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#ana joy taylor
sophiefosters · 1 year
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ana joy taylor: the queen's gambit season one
listed here are #2, 532 base icons of ana joy taylor as beth harmon in the queen's gambit season one. the icons are sized at 200x100 and you are welcome to edit as long as you keep in mind accessibility for your rp partners. Please make sure to reblog this post before downloading and to credit somewhere on your blog.
trigger warnings: addiction, alcohol, abuse, child abuse.
please view this link for up-to-date triggers that may appear.
p.s. the icons are set as pwyw which means you can get them free or donate if you'd like!
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cinepughs · 11 months
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final girls ✰ knives out x midsommar x ready or not x the menu
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xoxod3adcup1d · 9 months
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vibe-stash · 1 year
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Emma. (2020)
Director: Autumn de Wilde DOP: Christopher Blauvelt Production Design: Kave Quinn
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diet2coke · 1 year
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tojigasm · 4 months
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Chris Hemsworth in Furiosa as Dementus // Achilles, the Illiad
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hellish-cruelty · 1 year
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Good girls play with blood
Films in frame - Last night in Soho, Gone girl, Texas chainsaw massacre (1974), X, Carrie, Kill Bill volume: 1, Jennifer's Body, Suspiria (2018), Ready or not
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rachelzelger · 3 months
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furiosa spoilers
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I think Furiosa watching the love of her love being dragged around for hours and probably slowly dying as a result and being attacked by dogs hurt more then having to rip of her arm off and I think it didn’t hurt as much as it did for her…but that’s just me!
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neutron669 · 4 months
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Ana Taylor Joi from backstage of Furiosa
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femalerageblog · 5 months
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I don't think I will never not be terrified.
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lifesparamour · 4 months
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makiesstuffada · 1 year
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The latina skinny legend
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lighticonx · 7 months
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giffordmayfair · 2 years
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Knives Out (2019)  |  The Menu (2022)
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vibe-stash · 1 year
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The Witch (2015) Director: Robert Eggers Cinematography: Jarin Blaschke Production Design: Craig Lathrop
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petty-crush · 3 months
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“Furiosa: a mad max saga”
-Wonderful deep dive into squalor, insanity and violence. The future medieval grimness of this universe is so strangely addicting.
-Whereas “Fury Road” covered three days in the life of Mad Max, this film notes 15 years of Furiosa’s journey.
+It is a very different headspace.
-the most surprising element was that, in this tale of a side story character(albeit a co lead one) the most delightful sections involved..brand new side characters!
-Furiosa’s mother, aptly played by Charlee Fraser is a real bike riding, sharp shooting, rooting tooting she wolf. She gets the film off like a cannon ball.
-But the glowing star is Tom Burke, who absolutely steals every scene he is in as Praetorian Jack. Just wow.
+his hair lip also reminded me of a super nova young Stacey Keach
-I could watch him and Furiosa tag team all day. Best bruiser buddies duo in a long time.
-The sequence where Furiosa first stowaways the war rig and helps Jack defend it from marauders is the best part of the film.
-in addition to revisiting this desolate world, the action is a prime reason to see this picture. Director George Miller always has really different ways of framing movement so I’m clawing my armrest and wincing at the impact.
-I think the score for this is a bit better than “Fury Road”. It has more of its own identity.
-I’m really back and forth on Chris Hemsworth performance. At times I think he brings in the weakest presence. But mostly is pretty solid
-it’s hard to describe, but this characterization feels a bit too Monty Python fey to really center the film. I get he’s a dweeb who turns sadistic, but it just feels like it doesn’t have enough power.
-I adore the scene where Immortan Joe sizes him up, wondering if the captive child Furiosa is really his daughter. His cold bartering of her is really quite intoxicating.
-Anyone else think that one brown haired war boy looks a bit too much like that live action butt-head from a certain comedy show? Oddly amusing
-I wonder if knowing how Furiosa got from the green place to Joe’s army is all that necessary. It way over delivers, so it has no fault with me.
-Really the only thing I didn’t like was clips from “Fury Road” over the end credits. It just fell flat for me. Especially using the “coming at ya!” steering wheel shot. No buys.
-Ana Taylor Joy is wonderful in the scenes she shows up in.
-I like how the chapter breaks imply a much bigger world, of which we see only fragments.
-Oh man, the tree comeuppance is truly wonderful.
-Glad to be back, glad to get high on the fumes again.
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