#am I sharing too much? maybe

[morganee]

Morgana my dear, your wips got me, it's sooo hard to decide! So I'll go with the heart to heart with Joyce and Mike <3

Sosooo dear <3 asdfghjkl thank you!! And thank you for the ask!!

I had the idea for this fic something like a month ago and I haven't written that much actually - more like, I wrote some notes and a couple of lines. I'm still not sure where this is going to go but I've realised that I really like to write heart-to-heart conversations. I also really want to write Mike and Joyce together because I loved their dynamic in S2 ���� and I really hope we get more of them in S5!

After having said this, I can share the plotline of this fic and also a little snippet 👀 (like, the only two lines I wrote asfhkglk)

summary: It's a gloomy afternoon and everyone's busy with something; training, supply gatherings, coming up with strategies, anything. Mike's supposed to help Robin with lunch but she's late and he ended up waiting for her in his room. His hands automatically reached for the painting and he's still staring at it when Joyce knocks on his door. OR Joyce helps Mike understand the real meaning behind Will's painting.

snippet: “Is that Will’s painting?” Mike snaps his head up and instinctively brings the canvas close to his chest. For a moment, he had forgotten where he was, and when his eyes meet Joyce’s curious ones, he remembers that the painting is not something he has to hide. “Yes,” he replies and shyly lowers it. Joyce beams as she peeks at it over his shoulder. Mike watches as she smiles and her eyes sparkle with an unmeasurable amount of joy and pride. Mike knows he’s not the only one who loves Will’s art.

[puppetmaster13u]

Prompt 118

Everyone is freaking out. The titan tower was broken into, no signs of who it was, and Tim- Robin- is missing. There’s blood on the walls, taunting them, implying that Tim is going through agony, and they can’t deal with another dead Robin, they can’t- 

Meanwhile Tim is bemused, maybe a little concussed because that would explain things maybe, as he’s found himself in a living room full of books and there’s a pair of kids too? One is straight up adoption bait- wait no there’s three, with two of them being adoption bait and the third being a redhead. There’s a trio of small children there already playing by the couch he’s been bundled into. 

Where the heck is his mask- or his bo staff or any of his supplies- is that the fucking Red Hood?! No, couldn’t be, must be the concussion, because why would the Red Hood be feeding him a bowl of soup?

[odetojupiter]

so, we know that abuse and victim responses to abuse are very central to aftg, but what i find interesting is how other characters respond to the victim’s reactions, especially when it comes to mourning their abuser. there’s something about kevin mourning riko, aaron mourning tilda, neil mourning mary, andrew mourning cass, thats so important to me because it really truly highlights how even when people are united through similar traumas, the differences in their situations makes it impossible to fully understand the relationship a person has to their abuser. neil, aaron, and andrew are united through the abuse, neglect, or - what the fuck is the word i’m thinking of? permit? condone? i mean, knowingly allowing it to happen and not intervening - stemming from a maternal figure. but neil can’t understand why andrew would hold on to cass for so long - he refused to let her go until aaron came into the picture. and andrew can’t understand why aaron would mourn for tilda, potentially viewing aaron’s grief as a betrayal of their promise. and they all ridicule kevin for his reactions to riko. of course, neil and andrew are also abused by riko, but they still can’t understand the complicated relationship between kevin and riko because, at the end of the day, they just weren’t there.

i mean this is primarily an observation but i really love how trauma and trauma response is depicted as nuanced, complex and overall just difficult to understand from an outsider perspective in the books. it reads as really real, and though it can be frustrating when a character doesn’t understand a different character’s response, you have to understand that their perception of said character’s response is warped by their own experience of abuse.

andrew bounced from home to home, never had stability, so obviously he held tight on to the first mother-figure that didn’t outright hurt him. his self-worth was probably low enough that he thought living with drake was a fine price to pay to keep cass.

neil only ever had his mother, and he’d willingly accept her harsh hands because he believed she was just keeping him safe from the very real dangers that were closing in on them.

aaron was dealing with an addiction, and so was his mother; he was equally dependent on her to avoid withdrawal as he was scared of her anger.

i don’t really have a point anymore but you get what i’m saying

[welcometogrouchland]

(ID in alt) hi sorry for back to back marvel fanart I swear I still have dc stuff lmao. However I did recently read X-Men: first class and got a bit carried away doodling this after Lmao

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'

[lloydfrontera]

In my opinion, the reason the reunion scene was skipped was because the author couldn’t figure out a way to write it non-romantically and gave up after a while

honestly. i kinda agree with you nonnie.

it just. the set up to the scene is sooooo romantic. you have lloyd being absolutely devastated at the thought he's not going to see any of his loved ones ever again and that he's been dropped back into his terrible life, to the place he admitted he'd rather die than go back to,,, and then someone knocks at the door and when he opens it this is the sight that greets him:

his best friend, the person he's closest to, the one he's spent years with, the one he promised a peaceful life at his side, the one he wanted to grow old with, the one he sacrificed everything for, the one he effectively gave his life to save, the one he thought he'd never see again, standing at his door, having crossed literal dimensional barriers to get to him, a soft and teary smile on his face as he tells him "i missed you"

like. c'mon.

i'm all for platonic interpretations, i'm aroace, i love me a good best friendship as much as the next guy, but,,,, isn't this,,, like,,, really fucking romantic??? extremely so??? am i??? reading too much into it?? because it feels really, really romantic to me.

and like you say. where do you go from there. what response could lloyd give that doesn't involve throwing himself at javier and clinging to him with all of his strength. what conversation could these two have that doesn't involve them seeing how truly devoted they are to each other. what resolution does their arc together have that isn't them spending the rest of their lives together, at each other's side, like they so dearly wanted to.

but. alas. that wasn't the story bk moon wanted to tell. and that's very much his right. i just think that if he didn't want me to assume there's no in-character and narratively satisfying version of that conversation that doesn't end with them kissing he should've at least tried to give us something. and not completely skipped it lol

but that's just my opinion too :]

[nemo-of-house-hamartia]

ok, once more I realize that my own kindness and friendliness has been taken for implied consent, and as always, the troubles that are brewing now are connected to OCs.

So let me be clear and frank one more time, one last time, because I have NO INTENTION of going through what I went through in 2021.

While I am always immensely happy that my Original Characters are enjoyed and that they can serve as source of inspiration, they are NOT however a template for anyone to base their OCs on.

They are not something that you can take in their entirety, change whatever suits you, and then call it your own.

It doesn't work like that, especially because, and allow me to reiterate this once and for all, OCs are *immensely* personal.

They are an extention of the soul of the person that creates them.

So taking whatever suits your fancy and use it for the "aesthetic" or the "vibes" is immensely disrespectful and, dare I say, rather impertinent, especially when both characters happen to belong to the same fandom.

Now, I am not talking about certain tropes and subjects that are typical of certain genre, of course not.

We are all somehow reinveting something that's already there when we work with OCs and stories.

What I am talking about is taking certain specific idiosyncrasies that make a certain character unique, change them to suit your character, and then being SO IMPERTINENT to just call it your own and parading it around without even having the courtesy to quote the person that has inspired you, taking advantage of the fact that I am just a small creator with a small following.

This is a huge No No for me.

Huge.

I appreciate that other creators might have a different opinion or perspective when it comes to OCs, and while I do not share entirely in that, I sure as hell respect it.

But allow me to be crystal clear: if this happens to me, like it had in 2021, that's the *easiest* way to lose all respect I might harbour for you, and I seldomly get mad or angry.

I am always accomodating, always supportive, and I think I have proven it aplenty in the past few years.

But this is something that I cannot condone nor agree with.

And it's not just a matter of ethic, in this sense: it's a matter of also hurting me, and literally put my whole creative process into shamble.

It's a matter of having respect of others.

Now, you might say: who cares if they hurt you? they are characters that do not exist, just move on and have thicker skin!

Well, as I said above, for when it concerns myself, my OCs are an extention of my own soul, a way for me to formulate and explain feelings that sometimes I have a hard time let out; a way for me to actually face, fragmentize and analyze my own trauma through them;

and most important of all, they are OFTEN a love letter to both the world I am exploring with them AND my own husband and child, such as in the case of Jacob and Dorothea,for whom, as I said often in the past 5 years, I have poured A LOT from myself and my husband's own story.

You could say that it probably my fault for having bared my feelings so much and poured so much of myself into a character;

And you might be correct, because I have learned my lesson, and ever since Dorothea and Jacob, no other character has been infused with as much of my own being as they were.

but that doesn't mean that it stings any less when I see it unravels in front of my eyes.

I am tired.

[uter-us]

radfem help !!

2 of my little cousins (14yrs and 15yrs) are both girls dating boys right now, and together we are coming up with a "dealbreaker list" of things they will never put up with from their bfs! and also we are including positives, like so they aren't just looking for the absence of bad things, but actual positive things

what do yall think are the most important things to add? (i put extra info in tags)

Thank you so much!!!

[mulders-too-large-shirt]

s2 episode 24 thoughts

this episode was quite spooky. because cannibalism is real. but something about scully about to get her head chopped off and boiled seemed more outlandish than all the aliens and the guy that kills people with his shadow or even lizard man eugene tooms!

which is strange. because those things are pretty outlandish! maybe its because it was so much scarier than even evil lizard men.

let’s jump in:

so this is an episode involving more meat. did we need more meat, after the earlier meat processing content in s2 episode 10? many are saying no. but not chris carter!

we begin at a dirt road at night. in the state of arkansas. we have an older man and a younger woman named paula in a car, which is not suspicious at all! /s

oh and now the old man choking? is this natural or did she induce it with some poison. i mean maybe he deserved it, if she did. he takes some pills, so I’m guessing it is due to natural causes. now she beckons him out to the woods. 

into the woods. she says he has to catch her. is she luring him into a Bigfoot trap? we have yet to really see Bigfoot, and maybe he’s hungry. although Bigfoot is more Pacific Northwest than Arkansas, i think.

author's note: we tested negative for bigfoot in this episode :(

oh! this man tripped and is now surrounded by people with flashlights and very cool masks. get axe murdered, fucker.

back in DC! aforementioned fucker has been gone for 10 weeks and scully thinks the higher ups are sending them on a wild goose chase. “i’m not questioning the legitimacy of the case, just their motives in assigning it to us” <- damn, very well spoken by a rightfully suspicious woman

oh, but at the scene, someone saw a fire. and mulder says the fire is “supposed to be the spirits of massacred Indians” OH...

(mentally i was like, please do not be another scary Indigenous story episode. and we did in fact get that. sighs deeply. we can make things scary without making Indigenous people the scary ones! or using the trauma of genocide as a setting for spooky time! well, i'm sure you, dear reader, know that, so i shall not preach to the choir, but i will point out that these thoughts were going through my mind)

“these are only legends, mulder”, says a dismissive scully. and why is her hair looking excellent today. I mean not that it isn’t usually but damn. shoutout to the hair and makeup team.

the place on the side of the road where he went missing had a big fire! could be a bonfire, both parties thought. until mulder remembered a documentary he saw in college...

(hehehehe mulder spent college watching documentaries <3)

! MULDER LORE REVEAL ! wow it's been a while since i've gotten to format some text like that. he watched a documentary about an insane asylum in college and it gave him nightmares.

(and this may not be super relevant to his character, but to ME, it is, so i shall note it <3)

he's got the VHS from the doc all loaded up, and presses play on a guy rambling about a fire demon!! who was found in the same spot as the fire mark!!! dun dun dunnn 

(love the implication that he either purchased his own copy of the documentary that gave him nightmares in college, or had to go rent it from the video store. both are wonderful possibilities)

cut to arkansas. mulder is on the scene holding a plastic fork from the ground. wearing his silly sunglasses. lmaooo idk why they make me laugh. what a serious gentleman.

sheriff arrives at the scene. he says the witch’s peg to ward off spirits is normal there and also that the fire mark comes from illegal trash burning. and, as an American i am aware of how Americans love an illegal trash burn. but still. suspicious.

sheriff says the missing man george was chasing women out of town. lovely sounding fellow /s

wife questioning time!! he left her years ago. oh, but tea: the day before he went missing he was going to cite major health violations in the chicken plant! hmm... a cause for murder?

mulder gives the wife his phone number. also mulder is also looking very good today. but that is an evil voice in my head that ought to be silenced.

noooo, it's chicken plant time. no thank you ma’am, i would be out in the car <3

paula from the woods at work in the plant!!! taking mystery pills. seemingly in pain??

chicken cutting cam. oh, this is not for me! 

the agents chat with the manager, who says george was trying to shut them down. and while clocked in, paula is sweating. she just gasped in front of a whole bunch of chickens and some guy with very blue eyes. she sees a human head on the chicken stand and picks it up and throws it off. shoutout to this fake decapitated head and my best friends in the prop department for making such a funny creation.

(but of course, it was a hallucination, and she really just threw a poor chicken on the floor!!! his sacrifice was in vain... gone but not forgotten)

mulder is inspecting the chicken gutting operation and i've said it before and i'll say it again: he is braver than me. 

ohh, more chicken drama: george was filing a lawsuit about “line hypnosis” and it was dismissed before he vanished! he deserved to win. is there a meat processing union? there ought to be. but he was the only one citing bad health practices, the other 3 workers said it was fine... sooo what’s the truth…

“what’s that” asks mulder, who then gets shown the feed processor, and asks “chickens feed on chickens?�� <- heartbreaking realization. many of us remember where we were when learning this information. i'm sure it will stick with him forever. and i'm frankly surprised he didn't know already.

NAURRR THE SLUDGE AND BLOOD nasty nasty evil

OH plot twist: paula is holding the manager with a knife to his throat… scully telling everyone to calm down. personally i would be not calm. she said “don’t get excited” but me? experiencing an active hostage situation at my place of work? i would be excited

NOOO the sheriff shot her and she fell into the feed conveyor belt processing… thing. sheriff i KNOW you are covering something up. you will not hide from me.

SHE GETS GULPED INTO THE FEED BELT THINGY GAGGG it’s giving the jungle by upton sinclair that caused many american 8th graders to confront the corruption of the meat industry

paula had gone to the doctor about headaches… like george!!! doctor had assumed the condition was stress induced. and they did have similar symptoms. 

treated them both with codine… ain’t that a bit strong?? this man doesn't seem to be a very good doctor, tbh. i mean i don't think the guy that works at the chicken plant to sew back on fingers needs to be an expert in everything but like. codine for headaches? umm girl.

mr. chaco of chaco’s chicken was paula’s grandfather… if i was a grandfather rich off of chicken money, my grandkids would not be working the processing line, let me tell u that much!

back to the agents: these two should not be looking as good as they do in a chicken processing plant. they had to really step it up today to compensate for the horrors of the set.

chicken man lives in a mansion. further evidence of corruption. paula, i would not have had you working in such conditions if i was your grandfather. there has been a deep wrong here, i can see already.

and he’s got a big hat and is feeding his chicken corn. not other chickens, like the feed he makes in his plant... seems he is aware of the ethical issues implied in his business. also, mulder with those weird ass glasses. 

cacho is going on about the subject of chickens. and how he built this town. he sure is taking an awful lot of credit for creating a town, pretty sure that's a team effort mr. chaco. he's also going on about how he thought george was trying to tear him down. 

AUTOPSY TIME!! rare degenerative disorder in da brain of paula. and scully has only seen it one other time back in med school because you can only really find it in an autopsy. nice work, doctor! <- i just typed “nice worm 🪱” so we'll let that stay for the added sense of whimsy it provides

but despite looking like a young girl fresh out of high school, paula was born in '48?! she was 47 years old. allegedly. this is not adding up. so they go on a quest to find her birth certificate and see what the truth is.

debrief in the car. so: odds are not great that she and george had the same very rare disease

during this discussion, our duo are run off the road by a chicken truck!!!! no! oh... he drove them into a river. mulder has shifted into rescue mode as the river is red with chicken gore. i feel someone might be distracting them and trying to get the body… (this was actually not the case i was just overly suspicious)

but more chicken drama: the driver had the same symptoms as george and paula! how can this be?!

“i just came up with a sick theory, mulder” (grabs her shoulder) “ooh, I’m listening” LMAOOOO this is sososo funny to me. yeah tell me ur sick theories scully you have my full attention.

GAG!! because it is both gross and shocking. her theory: what if someone put george’s body in the feed grinder, and then since it’s a prion disease, a chicken ate it, and someone ate a chicken, and it spread to the humans!!!! AHHHH! well that would be an epidemic, because they ship chickens out across the country… she glances knowingly, implying things could be very bad 

the river is filled with bird gore from the plant BLECH... who allows this??!! please say there are some modern regulations in place to prevent this being done irl.

mulder says he wants it dragged, thinking that maybe george is in there. and the sheriff is hesitant to do this. once again, i’m onto you, sheriff. i mean, a river full of chicken gore: it would be a good place to put a dead body.

and bam! a body is found. or rather. many many many bones. many bodies. and they are still going. damn.

so, we have a ton of bones. scully can put them into 9 distinct skeletons, one of which is in fact george. i love that she can do that, put the bones into distinct skeletons. she knows it's geroge from a pin in his femur!

“all of them share one, strange detail though” “well, they seem to have lost their heads” “… well, besides that” <- LMAOOOO idk why this was so funny to me... he really thought he picked up on something but he did Not.

here's the linking detail: all the bones are smooth and buffed like they have been polished. ??? who is polishing bones? it sure isn't me, i'll tell you that much. 

george’s wife is at the scene, learning her husband's body has been found, and she is sobbing. and the sheriff says “we’ll take care of you” now what does THAT mean? because it's not really sounding like the welcoming words of a man who is going to guide his neighbor through tragedy, and instead like there is something bigger at play here...

back at the plant, the doctor is mentioning another guy coming down “with the symptoms”…. omg. so this IS a known thing from the inside. mr. chaco knows but he isn’t doing anything about it!!!!! chicken dramaaaa goes crazy 

scully at the scene of all the bones, carrying a bucket of chicken. lmao. she is braver than me, for i would have gone vegan the first moment i set foot in chicken processing land.

mulder does some digging: 87 people have disappeared in the area in 50 years! that seems... a lot? and he thinks the same person or persons were responsible. he thinks they were EATEN!! boiled in a pot.

“they used similar evidence to prove cannibalism among on the Anasazi tribe of New Mexico” okay: 1. why do you know that 2. need to look into these allegations for myself and 3. Anasazi… that is the title of the next episode!!! what could this mean!! another cannibalism episode?!

scully is very sad to say that paula could have gotten sick from eating george :( girl I’m not convinced the chicken is clean put it down NOW 

cannibalism = eternal life? follow for more crazy mulder theories!

she puts aside the chicken……. good!

mr. chaco says “he’ll handle it” and george's wife doris arrives, saying she “can’t keep lying”… she says “she did it” (!!)

OH????? she... killed her husband? that is a bold thing to admit to.

“we’re gonna take good care of you”, says mr. chaco, which raises the question: are they a cannibal cult???? is that what he means when he mentions that he “built this town”???

now what the hell is going on. <- an interjection i stand by

mulder and scully are going to the courthouse to look at the papers and all the birth records are burnt!! doris calls mulder and says he’s afraid mr. chaco will kill her… they split up…. nooooo i hate splitting up!!! i watched so much scooby doo as a kid!

GASP! a guy in a mask like we saw at the very beginning of the episode is in doris' home!!! drumbeat playing while she screams…. overall, this is very not good, i wrote, referring to the use of Indigenous imagery for this murder, and also doris being murdered in the first place

scully at the scene of the murder ft. big ass flashlight. she gets in through the side door. gun: out. trench coat: open. looks: served. diagnosis: baby girl that could kill me, and i am respectful of the fact that she has this power yet refrains from using it on me.

mulder at mr. chaco’s house. mr. chaco has some… stuff in his home. including photos with Indigenous people and also bones. having human bones in your house, and especially on display, is not a good sign of ethics in play. and a skull. Oh! it says the skull is from a tribe in New Guinea... why tf does he have that. put it back???

at the back of chaco's parlor, we see a mysterious door. mulder is busting it open.

LORD ALMIGHTY, I DID NOT THINK THERE WOULD BE HEADS INSIDE??? HELLO???

so that must be where all of the heads that mulder noticed were missing have gone. they're sewn up sort of like shrunken heads. very spooky. once again, pour one out for the props department for such a creation.

noooo chaco is in the house with scully, who was investigating the call of doris. NOOOO HE KNOCKED HER OUT!!! this seriously needs to stop happening like i'm worried about the brain damage she is experiencing.

back to mulder cam. goodness. all of these heads. 

in a field now. doctor is serving some soup. to a bunch of people. who are eating around a big bonfire. do NOT tell me scully is in that meal....

she is not. YET! but he is bringing her over to be roasted. and they ate doris! chaco is yelling about turning on each other and how they were only supposed to eat outsiders. girl you shouldn't be eating anybody last time i checked. 

man in the mask shows up with an axe. and chaco is decapitated in front of scully. who is put into the decapitation thingy next. GIRL THIS IS FUCKED UP!!!

mulder on the scene, just in time. he shoots the dude in the mask.

“you alright?” he asks, brushing her hair back after lifting her out of the decapitation machine. my good friend, i would venture to guess that she is not quite alright at the moment!!! this will take an awful lot of unpacking!!!

sigh. but the tenderness of the near death experience. coming back to life in someone's arms. yeah i'll romanticize that.

TEA!!! the sheriff was the one under the mask!!!!!! i knew he was up to no good.

wrap up: chicken place shut down. unclear how many citizens of the town ate people. 27 have become ill with prion disease. chaco’s plane was shot down in 1947, and he spent 7 months with a cannibalistic tribe, and also he was born in 1902, so he was 93 at his death- so the cannibalism really WAS extending life. and we see some more feed being scooped to the chickens as scully says his remains have yet to be found. end scene.

HUH???? what in da hell. so what are we thinking kids…?

well, i'll tell you something: turns out i am afraid of cannibal cults, no matter how outlandish they seem! i guess when you get a villain or evil situation of the week show like this, you WILL learn exactly what kind of fear pushes your buttons. i can imagine almost nothing scarier than being led to the slaughter like scully was. seems a purposeful commentary on the meat industry, especially when taken in with the other meat episode this season.

so, if i were scully, i do think i would need to take a week or so off. but she is just built different than i am.

some things bugged me here. first of all, like i mentioned, you don't need to throw in Indigenous people to make a scary story. like is the thought of a bunch of arkansas cannibals not horrific enough? the scary was there!

second, i have not been doing a kidnapping count, but i feel that scully is getting the rough of the deal here. i believe in gender equality when it comes to characters being kidnapped. like, an even 1:1 ratio. why are we denying mulder his damsel in distress arc? does anyone think about how he would feel? how nice it would be to see scully burst in with a gun and shoot the fellow that was about to cannibalize him?

still, it is rare an episode actually spooks me, so i must give credit where it is due. even if it felt a little outlandish, your girl was frightened! scully needs a vacation now. i also thoroughly laughed at the sick theories line and his funny sunglasses.

it's funny to note, but i like the episodes that are either very silly and light hearted, or incredibly angsty the best. and that may seem contradictory, but you cannot tell me that one breath and humbug may be on opposite ends of the tone spectrum, but they are both objectively Perfect. i'll have to think more on why they are the best in my opinion, but i think honestly i would watch these two read the dictionary.

[steviesbicrisis]

I’ve been brainrotting since the Red, White and Royal Blue trailer came out so, I NEED TO KNOW

[floralovebot]

MADE EDITS i couldn't stop thinking about their outfits and like,, the aspects i liked and thought felt very winx and in line with the individual characters and the aspects i Hated and thought sucked dookie SO i made some edits :)

biggest changes are to musa, aisha, and stella! actually changed the clothes there. flora and tecna i just adjusted the colors (in flora's case to further unwhitewash her and saturate her clothing more and in tecna's case to bring back her pink hair and green and cyan).

explanations on changes below!

I'll start with the simpler edits!

For Tecna, I just wanted to play around with her og colors lol I actually LOVE her new look and I would love to see this be the final design!! It's SO tecna and fits in with the rest of the winx i love it soo much :') I do think they should bring back her pinker hair though! And again, would love to see the green and cyan make an appearance. I feel like neon green is just very classy techy character. And while it is cliche, I do love it akjgd plus I think it looks good on her and makes the other colors stand out more imo! (but maybe this new, pinker look will make people like her more idk :') justice for tecna my beloved :'))

For Flora, I darkened her skin more for obvious reasons. And then I added more saturation to the colors and added back the warmer tones they took out. Imo, the darker, desaturated, and cooler toned look for Flora only works in very specific circumstances. Color theory rainbow!! Bring back the brightness! The color!! The warmth!!

Which brings me to Stella ohmygod,,, please,,,, please stop desaturating her she looks so pale and sick and lifeless STOP please :') Anyway lol, obviously brought back the brighter orange! I also took away the random sleeve. It's cute but it just didn't feel very Stella at the time? The tube top look is Very Classic Stella (very much giving s3 casual but in orange). Tbh, I don't love the dress itself, but I do think it looks better once you add more of Stella's colors. I also tanned her skin more and made her hair more yellow + brighter! Just like with Flora, color theory is important for media!! This Stella design just does Not give sunny, optimistic character. It's giving the gap (aka BORING aljdhg)

Aisha's design stumped me for a bit, I won't lie. I couldn't figure out exactly what I didn't like. But I got it!! One, way too symmetrical imo. Yes, Aisha does have some very symmetrical looks, but like 80% of her looks are very asymmetrical. I also didn't love that it didn't incorporate more of Aisha's powers. It really just went for *vaguely sporty* and didn't try to bring anything else to the table. And some people might say that Aisha's og looks were like that too, but I disagree! They told a story! She's a brave adventurer, a dancer, a princess, etcetc!! This tells me "oh yeah this girl might like to do yoga. cool."

Anyway! So I made Aisha's pants baggier because let's be fucking real for a sec. Changed the design on the pants slightly to make it asymmetrical and incorporated a wave design. Took away that bottom shiny fabric of her shirt. I tried to keep it but it just wasn't looking great with the pants changes tbh. Added small waves to the bottom and made it one shoulder! Also added her classic little circle wave design 1. because it's cute and 2. so Musa wouldn't feel so out of place with a design. Tbh, I still don't love the pants... I think maybe that hem could be higher?

For Musa! I've spoken about this before but I do not like the bodysuit. I liked the concept and the vibe it brings, but it looks So uncomfortable and s1 Musa was alllll about being comfortable. It's why so many people think she hates wearing dresses (even though she doesn't). So I kept the vibe, but changed it to the same mesh that's on her right arm! Which like!! I didn't even see that until I started the edit!! It's so,,, unnoticeable which like,, isn't a bad thing? But also? I think the mesh being on her stomach too makes the design as a whole a little more balanced (and it's a nice callback to her og magic winx!). As for the color changes, really just wanted to go back to her reds and dark blues. I don't Hate the color scheme, but I also don't love it. And I think this feels a lot more like Musa yknow? Also darkened her hair cause fuck that dude

Anyway lol it's not the best edit so don't look too hard :') I just wanted to explore what I liked about the designs and what I didn't. We did get to see a little bit of Bloom's casual, but I want to wait until we get a closer look to speak on it/make edits. Also tbh, I don't really love Flora's outfit but I didn't want to completely redesign her and I concede that this is something she would wear (although it feels more like s4 cowgirl time/s5 casual and not s1 new student time but Fine). For now, I'm gonna pretend the trailer showed us my edit of Stella and not what it really showed. I can't get pale pinterest stella out of my head,,, aggghhhh

[uhbasicallyjustmilex]

four walls playlist

[impala-dreamer]

is this too romantic? am I going too far? is there any other way to write romance than all in, all encompassing, perfectly magical? no. this is fine.

[skrunksthatwunk]

you go to a lesbian blog and find it says women only!! no men allowed!!! and go oh! excuse me, um, what about other lesbians? plenty of lesbians are genderqueer... and they go well, okay, go fuck yourself tim chop off your sweaty dick and stop calling yourself a lesbian. you do not have a dick, actually. you think about that fact often, even though it does you no good. you do not tell this person that.

you go to another lesbian blog and it says women only and you try again, and this time they change it to wlw + nblw only (non-men who love non-men :D). and you'll say hey i appreciate that but gender's not really that cut and dry for a lot of people. someone could be both a man and nonbinary, for instance. i just worry that you're looking at nonbinary as a generic third gender, or an extension of womanhood. i mean yeah you include nblw in your tags but all your posts are about pussy-havers exclusively. what's with that? and they say go fuck yourself you pervy man pretending to be a lesbian. you tried to sneak in but i won't let you.

so you go to a lesbian blog with a dozen or so posts about queer people needing to be more weird about it and you sigh in relief. but you still see the men dni. that's odd. hoping for the best, you say hey! i know you mean well but please maybe don't put men dni at the end of the lovely posts on your lesbian blog bc some lesbians are men. and they'll be like ok!! well you're allowed ;) and you say no that's not. no. some men are lesbians not just me. you think about your own dicklessness and wonder if that's why you were given entry. and you add that even if male lesbians are allowed, there's no indication of that. how would anyone know without asking? and they're like ohh gotcha gotcha well men dni + this is for sapphics only!! and you'll be like ok well that treats the concepts of men and sapphics as mutually exclusive identities and i just told you that's not true and you agreed with me so.. i don't think that solves our problem. and they're like. ok. fine. men dni but genderfluid and multigender people are allowed! and you're like no see that's. that's still the same thing.. you're saying the same thing just with different words. if you don't want men to interact but you're fine with multigender/genderfluid/etc ppl interacting then you either don't see them as Real Men (because they don't reach a standard of Full Manhood) or Complete Men (because they're only Part-Time Men), both of which suggest that they are, in some way, not men or less-than men, which is invalidating and defeats the point of the exception in the first place (accommodation) OR that you don't really mean the dni which is confusing and inconsistent and makes guydykes feel weird and uncomfortable and excluded from the lesbian space you're trying to cultivate. and they're like um. ok. so. cishet men dni? and you're like well i think that makes more sense, but what if someone identifies as both a cishet man and a sapphic? again, if we're trying to accommodate the genderfucky populace then that has to be a possibility that is considered. and they say god you people are never happy. what do you want me to do? what am i supposed to say to keep the right men out? and you pause. you empathize with the need for a space free from dudes trying to fuck you straight and feminine. dudes who watch lesbian porn and joke about what they'd do if they were allowed into girls locker rooms. who look at you like a piece of meat, and like someone who looks at women like pieces of meat in the same way he does. you get it. you know. you want a space where you can be sapphic, too. that's why you came to these blogs in the first place. you brace yourself and you say well i don't know that there are "right men" to keep out. i don't know that there's any single label that would accomplish whatever it is you're trying to accomplish. you could go for "sapphics only" or "queers only" and i think that might be the closest thing to what you want, but it's never going to be perfect. creating any exclusive space is going to shut out people you didn't account for, and the broader the label, the more people will be shut out that you didn't want to shut out. and what about people who don't know if they're allowed? what of questioning transbians, where are they supposed to go? and, frankly, i think i might rather my dykey posts get read and appreciated by a gay guy who sees me as a man than a woman who only sees me as a sacred womb, pure from male perversions or violence or whatever. i think community might just be more complex than a dni can handle. and they look at you and say i don't want to not have a dni. i think you're too permissive. you can't just "what about" or microlabel your way into everything. go fuck yourself, i bet you're not even a lesbian anyway. go find a real problem to get mad about.

you go to a lesbian blog. you ignore the men dni because you know you probably don't even count to them. or maybe you do count and, out of respect for your manhood, they'd shun you accordingly. you try to feel okay about that. you scroll past dozens of posts about mediocre men and gagging at straight friends' boyfriends and how gross and undeserving men are of the beautiful women they couple up with and how all women should be gay so they can get treated right and and and and and. you finally find a post about curling into someone you love and feeling at peace and try to lose yourself in it. you know that feeling is what unites you, what makes you belong. you try to focus on it. you think about carding your hands through a butch's hair or lacing fingers with a femme and feeling warm and loved and more yourself than you ever have before. like this is who you're meant to be. you read about lesboys and butch boytoys and genderfucky dykes and big hairy deep-voiced wonderful women (like you want to be someday, like you wish you could make yourself) and you try to ignore the men dni underneath each and every post. and you daydream about meeting someone kind and earnest at a lesbian bar even though you don't think any such bars exist within three states of you and you can't drink and don't want to drink because you need to be in control of yourself at all times so you don't fuck up like you're always about to and here in the nonexistent lesbian bar you feel wanted and safe and in good company. you picture your ideal, happiest self. it is a mistake. ideal-you has a goatee. not the mascara one you smear on and call drag even though you know it's not drag, not really, the beard you call drag because you think everyone would look at you sadly if you told them it was just to pretend you had something out of your reach. a beard that's soft and that you grew and that cannot be smudged away if you get too comfortable with it. the dream shatters. your people pull away from you, their scoffs mixing with the mind-numbing gay girl bedroom pop you learned to settle for just to have something that almost resembled you, they all pull away and turn their backs and do not look at you. you're too close to being a man now, even though you're the same amount of man as before. and they know you're not supposed to interact with men, not as you would with dykes, at least. and it sours. it's all your imagination, all in your head, but it sours.

you sigh. you think about how small you are. how short, how narrow, how feeble. how your voice pitches up when you talk to strangers because it's easier to speak quietly when it carries more, and because you're nervous. because it's a chore to talk, like everything is. you think about testosterone. you think about how your family would look at you, the questions they would ask, your answers they would only pretend to accept. the uncomfortable glances and whispered questions they'd try to hide from you. you think about how small you are, and how small you will always be. how you don't know of a way to fix it, but even if there was one, no one would want you anymore. you'd be the only one thinking it made you a cooler dyke. you think about how you don't even want a T-voice all the time, how you'll never be able to switch it at will, because you don't know how and can't bring yourself to figure it out. you think about how your throat closes around every hint of your own attraction. how wanting is perverse, how wanting is invasive, how wanting is embarrassing and too vulnerable so it must stay anonymous, as an online witness, and how you can barely manage to form or maintain friendships because your brain makes you pull away, always spinning out and struggling to recover from the simplest of interactions. how they'll all leave you and you won't chase after them at all and how that will hurt them. how stuck you get. how it looks like nothing's holding you back, how that frustrates everyone who thought you were going to be more than you were. the people you love who understand except when it comes to being ghosted, being shut out. how you don't want to hurt them. how you can't tell them that because you're stuck. how you turn to stone when touched, how you never reach out, how you lose your speech and can't look at people, how your autism is fun and sexy until it becomes real and you never see them anymore, how much you longed for someone who knew everything without you having to explain, and who loved you anyway. how unreasonable you know that is to expect of anyone. you think about that not-even-real lesbian bar. you think about how you still can't drive. how you can't leave your home on your own, without dragging somebody into helping you. how you can't leave your body. how you can't leave your manhood behind.

you think about finding another lesbian blog and ignoring everything. about skimming it for the parts you can juice some meaning from. the parts men ignore and don't understand, and how typical of you it is to do so. or the parts where you're not welcome and you should accept that, because it's for lesbians only. how you are a lesbian anyway. how you're meant to choose lesbian or man, how each is a betrayal of some kind to yourself or your people, your family, your lovely strangers, your rare friendly acquaintances. about the parts that tell you you're not wanted, that you're ugly and lazy and gross and insert yourself everywhere without even asking. about the parts that tell you you are hated, and how lesbians are above it all by rejecting men. how lesbians are each blessed miracles. about the parts that say you should be ashamed of being whatever twisted confused freak you are, of everything, of looking and wanting or not looking or not wanting, of picking and choosing instead of taking it all in with a smile. after all, shouldn't you take it? or is your ego too fragile, as men's so often are? aren't you tired? good. we're not here for your consumption. and we sure as hell don't want your company or "community" or whatever. didn't you read the sign? no boys allowed. and if you want to come in you have to make up your mind. as if you haven't told them the only answer you have. you're both. you're both.

you know you broke the rule by interacting.

but it gets lonely sometimes. you wonder if they know.