #nakba #my posts #the dresses link isnt specific to lifta thobs but provides a good overview #i couldn't find anything online abt lifta's embroidery but some of the book pdfs on palestinian costume i reblogged a while ago have info

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