#am i reading too much into it? probably but it also makes sense with what we know about him and his mother

[wemlygust]

I hadn't heard about this, so I looked up the trailer expecting it to be awful and

This... looks fun actually? Toothless looks like Toothless. Still expressive and everything. It doesn't look like a Lion King situation in that sense. This trailer, to me, makes it look like they've changed the tone to a more serious one, but like the heart and emotion at the core of it may still be there. And the actor they picked for Hiccup seems like a good fit (I don't know hardly any actors though so idk who this is). It looks like How to Train Your Dragon: Gritty Lord-of-the-Ring's-ish Dramatic Fantasy Edition. Seems like a good time to me. Like the movie equivalent of an alternate universe fanfiction. I still won't see it in theaters. I'd still prefer more original films over this. I'd still prefer animated versions of live action originals, over yet another CGI/live action version of an existing animated movie that's perfectly good as it is. I'd prefer a new adaptation (animated or live) of the How to Train Your Dragon book (which I hear is VERY different than the movie) over this - that option was literally right there. They could've still tied it to the How to Train Your Dragon animated films in the marketing. It'd mean paying scriptwriters to adapt the book to film in a new way, but like. Scriptwriters are not even close to the most expensive part of filmmaking. They could have made it animated again and saved a bucketload of money. But still... as "live action" adaptations go, I'm actually interested in this one. I'm looking forward to it now. CGI, also, isn't even "live action", not really. I hate that this has somehow become the universal term for it. CGI is also animation, just really realistic and expensive animation. It has artistic value and also has a heck of a lot of potential beyond the ways it is most often used. There are so many cool things that could be done with it that get left on the table in favor of only "let's make this as realistic-looking and/or dark and gritty and scary as possible and put it next to human actors". It's been artificially limited from what it could be by corporate culture and decision-making (as have been many other things). Anyway, since Toothless - at least in the trailer, though granted that may not be representative - looks properly expressive in the usual animated fashion, this doesn't give me that "why are people treating animation as inferior" feeling as much as other such adaptations do. It does give me a bit of the "why do people treat realistic aesthetics as automatically better" feeling, but they're definitely doing this just because they (probably rightfully) expect they can make a lot of money for the investment required. And it looks fun so I can give that a pass, maybe. If it does well enough, it could hypothetically fund more originals that are bigger risks, the way mega-popular books have traditionally funded the risks publishers take on newer, riskier authors and books. But of course this is assuming the execs don't just pocket everything and then look for the next easy cash grab instead. (I've read that model in book publishing has been dwindling lately, too, but I've not looked into it much.) I am a bit concerned by the fact the 2nd trailer is almost identical to the first, though, because that leaves the possibility that they showcased the only good-looking bit and left out the rest. :P I do think there's a chance it'll actually be good though.

GUESS WHO EDITED SMTH AGAINNN

My thoughts of httyd live action as a whole

[erinwantstowrite]

Hey! :) I’ve really been wanting to get into reading comics but I have no idea where to start 🥲

Do you have any recommendations or references for how to start reading about different dc characters? I mainly want to start reading about batman and the rest of his clan but I want to branch out to other characters as well

hi!! i've gotten this question a lot and i'm so sorry it's taken me so long to answer all of y'all! but i wanted to make sure if i made a list, it would be with the best references i could find, and that it made sense for even a beginner

what i've found is that... there's apparently no right answer? mostly, you'll find people recommending you to start with their favorite collections, like Batman: Hush, etc etc. from what i've been able to tell, getting into comics is about choosing one that sounds the most interesting to you, and going from there. if you like the collection you've picked up, then someone will recommend another collection, so on. a lot of people recommend that you start with a certain character, someone that you really like. so if Tim Drake is calling to you like many... many people, then you can find a reading guide for him and pick and choose from a collection. like this one from this blogger that helped me. one of my favorite characters is Cassandra Cain (though I don't write her as often, which kind of happens when I really like a character?). she has a Batgirl run!! Batgirl #1. (((please note that this link takes you to readallcomics.com, which you should use an adblocker for if you want to use this website. however!! it is very different from readcomics.com))) look how cool she is!!

however I personally like to try and read in chronological order because I don't like missing out on anything. in my search, i found an amazingly ordered, extensive website called comicbookherald.com

i started using this because they have a list in chronological order for many, many, many characters in the DC universe:

https://www.comicbookherald.com/reading-dc-comics/

one of the very first options on this list is Batman (listed in alphabetical), and when you click on him, you'll find exactly what you're looking for:

https://www.comicbookherald.com/reading-dc-comics/batman-reading-order/

the links on the actual titles in the list will take you to Amazon to buy the comic, but there are other ways to find these comics either online (like seen above with Batgirl #1) or through your local library (recommended). if your library doesn't have them, you might be able to find them at a nearby one or you can ask the librarian how a request works. they'd probably be happy to get it for you (support your local libraries!!!) you might find that you prefer going to a comic shop, and that's great too

i also looked up the publication history of the Batman comics using Wikipedia, just to make sure that I knew what i was doing, and i started with the very first on the list: Detective Comics #27. this is Bruce Wayne/Batman's very first appearance.

i also found some helpful videos that i personally have tried to follow:

"BATMAN 101: A GUIDE TO HELP YOU START READING BATMAN COMICS!" by History of the Batman

"Where to Start Reading Batman Comics | Best Batman Comics for Beginners in Collected Editions!" by Near Mint Condition

the issue is that it's pretty hard to read all of the characters at once and stay in order, which means you'll probably want to stick to reading one character at a time and piecing it together like that. but if you're feeling brave, i'd cross reference the years and publication history and go by the order of when each character shows up: start by reading Batman, and when Dick Grayson appears, look up his list and see how the publication history looks, and i guess start trying to read them side by side? the same would go for when Jason appears, then Tim, etc etc. but this might be VERY difficult, so i am very much recommending beginners to start by reading Batman's and branch out from there

my personal favorite right now is Batman & Robin: Year One because Dick Grayson is in it and he's so cute here in his Robin days

edit: adding on this ask i got about hoopla

[crowdusk]

CHAPTER 1136 THOUGHTS

[note: i read the official version when it comes out so i keep away from scan spoilers]

interesting that Who's-Who is (maybe) back considering he was the first to name and talk about Nika

Luffy so cute

I still don't like that we're getting a feast first thing in the arc...does not bode well but oh well let's go

more reinforcement of Elbaph being isolated/insular (which is weird considering Harald seemingly did so much to try and open it up...what was this dude doing)

speaking of which, I'm more and more suspicious about this dead king...I know I said he probably was just naive but hmmmmm. the fact that Jarul put him on the same level as Loki (a character that so far most giants have described as evil), the theme of misinformation and reputations being misleading, that the sword in Jarul's helmet looks like Harald's, that Jarul is definitely hiding something about Harald's death and Loki (look at his eyes in the panel where the giant is saying Jarul was there and tried to stop Loki). Harald smells fishier and fishier to me by the chapter, and it wouldn't surprise me if he was working with the Holy Knights/Elders in some way, maybe offering giants as military assets in exchange for (diplomatic) power. we also hear that he would leave Elbaph for periods of time which isn't all that suspicious by itself, but to me speaks to a disconnect between what he was doing and what his people were aware of.

so much lore!!!

interesting that a) Rodo says all giants growing up want to be the sun god and rule the world and b) there are different versions of Nika, which makes complete sense. Luffy literally does embody almost all the aspects mentioned - laughter, destruction, liberation - but it's interesting that the one thing Luffy has absolutely no interest in is ruling. he is a leader because people want to follow him, not because he wants to lead - how much is that true for Nika as a god, too?

I personally wasn't that surprised at the revelation that the world has been destroyed twice - I always thought the Void Century wasn't the earliest 'catastrophe' since the arrival of the people from the Moon was much earlier than that, and probably itself was a big cataclysm/reshaped the planet. plus, Nika probably comes from the Moon people (like the Shandorans) and so must be much older than the Void Century.

I am interested in the Harley, though (I SAID THERE WAS GOING TO BE IMPORTANT MYTHOLOGY PASSED DOWN IN ELBAPH). wondering if Robin could glean some information from it (pleaseeeeee) - but of course she's not there because Oda's smart and tricksy and annoying like that

the idea of change being both destructive and generative gets reinforced, and that it's to do with the toppling of power structures

of course, we need Luffy to reject the 'chosen one' fate, which he always does - he wouldn't be free otherwise

we kind of get told of Loki's deeds, finally. importantly, they're described as pranks and we actually see Loki laughing in the exact Nika pose Luffy takes on in gear 5. again, this idea of Loki really embodying the destructive but also comical and mischievous aspect of Nika makes me think he isn't a real antagonist to the Strawhats. plus, as we know with One Piece, the more someone is portrayed as one-dimensional by reputation (take Zoro for example), the more Oda likes to subvert those expectations. to me, Loki's pranks sound like a child acting out and messing around.

confirmation that Shanks caught Loki and that's probably what made him an Emperor, but seems like there's more to the story if Loki's calling him a coward. from later parts of the chapter it's clear Loki embraces the Elbaph warrior principles, so it doesn't seem like he'd call Shanks a coward if Shanks had beat him in a straightforward fight (but we'll see). this also makes me think, along with the last parts of the chapter, that Loki might actually take deals seriously and therefore may not have lied to Luffy (maybe he knows where Shanks is because he knows where the last road poneglyph is).

we get Zoro being pretty perceptive, and some explanation to why he was on edge. I maintain he's stressed and not quite himself post-Egghead, probably because he doesn't feel like he's as strong as he needs to be (and the crew isn't as strong as they need to be) - so he's being extra serious and careful. interestingly, Zoro is going off of Loki's reputation and as we know reputations are often false (as in his own case)

as we knew, Luffy's solution to Loki maybe tricking him is just 'well i'll beat him up if he causes any problems' - very much like his approach to Law and other pirates

i'm interested to see what Luffy Nami and Zoro will find in the castle, if they go there (any hints as to what happened with Harald?)

I thought the Knights were either going to try and kill or recruit Loki, but to be honest was leaning more towards the killing possibility so, I was wrong (although let's see what happens). I imagine it's to do with his devil fruit and general strength making him a useful asset. i'm actually leaning more towards his devil fruit being something related to prophecy/predicting the future/fate, since there was a mention of Harald prophesying his own death, and he keeps talking about fate and the future. plus, eyes are often a strong symbol of prophetic ability, visions etc and his eyes are covered. a strong giant with some kind of future-related ability? invaluable to the upper echelons of the World Government.

i did enjoy Loki calling them trash a lot, and it made me think that the Holy Knights may well recruit people from different countries across the world so that they have a network (notably since Gunko doesn't have a 'Saint' title and therefore may not have been born as/may not be a Celestial Dragon)

also very funny that the agents they sent got taken out by Rodo's weird scheme

obviously Oda giving us absolutely nothing wrt Shanks twin's face but atp we know it's not Shanks

it feels to me like the Shanks guy is her superior, since he kind of chastises her for getting ahead of herself

we see that Loki seems to follow the old warrior principles and beliefs, like Dorry and Brogy. he also isn't heartless, since he actually talks about his feelings quite openly (and not just rage but sadness too, which he also mentioned during his conversation with Shaggy). it feels like there's a strong emotional drive to his desire to 'destroy the world', not just cruelty and the enjoyment of senseless violence. i look forward to finding out where that comes from.

One Piece Chapters 1134 + 1135

SUMMARY (I simply cannot be concise so I thought I'd add summary points for anyone who doesn't want to read a whole long piece. Clown music though because even the summary is long. I can't help it.)

Also you can find previous Elbaph thoughts/predictions here.

I believe Elbaph’s current culture of peace and absolute non-violence came from Harald (who was probably an idealist) and Mother Carmel, who was – and is still – seen as a holy woman and saint by the giants. Her rhetoric was all about ‘everyone living together in peace’ in a superficial, unrealistic and one-dimensional way that hid and enabled a lot of violence. Including, of course, her literal job providing military assets to the World Government in the form of orphaned children to be made into spies and soldiers. 

Mother Carmel’s infiltration may have led to Harald developing a relationship with the World Government (which he probably wanted Elbaph to become a part of), while we know that the Five Elders are wary of giants and have always sought to co-opt their strength. This might explain how the two Holy Knights looking for Loki were able to teleport into the castle (I believe there must be physical rules/limitations to the magic circle transport, e.g. some kind of physical anchor to the place you’re going).

This arc is going to look at and explore questions around peace and violence. Peace by and for whom? For example, ‘peace’ can look like the people at the center of society living without disturbance or discomfort while those on the margins suffer and are silenced (neoliberalism). Peace as defined by the absence of overt conflict doesn’t mean there is no harm or violence – it can be repression, manufactured consent, etc. True peace cannot be imposed from the top, it must be collectively built. And so forth. Conversely, violence and conflict are sometimes necessary to protect what you care about (your treasures), as we see with the Strawhats. Creating a peaceful and knowledge-centric society doesn’t have to be at odds with warrior culture, since being willing to put your life on the line is important in some instances. What will happen if external factors threaten Elbaph’s treasures? 

Last review, I talked about how I think one of this arc’s central themes will be the juxtaposition of reality and fiction, truth and lies, stories and lived experiences. Illusions will shatter and false gods/idols will fall – I think the giants’ idolisation of Mother Carmel and Harald will end, one way or another. For the latter, I don’t necessarily think he was evil. More so that he was just one person who made mistakes and had flaws, rather than a perfect king who only ever brought wonderful changes to Elbaph. On the other hand, Loki may not be a god but he could have the powers of one, and I think the first impressions we got of him will be changed and shown to be misinformation to recast him in a more positive light. I think he had a good reason to kill his father, and that the events of Harald’s death are another false story that must be clarified. Oda loves a good character twist. (Honestly if Harald turns out evil, I’m here for it). 

I also said in my last piece that I thought there would be internal divisions, and I still think this is going to be the case. For example, we don’t know why Hajrudin initially left Elbaph – could part of it have been feeling stifled by the loss of warrior traditions? This would make sense, since he wanted to follow in Dorry and Brogy’s footsteps. However, I think we might just see more of a spectrum of positions, rather than, say, two clear factions. Nevertheless, I still think the Strawhats will have to bring a lot of people together to fight a bigger antagonist, maybe even including Loki (as the potential king??) – but they’re pretty good at that. 

Last time I wrote about 1132, I was still a little unsure about Loki’s vibe, but I didn’t think he would be the big villain. This is now pretty much confirmed for me and I think will become even clearer once we get the truth of his backstory. The more we see of him, the more we see a silly side – one that hides genuine care for people under a violent and fearsome facade. I think he’ll probably end up as an ally (even if he’s still morally ambiguous). Classic case of Luffy’s gut being right once again. I am particularly interested, though, in what this means about Loki’s proclamation that he’s the sun god who will destroy the world. Is it metaphor? Does he want to declare war on the WG? Is he still going to do some fucked up things? Unclear. But I still think divinity, myth and belief are key to Loki’s character and his juxtaposition with Luffy, and I’m interested to see exactly how.

I wrote about strength after chapter 1132, and I still think it’s going to be an important theme. What I’d like to add is that I think it will be specifically about strength in relation to pride, and warrior culture in general. Essentially, it will be about why people fight. Why people want to be strong, and why they take pride in it. The Strawhats fight for what they care about, especially people. This also includes things that carry the wills of people who have died, like the books of Ohara, or even the concept of people’s dreams. This arc will look at warrior culture, and the difference between a warrior society and an oppressive/hegemonic society which uses violence (fear and the threat of death) for extraction and control. Fundamentally, all these themes are about power in relation to collective freedom, and what it means to live a good life. There is rightful pride in being able to fight from a place of knowledge and connection, to fight for what you love and believe in (including people’s freedom) as opposed to the soulless genocide and extraction from those considered less deserving of life. 

I think the declaration of the warriors at the feast might also be a foreshadowing of exactly what the Strawhats will do in Elbaph. Understanding and protecting their ancestral pride as warriors, and helping them reconnect to it as a country. Freeing them from ignorance (revealing the truth of what really happened with Carmel, Harald, and Loki). And saving them from being destroyed (this one’s pretty self-explanatory, but I believe it will be to do with Yggdrasil).

Ok if you’re here for the full whammy, yay! SO MUCH HAPPENED IN TWO CHAPTERS. GAH. Let’s just get straight into it. 

So, in chapter 1134, we open with the strawhats meeting Saul outside the library. I don’t have much to say about this part thematically (same with the previous chapter) because I think it’s pretty straightforward. I’ll summarise: I loved it, Luffy poorly copying Jinbe was extremely funny, the reunion did actually make me cry, and I am forever crying over Robin just – being happy now. Being relaxed, content, smiling more, bonding with Bonney. My heart, my heart. 

We also see Lilith introduce herself to Saul as Vegapunk, and explain to him (and us, for the first time!) that she has brought a “perfect re-creation” clone of Vegapunk with her. She plans to settle down in Elbaph and build a new lab. Ok, cool. Honestly, I’m a little eh about a Stella comeback (because I think it’s more interesting for him to be embodied by just his satellites) but just because that’s the plan doesn’t mean it’ll go smoothly, or happen for sure. On the other hand, I’m genuinely pleased that there’s a potential to bring Kuma back, not that he was ever never actually dead. We’ve had so many hints that there’s hope for him. Plus, he’s one of the characters that truly just went through the worst of the worst over and over for the sake of liberation and his loved ones, holding onto faith throughout. I think he deserves to be a father and be happy, I don’t care if that’s cheesy. But again, no guarantee that will actually happen. 

Love and Light Only 

We then see the Walrus School where the children are educated and hear that it was founded 20 years ago by Saul, at the behest of the former king, Harald. Once again, huge huge kudos to the assistants because wow. I want to live there. What follows is Luffy’s encounter with some of said children, who turn out to be, well, absolute wimps. They don’t use ‘bad’ or potentially insulting words, and they’re not going to be setting out to sea to fight ruffians when they’re older. They’re learning in school, rather than being trained to be warriors. In fact, as their teacher Ripley tells us, being a warrior nowadays isn’t fashionable, because “insults, violence, pillaging, war” are just “not the world we live in anymore”. [Side note: the number of beautiful giant women Oda is giving us??? It's tough out here for a gay]. Absolutely nothing even close to violence or antagonism are allowed, not even petty insults, specifically by the children, which tells us this is very much the way they’re being raised and taught. It’s giving weird, cloying, toxic positivity. I was even going to say there is no war in Ba Sing Se, but I don’t think we’re dealing with brainwashing here – just insularity and idealism. 

We see this reinforced by the repeated mentions that Elbaph has very little connection to the outside world – they don’t pay attention to it, they don’t get news coos, they just mind their own business. Interestingly, we also know that any “intruders” immediately get captured (presumably to be vetted and potentially kept out if they risk disturbing the peace). I honestly can’t remember if the news coo thing has come up before in the context of non-WG countries, but I don’t think so? Anyways, that’s pretty bad. Like, if a country isn’t in the World Government (which, remember, requires paying literal tribute to the Celestial Dragons) they just don’t get information about what’s happening in the world? Wild stuff. In some ways maybe that’s protective, but in other ways, extremely dangerous. 

On the topic of language, we also immediately see ways in which these cultural rules are being broken. The way Ripley speaks is rougher, as she herself calls the kids brats and says she teaches by “negative example” (do as I say not as I do). So we’re seeing a clear generational rift in culture between what Ripley later says is the “last generation of warriors” (presumably she’s around the same age as Hajrudin, Loki, Rodo, Gerd etc) and the current children. When we meet Collun, we also immediately see that the way the other children treat him isn’t exactly kind. Despite strictly following rules around things like name-calling, they outright say they hate him. He replies in kind, but it’s not hypocritical of Collun in the way it is for the other children. He’s clearly the rough “wild child” who’s following the older warrior culture, whereas the ways in which the educational system is teaching ‘non-violence’ clearly doesn’t preclude them from excluding or being rude to a kid who’s different from them. In fact, they’re just following the rules and it’s ok to be mean to him because he’s always causing trouble and not following the rules, so he deserves it. They even basically imply why are you here. I think this kind of petty behaviour isn’t abnormal or horrendous for kids, but it does highlight to me that the kind of ‘peaceful’ culture Elbaph is aspiring to feels extremely one-dimensional, oversimplified, and somewhat superficial. Even the way Ripley talks about it feels so smoothed out and idealistic, which is strange coming from the mouth of someone who still looks and behaves like a warrior. What happened from one generation to the next?

Ripley goes on to say Harald’s policy was “don’t fight other countries – trade with them!” Sound familiar? Yeah. Those were exactly Mother Carmel’s ideas for the giants a hundred years ago, when she lived on Elbaph. This was following the dissolution of the Giant Warrior Pirates because Dorry and Brogy had started their century-long duel on Little Garden, when she appeared as a “wandering holy woman” and ‘saved’ some of their crew from execution by beseeching the marines for forgiveness and an end to violence. The giants understandably see her as a saviour and saint who performed a miracle. We only learn later that this was a stunt pulled in collaboration with the marines and the World Government, which allowed her to gain the trust of the giants and infiltrate Elbaph as a child trafficker.

Now, I’m not saying Harald was aware of Carmel’s true nature, but I wouldn’t be surprised if he was inspired by/agreed with what she was saying, thus starting Elbaph’s current era of ‘peace’ with the Giant Warrior Pirates out of the way. Carmel was a perfect human link to the WG who could help Harald carry out his ideas, while her saviour position in the eyes of other giants helped him convince his people. This is important, because that means this peace was potentially built with a foundation of deceit tied to military strategy. Carmel wasn’t operating alone – she was specifically selling orphaned children to the WG to be marines, spies and agents. We see her talking to and dealing with CP0, who work directly under the Celestial Dragons and the Five Elders. Mother Carmel was a morally putrid money-hungry old hag, yes, but she was also an instrument of the WG. We also know that the WG has long been interested in harnessing and controlling the power of giants (from Carmel talking about getting giant children into the navy, like John Giant, to MADS’ and later Caesar’s gigantification experiments). In a world based on power inequality, oppression and authoritarian domination, the giants are military assets – if only they can be assimilated into the system. And who is easier to indoctrinate and control than children? 

To be clear, I think peace with a focus on education and knowledge is great! I would love for the world to be that way. And I definitely don’t think the “goal” of this arc should be to renounce those ideals or simply go back to being a completely war-based culture. Knowledge is extremely important in One Piece – that’s quite literally a central theme of the whole series. And of course, we are shown time and time again how horrific and devastating war is. However, history – why and how things come to be is crucial. Is something coming from people’s informed collective desires, or is it coming from the decision of one person/a few people? Is it something that benefits everyone? Is it growth from a place of understanding, or historical amnesia and bypassing material reality? The truth is that right now, the One Piece world isn’t past “violence, insults, pillaging, war”. It’s very much full of those things, specifically because it is rife with inequality. Elbaph so far has been sheltered from these problems, but what happens if the problems come to them? 

This is one of the central questions I believe Elbaph is going to grapple with. What is peace, and what is violence? How can true peace be created? Can violence truly be eradicated from the world? What different kinds of violence are there? 

I think the books from Ohara, the Owl Library and Yggdrasil are going to be of crucial importance to these questions. We know that Yggdrasil is extremely important to Elbaph, and we also know that accumulated collective knowledge and education – as represented by the books – are beyond precious. So, the giants have something to protect that isn’t just their own lives: they have a collective treasure. I wouldn’t be surprised if threats to these treasures are the catalyst for the giants’ reconnection to their warrior natures. Pillaging and engaging in violence just for the sake of it or for sadistic pleasure is unnecessary and cruel, but being a fighter and a warrior in order to protect what one cares about – one’s treasure – is important. All the warrior cultures we’ve seen so far in One Piece have shared this reason for their strength, from the Shandorans protecting their sacred ancestral lands and history, to Wano with Pluton, and the Minks with their poneglyph and Zunesha. 

Elbaph can be a peaceful nation that focuses on education and knowledge, and still be able to protect that knowledge if necessary through maintaining relationship to the core aspects of their warrior culture: honour, courage, strength, skill, freedom, etc. I think that’s also where pride can sit, in the space of being strong enough to do what’s needed to protect life, dreams, love, and what we care about. This is, after all, what we see time and time again in pirates like Luffy and the Strawhats – that fighting and strength are absolutely not everything, and look different for everyone, but are ultimately important to protecting what’s important to us. There is pride in embracing one’s dreams, taking action, resisting oppression and injustice, and having a strong relationship to life and death as warriors do. As an aside, I do think Usopp will be a key person who inspires this shift and re-invigorates the giants’ pride (big speech time!). 

Ideals and Idols

Two things jumped out at me in this section of the chapter. The first is that multiple people have referred to Harald as a “great king”, or something along the lines of ‘beloved by everyone’. Now, that’s not so strange. He could’ve just been a really caring or charismatic leader. But the emphasis makes me a little suspicious about what was going on behind the scenes, especially since we know what Mother Carmel was really doing, but the giants still don’t know the truth. They still see her as a holy figure and miracle worker who saved them and even cared about Linlin, a “god of disaster”. I think it’s no coincidence that the figures of Harald and Carmel have been set up as key figures of this hundred-year period who are idolised by the giants, and the illusion is going to crumble at some point. I believe the truth about Carmel being the epitome of ‘peace and love’ hypocrisy will come out, and so will whatever truth about Harald. Again, to be clear, I’m not saying I think Harald was evil or had bad intentions – it’s more likely that he was tricked and manipulated by Carmel and the WG because of his idealism. I think he probably wanted to make Elbaph part of the WG (in order to pursue his goals of peace and trade), he wanted Elbaph to open up to the world, and he wanted ‘peace’ in the sense of blanket non-violence. 

That last part we already saw expressed with terrifying clarity in a child Linlin, when she locked a bear and a wolf in a cage to stop them fighting because “fighting is bad”. I won’t get into analysing that metaphor right here (I think I’ll make a separate post) but it is so on the nose – forced peace and non-violence is itself violent and creates more violence, especially because it requires imposing your will on other beings and taking away their freedom. Peace for whom? And by whom? I believe the truth of Harald’s engagement with the WG, and either his collaboration with them or his mistakes in dealing with them will come to light, and I’m sure Loki’s reasons for killing him are related.

In this way, Harald opened Elbaph up to infiltration and engagement from the WG, who I’m sure were only waiting for an opportunity to gather intelligence and start undermining the giants’ power or bend it to their use. Like I said previously, I strongly believe that the Warland giants had ties to the Ancient Kingdom and the events of the Void Century. It would absolutely be in the WG’s interest to bring them over to their side and disconnect them from any remaining traces of that history. In fact, Mother Carmel’s House of Lambs also centered around the idea of ‘reforming’ children and helping them leave their ‘problematic’ past behind. This same idea of reform has been used to describe Elbaph itself. This treats history as something to bury and leave behind – something shameful, rather than something to acknowledge properly, learn and grow from. And of course if we know anything about One Piece at all, we know that forgetting or erasing history is literally one of the most central problems/mistakes/evils of the series. We see this further shown in the fact that Ripley is the one to bring up Nika to Luffy, and that she specifies she’s from the last generation of warriors tells us that the children might not even know about him. Why would they, if he’s a warrior god and they’re actively being taught to be anything but warriors? It gave me chills, no joke.

So the ‘peace’ in Elbaph feels especially uneasy right now, despite Ripley’s words. There are antagonists working for Garling/Imu on the island. There is what seems like a red herring of an antagonist (Loki). There is misdirection and mystery galore. So many illusions and false stories to be shattered. False idols to be toppled. Funnily enough, the one story we know is real right now is a literal living myth (Luffy’s Nika form), who is also just a guy. Ideals and idols need to be brought down to earth for real living people to connect with materially, instead of being held aloft and out of reach. What did the arc open with? Rodo pretending to be a god. We’ve also had another character claim to be a god in Loki, meanwhile we know Celestial Dragons (including the Holy Knights) pretty much believe themselves to be gods. Yeah, I’m reiterating my point that ideas of faith and divinity are going to be crucial in Elbaph. In fact, I will put it out here right now that we’re going to get more information about the Lunarians, who were also called gods (I have a whole theory about that). 

Updated Loki thoughts 

The last thing I wanted to talk about is some updated thoughts on Loki. Basically, he’s a tsundere?? Love to see it. It seems that at least part of the unhinged and violent temperament we’ve seen from him so far is a facade, since his long-term friend ‘Shaggy’ says “I’ve realized recently that those fearsome words of yours hide your kindness”. We see that Loki has a friend he’s never met or seen, but known for a long time through den den mushi conversations. He empathises with said friend’s recent traumatic experience, saying it hurts him to hear it, while overreacting when they call him kind. Typical bluster, which seems to compensate for what is a sense of compassion and understanding. Not a heartless villain, then. This of course consolidates the idea that he isn’t how he appears on the surface and how he was first introduced, and that Luffy’s instincts were right. This does make me feel much better about their ‘promise’, even if it will still probably end up causing chaos. On top of that, it reinforces my feeling that he reminds me of Law, and will probably end up as an ally to the Strawhats in some way. Maybe by the end of the arc he will even be restored as the king of Elbaph, potentially alongside Hajrudin. Speaking of which, I went back to the previous chapter where the Giant Warrior Pirates were talking about Loki and Hajrudin, and the description of Loki as “another official child” of Harald makes me think Hajrudin is probably his illegitimate half-brother. But we’ll see. 

All of this has me thinking about the other giants calling him the “shame of Elbaph”. Initially I thought this might be because his actions are considered dishonourable, and I still think that’s probably the case. But having had the developments about Elbaph’s cultural shift, I wonder if part of the dishonour is just doing any kind of violent acts in Elbaph at this point. Thinking about how the other children treated Collun, and talked about insults, is there a sense that anything ‘barbaric’ on the island is shameful? Have they maybe even been taught to be ashamed of their violent past as Warland? I wouldn’t be surprised. And if so, that makes me even more worried about how that happened and the consequences of such revisionism and reform. As I said earlier, it’s one thing to want to change and improve, to move forward collectively for everyone’s good. It’s another to completely reject the past and bury it. Shame can be an important part of reflection and acknowledgment, when deserved, but it can also prevent real growth. I worry that Harald and Carmel’s approach was just to give Elbaph a PR-style culture change that has left them with a flimsy and fragmented social structure. One that is particularly vulnerable to hegemonic influence and external danger. 

Speaking of which, my thoughts on the two strangers (I’m going to call them Holy Knights because I’m pretty sure they are) looking for Loki are that they are either here to kill him, or to influence/recruit him somehow. I’m sure they’ve had intel on the situation in Elbaph, including the fact that there is no king since Loki didn’t ascend to the throne. Given that it seems Harald wasn’t a threat to the WG, I assume they know that Loki is different somehow. We also know that the Holy Knights are essentially the military special forces unit of the Five Elders/Imu, so I don’t think they’re there for a tea party. Even if their mission involves diplomacy, I think violence and threats are probably part of the plan. Hence, persuading him of something (with force if necessary) or assassinating him. We saw Loki has a “special” bounty, probably because he killed his father and/or has a legendary devil fruit, so it makes more sense to me that the knights are there to take him out. Plus, from a narrative point of view, if Loki is a rebel compared to his father, and is likely to ally with the Strawhats, he’s probably a character that is going to be set in opposition to the World Government. 

I don’t have much to add to what everyone’s already saying about the Shanks lookalike Danks, other than I agree it’s not Shanks and is either a relative or a clone, especially with the way clones keep being brought up. They’re clearly very powerful if the bandage person is anything to go by (bandage-bandage fruit?? the way they used it to break the guy’s bones was something), and I’m hyped for more. I’ve been waiting to see the Holy Knights since we got the God Valley flashback. I’m so ready for new villains. I'm also pretty scared, since we're getting a feast at the beginning of an arc. That doesn't bode well for the ending to me...but let's enjoy the good vibes while they last.

Honestly it feels like these last two chapters just left us with more questions than answers, and knowing Oda, we might not get those answers for a while! But let’s see. The opening parts of an arc are always the most fun to me because of that.

Bonus favourite bits:

Saul asking why Vegapunk's a woman and Lilith being like "who gaf"

Robin being happy always

Chopper and Robin library time I cry

Ripley being excited to see Nika Luffy, and Luffy's response

BIG ANCIENT OWL!!!!!!!! I LOVE

Bonney, Chopper and Robin on giant books

Luffy's interaction with Collun - truly big brother

the way Stephen Paul translated the kids' speech (vylence, vishus)

the new outfits, very cute (especially love Jinbe's)

the Jarul gag????? unserious

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently

[memento-morri-writes]

I've been thinking a lot about how Rook's reunion with his former mentor, Zara, is going to go, and since I can't predict what the DM is going to have her do or say, I can only dwell on what I know is going to happen. Which happens to include taking off the illusion ring that's been hiding his injuries from her. So have a snippet of the description I have planned for that moment:

tw for description of (mostly healed) injuries

He hesitates, twisting a ring on his finger. Looking at it more closely, she can tell it’s very finely crafted, and must have been very expensive. A large emerald is set into the band. Rook sighs, and pulls the ring off his finger in one quick motion.  Immediately she’s struck by the difference in his appearance as the illusion melts away. He looks awful. His warm, healthy skin fades to a dull and sickly grey. There’s huge bags under his deeply sunken eyes, and his cheeks are hollowed, as though they have been carved out by an overeager sculptor. He looks like he’s recently risen from the grave.  While he was thin before, now she can see his ribs under the skin, and his collarbones are exaggeratedly pronounce. Thin white lines left by dozens upon dozens of recently healed cuts are scattered across his body. On top of that, faded bruises cover most of his visible skin, a mottled mosaic of purple and yellow. They’re clearly days, maybe weeks old, and she can only begin to imagine what they must have looked like when fresh. Bandages are barely visible under his shirt, wrapping around his back, hinting at even more injuries.

[addicted-to-the-knife]

thinking about how when Jeremy was being a little shit, Corey sat there, processing and deciding on how to respond appropriately, before eventually settling on the stern, "Okay, five minutes, and then you're going to bed", which is most definitely word for word what his mother has been telling him since childhood whenever he was 'acting up'.

and thinking about how he probably always hoped to never be like his mother, and how he was thinking about another way to discipline Jeremy and have some authority over him without being like her, only to end up doing what he's known to be on the receiving end of so intimately his entire life.

[rmu-vincent]

Dear Mr. Edgeworth,

I recall from one of your previous postings that you are particularly fond of cats, and am interested in your opinions on other animals commonly kept for human companionship. What are your thoughts on dogs? Horses? Rodents? Birds and reptiles?

I would assume that last one would have interesting twofold connotations given your status as a law student, due to these creatures' association with the legal profession - the epithet of "legal eagle" on the positive side, and all the jokes about snakes and crocodilians' show of professional courtesy on the negative. As an enthusiast of all things reptile related, I feel it is a reputation undeserved by these misunderstood, scaly creatures... as well as those aspiring to take on careers in law, very important for society...

But I digress. Lastly, I would also take it that, for rather obvious reasons, you don't really like fish, the way they remind you of a certain someone...

Regards, Seraphine. Again, may you excel in your studies, and no slanderous jokes come your way.

Dear Ms Seraphine,

Thank you for the kind words and inspiring thoughts.

Despite, as you noted correctly, being fascinated by cats, I am not that fond of most domestic animals, and my liking for cats is simply an amusing exception. However, there are still some species that I could call charming and interesting in ways different from keeping them as pets.

The first animal that came to mind was a graceful black panther. Ever since I was a kid, I thought of panthers as majestic, powerful guardians, trustworthy leaders, and dangerous vigilantes. They might not represent justice in the traditional sense of court cases and hour-long debates, but if one crosses their road, they should be wary of seeing their eyes shine in the dark when the night falls.

On the other hand, I could never resist swift, elegant antelopes' beauty. As someone who has always strived for success and improvement, their efortless endurance and resilience resonated with me; antelopes are in a constant state of action, awareness, and searching for new paths, opportunities. For me, they are a symbol of motivation and energy.

As my final point, I would like to mention swans. Even though they are often depicted as an embodiment of love, from swan figurines being placed on wedding cakes to towel swans on hotel beds, these birds have always struck me as an exquisite representation of change. On another note, the concept of a swan song has captivated me ever since I learned what the expression meant. It is impossible to deny that I spent hours considering what my swan song could possibly be, and to tell the truth, I still think about it from time to time.

Unfortunately, I do not have a strong stance on reptiles. They are the most beautiful when admired from afar, and their quiet deadliness amazes me; snakes in particular have been painted as villains since the beginning of time, so despite me condemning the demonization of reptiles, I understand why people have those... preconcieved notions about them.

Keeping rodents and other smaller animals as pets does not make much sense to me. For me, it would be impossible to love something that is barely capable of communicating its needs. These fluff balls always seemed closer to decor than to actual companions.

As for fish, I would not say that a certain someone you mentioned has enough influence over me to make me actively dislike fish. Marine species look magnificent in acquariums when the interior is done right, and personally, I do not mind fish... served with a tasteful side dish, that is.

Best regards,

Vincent Edgeworth

[tales-of-sweets]

Zagi's Tragic Need For Validation

I don't think that Zagi became obsessed with Yuri the moment he met him or that an interesting fight alone was what motivated him to chase Yuri the ends of the earth. I believe he was out for Yuri's blood, yes, but not for blood's sake but instead because of what it symbolized... This is a headcanon/interpretation that I've probably talked about a million times before, but I'm thinking about it again! Since it chronologically references the events of the game and includes sources/examples it's pretty lengthy so I'll put it under the cut!

The first time he meets Yuri he's on a job and, while it seems to be the first worthwhile fight he's had in a long while, he leaves willingly when he's called to retreat (well, willing in the sense that this is the only time we ever see him retreat mid-battle while he's still in perfect fighting condition).

The next time we see him he's on yet another job, eager to kill "something", his choice of words even with Yuri right in front of him and they seem to recognize each other.

Zagi doesn't actually seem to acquire any fixation on Yuri at all until after the second battle, specifically after he's defeated... and Yuri compliments him. Even after what we can clearly see Zagi believes is a failure on his part (worth noting that in the official translation he says "...I-I retreated..." instead of "...I-I'm finished..." even though they both convey a similar feeling.)

From this point forward, we never see him taking another job or working with Leviathan's Claw. Hunting down Yuri appears to have become his full time fixation. Zagi to me seems like an incredibly lonely man. He is isolated by his own abilities and his inability to relate to others in a meaningful way. He has reached a level of skill that few can comprehend, let alone match (things that are corroborated by this skit here:

He takes pleasure in killing and victory but has not known the rush nor the bond of a fair fight in so long. For all of his hooting and hollering about wanting to kill Yuri, I don't think that's exactly what he was truly getting out of this whole thing. I don't think that's actually what he was chasing. That was the first time he'd found someone on his level and that was the only time Yuri ever complimented him so to me it seems like what he's really chasing is that same high of validation. A connection. He wanted Yuri to come at him with full force, to find joy in their fights as he did, to connect with him... but he only got that the one time. All future instances involved Yuri dismaying at his presence, swatting him off like a pest, fighting him only to remove him as an obstacle. So many of his lines feel like validation seeking, not only in the form of wanting friendship, but more in the way of just wanting to be recognized period. For example:

He tried to make himself stronger, augmented himself, taunted him, but there was always some bigger issue that held Yuri's attention, something greater than him. To me, that played a huge role in why, in the end, he had to make himself Yuri's priority even if it meant destroying himself in the process. While the whole "you can't break the seal without my arm" bit is a little contentious (poor wording? an outright lie? mistranslation?), the truth of the matter is that, in a last ditch effort, he made himself Yuri's number 1 priority. He was now an important part of his quest, not just an annoyance to be brushed aside. Yuri had to take him seriously now.

And when, at last, he was defeated, he thought maybe then Yuri had seen his value and worth, that at last their fight had resonated with him.

Of course we all know how that ended. While I have many issues with the way this ending was handled, I think we get some interesting insight from it that I believe lends some credence to this interpretation:

I think it's worth nothing that almost everyone expresses some sort of sympathy and understanding towards Zagi in the end, except for Yuri. While it is a very valid and plausible interpretation to think that Yuri still doesn't care even after his death, I personally choose to consider the fact that Yuri, as we have seen time and time again, is not very upfront with his emotions and is not always the quickest to admit when he's wrong. I think he could see the tragedy of the situation, I think he could recognize that he really hadn't understood Zagi's intentions, and it's my personal theory that that's precisely why he took a more forgiving approach when confronting Duke in the end. I cannot, in any way, fault Yuri for not stopping to befriend the guy who, for all intents and purposes, seemed intent on killing him. But I also can't help but see the tragedy of the situation from Zagi's perspective. Raven states that something changed after Zagi met them. While it's hard to imagine him as an upstanding citizen or pleasant person to begin with, he probably wasn't always like this.

Raven lends a little more insight too, one of the skits following his demise:

Yuri, Duke, the Don (not shown in the screenshot, though Raven does reference him and Belius), they were held together by the bonds they shared with people who understood them. I think there could have been a chance for Zagi to have turned things around, not let his obsession with Yuri consume him to this degree. Hell, I don't even think it's improbable that he could have become an ally, put his energy into something more productive (as Yuri put it several times over). I don't think Zagi was always doomed to this fate, I think he just met the wrong person at the wrong time.

[longagoitwastuesday]

you seem to have a wide taste in books !! what are some books that you would recommend ??

Hmmm I wonder. I have the feeling I just read the same couple of books over and over, and at times only different iterations of the same story, like in that line by Borges ("the various intonations of a few metaphors").

I find recommending books without knowing anything at all about the person asking rather difficult. What I'd suggest to one may differ greatly from what I'd recommend to someone else. I'll give a list of some of my favourite books that I think are enjoyable in general:

— Thoughts by Pascal

— Cain: a mystery by Lord Byron

— The Iliad by Homer

— Crime and Punishment by Dostoievsky

— Othello by Shakespeare

— Pedro Páramo by Juan Rulfo

— Cyrano de Bergerac by Edmond Rostand

— The fragments of the Presocratics

— La Regenta by Leopoldo Alas, Clarín

— Tractatus Logico-philosophicus by Wittgenstein

— East of Eden by John Steinbeck

— Vita nova by Dante

— Contributions to the Founding of the Theory of Transfinite Numbers by Georg Cantor

— Caligula by Albert Camus

— North and South by Elizabeth Gaskell

— Peter Pan by J. M. Barrie

— Some essays by Russell. I personally love Mysticism and Logic

— Metamorphoses by Ovid

Poetry is perhaps harder to recommend because at times it translates horribly, but in general I love Baudelaire, Rimbaud, Lorca, Juan Ramón Jiménez, Rilke, Byron, Quevedo, Góngora, Lope de Vega, Horace, Catullus, Ovid, Tennyson, Maiakovsky, Garcilaso de la Vega, Oliverio Girondo, Vicente Huidobro, Emily Brontë, T. S. Eliot, Luis Cernuda and Edgar Allan Poe, to name a few.

[wifegideonnav]

homestuck is getting SAD and i don’t WANT THIS i want to read about shitty children lovingly bullying each other i don’t want to watch them sobbing over each other’s corpses :/

[princekirijo]

Finally getting round to reading the Scarlet Pimpernel (free eBooks my beloved) and while I am really enjoying the story and everything is pretty easy to follow, the sheer royalist tones the book has is a lot

[moe-broey]

Oh. Huh.

[see-arcane]

You know the one good thing about being a pessimist?

It feels great to be proven wrong.

Bravo, Bobby Egg.

I was so happily surprised by this. This film went through a fantastic puberty between the leaked script and the screen. The main points to note:

-No, Ellen is not hot for Count Orlok. She and Thomas are 110% in love. There are even certain Harker-flavored quotes thrown in to prove as much. (Details under the cut.)

-Count Orlok is a terrifying bastard and a half. Significantly more imposing than classic Orlok’s spindly rigor mortis-stiff figure and only wearing a sliver of Dracula’s performative charm. He is a Devil-Death archetype playing a monster who operates in deceit and contracts to wring out what he wants. That and a lot of corpses.

-This film is so beautiful. No gothic touch is skipped.

In sum, I more than like this film. I love it. It isn’t perfect, because no film can be, but damn. I am so proud of this nightmare you made, Bobby Egg.

SPOILERS FOR Nosferatu (2024) BELOW

-Getting some cons out of the way. There are points where a few of the actors lean maybe a bit too heavy on the ham-and-cheese in their deliveries (I’ll not blame the kids, they’re very young, but yeesh. That’s some cartoon acting.)

Yes, the g-slur is still used; though while I wish it hadn’t appeared in Eggers’ script at all, it does make sense within the context of the setting, i.e. Thomas and the Innkeeper probably only having the one word they know, same as in Dracula. And yes, naked teenage girl-on-a-horse does happen for the vampire hunt scene. Whee.

-Now, an early pro: Eggers nixed the ‘hot teen girl tries to pickpocket Thomas’ bit, and the ‘land of phantoms and thieves’ line never happens. All that happens after Thomas wakes in the inn—post witnessing the vampire slaying in the local graveyard, mud on his shoes to prove it was real—is he discovers himself utterly alone. No people, no horse. Cue the long walk.

-Ellen doing the ‘Come to me,’ bit early on is her in adolescence. It’s revealed that her Weird Girl elements have been turned up to 11, tragic lonely past included (replete with dad threatening to send her to a madhouse), and her prayer was just for company. The psychic ping was picked up by Orlok, who took advantage, turning an isolated and desperate barely-more-than-a-kid’s wish into a ‘covenant.’

-Thomas was met not long after this, cue them being genuinely in love <3

-Knock Does Not Jerk Off On Screen. If he does, his back is to us, and Little Knock is covered with some occult tablet or suchlike while he’s doing his ritual business. Also he kills a guy in his cell. Using his teeth.

-Castle time! Thomas is greeted by a driverless carriage at a crossroads and seems to be hypnotized into stepping in. A lot of things Thomas does once in Orlok’s territory seem to very clearly have psychic puppet strings attached. That and some increasing terror on Thomas’ part. There is no warm Dracula-style welcome from Orlok when he arrives, but a terse and strange leading to the dinner table where paperwork is demanded.

- We get a glimpse of this version of the Count’s ego. Thomas calls him sir. Orlok demands Thomas address him as my lord. And then we get the bread cutting scene. Thomas’ thumb bleeds. Orlok get far too interested. His voice, a very guttural and rasping bass, turns into something closer to an animal trilling and growling. Thomas is paralyzed beside the fire; cut away as Orlok closes in.

-Ellen and Anna Harding have a bit of a Mina and Lucy deal going on at the beach. It’s sweet <3 (Prepare for pain </3)

 - Orlok starts getting tricky. He 1) borrows (steals) Ellen’s locket from Thomas and 2) Tricks Thomas into signing a contract to ‘sell’ Ellen/break their marriage via a strange contract in a language Thomas can’t read, with Orlok using the prop of some gold to imply that this is merely a document in ~his native language~ to complete the property sale. Thomas signs, less for the gold than to be gone from the castle and back to Ellen…only for Orlok to insist Thomas is not well. He must stay the night.

- No mind games here. Just Thomas pleading to leave and Orlok’s parting word being that he will stay, and that he will obey his orders.

-Orlok has already chomped Thomas on the tiddy as of last night. Next night, after Thomas almost lands a blow on him in the coffin—Orlok sleeps with his Orcock out in the box, by the way, alongside several rats—Orlok wills Thomas to unlock the door he shut between them. Cue Thomas being tranced onto the bed, pounced on, and basically dry-humped by Orlok as he drinks Thomas all but dry. Thomas is left that way, only to be woken by Orlok’s wolves—he has those too!—and go clambering out the window, dropping to the river below.

-Orlok makes Ellen’s life hell. Holy fuck. The 1838 quality ‘medicine’ definitely doesn’t help—corsets for correcting posture, draining blood because there’s too much in there, binding to the bedposts to stop sleepwalking, general drugging etc etc—but FUCK. Lily-Rose Depp did a great and terrible job of reproducing shaking fits and some of the faces and sounds she made had me thinking I might choke on my own tongue. And for all the sexually provocative poses/noises that happen, every time she comes out of it it’s clear that she hates this. It’s on par with psychic rape.

-The only times we see Ellen respond positively~ to Orlok’s dream-advances is when she’s telling Thomas about the ‘marrying Death’ dream where everyone died and she was deliriously happy and then the infamous trailer line about Thomas not being able to satisfy her as Orlok can~~~

Well guess what.

Guess fucking what.

That was Orlok leaning on her brain. The same way he did to Thomas when, eventually, after the nuns rescue him and pray the plague/vampirism out and he makes it home while half-dead, he lays in bed with Ellen and gets a panic attack combined with Orlok’s image being grafted over Ellen’s face…

…a reverse of the illusion Orlok gave him in the castle, with Thomas imagining it was Ellen on top of him instead. The effect terrifies Thomas all over again and he unwittingly tosses Ellen away, I can't breathe, get off of me, get off!

-Orlok does his murder snacking. Knock, who escaped, offers to find and kill Thomas to please the Count, literally on his hands and knees. Orlok calls him a dog and backhands him, insisting Ellen must be given, not stolen.

-Orlok has already visited Ellen by this time. He presses her to keep her deal with him. She tells him, flat out, I abhor you. In response, Orlok grabs her and chucks her like a ragdoll in a rage. He fumes, telling her he will give her three nights to pledge herself to him, and in the meantime he will start killing. (RIP to Anna and her little girls, the latter of whom ORLOK KILLS IN FRONT OF HER, EATING THEIR THROATS OUT AS SHE ENTERS THEIR ROOM.)

-Before all that, he spins bullshit about Thomas ~selling her to him for mere gold~. A technical truth that Ellen, mid-Orlok spell, spits back at Thomas amid a rage, along with details that are likewise based in only a granule of reality; but which Orlok did not mention in their scene together. Things like Thomas being weak and childish, that he ‘fell into Orlok’s arms like a fainting woman.’ Interesting choice of spin there, Orlok. But whatever.

This all culminates in what is either reality or a dream or a blend of both as Thomas makes sudden desperate love to her, Ellen weirdly heady about it, telling him yes yes yes they will show Orlok their love. Cue her snapping back to full cognizance (awake? dreaming?) as her eyes and mouth spurt blood in a vision. She collapses in fear and tears as Thomas holds her. AND THEN:

-Ellen. Drops. The I am unclean line. She wants Thomas away from her, she is not worthy, she puts him in danger.

-Thomas goes full Jonathan and clings to her. Nonsense. I love you. I love you. I love you.

-V i n d i c a t i o n

-Anyway.

-Dafoe-Von Franz-Van Helsing is a kooky science occultist. Finds a book that Knock had which fills the role of highlighting Orlok as Solomonari (hey, Scholomance shout out!) and Knock as a would-be beneficiary. Also includes the ‘maiden offers her body and blood to the monster to kill it via sunrise’ bit.

-While he reads this, he does NOT actually spell any of these details out to Ellen when they have their secret mini talk about tricking Thomas into hunting for the coffin with him and Sievers. He gives her a big ~you're the only one who can save us magic maiden martyr~ pep talk, but that's it. Meanwhile, Ellen was already preparing to offer herself to save Thomas and whoever’s left in Wisborg. Not the same kind of agency as the original, but still better than I was expecting.

-Harding, Thomas’ rich friend whose wife and children got drinked to death, dies of plague in the family tomb. They burn the bodies.

-In the ruin Orlok bought, cue the iron stake slamming down as they open the coffin..! But whoops. Knock’s in the box, not Orlok. Von Franz says Ellen offering herself is the only way~ Thomas doesn’t waste time throttling him, just makes a run for their home.

-Too late, of course. Orlok is there (with a very cool homage to the original stalking shadow silhouette routine) and Ellen welcomes him. While they are both naked in bed and it’s implied that they are/or intend to have sex, the bulk of the scene centers on Orlok taking Ellen’s blood from her breast. No clear shot of the Orcock on screen for that bit—Bobby Egg saved that pleasure for the Count flashing Thomas at the castle.

-Orlok’s death throes. Are so. Fucking. Cool. Definitely up there with one of the best vampiric demises I’ve ever seen on film. No spoilers there. You’ve got to see it.

-Heartbreak o’ Clock as Thomas bursts in just as Orlok has died and as Ellen is dying under him. There’s time for them to hold hands. And then she’s gone.

-We close on Von Franz popping up with some poetic soliloquy shit and a bunch of lilacs. The final beat is an overhead shot of Ellen, the Maiden, laying under the now-skeletal Orlok, as Death. Looks almost like a painting. Unlike the implication in the leaked script, she does not look happy/at peace. Simply asleep. The End.

-Other important notes:

1) Orlok has a little combover’s worth of hair on top and mighty and powerful ‘stache. Not Dracula-white, but it is there. Finally.

 2) The guy who plays Dr. Sievers has Alan Rickman’s voice. If he isn’t in opera, he should be.

3) I was too late to get a popcorn coffin box. I shall be in mourning until the New Year.

4) Bobby Egg if you can give me one more gift, let it be a deleted scene of Thomas beating Von Franz over the head with the iron stake, please and thank you <3

[struwberrii]

suna headcanons 𐙚 ‧₊˚ ⋅

here are my silly sunarin headcanons!! hope you guys likey

ദ്ദി ˉ͈̀꒳ˉ͈́ )✧ (also is mostly relationship stuff but not all)

has the craziest sleep schedule like he stays up all night, falls asleep at 5am, wakes up at 8 am and just goes to school fine

buys you snacks from the vending machines daily

teases you a lot but is really flirty about it

probably most active at night and invites you out when it’s dark, he just likes how much emptier everywhere is

has the best music taste and always puts you onto his music

nonchalant dread head of japan

would probably sneak into your house through your window just to see you

says the funniest things with the most deadpan expression which makes it 10x

if you dont reply to his messages fast enough he hits you with the "why do you hate me"

he’s too honest sometimes and has a bad habit of saying things that are rude when he really didn’t have to

randomly tackles you and play fights

bros the type to pick you up and jump into the pool with you

does the bare minimum with all his school work

starts talking like you and using your slang when you guys hang out long enough

he’s the guy people talk shit around bc they think he’s quiet and a loner but he’s lowkey a shit starter and shares what he hears

slacks/lazy in most things but he carries you guys in fortnite

his bed is covered in stuffed animals from you, even all the cute sanrio ones

ur his profile pic online

i feel like he’d use discord and get paid as a mod on some server 😭😭

calls you stupid as a term of endearment

he can always tell when something’s wrong, like he can sense if something’s off with you

probably wears a lot of sweat pants

always smells really woody and fresh (yk like generic men’s cologne idk 😭)

very touchy, loves having an arm around you waist :3

allergic to drinking water, ik his piss is acid (honestly same here….)

his sister loves you so much

lowkey the worst at soothing you/cheering you up so he just hugs you

let’s you do skincare on him, he thinks it’s relaxing

i feel like he’d own at least one of those stupid tiktok fidget toys that he swears works but everytime he uses it he can’t stop laughing thinking about how stupid he looks

has a bad diet only because he’s too lazy to actually cook

burps SO LOUD and SO OFTEN like hold it man

has a tiktok account that he rage baits people on and reads the comments to you pretending it wasn’t him who wrote them (smh)

tries to teach you volleyball so you guys can kinda play together

i feel like he’d know a lot about the stars and like the constellations

i also feel like he’d really like coke floats (ice cream + coke in a glass) a lot for some reason

acts like he doesn’t really care but he cares so much

he’s only vulnerable and emotional with you

randomly attacks you with kisses

i feel like he'd know some really good unknown dessert spots all around town

i feel like hes an adidas guy

says out of pocket stuff on purpose with no reaction just to see you panic (he thinks its funny)

[gay-dorito-dust]

Could we please have a batboys (and Bruce) x reader who can break the 4th wall?

This was rubbish.

Dick

Would rest his head on your shoulder and ask. ‘Who are you talking to sweetheart?’

He genuinely wants to know considering the first thing he heard was you talking back his beautiful back and perfect thighs, only to find that you were saying all this to no one in particular.

‘Oh just the lovely people reading this.’ You tell him happily and Dick would only see the walls of your shared room.

‘And what are they saying?’ Dick would then say.

‘Oh I can’t hear them, nor can I really see them exactly but I just have this feeling that we are being watched -or read in this case- by many people, I can sense them and i want them to feel included in my love life with the most beautiful man Gotham has to offer.’ You tell him as you kiss him on the cheek, making him smile.

‘Well as long as they know that I am taken by you, then we’ll be okay.’ Dick replied as he kissed your forehead sweetly. Dick at first though you were just the type to talk to yourself like some people, but seeing as how it seemed as though you were more or less addressing someone rather then just talking to yourself, Dick then assumed that you might have an ability that allows you to look past this reality and into another one entirely that might be looking into this one.

It was a scary thought to think that he was being watched ,or read as you put it, by another reality but it was intriguing nonetheless the less that there was a possibility of multiple dimensions. So he could only imagine what you were able to experience if you were able to see beyond this reality to address people who probably saw him in a different form entirely.

If anything he’s extremely curious as to how your ability worked exactly as it was something that was clearly unheard of. Somedays you would address the audience as per usual but other times you didn’t address them at all, almost as though you knew where and when they’ll pay attention to you both: all so that you could entertain them for as long as possible without it coming across as excessive or too long winded.

He would try to act like he could see them too as to not have you feeling so alone, but would get flustered when you tell him that he was looking the wrong way.

He’ll leave the fourth wall breaking to you instead and will be nosy and ask all sorts of questions about your ability, all before saying that your powers was the most coolest he’s come across, but you knew he was only saying that because you were his beloved partner but that didn’t make what he said any less true.

Jason

Would raise a brow at first but would keep this tendency to himself out of a need to protect you from those who’d gladly send you away for such tendency.

Jason isn’t phased by much but you talking to a wall as though someone was there brought a weird feeling to his chest.

‘His thighs? Perfect. His stomach and autopsy scars? Delicious. Arms, hands and back? Gorgeous but all of you at home are already aware of that and could only imagine how plush his tits are-‘

‘Who are you talking to chipmunk?’ He’d ask, cutting you off as he expected you to be on the phone to someone, so imagine to his surprise when he saw your phone on charge and you were in fact talking to thin air.

‘Just the people thirsting after you.’ You’d reply as though it was common sense.

‘Thirsting?’ Jason tried the word, not liking how it sounded coming from his mouth. ‘What’s that?’

‘Just think of it as another word for desire, but they can’t have you because in their reality you’re a fictional character who gets the short end of the stick constantly by people who don’t know what to do with you in general.’ You shrugged as you looked over at him with a smile. ‘Also you get stereotyped as someone you’re not by people who obviously lack a capacity for reading given how short their attention span is.’ The last part was muttered under your breath before bringing the conversation back to him.

‘Enough about me how about you honey?’

It wasn’t the first time you’ve done this and Jason knew it wouldn’t be the last either as he would find you passionately ranting to your invisible audience about something, and while it was cute to watch you be this passionate, he also became concerned for you in case you were going through something that you didn’t want to burden him with out of a need to protect yourself.

‘You can tell me if you’re going through something you know that right?’ He’d tell you one night as he holds your face in his hands.

‘Of course I do jaybird,’ you whispered to him before watching him as he fell asleep, only to move your head elsewhere to speak to the wall. ‘Isn’t he the cutest? Truly a man unlike any other, a dying breed if you will, but I can assure you dear readers that you too will find your Jason Todd because that’s what you all deserve in life is to be loved deeply by an non-judgmental and caring man.’ You fished before joining him in your sleep.

Tim

He thinks your maladaptive daydreaming.

What else was he meant to take away from you talking to seemingly no one so passionately as you did in that moment.

He didn’t want to say that you were insane but it wasn’t everyday where a sane person would idly make conversation with thin air or a brick wall as casually as you did.

That or you were extremely lacking in sleep and were now seeing things, if that was the case then he would be able to relate to you as he had those types of days also, more often then others that’s for sure but from what Tim could tell was far from the truth as you looked bright and too well rested for that to be the answer.

And honestly? He doesn’t want to know who exactly you were talking to as not to frighting himself shitless and would act as though you talking to a crowd of no one within your shared room was completely normal in Gotham.

God forbid you start talking to this unseen audience during the night, Tim will think he’s in some sort of horror movie that he was forced to watch with the rest of his family on Halloween. Seriously who knew fourth wall breaking could come across as though you were demonically possessed?

He wants to ask who you’re talking to, he really does but if he was running low on fumes that day, really tired and wanting nothing more then sleep he would forgo all logic and just agree with what you were saying to thin air.

‘I wish I could tell you just how mean Tim can be when he’s sleep deprived, you think you know sarcasm? Wait until Tim is on about two hours of sleep and then you’ll know true sarcasm.’ You’d say.

‘Says the one who’s talking to the wall as though it had ears to listen or a mouth to respond.’ He’d replied.

‘See what Im on about? Absolutely mean when he’s sleep deprived.’ He would hear you whisper aloud but he was on the verge of falling asleep against the table to find out the true reason to your uncanny ability to break the fourth wall.

Damian

Genuinely thought something was off with how often you would look off into the distance, as though you were addressing someone he couldn’t see, like a hidden camera that lead to an unseen audience.

‘Isn’t he the cutest when he’s acting all tough,’ he’d her you say, ‘it’s like if you give a rabid chihuahua a knife but ten times worse because he can actually back up his deeply descriptive threats.’ Damian’s brow would raise at this as he watched you silently as his mind wondered who you could possibly be entertaining with such things.

Gotham has an ability to make the most strong minded person break and needles to say Damian would keep silent watch over you while you had these kinds of episodes, even when you would proudly praise his artistic skills but never to him directly, but more so to seemingly thin air with a beaming smile.

‘He’s got a future as many things and in all honestly I’m envious of how multitalented my Dami is, but at least I get to be his hype man and cheer for him no matter what, which is something I bet half of you which you could have but here I am loving your fantasy!’ You’d finish with a cackle and it left Damian smiling to himself at your pride towards him, but also still very curious as to who it was you were talking to.

‘Who are you talking to.’ He would ask you one day.

‘The audience reading this fic.’ You’d reply as though it was the most casual thing to bring up in conversation.

Damian’s brows furrowed. ‘Audience? What audience.’ He tried looking in the same direction as you, only to see nothing but his bed.

‘Oh I don’t expect you to see them but they are there,’ you tried to reassure Damian but it only came off as ominous and albeit cryptic, ‘they are always there, watching.’ You’d add and needles to say your words only made Damian go into a defensive posture at the aspect of being spectated by beings only you could seemingly engage with.

Well done you’ve made Damian somewhat paranoid as to what this audience you speak to wanted, what they wanted with you to have you keep engaging in conversation with them and what they could be planning.

‘Always watching?’ Damian asked.

‘Yep,’ you replied, ‘but not when we’re in the bathroom, that’s just really weird but other then that we are merely entertainment for them to consume on days of boredom and to grow a parasocial relationship with us to their leisure.’ You added and when you looked over at Damian, his jade eyes were wide and you winced internally, wishing you hadn’t said anything at all because now you’d knew Damian would start reaching for his sword out of instinct now.

Try and tell him it’s a joke as much as you like but Damian would now take your ability to break the fourth wall as a sign that someone was out there, watching all of you, an invisible enemy that he couldn’t kill and it pissed him off. He’ll break you free of the curse…sooner or later.

Bruce

‘That man is finer than a mother fucker and he knows it. And I know damn well all you thirsty bitches are making edits of my sexy Bruce to the song of older by Isabel LaRosa. I just know it you absolute sluts, but I can’t blame you because I would too.’ Bruce had just finished showering and the first thing he sees is you seemingly talking to a wall as though you were talking to a group of people in a whole different plan of existence.

He’s seen a lot of things in his time as Batman but someone talking to people who aren’t there? He’d assume you’re either clairvoyant or have another ability that can allow you to talk to an audience of people whom he can’t see, for whatever it was wouldn’t change Bruce’s opinion on you, powers or not.

‘My darling.’ He’d greet you as he holds you from behind. ‘May I ask why and or who you were speaking so passionately about me to?’ He adds.

‘The people reading this fanfic.’ You’d tell him as though it was a completely normal thing to admit as it was something you had been doing for as long as you could remember. Your parents thought you were talking to an invisible friend like other kids your age, but it grew concerning when you were still talking to no one in particular well into your late teens.

Bruce just raised a brow but would assume that you had some ability that you weren’t comfortable to admit to him, and he didn’t want you to feel pressured to talk to him about such a thing, especially not if you had admitted to someone in the past before and their reactions were negative.

He would just try and look deeper into this sort of thing in hopes of finding any pre-existing information about anyone showing similar signs as you and reading it deeply and intensively so that he could be well informed to know what you were going through. Bruce loves to be educated on things that he didn’t understand with the hopes of understanding it on a deeper level, so if he did managed to find something that perfectly describes what you were doing, then he’ll be reading it until he could recite it in his sleep.

He didn’t want you to feel as though you should be ashamed of your unique ability and would often take notes and things that he’d noticed you do as you addressed the invisible audiences in vivid detail. Your ability to see into another reality or anything similar to talk to people was a powerful thing to have and Bruce was fascinated by such a unique power, a power that could prove that alternate realities exist.

But Bruce would find himself intrigued with how you talked to this invisible audiences, almost as though you were greeting an old friend, whether or not this was your way to cope with the fact that you could sense an audience watching your every move and leave no privacy to be had for yourself. It was unfortunately something Bruce wasn’t quite sure but until your ability was causing you harm he would contour to watch and observe while acting as though he was unaware/ unfazed of your tendency to talking to seemingly no one.

Basically reader: you should know this too

[airborneice]

can we talk about how @the-hilda-librarians-wife is just out here writing poetry in the tags like it’s no big deal

@sketchbookweek Day 3 - Sun & Moon / Family

you know I had to bring up my sketchbook kid Mattie for this one. in my mind this is like…impromptu midnight storytime bc someone woke up the entire household and now she’s almost settled no one wants to get up or go back to bed

(Kaisa has become a little more comfortable with openly doing magic by this point, partly because of reconnecting with Tildy in season 2 and partly because no matter how shoddy her spells come out, they never fail to entertain her kids, especially her youngest. Kaisa does the best stories in this house. no child can resist magic floating pictures)