#an enemy to Black America.

[cyarsk52-20]

Hitler was an enemy to Black America. There’s no sanitizing him he hated Black folks like the freaking klan READ your freaking history and stop worshipping him, he never loved you!!!

[dol--blathanna]

Thinking a lot about Orym choosing a rabbit when asked what animal he would pick if cursed with lycanthropy.

Because, it makes sense. Orym is small, quick, agile, jumps well, and is highly perceptive. That definitely evokes rabbit imagery. But a lot of Orym’s identity is also tied up with being a protector – giving people AC bumps, the shield being as much a part of his fighting style as his sword, even his title: Saviour Blade of the Tempest. He wants to be a “Shield that protects Exandria”; his priorities about saving the gods are less about the gods themselves, and more about protecting the people of Exandria from the unintended consequences and bloodshed of releasing Predathos. And it would’ve been very easy to pick a large, strong predator to try and evoke the sense of a protector – a wolf, for example, an animal associated with loyalty and protecting its pack. Yet Orym chose a rabbit.

And I think that’s interesting, because rabbits are often seen as ‘cute’ animals – but they’re also a prey animal. In fact, they’re a common food source for many animals across several ecosystems: foxes, wolves, wild cats, dogs, birds of prey like eagles or owls, coyotes, stoats, and humans (and that’s just off the top of my head). Rabbits are skittish, easily frightened; to be rabbit-hearted is to be timid or cowardly. They are not generally associated with fierceness or prowess in fighting. Mice and rats are prey animals too, but typically seen as vermin (rabbits are sometimes seen as vermin too, but a farmer could eat a rabbit – they wouldn’t eat a rat). Deer are prey, but they have hooves and antlers that bring a danger to hunting them, for any animal – the difficulties of hunting rabbits are more related to their evasiveness, speed and good hearing than any life-threatening danger they might pose. Rabbits are, first and foremost, prey animals. They are killed and eaten, so that another animal might live.

Which made me think a lot about one of Orym’s other key traits: self-sacrifice. Bait and switch doesn’t just bump up his ally’s ACs, it specifically switches their place to put him directly in harm’s way. Goading attack is meant to encourage enemies to attack him instead of his friends. He literally made a deal with a hag, essentially exchanging his own life for power to protect his friends. How many times has he gone down in a fight? He’s not the only tank – but unlike Ashton (and Chetney, who also uses ‘self-sacrifice’ in his fighting style with his blood curses) he has no abilities to reduce the damage from the hits he takes (barbarian rage and the werewolf form).

(Side note: I think it’s pretty interesting that Chetney, the wolf, has attacked Orym, the rabbit, more than anyone else when losing control. That Orym’s facial scar was given to him by a friend, not a foe).

Of course, Orym isn’t the only character with self-sacrificial tendencies (FCG wins by a landslide), but I just can’t stop thinking about how weirdly perfect it is that he chose a rabbit for his animal. Rabbits are prey animals. They are eaten, so that other animals may live. Orym takes the hits, he goads and switches with his team mates to put himself in danger, he makes a deal with a hag at the cost of his own life. He’s a soldier, throwing his life away for a cause over and over again because Ludinus must be stopped, because Keyleth has put her trust in him, because it’s the only way to protect his friends, to protect everyone, because it’s the right thing to do. Orym is a rabbit. He’s always been a rabbit. That day in Zephrah, it could have easily been Orym who died instead of Will and Derrig – “unfortunate but necessary sacrifices”, as Ludinus viewed the attack. It’s unfortunate they had to die, but it was for the greater good, according to Ludinus. It’s unfortunate that a rabbit has to die, but it will feed a family of foxes, or stoats, or even a hungry human, so it’s acceptable, right?

Orym is a rabbit. He is giving himself to a greater cause that could very easily kill him – he already willingly signed his life away to Nana Morri. Because that’s what rabbits do. They die to feed others.

And the theme of being disposable is present across the entire group, not just in Orym – Bell’s Hells has been called a “party of NPCs” before. Aside from FCG’s death, I’d say Laudna perhaps fits this theme the best: she was literally murdered and hung from a tree simply because she looked similar to Vex, acting as a warning to adventurers she had never met before. But FCG’s death was – rightfully – viewed as a terrible tragedy by the group. Laudna’s decision to remove Delilah, finally freeing herself from her abuser and emphasising she is more, and deserves to be more, than just some disposable puppet – this was rightfully viewed as a very good thing! But Orym seems to be embracing this identity of self-sacrifice instead, rather than this mindset being properly challenged or acknowledged as a bad thing. After all, there’s no time. There’s too much at stake. Keyleth, Bell’s Hells, all the memories of those who have died in this fight, all the people who might die if Predathos is released and kickstarts a second Calamity – they’re all relying on him, right? A rabbit feeding so many animals with his sacrifice. And it’s not malicious compared to the way that, say, Delilah killing Laudna was an incredibly evil, fucked up and unnecessary thing to do. If Orym died to save everyone else, well, at least everyone else would be saved, right? Saving lives is good, isn't it? How could he complain?

Because rabbits are prey animals, and Orym is a rabbit too. Destined to die so that another animal may feed.

Except, that’s not true. Rabbits are more than just prey. They’re highly social, and thrive best living with others. They’re playful, they enjoy running around and kicking their legs just to show their enjoyment. They’re inquisitive and mischievous, even being associated with tricksters in some folklore and stories. They’re also associated with innocence, playfulness, spring, youth – all manner of things, depending on the story or culture. And they’re not helpless, either, even if they might be thought of as such. They can bite and scratch and draw blood quite easily if they want to! In fact, freezing up isn’t their only response when being attacked by a predator, they are known to fight back if cornered. They can sprint quickly, they have excellent hearing and senses of smell, they know how to evade predators.

Rabbits are prey, and they are also survivors. They have their own social dynamics, their own habits and dislikes and preferences. They are more than just a wolf’s meal. And Orym is more than a soldier, too. He’s more than a “necessary sacrifice”, he’s more than just a shield and sword. He deserves more than to die for a cause. He deserves a happy ending, just like everyone else. I hope he remembers that.

Orym is a rabbit. And the message isn’t that he shouldn’t be a rabbit. It’s that rabbits are worthy of surviving, too.

[thashining]

ACCURATE

[godsfavoriteasian]

If you're a leftist and you're reacting with joy about climate cause disasters devastate the South your racism and classism is showing.

The South In comparison to other regions of Amerikkka Is home to the poorest counties in the nation. The South is also home of a majority of Black on brown voters of color.

The South also has corrupt politicians both Dems and Republicans alike. Both parties offer no alternative other than capitalism and grinding impoverished and marginalized people into the dust (E.x. Hurricane Katrina).

Demonizing the South further alienates working class and poor marginalized people in the south. This especially affects Black and Brown people In the South who are often the target of yt supremacy in state sanctioned violence.

If one discounts the South and all the hard-working leftists who are fighting the good fight against capitalism and against far-right politicians and government authoritarianism, and yt supremacy. It emboldens & allows far-right and neoliberal People to Target marginalized people even more.

Cuz who do you think will be first affected by climate change cause disasters? Not the rich GOP and damn politicians who take vacays to Mexico when SHTF in their states. It's ppl in trailers, disabled ppl, ppl w/o cars, BIPOC, unhoused ppl who are going to be affected.

Let's be honest here, fascism is already here. This country was built as a settler colonial state on the genocide and labour f indigenous and Black people. Just because you're from the north or from the cities or from the West Coast doesn't mean you get to look down upon ppl.

[golddustjedi]

one shot requests open! ✨

hi everyone! I haven’t been on tumblr for a while but I really want to come back and revive my account. I’ve decided to start taking one shot requests again to practice my writing and make friends! have a look at my prompt list, pick as many as you want and send in your requests! I can do star wars, marvel, stranger things, harry potter, obx, and more. just ask!

prompts:

1. "I'll show you the dark side."

2. "I told you to stay behind."

3. "You get back here, that's an order!"

4. "Have you been drinking?"

5. "Where have you been? You were with him/her again, weren't you?"

6. "Do you trust me?"

7. "Why are you helping me?"

8. "I've waited so long for this."

9. "Shouldn't you be sleeping?"

10. "We could get in serious trouble for this."

11. "I'm never going to leave you again."

12. "Finally... after all this time."

13. "Are you crying?"

14. "Was that supposed to hurt?"

15. "I could never love someone like you."

16. "You won't." "Watch me."

17. "I don't believe you."

18. "I don't have to explain myself to you."

19. "You have to be quiet."

20. "Why do you always do this?"

21. "You need to leave."

22. "We need to talk about last night."

23. "Let's not make a scene." "No, let's."

24. "How much of that did you just hear?"

25. "People are staring."

26. "Don't look at me like that."

27. "What did you just say to me?"

28. "I've heard enough."

29. "Who was that? Who were you just talking to?"

30. "Is this a game to you?"

31. "I'm sorry, you're just making it really hard for me to focus."

32. "I don't know who you are anymore."

33. "Do you have to be so loud?"

34. "Have we met before?"

35. "Let me help you."

36. "Who did this to you?"

37. "You're hard to resist."

38. "You're cold. Take my jacket."

39. "Don't be afraid."

40. "The code forbids it?

41. "Get out of here while you still can."

42. "Were you ever going to tell me?"

43. "Am I interrupting something?"

44. "You don't scare me."

45. "No, you listen to me."

46. “I loved you.”

47. “Who did this to you?”

48. “I hate you.” “No you don’t.” “No… I don’t.”

49. request your own prompts!

[yourfandomlawyer]

So, picture a series of movies where the first one takes place back during like WWII, and this one kid and his childhood best friend, let's just say Stan and Betty for now, want to fight for their country, but Stan is pretty weak so while Betty is enlisted he has to put all this work in to get stronger until finally he finishes the training and meets back up with Betty at a celebration. Later though, Stan hears that many members of Betty's infiltry have been captured and has to go against orders to rescue them. Then, Betty helps Stan go back to fight the main villain of the movie, but while trying to help falls and is presumed to be dead. In the next movie, Stan is somehow the same age but in the present day now, and finds out that Betty, his long lost childhood friend who risked her life for his mission, might be alive in the same way he is, but being manipulated to work with the villains they're up against now. During the final fight, Stan secretly lets her go because he believes the woman who risked her life for him and would protect him when he was just a weak kid is still there. When Stan's team finally captures her in the next movie, he goes out of his way to protect her in return, and even has to evade the law himself and cut connections to his best friend. In the beginning of this movie, he had been talking about how, with his commander from the first movie dying, he feels alone with what he's been through, and his friends have been trying to convince him to look for love. So, of course, he runs away with Betty and hides with her out of the country.

I am almost 100% sure anyone who knows anything about Marvel realized this already, but you just read about the Captain America movies if Bucky was a girl. That's- Civil War is literally a romance between him and Bucky instead of like the granddaughter of his original love interest now which, let's be honest, was really weird. Like- why didn't they just go with the obvious option??

[lizamango]

New fic sneak peak extract

The war between SHIELD and HYDRA had ended when SHIELD’S prize was defeated by Johann Schmidt, the leader of the faction at the time. The prize was killed in a blaze of fire and ice, hope was lost for SHIELD, causing them to scatter into hiding.

Now, HYDRA puppets the world’s leaders, in charge behind closed doors, everyone in their pockets. The superior faction. Made up of Assets and Widows.

7 Decades have passed since the day SHIELD’s beloved prize was defeated and yet pockets of SHIELD would stubbornly attempt to put up a fight against HYDRA. Weapons have evolved since then, as did technology. However, our purpose remains.

Hunt them down and kill them off. A once tireless crusade, now approaching its end as SHIELD nears extinction. A pity. For those like me, a Black Widow, who lived for the hunt.

CHAPTER 1

[doctorslippery]

[numberxxisora]

Today, we head for the hills to try and find some dangerous criminals and...out box them?

[rjalker]

IK it's a common racist trope already but Edgar Rice Burroughs very notably likes doing the thing where he has his hero be super super tanned, to the point he describes him as having brown skin, because he wants the ""exotic"" appearance of a person of color, but then has to assure you over and over and over again that this guy is Totally A White Guy, You Can Tell By His Chin (and ect. ect.)

Looking at the cover of one of the John Carpenter books, I feel like he did it in that series(?) too.

Either Anne or Todd McCaffrey also did this. I remember one incident where they (I forget which one) literally said that the tanned white person had darker skin than the actual person of color :\

I don't know if this is a form of Black/brown face but I have noticed it happening a lot in ERB's writing of Tarzan.

[ceilidhtransing]

The discussions around whether or not to vote for Kamala keep being dominated by very loud voices shouting that anyone who advocates for her “just doesn't care about Palestine!” and “is willing to overlook genocide!” and “has no moral backbone at all!” And while some of these voices will be bots, trolls, psyops - we know that this happens; we know that trying to persuade progressives to split the vote or not vote at all is a strategy employed by hostile actors - of course many of them won't be. But what this rhetoric does is continually force the “you should vote for her” crowd onto the back foot of having to go to great lengths writing entire essays justifying their choice, while the “don't vote/vote third party” crowd is basically never asked to justify their choice. It frames voting for Kamala as a deeply morally compromised position that requires extensive justification while framing not voting or voting third party as the neutral and morally clean stance.

So here's another way of looking at it. How much are you willing to accept in order to feel like you're not compromising your morals on one issue?

Are you willing to accept the 24% rise in maternal deaths - and 39% increase for Black women - that is expected under a federal abortion ban, according to the Centre for American Progress? Those percentages represent real people who are alive now who would die if the folks behind Project 2025 get their way with reproductive healthcare.

Are you willing to accept the massive acceleration of climate change that would result from the scrapping of all climate legislation? We don't have time to fuck around with the environment. A gutting of climate policy and a prioritisation of fossil fuel profits, which is explicitly promised by Trump, would set the entire world back years - years that we don't have.

Are you willing to accept the classification of transgender visibility as inherently “pornographic” and thus the removal of trans people from public life? Are you willing to accept the total elimination of legal routes for gender-affirming care? The people behind the Trump campaign want to drive queer and trans people back underground, back into the closet, back into “criminality”. This will kill people. And it's maddening that caring about this gets called “prioritising white gays over brown people abroad” as if it's not BIPOC queer and trans Americans who will suffer the most from legislative queer- and transphobia, as they always do.

Are you willing to accept the domestic deployment of the military to crack down on protests and enforce racist immigration policy? I'm sure it's going to be very easy to convince huge numbers of normal people to turn up to protests and get involved in political organising when doing so may well involve facing down an army deployed by a hardcore authoritarian operating under the precedent that nothing he does as president can ever be illegal.

Are you willing to accept a president who openly talks about wanting to be a dictator, plans on massively expanding presidential powers, dehumanises his political enemies and wants the DOJ to “go after them”, and assures his supporters they won't have to vote again? If you can't see the danger of this staring you right in the face, I don't know what to tell you. Allowing a wannabe dictator to take control of the most powerful country on earth would be absolutely disastrous for the entire world.

Are you willing to accept an enormous uptick in fascism and far-right authoritarianism worldwide? The far right in America has huge influence over an entire international network of “anti-globalists”, hardcore anti-immigrant xenophobes, transphobic extremists, and straight-up fascists. Success in America aids and emboldens these people everywhere.

Are you willing to accept an enormous number of preventable deaths if America faces a crisis in the next four years: a public health emergency, a natural disaster, an ecological catastrophe? We all saw how Trump handled Hurricane Maria in Puerto Rico. We all saw how Trump handled Covid-19. He fanned the flames of disaster with a constant flow of medical misinformation and an unspeakably dangerous undermining of public health experts. It's estimated that 40% of US pandemic deaths could have been avoided if the death rates had corresponded to those in other high-income countries. That amounts to nearly half a million people. One study from January 2021 estimated between around 4,200 and 12,200 preventable deaths attributable purely to Trump's statements about masks. We're highly unlikely to face another global pandemic in the next few years but who knows what crises are coming down the pipeline?

Are you willing to accept the attempted deportation of millions - millions - of undocumented people? This is “rounding people up and throwing them into camps where no one ever hears from them again” territory. That's a blueprint for genocide right there and it's a core tenet of both Trump's personal policy and Project 2025. And of course they wouldn't be going after white people. They most likely wouldn't even restrict their tyranny to people who are actually undocumented. Anyone racially othered as an “immigrant” would be at risk from this.

Are you willing to accept not just the continuation of the current situation in Palestine, but the absolute annihilation of Gaza and the obliteration of any hope for imminent peace? There is no way that Trump and the people behind him would not be catastrophically worse for Gaza than Kamala or even Biden. Only recently he was telling donors behind closed doors that he wanted to “set the [Palestinian] movement back 25 or 30 years” and that “any student that protests, I throw them out of the country”. This is not a man who can be pushed in a direction more conducive to peace and justice. This is a man who listens to his wealthy donors, his Christian nationalist Republican allies, and himself.

Are you willing to accept a much heightened risk of nuclear war? Obviously this is hardly a Trump policy promise. But I can't think of a single president since the Cold War who is more likely to deploy nuclear weapons, given how casually he talks about wanting to use them and how erratic and unstable he can be in his dealings with foreign leaders. To quote Foreign Policy only this year, “Trump told a crowd in January that one of the reasons he needed immunity was so that he couldn’t be indicted for using nuclear weapons on a city.” That's reassuring. I'm not even in the US and I remember four years of constant background low-level terror that Trump would take offence at something some foreign leader said or think that he needs to personally intervene in some military situation to “sort it out” and decide to launch the entire world into nuclear war. No one sane on earth wants the most powerful person on the planet to be as trigger-happy and careless with human life as he is, especially if he's running the White House like a dictator with no one ever telling him no. But depending on what Americans do in November, he may well be inflicted again on all of us, and I guess we'll all just have to hope that he doesn't do the worst thing imaginable.

“But I don't want those things! Stop accusing me of supporting things I don't support!” Yes, of course you don't want those things. None of us does. No one's saying that you actively support them. No one's accusing you of wanting Black women to die from ectopic pregnancies or of wanting to throw Hispanic people in immigrant detention centres or of wanting trans people to be outlawed (unlike, I must point out, the extremely emotive and personal accusations that get thrown around about “wanting Palestinian children to die” if you encourage people to vote for Kamala).

But if you're advocating against voting for Kamala, you are clearly willing to accept them as possible consequences of your actions. That is the deal you're making. If a terrible thing happening is the clear and easily foreseeable outcome of your action (or in the case of not voting, inaction), in a way that could have been prevented by taking a different and just as easy action, you are partly responsible for that consequence. (And no, it's not “a fear campaign” to warn people about things he's said, things he wants to do, and plans drawn up by his close allies. This is not “oooh the Democrats are trying to bully you into voting for them by making him out to be really bad so you'll feel scared and vote for Kamala!” He is really bad, in obvious and documented and irrefutable ways.)

And if you believe that “both parties are the same on Gaza” (which, you know, they really aren't, but let's just pretend that they are) then presumably you accept that the horrors being committed there will continue, in the immediate term anyway, regardless of who wins the presidency. Because there really isn't some third option that will appear and do everything we want. It's going to be one of those two. And we can talk all day about wanting a better system or how unfair it is that every presidential election only ever has two viable candidates and how small the Overton window is and all that but hell, we are less than eighty days out from the election; none of that is going to get fixed between now and November. Electoral reform is a long-term (but important!) goal, not something that can be effected in the span of a couple of months by telling people online to vote third party. There is no “instant ceasefire and peace negotiation” button that we're callously overlooking by encouraging people to vote for Kamala. (My god, if there was, we would all be pressing it.)

If we're suggesting people vote for her, it's not that we “are willing to overlook genocide” or “don't care about sacrificing brown people abroad” or whatever. Nothing is being “overlooked” here. It's that we're simply not willing to accept everything else in this post and more on top of continued atrocities in Gaza. We're not willing to take Trump and his godawful far-right authoritarian agenda as an acceptable consequence of feeling like we have the moral high ground on Palestine. I cannot stress enough that if Kamala doesn't win, we - we all, in the whole world - get Trump. Are you willing to accept that?

And one more point to address: I've seen too many people act frighteningly flippant and naïve about terrible things Trump or his campaign want to do, with the idea that people will simply be able to prevent all these bad things by “organising” and “protesting” and “collective action”. “I'm not willing to accept these things; that's why I'll fight them tooth and nail every day of their administration” - OK but if you're not even willing to cast a vote then I have doubts about your ability to form “the Resistance”, which by the way would have to involve cooperation with people of lots of progressive political stripes in order to have the manpower to be effective, and if you're so committed to political purity that you view temporarily lending your support to Kamala at the ballot box as an untenable betrayal of everything you stand for then forgive me for also doubting your ability to productively cooperate with allies on the ground with whom you don't 100% agree. Plus, if the Trump campaign gets its way, American progressives would be kept so busy trying to put out about twenty different fires at once that you'd be able to accomplish very little. Maybe you get them to soften their stance on trans healthcare but oh shit, the climate policies are still in place. But more importantly, how many people do you think will protest for abortion rights if doing so means staring down a gun? Or organise to protect their neighbours from deportation if doing so means being thrown in prison yourself? And OK, maybe you're sure that you will, but history has shown us time and time again that most people won't. Most people aren't willing to face that kind of personal risk. And a tiny number of lefties willing to risk incarceration or death to protect undocumented people or trans people or whatever other groups are targeted is sadly not enough to prevent the horrors from happening. That is small fry compared to the full might of a determined state. Of course if the worst happens and Trump wins then you should do what you can to mitigate the harm; I'm not saying you shouldn't. But really the time to act is now. You have an opportunity right here to mitigate the harm and it's called “not letting him get elected”. Act now to prevent that kind of horrific authoritarian situation from developing in the first place; don't sit this one out under the naïve belief that “we'll be able to stop it if it happens”. You won't.

[cyarsk52-20]

Exactly these goof balls better get it together the greater majority of the Jewish community is not a freaking enemy to Black America, or even Palestine. That crap is disgusting! Read a ghatdarn book and go back to school ghatdarnit you ignorant fools

[thashining]

It seems Trump is uniting the entire world—against the United States.

[timaeuslover001]

its funny, societies o the past always looked the same in every culture.

the wealthy get to enjoy the most out of life: food, expressing themselves in various types of clothing, traveling for leisure and exploration ect while others (the people) suffer and struggle to barley survive.

nowadays is no diverse but the sad part is talking to some adults and they think the pay for "less important jobs" is okay.

For a teenager? yes, no bills ect, but for legal grown adult aitch bills its not okay> especially if you going to dominate most of their week because most jobs ask you to be open for availability.

but its not their fault when you ahve been convicted to think a certain way by others for a long time, its common to you.

but just a reminder, those "at the to" aren't smart, better or more intelligent or more important than you.

if anything, America needs a self esteem check.

and all this hating, and fighting each other isn't esteeming anyone. we need to encourage and help one another in these trying times.

NOW isn't the time to make enemies out of out of our neighbors, now is the time to be teaming together to STOP the corrupt officials in Capital Hill trying to dictate the quality of our living.

the very value of a human being.

is being dictated to by people who don't care about your mother, father, grandparents ect.

they show us all the time.

they let business have evil policies at work that make impossible to have kids, get married or even miss days off wrk for being sick.

a simple cold can get you fired now and they even WANT you to work sick.

[kefnut-the-gweilologist]

i agree with this generally but can we not mention blackness if we're gonna say shit like 'black-white relations r carefully described'

like if we're gonna be completely honest, we have to acknowledge how a lot of mainstream coverage of stuff relating to black ppl is negative while simulaneously insisting that it has nothing to do with black ppl or blackness

like blm protests become rioting mobs that have nothing to do with antiblackness and critical race theory becomes a threat to the idea of america and not a framework for analyzing racism in legal systems

Just try looking for a positive story on China any day of the week in any of the leading global media outlets. Apart from reports in January about the Lunar New Year, there will hardly be any, and these too are likely to have a negative spin. It would appear there is a confidential memo circulating within Western media groups that guides reporters and editors to ensure there cannot be any positive news arising from a country with 1.3 billion people.

Typically, the negative stories adhere to three core ideas, which inform the unspoken guidelines within these press rooms when it comes to reporting on China.

First is the belief that China is a threat to the world and that this belief must be relentlessly reinforced at every available opportunity. How and why China is a threat is never explored; such is the deep-rooted and almost religious nature of the belief. Sound arguments do not matter. The basic tenets of good journalism are ignored when it comes to a China story. There is no need to explain or give evidence of why China is a global threat.

Left ignored is the plentiful evidence that shows China is not a global threat – even if one can point to mistakes and overreach in certain areas. China has not invaded any country in decades, or imposed sanctions that have devasted the lives of millions in poor countries, unlike the West, led by the United States.

Second is that China must be linked to every possible global event that affects the West. This provides an opportunity for the West to bash China while simultaneously burnishing its own credentials as the supposed arbiters of what is right and wrong in international relations. From the pandemic to the Russia-Ukraine war to carbon emissions; from rising sea levels to the scramble for rare earths; from the building of infrastructure in Africa to the production of vaccines – there must be an angle to demonize the country and instill fear in Western nations (and beyond).

Indeed, media outlets are reverting to the “yellow peril” of the late 1800s. There is no subtle and nuanced approach to instilling fear like this. It is full-on and very often blatantly racist – but it is now acceptable for one to be racist about the Chinese in Western media, despite the fact that Black-White relations are very carefully described.

The third part of this phenomenon, which is surprisingly not challenged by liberal readers of mainstream media, is the sentiment that everything must be done – even illegal and unfair methods – to arrest the rise of China. Never mind the rights of hundreds of millions of Chinese to have a better life after a century of poverty and deprivation.

[periprose]

Sweet as Nuka Cola

Cooper Howard/The Ghoul x Reader

You're an upcoming actress who has a constant flirtation with Cooper Howard. But even if things seem to be off to a good start, a nuclear bomb, a cryogenic pod, and two hundred years of carnage ruins all of it. Is there something to be salvaged from your relationship with Mr. Howard?

Genre: Mutual pining, flirting, slow-burn, angst, friends to kind-of enemies to lovers (no cheating but maybe it's a little murky?)

Word Count: 11k

“Action!”

“Hello. Yes, it’s me.” You wave at the camera, adorned in a classic-red sweetheart neckline dress. “You might know me from ‘Girls Want It All’ or ‘Next Door Babe.’”

Here, you play up your recent bombshell status. As Ed, the director of this advert, keeps reminding you, you need to sell yourself to make customers listen.

You sway in your dress, squeezing your arms and throwing your waist back to plump and push out your chest. The implication of the sex appeal in your movies keeps people watching.

But you’re still a rather new actress, so America might not know you so well. You’re glad Nuka Cola has hired you– if you want to be a star, you need more exposure.

“Do you enjoy feeling refreshed?” You cock your head to the camera, pursing your red lips. “Well, golly, what a silly question. Who doesn't?”

“That's where Nuka Cola comes in.” You lift a bottle out of the cooler next to you, all gentle in demeanour, showing off the logo of the bottle to the camera, in your perfectly manicured hands. “With triple the amount of caffeine found in competitor's bottled cola, it's sure to keep you feeling up for a long, long time.”

“And it's good for you.” Ed whispers, a last minute adlib you did not agree to, but you're a professional, so you add it on with a little wink.

“And it sure as heck is good for you.” You smile, the infamous smile that's won you notoriety to Hollywood execs for being the newest bombshell on the block, and you throw your shoulders back as you really lean into your image. 

“Cut! That's a wrap, everyone!” Ed, wanting to finish early, quickly starts ushering everyone out so not a cent more gets spent. 

You immediately relax out of your practised, professional smile. “Any ADR needed?”

“Don't think so, but we'll let you know.” The director is already moving onto whatever his next project is. Advertisements make more money than anything else these days.

You head over to catering, where you're craving– not a Nuka Cola, considering how much sugar is in that thing it's hardly refreshing at all– but an iced tea. 

You stretch out your ankles in your kitten heels as you prepare it. If you told your Ma back in Mojave that the worst thing about fame would be the uncomfortable outfits, she'd smack you. So you keep it to yourself– you're grateful, you're humble, you'll never be an entitled asshole like those fucking execs.

“Watch out, I'm behind ya.” A man gently presses your shoulder as he walks next to you.

You know that voice. Famous movie cowboy, devilishly handsome, easy to admire. A career worth emulating.

“Mr. Howard?” You turn to look at him, and it is him. Wearing a tuxedo suit, smiling his classic, rugged grin at you.

“The one and the only.” He laughs in a self-deprecating way, as a man tired with his fame and used to mocking it. “Hey, wait, don't I know you?”

You immediately feel your face heat up. “Probably not– lots of people have mistaken me for Lucky Yates so far…”

“No, I do know you.” He points a finger at you, while pouring himself a mug of black coffee. “I told you mister, I'm not here for a long time. Just a good one, and if you can't provide it for me, I'll be inclined to look elsewhere.”

Cooper Howard does a perfect impression of your girly, haughty tone from “Girls Want It All”, and it surprises you that he even knows your dialogue that well. You're not used to this much attention, especially not from one of Hollywood's most notable movie stars.

He says your name.

“Yeah, that's me.” You say sheepishly– even though you know you have to fake that confidence, it's hard when you've been caught off guard. You're starstruck– you don't know how to operate, now realizing that even celebrities are noticing you. “Just shooting an ad for Nuka-Cola.”

“Ah, that’s smart of you.” He leans in– about to give you a bit of Hollywood advice, no doubt– and you feel yourself turning warm at the attention he’s giving you. “I wouldn’t expect any less from one of Hollywood’s upcoming stars– residuals aren’t enough to make the world go round.”

You know he’s admiring your street smarts, but you have to ask. “Upcoming, really?”

“Miss, I’m not sure many other actresses could’ve delivered that little monologue I just did without, er, pardon my language,” Cooper takes a sip of his coffee, his eyes peering down at you over the perimeter of the cup. “Fucking it up. Pantomiming too much wily, feminine shit  that execs love, without that little edge of real, subtle emotion. I’m not the only one who thinks so.”

You giggle a little. “C’mon, really? I hardly got to act the way I wanted to.”

“That’s how it starts. Little moments, little subtleties where you’re letting your real character shine through– it’s noticeable to the industry. More opportunities come that way. But it’s smart to use, uh…” Cooper swallows, a tiny, imperceptible thing that reminds you of your bombshell image, that he must be thinking about it. “Smart to use such attractive imagery, if you get my drift. The public will eat you up.”

The way he drawls that latter part makes you feel excited, but you keep it down– it’s well known Cooper Howard is a married man, and you are not about to be ruined by an affair. Even if he does sound sort of flirty, this sort of complimenting is so common in Hollywood.

“What are you doing in the advertisement shooting lot?” You ask, changing the subject, and Cooper shrugs, a nonchalant ripple of a movement that tells you his general cool demeanour isn’t just acting.

“Promised my wife I’d shoot an advert for her. Vault-Tec, you know?” He admits, telling you he hasn’t forgotten about his wife, either. “Gotta head to the experimental Vault they’ve set up next door.”

“Yes, of course.” You, like anyone else, have seen the ads of Cooper in the Vault-Tec suit– it’s a rather controversial thing to be partaking in, but you think he knows what he’s doing.

“Well, Nuka-Cola.” He hands you an iced tea– one you didn’t even notice him making for you as you were talking to him. “I’ll see you around.”

/

The Ghoul walks around the wasteland, two hundred something years into the future.

He’s searching for a bounty– Leopold St. West– worth at least 1000 caps, and it’s terribly difficult to find him when every single person claims he’s in all these different locations, not a single one correlated to each other.

So he’s walking around a destroyed neighbourhood, where Leopold was last seen a day ago, if his fellow ghouls are to be trusted. If he had to guess, these are the remnants of China Town– the faux Asian-esque details, the cheesy red colouring, the false authenticity Hollywood loves to portray as “good as the real thing”. God, Coop does not miss some parts of the fame.

He suddenly stumbles over a piece of the broken sidewalk. Coop’s usually pretty agile, nonchalant on his feet– he knows this feeling. He’s going through withdrawal.

“Shit, I need a minute.” He mutters to himself, feeling a bit woozy.

He's only got a couple more vials of drugs, so he can't be using them all willy-nilly. No, he needs to recoup things and go through this carefully.

Shelter is necessary– the longer Coop is out in the sun, the harsher the effects of withdrawal feel. And, if he’s lucky, one of these buildings might have something for him to loot– more drugs if he’s extra, extra lucky.

Coop enters a nondescript building– where a radroach is waiting, and he immediately fires at it without even looking, killing it in one shot– and he sees the sign over the entry way, marking the lobby.

This is some Hollywood executive-owned club. It’s hard to tell– two hundredyears of wear-and-tear will do that for you– but Cooper Howard distinctly remembers this place, maybe in some conversation back then, maybe when he was networking. 

Every single thing has a distinct, thick layer of grime over it. Coop thinks of sweaty strippers dancing, actors cheating on their wives– they’re all probably dead now.

He reaches into his satchel and takes a hit of one of his vials– and hopes he can replace what he uses with something here.

There’s not a single bottle behind the bar, and he jostles through, not seeing a chem or a drug left behind by anyone on the floor or behind the counter, and he’s mildly disgruntled over how every place has nearly everything picked clean by raiders, wastelanders– just other people. Coop will always loathe these other assholes.

He climbs the broken stairs with a lanky, languid stretch, making it over a fairly large hole where a corpse waits on the floor below. A raider who didn’t watch where he was stepping. That tells him there should be loot up on this upper floor– at least a bit of it.

He walks to the one closed door in a less-than-discreet hallway, gold sconces and railings marking the way.

“Ah… private office.” Coop jiggles an ostentatious handle to a mahogany door, that is surely leading to an even more pretentiously ostentatious office, and he finds that it’s locked.

A good sign. Most likely no one’s ever been in there, because it’s probably a difficult lock to pick. 

It surprises him that no one’s ever just forced their way through.

Coop doesn’t waste time on this though– he just takes a teeny gun out of his bag, fires it, and admires the hole in the door where the handle used to be. The door creaks open on it’s own, and he saunters into a well furnished, dusty office room.

“Nope, nope, nope…” He pushes box after box in the shelves next to the wall, and they fall with loud clatter– loaded with panicky, nuclear-war-on-the-horizon type shit, like canned meats and beans and preserved jams and pickles. “Fuck no.”

He pushes off a toy figurine of Vault Boy down with extra gusto.

Coop looks behind the desk, where there’s a dusty placard reading Adrian Amos II. He grins– one of the worst producer bastards of all time is not someone he’d feel bad about stealing from, even if there was still some conscience left in him. No, sir, Adrian Amos the second did not deserve any sympathy, especially after the way he was known for bitching about salaries, abusing PAs, and having a predilection for going after less-than-consenting women.

Coop grits his teeth, remembering that asshole and how terrible and gaudy this club was back then. Not that it was better now– but he’s grateful for one man’s deserved death, at least.

He jostles open where the second drawer is filled with the glass clinking sound of many, many vials.

“Fucking jackpot, Jesus.” Coop stares down at how many there are– at least 40 or 50– a hell of a lot to just be left behind.

Well, based on the other supplies, Adrian Amos got fucked over and either didn’t make it to his vault in time, or forgot to run to his private club before heading in.

Coop doesn’t give a fuck, though. He starts piling the vials into his cases, and then back into his bag.

There’s a sudden whirring sound near him. “Huh?”

To his left, an imperceptible secret door has pushed itself outwards, decorated in the same dark brown wallpaper as the rest of the room.

Coop looks down and under– he’s accidentally pressed a secret button on the underside of the drawer. “Fuck.”

He doesn’t know what would be inside the secret room– assassins, raiders waiting on someone to dupe? Maybe even synths, just meant to protect Amos when he needed it.

Inside the room, it’s dark, and he can’t make out anything. Coop can only draw his gun rapidly when there’s a blue light suddenly emitting out from the inside.

He’s careful as he approaches– last thing Coop wants is an ambush– and as his vision improves, he sees it’s a cryonic pod, all frosted over so he can’t make out who’s inside.

Coop sighs, ready to leave it behind– he’s not interested in waking up Amos– and instead, the thing whirs, heating up it’s insides with extremely hot steam, and then opens up with a mechanical flourish.

Coop instinctively steps back, coughing “Holy shit!” as the air whooshes past him.

A body falls out, just looking slightly frosted– mostly thawed by whatever the cryo tank just did. 

/

You're on set again, sitting in a free lawn chair while others get ready for their take– it's not for a Nuka-Cola ad, it's just a guest appearance on everyone's favourite sitcom, The Grady Group, where you play an overly promiscuous babysitter who has no sense for watching over kids.

It's comedic, it's an easy way to get laughs– plus it actually boosts the shows’ ratings since you've been in movies and all. You’re done filming already, you’re just sitting here watching the rest of the shoot, dragging out your return to your car, and then back home. 

Something about the fictional family you wait on, Gill and Gina Grady, and their kids Gideon, Gessica, and Gwen, it makes you miss having a family of your own. In fact, you have half a mind to call your mother, despite all the bitching she’ll give you about the things you haven’t done yet.

It also doesn't help that Gill and Gina are a couple in real life– named Arthur and Bea Smith, they really, really are in love, and in between takes they're often canoodling with each other.

You're happy for them, if not a little– jealous, despite the fact that you're not interested in dating anyone right now. At least, you thought you weren't, but you find that lately, when you return back to your apartment all lonesome after a shoot, you feel like something is missing.

“Hey. Nuka-Cola.” Cooper Howard strolls over to where you're sitting, and you smile up at him, covering your eyes from the sunlight streaming through the windows.

“Mr. Howard. Shooting today?” You ask, and he shakes his head.

“Not at all. Just lounging around, waiting for my kid.” He sits in the lawn chair next to you, leaning back, crossing one leg over the other. “Janey is on a field trip at a museum next door– I thought I’d kill some time before picking her up.”

“Ah, cute.” You grin. Janey Howard is an absolutely precious kid– she shares her dad’s smile, but has a curious nature that you admire. “Is she well?”

“As well as kids can be at that age, running around all the time.” Cooper shrugs. “You know how it is.”

“Kind of. I actually did used to babysit kids, so I know– they can never sit still or mind their business.” You laugh as Cooper grins. 

“So you went method for your guest appearance, huh?” He asks, and you’re mildly baffled.

“How do you know about that?” You squint at him, just being jokingly suspicious.

“Oh, I saw a few clips of your footage. While I was walking over here.” He points over at Stu, the director, standing on the living room set, watching clips on his viewfinder. “Seemed pretty natural to me.”

It almost bothers you that he seems so interested in you and your work, that he always voices support– but he’s well-known for being happily married, for being content in general, unlike you.  

Still, better a friend than nothing at all, that’s what you always tell yourself.

“Thanks. But it’s not hard being around kids, is it?” You reminisce being a kid in Mojave, playing with your friends on your street– and then as a young adult, babysitting new kids that still wanted to play with you. “I still sometimes feel like I’m just a kid pretending to be an adult.”

“That never goes away, darlin’.” Cooper laughs, and you blink. “Being an actor, especially, you’re never losing that childhood sense of wonder, you get my drift?”

“Yeah, of course.” You nod. “I just don’t feel complete, I guess. I’m still waiting for the moment I’ll know I’m an adult– like maybe if I get married or something like that.”

“Being married didn’t change that for me either. Neither did being a dad.” He winces, and scratches at his stubble. “Just don’t tell anyone I said that, but I think it’s all apart of being a human person.”

Your face turns a little more glum at that, and he wonders what he said that bummed you out. It’s not his intention– he wants to cheer you up.

“What’s with the sad, forlorn, ‘I’m-a-pretty-girl-come-comfort-me’ look?” Cooper utters as he leans in, and you laugh a little but silence yourself, recognizing his compliment.

It’s dangerous to flirt with this guy, this taken man who has nothing to gain but a bit of affection he may be missing, but you see that he knows his compliment had effect anyways– and he definitely likes that.

You just choose to assume it’s entirely friendly.

“I just… I like the thought of having a family.” You suck in air,at how foolish and girly this sounds, hardly the cutthroat businesswoman you need to be out here. “This is stupid, I’m sorry.”

“No, no, it isn’t.” Cooper taps his arm rest, thinking. “You’re hurting, I can tell. You got that same pissed off look most ladies get when they ‘don’t wanna talk’ but they’re holding tons of shit inside.”

Damn this guy, you think, but you decide to be honest.

“I just didn’t think it’d be so lonely out here. In Hollywood.” You press your palms together. “Like, everywhere I go, I’m surrounded by classic Americana, the nuclear family– and I can’t believe I’m saying this, but I’m jealous.”

“As a bachelorette, don’t you got plenty of options?” Cooper grins. “I mean, are men not lining up to court Nuka-Cola girl?”

“Ah…” You hum, thinking of dates you’ve had here, settling back in your seat. “I don’t know– it’s cheesy but I want more sincerity.”

“In that case, don’t be jealous, marriage ain’t all that.” Cooper tuts, knowing that you of all people should hear about how it doesn’t complete you. “It’s not perfect, it’s not a magical fairy-tale where everything gets solved, it’s a hell of a lot more work than people let on.”

“Oh.” You knew that, deep down– but hearing it from him really solidifies that for you. It’s a silly dream.

It sounds like he’s speaking from experience, so you quiet down. But you’re not trying to get your hopes up about that or anything.

“And you’re not an idiot, Nuka-Cola. Don’t get into something you’re not a hundred fucking percent sure about.” Cooper clicks his tongue. “If you really feel the urge to suddenly go and play wife with someone, just for me, make sure he’s absolutely worth it.”

“For you?” You raise your eyebrows at that.

“I figure you won’t do it for yourself. Love is blind and all that.” He points at himself. “But if I, as your buddy Cooper, hold you to that? I’ll bet that you’ll vet every single guy.”

“Oh, really.” You smirk at him, your nose scrunching a little. “Is that for my benefit, or yours?”

“Uh…” Cooper is truly caught off guard here. He knows he didn’t intend anything by what he said, but it does feel like… he won’t enjoy the fact that if the next few times he talks to you, continuing become close to you, he’ll have to get the approval of some man.

Some man who wouldn’t even know you as long he has known you. He always likes his chats with you, and there’s an urge inside him not to let you go.

He thinks again that you’re a little too spontaneous. Not easy to dupe, no– he can’t just flirt with you for fun because you’ll always pick up on it, even if he did it by mistake.

“No comment.” He finally answers with a raspy, low tone, one that you barely hear but are satisfied by.

/

A few months later, you check your face in your little compact mirror before stuffing it in your purse and heading inside Sebastian Leslie’s home. Exciting, yes, because this is the first time you’ve been invited not just to network, not just because a big name has seen you in the movies and wants to flaunt that they know you tangentially.

No, this is the first time you know someone, you’re actually in with a crowd– you’re friends with the host. You don’t feel nearly as awkward walking into Sebastian’s comfortable home and seeing familiar faces that you’re close with, decor that you already recognize.

“There she is.” Sebastian greets you with a tight hug– for a massive flirt he’s actually rather protective of you sometimes. “Love the dress, by the way– is that a vintage Chanel? Black is very flattering on you, my dear.”

You get the sense he didn’t want you to be involved in this industry sometimes, but other times– he likes that you put work in.

“I saw your newest advertisement on TV yesterday.” He comments, and you giggle.

“Was it good?” 

“Yeah, amazing as usual– but you gotta do more than that.” Sebastian holds your hand as he pulls you into the crowd of other low-level actors, people who could risk showing up, really, and you fix your dress, a black one with a low square neckline. “Look into Vault-Tec– I’ve been telling Cooper here about how our futures are totally going to be surrounded by their products, even though that fucker does not want to listen.”

Cooper’s lounging in a low sofa in the pit of this living room, holding a crystal glass full of amber liquid, black button up shirt half open– he looks dishevelled, hair slightly askew, jaw off-kilter as he presses his tongue into his cheek, thinking. Lost by something, but still put together as celebrities are. Geez, you really need to temper your attraction to him.

It doesn’t help how he looks at you, either– there’s something deep and reverent about his gaze, like he wants to believe whatever he sees when he’s looking at you– but you have no idea if it’s real, or if it’s just an act like with most of these celebrities.

You used to see him a lot more frequently too, over the last few months. Either at set, or at more fancy parties– most of which he’s been perfectly pleasant and kind to you.

“Of course you’d label me as some fucking chairman for them, Seabass.” Cooper slams back half a pint of whisky, and pours himself some more. “Hey, Nuka-Cola.”

“Hey, Mr. Howard.” You smile gently. You’ve heard about his divorce– everyone has, but you’re not 100% sure why it’s happened, why now when things seemed to be going so well for him.

Well is relative, though. You know loads of actors have decried him privately– no one wants to hang out with the man promoting the end of the world, apparently. It must be a tough thing to only be hired for your wife’s advertisements– and even then, you don’t exactly agree with what they’re marketing, either.

You don’t feel so strongly against Cooper, though. Maybe because you do like him– but also because you know what it’s like to have your image connected to something you don’t really promote. Nuka-Cola isn’t healthy, it’s got enough sugar to induce instant death when drank regularly. But you do it for the connections, the money– and you’re sure Cooper did too.

“Cooper is fine.” He grumbles, and you remember his last name is maybe a sore subject right now.

“Sorry.” You do your best to be delicate as you sit next to him, and Sebastian sits on the other side of you. “How’re you, Cooper?”

“Not bad. If you count being divorced as being alright.” He sighs, and you feel terrible that you even asked. “It’s like I never knew her, man– I thought Barb was different. Or they changed her, I don’t fucking know.”

“She had her eyes set on the prize. As did you, Coop.” Sebastian states, and Cooper turns, affronted.

“We’re all interested in money and glory, Seabass. Fuck you if you think otherwise.” Cooper tenses, and you feel a bit awkward listening in on this conversation.

“What did I say that negates that? I’m as money hungry as they come.” Sebastian shrugs. “I only meant that– despite it all, making money was what you had in common, evidently not the world-going-nuclear shit. Maybe you’ve got a heart of gold, a change of mind, I don’t know, Cooper. But throwing away an easy life just to pay alimony must be fucking awful, so I just don’t think you’re in it for the money anymore.”

“You’re fucking telling me.” Cooper sniggers. “I don’t think Barb cares. I’m here with no career, and she’s out there getting promoted in Vault-Tec. As for the heart of gold… any former marine would’ve been against that shit.”

You want to ask what shit, but you don’t want to overstep your boundaries. You get the general fear of nuclear war– but Cooper sounds more personally affected by it.

Cooper glances over at you. “What do you think? Better to be richer than you can spend in a lifetime, or to be out with a good conscience?” 

“I don’t know if I’m that interested in money.” You say honestly, and Cooper raises his eyebrows.   

“Really? Nuka-Cola’s a saint, huh.” He chuckles– he’s clearly a bit buzzed.

“No, I’m not. Of course I want to have a career.” You think about this carefully, so it doesn’t sound insincere. “Making money is nice– but I don’t think I have the right to say it should come at the cost of human lives. You know Nuka-Cola is terrible for you, right? ”

Cooper stares at you for a moment too long, and then looks away. “Yeah… addicting.”

He’s definitely not talking about Cola, but you continue on. “Yeah, so just in that way– I disagree with how much power marketing has. We’ve convinced America that they need this– just so some chairman can make an extra dollar.”

Cooper looks at you, renewed by whatever you just said. “Hell, woman after my own heart. That’s damn true.”

“Yes, yes, you two oblivious flirts– there’s no art in filmmaking anymore, just commercialism. Not like it hasn’t been the case for a century.” Sebastian chimes in, and you bite your lip, pretending not to notice how Cooper’s face is smirking bashfully. “But, babe. You’re going to want to make your money before the world fucking ends.”

“What’s that?” You startle, and Cooper laughs sardonically at your surprise, while Sebastian gets up.

“Let me get myself a drink– I hardly want to tell this story sober.” He leaves, and Cooper has half a heart to glare at him– he knows Sebastian is leaving the two of you alone so he can do the dirty work.

Not like his reputation can ever get better, especially by telling this story again with it’s lurid details, but at least it doesn't hurt that he's with you. 

“What does he mean by that, Mr. Howard?” You wince at your use of that. “Sorry– I meant Cooper.”

“Ah, call me what you’d like.” Cooper takes another sip of his drink, leaning back in the couch to the point where he is practically lying down and against you. “It sounds good coming out of your mouth no matter what you pick, Nuka-Cola.”

Now that’s a suggestive, loaded line, and you feel a little more comfortable flirting with him even if it’s a bit of a rebound for him. The end of the world is approaching, right?

“The end of the world?” You prod at him, and he sighs, leaning against your shoulder. 

“It’s fucking ridiculous, what it is… probably never going to happen anytime soon.” Cooper’s tone of voice is hazy as he examines his last sip of whisky in the glass. “No, no. Just something those fucking commies put in my head. I guess they’re not really commies, are they?”

“Unless you elaborate, I can’t say.” You utter back at him, and he pushes down a smile.

“Alright. Vault-Tec’s been selling this nuclear protective stuff, right?” He says, and you nod, your cheek brushing against the top of his hair. “All I can say is that a few… radicals, if you will, think that Vault-Tec might actually be more involved with it than they say. Like, they might be…”

“Not just protective, huh? More offensive? Everyone’s got that feeling, Mr. Howard. And that doesn't sound like a particularly commie-train-of-thought to me.” You hear the sorrow in his tone, even if he’s trying to make it sound like a rumour. “Did you hear this from your ex-wife?”

Cooper winces here. He still feels slightly guilty about spying on her. A part of him thinks they might’ve not divorced if he hadn’t found out– but he knows he was bound to find out eventually, and he would’ve just delayed the inevitable.

“Maybe, Cola. Maybe you’re just sharp.” He whispers, and you smile and he feels it– your skin is intoxicatingly close right now.

“So, odds are?” You ask, just curious, and he exhales.

“Bad. I have to agree with them.” He admits, and it feels exhilarating to admit this– that Vault-Tec is gonna nuke the world at some point, that the radicals are more like minded to him than he’s wanted to believe in the past. “Even if it didn’t cost my movies, I regret partaking in what they were selling.”

That’s a big thing for him to say– you know Cooper loves acting, he absolutely adores playing a hardened sheriff, the last vestige of goodness in the wild, wild west. All the times you’ve visited him on his set– probably during his last contractual movie, now that you think about it– and he was always so excited to show off the architecture and intricacies of the fictional western town they’d set up, share script details and little character quirks so you could have an insider’s viewpoint. He even donned his cowboy hat on you, saying you wore it like a natural.

He loved being the hero, really.

He lights a cigarette, and takes a puff.

“Most big-name connections refuse to talk to me because of this stuff– I’ve basically been dropped out of phonebooks all together. They think I’m still in on it, they think I’ve only stopped because of backlash–” He stops as you begin to scratch his scalp, still leaning against your shoulder, but getting progressively into your neck area.

Jesus, that feels good. He thinks. He hasn’t been intimate in a while– Barb became increasingly more cold to him over the last few months, as their marriage kept falling apart.

“Backlash, really?” You whisper. 

“Yeah.” He stutters for just a moment, because your eyes are peering into his, and for a moment he thinks you could really make it as just a bombshell if you wanted to– then he takes another puff. “When really, I was just backing out of what I thought was really a massive crime against humanity.”

“Are you only telling me this to validate your poor conscience? Remedy that reputation a little?” You ask, and he presses his lips together. 

“Well, I'll be honest, yeah. Of fucking course I'd tell the one woman who seems to be like me on this.” He sounds so certain of you, sounds so sure that you're on his side.

And you absolutely are.

“The world’s about to end, Mr. Howard. You're not a bad man for not wanting to support it. I'm inclined to agree.” You inhale deeply, and Cooper stares at you– something stirs inside him as he does. 

“Kiss me, then. Humour me– since none of this will matter soon.” Cooper murmurs, lying on top of your chest now, the smoke from his cigarette enveloping your face.

He’s so close you barely have to move to oblige to what he’s said– you're second guessing yourself for just a moment, because it feels like a dream that he'd ask you to do this, so out of the blue, such a picture perfect fantasy that you almost don't care about the impending doom, and you press your lips gently to his in an upside-down kiss, his hair brushing against your open cleavage, but Cooper is insistent and leans upward, kissing you with such intensity that your head is spinning afterwards.

God, now that's a movie star kiss. You think.

He kisses you again as Sebastian returns, drink in hand.

“Oi! You two. Jesus Christ, can't keep your hands off each other, can you?” Sebastian pretends to vomit. “C’mon, if I want to talk to you at my party, I should have that right.”

You attempt to pull away– but Cooper, being a little mischevious, perhaps wanting to show off in a way he hasn’t been able to, sits up right and kisses you again, this time normally, just very slowly and passionately though, slithering an arm around your waist in a way that has Sebastian rolling his eyes. 

“Okay, present.” He says, not pulling his arm off your waist. 

“Thanks.” Sebastian shakes his head. “I was thinking we should take the mood off with some party games…”

/

It's about 2 AM when you've finally left the party. Cooper didn't want to let you go– he's crashing at an apartment for the time being, but you really don't want to waste yourself on being his rebound, if he really likes you.

You tell him as much, and he likes that– you really are rather sharp about things. 

“Well. Gimme a call when you realize I'm not kidding around with you.” He says unabashedly, holding your hand, kissing it as you leave.

You’re absolutely sure he's drunk, and he's being a little too clingy– but you want to believe him anyways. 

You walk back to your car, alone. Thinking about if Cooper is worth the damage it could have on your potential career. But then again– the end of the world is coming, right?

So maybe it won’t matter. And you find that you like this, the secret potential of this option, just hanging out with Cooper in a place that used to be America, no more expectations on you both. There’s also the chance you just both die, though.

You shudder.

You don't notice that there's a man in the backseat of your car when you get in, brandishing a chloroform stained cloth.

/

The Ghoul prods at the body that's just fallen out of the cryo pod.

Oh fuck. 

It's starting to stir, whoever it is, and Coop knows he's ready, if this is really some synthetic android-clone thing, to make their life hell. Get some of his anger out on something that doesn’t matter.

Wait– he recognizes that cherry red fabric. That coiffed hair, frosty after being inside the pod. Oh, Jesus… even the makeup is the same as when he last saw you. 

“Ah… shit.” He chuckles to himself in exasperation, because this is beyond belief. “Nuka-Cola, is that you?”

You tilt yourself to the side, eyes bleary, unable to see clearly. Everything’s dark. But you know that voice, you just heard it a couple of days ago.

“Mr. Howard?” You croak out, and he hisses inwards– nobody has called him that in centuries. Nobody knows who he is… except for you, of course. 

“The one and the same, baby.” He licks the side of his gums, deciding to stick with his identity for now. “Well, maybe a little different. You wouldn't happen to know what a Ghoul is, huh?”

“What?” You don't know how long your vision is going to stay black for, but you don't like the sound of that. “What the fuck does that mean?”

“Eyes haven't been opened for… two hundred years. I'll give you some time, Cola.” He sighs; cracks his neck, while you sink back into the floor. “Just imagine the ugliest horror-picture monster you can imagine. Zombie, no nose. That paint a picture for you?”

“...”

“What was that?” Coop can't hear you when your voice is muffled into the tiles of this secret room. He grasps your hair gently, from the root, pulling your head upwards so you'll speak– clearly you don't have the strength to lift up your body. 

“I said, how is that any different from before?” 

“Oh, she's still a jokester.” Coop scoffs– despite himself he snorts– and he lets go of your hair so you land back on the floor with a thump.

“–Ow!” You flinch, and then turn over so you’re on your back. “Still an asshole, huh?”

“Me?” He grins maliciously. Ooh, maybe he can use some misplaced anger on you. “You're the one who didn't call back for several weeks.”

“How could I? You can see I've been trapped in a cryo thing for… however long. Did you say two hundred years?” You flatly ask, and Coop still thinks you're lying.

“Yes, and bullshit. You probably had a couple weeks since I last saw you to call me.” He states, and he doesn’t actually hold a grudge, at least not that much of it in comparison to all the other horrid shit that’s happened to him– he just thinks it's funny to push your buttons after all of that, like looking into a mirror of the past– and you groan.

“No, I didn't. I got in my car after Sebastian's party, and some goon sprayed something in my face, I passed out, and he drove me here.” You start, and you begin frowning in such a way that Coop almost feels bad. 

“Why you, sweetheart?” He shakes his head. “You weren't exactly high up in popularity yet.”

“Exactly. No one would miss me.” You spit out bitterly, remember the end to that night, where you were so unaware of your surroundings, and terrified of being assaulted as you were pushed around into this room, blindfolded.

“Adrian fucking Amos, the fucking Second, thought it would be great if I just became his permanent doll during the apocalypse.” You swallow, and Coop sits down next to you, to listen more clearly. You shift towards his body heat– and to his surprise, he still likes that. “See, his daddy has shares in Vault-Tec, so he decided before nuclear fallout happened, he wanted a guaranteed sex slave from his favourite advertisements.”

“Nuka-Cola.” Coop utters with the slowest drawl, concluding your statement– and you like that.

“Yeah, Nuka fucking Cola.” You grimace. “Then he undressed me, put me in this little number, and threw me in the pod. I barely remember this shit because I was so out of it.”

“Shame. I always wondered why you never called me back.” Coop circles back to his little grudge– but he also feels bad, feels some level of guilt that neither he nor Sebastian had the sense to look out for you back then, and you were practically assaulted (maybe actually so if you didn't remember). 

“Yeah, because I wanted to miss out on that piece of ass. Sure.” You joke feebly, and Coop laughs despite himself. 

“Honey, you're gonna run away screaming when you finally see me. Don't worry about it.” He shakes his head. “The real world's a lot more fucking difficult than would'ves and could'ves.”

“Okay, explain. If you're willing to owe me that much.” You start, and Coop gets reminded of that fateful night a couple hundred years ago, where he was the one to clue you into the impending nuclear war.

Not even three months later, it was all over, and you were nowhere in sight– if his mind ever did drift to you, the what-ifs and who-knows that still persisted– he would always assume you were dead.

Now he thinks you're just unfinished business. 

“Fine.” He taps your shoulder, and you lean a little closer towards him– you touch his hand, and instead of flinching as many people have in the past– you trace the tough, callused skin there.

He thinks there’s something wrong with you. Why do you seem drawn to him anyways? You’re completely fucking up his tough guy, lone-wolf persona by being here, and he wants you gone. He pulls away his hand, ignoring how your face falls for a moment.

Coop inhales, and then starts. “In October 2077, they nuked America, bombed it all to hell. By they, I think we both know what I’m implying.”

“It wasn’t the Chinese.” You interrupt, and he shushes you.

“Yeah, Cola.” He starts playing with his fingers, feeling like you don’t deserve to be here right now. That you should’ve just stayed dead. “Vault-Tec destroyed it all.”

It’s no good. He’s an old man, and you’re still as soft and young as ever. He’s always haunted by his past, like with Barb and Janey, and then Sebastian’s voice in every single Mr. Handy robot he comes by, and then finally, his last couple memories with you.

“The last two hundred something years have been filled with carnage, death, unspeakable horrors that your pretty little mind could never comprehend.” He grits out, pushing past the past and remembering that this is who he is now– a killer– and you stare at him vacantly, because his tone is so much more serious suddenly. “Nothing is the same. Everyone has blood on their hands, water is a fucking commodity, if you’re not watching out for humans to betray you, hideous creatures like me roam the ground, and that ground? Sands, deserts, barely a hint of green. It’s nothing worth coming back to.”

“So you’re saying I’m in hell.” You suddenly inhale harshly, and Coop ignores the urge to check on you.

The last thing he needs is an extra person to take care of– especially someone who doesn’t know the Wasteland. So it’s better now that he just weans you off and leaves you here.

“Yeah, sweetheart. And I'm the devil.” Coop sucks on his teeth again. “If you had any sense, you’d go back into that fucking freezer until some utopia is born four hundred years from–”

You flinch, and he stops. 

“Oh, God, my eyes–”

The sight comes back slowly then all at once. Light everywhere, overwhelming your senses. 

You blink, tears rolling down your face. 

“Maybe it would’ve been better if you stayed blind, Cola.” He stares at you as you rub your eyes, taking in the state of the room. 

It’s a warning, but you look up at him again anyways. And Coop waits for the utter horror, for the sign that he really has transformed into a monster, so he can hurry up and leave– this entire conversation with you is just him finishing Cooper Howard’s past with a bow. A shiny, Nuka-Cola-red bow.

“...” You swallow, and then bite your lip, tilting your head up at him. “Couldn’t let go of the cowboy identity, huh?”

Coop furrows his non-existent eyebrows, disliking how hard you’re making this, how clever you still seem to be– you also seem way too relaxed with him. He has half a mind to fire a warning shot at you. “Yeah, okay, darlin’. You’re just avoiding facing that horrific, bile-inducing sensation in your throat, aren’t you?”

You shake your head, disagreeing immediately. “You might look– a little less like how I remember you, I guess… but you’re still you. I see it, and apparently so do you.”

How dare you? Coop thinks, how dare you intertwine his two images together so easily when he could never be the same man again, when just seeing an old VHS tape of one of his movies pains him?

“Yeah, no thanks. If this is your way to get me to valet you around, I’m not that man anymore, Nuka-Cola.” He resents the way you think he could still be good– just because his western image brings him a little comfort nowadays. “Not a sheriff anymore.”

Your face drops, but you seem to take that information readily. “Yeah, I figured that based on your outfit, the little blood splatters on your pants… if that’s how the world is, then so be it.”

You’re saying things that on paper should be right– but Coop is getting more and more disgruntled with you, and you feel like you need to separate yourself from him. Yes, tough, because to you it’s been all of forty-eight hours since you kissed him– but you can see, no matter how deep the original Cooper Howard is inside this new Ghoul, you’re not going to be able to bring him out.

You stand up, on shaky, bare feet, and motion for Coop to move out of the way. Independent woman to the end, you are, and you want to get your bearings without him.

Coop internally sighs. He doesn’t believe for one second you’ll survive out there– and he really doesn’t need to spend the time seeing you die, so he turns around, and leaves you here.

/

He never did find Leopold St. West, much to his chagrin– you really, really messed up his day. 

It happens. Sometimes he’ll see Janey in another person’s eyes and freak out, and have to boil it down by murdering random raiders. 

But now Coop is just spiteful. He’s always figured that a lot of what happened to the world was just a bunch of rich people picking and choosing a destiny for themselves to the detriment of everyone else, and now he’s aware that included you, too. To casually be grabbed away by some man, just because he was rich… Coop isn’t unsympathetic to how you ended up, even if he treated you quite poorly. It’s sickening.

Two hundred years of quiet, always-dwelling agony, the first few years out of fear for being alone, and the next few years spent conspiring about what could’ve happened to his family– and then here you are as confirmation of his worst theories.

No wonder he enjoys his casket time.

/

Coop sighs.

Vaultie is hard to keep track of. She got away with murder this time at the organ harvesting clinic– so Coop finds it easier to stop working with her, to move when he wants to.

The Govermint (really just Booker’s shitty gang) was rather easy to dismantle. The two sheriffs that he killed required no expertise on his part.

He’s thinking about the fact that since Moldaver is still alive, and apparently that fucker Hank MacLean, then that means there’s a good chance Barb and Janey are too– perhaps he could go and find them.

It’s an odd urge, though. Everytime he thinks about it, he wonders how he’s actually supposed to connect with them again– they’ve been fractured for so long, and he’s changed, and there’s a good chance neither of them would accept him like this.

But you did, didn’t you? You were on the verge of saying yes, you’d accept him– as if nothing had changed.

Coop grumbles. The big, significant difference is that you were infatuated with him, but Barb divorced him, and Janey was too young to make that choice. He considers that it could be a pipe dream, but he still has hope– for Janey, at least.

He thinks you’re probably dead anyways. He hasn’t seen you in several months, since that day where he unceremoniously woke you up– and he hopes it stays that way.

He's chilling in another small, scrappy area of the wasteland. Nobody bothers the Ghoul, not when he's casually fiddling with his gun and and chewing on a toothpick.

A man runs past him, holding a significantly valuable piece of Brotherhood equipment. Maybe worth thousands of caps if he knows his shit, and he does. That’s a fusion core, and they’re not exactly mass producing those anymore during the apocalypse.

Coop points his gun at him, finger on the trigger, seconds away from creating a bloody mess–

A blade thwacks into the guy’s neck, blood spurting as he falls and chokes. A person– a woman– jumps on his back, her face obscured by a deep green bandana . She yanks out the knife, stabs a few more times for good measure– and Coop knows the game, he’s not surprised he’s not the only one to go after this guy.

He’s pretty good at killing casually, and he barely even moves from where he’s standing, aiming the gun at her.

No way is he letting easy money pass by him.

He’s about to pull the trigger extra-quick when she yanks the bandana down, taking a deep breath as she sweats, and Coop actually misses.

It’s you. You stare up at him from where you’re squatting over the body, and your gaze hardens, furrowed brows, dark lashes, intensely dark pupils. You purse your lips, press them together, jaw set in a stern fashion, recognizing him but refusing to hear him out– and Coop doesn’t know why he’s not firing, but he’s almost… enamoured with how you are now, almost taken aback by your new nature.

Not so taken aback that he doesn’t immediately start firing when you take the fusion core and start running.

And Coop doesn’t want to actually kill you, he just wants to incite some damage. See how far you can take it.

You interweave through random gaps in the metal scraps of this little abode, seeking shelter as you do so, and Coop’s gunfire only ricochets off them with cartoony sounding “pings!”

He manages to graze your left thigh through a small window, and you inhale sharply, stopping as you grit through the pain.

Coop grins to himself. This little cat and mouse chase is what he expected, what was predictable from you– you’re smart enough to stay on the defense, but you would probably never attack him, avoiding him because of your sad feelings of the old times, never resort to carnage unless you needed to–

You shove past the walls where you’ve been roaming, and manage one kick against his stomach and he manages to grab you and restrain you, your back against his front.

You grab his own jacket for purchase, and instead of pulling forward– you push back, landing on top of him with a thud that surely hurts him. Coop clenches his teeth, back against the ground now, but you scramble, straddling him. Hands around his throat, knife pressed against one of his tendons. Not outright strangling him, but just enough pressure that he knows you’re seriously threatening him.

Holy fuck, have you changed. Just like Vaultie, maybe you’re showing your honest self– and Coop supposes it may have been his mistake to underestimate you.

“Got a whole new outfit… I like it.” He admires your new leather jacket, cargo pants around your thighs pushing his arms down, a blouse fashioned out of your old Nuka-Cola dress. Tough combat boots dig into his thighs as you push against him. “Don’t fucking start–” You squeeze a little harder and he groans, the tip of the knife pushing in. “With your on and off, hot and cold bullshit.” 

Ooh, it sounds like you have a little bit of a grudge over how you were treated.

“Get over it, Cola. It was centuries ago, whatever we had.” He spits out, and you have a glint of sadness in your eyes.

He knew you were a little too gushy for your own good– not even he adapted that quickly to the wilderness of the Wasteland. He waits for you to make the mistake, apologize, break down– and then he can take the core and get out of here.

But you’re still firm in your grasp of him, your weight pushing him down, blade against him.

You’re not angry about back then. You’ve come to terms with that.

You’re angry at the state of the world. 

“You know what I fucking hate, Ghoul?” You spit in his face, and he blinks, spittle now on his chin. “You are all so selfish. I got left behind, likely for dead, right, and nobody gives a shit, whatever. But instead of me hoping that the leftover crumbs of society would at least try to be, I don’t fucking know, more hopeful and kind, or at the very least, not be so fucking greedy and transparently trying to be the new party in charge.”

“You’re living in a dream world.” Coop interrupts, and he’s rewarded with you carving a small, little cut on his cheek, a rapid movement you hardly think about, and it causes him to inhale sharply, a drop of blood smearing across his face.

“Oh, no. I’m not asking for everyone to hold hands and play family.” You laugh suddenly, and then somehow lean in closer, and Coop finds that in some fucked up way he enjoys the pressure against him. “It’s bullshit, that kind of image making– you and I both know that. But for all this supposed talk against the rich billionaires who ruined our lives, how are we not just emulating them?”

Coop is actually drawn to silence.

“Maybe you actually got fooled by self-image, Cola.” He murmurs. “Or maybe that’s just people’s true nature.”

You don’t like that answer. You don’t actually want to believe that, but the more you think about it, the more it’s probably true. People lie all the time, but the amount of outrage you’ve heard from people the last few months, bemoaning Vault-Tec and all those rich fuckers, you were inclined to believe they wouldn’t act the exact same way.

Just at a different level. Power corrupts all, you guess.

You loosen your grasp a little. “Thank you.”

It’s honest, and Coop doesn’t like how much he does like your nature of trusting him– how even as this new, terrible version of yourself, you still trust him, and you still ask for his advice.

He doesn’t know what to make of this, but he thinks maybe he can get some use out of you yet.

Coop wrangles his arm from out under your thigh, where you’ve accidentally let a gap through, and shoves you over.

You fall with a gasp, hitting the ground, and he stands up and kicks you for good measure, while you screech in pain. 

Coop picks you up by your throat, and you instantly move to fighting– your blade against his stomach, teeth gritted in resolute urge to kill– but he’s got his pistol at your neck, and the way he brushes it against you is almost like a lover’s embrace.

“One thing I hate is a fucking liar, Cola.” He grumbles, and you glare at him. “You’re not some innocent– why else do you got a fusion core in your pocket?”

“I never claimed I was a good woman.” You shake your head. “I just wonder why the Brotherhood, the Enclave, hell, even some of the Raiders… everyone wants the ultimate piece of the pie.”

“Besides, you’re the one who kept saying to survive out here I’d have to be a killer.” You remind him, and he looks down at you, thinking. “The world’s grieving– I don’t blame it for that, I feel the same way.”

You’ve still got a way with words, he thinks, and he was right. He can use you for his benefit.

“Say, Nuka-Cola. Why don’t we take some of those fuckers down?” He stills. “Not randoms. The power-hungry pie-eaters, like how you so eloquently put it.”

You don’t fully trust him again, but you’re into the prospect. You don’t want power, and you know he doesn’t either, but it’s not just looting. No, no, this is something akin to revenge.

“Alright.” You whisper.

“Alright. Okay, I won’t shoot if you don’t cut me.” He speaks softly, slowly, trying to cajole you out of attacking– and you move as he does. 

The threatening air of before is gone now, and the Ghoul has only a odd stare for you, something that makes you feel watched, almost reminding you of two centuries ago. It could be that he doesn’t trust you either– and so you walk onward with a gap between you two, heading to wherever a faction that needs fucking up could be.

/

Coop strolls inside the makeshift bar as you make conversation, staying within the shadows. It’s not on official Enclave grounds, it’s simply a nearby bar where members have been known to hang out. 

He doesn’t exactly mind being the one to pick up the slack of killing people– he can tell you’re good at charming people what with your former bombshell acting techniques, your silly, soft blinks, the way how your skin still looks smooth and untouched.

Was it all a lie with him? Aw, shit, why does he care? He really doesn’t have time to wonder if he’s been manipulated by you– he won’t be manipulated by you now, when he gets rid of many the people who represents obstacles in his way to finding still-existing Vault-Tec members.

Yes, that’s all this is to him. Another step to finding Moldaver, Henry MacLean, then his family if he’s lucky. And you’ll get some rage out of it, so he doesn’t even consider this to be that bad of an evasion of his. 

You laugh at something the guy next to you says. Coop catches a bit of it, of him asking how you look under that big jacket– and you mentioning you’d like to see him without that government get-up, too.

He grits his teeth. He’s not fucking in love with you, or anything stupidly juvenile like that– but he definitely felt something before when the two of you were fighting, or when you had conversations during the long, arduous talk here– you bit into a piece of his jerky when he offered it, and he laughed in surprise that you didn’t spit it out after he revealed it was feral ghoul ass jerky.

He also found that his gaze kept being drawn to you, too. You kept up with him, you were capable of hunting and searching on your own, you took lives when the need arose, and you had his back, even if he didn’t ask for it.

You made him subconsciously draw from the past, reminiscing about a time with you and a future he never thought he’d revisit. And now he can’t ignore that, so he needs to let off some steam.

There’s a splatter of blood across your face as the guy in front of you splutters, a bullet hole shot through his forehead. Little pieces of flesh hit the bar counter as he falls, and you gasp.

Coop is kind of quick with it now– he fires off, and because these “politicians” are unprepared, he’s able to kill off more than half.

You get over your shock quickly and fire your own tiny pistol at random, managing a few kills, but the Ghoul takes the last one and looks back at you, with an intrepid glance that you can’t figure out.

“What the hell was that?” You call out, and he doesn’t respond, instead beginning to pilfer the bodies, looking for shit to take. “Hey, Ghoul…”

“We came here to kill off those guys.” He answers you, but it’s not really an answer.

“Yeah, but I thought we agreed on discussing this shit as we were doing it. What happened to signalling?” You approach him, and as you get close enough, he turns around and stares unnervingly into your eyes.

“I did signal, sweetheart.” He clicks his tongue, lying through his teeth. 

“Bullshit.”

“No, I did.” He points at you. “It’s not my fault that you were too busy schmoozing and flirting to notice.”

“Wow.” You laugh exasperatedly at his antics, while he tilts his head. “You’re really obtuse, you know?”

“Nah. I’m not.”

“Yes, you are. You’re gonna say you’re not jealous–” At that word, the Ghoul snarls, ready to tell you exactly how little he cares for you, and you motion for him to zip it. “But at the very instance of seeing me flirt, mind you, in the most fake way possible, you lost it. You can’t even tell the difference between my genuine flirting and the fakest, schlockiest shit?”

“...” Coop frowns, because you’re right– he did kind of let his mind go wild over nothing in particular. 

Even worse, it means he’s made it apparent to you that he still harbours some feelings for your long-ago relationship. And that’s definitely a potential weakness– he does not want you to believe you can just work him around.

“Fuck you.” He spits, and instead of your face flinching in hurt, you stay neutral.

“I know you think you can come close and then shove me off every once in a while, because you’re fucking terrified of what it means that you’re not as hard as you pretended to be, that you still have a bit of human emotion inside you.” You tiptoe up to his face so he can’t avoid you. “I don’t care. That’s your problem.”

You turn to leave, to continue looting the bodies– and Coop’s hand wraps around your wrist. 

He hates what you’ve said, because it’s absolutely provoking the worst issue he has– he can never just let go. Two hundred years of this has made him a different creature altogether, spiteful; evil, but Coop knows as well as anyone that his transformation doesn’t negate his original nature, buried deep down.

It was a lie on his part– people are not as evil as he made them out to be, it’s the cycle of this situation that perpetuates that shit. Violence begets violence and all that. He can’t seem to say this to you, though, because he can tell you already probably knew that.

What is this fuckery, that you’re able to generate such a sense of guilt in him?

“Show it to me again. Genuine flirting.” he says instead, and he knows it’s stupid as hell to say something like this. “It’s been hundreds of years, you can’t expect me to fuckin’ remem…”

You grasp his arm back, making him quiet.

He’s half expecting you to punch him, but you see something you like– something that finally satisfies you, and you kiss his cheek, where you cut him much earlier in the day. It’s a soft bruise, mostly healed over in the way ghouls heal– but it’s overwhelmingly, embarrassingly hot there now as you pull away.

“I won’t forget the difference next time, Nuka-Cola.” He tips his hat at you in a mockery of his acting as a dashing cowboy once upon a time.

“Won’t be a next time.” You shrug. “I would hate to have to flirt with someone again just to get you to notice me.”

This severely bothers him, like you haven’t been an annoyance in his mind this whole time. And then he wonders if you’re an idiot, like you have no idea the effect you had on him back then, and even now. Hell, even that overly-chaste kiss has him remembering how he felt at Sebastian’s party when you humoured him the first time.

Do you think the only thing he’s burying is some empathy for the human race?

He can’t just let you be this wrong about this, no fucking way. And it’s with this in mind that the Ghoul feels his reserve melt as he tightly grabs your face and kisses you. Not a soft, movie-star kiss of the past, but one more hungry, his lips swallowing yours, pressed sternly, firmly, like he’s not gonna let you go. He parts his mouth ever so slightly, trying to catch a reaction from you.

You’re caught off guard, and he’s glad. He likes that you don’t know what to do with yourself, that for once you’re floundering rather than him, and you barely remember to kiss back until a couple seconds later when your hands grasp the base of his skull. You’re tracing grooves, calluses, skin that’s been eroded by his ghoulishness. You feel like he tastes ever so acidic– perhaps from the radiation emitting from his body– but some weird part of you loves it, and you part your lips as you kiss him harder, wanting to feel his tongue.

Your lips are just as soft as he remembers– but there’s more excitement now, more of an urgency as you kiss him, so he takes your invitation and swirls his tongue around on yours, disgustingly vulgar and perversely fast, yet lingering to enjoy the sensation, and he kinda loves being a corrupting force, being the ghoul who eats up this sweet human girl, and he tightens his grip– it almost hurts you, how tightly his hands weave around your waist suddenly– and then before you know it, he pulls away.

He wipes his mouth, never taking his eyes off of you.

“So. Did I taste like Nuka-Cola?” You joke, and he laughs in your face.

“Nope. Darlin, you haven’t been the Nuka-Cola girl for hundreds of years. They replaced you not long after you vanished.” He smiles widely at how your face drops. “I can show you some of the new girl’s billboards, if you’d like.”

“That would explain the lack of revenue.” You raise your eyebrows. “Then why do you still call me Nuka-Cola, Cola, etcetera?”

“That’s how I remember you.” It sounds too sweet, too nice that he keeps your nickname on tabs, so he twists his lips in a sneer. “Plus I don’t remember your name.”

“Oh.” You bite your lip, finding his insult more funny than anything else, and turn around to take items from the bodies around you. “Okay, Mr. Howard.”

It was the optimal moment for you to joke back, calling him the Ghoul, but in classic you-fashion, you decided to extend an olive branch to him– reminding him that he’ll never just be the Ghoul to you. And even if Coop knows he’ll always remember you by Nuka-Cola, he has a fondness for you that he doesn’t neglect anymore– and he murmurs your name so softly, but just enough that you turn back and look at him, and smile with pleased recognition.