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#amanda reid
boomgers · 3 months
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¡Sé tu propio Héroe!… “Yo”
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La historia sigue a Ben, un chico de 12 años que lidia con los típicos problemas de la secundaria, como los bravucones, los amoríos y los bailes, todo mientras se adapta a una nueva familia y a sus recién descubiertos superpoderes. En el camino, Ben tratará de descubrir quién es en realidad y qué implican sus nuevos poderes. Su hermanastra Max le servirá de apoyo para aprender a dominar sus habilidades y desvelar los secretos que ocultan los misterios y tragedias de su vecindario. Todo ello sin perder de vista su verdadero objetivo: descubrirse a sí mismo.
Estreno: 12 de julio de 2024 en Apple TV+.
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Creada, escrita y producida por Barry L. Levy, la serie cuenta con las actuaciones de Lucian River Chauhan, Abigail Pniowsky, Dilshad Vadsaria, Amanda Reid, Jessy Yates, Kyle Howard y Sharif Atkins.
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helmstone · 3 months
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Me — new sci-fi series comes to Apple TV+ next month
Me — new sci-fi series comes to Apple TV+ next month
Apple TV+ has announced July 12 is when new coming of age science fiction drama Me will arrive. It looks similar to a lot of other things for me and probably too YA for my tastes, but this is very much something US TV excels at producing. Me follows a 12-year-old kid named Ben who is in the throes of middle school (complete with bullies, crushes and school dances!) as he adjusts to a newly…
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aperrywilliams · 4 months
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That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)
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Author Masterlist
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Pairing: Spencer Reid x Fem!BAU!Reader.
Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.
Summary:  You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.
Word Count: 4.2k (no self control here)
Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.
A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!
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Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.
But the crush he has on you seems to grow every day.
He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.
From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.
But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.
You were extremely shy and reserved.
In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'
He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.
But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.
You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.
At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.
It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?
If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.
From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.
You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.
'What if I don't have anything more interesting for him to say?'
'Does he just talk to me because he feels sorry for me?'
And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.
And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.
But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.
Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.
In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.
The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.
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A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.
Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.
All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.
Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.
"Okay, what options do we have?" Emily asks.
"The witnesses haven't gotten us anywhere," Luke complains.
"Although we've narrowed down his hunting grounds," Rossi shrugs.
"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.
"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.
You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.
It's a fraction of the time before she comes back to behave like herself.
"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.
"Lurk him?" Matt repeats.
"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.
That's it—the elephant in the room.
Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...
There's silence in the room, and you can feel like the team's eyes are all on you.
Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.
"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.
And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.
But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.
"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.
"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.
"Not to mention he likes rough interactions," Luke adds.
"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.
And the fact you can blow up the entire plan.
Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.
When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.
"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.
That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.
You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.
Emily is who stops everyone's rant.
"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."
And this is how the discussion is settled.
Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.
When it's just you and Spencer in the room, he still looks at you in silence.
"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"
You downcast your gaze, exhaling deeply.
"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."
"The team? Not you?" You narrow your eyes to him.
You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.
Spencer closes the distance between you both but doesn't invade your personal space.
"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."
Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.
"You do?" You ask, not so convinced.
Spencer nods and smiles at you.
"And we'll be there when you catch the guy."
If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.
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You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.
Everyone has a role in the plan.
Rossi will be the chauffeur who will drive you to the club.
Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.
When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.
"What?" you ask, and Emily chuckles.
"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"
Your cheeks redens.
"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.
"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."
You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.
"Come on, don't say that. You are not helping to my nerves."
"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.
One of the SUVs drives you to the van parking point. You needed to review the operation details.
At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.
For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.
Spencer feels like he died and was resurrected after seeing you.
"Okay, guys, we need to check the details again," Emily announces.
The plan is in motion, and everyone is in position.
As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.
Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.
Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.
Almost instantly, you start to attract the looks of men who are eager for a woman like you.
You exude determination, and you don't go unnoticed.
Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.
At the same time, Tara is stationed at the bar.
"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.
"Show time," you mumble to yourself.
You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.
That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.
You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.
Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.
"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.
JJ, who's following the cameras inside the club, sees someone who looks suspect.
"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."
Emily confirms JJ's observation before giving you the next instructions.
"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."
You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.
Matt and JJ look confused at each other but say nothing.
Your next step is to find another dude to seduce before delivering the coup de grace.
Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.
Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.
JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.
As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.
"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.
Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.
There is no longer any doubt that it is him. Now you just have to catch him red-handed.
"(Y/N), we got him. It's time for the last play," Emily tells you.
With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.
He tries to play it off, but he has no idea why you're approaching him.
"Is this seat taken, handsome?" You ask, with your drink in hand.
"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.
Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.
The thing is, Spencer isn't playing. He's definitely baffled by you.
"Are you okay?" You ask him, masking your question with a seductive smile.
"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.
You get closer to him to speak in his ear.
"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.
Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.
You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.
"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.
You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.
It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.
Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.
When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.
As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.
Everything that happens after is too fast.
The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.
But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.
There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.
You shyly approach him.
"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.
"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.
"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.
"I know. It was fake," Spencer cuts you off.
Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.
Everything except that kiss.
If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.
A tense silence takes over the moment. This is not okay.
You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.
What the hell! Tonight has already been a total of 180 from a usual day for you.
"It wasn't," you mumble, and you see his eyes flicking to yours in a second.
"What?" Spencer asks, narrowing his eyes at you.
"Everything was fake, but not the kiss," you say with a stadied voice this time.
Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?
"It wasn't fake?" He asks for clarification. You nod.
A smirk forms on Spencer's lips, seeing your cheeks redden.
There you are. The girl he had fallen for in the past two years.
"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.
"I know," you say with some hesitation.
"And as a man of science, I need evidence of things, you know?"
Now, you are the one who smirks at him.
"Evidence, huh?"
"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.
"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.
Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.
This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.
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Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers 
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clockworkbee · 1 year
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kbaker1431 · 3 months
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Genuinely bawling my eyes out over the last episode of Inside No.9.
Was like watching them get a divorce.
Really started to cry when Mark appeared.
(On the inside, obviously, people already think I'm weird.)
What am I going to do with my life now?
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Note
since you are taking support in the form of iconic aouv moments…
my favorite has to be the scene where Gavin and Alistair torture Reid together and while it’s a dark scene, Al is just having a full gay panic during the whole thing
also i love your fics! you know the characters really well and write them beautifully <3
This scene is so iconic and chaotic, oh my god. The whole chapter is insane. Reid is literally being tortured while Alistair comes to terms with his bisexuality because of the guy he’s torturing Reid with. Then there’s an absurdly soft haircut scene where they almost stop being idiots and admit Something before Alistair storms off outside in the dark to process. And the funniest part is that they got net zero information from the whole experience. They went to all the effort of kidnapping and torturing somebody to find solutions to their problems, and all they learned was that Alistair is very bi and can’t handle Gavin leaning against a pitchfork.
And thank you so much!! I love your art omg, you really capture the vibes of the characters :)
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thorinsbeard · 2 years
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Monsters are real, and ghosts are real too. They live inside us, and sometimes, they win
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bellarkeselection · 4 months
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homerjacksons · 7 months
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First and Last Lines
rules: post the first and last lines of the last 10 fics you posted.
I was tagged by @gavotteangel !! Thank you!! I've also 100% decided the drabble collection counts as one fic because otherwise this entire thing will just be made up of Jackson/Reid drabbles and while I AM obsessed with them atm, this way feels more fun.
way too fast and way too slow (Ripper Street - Jackson/Reid)
Jackson stopped on the top step of the station, so suddenly that Reid almost walked right into his back.
“Happy new year, Edmund.”
the feeling of audible cracks (Ripper Street - Jackson/Reid)
Thump.
“I promise.”
call me friend but keep me closer (Ripper Street - Jackson/Reid)
The sound was loud, sharp, piercing. Unmistakable. Jackson felt his heart drop to his stomach before his brain had even fully registered what was going on. He turned to the source of the sound just in time to watch Reid go down, head hitting the pavement hard as he landed with a near-sickening crack that made Jackson’s stomach lurch.
“Alright,” Jackson said with a sigh, reaching out to smooth Reid’s hair back from his forehead. “I ain’t going nowhere.”
open me up (Ripper Street - Jackson/Reid)
Reid let his hand come to rest on the edge of the stage, watching as the last girl left the room. He glanced at Jackson whose position mirrored his, yet looked so much more relaxed, so much more effortless, and sighed.
And Reid watched him go, skin still tingling with the ghost of his touch.
hush (Law and Order SVU - Kat/Amanda)
“You okay?”
The urge to tease Amanda for her known temper, for the way she froze people out when she was hurting was strong, but Kat was too sleepy, too cosy to be bothered, so she just hummed contentedly as she tucked Amanda against her side and let sleep finally take her.
sometimes (Law and Order SVU - Stabler/Carisi)
Sonny shifted his weight from foot to foot, flexing his hand at the sting in his knuckles from knocking too urgently on the door in front of him. His heart pounded just a little too hard, a little too fast. He told himself it was due to the uncertainty of being here, unsure of his place, unsure of his welcome, and maybe that was part of it, but a bigger part of it was his need to see that the man on the other side was okay.
“Yeah, Stabler,” he said, voice a little huskier than usual. “I am.”
Carry Me Home (Law and Order SVU - Benson/Carisi)
It shouldn’t really have come as a surprise at all that he snapped. He’d been feeling it buzzing under his skin for days now, threatening to break free at every interaction, anytime someone even so much as looked at him, really. He was frustrated— beyond frustrated—but it was born from exhaustion more than anything else.
Here, warm and comfortable and content, the nightmare of the past month of work felt miles away, and he let his eyes drift closed knowing in his heart that it would all be okay.
Forever (Law and Order SVU - Carisi/Rollins)
Sonny frowned as Amanda slid out of Olivia’s office like she didn’t want to be seen. He watched her until her eyes met his and for a moment she froze, looking guilty before she relaxed into a soft smile.
“Amanda,” Sonny cut her off, grinning from ear to ear as Jesse and Billie wrapped their arms around their legs, pushing them closer together, squealing with delight. “It’s perfect.”
honey, you're familiar (Law and Order SVU - Carisi/Rollins)
“Yeah?” 
And he knew she did, no matter what. He knew she’d be there for whatever he needed, in ways he’d been too scared to ask of her before.
It Started with Pancakes (Law and Order SVU - Carisi/Langan)
It wasn’t like this between them, not really. They’d been sleeping together on and off, whenever they faced each other in court, for over a year, but that’s all it was. That’s all it had ever been. Which was why Trevor couldn’t quite understand the warmth blossoming behind his ribs at the sight of Sonny standing at his stove wearing a pair of Trevor’s sweat pants that were far too big for him, flipping pancakes like he did it all the time, like he belonged there.
Trevor huffed, smile stretching his face as that warmth blossomed behind his ribs again, stronger than ever before. “Me too.”
I'm tagging: @electrictoes @phdmama @kim-ruzek @shutterbug-12 @australiancarisi @floralparanormal and @luciehercndale
But obviously zero pressure!!!
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prentissgirl · 18 days
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WELCOME TO MY BLOG
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22y, brazilian, she/her
here you'll find taylor swift, bts, marvel, sebastian stan, saw, olivia rodrigo, bucky barnes, criminal minds, once upon a time, chappell roan, green day, marina and the diamonds, sabrina carpenter, wlw, the office and brazilian stuff
@/ifavetaehyung on twitter
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aaronhotchstuff · 2 years
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amelia rowe + spencer reid for @come-along-pond — happiest birthday my love, i hope you enjoy your day <3
tag list: @yelenabolevas @chrissymunson @richitozier @delicateblackrose @arrthurpendragon @raith-way @claryxjackson @hiddenqveendom @decennia @lovehermioneforever @kendelias @waterloou @multifandom-oc-hell @come-along-pond @lizziesxltzmxn @maddies-buckley @cas-verse @foxesandmagic @issytrix @booty-boggins @reirvival (let me know if you’d like to be added or removed!)
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aperrywilliams · 3 months
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My Lover Boy (Spencer Reid x Fem!BAU!Reader)
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Author Masterlist
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Request: "Can you write something super angsty, like the reader and Spencer have something going on, but technically, they're just friends, and then everything with Lila Archer happens? She's sad but tries not to show it to him, and he is mad at himself for getting with Lila. Derek is teasing him, and it's super angsty, but it all ends up okay."
Pairing: Spencer Reid x Fem!BAU!Reader.
Summary: You think something is going on with Spencer, something beyond friendship. But you start to question it when a case in LA pushes Spencer to spend time with Lila Archer.
Word Count: 4.6k
TW: Angst with a happy ending. Use of some strong words. Some suggestive comments. Mention of having sex. If I forgot something, let me know.
A/N: Thanks for the request! Keep sending them to me.
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"Hey, did you get something?" You ask Spencer when he returns to the precinct. He and Gideon were at a gallery open to obtain information for the case you are working on in LA.
Spencer shrugs. "Not really. They all were more interested in photos and the press."
"Celebrities," you huff playfully, and Spencer chuckles.
"Yeah. Something like that," Spencer agrees.
"I'm going to grab some coffee. Do you want some?" You offer, standing from where you were checking the case folders.
"Sure," Spencer accepts, sitting and grabbing a folder for himself to inspect. You pass by him and squeeze his shoulders in a gentle gesture, subtly kissing his head.
"I'll be right back," you murmur before leaving the room.
Things with Spencer have been kind of odd for a while. Sure, you still are coworkers and friends, but ultimately, it is like you both are getting to terms with the idea that something else is going on. You don't know what it is really, and neither of you has sat to talk about it.
Why? Lack of time, maybe? Fear of being misreading the signals? Both?
Whatever it is, you have been acting like nothing is happening, although you almost kissed after a bar outing two weeks ago. You would have if Morgan hadn't called Spencer when you were about to kiss outside your apartment.
After the interruption, neither of you brought up the topic again.
Now you are stuck in LA, trying to solve a case involving celebrity killings. So, of course, the media and the locals have been nailing your asses for answers.
There is no time for anything else but to try to catch the unsub as soon as possible. Hotch asked you to narrow the unsub comfort zone. It's a task that's usually assigned to Spencer, but Hotch has him tracking information from one of the possible unsub's targets: Lila Archer, an actress with a promising career ahead.
"Pretty boy now has the best assignment in this case," Derek sighs as he slumps into one of the chairs in the meeting room.
Elle and you scoff at his dramatics. Morgan points an accusing finger at you.
"If you have seen her, I'm sure you would agree with me."
Neither of you pays too much attention to Derek's tantrum and keeps working instead.
It's almost night, and when Hotch returns to the precinct with Gideon and no Spencer in sight, you raise an eyebrow.
"Where is the genius?" Elle asks.
"With Miss Archer. We need to keep an eye on her, and Reid has the rapport already," Hotch explains before asking for your progress in the task you were assigned.
How does Spencer suddenly become a bodyguard? You don't know, but don't question it. You assume Hotch knows what he's doing.
An hour later, Garcia calls, saying the cameras at Lila's property show a strange person wandering around. The fact Spencer is not answering his phone makes everyone flock out of the police station, and all of you think the unsub is trying to get into the house.
What if the unsub is already inside and hurt Spencer? Shit, you are a nervous wreck, although you try to mask it to the rest of the team.
When arriving at the house, Hotch split everyone: Morgan and Elle are assigned to the front. Hotch and you take the backyard. Gideon, with the patrols, canvass the main street.
As you approach, your heart beats faster and faster. With your gun aimed, you're ready for anything but the fact you hear laughing coming from the pool.
You are covering Hotch's back, and he is as confused as you after opening the gate.
You both see Lila getting out of the pool in a fit of laughs and Spencer, entirely clothed, inside the pool.
"Are you okay, Miss Archer?" Hotch asks, holstering his gun and checking the surroundings with his gaze.
"Oh, Agent Hotchner. I didn't know you were coming," she mentions casually, wrapping a towel around her torso.
Realizing danger isn't imminent, you holster your gun, too, and reach a hand to help Spencer.
"What the hell happened?" You ask him as you take in his drenched clothes and wet gun resting at the edge of the pool. Spencer doesn't look at you, only mumbling, "I fell."
Well, weird but not implausible, considering Spencer isn't the best-coordinated man in the world.
You help him, grabbing a towel from a chair and handing it to him. You take his gun and remove the bullets from the soaked chamber.
You want to know more about the whole situation, but before you have the chance to ask Spencer, you see Derek, Elle, and Gideon coming.
Finally, the alert came from a paparazzi who was around the house and wanted to take photographs of Lila. And regarding the pool? Lila said that she wanted a dip, and unfortunately, Dr. Reid tripped and fell.
No one says anything about it, but the looks Elle and Derek give Spencer catch your attention, as does the way Spencer avoids talking to you until you are called to return to the precinct.
Despite the incident, Lila insists Spencer stay as you continue investigating the evidence.
So you all come back to the station, minus Spencer.
You don't know why Elle instructs you to check the camera roll recovered from the paparazzi, but there you are, in a dark room, revealing what could be pieces of evidence.
What you do not expect is the kind of images that are showing before your eyes: Spencer and Lila Archer making out in the pool.
What-the-fuck?
Now, the scene you found when you arrived at the place with Hotch makes a little more sense. Spencer was entirely soaked while Lila, with a smug expression, walked into the house with a towel around her torso.
You don't know what reaction comes first. But you can recognize the deception and the way your heart shatters into a million pieces.
They were kissing. In the pool. At night. Like nothing is happening around them.
You have been working your ass to catch an unsub, and the doctor is enjoying himself with a movie star. In addition, they lied about the whole ordeal.
The tears pool in your eyes, but you are fighting not to let them fall. Not here. Not for Spencer. Not for anyone.
Why bother, anyway? You are just friends.
What? Will you ask him for an explanation?
It's not your place, even if you thought something was going on between you both.
How stupid you are. You don't stand a chance with him. Spencer only sees you as friend material.
With the entire film revealed, you shove the photos into a manila folder and leave the dark room.
Elle raises an eyebrow when she spots you walking toward her. You throw the folder over the table.
"Here's what you asked me for," you say in a harsh tone before turning around and walking out of the precinct. Elle doesn't say anything and doesn't need to open the folder to know what's going on.
When the team moves to Lila's house again a few hours later, already knowing who the unsub is, you stay behind in connection to Garcia to coordinate at the police station. You don't need to be there again.
You won't get exposed to see Spencer and Lila together.
Early in the morning, with the killer in custody and Lila Archer safe, you are ready to come back to Virginia.
During the flight, you seclude yourself in the farthest seat, headphones on and eyes closed. It works. No one disturbs you.
But you fail to notice Spencer's eyes on you the entire time.
After touching down, Hotch gathers you in the office to do the debriefing when you only want to go home.
Spencer tries to talk to you a few times, but you slip away from him every time, using whatever excuse not to speak.
Finally, Hotch officially closes the case and sends you home with two days off. Without saying goodbye to anyone, and with your heart broken, you run out of the BAU.
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Spencer looks for you when he exits the conference room, but you're already gone. His guts tell him something happened to you, and he is worried. Usually, you're open to talking to him, and with this thing going on between you both, Spencer doesn't know how to ask you about it. But even if he wants to do that, he needs to have you in the same room first.
And that will only happen once you are back at the BAU in two days.
He thinks maybe he should go to your place but refrains from the idea. Perhaps you're just tired, and he doesn't want to make it worse.
He doesn't know you sulked in your apartment the entire time, and when you all return to work two days later, you are not still talking to him.
Spencer trails behind you like a lost puppy. He tries to make some conversation with you every chance he gets, but you avoid him like the plague. Spencer still doesn't know why you're acting so cold with him, so he goes to someone who might know: Elle.
Spencer walks to her desk, ready to get some kind of answers.
"What is it, Reid?" Elle asks without looking at him. Spencer clears his throat.
"Do you know if something happened to her?" he questions, referring to you. Elle rolls her eyes in annoyance before lifting her gaze to him.
"Are you kidding me right now, Reid?"
Spencer frowns in confusion.
"What do you mean?"
Huffing, Elle digs through the stack of folders on her desk, pulls out the one with the photos you developed, and passes it on to Spencer.
"Serve yourself, genius."
Spencer proceeds to check what is inside, and his cheeks immediately start to burn.
"She - she saw these?" Spencer stutters. Elle pulls a face.
"If she saw these? She developed the camera roll and gave these to me."
Spencer wants to die. It makes perfect sense, but that means he screwed it up.
"Why did she do that?! I mean, no one else could have done it?"
"I asked her to," Elle says, folding her arms over her chest.
"Why did you do that?!" Spencer squeals.
It doesn't matter why, but he still can't believe you saw everything. Spencer knows it was wrong to kiss Lila back, but for him, it didn't mean anything. His heart already belongs to you, even if he hasn't told you yet.
"What did I know that she would find out photos of you and Lila sucking each other's faces? I thought there were only pictures of Miss Startlet swimming and you stupidly falling into the pool. Isn't that you told me happened?"
Spencer Reid has rarely been left speechless, but this is one of them. A mixture of shame, regret, and anger at himself makes his stomach churn, and he wants to dig a hole to disappear.
He needs to explain to you what happened. But how could he approach the subject? You and Spencer are friends in the first place, and he didn't tell you what really happened in that pool. You had to see it for yourself in those pictures.
And thinking about your 'situationship' makes it even worse.
Spencer leaves Elle's desk, thinking about what to say and looking for the best moment to talk to you. But luck isn't by his side: in mid-morning, Hotch announced there is a case.
At least it's local this time.
In the afternoon, he spots you walking alone in one of the hallways. It's now or never, he thinks.
"(Y/N), wait!"
Hearing your name, you reluctantly turn only to see Spencer jogging to catch up with you. You want to turn again and leave, but it won't be subtle if you do that.
"What is it, Spencer? There is something about the case?" You ask flatly. Spencer knows you know it isn't about the case, but he has to assume you don't.
"I - uh. No. It's not the case. I - I just want to make sure you are okay?" His voice is wary, and the fidgeting of his hands is a tale-telling that he's nervous.
"I'm okay. I'm great, actually," you say, faking cheerfulness. Your patience runs thin, and Spencer isn't helping.
He frowns, knowing what you are doing.
"Don't be like that. I really wanted to make sure you are okay," he mumbles shyly. You cross your arms over your chest—a defiant look in your eyes.
"And why I wouldn't, uh? Something bad happened to me? There is a single reason why I shouldn't be okay?"
Spencer contemplates his response for a second. How does he say it in a way that does not sound self-centered?
"I don't know. You haven't talked to me since the last case in LA."
Spencer opts to bring up the obvious and let the overwhelming evidence out of this for now.
"And that bothers you?" You ask in a disbelief tone.
Spencer knows this isn't working.
Damn to his inability to lead meaningful interactions when he needs to.
"Yes! I mean, we - we're friends. You can tell me if something is going on."
The friend card. Spencer thinks it's the safest approach. But he's wrong. You laugh humorlessly.
"Honestly, Spencer? I don't know if we are friends anymore."
Your tone tries to be cold, but behind it, there is a tiny wavering you try to suppress at all costs.
"What? Why are you saying that?"
That's the limit Spencer reaches and pushes you to snap.
"Because friends don't lie to each other! When I asked you what happened at Lila's house, you lied to me!"
Spencer gulps because he knows you are right.
That is what he needed to say first, and not have to wait until you were who threw it at him.
"I'm sorry," he mumbles, gazing at his feet.
And then again, the guilt, the embarrassment.
Why did he do it? He isn't attracted to Lila. Why did he kiss her back?
"Yeah, me too. But you know? I'm glad. I'm glad you finally found someone and that now I know where I stand."
It hurts you to say the words. Spencer can see the crack in your demeanor, and he is the one to blame.
"What? No! No, I'm not- I didn't find someone," he chimes in an attempt to clear this up. "It's not what you think."
"Isn't? I saw the pictures, Spencer. I developed them myself. I know what I saw."
"She kissed me!" Spencer exclaims, trying to get afloat because he feels he's drowning.
"So what? If that's the case, you kissed her back!" You spat, angry at the lame explanation coming from Spencer's mouth.
"It was a mistake! I shouldn't have done that! You have to believe me."
Spencer tries to take hold of your hand, but you don't let him, yanking your arm and keeping your distance from him.
"Why do you think it's a mistake? Uh? She's pretty, almost famous, she's into you. I don't think it is," you start, and Spencer frowns. "What I can't understand is why you didn't tell me the truth before I could find out from those goddamn photos. What did you expect? That I would criticize you? What would bother me about your love adventures in Hollywood? You said it yourself: we're just friends."
"(Y/N), please," Spencer tries to get to you but is to no avail.
"It's your fucking life, Spencer. Do what you want with it! But let me out of it."
Without another word, you storm out to who knows where but far away from him.
Spencer knows he fucked up big this time. And his attempt at apology made things only worse.
He didn't see you for the rest of the case. Spencer assumed you secluded yourself in Garcia's office.
From his spot at his desk, he can only see Elle's disapproving look.
There is no reasonable reason for what he did, and that consumes Spencer's brain. He doesn't like Lila. He has been pining for you long enough to be sure he loves you.
'Men are men,' Elle usually says when Derek brags about his conquests. Spencer always felt proud of not being that way. And what happens when a pretty actress jumps at him? He goes with it. Elle is right, then. He is like any other man.
The question is if he will do something to gain your trust - and affection - back. How can he fix this?
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A whole week has passed since the case in LA. The BAU looks pretty much the same as always, if not for the fact you only talk to Spencer when it is strictly necessary. The team doesn't pick up much of it, though. Only Elle knows what's going on, but she won't pester you with questions or unrequited advice.
Spencer is doing nothing extra to call your attention, although you can feel his eyes on you sometimes during the day. But you assume he got your message, and he'll go on with his life.
The problem is you can't bring yourself to do the same. You know your chances with Spencer are a past thing, but your heart still doesn't get the memo. And you try, really try to be neutral, professional, and collected. It works in the majority because nobody asks questions or refers to what happened in LA.
But the state of 'everything is fine' in you is fragile, and you know that.
It's Friday afternoon, and everyone wants to end their reports to go finally home. You see Spencer from the corner of your eyes. He is deep-writing in what you assume are the details from the last case. Elle is doing the same. You are trying to focus on your work, but the tiredness makes you go slower than you want.
Suddenly, the glass doors open to reveal a grinning Derek Morgan walking straight to Spencer's desk with something under his arm. It looks like a newspaper.
"Hey, lover boy!" Derek claps Spencer's back with a shit-eaten smirk plastered on his face. Spencer looks up at Derek with a frown. "Don't look at me like that Casanova. You are the one who didn't tell me about your little something with Miss Starlet."
Morgan places a newspaper he's carrying on Reid's desk. The cover is a photo of him making out with Lila Archer.
"W- what?" Spencer stutters as his cheeks redden. His eyes quickly move from the newspaper to find yours, and you only want to disappear. Averting his gaze, you try to focus again on the file you are reading. Elle rolls her eyes from her desk.
"My man! You slept with her that night, didn't you?"
"Morgan, stop," Spencer pleads, but Derek doesn't relent, even when the air in the room becomes way thick in instants.
"You can tell me! Is she good? I bet she is-"
"Morgan, no!" Spencer's high-pitched voice tries to make Morgan shut up.
"Come on, give me something pretty boy. She is wild in bed, doesn't she? How many hickeys did she leave on you?"
You actually cringe at Morgan's words. The sole idea of Lila and Spencer sleeping together makes you sick to your stomach.
You're about seconds to stand and get out.
Elle, who is observing the whole scenario - thing Derek doesn't - huffs in irritation.
"Why don't you and lover boy go to spill your gut about your sex life out of here? We are trying to work if you didn't notice."
Morgan frowns. Usually, Elle backs up his teasing to Spencer. But when he is about to say something again, you're - not so subtly - grabbing your things and storming out from the bullpen.
Your collected attitude goes out of the window.
All of them be damned, you think.
Spencer is standing right away to chase after you, leaving Morgan with a confused look, silently asking Elle what the hell just happened.
"I am only going to say that you are a total asshole, Derek Morgan," Elle states before returning to her files.
Meanwhile, you're pressing the elevator button, and you can feel Spencer rapidly nearing you.
“(Y/N)! Please, wait!"
When he's by your side, you intentionally look to another way.
"Not now, Spencer. Just let me go."
Just let me go. That statement has more meaning than the explicit one you're voicing.
"Morgan is only messing with me. I didn't sleep with her."
Spencer thinks blurting the truth will be enough to stop you from running away from him. But things are already more complicated than that.
"It doesn't matter, Spencer. Now, let me go."
Your insistence is more like an agonizing plea. You're so tired. There is no fight you want to engage in right now. You think you won this time when the elevator doors open, but it's short-lived as you see Spencer stepping inside as well.
"No! It does matter!"
The elevator doors close, and now only are you and him.
"Why? Uh? Why is it so important for you to tell me this?"
Your sudden raised voice takes Spencer aback. You're pissed off.
"Because - because it is the truth!" He defends.
And maybe he's right. Perhaps he didn't sleep with Lila, but your heart is already broken, and you only need space to get used to the idea and heal.
"Spencer. I already told you you don't owe me an explanation. Truth or not, it is not my business anyway."
Your tone is not angry but deflated, exhausted. Your gaze drops to the floor.
Spencer wants to scream; there is so much in his chest to say, but his brain doesn't cooperate in spilling something coherent.
"But I want it to be!" He decides to say, and he gets you to look at him again.
"What? are you talking about?"
"I want it - I want it to be your business," Spencer repeats, and you don't know what to say; you don't even know what he means.
The elevator dings and the door opens. You both stand there for a second, frozen after what looks like a confession. Or not. You're not sure.
"You don't know what you are saying," you mumble, deciding to move and pass him to walk into the parking garage.
"I know I should have said this before," Spencer continues walking after you. "I know I should have said something that night when we almost kissed. I regret I didn't."
You stop when he mentions that night. At this point, you thought he didn't care, and it didn't mean anything to him.
"Nothing happened that night," you say bitterly.
"But it should have. Don't tell me you didn't feel it," Spencer poses a hand on your shoulder to stop you from turning away again. Your eyes fill with tears, but you're fighting not to let them fall.
"And what if I did? It doesn't change anything," you shrug, a painful look in your eyes.
"It does! Because I love you and I do really want to make it up to you. I want you back. I want to amend the hurt I caused you for my stupidity."
Did he say 'I love you'? That takes you aback.
"Spencer-"
"I know I messed up. I know it was stupid to kiss Lila back. It doesn't matter if she did it first or not; you're right. But believe me, it didn't mean anything to me because she was not you. She is not you and will never be."
"You're confusing things," you shake your head, still not giving credit to his confession.
"After our fight the other day, I really thought about stepping back and leaving you alone. I have been torturing myself all week trying to conceive a life without you on it, mourning the lost of our friendship, and above all, mourning the lost of the prospect of to be your person, and you to be mine."
You can't keep your tears at bay anymore, so you let them free. Spencer cups your cheeks, and you can see tears in his eyes, too.
"But I can't. I can't let you go. Not without telling you the truth. And if you don't feel the same, that's okay; I won't push any further, and I'll leave you alone."
You can't tell him that you don't feel the same way because that would be the biggest lie in the universe. You are also sure that you love him, and that is why this situation has broken you so much.
You blink away some of your tears as Spencer looks at you, trying to read the truth in you.
"I think I have been in love with you since ever," you blurt out, with a half sob and half chuckle. "And I felt so heartbroken seeing you kissing her, and now Derek comes suggesting-" you trail off.
"Hey, don't think about that. I messed up, and I didn't say anything earlier because, to me, it didn't mean anything. I'm so sorry," Spencer apologizes, running his thumbs under your eyes to wipe some of your tears.
"How can - how can we start over?" you ask him shyly but hopefully. Spencer hastens to reply.
"The way you want it. If you want time to think, or if you want us to go slow, we can do that. If you wish to, can we go on a date first? Officially, a date? We can do that," Spencer rambles, and you smile for real for the first time in weeks.
"Yeah, we can go on a date, officially a date," you concede, and Spencer can't contain his excitement. "But, can I ask you for something first?"
"Of course. Just name it," Spencer says as his hands rub your shoulders lovingly.
"Can you kiss me now?" You request, with the most faked innocent look you can muster, making Spencer laugh.
"I can do that," he nods, looking at you intensely, gaze flicking between your eyes and your lips. Then Spencer leans down, closing his eyes at midway. You wait with batted breath until finally, his lips softly touch yours.
It's a tentative, sweet kiss. Your arms go up Spencer's shoulders until they land on his neck. His hands fall to your hips to pull you closer as the kiss deepens. It's no longer exploratory; it's hungry, messy, passionate, and you couldn't have wanted it any other way. You're sure this kiss is a thousand times better than the one he had with Lila, and Spencer completely agrees with that assessment because it's you.
That makes it perfect.
It's the need for air that makes you part after a while.
"Wow," you both say at the same time, starting to laugh like teenagers and trying to catch your breath.
When the laugh subsides, you narrow your eyes in contemplation and Spencer's eyebrow furrow.
"What?" he asks, and you look at him—a mischievous glint in your eyes.
"We agreed to a date first, right?" you ask, and Spencer nods.
"What if we skip that and make up for the lost time? What do you say, my lover boy?" you suggest, with a playful smirk on your face. Spencer's cheeks flush, but he is definitively excited with the idea. He quickly grabs your hand and runs with you to your car.
There is a lot to make it up, he agrees.
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Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers 
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meglinpancake · 1 year
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dysfunction, family values- I’ll die, but I will not fear
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clockworkbee · 1 year
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I didn't know I needed this until I got it 😂
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angelic37 · 2 years
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10 years since... RIPPER STREET "The King Came Calling" Written by Declan Croghan and Richard Warlow. Directed by Andy Wilson. Original air date: 13 January 2013 (insp.)
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heloooo! hows life? and also, what jobs do you think the aouv crew would have?
Hello!! I'm so so sorry it took me this long to get around to answering, I started it and then promptly forgot it in my drafts for a really long time :/ This is a fun question to think about!
Alistair - I've seen people on here talking about how Alistair would be a writer post-canon, and I agree wholeheartedly. He's a natural storyteller and I think he would love the chance to channel that creativity without terrifying himself in the process. Also, the relative anonymity and privacy would be good for him in the aftermath of the tournament.
Isobel - Let my girl follow her dreams of going to fashion school! I think she'd be incredible at it and the deviation from the Macaslan "jobs" and spellmaking she's expected to follow would be good for her. Many years in the future, her designs become famous, which is perhaps the biggest fuck-you to Cormac (ppl hear Macaslan and they don't think of the "family business" anymore)
Gavin - He goes through a series of temporary jobs until Fergus is an adult so he can keep a roof above their heads, then once Fergus leaves Ilvernath for university he kind of flounders a bit. Eventually Gavin ends up leaving the city as well and gets a good job in land surveying—something with a physical, hands-on element that still requires a lot of intelligence and precision.
Briony - Everyone expects her to pursue politics or some other profession with a lot of publicity, but Briony surprises everyone by becoming an attorney. She'll never let go of her desire to help and save people, but she doesn't want to be associated with the Thorburns (minus Innes) anymore, and she's become less obsessed with the idea of being a hero. She gains a reputation for being a fierce advocate for her clients against injustice.
Finley - ???? Part of the reason why it took me so long to get to this ask was because I have no fucking clue what job Finley would have. This may be partially due to the fact that I am 100% convinced this poor boy will have the worst case of burnout post-canon that leads to several breakdowns. I also think he'll feel very aimless, because so much of his life has been about living up to expectations. Please chime in if anyone has ideas about what Finley would end up doing with his life, because I'm getting very hung up on the inevitable mental health issues in his immediate future.
Elionor - She becomes an engineer and specializes in integrating magick with otherwise mechanical designs. She barely makes it through her internship because of her attitude, but she becomes known for her creative and innovative work.
Carbry - Carbry becomes a professor. What better way to make a life out of learning, and bestowing it upon others? He does a lot of hands on research focusing on the history of curses and other magickal occurrences.
Hendry - For a while, Hendry isn't sure what he wants to do with his life, especially since he's never had any of the normal experiences that he's heard about up until this point. He encourages Alistair to pursue writing and tries out a few different paths before opening up a small indie bakery. He gets a few opportunities to expand but never takes them because he wants to keep it a warm, homelike setting where you can taste the love that went into every pastry.
Reid - Reid never writes another book. He keeps the MacTavish shop running, but years down the line, he moves more into the research aspect of cursemaking and develops some theories that he handles more responsibly than his previous experiments. Some of them get studied academically and developed into modern cursemaking/breaking advancements.
Diya - Of course I had to include her :) Diya rightfully tells the spellmaking society to fuck off and starts to do her own thing. Ten years down the line and she's known throughout Kendalle for being one of the best magickal fixers.
Thanks for the ask :) Please don't let the excruciating amount of time it took me to respond dissuade you from sending me more lmao, I love to talk about this series and my schedule seems to be a bit less hectic for the time being!
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