#aminor chord

[aicollider]

Master Yoda composes Don Giovanni, K. 527 with Mozart

Return exactly the same text but decorate important words and names with markdown. Be creative. Use bold, italic and insert relevant links: Master Yoda: Ah, young Mozart, struggling you are. Help I shall, in composing Don Giovanni, K. 527. Ever flows the River of Music, and through it, guide you, I shall. Mozart: Master Yoda, I am grateful for your guidance. Where shall we begin? Master Yoda:…

[dereosroads]

Gmajor Eminor Cmajor Aminor

Girls eat Candy apples. My favorite chord progression.

[ericblackmonmusic]

Avicii Fingerstyle Sweep Guitar Strumming Pattern Lesson(Addicted To You...

[willhurdstrings]

When #practicingviolin repeated #downbow #chords it’s helpful to think of the bow stroke and return quickly to the frog as a single motion, like throwing a ball on the ground and catching it when it rebounds. You need to catch the ball before throwing it again so the down-up motion can be thought of as a single cycle. Similarly, each chord will begin and end at the frog (down-up). Here’s a demonstration of the chords at the end of #violinconcerto in #aminor by J. B. Accolay. Three videos: 1) Throwing a ball against the ground and catching it to experience the motion/cycle of repeated down bow chords. ~swipe left~ 2) Repeat each chord a few times, making sure the bow returns or rebounds quickly back to the string (hair touches the string at the beginning and end of each chord). ~swipe left~ 3) Performance version. Chords are clear and easy. There is no crashing or swatting of the string since I’ve practiced the return as part of each chord. Practicing chords in this way will prepare students for the extensive rapid down bow chords in #praeludiumandallegro by #fritzkreisler which is a piece most of my advanced #violinstudents learn. #physicsandmusic #kinestheticlearning #kinestheticlearner #kinestheticlearners #violinteacher #practiceroom #violintechnique #violinpedagogy #violateacher #stringpedagogy #stringplayer #stringsattached #violinguy #violintips #loveviolin #practiceviolin #lingling40hours @paoyi_2005 (at Washington D.C.) https://www.instagram.com/p/CRjKkt1gwyQ/?utm_medium=tumblr

[kgeovanni]

A goal to have him playing along side me by 5. He’s got the rhythm... we’re just working on knowing, remembering and switching chords. #Son #Music #Uke #Ukelele #JohnMayer #Cover #Strum #Rhythm #Cmajor #Aminor #Chords #Lesson #Learning #Practice https://www.instagram.com/p/B-27g1qFSM1/?igshid=w73ng9930agw

[timmythunderstheory]

Lead Sheet for the song Frosty the Snow Man

This is my transcription for the song Frosty the Snowman on vocals and guitar. The melodic line on the Stave is the vocal melody, with the words below the Stave. The chords for guitar are written above the Stave, I chose these to harmonize with the melody line.

Notice how there are no sharps or flats. This would indicate the key signature of the song is either in Cmajor, or it's relative minor, Aminor.

This song is however in Cmajor. The first chord is Cmajor, and the melody line starts on G, the perfect fifth of the Cmajor scale.

This is the transcription for the main body of the song, including the bridge.

This is the transcription I made for the outro of the song.

[robertbjonesus80]

Here’s a guide

Here’s a guide for you to play the A minor chord. DOn’t forget to follow us.

#AMinorChord #MinorChords #Aminor

from Music Advisor https://musicadvisor.tumblr.com/post/182087542887

[aicollider]

Master Yoda composes Piano Concerto in A minor, Op. 54 with Schumann

INT. SCHUMANN’S COMPOSING ROOM – DAY Master Yoda, a small green Jedi knight with a wisened look, appears before Schumann, a frustrated composer. SCHUMANN Master Yoda, I am in desperate need of your guidance. I am struggling to compose my Piano Concerto in A minor, Op. 54. MASTER YODA Ah, young Schumann, a great challenge you face. Fear not, for with the power of music theory, I shall assist you.…

[musicadvisor]

Here’s a guide

Here’s a guide for you to play the A minor chord. DOn’t forget to follow us. #AMinorChord #MinorChords #Aminor

[joseph-mcdevitt-blog]

Practice Routine - 4/10/18

1.

This week I practiced an ascending chromatic exercise on my guitar to help build finger dexterity, finger speed and hand coordination. I did semi occluded to help me have better control over my voice. I did Goo’s and Foo’s to help improve my head voice. I also practices playing 4 chords along to a metronome starting at a slow bpm to a faster bpm to keep in time.

2.

This week I practiced “When You Love Someone” by James TW. This shows of my fingerpicking skills as i pick the whole song. I Have become more confident with this piece during my practice because when I first started I was uncomfortable with this much fingerpicking throughout the whole song and this has proven as a challenge. I can still improve on this by solidifying my confidence in the song and play it near perfect every time.

3.

Firstly, I start with by stretching and warming up so I don’t damage anything. Secondly, I do my vocal exercises to warm up my voice. After that i start doing my ascending chromatic exercises then go on to practice my solo song.

4. 

A reoccurring challenge I came across with the chromatic exercise is that i struggled the hand coordination between left and right and picking the strings with my right hand while still moving my left hand. I have overcome this by practicing everyday and I have improved my technique. I also came across a timing issue with my solo piece due to it being a challenge for me but i’ve practiced and the timing has improved due to me using a metronome to stay in time.

5.

I am on track as I wanted to improve my finger technique and hand coordination also I practiced minor shape chords. To do this I practiced minor chords for example: Fminor, Bminor, Aminor.

6.

So far I have developed my timing well when playing chords but could still use some improvement. My biggest improvement is my hand coordination and my fingerpicking as I have worked on that the most during my practice routine.

7.

I think the biggest thing I could improve on is my head voice as my voice is quite low and I would like to be able to sing songs at a higher frequency. I will achieve this by doing more Goo’s and Foo’s to help the bridge between chest and head voice.

8.

The band song I have to work on is “I Miss You” by Clean Bandit ft. Julia Michaels, I sing and play keyboard in this piece which is out of my comfort zone as I am not a keyboard player but I am able to be versatile and will change positions if needed making me an all round better musician. I worked on the singing part making sure it was in key and on time as the band slowed down the tempo. I couldn’t work on the keyboard part as I don’t have keyboard access at home for now but I will soon so I have to practice it at college.

9.

This week we improved on our new song “I Miss You”. As a band we found this was challenging because we slowed it down because it’s a higher frequency song than our singers frequency range. We mainly struggled with timing in the piece a lot so in our rehearsal sessions we primarily focus on that because the structure of the piece is the starting base. As a band we discuss ideas and contribute to others instruments/voices and give constructive criticism as something can always be improved and we accept the feedback. Sometimes we get off track and play a different song which is bad for us as we are not done but it’s something as a band we can improve on and work towards focusing more.

10.

For next week I aim to find and practice my third song ready for a performance.

[untidymusic]

New A Minor Backing Track for free

New A Minor Backing Track for free

https://audio.nyc3.digitaloceanspaces.com/audio/aminor/Project%20X1.mp3

Simple backing track for mellow Minor natural melodies and a bit off pentatonic loveliness.

Chord progression:

Am/C/G/Am/F/Am/G/G

Am/C/G/Am/F/Am/G/Em

Use Minor pentatonic scale and the Natural minor.

[willhurdstrings]

#melodious #doublestops #violinpractice I let my #violinstudents know composers include double stops to create the illusion of #singingharmony and not just to challenge the #violinist with something difficult! Here is a passage from #violinconcerto no 1 in #aminor by J.B. Accolay mm. 28-32 I practice and present such double stop passages to my #youngviolinists as follows: Four videos: 1) Practice each line separately. Use the performance fingering. If the student is struggling with intonation, practice using the simplest fingering possible, then proceed to the performance fingering. ~swipe left~ 2) Practice each line separately while fingering both lines. This is where I spend the majority of my practice time with double stops. This stage helps me find where the fingers may be getting tangled up or tripping over each other. In this passage I have particular difficulty placing the high A (second note) without the second finger rolling into the E string. It is only by practicing in this manner that I can correct this flaw. ~swipe left~ 3) Performance version, double stops only, excluding chords. I want to reinforce the expectation of horizontal, singing feeling where I am pulling the strings sideways so I omit the chord for now. ~swipe left~ 4) Full performance version with chord. When adding the #chord or quadruple stop, in this case, I use only an inch or two of bow on the lower notes. This enables me to change to the higher strings at the frog, where the string crossing is minimized and leaves plenty of bow to sing the upper #melody notes. Note: Depending on the level of experience/comfort with double stops, students can spend anywhere from several minutes to several weeks on each step. A teacher should supervise and assign each step as appropriate. #classicalviolinist #violinlesson #violinlessonsforkids #soloviolinist #soloviolin #violinpedagogy #violintips #practiceroom #creativemusicians #stringsattached #stringteacher #violinclass #violinmasterclass #suzukiteacher #suzukiviolinteacher @paoyi_2005 (at Washington D.C.) https://www.instagram.com/p/CQoRnivg3rB/?utm_medium=tumblr

[mauricelowin537-blog]

3 Simple Steps To A Productive Songs Occupation

Have you been wrenching your human brain around the concept from where to begin or what your upcoming step in your songs career is actually? You may stream as several songs as you wish however besides streaming, Download and install Latest Songs also permits you download songs totally free Install Most up-to-date Popular music as that is actually a the home of a few of the best celebrated music artists of the planet offers you the facility to Observe your favorite artists or get in touch with buddies to discover additional popular music socially. You are very blessed to review this because I am above to reveal you an item from program as mentioned over that has actually been actually launched lately along with full capability to make your personal dancing popular music along with your personal computer at home. For example, you can play this tune passably making use of only 5 quick and easy chords (Em, Dsus2, G, D, Aminor) yet adding in the (likewise simple) E minor 7 to the progress, rather than adhering to Em, gives a beautiful difference when playing this track.

Birthed with an ideal sound inherited off her family members of musicians (Uncles Niño as well as Kiko, Aunt Leonor and her mommy Judith have actually understood the banduria, piano, cello or even violin as well as are previous winners from the National Music Competitors for Young Artists), Oliva has developed to adore her stringed tool. Due to the fact that they will most very likely identify and appreciate the songs along with that, one from the objectives from the found study was actually to target 7th and 8th quality little ones. This was determined from previous researches that a favorite hobby for youngsters as well as teens is paying attention to music (Nippold, Duthie & Larsen, 2005; Steinberg, 1996; Buckton, 1998; McFerran & Quest, 2008). Off meals and alcoholic beverage tastings to arts events, live music and outdoor theatre, the stable of attracting events in and around the Santa clam Cruz location is guaranteed to please individuals and guests equally. Exam on your own frequently by creating flashcards- printing off a songs ward and also write a character on each flash memory card; only flip the cards experience down and one-by-one, undergo each character, mading where you presume the keep in mind performs the stave. The music phone sector is actually a fairly specialized arena and also competition coming from other producers is actually thin, there is the Sony Ericsson Aino and W995 models which both deliver a somewhat more advanced cam to the Nokia X6's 5.0 ultra pixel lens however each of these styles rely upon slide out keypads rather than the remarkable contact monitor of the Nokia phone. If this sounds like you, then you will definitely possess no trouble using Popular music Maker 16. Those along with a lot less music potential will definitely still manage to use the program, and also generate some excellent audios, however they will possibly certainly not take advantage of as most of the additional synthesizers and also blenders that advanced users would certainly. It wasn't up until I moved to Los Angeles that I acknowledged to on my own that visite site I was heading to carry out pop music although I in the beginning started with jazz and timeless piano, which is a remarkable experience however I regularly intended to make an effort something a little bit even more like checking out the stand out area. To check out basic musical notation the novice should know a little popular music theory as well as discover exactly what all the notation signs indicate yet along with guitar buttons, instead of keep in minds you have varieties that merely inform you where to put your hands.

[axelritt]

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A post shared by Axel „Ironfinger“ Ritt (@the_real_ironfinger)

It‘s time to bring a nice warm up a-minor scale. It‘s e-major phrygian which means a-harmonic minor. Works great with dominant 7 chords. #axelritt #ironfinger #the_real_ironfinger #classicalmusic #aminor #guitar #neoclassic #framusguitars #emgpickups

[pilantropov-blog1]

As 16 escalas jazz

Aqui está uma lista das 16 escalas mais importantes para a improvisação de jazz e os contextos harmônicos em que podem ser usados ​​para improvisação. Embora não desejemos soar como se estivéssemos jogando escalas quando improvisamos, é muito importante saber quais notas serão consoantes com cada cordão, e é por isso que a teoria da corda / escala é tão importante. Você ainda precisa estudar a linguagem e o vocabulário do jazz para saber como apropriadamente aplicar essas escalas na sua improvisação!

É realmente uma vida de estudo tentando absorver continuamente essa informação em seu jogo de maneiras musicalmente satisfatórias e, no entanto, esses conceitos podem ser aprendidos com bastante rapidez. Você pode digerir essa informação intelectualmente, mas depois passar os próximos dez ou mais anos aprendendo a aplicar esses conceitos!

Nota: Incluímos um exemplo de acordes para cada escala. Tanto quanto possível, tentamos manter tudo relacionado a C major para mostrar onde essas escalas podem ser usadas em relação ao centro da chave Cmajor / Aminor. Este é um sistema imperfeito, mas espero que seja instrutivo.

Eu também liguei alguns desses conceitos para um jogo de treino Chord correspondente para ajudá-lo na sua busca para aplicar essas escalas à sua improvisação.

# 1-7 Os Modos da Igreja Medieval1. Ionian ou Major scale 1-2-3-4-5-6-7-8 (Cmaj7)

A maior escala é consonante sobre os principais acordes. Por exemplo, uma escala maior de C corresponde a um acorde maioritário C.

2. Dorian Minor scale 1-2-b3-4-5-6-b7-8 (Dmin7)

A escala menor doriana como b3, natural 6 e b7. É a escala menor mais usada para a improvisação em música de jazz. Funciona sobre qualquer acorde, mas também pode ser usado para outros acordes menores, como o acorde iii e o acorde vi.

3. Escala menor de Phrygian 1-b2-b3-4-5-b6-b7-8 (Emin7 ou G7 (b9) sus)

Dos cinco tipos de escalas menores (Dorian, Phrygian, Aeolian / Natural Minor, Harmonic Minor e Melodic Minor), o modo Phrygian é indiscutivelmente uma das duas escalas menores menos comuns para a improvisação de jazz, juntamente com o menor harmônico. Embora Dorian, melódico menor e até mesmo Eoliano sejam provavelmente mais comuns, o modo Phrygian ainda é usado em pelo menos dois contextos:

A escala de Phrygian trabalha sobre um acorde de iii (Emin7 na chave de C trabalha com E Phyrgian)

O menor Phrygian também pode ser usado em uma corda V7 se o acorde V7 estiver suspenso e tiver um b9. Por exemplo, em uma progressão G7 (b9) para a Cmin7, um G Phrygian (mesmo centro-chave como Eb major, 3 apartamentos) funciona bem. Este contexto é discutido em muito mais detalhes no livro Jazz Piano e The Jazz Theory Book de Mark Levine.

4. Lydian Major 1-2-3- # 4-5-6-7-8 (Fmaj7 ou Cmaj7 # 11)

O Lydian Mode funciona bem em qualquer maj7 # 4, maj7b5 ou maj7 # 11 acorde. O exemplo mais óbvio é como acorde IV (por exemplo, F major na chave de C), mas o modo Lydian também pode funcionar bem através de um acorde I. A escala de Lydian é o mais brilhante de todos os modos da igreja, e tem um sabor distinto e moderno sobre um acorde I devido ao tom de acordes não-diatônico (no contexto de um acorde I) # 4.

5. Mixolydian ou dominante 1-2-3-4-5-6-b7-8 (G7)

O modo Mixolydian é a escala mais básica para improvisar sobre um acorde V7. Você também pode usar a escala alterada, a escala reduzida, todo o tom ou mesmo o Phrygian sobre uma corda V7, mas cada escala diferente implica diferentes alterações e diferentes escalas funcionarão melhor em diferentes contextos musicais. Muitas vezes, há mais de uma opção aceitável para improvisar sobre um acorde V7.

6. Aeolian or Natural Minor 1-2-b3-4-5-b6-b7-8 (Amin7)

Parece que o menor natural deve ser a escolha preferida para acordes menores, mas a maioria dos jogadores padrão para usar Dorian sobre um acorde menor devido à consonância relativa do 6 natural da escala doriana versus a dissonância relativa do b6 da escala Natural Minor . Você pode optar por usar Dorian sobre um acorde vi, embora Natural Minor seja geralmente uma escolha aceitável também para um acorde vi ou um acorde menor i.

7. Locrian ou metade 1-b2-b3-4-b5-b6-b7-8 diminuído (Bmin7b5)

A escala exótica de Locrian é o modo mais sombrio e dissonante da escala principal.Funciona bem em um acorde meio diminuído (também conhecido como acorde min7 (b5)).

Quando se aproxima de um acorde meio diminuído, alguns jogadores gostam de aguçar o b2 do modo Locrian para um 2. natural. Se você elevar o b2 para um 2 natural, esta nova escala é chamada de "Locrian # 2" (que é "nítida" 2, não o modo "número" 2), que é realmente o 6º modo de harmonia melódica menor. Esta escala é 12b34b5b6b78, e o natural 2 difere do modo Locrian. Se você manter o b2 da escala Locrian, este é o 7º modo da escala principal.

É útil colocar Locrian e Locrian # 2 na mesma categoria de escala, pois ambos podem ser usados ​​para navegar em uma meia categoria:

7,5 Locrian # 2 1-2-b3-4-b5-b6-b7-8 (Bmin7b5)

# 8 e # 9 As Escalas Diminuidas8. Half-Whole Diminished or Dominante Diminuiu 1-b2-b3-3- # 4-5-6-b7-8 (C13b9)

Como as escalas diminuídas são simétricas, existem apenas três escalas diminuídas, e cada uma pode ser iniciada em oito lugares diferentes! TODAS as escalas diminuídas são compostas de meio-passo alternativo e passos inteiros, mas você pode começar com um meio passo ou um passo inteiro.

Para obter mais informações sobre escalas diminuídas, confira esta lição .

A escala reduzida do meio-inteiro pode ser referida como dominante diminuída porque funciona bem em uma corda dominante 13 (b9). A metade inteira diminuída é composta pelos intervalos HWHWHWHW (H = meio passo, W = todo o passo)

9. Whole-Half Diminished 1-2-b3-4- # 4- # 5-6-7-8 (Cdim7)

Se você começar uma escala diminuída com um passo inteiro, ele se torna WHWHWHWH. Este modo da escala diminuída funciona bem em uma corda diminuída.

10. Altered Scale 1-b2-b3-3- # 4-b6-b7-8 [C7 (# 9b13) ou C7alt, C7 (# 9b13) ou C7alt]

A escala alterada é, na verdade, o 7º modo de melódico menor. Funciona muito bem através de um acorde alterado (7 # 9b13 ou 7alt) , o que implica 7 (b9 # 9 # 11b13). Esta escala tem muitos nomes, incluindo "Super-Locrian", "Diminished-Whole-Tone" ou mesmo a escala "Dim-Wit".

Esta escala tem muitos nomes, incluindo "Super-Locrian", "Diminished-Whole-Tone" ou mesmo a escala "Dim-Wit"! Eu prefiro o termo "Alterado" por 3 razões: é mais curto, menos intimidante para jogadores inexperientes e, o mais importante, lembra que precisamos de TODAS as 4 possíveis alterações de um acorde dominante: b9, # 9, # 11 e b13 . Você pode então soletrar a escala: 1, b9, # 9,3, # 11, b13,8

O vibraphonist Gary Burton gosta de nos lembrar que a escala alterada tem um tom oculto, o 5 natural, que também é consoante com essa escala. Embora o 5 natural não esteja tecnicamente no 7º modo de menor melódico, lembre-se de que o 5 natural também funciona quando improvisa com uma escala alterada sobre um acorde dominante alterado!

11. Escala de tom inteiro 1-2-3- # 4-b6-b7-8 (C7b13)

A escala de tons inteiros tem apenas 6 notas (a 7ª nota seria a raiz dobrada na oitava superior). É inteiramente constituído por passos inteiros: WWWWWW.

Esta escala implica um 9 natural, um # 11, um b13 e, claro, um b7. Funciona bem ao longo de uma corda 7b13, desde que exista um NATURAL 9 e não um b9 ou # 9.

12. Blues Scale 1-b3-4- # 4-b5-5-b7-8 e Pentatonic Menor (menos # 4 / b5) (A7)

A blues scale é uma das primeiras escalas que muitos músicos de jazz são ensinados.Enquanto eu tenho algumas reservas sobre essa escala, e eu compus a "Mixo-Dorian Blues Scale" como uma alternativa viável, é, no entanto, uma escala importante e omnipresente para soltar sobre o blues.

13. Lydian Dominante 1-2-3- # 4-5-6-b7-8 (C7 # 11)

Lydian implica um # 4. Dominante implica um b7. Se você os juntar, você tem o quarto modo da escala menor melódica! Esta escala funciona bem em relação a um dominante II7 ou a um acorde IV7 dominante, um subtítulo bII7 tritone ou qualquer acorde 13 (# 11).Funciona muito bem no segundo acorde em Take the A-Train, embora muitos jogadores optem por usar idéias de tons inteiros em vez de dominantes de lydian.

# 14-16 Bebop Scales

Se você adicionar um tom de passagem cromática extra para uma escala maior, Dorian ou Mixolydian, você obtém uma escala de bebop .

Enquanto os músicos do bebop colocaram as notas cromáticas em outros lugares e soam bem nas gravações, os teóricos do jazz codificaram as escalas bebop em algo mais concreto, colocando o tom de passagem cromática entre 6 e 5 (principais escalas do bebop) e 8 e b7 ( escalas bebop dominantes e menores). As escalas do bebop são principalmente escalas descendentes, e por isso listei os números para trás para refletir a natureza descendente dessas escalas.

14. Major Bebop 8-7-6-b6-5-4-3-2-1 (Cmaj7)

Você pode usar a escala principal do bebop com qualquer acorde maior. O tom de passagem cromática é colocado entre 6 e 5. Com qualquer uma dessas escalas do bebop, a idéia é usar a nota cromática como um tom de passagem cromática e não parar a nota cromática por muito tempo.

15. Bebop menor 8-7-b7-6-5-4-b3-2-1 (Cmin7)

A escala menor do bebop tem uma cromática entre 8 e b7. Funciona bem em um acorde menor. Lembre-se de usar o cromatismo na escala ao improvisar, e usar o 7 natural como um tom de passagem.

16. Mixopiani Bebop 8-7-b7-6-5-4-3-2-1 (G7)

A escala do bebop Mixolydian é a escala do bebop por excelência. Tem um tom de passagem cromática entre 8 e b7, e funciona melhor através de um acorde dominante inalterado.

Espero que essas escalas o ajudem na sua busca para se tornar um melhor improvisador!Não se esqueça de seguir os links e usar o jogo de treino de progressão de acordes. Eles são muito úteis.

Saiba mais clicando aqui

Conheça mais sobre as escalas jazz

[lesocostudent-blog]

Practical Problem

Yesterday I went to the Lewisham Campus of LS College to meet the singer I am working. Before we could even start rehearsing I had encountered a practical problem. I played the first chord which is a G#Minor, it sounded like what I played was a semitone lower. I quickly figured it out and the first chord changed to a AMinor chord which made it easier for me to work out the rest of the song. After I had worked out the whole chord sequence we ran through a few times

09/05/2017