#american movie classics

[rabid-dog-steve-horn]

[the-bomb-sammi-morse]

The Avengers is apparently old enough to be featured on tonight's' Spotlight movie slot on AMC.

[fredalan]

The Movie Masters! for American Movie Classics 1989

Albie Hecht (executive producer & co-creator): “My favorite!”

Christine Ecklund (producer/writer): “Wow. Bet I can still answer every question. (“Ucipital Mapilary”)“

Before Mad Men, before Breaking Bad and The Walking Dead, AMC was actually “American Movie Classics,” the Turner Classic Movies of its time, a cable channel exclusively focused on, duh, movies from the heyday of Hollywood. (In fact, the former head of AMC programming created TMC.)

Towards the end of the 80s, channels that relied on acquired, cost efficient stuff like AMC (or Nick-at-Night or USA or even MTV) were realizing that advertisers and cable operators were on the hunt for programming that could excite viewers.

The Movie Masters was one of AMC’s first jump into the pool, and obviously, it wasn’t the approach that worked like crazy for them. Fred/Alan’s primary Showtime client, Josh Sapan, had become AMC’s leader and thought that our Chauncey Street Productions had an idea for a network series.

Original television production, even when it’s done efficiently, is pretty expensive. And the explosion of cable TV had exploded in terms of dozens of channels, but it was still trying to figure out how to make enough money to thrive. The financial picture wouldn’t really come into it’s own until the end of the 1990′s. All the networks we worked with over the years approached originals very gingerly, and American Movie Classics was one of the most, um, fiscally careful.

Well, Chauncey Street was a perfect fit for a deliberate situation. We were still feeling our way in series production and we were well aware we weren’t yet booking the big gigs.

Chauncey Street majordomo Albie Hecht loved game shows (CSP went on to produce Turn It Up! for MTV, Kid’s Court and GUTS for Nickelodeon, and Albie oversaw many more as president of Nickelodeon production). He and Alan created the idea for The Movie Masters, with the notion that it would recreate the salad days of broadcast network quiz shows.

To that end we ran dozens of casting calls at our office, talking to everyone from Betty Comden and Margaret Whiting, before coming to the conclusion that we’d replicate a classic quiz show line up (American Movie Classics, right!). The production landed on The Match Game’s Gene Rayburn as host, and actress and veteran quiz panelist Peggy Cass, New York Times’ theater critic Clive Barnes, and actress and To Tell the Truth stalwart Kitty Carlisle as contestants.

The production came off with only a few hitches and delivered on time and on budget. It was a hoot working with such revered acting, writing and television royalty. AMC would eventually find their way to “prestige” TV, but as far as we were concerned, we did a wonderful job in the name of the greatest movies of all time.

.....

Chauncey Street Productions, New York Created by Albie Hecht & Alan Goodman Producer/writer: Christine Ecklund Executive Producers: Alan Goodman, Albie Hecht, Fred Seibert

Three of the original episodes of "The Movie Masters"

[countesspetofi]

The Internet Archive has the entire run of Remember WENN! I'm not sure how many years it's been since I've seen an episode, but I almost think I haven't seen the complete series since it aired in first run.

It takes me back to when my friends and I would read old radio plays for fun. I tried to get a group together to do it during lockdown, but not enough people were interested.

[k-i-l-l-e-r-b-e-e-6-9]

Saw (2004) directed by James Wan

[horygory]

An American Werewolf in London (1981)

[intexda]

Why is every channel on cable an infinite crimecom marathon now? I used to have peaceful relations with this kind of thing until AMC (american movie classics) bought out BBC America in 2014, and at first it was cool. A bit of star trek here and there, some neat movies.

They couldn't just leave it at that though. Now it's infinite scrolling chasms of Bones and OG Law and Order. Not a single british series to be had outside of nature documentaries and the occasional british mini series that never gets reruns. I'm sure NCIS will show up eventually. It always fucking does. It doesn't need to though, bones is just NCIS with a skeleton gimmick instead of a Navy gimmick. Meanwhile NCIS is just CSi with a navy gimmick instead of a sunset filter.

[velvet4510]

Note: this list references the 1961 version of West Side Story and the 1954 version of A Star Is Born.

[lovezhype]

lolita (1997) film stills ୨୧

[rabid-dog-steve-horn]

[exhaustedeyess]

[wheelsgoroundincircles]

Ben Dominic Toretto's 1970 Dodge Charger R/T

Ben Dominic Toretto, known for his fearless street racing and unwavering loyalty to his family, cherished his 1970 Dodge Charger R/T. This beast of a car, with its roaring V8 engine and menacing black exterior, was more than just metal and horsepower; it was a symbol of Toretto's legacy. Built by his father and restored by Dom, the Charger had seen countless street races and high-stakes heists.

Its most memorable moment came when Dom used it to challenge Brian O'Conner in a race that forged an unbreakable bond between the two rivals. The Charger, with its powerful presence and raw speed, embodied Dom's strength and determination, becoming an enduring icon in the "Fast & Furious" saga.

Every roar of its engine told a story of family, honor, and the relentless pursuit of freedom. Whether drifting through tight corners or roaring down the quarter-mile strip, the Charger always stood as a testament to Dom's indomitable spirit. Through every scrape, dent, and rebuild, it remained a symbol of resilience and passion, forever tied to the legend of Dominic Toretto.

Feel the power. Embrace the legend. The 1970 Dodge Charger R/T isn't just a car; it's a legacy.

[fibula-rasa]

Salomé (1922)  

[letterboxd | imdb]

Director: Charles Bryant & Nazimova

Cinematographer: Charles Van Enger

Performer: Nazimova

Art Director & Costume Designer: Natacha Rambova (inspired by Aubrey Beardsley's Salomé illustrations)

[k-i-l-l-e-r-b-e-e-6-9]

ℭ𝔯𝔬𝔴 𝔓𝔥𝔞𝔫𝔱𝔬𝔪

[horygory]

An American Werewolf in London (1981)

[radracer]

American Graffiti Cars 📽️

1. 1932 Ford Coupe 2. 1955 Chevy One Fifty 3. 1951 Mercury Leadsled Coupe 4. 1958 Edsel Corsair 5. 1958 Chevy Impala 6. 1956 Ford Thunderbird 7. (Comment if you know!)