#creator responsibility

[writingwithcolor]

A Careful Balance: Portraying a Black Character's Relationship with their Hair

@writingraccoon said:

My character is black in a dungeons and dragons-like fantasy world. His name is Kazuki Haile (pronounced hay-lee), and his mother is this world's equivalent of Japanese, which is where his first name is from, while his father is this world's equivalent of Ethiopian, which is where his last name is from. He looks much more like his father, and has hair type 4a. I plan to make his character very finnicky about his hair, both enjoying styling it, but also often being unsure how to style it (not in that he doesn't know how to, but has so many options for how to style it, he has trouble choosing). However, I know that there are some very harmful ways to write black hair, especially in regards to how the black character themselves feels about it. Kazuki does not hate his hair, in fact he takes joy in it, and I'm researching black hair and hair styles to be as accurate as possible. But I'm unsure if portraying a black character as occasionally overwhelmed by or vain about his hair is negative. How would you suggest either changing this or making it work? Does it need to be changed in the first place?

Black Character Overwhelmed by Curly Afro Hair

Your Black character wanting his hair to look its best and at times feeling overwhelmed seems reasonable and natural to me. It appears their challenge comes with how to style it. Not so much with struggling how it looks or how hard it is to manage. That is good, as this further helps avoid placing a strong negative focus on Black hair. 

Him caring a lot about how it is style should not be deemed vain or frivolous, either. In any case, hair care is self care. There’s nothing wrong with having pride with your hair, especially hair that mainstream society, historically and present, might say is not beautiful. This still matters, even in a fantasy world, since your readers still exist in this reality. It’s empowering and a welcome change to see someone who loves their afro hair, actually.

There are unique factors someone with coily afro hair would experience vs. straight, wavy, or looser curls, but people struggling with their hair (too frizzy, too flat, too limp, too thin, too thick!) is universal. 

There is a delicate balance to achieve.

Avoid Writing a Black Hair Journey Experience 

An overall negative Afro hair journey might be the reality for many, especially when society deems Afro hair as unacceptable and slaps so many uninvited opinions, laws and policies over its existence and on certain styles (again, historically and very much at present), but that’s the kind of story that is best handled by someone with the background. Someone willing to commit to the research might also be able to pull it off, although it’s truly not the kind of thing an escapism novel needs in my opinion. If the story is not meant to delve into “A Black /Black Hair Experience” then I'd avoid going that route. That is moving a bit towards a struggle narrative, depending on how much it defines your character’s story.

Add positive and neutral hair language and interactions

For your writing, I’d avoid using unchallenged negative language about his hair. Being overwhelmed at times and frustrated is one thing and expected. If his hair is constantly brought up, and is associated with uncontrollable, ugly, or too [insert struggle here], then rethink the direction you’re going. 

Add some positive or neutral terms, reactions, and interactions in the narrative towards afro hair, such as describing color and texture.

“His fine coils bounced in the wind.” 

“Hair black and shiny” 

“She wore her hair in two large, fluffy buns.”

“He admired his fresh, neat braids in the mirror, smiling at his reflection, before turning to leave.”

Another tip: It may have been for research purposes, but leave out any hair number categorizing in the story and rely on description. I’d say this goes for any story, as reading the number would feel off. 

“He had coily 4a hair.” Nahh! :P 

Also, I would suggest sending all passages that focus on his hair to a Black sensitivity reader for review.

More reading:

~Mod Colette

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[eyra]

I don’t usually do discourse on this blog but that last reblog hit the nail on the head. Reader interaction is at an all time low for fic authors and whilst I’m eternally grateful for any and all kudos and comments that I do receive, I feel as if in the past couple of years there’s been this weird migration of comments - they’ve left ao3 and they’re on tiktok instead. So, rather than people leaving comments on my fics, they leave their comments on the videos of people reccing my fics. I see tiktoks about my fics and they’ll have double, triple the number of comments that the fic itself has. It’s so lovely that people are talking about my writing, but it’s just a very strange phenomenon and a very odd feeling when you have a fic that you assume wasn’t overly well received because it has hardly any comments on ao3, but then you see a tiktok full of comments with people saying that it’s their favourite fic.

And I’m going to say something potentially controversial here but not ONCE have I seen a tiktok creator, whose content relies solely on other people’s fics, say anything along the lines of “leave the author a comment if you enjoy the rec.” Literally never ever seen this. And I think that’s a real shame.

[fuji-sen]

Monachopsis; SAGAU Creator!Reader Headcanon

Monachopsis: the subtle feeling of being out of place.

c/w: angst, homesickness, slight cult genshin impact characters.

synopsis: The adrenaline and excitement had worn off, what replaced it was a sense of detachment and the feeling of homesick-ness slowly building up. No longer feeling joy at being treated like a God in your favorite game, you could only feel that subtle but persistent feeling that you did not belong there coupled with the sadness and grief at your past life.

divider credits: @enchanthings

✨ you wonder how things became like this, perhaps it was because you were constantly detained and kept inside a lavish palace, unable to see the outside world.

✨ or perhaps it was how your acolytes treat you.

✨ they did not harm you, but they might as well have all together.

✨ they treat you so full of devotion and reverence. Their touches stiff and light never holding you for longer than it is necessary, their manner of speech was always formal, never jovial even the bard of Mondstadt had a more serious and deep persona when it came to you.

✨ although their goal was simply to respect you for you were their supposed Creator, that very devotion towards you became the very wall that separated you from them.

✨ you could not get close to them, you could not pass that damned relationship between a Creator and a faithful believer.

✨ Furina had been closed to you at least, perhaps because she understood your plights. However your relationship seemed sinful in the eyes of the other acolyte.

✨ you no longer were able to see the cheerful girl.

✨ Buer or Nahida who's ability to read minds and the hearts of people worked on you, but it seemed she had learned from Fontaine's leader, she did not get close to you, however she left more sincere gifts for you.

✨ handwritten letters, books with annotations, even Aranara's were given to you on the guise of being servants.

✨ speaking of gifts, wealth, gems, lavish furniture, clothes made from the rarest fur and the softest silk had been presented to you. At first it made you overjoyed, to received the things you had long for, to become rich and wealthy.

✨ now seeing the pile of untouched presents all you could feel was cold, it was impersonal really. The clothes did not suit you, the gems and gold were useless for you could not even go out to spend it, the furniture as well for it was too big for you to used by yourself and you lacked the friends to even sit together with and have a chat.

✨ however upon seeing your favor towards the dendro archon's gifts, they tried to follow in suit. Yet their letters were simply filled with compliments of your visage, poems and tales about how great you were, talking about you as if you were a historical person they had studied and were doing a greatly embellished report on but never truly getting to know you.

✨ to fight off the feeling of sadness that began to wallow in you, you asked for them, desperately, "treat me as your friend, if you truly love me as your God then treat me how I want to be treated." you'd say.

✨ they looked at each other, before carefully and hesitantly agreeing.

✨ now you felt guilty, they spend their times on you. Chatting with you, telling you stories.

✨ you feast together, with food made by Xiangling and other characters.

✨ but even as they surround you, their conversations became white noise to you and the food seemed tasteless under your tongue.

✨ you did not feel like you belong among them. especially with that nagging voice in your head, snickering and whispering that 'they aren't your friends, they're just acting like it all because their precious Creator begged them to.'

✨ In the past, or your past life, doing something for yourself, by yourself seemed like a chore. The mundane chores, your job, studying even, but now that seemed like a luxury with the title of God.

✨ they did not ask you to do anything, you did not participate in state of the nation addresses, you could not change laws or fight for the people. . at least they didn't let you.

✨ you could not even clean your own room or dress yourself, Noelle took care of the cleaning, Chiori took care with choosing a set of clothes each day for you to wear like you were a kid and Xiangling did the cooking.

✨ It left you with nothing to do, like you had no purpose other than sitting still and looking pretty like a piece of decoration.

✨ Nobody disagreed with you even, nobody argued with you, they were like yes-men. God you began to miss your parents and siblings, you missed your classmates/coworkers, you missed working, you missed being your own person!

✨ it was beginning to eat you up at this point,

✨ to the point you had became overwhelmed with sadness.

might make a mini-headcanon series for this or an actual series revolving around this idea/angst.

do you want a series like this tho? it'd be heavily angst and might just have a bad ending or good ending.

[elodieunderglass]

[thewiglesswonder]

Boogie woogie woogie—

[bonelessicecream]

fluffy lil hc on how Kuafu got involved with working on Abacus/Ruyi.

[icarusredwings]

Getting deep into the x men fandom means seeing ships I don't agree with, so I don't interact, seeing posts that mischaraterizes one of the deepest charaters possible, so I don't interact, Seeing people actively say things that are blatantly wrong, so I don't interact.

Getting a large following is also kind of frustrating (Im not complaining I love you guys!) But I've had to block 2 people already today because they keep leaving rude replies to my comments on OTHER peoples posts or purposly come to my blog to tell me that how I view a charater is wrong. Had someone tell me that the stuff that happens in MY au is dumb because "that would never happen" like yeah bud. The writers at Marvel are too much of cowards for it to happen, hence why i'm here.

So my thing is... if im chosing not to interact with all of this- why is it still on my feed?

I feel like the more I ignore it the more I see and I do not wish to be the type to block someone simply because they make one post about a ship that personally isn't my cup of tea.

Also- I think Im starting to see the different sides of extremes, especially when it comes to one specifc charater.

Logan.

I have seen dozens of lovely stories, lovely rants, lovely head canons about this man-

But something that feels weird (to me at least) is people who are 45+ yelling at people who aren't even 18 that their story/headcanons are trash because they've "been enjoying Logan for 40+ years" as if this gives them any right to tell a 17 year old that they shouldnt write a charater how they see them.

It's also weird to me that there seems to be two sides.

Logan IS an animal and that's perfectly okay.

Or

Logan ISN'T an animal, and everyone who headcanons him as animalistic is fetishizing his mutation and are insulting him.

I get not liking a certain trope, but sir, that person is young enough to be your child. You have to accept that we all grew up with different versions of each charater. I Personally didn't grow up with any and get the luxury of indulging in all sorts of media all at once- therefore getting to see him from multiple sides and pictures.

I completely understand if you grew up with the original series and are upset to see that kids are headcanoning your stone cold angst biker man as wearing bow clips and 'making biscuits' on a pillow while watching gilmore girl with his boyfriend, and wearing pink fluffy hello kitty pants and a tight shirt that says "Milk"

I completely understand if you grew up with the movies and see him as a sexy gruff hot buff man and you love to write lots and lots of steamy x reader about him.

I completely understand if you LIKE logan wearing hello kitty pants and don't agree with the idea of him being a dark edgelord, lone wolf charater.

Do you know what I don't understand? Fighting over a charater when different timelines have been canon since the 80s. The Time Variance Authority (TVA) first appeared in Thor #372 (October 1986) which means ALL of your logans are the correct logan. Just not all the same.

Do I think Wolverine Orgins Logan would wear pink hello kitty pants? Nah.

Do I know that Deadpool and wolverine Logan is a whole different universe then Orgins Logan? Yes.

That's why people tag different logans and different aus. So what is all the fuss about?? What happened to the more the merrier?

Theres so many different versions of comic book logan, too, so don't even go there.

Feel free to ask my personal opinions but as far as I stand I could never be foolish enough to seriously go into someone elses post and genuinely be upset at them for how they perceive a charater. I get second hand embaressment when ever I see ANYONE doing it.

Thanks for coming to my ted talk. I don't care if I lose followers for this. Let the door hit you on the way out. There aint no reason to be harrassing folks.

[that-foul-legacy-lover]

Mayhaps your thoughts on how foul legacy/childe would view and interact with a Divine Creator trope?

i assume you mean SAGAU where you're viewed as a god rather than as an imposter, and ask and ye shall receive!!!

although he serves the Tsaritsa, Childe's true devotion lies with you, like almost all of the Harbingers. the Divine Creator, the one who carefully crafted Teyvat and all who live there, hung the stars in the sky, mapped out the cycle of fate- truly, your power surpasses all of Celestia and the Abyss, and Childe is only happy to bow to the one who gave life to the world. Foul Legacy worships you even more somehow, the entire Abyss holding you in reverence, as the one who gives them strength while all above the surface scorn them. he's sworn to serve the Creator, should he ever meet you- what will he become at your hands? a servant? an assassin? a weapon of war? whatever you decree his fate to be, Foul Legacy accepts it with open arms and a steeled conviction

none of these, as it turns out. you're quiet and uncertain when you meet Childe- quite odd for such a powerful deity- but your eyes light up when he tries to show you his use through his Foul Legacy transformation, reaching up towards him with a soft smile. Legacy tilts his head curiously with a chitter- perhaps you want him to be at your height? - and lowers his head slowly. but you simply put a hand in his hair, ruffling the coppery locks and scritching behind his twisted horns, and Foul Legacy's single, crystalline eye flares, then dims as he melts against your touch. Childe's Abyssal half begins to purr, carefully slumping onto the ground so he can focus entirely on leaning against your hand, being as close as possible. your smile grows with delight, and all of Teyvat hums with your happiness as you pet and caress a rumbling Foul Legacy, both of you gazing at each other adoringly

the Creator said, to the Eleventh Harbinger, "Please, be my friend." and so he agreed, and never left

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[writingwithcolor]

Non-offensive Historical terms for Black people in historical fiction

@pleasespellchimerical asked:

So writing historical fiction, with a white POV character. I'm not sure how to address race in the narration. I do have a Black main character, and I feel like it'd feel out of place to have the narrator refer to her as 'Black', that being a more modern term. Not sure how to do this without dipping into common historical terms that are considered racist today. Thoughts on how to handle this delicately, not pull readers out of the narrative? (fwiw, the POV character has a lot of respect for the Black character. The narration should show this)

There are non-offensive terms you can use, even in historical fiction. We can absolutely refer to Black people without slurs, and if slurs is all one can come up with, it’s time to go back to the drawing board. I cannot say which terms are best for your piece without knowing the time period, but hopefully the list below helps.

Historical terms to use for Black people (non-offensive)

African American documented as early as 1782 (documented in an ad in the Pennsylvania Journal). Note the identity isn’t accurate for non-American Black people.

African could refer to African people or “from 1722 as ‘of or pertaining to black Americans.’”

The place of origin could also be used. For example, “a Nigerian woman”

Africo-American documented as early as 1788.

People of Color documented as early as 1796 (with specific contexts, usually mixed people)

Afro American documented as early as 1817, 1831 (depending on source)

Black American documented as early as 1831 

Black was used in Old English to refer to dark-skinned people. Black was not capitalized until recent years, so “She was a young black woman.” would make sense to say, though “She was a young Black woman.” is the better standard today, although not universally adopted. I personally prefer it capitalized. 

Moor was used as early as the late 1400s for North African people, but had a somewhat flexible use where anyone visibly Black / Of African descent or the Afro Diaspora might be referred to or assumed as a Moor. Note, it has other meanings too, such as referring to Muslim people, but that doesn’t mean the person using it is going by the dictionary definition. Not really the way to go today, but okay in a historical setting (in my opinion).

Biracial (1860s), mixed race (1872), multiracial (1903) and multicultural (1940s) are also terms to refer to people of two or more races.

Occupation + description. Throughout history, many people have been referred to as their occupation. For example, the Carpenter, The Baker, the Blacksmith. Here’s an example of how you might go about using occupation and traits to identify a Black character in history. Here’s an example I came up with on the fly.

“You should go by Jerry’s. He’s the best blacksmith this town’s ever seen. Ya know, the real tall, dark-skinned, curly haired fellow. Family’s come here from Liberia.”

Offensive and less-sensitive terms for Black people 

Blacks was used in plural more, but this is generally offensive today (Even writing it gives me **Thee ick*)

Colored was mostly used post-civil war until the mid 20th century, when it became unacceptable. This is not to be conflated with the South African Coloured ethnic group.

Negro/Negroes were also used as early as the 1550s. Capitalization became common in the early 20th century. I'm sure you know it is offensive today, though, admittedly, was not generally seen as such until around the 1960s, when Black replaced it. It does have its contexts, such as the trope “The Magical Negro” but going around using the term or calling someone that today is a lot different. 

Mulatto referred to mixed people, generally Black and white, and is offensive today. 

The N-word, in all its forms, is explicitly a slur, and there is absolutely no need to use it, especially in a casual manner, in your story. We’ve written about handling the N-word and alluding to it “if need be” but there are other ways to show racism and tension without dropping the word willy-nilly.

Deciding what to use, a modern perspective

I’m in favor of authors relying on the less offensive, more acceptable terms. Particularly, authors outside of the race. Seldom use the offensive terms except from actual direct quotes.

You do not have to use those offensive terms or could at least avoid using them in excess. I know quite famous stories do, but that doesn’t mean we have to so eagerly go that route today. Honestly, from teachers to school, and fellow non-Black students, it’s the modern day glee that people seem to get when they “get a chance to say it” that makes it worse and also makes me not want to give people the chance. 

It goes back to historical accuracy only counting the most for an “authentic experience” when it means being able to use offensive terms or exclude BIPOC from stories. We’ve got to ask ourselves why we want to plaster certain words everywhere for the sake of accuracy when there are other just as accurate, acceptable words to use that hurt less people. 

Disclaimer: Opinions may vary on these matters. But just because someone from the group cosigns something by stating they’re not offended by it, doesn’t mean a whole lot of others are okay with it and their perspectives are now invalid! Also, of course, how one handles the use of these words as a Black person has a different connotation and freedom on how they use them.

~Mod Colette

The colonial context

Since no country was mentioned, I’m going to add a bit about the vocabulary surrounding Black people during slavery, especially in the Caribbean. Although, Colette adds, if your Black characters are slaves, this begs the question why we always gotta be slaves.

At the time, there were words used to describe people based on the percentage of Black blood they had. Those are words you may find during your searches but I advise you not to use them. As you will realize if you dive a bit into this system, it looks like a classifying table. At the time, people were trying to lighten their descent and those words were used for some as a sort of rank. Louisiana being French for a time, those expressions were also seen there until the end of the 19th century.

The fractions I use were the number of Black ancestors someone had to have to be called accordingly.

Short-list here :

½ : mûlatre or mulatto

¼ or ⅛ : quarteron or métis (depending on the island, I’m thinking about Saint-Domingue, Martinique and Guadeloupe)

1/16 : mamelouk

¾ : griffe or capre

⅞ : sacatra

In Saint-Domingue, it could go down to 1/64, where people were considered sang-mêlé (mixed blood for literal translation, but “HP and the Half-Blood Prince” is translated “HP et le Prince de Sang-Mêlé” in French, so I guess this is another translation possibility).

-Lydie

Use the 3rd person narrative to your advantage

If you are intent on illustrating historical changes in terminology consider something as simple as showing the contrast between using “black” for first person character narration, but “Black” for 3rd person narrator omniscient.

-Marika

Add a disclaimer

I liked how this was addressed in the new American Girl books it’s set in Harlem in the 1920’s and there’s a paragraph at the beginning that says “this book uses the common language of the time period and it’s not appropriate to use now”

-SK

More reading:

NYT: Use of ‘African-American’ Dates to Nation’s Early Days

The Etymology dictionary - great resource for historical fiction

Wikipedia: Person of Color

[gern-geschehen]

just watched the creator and I'm obsessing over this robot dude

[illmoraineakoi]

Hey, I just realized that we're all probably actively contributing to Green's potential Influencer Crisis.

Alan and his team made a real channel for Green.

We found it. We've flocked to it. We've left comments of adoration, enticed by the idea of interacting with Green himself.

This was all probably intentional. This was all probably planned.

This was all audience participation.

Because we are all contributing to Green's influencer arc. We are provoking it. We are pushing him more and more towards the allure of popularity, to the delicious thrill of attention.

WE are the pitfall that so many people fall victim to when trying to be modern content creators.

Alan and his team have made us Green's REAL audience.

And it will hurt us all the more, when we eventually see what our actions have wrought. Because we've actually played a part in the story. It will be the consequences of our actions we see play out.

Or, at least, I can only hope that's the direction this goes. Tackling such a delicate topic as infliencer egoism and fame addiction is difficult, but this is a prime opportunity for Alan to send a message to us, the audience, the ones ultimately responsible for instigating and encouraging such toxic behaviors in modern influencers, and remind us that our actions and our attention and our greed to consume has real consequences on the person on the other side of the account.

A phenomena that Alan himself is likely very familiar with, as an animator who has to deal with 28.6 million subscribers constantly thirsty for more content.

I want it to be that deep. I want it so bad. It would be such an amazing thing to do.

[eossa]

Romantisch

Theme 14 by @eossa

Updated version of the revamped theme from 2022 - now supports Tumblr's new post format and types.

Please note that unlike the previous version, this one does not support infinite scroll, as it would keep breaking posts.

Please follow the source link or click here to access the previews and code for this theme.

[volitioncheck]

does near every single post-canon DE fic out there need to be tagged ‘Sober Harry Du Bois’? i’m getting so tired of it.

do i expect every single piece of fan content to have to fully delve into the often-depressing always-complex topic of addiction? not really. sometimes you just want to write/read a silly fluffy romance one-shot, whatever. i get it. but i think my issue is specifically with the fact that for nearly every sillyfluffy au out there, there almost must be a ‘sober harry du bois’ tag. and it does feel very slapped-on more often than not.

i think to me it is an unconscious statement that nothing *good* can ever happen to harry du bois until he is completely and permanently sober. before solving the next big case, he has to be sober. before quitting the force, he has to be sober. before falling in love with kim, he has to be sober. before accomplishing anything, starting any sort of recovery, making any life improvement, he must first be sober.

sobriety as a goal, as a journey, and honestly as a concept in of itself is not as cut and dry as so many people think it is. and i think it would serve a lot of people well if they did some introspection on the implications of how nearly every single post-canon fic that isn’t dealing directly with harry’s addiction have him as completely sober instead.

if the plot of the fic isn’t going to touch directly on harry’s substance use (and again, i’m not demanding that every single fic should), why does that mean that sober!harry must be the default?

i think i am just tired of reading a casefic, a smutty one-shot, a fantasy au, whatever, where it almost seems that before getting on with the plot, the author feels obligated to first assure us that the harry we’re reading about is a Sober Harry. it’s established with a couple lines in the exposition, probably about his improved appearance, a tag up top, and then never brought up again; a checkmarked box. like the societal image of An Addict has completely prevented people from being able to imagine a person just, continuing to live life, while still struggling with addiction.

life happens, with all of its backslides and achievements, mundanity and changes, to people with drug addictions just as much as people who don’t. is a post-canon harry who isn’t sober not worth writing about?

i think so. i think the game we all played thinks so too. in fact i think that sentiment is woven into the game’s very core. i just wish i saw that reflected in our fan content more.

[brams-stupid-thoughts]

Jekyll and Hyde au except Hyde is this feral child Jekyll feeds from the streets. Eventually Hyde breaks into Jekyll’s house because he couldn’t wake Jekyll up and Jekyll just never kicks him out