#alter ethnicity
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thehellsaint · 4 months ago
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I'm sorry but seeing white ppl using Japanese names makes me cringe so fucking hard 😭
I'm not calling you Toya Todoroki bro I can't
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unwelcome-ozian · 2 years ago
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you cant have alters of a different race, they only appear as such in the inner world.
you cant literally be a different race.
Alters can be a different race or ethnicity than the host. DID is how the person survived.
“Differences among alters can be nothing short of astonishing. Alters within the same patient may be of different ages, genders, races and even species, including lobsters, ducks and gorillas.” Source
No one said the body becomes a different race if the part is fronting.
Oz
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rainbowt33f · 25 days ago
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Related to the last post I reblogged but. g/d it drives me fucking crazy when zionists or sympathisers claim denouncing israel is actually damaging to all jewish people and that 'saying you want israel gone is saying you want jewish people to DIE'. number one you're a fucking idiot. number two this is a strawman argument actually. it takes such a simple level of reading comprehension to know vocalising hatred for a genocidal government DOES NOT EQUAL wanting an entire fucking ethnicity/religion of people to die. good fucking g/d
Anyway Death to Israel and Free Palestine :]
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marzipanandminutiae · 2 years ago
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I need an option for "no but I don't pass judgment on other people's relatively harmless cultural practices" please and thank you
(seriously, the kid can take the earrings out later if they don't like them. it's not a permanent alteration. my concern would be more for them not being able to take care of piercings at that age, and getting infections or yanking out the jewelry)
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asclepias0819 · 2 years ago
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anyway last rb… are we forgetting that people in power/privilege straight up just lie to further propaganda/dehumanization of marginalized groups. like you thinking that’s a plausible suggestion just shows that you would be easily manipulated by them and that’s scary.
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whetstonefires · 1 year ago
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I don't think it would have taken centuries without Columbus, either, because yeah a couple years later Portugal, in a natural extension of their ongoing forays along the African coast, had rounded the cape and the horn, gotten in quarrels with local pepper magnates, discovered that while they didn't have the general upper hand in India the way they'd gotten used to in Africa, shipboard cannon was an out-of-context problem in the Indian Ocean, and started throwing their weight around with gusto. And the new, wetter version of the spice trade accelerated changes in European ship technology and behavior.
Someone would have tried something vaguely similar, although it's unlikely anyone with good math would have sailed straight across into the Caribbean like he did. More likely there would have been a Viking-style coast-hugging process in the north, via the cod fisheries. Or less probable but very interesting, a replication of the Pacific island-hopping that almost definitely landed people in South America in the first place.
It would have been later and progressed along at least somewhat different lines, because many elements of history are contingent, but at the same time, yeah. Imperial behaviors are kind of predictable, and this pattern was well grounded already.
On the other hand, interesting to wonder if, with the western hemisphere out of the picture a little longer and not fueling the intra-Iberian rivalry in the same way, the colonialist lunacy would have escalated somewhat slower in afro-eurasia and indonesia.
FINE, you get another go at the time machine and the ability to prevent one birth (or commit a murder up to you), don't worry about the butterfly effect, we want the butterfly effect that's part of the point. Your actions will prevent them from ever rising to prominence. Original poll here There may be a face off poll at the end. Hitler still isn't an option because we'd all chose to kill him.
Am gonna go Pontius Pilate and say my hands are cleaned of this one. All of the below are nominees.
#the aztec state was not at the same centralization level#as the nations drawing on the organizational legacies of china and rome (and persia)#so their imperialism couldn't unfold entirely the same ways#wrt scale#it was much more like classical grecian city over city suzerainty in structure#but if the mexica had been relatively late instead of quite early in the contact chain#they would have had a lot of time to adopt both physical and organizational technologies from their new rivals#in the way nations tend to do#and gobble up more neighbors more thoroughly#and THAT alternate history gets interesting#imo#tenochtitlan's artisanal sophistication was CONSIDERABLE and their theological reasoning both hat and abstract#(imo abstract theology is a vital developmental tool for other cultural abstractions)#and a tradition of forceful statesmen doing deliberate social engineering#so i think given time to rebound from the inevitable plagues and the right leadership#they had a solid shot#at defining the game in north america#as in reality their weakness would have been that their ethnic hierarchy was also regionalized and thus prone to splintering#odds are it would not go like this no matter what the timing and placement but like#the Plains buffalo hunters had time for the horse to make its way north and wildly alter their lifestyle and subsistence patterns#before mot of them made real contact with any europeans directly#and the mexica were much closer to the water so they weren't going to have THAT long#BUT STILL#the japanese approach never ceases to blow my mind
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writingwithcolor · 10 months ago
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How do I respectfully discuss the topic of diversity with a co-author, as well as assigning a race to an “ambiguous” character?
Anonymous asked:
My co-author and I, for context, are both white and in highschool. For the main cast of our story, each of us ended up creating three characters. All three of her characters were white. Two of mine were white as well, alongside one character who is ambiguously brown-skinned. Do you have any advice on respectfully bringing up the subject of diversity to a co-author, even if it means potentially changing our established characters? Additionally, do you have any advice on retroactively assigning a race/culture to a character? I now understand after reading this blog that “ambiguously brown” characters should be avoided, but I did not when initially creating him. I worry that I could fall into stereotypes— while portrayed positively, he’s somewhat of a “nerd” archetype. But I don’t want to whitewash him either.
“Hey, why’d you think we made a mostly all-white cast?”
In other words: Just be normal about it. As you yourself note, you also didn’t exactly put a great deal of thought into the racial/ ethnic identity for your single brown character either, so it’s not just about your writing partner. This is about how you guys like to create as a team, and what sources of inspiration you both tend to gravitate towards. If a pair of high school students who write together can’t have a chill conversation about the races of the characters they are creating, then I’d worry more for their dynamic as a creative team. Discussions of race are only as weird and awkward as people decide to make them, and that’s often framed by the baggage each person is bringing into the conversation.
Whether or not you change the characters is up to you.
“Diversity is a marathon, not a sprint!”
Write diverse characters when and because you want to. I think the push for diversity is best when it’s self-motivated. Strangers on the internet telling you to do something is definitely not the reason to do it. I’ll note the same applies IRL. Otherwise, you’re changing your behavior for the sake of peer pressure. Writing groups on the internet like our blog do not exist to sit in judgment of your work. These are venues to discuss, critique and receive feedback, but the final choice always rests with you.
There’s not enough info for me to tell if the experience of whiteness is so intrinsic to your characters that changing their race will alter them greatly. I would argue the same for gender and sexual identity. Sometimes, changing dimensions of a character’s identity alters a lot about who they are. Other times, particularly if the character is not thoroughly fleshed out, changing their race only adds to their characterization. Only you can say which scenario applies here.
Other mods have written on how to handle your dilemma of “white as default” in an earlier post available here. Please explore our #POC Profiles for more inspiration. 
Your third paragraph can be answered by re-reading all 3 sections of the FAQ and exploring our archives using the tags. 
Marika.
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thehellsaint · 4 months ago
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being an ethnicity is more than looking like that ethnicity, it's about the culture and history and bigotry faced by being that ethnicity.
this is why (white) people saying an alter in their system is Chinese or Japanese will always be racist and demeaning to POC
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unwelcome-ozian · 2 years ago
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I am unsure whether I am the original of my system. I believe (among many of us) there may have been a very young original alter, and then a few older versions of her who developed into different alters based on how the original experienced herself at a given age; for myself, I experience myself at different times as different races, and I believe this is connected to dissociation. I am mixed race with brown skin and dark brown hair, but since we were a child, I have had an automatic mental image of myself as different Caucasian girls of different hair colors, ages, etc. Some of these also developed into alters, so I'm wondering if these self-images we're perhaps proto-alters?
Is this something other systems experience? Often the Caucasian versions of me feel more fitting and alien than my own body.
Those who live with DID can have parts of different ethnicities/races than that of the body. Yes, other systems experience parts of different ethnic/races, genders, sexual preference, and non-human.
I’m not certain what you mean by proto-alters. Like a proto type? Asking for clarification.
In DID parts develop as a means to survive the abuse/trauma and the part is so the person can survive.
Oz
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featguler · 5 months ago
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baby steps, baby ────── a late night conversation in his car. threading on a whole new thing with kylian.
♡ ────── pairing : kylian mbappé x reader ♡ ────── tags : reader's gender, ethnicity, nationality, and appearance is not specified. reader lives in an apartment in paris and is a normal person. reader is somewhat insecure and is filled with doubts abt their relationship. ♡ ────── wordcount : 710 ♡ ────── notes : seems like i'm just writing whatever the fuck i want. send in req's pls ♡ masterlist.
You choose not to ask Kylian if he had ever felt the way you are feeling before.
Why would you?
His past relationships are none of your business, the previous pairs of lips he’d kissed are none of your business, and the beds he chose to spend his nights on before yours are none of your business either.
He opens the door to your side of the car, he orders your food for you, and asks if you would like to share a dessert to hide his own eagerness. He is endearing, and the right now you have is enough.
It’s silly to obsess over did-not-happen-yet scenarios. Your brain, though, cannot help but string you along.
As he drives down the road leading to your arrondissement, on your third night out after an awkward confession in your apartment, Kylian talks about how he has to fly soon to Germany. He talks about how they—whoever they are—have begun integrating group games and activities into practice, and he talks about how keeping a team cemented requires more HR work than anything else.
It still feels out of your mind that you are dating Kylian Mbappé—superstar footballer, conceited on field and humble off it. Grace lace his strides and half the world wants him. Or maybe not. You’re not sure. That’s what it feels like, though.
You wouldn’t imagine that you’d be sharing a drink together a few months back, moreover a car ride, moreover a night out, moreover a kiss.
“...come with me?”
You noticed that you were dozing off the conversation, preoccupied with Paris’ night light just outside your seat window.
“To Germany?” You ask, trying to gauge the context of the conversation from what you remember. “Me?”
He laughs a hearty laugh, glancing over at you as quick as he looks back to the road.
“Yeah,” his grin is illuminated by the occasional streetlights—you recognize the quirk of his eyebrow as the sign of an incoming jest. “Watch me play, beat the whole tournament in one game.”
You laugh along with him. “I’ve watched you plenty, Kylian.”
“Not outside France,” he retorts before stopping for a quick second. “And not outside Paris.”
“Well,” you hesitate, “I’ve got a job and all, you know? Can’t exactly drop everything and leave for Germany.”
You watch the fist around his steering wheel tighten, his lips pursing after yet another one of your rejection. He’d always asked you to come to his games—begged you, even. Far before you had recognized the intention behind his invites, he’d send texts asking if he should save a ticket. It would be a game in Spain or Germany, always somewhere far-off, and always on a working day.
You would think that he had gotten used to the disappointment, but you try putting yourself in his position, and imagine how he would feel. It’s probably different from the hurt you feel every time he has to leave you for long, but you try matching it.
“But anyway,” you speak, hoping to distract the sudden tense atmosphere invading the car. “How do you win a tournament with just one game?”
“You never know,” you hear the light returning to his words. “If I score 20 points in the first 30 minutes, maybe they’d change the rules.”
“I’d change the rules,” you counter. “For you.”
You turn to watch the road ahead, but from the corner of your eyes, you see a quirk of his lips, and then a quirk of his eyebrows.
“That’s sweet,” he reaches over to touch the hands folded on your lap, grabbing one in his. “But it would be boring if all the rules were altered to fit me.”
“Yeah,” you chuckle, flipping your hand to return his hold. “You gotta take it one game at a time, one goal at a time.”
“Uh-huh,” he nods. “Baby steps. I’ll get there in due time.”
He pulls your hand over, pressing a kiss on top of your knuckles. This right now feels too good to be true—if it were you and him against the world, it seems like it wouldn’t be as scary as all of the imagined scenarios in your head.
“Baby steps, baby.” You look at him and cannot hold back the smile, “Baby steps.”
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powersocial · 4 months ago
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𝕀𝕟 𝕥𝕙𝕖 '𝔸𝕕𝕠𝕡𝕥 𝕒 𝕊𝕚𝕞' 𝕔𝕙𝕒𝕝𝕝𝕖𝕟𝕘𝕖, 𝕪𝕠𝕦 𝕙𝕒𝕧𝕖 𝕥𝕙𝕖 𝕠𝕡𝕡𝕠𝕣𝕥𝕦𝕟𝕚𝕥𝕪 𝕥𝕠 𝕚𝕟𝕗𝕝𝕦𝕖𝕟𝕔𝕖 𝕙𝕠𝕨 𝕥𝕙𝕖 𝕓𝕒𝕓𝕪 𝕨𝕚𝕝𝕝 𝕕𝕖𝕧𝕖𝕝𝕠𝕡 𝕓𝕒𝕤𝕖𝕕 𝕠𝕟 𝕪𝕠𝕦𝕣 "𝕡𝕒𝕣𝕖𝕟𝕥𝕚𝕟𝕘".···•✦
❁ You cannot alter ethnicity, but you can make adjustments to them through realistic methods like weight changes and muscle development.
❁ Feel free to use the prompts provided below they are completely optional, or introduce this little baby to your sim family and see how your parenting helps little Summer develop in game! (o゚v゚)ノ (the first prompt isn't really important for Cas but it can give you an idea on the baby's life & personality)
❁ This is my first ever challenge so I'm sorry if their are any inconsistency's! (pls be kind) Don't forget to tag me @powersocial so I can see and share your sims! If you have any questions I'm happy to answer them.
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download:🍼𝕃𝕖𝕥'𝕤 𝔸𝕕𝕠𝕡𝕥!🍼(also available on the gallery, ID @seyvia)
✦•·················• 𝐂𝐨𝐧𝐠𝐫𝐚𝐭𝐮𝐥𝐚𝐭𝐢𝐨𝐧𝐬! •·················•✦
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You could also put the list of prompts on a 'picker wheel' if you'd like! Have fun! ♪(^∇^*)
@ts4challengehub
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iron-sparrow · 30 days ago
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Elftober 【第十二天】 Knowledge
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Yeah, that's a cup of pearl milk tea in Yein's hand. I'm using today's prompt ✨KNOWLEDGE✨ as an excuse to drop some mad unsolicited facts about the popular Taiwanese beverage. What's the occasion? Some dumb racist motherfuckers going viral, particular in the English-speaking Asian social media sphere.
So anyway, pearl milk tea (珍珠奶茶) originated in Taiwan (ROC) back in the 1980s. Some of you likely hear bubble or boba milk tea more; the "bubble" refers to the literal bubbles (泡泡) that form when shaking the tea, while "boba" refers to the enlarged tapioca balls. Yes, "boba" is actually derived from Chinese slang for large breasts, coming from Hong Kong sex symbol Amy Yip.
You'll find plenty of trivia all over the Internet about tapioca milk tea, but I want to stress the importance of this drink as a cultural icon for an entire nation that has struggled for decades to be recognized by world governments as its own country.
In Taiwan, bubble tea has become not just a beverage, but an enduring icon of the culture and food history for the nation. In 2020, the date April 30 was officially declared as National Bubble Tea Day in Taiwan. That same year, the image of bubble tea was proposed as an alternative cover design for Taiwan's passport. According to Al Jazeera, bubble tea has become synonymous with Taiwan and is an important symbol of Taiwanese identity both domestically and internationally. Bubble tea is used to represent Taiwan in the context of the Milk Tea Alliance.
Ignore your own feelings about pearl milk tea for a moment to simply appreciate its cultural impact around the world and how much that means to the millions of Asians spread around the globe. Here is a drink that came out of a Chinese-speaking nation that's been so widely accepted in its most basic form, without having to be altered ten different ways to be more palatable and marketable toward locals. It's a big deal, really, especially given the Western world's longstanding xenophobia toward Chinese people and just about everything we do or eat or whatever. While Japanese and Korean cuisines have enjoyed elevated pop status (double-edged blade there), the information war against Chinese continues and affects how we are perceived versus other Far Eastern ethnicities.
And how many instances have we seen by now of White people attempting to "rebrand" Chinese food (and mahjong lol) by claiming to have discovered a healthier, cleaner way to make it? Further perpetuating the belief that Chinese food is unhealthy or dirty, which can't be separated from the enduring sentiment that we are vermin or a virus since immigration out of China to NA became a noticeable trend in the 1800s.
The latest racist nitwits attempting to colonize for profit is a couple who appeared on Dragon's Den (like Shark Tank but Canadian, for those who didn't know) trying to get backing for their Montreal-based company, Bobba. Yeah. They fucking called it "Bobba."
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"Yes, I'm talking about bubble tea: that trendy, sugary drink you are queueing up for, and you are never quite sure about its content. Those days are over with Bobba."
With their whole chests, these people had the caucasity to pitch this company to a panel that included Simu Liu, who has always been very outspoken about struggles unique to the Asian diaspora.
When grilled by Liu over their disrespect toward the origin culture, the idiot with the leopard-print collar went on to say "it's not an ethnical product anymore," because he and his business partner threw in popping bobas and fruit teas and juices. Hey, newsflash, chucklefucks ⸺ popping boba pearls and fruit teas/juices are also staples for most modern Chinese tea shops.
Simu Liu was the only one of the three panelists to offer scrutiny, even pointing out that the products the couple offered did not mention anything about Taiwan, despite the one guy's attempts to win Liu over by saying they're working with a Taiwanese manufacturer.
The couple is being torn apart online for very good reason, and I'm an even bigger fan of Simu Liu after his very eloquent summation of why Bobba (ugh) and the way it's being pitched is so problematic.
To quote author and journalist Kat Lieu, who founded Subtle Asian Baking ⸺
It's not that selling boba or other Asian products is wrong, but the issue arises when they're marketed as superior or "better" while portraying the original product as inferior, strange, unhealthy, or dirty and make a profit. It's crucial not to erase the identity and culture from which these products originate. To the person who said I appropriate the French when I make madeleines, tell that to my colonized Vietnamese ancestors who were forced to bake baguette for their colonizers
Before you come at me about not liking the texture of boba pearls or the flavor of traditional milk tea or whatever, bear in mind most legit tea shops will offer a variety of drinks with different toppings. Look around, explore your options, and most importantly, do not support colonizers.
Now if you'll excuse me, I think I'm gonna go get me some fruit teas with diced kiwi and aiyu jelly.
Back to your regularly scheduled Elftober tomorrow.
ELFTOBER PROMPT LIST
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caliburn-the-sword · 6 months ago
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the main talking point of a lot of people that love eah but bash on descendants is that "eah was deep!! descendants was just a disney knockoff that meant nothing and was just a cashgrab" SHUT UP SHUT UP SHUT UP (to be clear i am an eah lover). analytical thoughts to follow:
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consider also, that auradon is portrayed as very technologically advanced in direct opposition to the isle being associated with magic (even with its ban) and a lot of of clearly second hand, worn and torn fridges and tvs and whatever
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also, the fact that she felt PRESSURED to not only culturally assimilate into auradon culture, but alter her physical appearance to assimilate further. consider mal's costuming in the first movie. on the isle, we see her with (what i assume is her natural) purple hair, leather, etc. she is even, to a degree, gender nonconforming. pretty much the ONLY time we see her in skirts is when she's trying to impress ben for her plan to work
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compare this with the hair costuming in descendants 2:
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(i actually can't remember which scenes the third one was in but whatever) they have taken away her sparkle!! she's assimilated firstly into auradon fashion by dressing in pastels like them, and in SKIRTS which she textually only wore in the first movie when she wanted to impress ben. now with the added context of her wanting to impress auradon. and it really speaks a lot that she feels she has to conform to gender norms more in order to be accepted by auradon
and what about hair. she's felt the need to not only change the way she dresses, but change her hair to the eurocentric standard, so blonde that it's almost WHITE to conform to auradon's society (because let's be real, her mum's a fairy/dragon and her dad is a greek god. i'd be MORE surprised if she was DYING her hair purple than it being natural). changing your natural hair in order to to conform to and be accepted by the majority... where have i heard that one before??
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shoutout to @soniccat
(to be clear. it is not a one for one analogy. "hey using a spell to force someone to forget what you did is an invasion" to me is like going "well actually people were right to fear mutants in x-men because some of them were walking weapons" IT'S A METAPHOR THAT IS ALSO A PLOT DEVICE)
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('backwater' being used ironically, do not let my meaning be misconstrued here. a better way to word it is that immigrants are guilttripped into having to be 'grateful' for their oppression in a first world country because microaggressions or assimilation is considered better than the alternative, being back in your home country where living conditions may be considered poorer)
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in the sense that for instance, jay put a VK spin on supporting feminism. like yes, he could've done it the rulefollowing, create a petition and gather signatures route, but INSTEAD he finds and exploits an existing loophole to let lonnie join the team. or evie shouting out dizzy's creations, uplifting her voice despite the fact she could've still taken the credit since she was the one that paired the outfit with the accessories. etc
are the descendants movies objectively bad movies?? yes. but this was to me, one of the most compelling analogies for immigrant struggles. take particular notice how almost ALL the main VKs are either racebent from the original disney movies (evie, carlos, uma) or were already based on an ethnic character (mal, jay)
but wait, mal is the whitest white girl to walk the planet. how is she already based on an ethnic character?
glad you asked. it is quite unclear in the descendants movie (basing its portrayal of maleficent on the disney sleeping beauty) is a fairy or a dragon. while the maleficent movie isn't canon to the descendants universe, i'm still going to use the fact that she's a fairy with the magical ability to turn herself into a dragon
a lot fairy folklore comes from ireland. the name maleficent itself, and i quote
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shares similarities to the name millicent. millicent has irish (or scottish) roots (even a coat of arms) as in
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thus one could argue that maleficent herself could potentially be irish coded
whether or not you agree with the idea that maleficent is irish coded, it is undeniable that mal is the daughter of hades, a greek god. it's a shame that that was a retcon in the third movie and not planned from the start, because the role could've gone to an actually greek actress (please google the ottoman empire and greek independence day if you still think it's not fitting for me to group mal with the others)
where was i going with this?? right. it's extremely telling that most of the main/side VKs, save for gil, are ethnic, in the story of a group of misfits finding themselves in an unfamiliar country with new social norms for them to learn as they try to fit in with and become accepted by their peers
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nightcolorz · 2 months ago
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So you seem to be the Armand expert and I have a few questions!
So what are the clear differences between like the book and movie and show Armand like what facets of the characters remain and which facets changed?
Also which aspects of each interpretation do you like? (Like what show Armand difference do you like) and which aspects of book Armand do you wish they would include in a future season? (Hope I’m making sense!)
AHH TY!!! (Being called an Armand expert is my favorite thing lmao)
I assume when in comes to book vs show vs movie u are asking me to talk about the changes of the character that r less superficially obvious (so u don’t expect me to just list height and age and ethnicity differences and be done with it lol). But either way, to start out, book Armand is Ukrainian, 5’6, ginger, cherub like, was turned into a vampire at 17. Show Armand is Indian, 6’0, lean and muscular, turned into a vampire at 27. Movie Armand is Antonio banderas, lmao.
I think the change that most significantly alters the adaptations of Armand from book Armand is the age change. In the books Armand being turned into a vampire as a teenager is essential to everything about him, backstory and personality wise. To keep Armand the same while aging him up you have to do a lot of substitutions that justify why he is like that that don’t include “he has the mind of a teenager”. What they do with show Armand is kind of like, imagine if there was an adaptation where the writers wanted Claudia to have a similar core conflict as she did in the books but she was aged up to be turned into a vampire when she was an adult. How do u keep the essence of the tragedy that way?? And the what the show does is, it justifies Armand being 27 by in some ways reducing his maturity and prolonging his trauma so that a similar affect to being mentally a child comes about anyway. Show Armand isnt physically a child like book Armand is, but bcus of his trauma he thinks like one. Instead of an adult trapped in the body and mind of a child he’s a child stumbling around in the body of an adult, which is rlly interesting. With this, I get the impression that book armand is more mature, self reliant, and well rounded than show Armand is. Which is funny considering he’s the 17 yr old lmaoo. But rlly, book Armand’s emotional problems and his stunted growth come from outside factors, it’s almost like a psychical disability in a way. Show Armand isnt psychically stunted, so to make the character conflict work he is just extra emotionally stunted. So he’s less functioning, in a weird way, then book Armand.
book Armand is also an angrier character then show Armand. Book Armand has mountains of betrayal and hurt and anger stored in his 5’6 ass body. He has that teen boy spite streak, yknow. Book Armand is very psychically violent and confrontational. The way he preforms violence is often very methodical, he’s the ripping wings of a butterfly type. Show Armand has some of these traits, but his violent tendencies are seemingly more controlled than book Armand, who is genuinely unhinged. Show Armand has a stronger reign over his behavior and acts out of anger less often. He is more so just looking to survive than to kill and maim. I think one of the most book Armand scenes in the show was definitely Armand torturing Daniel in episode 5. Violent torture coming from a strange place of childlike curiosity and betrayal is a big thing with Armand throughout the book series.
But despite the violence, book Armand is genuinely more mature then show Armand. He’s more confident, self reliant, and adult by the 80s than show Armand is in 2020. While show Armand has been living with Louis for 77 yrs and hasn’t experienced life ever when he’s not clinging to someone else, book Armand is able to rebuild himself and develop into a functioning independent person. I do think show Armand will become more and more like book Armand as the show progresses, however.
movie Armand is a different character entirely lmao. He’s basically just Armand in the first book taken out of context and played by antonio banderas. He has as much individual character as an audio book narrator lmao. His lack of backstory and older casting that alienates Armand from his core traits and motives makes it hard for me to see him as anything but a watered down extension of book Armand lol.
my favorite part of show Armand is Assad’s wet cat performance, lol. I love how they keep Armand’s book backstory broadly the same and flesh out and add parts that make it more interesting. And I love how they made Armand a person of color, that is probably my favorite change made in the show in general. I love that book Armand is a teenager, and it’s a shame that I’ll never see an adaptation exploring what that means for his character, but I’m happy with how amc is re inventing the material to be just as interesting. I hope they start to include the nuances of book Armand introduced in queen of the damned (aka: the autism). The revelation that Armand is oddly whimsical, earnestly curious, and fascinated with being a part of human society is what I think is essential to humanizing and endearing him to the audience.
ty for the ask!
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ziseviolet · 2 years ago
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Please can you explain the difference of meaning between hanfu and huafu ? Sorry if you already got the question
Hi, thanks for the question, and sorry for taking ages to reply! (hanfu photo via)
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The term “hanfu” (traditional Chinese: 漢服, simplified Chinese: 汉服) literally means “Han clothing”, and refers to the traditional clothing of the Han Chinese people. “Han” (漢/汉) here refers to the Han Chinese ethnic group (not the Han dynasty), and “fu” (服) means “clothing”. As I explained in this post, the modern meaning of “hanfu” is defined by the hanfu revival movement and community. As such, there is a lot of gatekeeping by the community around what is or isn’t hanfu (based on historical circumstances, cultural influences, tailoring & construction, etc). This isn’t a bad thing - in fact, I think gatekeeping to a certain extent is helpful and necessary when it comes to reviving and defining historical/traditional clothing. However, this also led to the need for a similarly short, catchy term that would include all Chinese clothing that didn’t fit the modern definition of hanfu -- enter huafu.
The term “huafu” (traditional Chinese: 華服, simplified Chinese: 华服) as it is used today has a broader definition than hanfu. “Hua” (華/华) refers to the Chinese people (中华民族/zhonghua minzu), and again “fu” (服) means “clothing”. It is an umbrella term for all clothing that is related to Chinese history and/or culture. Thus all hanfu is huafu, but not all huafu is hanfu. Below are examples of Chinese clothing that are generally not considered hanfu by the hanfu community for various reasons, but are considered huafu:
1. Most fashions that originated during the Qing dynasty (1644–1911), especially late Qing, including the Qing aoqun & aoku for women, and the Qing changshan and magua for men. I wrote about whether Qing dynasty clothing can be considered hanfu here. Tangzhuang, which is an updated form of the Qing magua popularized in 2001, can also fit into this category. Below - garments in the style of Han women’s clothing during the Qing dynasty (清汉女装) from 秦綿衣莊 (1, 2).
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2. Fashions that originated during the Republican era/minguo (1912-1949), including the minguo aoqun & aoku and qipao/cheongsam for women, and the minguo changshan for men (the male equivalent of the women’s qipao). I wrote about why qipao isn’t considered hanfu here. Below - minguo aoqun (left) & qipao (right) from 嬉姷.
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Below - Xiangsheng (crosstalk) performers Zhang Yunlei (left) & Guo Qilin (right) in minguo-style men’s changshan (x). Changshan is also known as changpao and dagua.
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3. Qungua/裙褂 and xiuhefu/秀禾服, two types of Chinese wedding garments for brides that are commonly worn today. Qungua originated in the 18th century during the Qing dynasty, and xiuhefu is a modern recreation of Qing wedding dress popularized in 2001 (x). Below - left: qungua (x), right: xiuhefu (x).
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4. Modified hanfu (改良汉服/gailiang hanfu) and hanyuansu/汉元素 (hanfu-inspired fashion), which do not fit in the orthodox view of hanfu. Hanfu mixed with sartorial elements of other cultures also fit into this category (e.g. hanfu lolita). From the very start of the hanfu movement, there’s been debate between hanfu “traditionalists” and “reformists”, with most members being somewhere in the middle, and this discussion continues today. Below - hanyuansu outfits from 川黛 (left) and 远山乔 (right).
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5. Performance costumes, such as Chinese opera costumes (戏服/xifu) and Chinese dance costumes. These costumes may or may not be considered hanfu depending on the specific style. Dance costumes, in particular, may have non-traditional alterations to make the garment easier to dance in. Dunhuang-style feitian (apsara) costumes, which I wrote about here, can also fit into this category. Below - left: Chinese opera costume (x), right: Chinese dance costume (x).
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6. Period drama costumes and fantasy costumes in popular media (live-action & animation, games, etc.), commonly referred to as guzhuang/古装 (lit. “ancient costumes”). Chinese period drama costumes are of course based on hanfu, and may be considered hanfu if they are historically accurate enough. However, as I wrote about here, a lot of the time there are stylistic inaccuracies (some accidental, some intentional) that have become popularized and standardized over time (though this does seem to be improving in recent years). This is especially prevalent in the wuxia and xianxia genres. Similarly, animated shows & games often have characters dressed in “fantasy hanfu” that are essentially hanfu with stylistic modifications. Below - left: Princess Taiping in historical cdrama 大明宫词/Palace of Desire (x), right: Wei Wuxian and Lan Wangji in wuxia/xianxia cdrama 陈情令/The Untamed (x). 
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7. Any clothing in general that purposefully utilizes Chinese style elements (embroidery, fabrics, patterns, motifs, etc). Chinese fashion brand Heaven Gaia is a well-known example of this. Below - Chinese-inspired designs by Heaven Gaia (x).
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8. Technically, the clothing of China’s ethnic minorities also fit under the broad definition of huafu, but it’s rarely ever used in this way.
From personal observation, the term “huafu” is mainly used in the following situations:
1. Some large-scale events to promote Chinese clothing, such as the annual “华服日/Huafu Day”, will use “huafu” in their name for inclusivity.
2. For the same reason as above, Chinese clothing including hanfu will often be referred to as “huafu” on network television programs (ex: variety shows).
3. A few Chinese clothing shops on Taobao use “huafu” in their shop name. Two examples:
明镜华服/Mingjing Huafu - sells hanfu & hanyuansu. 
花神妙华服/Huashenmiao Huafu - sells Qing dynasty-style clothing.
With the exception of the above, “huafu” is still very rarely used, especially compared to “hanfu”. It has such a broad definition that it’s just not needed in situations for which a more precise term already exists. However, I do think it’s useful as a short catch-all term for Chinese clothing that isn’t limited to the currently accepted definition of hanfu.
If anyone wants to add on or correct something, please feel free to do so! ^^ 
Hope this helps!
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probablyasocialecologist · 6 months ago
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The phrase originally came from secular Palestinian nationalists in the 1960s calling for a democratic secular state within the boundaries of what was the British Mandate for Palestine, encompassing Israel, the then-Jordanian controlled West Bank and the then-Egyptian administered Gaza Strip — that is, the lands between the Jordan River and the Mediterranean Sea. The Palestine Liberation Organization (PLO) adopted it soon after Israel conquered the remaining parts of Palestine in 1967, though they subsequently recognized Israeli control over 78 percent of the territory. There are no indications that any more than a tiny minority using the slogan support the killing or ethnic cleansing of Jews from what is now Israel. The Jerusalem Declaration on Antisemitism, signed by hundreds of scholars of antisemitism and widely acknowledged as one of the definitive definitions of antisemitism, particularly in regard to the Israeli-Palestinian conflict, explicitly states that the phrase is not antisemitic. Since so many American Jews have been manipulated into thinking that calls for a free Palestine from the river to the sea really are calls for genocide, some pro-Palestinian activists have urged the broader movement for Palestinian liberation to consider alterations to the slogan to help push back against the rampant disinformation about it. It’s true that something along the lines of “from the river to the sea, we want full equality!” could be harder for the right to spread disinformation about than “from the river to the sea, Palestine will be free!” But given the slogan’s deep historical roots, it is unlikely that the entire Palestine solidarity movement will suddenly decide to drop it in order to ward off right-wing disinformation campaigns.
[...]
Ironically, it is Israel — not the PLO, the Palestinian Authority or the majority of American solidarity activists — which is calling for the supremacy of one people over the other from the river to the sea. The platform of Likud, the party of Israeli Prime Minister Benjamin Netanyahu and the largest party in the ruling coalition, explicitly states that “between the Sea and the Jordan there will only be Israeli sovereignty.” And, on January 18, Netanyahu reiterated that there would be no Palestinian state, “And therefore I clarify that in any other arrangement, in the future, the state of Israel has to control the entire area from the river to the sea.” In his speech before the UN General Assembly in September, Netanyahu held up a map that showed Israel controlling all the land between the Jordan and the Mediterranean.
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