#also when I actually MADE my intro post I was like 'this demo is basically done'

[god-syndicate-if]

I am super excited for this story, do you have any idea when there might be a demo?

Because of my work schedule I only really write on the weekends. I do write a lot when I'm able but I can't say anything yet. Generally where I am right now is that the demo is kind of swiss cheese right now. Like if I posted it you could be like "yeah I get the concept" but there's a lot missing with it. And filling those holes is taking way longer than I intended originally.

[fuckentoastybitch]

My VN List!

I'm listing them according to ones I've played and ones I plan to play (as well as brief notes about either my opinion on the game or why I'm interested in them, formatted like this.)

This is for my own personal collection tbh, I just need to put them all in one place.

A. Have played:

The Arcana. Played since I was 16, all time favourite and Julian is my husband. This game shaped my interest for fantasy settings and magic. BUT! As a long time fan I must warn new players that trying to get the full experience for this game is difficult because of its coin system. The only reason I manage to keep playing for years is because I literally take a year's worth of breaks in between routes and logged in every. Single. Day. to collect coins and keys. It's literally been 6 years and I still haven't 100% the game yet cause I simply didn't have that kind of energy and time to do that anymore, but I still love the characters very deeply till now.

Blooming Panic. Second all time fave. Fell for Quest first, fell for Toasty hardest, for some reason is obsessed with xyx. I've revolved my entire personality around BP since 2023.

ERROR 143. Fun! Micah is technically not my type but I really like the general aesthetic and humor of the game. Iirc there are still more content to come to the game so I am very excitedly and patiently waiting.

3 Seasons. This was short and sweet. I think what I liked the most about this was the unique character designs, especially Rye and Briar's. I heard the dev's are working on more content on the current LI's + Briar's route, I'm really excited for those.

Our Life: Beginning & Always. Our life was INCREDIBLE, to put it simply. The entire game and story was very well thought out that it even made me reflect on my own life at each phase along the game. It gave me a really strong sense of nostalgia and reminded me of my own feelings during every change I had experienced. I actually wanted to make a whole post about OLBA but I got busy and already forgot everything I wanted to say, ehe. I still have to play the DLC and get the remaining locked CGs though.

Assignment Due: Project Blue. THIS GAME IS ADORABLE. I already made a blog post about what I like about it and I will again emphasis on how this game felt like it was made specifically for me. I love Asher so much aaaaa. I heard rei, the dev is working on another game for Eden, I'm looking forward for that, too.

Coffee Talk. Coffee talk was so so good! I need to play more non-romance VNs too cause this was so enjoyable in terms of its storytelling, setting, gameplay and design. Every character had such a nice story that tied up nicely, even the MC who's supposed to be just an observer throughout the entire thing. Also the cozy vibes and music is a 10/10 would recommend.

A Date with Death. This one's so cute too! I played only one route last year and just picked it up again recently. I have only one route left to finish and the new DLC!. Anyways yes the Grim Reaper is very babygirl I can attest to it.

seekL. THIS IS SO GOOD. SO SO GOOD. If you didn't see the one week phase where I basically went insanely obsessed with seekL, you missed out. Hacker man save me.. save me.. hackerman..

B. Want to play:

Lost in Limbo. Really pretty art and interesting concept. The theme seems very fantasy/magic centric which really pulls me in. But this game is still a WIP iirc

When The Night Comes. Technically I'm currently playing this one, but only the intro and hadn't touched the game in months cause I've been busy. Again, the fantasy setting caught my interest aaand I just met Ezra but I already love him. Will continue this as soon as I can!

Infinite Blue. I've played the demo! Very mysmes reminiscent lol. The game looked very cute so far and Brooklyn reminded me that I'll never run away from my old man liker allegations. It's already out so I def gotta play it soon.

Coffee Talk Episode 2. Don't really need an explanation for this one except that the new characters I've seen so far looks really cool.

Tavern Talk. D&D inspired Coffee Talk! If it's not obvious already, I LOVE fantasy settings so even though I've never played D&D, it is right up my alley and I wish I could play it someday. I've been eyeing the production of this game for a while so I'm really excited that it's finally out!

Obscura. This one looks really REALLY cool but I haven't actually read into what it's actually about. The art alone looks good enough to get my attention. Really curious about it, I hope I'll play it soon.

Intertwine. Just from looking at the 2023 Otome Jam entries overall I thought this one looked most visually appealing to me. I love the color scheme, and the aesthetic reminds of the string of fate myth (that probably is the theme)

DATA BR<3ACH. I'm usually not a fan of cyberpunk setting but this one seemed pretty intriguing to me visually!

Innerlog. By Jenny V Pham! I enjoyed Error 143 so I have no doubt I'll enjoy this one too.

Andromeda Six. My impression of this one is "space D&D" lol. I can't believe I haven't played this one yet.

TOUCHSTARVED. I can NOT believe only the demo is out cause the quality looks like it should've been a long existing popular franchise. One thing I'm a little hesitant about playing this game is because it's goth themed and in case you haven't noticed, a lot of the media I like have a softer, more pastel aesthetic. lol. But that's a personal preference and yet I definitely need to play it sometime soon.

Cupid's Chatroom. There's really not much to say. Pink aesthetic? Mysterious chatsim that appeared out of nowhere? My cup of tea 100%

Na Daoine Maithe. I've played the demo of this one and it is sooo interesting. I like myths but I've never really read into Gaelic ones. The art is so pretty and the story so far is very intriguing. I can't wait for the full game.

Swiped!: Double Shots of Love. FINALLY AN INDIE VN WITH OLDER MALE LOVE INTERESTS DFKJFDSJKD I played the demo, it was really really cute! The professor LI was made to call me out lol

Wake Me Up If You Need Me. A game made by rice! Someone who I've seen around in the fandom and who's really talented at making songs and audios. I had no idea they made a game but I just found it recently and I have to play it.

Keyframes. It looks really good but I'm interested mostly cause I found out Charlatean (Toasty's VA) is in this kjsdhfgkjd

Rekindle. I follow the lovely artist that's creating it and the DEMO IS OUT!. I saw one (1) art of Jules and he is EXACTLY my type so I'm already looking forward to this game.

Our Life: Now & Forever. Baxter's OL game! I already loved Cove's so I'm really really interested in this version of the game. Plus, I actually really like the autumn aesthetic compared to Cove's beachy style.

Hummingbird's Crown. Has a very interesting premise: a time loop mystery. I'm definitely interested in this one for its story potential rather than the romance, I love me a good mystery.

Aaand that's it. Thankfully "( – ⌓ – )

There's actually a few more that I added in my twitter bookmarks but those are relatively new and I haven't decided if I really want to play them yet. I'm following the devs though so that interest might grow over time. These lists are long enough as they are already, haha.

[heartsyncproductions]

Spring Boy Dev Log #1

I can't believe it's been a month since otome jam ended, I blinked and here we are aha. Suffice to say, I got distracted with a whole lot of other things in the past month, and I blinked and suddenly, here we were. I played a good dozen or so otome/josei jam entries in the mean time and dealt with real life things. All that to say, I meant to get more done. Oops.

The full demo will still likely release in the original window (late August about) and I did get things done, despite how my intro made it sound. Specifically, I worked a lot more on the art side than anything.

First and foremost, we have a proper main menu!

I also did simple customization to the GUI. 

Behold, a basic save menu.

I also did all the art for all the intro CGs, as well as did general edits to the script in regards to typos/grammar issues. Basically, a lot of what was done was going back and finishing what was in the original short demo. I'll leave Mickie's and Sparrow's CGs as a surprise, but here's Vasant's first CG!

There he is, the game's poster pretty boy. I actually like how all the CGs turned out, and I hope you enjoy them too!

Lastly, I finished up the sprites for two of the characters who'll appear in the full demo. Meet Robin and Blythe!

With that said, I just need to finish the writing of the final parts of the script (easy) and complete the remaining backgrounds (pain). Funnily enough I love drawing scenery when it's traditional art, but my traditional style doesn't translate well to digital style at all. At the very least, it was a much more severe learning curve in Memory Ghosts, and this hasn't been too bad. 

I've also been trying to learn how to code more things with Ren'py aka studying it more. There's a few things I'd like to do with this game, and hopefully I can wrap my brain around how things work.

Finally, I just wanted to say thank you to everyone who checked out the demo!! Seeing people enjoyed it, even in it's current state, was nice to see and appreciate everyone who gave it a chance! The next time I see you it'll be with a demo that showcases the themes of the game a lot better aha. I'll see you then!

ALSO I forgot on my itch.io post to add this but also have a list of the other otome/josei jam entries I played and enjoyed:

Intertwine by Crescence Studios

DATA BR<3ACH by camrip, ponzer, and Mood Kindred

Assignment Project Blue by reidubu!

Karamu by Chattercap

Yamedomo by ty

Go check them out if you haven't already! I also still have a lot more I need to knock out, but I'm taking time with them lol and now that is all! Fare thee well and thanks for reading!

[northern-passage]

hi, i don’t mean this to be rude at all just genuinely wondering how you’re going to approach nsfw content with your nonbinary characters? i’m just curious since you’ve never revealed agab (which i totally respect that) and i’ve done the same with my own nb ROs.

i assume this is about nsfw art? i've done snippets for Clementine before, and i've always kept it vague for them (and same with Noel, since xe was gender-selectable at the time)

this is something i've thought about a lot and have talked to various people about since i've started tnp; i've always been pretty adamant about not discussing agab on the blog, and that's not going to change with this. i have a no nsfw policy almost entirely because of the way the IF community interacts with & talks about trans and nb characters, and while it has improved slightly in the last year, it's still not something i'm going to entertain. to be frank, i find people asking for agab/discussing agab in this context (anonymously on tumblr dot com), even about fictional characters, to be really weird and rude.

i don't really think it adds anything to announce a character's agab in that way, and personally for the stories i write i always want it to be something that comes up in-game between the player and the character, because it gives the character some agency and (this is entirely a personal opinion) as someone who is nb myself it makes me feel that, as an author, i am conveying to readers that this is not information you are Entitled to, not in real life and not even in fiction. you have to get to know this character, and even then, they are not required to share this very private thing with you. obviously i do understand the appeal in announcing if your characters are trans, and i understand it makes it easier for people who are looking for trans inclusive games to find them that way - this is just my personal opinion about it, and why i don't specify that kind of thing in my character descriptions or intro posts.

at this point, though, with the plans i have for the game and the sexual content i want to include, it's obvious that it's not exactly realistic of me to keep it vague. it's going to eventually come up in game, in the intimate scenes i have planned for everyone. i didn't expect that i would ever even be writing those kinds of scenes, which is also part of why i set that boundary about my nb characters to begin with (this game wasnt even 18+ at the start). but i've got more comfortable with that now, and it's something i'm actually looking forward to.

i've debated a lot about this, especially after i released the siren's call demo and posted art of Rome on that blog and immediately had people in my inbox misgendering them and calling them a man - it really frustrated me in particular that just giving the slightest bit of facial hair made people act like that... they aren't perfectly androgynous, and suddenly people felt comfortable disregarding their identity and straight up misgendering them.

however, i don't think the answer to that is to just remove all sex characteristics from my nb characters... that's silly and isn't actually addressing the problem (i'd argue it's making it worse) plus there's already a prevalent misconception when it comes to nb people and How they are expected to look and dress, with most people assuming certain things that directly harm the more vulnerable members of our community. nb people can look any way they want, and they're still nb. it's ridiculous to expect androgyny, and it's ridiculous to expect nb people to be "vague." but i also think it's ridiculous to expect Anyone to disclose personal, private information about themself, no matter how they present... and with Clementine and Noel being fictional characters, they can't really "decide" what they want for themselves.

sorry this has turned into a bit of a tangent, but basically my thoughts on all of this now is... it's Complicated. lmfao. i know a lot of people especially liked how i've handled Clementine up to this point, and i understand if people are disappointed with this potential change. i've also had a lot of people that have really liked my snippets and depictions of Merry - whereas with Clem i was always vague, i've been far more explicit with Merry.

i think, particularly with Merry, she has shared with the player that she is trans & potentially has already had an intimate encounter with the hunter. Lea, too, is very close with the hunter and they are both intimately familiar with each other, whether they like it or not. obviously we know Clem and Noel are trans as well, but the difference is that they have not disclosed certain things with the hunter like Lea and Merry have, if that makes sense. this is also why i preferred to keep things vague with those two specifically - again, i like giving that bit of agency to the characters, and we have a long way to go in-game before Clem or Noel are close enough to the hunter to want to share that information.

for the record i do think it's weird to treat it like some Big Deal that *gasp* Clem and Noel have genitalia! it's not something that needs an announcement. but i hope this at least explains my thinking & why i've done things the way i have up to this point, and why i've changed my mind slightly.

my plan now, with the nsfw art aspect, is that i may post an occasional tasteful nude of some of my characters on patreon. and that's it. it's not going to change how i do anything else, and this doesn't change anything about either Noel or Clem.

[thepriceofbeingaroseisloneliness]

GIGS No519 Interview Toshiya [Bass]

Despite the hidden gimmick elements in the new single “Oboro”, which brings to the fore “simplicity” and “clearness”, Toshiya’s bass sound has a strong presence. With his words, we are going to start the second half of the solo interviews.

“[Oboro] is a song that holds both DIR EN GREY’s essence and novelty. For me, rather than that uniqueness and novelty, I felt this is going to be the core song of the album.”

Notes before reading: This is Toshiya’s solo interview from GIGS No519 June issue released on April 27th. 

You can buy the magazine at Amazon Japan.  Feel free to correct me if you spot any mistakes or any confusing parts. Links or credits to this post when the content is reposted or captured in other SNS is appreciated :) ----------------- *Toshiya’s interview comes after Kaoru’s, Die’s and an analysis of the latest gear, that’s why in the introduction of his interview the “second half” of the solo interviews is mentioned.* Text by Yukinobu Hasegawa Photos by Reishi Eguma. -You were already composing and arranging songs for the new album and from that, “Oboro” was first announced as a single. What kind of mindset did you have when you tried to move on to the next album from the previous one “The Insulated World”,released in 2018? T: At the beginning, I didn’t have any specific image of the album as a whole. -I think you want that (image) to appear naturally while you are doing the creation work. T: That’s right but as I feel like I’m always making songs, whenever I start, I only have the mindset of “let’s make something good”. -The songs you composed (from early stage) have not been released to the world yet but, what kind of songs did you make? T: Surprisingly, simple songs. Not very detailed. But I think it depends on the song. I started writing songs thinking I wanted to make something different from the previous DIR EN GREY, but there were some parts that seemed too different for me. So, I feel like I'm still searching for the direction of them. -Looking back at the various songs that you’ve made in the past, I feel like you tend to prefer an avant-garde* approach. So, I was a little surprised when you told me you were working on a simple song.

* Avant-garde is a tend for music that  sounds nothing like the music we're accustomed to, experimental, considered to be at the forefront of innovation. T: Ah, I see. But basically, I think I'm a simple person. I've made songs that feel avant-garde but it’s just that such songs were easy to be accepted/used (by the band). I don't know the specific reason, but I think it's probably because the range of the band will be expanded. However, many of the songs I make myself are very simple. -Even if you say "simple", I think people feel differently about it. For example, Shinya also says his drum playing is “simple" but it's actually very difficult.  How does that simplicity that you mentioned feel for you? T: That's right…..I'm wondering how to describe it, but to put it simply, it may not be something very DIR EN GREY-ish. I think many of the simple songs I make are like that. -What do you think that is “DIR EN GREY-ish”? T: Our band is probably "heavy" or "intense"…. Another things that is often said (about the band) is “complexity”, I think that’s the image of the band. With that in mind, the songs I make aren't very DIR EN GREY-ish. Of course, when I write a song, I'm aware of that. -Do you dare to make something that it’s far apart from those ideas? T: It’s the other way round. I’m not trying to do something close to that, but I’m like “I have to take it in the direction of DIR EN GREY a little more". But from that point on, I started thinking, "How about getting too close?”, "It's more interesting to be in a slightly different place." Well, I might just think those things on my own (laughs). -Are the avant-garde songs born from those thoughts? I think musical input and stimulation are also important when you are composing.  In 2020, we were in a situation in which you couldn’t do many public activities but, how did you get that input during that time? T: Basically, even with this corona situation, there are some things that haven’t changed much. If I had to say something, I can spend more time on composition and production as there are no tours or live performances. Regarding the input part, it seems to have changed, but I feel like it hasn't changed. Besides, I don’t think it’s something I’m conscious about so, I haven’t changed anything in my music because of Corona. -Last year in August, “Ochita koto no aru Sora” was released in a digital format but, I think this song has a complex pattern in the development of the next step. What was in your mind when you were arranging and recording this song? T: Riffs are also the main melody of the song so I basically listened to the guitar riffs and arranged it so I could put my own play in some parts. In terms of sound making, there isn’t much change. Making in a basic way the feeling of my favourite distortion, it feels like mixing various things there. -For the past few years, you've been actively experimenting with various bass effectors every time you record, but have you tried several of these in the "Ochita koto no aru Sora" recording? T: Basically, I don’t remember which one I used anymore (laughs), but the basic system hasn’t changed, the head is an ampeg cabinet from the 70s, I think it was SWR. In the recording of the previous album "The Insulated World" the bass I used was also a dingwall one. That bass can be used for almighty (pedal). *1.A bass cabinet is the box with the speaker.   2.Ampeg is a manufacturer best known for its bass amplifiers.   3.SWR Sound Corporation is a specialist manufacturer of bass guitar       amplifiers, preamps, speaker cabinets, and acoustic guitar amplifiers.  4.  Dingwall Designer Guitars is a  canadian manufacturer of bass guitars.  5.  Almightty is driver pedal for bass.

- “Ochita koto no aru Sora” was a song with a positive message. Did you find a new direction as a band giving shape to this song?

T: There might some different aspects now but at that time, it may not have changed. I don't think we can completely overlook that, so I can't say anything about it. However, “Ochita koto no aru Sora” itself was made completely to be a single. That's why there may be new things, but surprisingly, I have a strong sense of putting out what was inside us in that way. In what way is it the opposite? Does it feel “new”?

-There are various elements, but I feel that each one is like DIR EN GREY-ish. However, it resonates very much that the lyrics leads from a negative perspective to a positive one.

T: I see. Regarding the lyrics, I think it’s a continuation of the taste of other songs we’ve done so far, but I don’t know because I haven’t asked. However, although the flow of the lyrics are not the same in content, I felt like it was written from a close place.

-The song that follow this one is the new single “Oboro”. Kaoru wrote the original melody but, what was your impression when you first listened to it?

T: I don't think it's much different from the finished form in terms of feelings. The intro had this kind of atmosphere from the beginning. I think it's a song that holds both DIR EN GREY’s essence and newness. However, I personally felt that "this is the core song in the album" rather than being unique or new. As a result, “Oboro” became a single, but at first it wasn’t written with that purpose. We suddenly talked abour releasing a single and after that, as we all agreed that it was a good song for that, we decided to choose it as a single.

-From what part of the song did you feel that it was going to be the core of the album?

T: I felt that this ballad-type atmosphere and feeling really stands out in the album. Because of that, we decided to release it as a single, but we haven't released many singles like this, so I think it made a good change.

-The fact that you feel that  a ballad with a melody  it's going to be the core of the album….does that mean that the other songs are the opposite of it? It seems to be quite an atmosphere where this amazing song was born! (laughs)

T: Well, I can't say anything about that because not all of them have come out yet (laughs). However, it's easier to make a slightly up-tempo songs, so I wonder if there are many songs like that for now. Even if I actually make a song, I don't know if it will be included in the album, so I can't really say anything about the direction of the album or the feeling of the songs. However, "Ochita koto no aru Sora" was made to become a single, so there are a lot of parts of it that hit the target. And as for "Oboro", I felt that it was meant to be release as a single, but also that it was meant to be kept for the album.

-For example, do you change the arrangements and the bass approach if it's an album song or a single song?

T: Yes, it changes. It's completely different for me if is going to be a single or if it is going to be a song for the album. Even if I make  the original melody, it’s different on how much time it takes. Singles are harder to do. You can work more relaxed if it is a  the song for the album. For singles, I feel that the part I am aiming for as a bassist is very strong at the time of elaborating the arrangement.

“If you think that everyone has slowed down in many ways, I think you can start running again. I think it's better to act than to think. So, I'm looking forward to the future.”

-Did you do a lot of trial and error in your part when you made the bass arrangement for "Oboro"?

T: It’s really a minor part. It feels like the details are boiled down when it seems to be a bass phrase like that in a rough flow. The bass in the demo of the original song had many root-playing (basic) phrases so, how to elaborate them from there? what do to with the cadence?  However, “Oboro” has a bass line that snuggles up to the song, I think this phrase has the strongest awareness of song melody.

-While focusing on that sustain-based roots playing components, some bass phrase will come up when you are doing the arrangements but won’t turn out very showy. And when it comes to the ending of the song, it will show fierceness while increasing the distortion of the sound. I felt it was a carefully selected phrasing.

T: I think it’s easier to hear it at the ending of the song, but that distortion is actually there during the whole song. Not only the ending part is distorted but also the beginning. However, when all the instruments came together, I don’t think that distorted feeling could be properly heard. Even if it's distorted that much, surprisingly, it goes well easily. I usually have two patterns at the time of recording. For example, even if you use the same distortion effect, the distortion is applied with a little shallow sound like a hunting sound. So, this time, it was a way of finding what I felt comfortable with when it got mixed with the sound of the band.

-So the reason why you can’t hear that distortion in the first half or the middle of the song is because it got completely blended once the sound of the band got together?

T: That's right. I think there is a perception that if it is distorted, the sound will inevitably be drawn into it. However, if it's distorted that much, it gives a plump low feeling and you can see the phrase. It's simply because we don't stack as many guitars as we used to. Sometimes the sound of each instrument can be heard firmly, so the approach can be focused on what you want to hear. To put it simply, I think it's a big thing that the direction of the band has become simpler. So, in recent years, I think the balance of the band is very good at the time of put together each member’s part. I think that vocals are especially attractive in "Oboro".

-Kyo is very fast adding the lyrics, I’ve heard that he finished recording his part before the instruments  (recording) were done.

T: That's right. "Oboro" already had the vocals done at the stage of recording the bass. However, although he recorded it first, in the end this part will be the last one. After all, it seems that there are parts  he wants to record again once the other parts (instruments) are added. However, even if it is not the final form of the lyrics, if they are already included, the nuance of the phrase will change. Maybe it’s the same with the other members. I think everyone ends up arranging their parts for the lyrics.

-So, the idea was to keep the bass of "Oboro" as simple as possible?

T: Whether you're playing or listening, it was a simple form that seemed comfortable. I think a phrase that requires a lot of work is also good. If there is a song that suits that idea, I wonder if I should take a laborious approach. In that aspect, I thought the dynamic of “Oboro” feels as pleasant as possible. However, I was allowed to play a bit with it. I think the proportion and the sense of balance are also good.

-Did you choose to record some takes while changing your approach?

T: "Oboro" was decided by the current phrase from the time I did pre-production work at home.So, when I recorded in the the band's pre-production room, I just made a few minor corrections when I made the actual recording. As for the mix,  regarding my part, it was a good feeling from the beginning

-Neal Avron has been appointed as a mix engineer this time. Did his mixing work significantly change the nuances of the bass sound?

 T: It has changed. But the biggest change depending on the engineer is the sound of the drums. More like, I feel that the personality of the engineer can be understood in this aspect. Personally, I think the vivid and deep sound of the "Oboro" drums is good.

-A remake of your song "T.D.F.F" is recorded as one of the couplings. What kind of mindset did you have approaching this song including the arrangement?

T: As always, I thought about the phrase from the perspective of what it would sound like if it were done by my current self. When we do a remake, I listen to the original version of the song to confirm what I was playing at that time. Sometimes it's interesting to discover that I was playing it live with the wrong idea(laughs).

-The person that you were at that time is brought back as well?

T: There are times that happens when we rethink our approach. It was like this at that time, but I think it's different to do this phrase now, or to do it with a different feeling. Some of the old songs are due to youth, I have a variety of knowledge and experience now. So, there are times when I change to an approach with a completely different interpretation, and there are parts where I want to play faithfully to the original. For example, keep faithful to the main phrase that  would change everything if you changed that. At the time of "THE UNRAVELING" (released in April 2013), I had a strong desire to change everything if I wanted to remake it, so I changed it completely, but in recent years I have been thinking about the original carefully and the idea is to put my current sense into that. Because when you're making a song, it's your song, but it's not only yours. In that case, it’s better to capture our thoughts and the memories and the thoughts of the fans together in order to shape that song in a good way. If you want to make a bold change, I think you should use that idea to create a new song with it.

-The other coupling song is a live track from the concert without audience at Meguro Rockmaykan. What do you remember about this?

T: It's one of the first stages I've stood on since I became a member of DIR EN GREY, but the Rockmaykan with no audience felt strange. When the live starts, there is only one thing to do, so it's not much different from usual. But I’m not sure if there is something extra in it. It’s not about the call and response (from the audience), I think that the tension inside me is different depending if there are fans or not. After all it is more interesting to have audience. It can also inspire you. I think that such a form of live is also a possibility in times of Corona, but it doesn’t have to be like this every time. However, I learned a lot from this new experience with this new way of expression. Besides, it was a confirmation that there are various things that can be done in a situation like this.

-After this, there is a concert with audience on May 6th. How are you feeling now?

T: I'm looking forward to it and I'm happy. Above all, I am very grateful to be able to perform in front of the audience. Something that used to be normal is not normal anymore, so I wish I could do it with a new feeling.I think the world has simply changed due to Corona. Until now, everyone was running, and I think there was a huge difference between each person’s position. However, because it's all gone, to put it the other way around, everyone restarted from the same position. How does each person perceive that? Of course, the negative effects of corona are huge, but just thinking negatively does not change anything. So, if you think that everyone has slowed down in many ways, I think you can start running again. I think it's better to act than to think. So, I'm looking forward to the future.

[pan0ramy]

re8 thought dump because YE

i feel like this was almost inevitable but idk where else to talk about resident evil village so i’m just going to rant about it here!!! i have,,,, a lot of thoughts on this game after being so excited for it for so long

obviously, massive spoilers if you haven’t finished the game. i feel like i have thoughts on pretty much everything so please please please stay clear of this post if you’re trying to stay blind

otherwise, let me just rant about this game for a bit - mainly the story and characters - because i have Thoughts™

(also i feel like it goes without saying but this will be probably be quite long, so. strap in, ig)

okay SO. the whole intro was pretty interesting - even though we’d seen bits of it in trailers, it was still pretty unnerving and felt like it came out of nowhere. but the first thing that really stood out was the first village section with the hordes of lycans; i didn’t expect this game to start freaking me out so quickly but JESUS my blood pressure went up fast. 

there’s so many of them coming at you at once, and not only have you just lost half your damn hand, you’re not really used to the gunplay at that point AND you don’t have that many weapons at your disposal. so it’s basically just “hey we’re throwing you into this ring of death, good luck surviving!” which... now that i think about it, that really sums up the whole game lol

but for the most part, the early parts of the game are what we saw in the demos, so there’s nothing too new - it was nice getting to see the scene with all four lords and mother miranda, though. i wasn’t sure how the whole chase scene with the lycans would work - i thought heisenberg’s area was going to be some sort of mine, and that the chase would take place there - but it didn’t, and it was interesting regardless of it being so short. 

but the castle. THE CASTLE. 

i would be lying through my teeth if i said i wasn’t excited for dimitrescu like everybody else; i’m firmly in the camp of people who both meme about how attractive she is, and then also the people who legitimately find her attractive, soooo i kinda had high expectations going in? 

and sure, the castle section is only part of the game, but if there’s anything that makes me nervous most, it’s stalker enemies. resi 2 remake was actually pretty tough for me to get through because of how anxiety-inducing mr x was, and even though i don’t feel like she was as present as mr x was, lady d was still great! there were a good few times where you could hear her walking around and you just knew she was searching for you, which was really damn cool.

also, i know capcom had a lot of hype to live up to with lady dimitrescu, but goddamn they did such a great job with her. she’s so imposing but badass and just... really damn cool? like i honestly found myself being excited for her to show up rather than being scared. i just think she’s neat! I MEAN LOOK AT HER.

(also yes i know the whole internet has talked about how attractive she is, but can we just. appreciate that for a second???? she’s gorgeous and yall can’t tell me otherwise. like. bro ik the pronunciation is wrong but the way she says dimitrescu made me GASP i love this powerful vampire woman)

if anything, though, i... actually felt really bad that her story ended up the way it did. i mean, think about it: you break into her house, kill the three people she’s grown to consider her daughters, rob her shit, and then kill her? she technically goes through the same kind of parental grief that ethan does, in a way, which is a really interesting parallel. grief seems to be a theme that capcom really pushed for this game, and it works. 

also, her boss fight design is badass. she’s literally a dragon, how is that not incredible

so the castle was great, where could the game go from here? oh, i don’t know, how about gOOD OLD FASIONED FUCKING TRAUMA.

jesus christ the dollhouse GOT TO ME.

i’m pretty used to horror in general; i love horror games, movies, books, you name it. i’ve gone to horror movies where people have ran out because of fear all while i’ve sat there giggling the whole time. but the dollhouse? that dollhouse is FUCKED. i can’t remember the last time i watched someone play through a horror game and was so... on edge the whole time. the fact that they keep you waiting for so long with nothing happening just... makes the atmosphere incredibly uncomfortable, and then when shit does start going down, it goes down fast. in other words, jesus fucking christ that baby will haunt my nightmares until the end of time

basically capcom managed to make the n*zi baby joke from south park: the stick of truth legitimately terrifying, and i was glad to see donna die. moving on.

moreau’s section is the one i... actually don’t have as many thoughts on. it’s cool, sure, and the whole idea of him turning into a fish when he hits water is neat - it’s definitely a good callback to re4 - but idk, it didn’t really scare me that much. i can see it scaring those with a fear of water or the ocean, for sure, but eh. i thought the designs were cool, but i kinda tuned out a little here.

heisenberg, though, was anything but. the entire time leading up to village’s release, this guy has fascinated me for some reason. i don’t know if it’s because he’s the most normal-looking of the four lords, or the fact that he has telekinesis, or his amazing voice acting (seriously i know some people have shit on his VA but oh my god i adore it) or what, but this guy stood out to me from day one. i even went into the game expecting him not to die tbh. but no, he does, and his fight is pretty damn cool all things considered. only in a resident evil game could you have a mech fight and have it not feel out of place lol

also this line ^^^ legitimately made me laugh so hard i almost choked on my water. THE FACT HE TURNS AROUND AND APOLOGISES SO MEEKLY its fucking hilarious to me

but anyway.

similar to alcina, though, i was left with one big question about heisenberg - what did mother miranda do to him to get him to join her impromptu familly? he said himself to ethan that he didn’t want to join, so what did miranda do that didn’t give him a choice? did he have a family at some point? is he grieving too? what did miranda take from him? i can only hope this gets answered in the dlc, because it’s by far one of my biggest questions surrounding all of this. i may very well have missed it somewhere, and at least we know he has his telekinesis abilities thanks to miranda, but it’s a question that’ll definitely be on my mind going forward.

at this point, though, the story REALLY gets insane. it’s really nice how village decided to just continue on straight from what 7 did, and i’m very glad that everyone’s theories about chris being a werewolf were wrong - it’s a really nice spanner to throw in the works. if anything, the whole revelation of mother miranda disguising herself as mia the whole time since rose’s birth was really cool, and ethan being Mold™ the entire time was pretty neat too - it made a lot of things both in 7 and village make more sense.

what i’m still digesting, though, is the ending.

...man, capcom, you put poor ethan through all of that and then you have the balls to actually kill him? i mean shit, you made us think he was dead for a whole 20 minutes but then nope! he’s alive! but then nope! he’s dead again! i did see someone point out that at least ethan got to go out on his own terms, but dammit i would’ve at least liked for him to get to see mia one last time. i think it would’ve softened the blow a little more. but i guess that ties into the whole grief theming this game has going for it, and like i said, i probably just need some more time to digest it. 

i don’t dislike the ending, it’s just a very big culture shock - it’s definitely a ballsy move, and i really respect capcom for going all out the way they did. they really held back on nothing in terms of this game’s story and i absolutely love it. it was so, so worth the wait in that regard. 

and tbh that’s kinda how i feel about the whole game in general; it was super super good, very much worth the wait, and i absolutely cannot wait to see where resident evil goes from here. i have a gut feeling this’ll end up being one of my absolute favourites in the series, which i know is very high praise, but i really do love it that much. i wasn’t disappointed with much in this game, if anything at all. it’s just a super fucking good video game man idk what else to say at this point

[meta-squash]

Intro to the Manic Street Preachers

(In which I wish I still had photoshop so I could make one of those silly slideshow type posts)

It’s come up in at least 3 separate conversations recently that I (or someone) should make an “intro to/how to get into the Manic Street Preachers,” so I’m gonna do that.

Also I tried to be brief but when it comes to the Manics and also writing in general that is not in my nature.

So here goes, a Manics 101 that is slightly longer than I anticipated but not as long as I might have made it:

First of all, a brief Manics history/bandmembers 101:

James Dean Bradfield - Lead singer, lead guitarist. Writes most of the music for the songs. Also has the job of cutting down the lyrics into something he can actually sing.

Nicky Wire - Lyricist, bassist. Writes the lyrics for the songs, with Richey and alone. Says he can’t play bass but is actually quite good. Loves to wear dresses/skirts onstage and is generally a fashion disaster. Has a big mouth and loves to criticize other bands. Has OCD and loves to clean. Is 6′3″ and has great legs and loves to mention both of those things.

Sean Moore - Drummer. Also writes some of the music. Is the only Manic who is classically trained, and sometimes plays trumpet on tracks. Sarcastic and small. Generally quiet and doesn’t like interviews. Is the only Manic actually active on social media (Twitter).

Richey Edwards - Lyricist, rhythm guitarist. Wrote most of the lyrics with Nicky and was essentially the band’s spokesman. Was extremely intelligent. Couldn’t play guitar well, basically stuck to power chords and usually forgot them anyway. Struggled with severe mental illness and addiction. Disappeared in 1995; his body was never found.

The band have all known each other since they were children and all lived in the same neighborhood. The band itself started basically in about 1989. Their thematic mantra was “culture, alienation, boredom and despair.” They were inspired by The Clash, Situationism, the Miners Strike and the various existentialist or absurdist literature they’d read. Their sound and style have changed pretty much every album. They’ve never managed to break into the American music scene but they are/were popular in Asia and Europe. Most of their songs are political or emotional, and rarely talk about love or relationships in the traditional sense. They didn’t go aboveground until 1996 and didn’t get a number one in the charts until 1998.

Where to start:

The Manics have changed their sound/style a lot, so it sometimes depends on what you like.

The bands most popular/charted songs are: Motorcycle Emptiness (1992) Faster (1994) A Design For Life (1996) If You Tolerate This Then Your Children Will Be Next (1998) Your Love Alone Is Not Enough (2007) Rewind The Film (2013) Walk Me To The Bridge (2014) International Blue (2018)

But, like I said, it depends on what you like. So, here’s a rundown of suggestions for songs to listen to in order to get into them. I’ll link the song itself, give a little description of the album/song style or sound, themes, etc. Possibly some extra info if I think of any. And probably reasons why it’s a good introductory song. I’ll go chronologically, but feel free to pick and choose.

Motorcycle Emptiness - 1992. Generation Terrorists. An epic glam/punk rock anthem critiquing and despairing over the nature of society and modern culture. The band has said that if this song wasn’t included on the album, it would not have been successful. It’s also one of the coolest guitar songs the band has. This is often a starting song for most people.

Slash N Burn - 1992. Generation Terrorists. A much more punk rock song, a critique of the destructive nature of entertainment and “first world” culture, how entertainment means people ignore the ills of the world. This song is a good intro to their more social/political lyrics, and good for those who like the punk sound.

Bored Out Of My Mind - 1992. Generation Terrorists B-side. I’m including this because it was the first b-side I fell in love with. This is an acoustic piece, a lot more yearning and, well, tired/bored. It basically takes a punk riff and slows it down into something a lot prettier.

Roses In The Hospital - 1993. Gold Against The Soul. This is the song that made me fall in love with the band. It’s a critique of the mental health system, and a song about unhealthy coping mechanisms. This album has more of a grunge-feel to it, and is a lot more produced. The song features stair-stepping power chords and a grunge rhythm section with pop flair.

La Tristesse Durera - 1993. Gold Against The Soul. A grunge-style song about the way elderly veterans are (mis)treated and/or ignored by the general public once they no longer serve a purpose. This song has an excellent bassline and some great vocals.

Faster - 1994. The Holy Bible. This is the song the band itself and most fans hail as their masterpiece. An industrial/punk/hard rock song that has been described by James as “a set of sarcastic commandments for the modern age” and by Richey as being about self-abuse and “society speeding up - finds worth is failure.” It is a song that is utterly autonomous and judgemental, an Ubermensch of a song that is extremely powerful. It is, in the words of Simon Price “warped metal and tungsten under unendurable torque.”

This Is Yesterday - 1994. The Holy Bible. The calmest song on the album, this piece is a nostalgic look at the past. I’m mostly including it because the guitar riffs are simple but very pretty. (And because my roommate, who isn’t a fan, said she likes it a lot.)

ifwhiteamericatoldthetruthforonedayitsworldwouldfallapart - 1994. The Holy Bible. A fast-paced criticism of racism in the US and UK, filled with political and historical references. An industrial/post-punk style song with some excellent riffs and even better harmonies.

A Design For Life - 1996. Everything Must Go. An anthem for the working class. This song features strings and is a lot more “epic” than previous songs. The album itself is calmer, more radio-friendly. This was the band’s first big hit and the first album after Richey’s disappearance; it reached number 2 on the charts at its release.

Everything Must Go - 1996. Everything Must Go. A song ushering in a change in the band’s sound. It is the introduction of a larger, wider wall of sound, and the anthemic rock style of the album.

Small Black Flowers That Grow In The Sky - 1996. Everything Must Go. A song written by Richey before his disappearance, about the abuse of zoo animals. (In my opinion) The demo is better than the studio version, as it is a yearning acoustic piece that allows the guitar to echo the fragility of the lyrics. (The studio version has a harp that overshadows both guitar and lyrics, so I linked the demo which is my favorite.)

You Stole The Sun From My Heart - 1998. This Is My Truth Tell Me Yours. Lovely lyrics and a simple riff. This album has a cleaner, clearer sound. This song’s sound is optimistic even if the lyrics are slightly sadder.

I’m Not Working - 1998. This Is My Truth Tell Me Yours. A much slower, sadder song. I include this song because I think the lyrics describe a universal feeling. It’s a song that really shows the emotion of James’ vocals.

If You Tolerate This Then Your Children Will Be Next - 1998. This Is My Truth Tell Me Yours. The band’s first ever #1 single. This is an anti-fascist song about the Spanish Civil War, warning people to be aware of injustices. It’s anthemic and full of echoing guitars.

Intravenous Agnostic - 2001. Know Your Enemy. A return to their old punk sound. This is a slightly more anthemic take on the punk sound, but it works. The lyrics are weird but interesting.

Baby Elian - 2001. Know Your Enemy. A political song about Elian Gonzalez, a Cuban refugee who, as a 7 year old, was the center of an immigration and international custody battle between the US and Cuba.

Freedom Of Speech Won’t Feed My Children - 2001. Know Your Enemy. Another political song. I just love it because it’s SO anti-American.

Judge Yr’self - 2003 (1994). Lipstick Traces. This is from an anthology album, but it was an unreleased song recorded in 1994. Its lyrics are almost Nietszchean, intense and repetitive. Yet another huge hit with most fans, with themes and sound similar to Faster. An excellent if momentary resurfacing of their industrial sound of THB.

Empty Souls - 2004. Lifeblood. This album is more more digital-sounding, a lot more glacial than previous albums. The song is sad and aching, but very beautiful. It features a gorgeous piano riff and lingering guitar chords to complement the lyrics about loneliness.

Your Love Alone Is Not Enough - 2007. Send Away The Tigers. Their biggest hit since Tolerate. It’s a duet with Nina Persson, the lyrics a conversation between two people about what makes someone gain contentment and what does/doesn’t help. This is much more a radio-friendly rock song.

Anorexic Rodin - 2007. Send Away The Tigers B-side. Another favorite b-side and favorite among fans. The lyrics are clearly about Richey Edwards, but the best thing about the song is the fast-paced marching of the distortion guitar and the badass punk rock chorus.

Imperial Bodybags - 2007. Send Away The Tigers. This song is incredibly late 60s/early 70s-feeling, for some reason. An excellent grooving riff drives a song about war and imperialism and how civilian deaths are trivialized.

Peeled Apples - 2009. Journal For Plague Lovers. First track on the album and an intense, sludgy punk intro. The band has said that the lyrics of this song are pretty impenetrable but the visuals they provide are fantastic. One of my favorites, and so much weird, aggressive, wild energy. This album consists entirely of songs Richey gave to the band just before his disappearance. Because of this, the album’s sound kind of combines the sounds of The Holy Bible with the slower, prettier sounds that the band developed over the years.

This Joke Sport Severed - 2009. Journal For Plague Lovers. A short, stark acoustic song about the failure of love and one’s own inadequacy. This song is gentle and simple, with yearning vocals and lovely chords.

All Is Vanity - 2009. Journal For Plague Lovers. A song closer to the post-punk sound of The Holy Bible. A lilting riff that disintegrates into a much harder sound complements the lyrics that illustrate a conflicted idea of the self and a desire for answers.

Postcards From A Young Man - 2010. Postcards From A Young Man. This song returns to the huge, anthemic sound of Everything Must Go. The drumming/guitar is a lot “bouncier” than most Manics songs, but the tune itself has some really interesting turns. The lyrics look back on the past, lamenting losses but refusing to be brought down by them.

Some Kind Of Nothingness - 2010. Postcards From A Young Man. Another anthemic song that incorporates strings/a choir, this song is another nostalgia trip, this time a bittersweet mourning, an acceptance of grief and the ache of memories. It features guest vocals by Echo & The Bunnymen’s Ian McCulloch.

Red Rubber - 2010. Postcards From A Young Man B-side. This is a surprise bop. A song about Leopold II’s violent colonization of central Africa (and takes the title from a documentary of the same name), it features synthesizer sounds and distortion guitar. It starts out sound slow and meandering, but suddenly picks up to a frenzied punk pace. The chorus is catchy as hell and angry as hell.

Rewind The Film - 2013. Rewind The Film. This album is almost entirely acoustic. The song itself features Richard Hawley (although I personally like the demo version with Nicky Wire on the vocals) and emphasizes its simplicity with acoustic guitar and simple piano and strings parts. This is yet another nostalgia song, wishing to re-experience happy memories. This one is not as grief-stricken as the other ones, and instead almost seems like a haze-tinged daydream.

As Holy As The Soil (That Buries Your Skin) - 2013. Rewind The Film. A Nicky Wire vocal, this is a song specifically written to/for Richey Edwards. An acoustic piece that features a beautiful trumpet solo from Sean, this song also grieves for the past and remembers good times. But this time it asks for those who are being grieved to return, and reminds them of how much the narrator (Nicky) loves them. This is a song that is so emotional it hurts to listen to but it’s also impossible to stop listening to it.

30 Year War - 2013. Rewind The Film. A departure from the nostalgia-trip of the last few songs, this song talks about the history of Wales and the government war on the working class during the 80s. It also features some lovely trumpet work from Sean and a really cool clapping-style drum beat. The lyrics describe class-related struggles and accuse the rich and the bourgeoisie of using propaganda to blame the poor/working class for their situation and to keep them from rising up in resistance.

Walk Me To The Bridge - 2014. Futurology. This album is a transition into prog rock/krautrock. This song features a heavy marching bassline and synthesizers, a huge glacial sound that opens up into a chorus with shining chords. Nicky says it’s about “the idea of bridges allowing you an out of body experience as you leave and arrive in different places,” but the demo also contains a number of Richey-specific references so who knows.

Sex Power Love And Money - 2014. Futurology. The power of this song mostly rides on power chords that structure it and the almost metallic-sounding synth and drums. The song itself is so fun it’s almost silly, a critique of technology and the entertainment industry that simultaneously takes itself seriously and takes the piss. It is a criticism of the entertainment industry and the way that capitalism erases originality and organic-ness. But it’s also just a fun musical romp that is almost reminiscent of late 90s/early 2000s Bowie.

Futurology - 2014. Futurology. This is a gentler song that fuses the huge glacial sound with something more sunny. The band describe the lyrics as “a statement of existential socialism – belief that humanity is still a viable ideal.” The lyrics and the guitar are optimistic and big, with a nice bass riff supporting the synth sounds behind it.

International Blue - 2018. Resistance Is Futile. A gorgeous, soaring song. Jumps off the back of Futurology’s proggy sound but adds more body. The song itself is about painter Yves Klein and his creation of the color Yves Klein Blue.

Broken Algorithms - 2018. Resistance Is Futile. Returning to their punk roots in terms of the rhythm section and crunchy guitar chords. A song also returning to Nicky’s perpetual subject: the critique of society’s thoughtless dependence on technology/social media and the consequences it can have on social awareness and creativity and the self.

[ladala99]

More Thorough Thoughts on Mystery Dungeon Rescue DX Demo

Intro

When I was a kid, the Pokemon Mystery Dungeon series was peak hype. You could actually play as a Pokemon, going on adventures in randomly-changing environments so nothing is ever exactly the same. The story blew me away, surprising me with how emotional video games could be. And that was just the first game, as the second improved upon so many things.

Here we are again, remaking the first games. I’m really excited for people who never played Red Rescue Team and Blue Rescue team to experience the story of the Ninetales curse for the first time. It’s a great story in a great game and it deserves to be seen by more people.

Graphics/Art Style

In addition, this game fixes something I never imagined would be fixed: the art style. When the Mystery Dungeon games transitioned to 3D, they lost the series’ original art style to be replaced with the generic cartoon art style every 3D cartoon game feels like it has. With these filters, it not only regains what the drawn graphics of the original imply, it recreates the concept art with its hatched shading and bold lines. Look at any screenshot of the game, and everything other than the Pokemon looks like a drawn picture, not a 3D environment. It is so pretty and it works so well.

Aside from the Pokemon, though. The filters make them fit in for the most part, but it is very clear that these 3D models (the same ones used in everything since Gen V - GameFreak, you taking notes?) are not made specifically for this game. It’s not bad that they stick out, since in a way, they should, but it does break the concept art look that everything else has.

It does keep Super’s walking animations, too, unfortunately. They animated four-legged Pokemon very generically and it doesn’t look great. The originals had unique animations for every Pokemon, mainly because every Pokemon had unique sprites. Now the uniqueness is largely gone. It’s not a dealbreaker by any means, but I miss Skitty’s pounces as it wanders around town.

Changes from the Originals

The personality quiz will sometimes suggest Pokemon from the opposite gender compared to the original. I haven’t tested it thoroughly, but when I took it, I chose girl and it gave me the Pokemon that used to be male-exclusive for that personality trait.

And now you can choose your starter regardless of the test results. I like the best-of-both-worlds approach here. You can also choose Partner Pokemon that used to be exclusively Heroes in the original, so that’s very neat.

Dungeon mechanics have been updated to be an evolution of Super’s mechanics. The demo ends too early in the game for me to form a full opinion on this. So far, I haven’t noticed it change the difficulty, as moves didn’t really have Base Power in the original as far as I noticed, so Tackle was just as good as Slam. Better even, as it has more PP. Now, you start with better moves, but it doesn’t seem to make it all that much easier. It was already easy.

I can’t say I’m the hugest fan of “press A and the game chooses the best move for you to use,” but if you use Super’s move button combo, you can choose a move yourself, anyways. And there is a “do nothing” button combo, so I’ll just have to get used to using that rather than pressing A when I want to do nothing.

Overall, though, moves are handled a lot better than they were in the originals, at least on the accessing them front. Some people are upset about the lack of a Basic Attack, but I made my farewells when Gates to Infinity came out and made them useless. It makes Max Elixirs less useless.

Story-wise nothing has changed so far other than Diglett being introduced slightly earlier, while also making you a shortcut to the Pelipper Post Office. Not sure if that means more story additions are on the way (I hope so!) or if it’s just a convenience thing with an in-universe explanation.

Really small thing that bothers me, though, is that wandering NPCs in town have zero weight to them. In the originals, NPCs had set ranges and you couldn’t move them. Now, you so much as brush up against them and they slide away from you. Even Gates and Super did it the original way. It feels wrong and cheap the new way; at least in most games that let you move NPCs, you need to exert some force. As it is here, I try to talk to them and push them away in the process.

Conclusion?

As far as I’ve seen so far, I’m pretty excited. But there’s still more to talk about that I will under the cut! It involves mild spoilers found out through the game’s Help Menus.

Pokemon Availability

Here’s something that’s neutral-to-negative: all signs point to these games consisting of only Gens I-III, evolutions/pre-evolutions(?) of Gen I-III Pokemon, Megas and Primals of Gen I-III Pokemon, and Lucario. More than the original? Yes. But in this day and age, it’s not very many. We criticized Sword and Shield for cutting the cast, and even before the DLC those games have more than this game does.

I understand it as an artistic choice. It’s the same reason Let’s Go, Pikachu and Eevee only have Kanto Pokemon. But when I get a new Pokemon game, especially Pokemon Mystery Dungeon, I want to use Pokemon I’ve never used before in that context. And I’ll be shocked if any of the newcomers are available before the post-game.

And not even Alolan Formes are in. The game’s TMs indicate that this game was developed to release during Gen VII, but they didn’t even do the obvious and make the Ninetales that lives on an icy mountain ice-type.

Shiny Pokemon Exist

That’s all we know, but that’s really cool. Apparently the Friend Bow helps recruit them.

Exp. All

Something that started in Gates to Infinity and continued into Super Mystery Dungeon is the fact that every recruited Pokemon gains experience along with you, regardless if they are on the adventure or not.

They changed the name of Friend Areas to Rescue Camps, and one of the Rare Quality descriptions seems to indicate that Pokemon in Rescue Camps gain experience with you.

Unlike with the main series, I don’t really mind it. I find the game more fun when I’m bulldozing my way through everything than I do when I’m struggling. But that’s just me.

I can see this being a disappointment for some. It’d be nice to be able to turn this on or off, especially since it would be funny considering the main series took away that option. But I’m just speculating now.

IQ Replaced

Instead we have Rare Qualities, which it seems some Pokemon come with, but others can be obtained through gummis. Gummis now only come in two varieties rather than the type-based ones, and thus are likely a lot rarer. Likely. I’ve got a job sitting in my Accepted Jobs list that rewards one so maybe they’re not all that rare.

Absolute Mover has an equivalent, so that’s all I really care about here. If I can have a Caterpie that crashes through walls, I’m happy.

Six Additional Story Beats?

The original Red/Blue Rescue Team had 12 total story portraits on the loading screen. DX has 18. This could mean one of two things:

One, it could have more actual events in the story. This I’m hoping for, but...

Two, more of the game’s story could have portraits. The original only showed the Legendaries you encountered, but there’s important events that happen that don’t involve Legendaries. Plus not all of the post-game events had portraits.

So, I want to be excited, but at the same time, I can’t get my hopes up.

Conclusion

I’m still excited, but it’s not exactly what I wanted from another Mystery Dungeon game. The gameplay’s still fun, of course, and I’m excited to see the rest of the game in this beautiful artstyle, but I have to temper my expectations. This isn’t Gen VII Mystery Dungeon where I can play as a Litten, nor Gen VIII Mystery Dungeon where I can have a Sobble partner.

This is Gen III+. It’s the original but prettier and with new mechanics. I’ll definitely love it, but it won’t be what I was hoping for.

[cruddyborderlandstheories]

mystery punk girl

alright fellas i gotta make sure i don’t embarrass myself this time, we got like, stakes and shit now. SO *breaks fingers* let’s make a masterpost of theories

aka i heard someone was interested in some mystery punk girl theories and decided to collect all the one’s i’ve gotten so far

tl;dr: mystery punk girl could literally be anything/anyone. we go over a few theories, notably ones that paint her as a younger sibling to the Calypso twins (Tyreen = First Sister). we also have one where she is a fraternal twin to Ava and mirrors Troy as the non-Siren-twin of a relationship. we also talk about why she hasn’t been getting a lot of cultist worship, like maybe she’s gone missing, or died. also that she may betray the twins (if! she was ever on their side to begin with! 👀) because her color scheme is one of a friend and tbh the twins seem suuuper close and she doesn’t seem to be getting any recognition from the cult.

from the numskull pin page, also where we learned she’s listed as ‘Punk Girl’

so to get to the point, the most obvious theory is that mystery masked girl is the younger (est?) sibling to the twins.

when mouthpiece talks in the beginning of the HBC demo, he calls Tyreen the ‘first sister’. I mention that in a post here (during my live post spamming of the event lol)

it’s mostly interesting because when you refer to someone as ‘the first’, usually the second part of that is what you’re referring to. 

@sugar-high-viking​ brought this to my attention as well when the pins dropped, and also made a great point that she might be either a half-sibling (different colored hair), OR, to tie into my atlas theory about the twins, a similar experiment, but not blood-related (that part is in the notes of said post, i copied it here for easier reading)

which i adore because atlas twins is my favorite theory that’s probably never going to happen. (also hi if you’re reading this, sorry for the tag! i wanted to give credit because that was brilliant)

we do have a biiiit more stuff to go over.

take the mask of mayhem (yes im still working on that analysis, i promise!! i do like a facet a day if im not working on other stuff)

the whole backdrop thing feels to me like an order of importance.

we have the God Queen at the very top and in the middle. 

on her left is the vault hunters, who of course are going to have a prominent role in the story.

on her right is Troy, her right-hand man (ala the cosplay guide) 

and below Troy we have Mystery Punk Girl. can i call her MPG? i feel like i’m allowed to call her MPG

So her and Troy are about the same level as the Vault Hunters.

We can’t really infer that Tyreen is the oldest sibling (First Sister, with Troy possibly being the Second Brother? Or, Troy is the First Brother, Tyreen is the First Sister, and MPG is the Second Sister. i’d imagine the latter is correct because the former would have to use First Sibling to be correct) but we can guess that things on top are ordered in terms of importance.

And considering we haven’t seen NPG in ANY promo material or trailers yet? yeah i imagine she’s not shown off like the twins are, which would explain her lower level. now if that’s because she’s too important for them to be flashy with her, or if because they don’t think she’s worthy, or they want to protect her, or whatever, I wouldn’t be able to say.

Furthermore, we can also guess she’s not in an Angel-type situation. It’s heavily implied Ava is the Siren successor to Maya (but not officially stated). We know she has feathers on her outfit, but as I found out a bit ago, those (likely) aren’t meant to represent the wings that Tyreen and Lilith have on the MoM. They’re part of the clothing some cultists wear (possibly to emulate her looks like they do with Troy and Tyreen).

pictures for proof:

again, none of this is proven, as Ava nor Maya have wings on the MoM, but it is interesting to note. Also, if Ava does end up being a Siren (say her tattoos take a while to grow big enough for us to see, or they appear after her powers come in, fixing the Angel w/ no tattoos on jack’s desk “plot hole” we see in tps) then there’s no way for Punk Girl to have been a Siren.

unless.

ohohohoh...

okay, we know for a fact Troy’s red tattoos aren’t there because of Lilith. 

As of right now, we have officially sourced stuff showing him with his red tattoos during the HBC (on the hologram), which we’ve proven takes place before the Sanc-III scene where Lilith gets her powers stolen.

there are plenty of theories as to why he’s got those tattoos then: because the twins were conjoined, they got the powers from a vault (the one shown on the walls of the HBC), they were experiments, they were experiments because they were conjoined twins, they’re fake Sirens, fake Sirens due to the experiments, etc, etc. i could go on for ages, but im not gonna, cause we’re not here for this.

im going to take the ‘the twins were conjoined’ theory and run with it for a secco. we had that interview where paul sage said at one point either in the development cycle OR in the timeline (the wording is not clear), the twins were conjoined twins. We’ve also seen that the spanish (i believe!) translation of the Calypso Twins yields the version that says they’re conjoined, not just normal twins. so we’re going to hope it’s the right theory.

we know there can only be 6 sirens in the universe. if tyreen was chosen but was still conjoined with her brother, it’s possible he could’ve been messed up by the magic or advanced tech or whatever it is that picks Sirens, and that’s where the red tattoos come from.

So what if MPG is the same way? twin to Ava, ended up not being the one who got the Siren power, rebelled and joined the CoV in hopes of getting her own powers, maybe even to get Tyreen to heal her since it’s possible having a twin with Siren powers can cause an affliction to the other twin. 

It’d be really interesting if the two were abandoned at a young age and it ended up being that Ava was picked up by the Order of the Impending Storm and MPG wasn’t, as Ava was a Siren (like Maya) and MPG wasn’t, so she turns to the cult for help/support/whatever and the twins take a shine to her and basically adopt her as their little sibling. 

(awww maaan i still gotta do my Maya masterpost. hmmm so much to do, so little time...)

tho, that’s 100% unfounded and me spitballing into the void. mostly cause i think she’s gonna end up looking a lot older in game than she does in the MoM. though, in defense, she is titled ‘Punk Girl’, not ‘ Punk Lady’ or ‘Punk Woman’ or whatever. so there’s that, and it seems wild they’d be introducing 2 young girls around the same age and NOT have them be related in some way. even if they’re just storyline parallels to each other (Ava having everything because she’s a Siren and MPG not)

A better theory, is that she’s the 3rd leader/sibling/figurehead of the cult. The game revolves around the number 3, it’s even acknowledged in universe.

cover art of a high-ranking cultist (the one with the rakk wings on the MoM, im assuming)

which is referenced in actual in-game art

we see it in the background of the behind closed doors intro

and i imagine there must be an in-universe reason for this very important cultist (TM) to be signalling the number three, right?

there’s certainly more than 3 Vaults. More than 3 opened at the time too. 

3 pieces to the Vault Map? but the twins got that in its entirety. no reason to look for all three parts.

once lily gets her powers removed, there are 3 Sirens in play (that we know are 100% confirmed atm) Tyreen, Maya, Amara.

yeah, i think the most reasonable answer is that the number 3 is tied to the cult in some way.

while i find it hard to believe she’s something as prominent in the cult as a third figurehead (lack of statues, posters, acknowledge at all whatsoever), i could 100% see her being a third sibling, however.

So why isn’t she being worshipped like the twins? Maybe they’re keeping her out of the light for a reason. 

Maybe she’s sick, like Troy, but Ty can’t heal her right away for some reason, or she picked Troy over her or smth (we’re told troy is the smart one, afterall, maybe Ty decided to pick the sibling she’d get the most use out of. or the one she’s closer to, being twins and all). 

I had that dumb theory that Tyreen is Demeter (Troy is Demophon) and MPG is Persephone, taken away by the Vaults/Eridians/whatever in the twins’ attempt to heal her and either it locked her away somewhere, or it killed her. (Her being sick could also explain the ventilator she’s wearing, but i have another theory about that in just a secco.) And her being missing/dead is part of the reason Tyreen and Troy are trying to get the ultimate power, they’re trying to bring her back to life/heal her. And it could explain why she isn’t being referenced at all in most worship art, maybe the twins banned it or whatever. but if she is sick, i wonder why she wasn’t just miraculously healed by the Guardians (the Watcher specifically?) like whatsherface in TPS.

She could also be something like their secret weapon, maybe she has knowledge about something we don’t yet- be it warp travel, eridium testing, Sirens, Vaults, Eridians, etc, that’s giving the twins the better edge. Eridium testing could explain the ventilator, plus we see a giant waterfall of somethin’ glowing purple and i would bet it’s slag/eridium. 

plus you know im a strong believer of my ‘the twins are using the chemical sludge of elpis to give their followers superpowers’ theory. i mean, if they actually are teleporting the moon (and NOT blowing it up), then it could almost make sense if they want their source of superjuice near their new base of operations/vault/whatever. mostly because we haven’t yet seen Ty give anyone Lily’s powers. As far as we know right now, she’s the sole holder of Lilith’s powers. at the very least, they’re mutating them with eridium/slag. but i wanna believe! so maybe MPG is their way of doing that. giving them insider knowledge of the chemical sludge on the moon, doing tests on it, subjecting the cultists to it, etc. We do see the big boy cultist smack dab in the middle of the mask with rakk wings, which are kind of a corruption of the angel wings we see the Sirens have. and since the Lost Legion Eternal basically have knockoff Siren/Guardian powers due to the chemical sludge on elpis, it would make sense.

she COULD also be our way into the cult. we know nothing about the gal, maybe she’s going to provide us a way to get insider knowledge. im sure whatever the twins post they’re fine with their cultists seeing, so we’d need someone higher up in the proverbial ladder to give us the good info. i do think it’s interesting she does not match the Twins’ colorscheme at ALL. she’s gray and black, yeah, but she’s also pink and orange (yellow?). 

compare these two

to this:

it seems off that, if we are to consider them a unit, their colors clash so hard. (seriously, red and pink? oh my god!) I could almost see it as their way of hinting that she’s not 100% conforming to the twins.

I could also kinda see her being jealous of the relationship her older siblings have, how they’re so close because they’re twins and they share this bond over the Siren tattoos/starting a cult together. I could see her betraying them at some point because she’s sick of being pushed into the background. the pink and orange is a nice color combo compared to the reds and blacks. she certainly looks designed to be a friend.

anyway, that’s all i wrote today. im kinda tied, might add onto this later as i keep wrackin’ my brain trying to think of more theories.

[jmess-6841]

Crypto Seminar Summary

Week 1 Our group consisted of 4 members and we quickly set up a Facebook group chat to discuss the presentation. We decided to give ourselves some time to become familiar with the concept of cryptocurrency before deciding on a time to meet up and discuss the presentation further next week. 

Week 2  Unfortunately, one of the members left the group due to some technical difficulties, and now we were 3. Most members of the group were actually quite busy this week, so we settled on a meeting time for next week. 

Week 3 Not sure how this happened but our Open Learning group now has 16 people in it?? We were extremely confused about this and it was a surprise because I guess we don’t get notified when people join the group or post in it. We posted a link in the group to our chat so people who were going to be participating could join and help us out. We decided to postpone the meeting until everyone was part of the group and we could discuss a more appropriate time for everyone to meet up.

It turned out that a lot of people who joined the group weren’t aware it was for the 6841 seminar and thought it was just a study group! Our group ended up having 8 people. We settled on a meeting time for next week.

Week 4 We finally got to meet up and basically we just discussed how we were going to structure the presentation and what content we would discuss. This is the basic layout we have;

Intro to crytpo

Benefits vs a centralised system

PoW vs PoS

How cryptocurrency achieves security

Blockchain

Incentives providing security

Why do we have so many different cryptocurrencies, usages

Privacy 

zkSnarks, zcash, monero

Historical flaws in blockchain itself 

51% attack (i.e. ETC 2019)

DDoS

Doublespend (i.e. The Finney attack)

Historical flaws in Wallets

Phishing

Bad hashes (i.e. IOTA)

Wallet & exchange software bugs (MtGox, Bitfinex)

 Historical flaws in Smart contracts 

Bad programming pretty much (i.e. TheDAO)

Future practicality, threats, viability in terms of personal private key storage

If all devices we own really are that secure should we be placing the trust in ourselves for protecting our own money really? 

Quantum computing threats in 15-20 years

Developers pushing bad code without auditing

We also had some ideas for a demo;

Showing some buggy smart contracts

Hash brute forcing 

We estimated the entire presentation to run for approx 40mins.

We also delegated each section to people and organised a meeting time for next week to check up on progress.

Since this meeting was before the lecture this week, after this week’s seminar, Richard mentioned they should only be 25mins long. Hence we knew we needed to restructure the presentation and decided to not do as many case studies, focusing only on the 51% attack and briefly giving an overview of the others.

Week 5 Everyone seemed to be doing pretty well and most of the research was done. The presentation still seemed like it would go over time so we decided to cut out the demo, especially since we hadn’t really finalised what demo we would even do. The idea from before about brute forcing a hash we are going to use as the homework exercise. Since the midsem was this week, we decided slides should be completed by Monday next week. Somehow this meeting went way off track though and we ended up just talking about cryptocurrency in general for about half an hour?? Nonetheless, it was an interesting point of discussion. 

Week 6 Slides were finalised so we met up before the lecture this week to run through the presentation. Somehow we ended up again in a discussion about cryptocurrency in the media and privacy concerns! We made some final edits to the slides and gave each other feedback on each of our presentations, which I found really useful. 

Post Seminar Overall I think the seminar went really well and I’m really proud of our group for putting it together! I was glad to see that the students were actually engaged with the talk and asked us to go over one of the points again at the end (51% attack). Out largest difficulty was definitely the 25min time constraint as near the end we did have to rush to get everything in. 

Participation in this taught me a lot about the technical side of cryptocurrency which was really interesting and I’m glad I put in the research. It was also good practice to be able to work in a team and collaborate our ideas because they taught me a lot through their opinions on privacy etc, that I probably wouldn’t have thought of otherwise. I was also really glad to have an opportunity to present to such a large audience because this year I’ve been trying really hard to practice my presentation skills as it was a weakness for me last year. At first it was daunting but this whole thing was really just such a good learning experience.

Here is a reflection on the seminar from one of the group members: https://comp6841.tumblr.com/post/186399764439/roundup-for-week-6

[otomebois-bb]

Kind of a test but also an intro.

Hello! 👋 You may address me as Raven. I made this account so I could hopefully use it as an outlet for my MM fics — because I have so many written/ideas but almost no one to share them with since only a select few of my friends actually play it.

With that, I'd like to introduce myself a bit first, how I got into MM, and share with you what I plan on posting soon/what I'm willing to write.

Online and between some friends, I go by Raven. I decided this because I read a book (Vampire Kisses) where the main protagonist/narrator's first name was Raven, and I really liked not only her name but her character (this cool goth girl obsessed with vampires), so I adopted the name as my nickname. I'm pansexual and genderfluid — but I don't care if I'm called she/her; in fact those are my preferred pronouns despite being genderfluid. I'm in that awkward phase between being a teenager and an adult (18) so bare with me please 😅 also, in the beginning I might not be able to post much since literally almost any day now (but the actual date is next month) I'm due to have my daughter. I'm only saying this so no one gets upset (that is assuming I get any followers between now and then) when my posts suddenly become delayed/slowed down.

That's about all the personal stuff I'm willing to share at the moment. Further down the line I might share more if future followers ask (appropriate) questions.

Anyway! To explain how I got into MM, let me first say that when I was in middle school (starting at 7th grade) I was super obsessed with otome games. I'd gotten my first iPod and games (specifically otome games) filled the majority of my device. I loved otome games (high-key because I was lonely) but the only thing I disliked was how a lot of them either had almost impossible "check points" to pass (free ShallWeDate+ games) or you had to pay to play an entire route (not free ShallWeDate games and Voltage games).

I believe the official date I started playing MM was July 6, 2017. I stumbled upon the game by accident, actually. It was summer and I was (again high-key lonely) looking for a completely different otome game (I don't remember now) when I saw a game called Mystic Messenger in my recommendations with this really hot redhead as the logo (petition: bring 707 back lol) (although I actually don't mind that it's V right now tbh). Of course, being curious of it I tapped it to read the description/view the demo images... and naturally I was like, "oh, cool, an otome game I've never played!" So I downloaded it and immediately jumped into it.

Turned out, it was so much more than a simple otome game, and I'm sure many if not all of you that play the game feel the same way. I did like how original the gameplay was, since it was set more in modern-day and wasn't entirely full of visual novels — but I think the main thing I liked about it was the fact that every single character within the game wasn't a recycled character personality often seen in other otome games. Each character had their own unique backstory, their own unique personality, and even their own flaws, which is something not often seen in otome games since the creators try to make the characters into this perfect, ideal boyfriend. Everything about the characters was 100% unique and fresh, and I absolutely loved that.

In the beginning, my favourite was 707. He was (is, wtf) extremely comical (not to mention hot af). I loved his personality so much, and his route was amazing. Because of his route, though, I disliked V (I didn't hate him; just disliked him). I thought V was keeping secrets without thinking of everyone else, and that he was doing it to hold something over everyone's head.

Then I played V's route. And I realised he's so much more than what I'd originally pegged him as.

I won't spoil his route for anyone who hasn't played it. But I will say this: every secret he's ever kept, he did it not for his sake, but for the RFA's sake. He didn't want to hurt them, he wanted to protect them. It goes more into depth about his relationship with Rika and how toxic it actually was, which hit me hard since I'd recently gotten out of a toxic relationship myself when I was doing his route. His route is also basically his journey of self-love. Everything within his route resonated hard with me, and I related to him so much. Not even 707's route hit me that hard. So after getting V's good ending, it only made sense that he instantly became my top favourite. 707 is a very close second though.

Anyway! So that's the backstory of me joining the RFA and a few details of my experience playing MM.

Currently I have a lot of projects I'm working on, but one that I'm likely going to post here is a one-shot of Saeran (with slight spoilers to his route only in the very beginning). That will be the first one I post. You are free to request anything you'd like — right now I have no limits, but if something arises that makes me uncomfortable to write, I will let it be known.

That's all for this post. Have a nice day!

(also, if anyone can see this, maybe reblog it? I've tried to share this account with my few MM friends and they've been saying that can't find it.)

[thepolyorchids]

A bit about each song on The Polyorchids LP

Track 1 of 10: The Lark

This was the first Polyorchids song that didn’t exist prior to the band’s formation. It was sort of an experiment in a different writing style. The first Courtney Barnett album had just come out and I loved the way she wrote these songs made up of super specific and sometimes mundane lyrics that, when added up, made you feel something. Tony’s naturally great at getting specific like that, but I tend to retreat into my own mind and write from that space. I used a simple a two-chord progression I’d been sitting on for years and wrote a blow-by-blow telling of a drive out to a gig Travis, Tony and I played in Willits a few weeks prior. The hills of Lake County had just been burned by a huge fire. On the trip, we met a bunch of nice seasonal weed-trimming folk (plenty of them white dudes w/ dreads, hence the chorus, which was originally just a placeholder but ultimately stuck) and we crashed at a shitbox motel called The Lark. I liked a Joyce Manor song called “Midnight Service at the Mutter Museum” which had a quiet-verse/loud-chorus structure to it. I brought it to the band with that in mind, but couldn’t get Travis to soften the his floor tom hits, only to find that the thumping beat actually made for a better song. From there it found its groove. — Justin

Track 2 of 10: Predisposed

Most of the lyrics and melodies for “Predisposed” were written in 2011. I think for most songwriters it’s easier to say something in a song than it is to say it in real life. This song was written directly to my friend (and sister from another mister) Nicole Putnam. She was and has always been someone that had my back no matter what, no questions asked. This song turned out to be a (WELL-deserved) explanation/Thank You (even though she never asked for either) for all the times in that year she was there for me when I felt like I had no one. It started as an acoustic song (like most Polyorchids songs), I absolutely forgot I EVEN WROTE IT! For me writing becomes sometimes like therapy, so once I finish... I feel better and feel like I can move on a bit. I found and old iPhone in October of 2017. When I checked out the voice memos, this bad boy was on it. It wasn’t totally complete but Justy, Trav and I worked it to be a full band song and it made it to our album. This is also the first time in The Polyorchids history that I sing my own song on the record. — Tony

Track 3 of 10: Dumpster Heap

I wrote the melody for this a few years ago on a miniature kids’ guitar I was fooling around with, but I spent more than a year just humming gibberish to it. Tony and I have had tons of conversations about our feelings about talking politics on social media. On one hand, it’s a cesspool of garbage that brings out the worst in people and diving into it accomplishes essentially nothing, but on the other hand, it’s where we do 90% of our communicating at this point. If we don’t talk about this stuff online, we’re sort of making the decision to not talk about it at all, which isn’t good either. I’ve typed out full responses to Facebook comments only to delete them before posting so as to avoid surrendering my day to a shit show of notifications. This song is about that internal conversation. I wrote a second verse for this after the “grab her by the…” tape came out, but decided it made an evergreen idea too specific. A few months later I started writing ’45’ and realized this 30-second song could exist with just one verse that feeds right into that one. — Justin

Track 4 of 10: 45

The sort of bizarre post-election vibe had given way to the inauguration and now this guy was slapping his Sharpie signature on like five executive orders per day and arguing about crowd sizes. A parade of idiots were marching through Charlottesville with tiki-torches the day I started writing it. I can’t really pull off overtly political lyrics because they feel corny to me about one hour after I write them, but it seemed like a joke that this dude was running things and I felt like trying capture that in some way, because it was inescapable. Jeff Rosenstock’s WORRY had come out a few months earlier and knocked me out. A fast/crazy deep-cut called "Bang on the Door” was my favorite track and I pretty much wanted to jack it and make it my own. The chords and melody for 45 are totally different from that song, but you can tell they’re sort of distant cousins. I only had one verse written, but I showed it to Trav and Tony at the very end of a practice and the “Side! Eyed! Glances!…” intro was so glorious and punchy with the full band. Some songs take work to find their groove. This one was a natural fit right off the bat and we got excited about it. I wrote a second verse and we started playing it at shows. I finished the third verse the night before recording with Pat and our friends Mike and Jake came in to sing gang vocals on the outro. — Justin

Track 5 of 10: Skeletons

Tony wrote this one a few years ago and lost the demo on an old phone (that’s his move) until just a few months before we recorded the album. I’d never heard it prior to that, but I instantly became obsessed with it, even more so than Tony I think. I told him as much, and I even played it a few times at open mics by myself. The song is really just one verse and one chorus… or a looping chorus with one bridge — however you want to put it. I added the guitar riff, which mirrors the melody but gives it something new, and pitched the idea of having Tony and I alternate singing with a louder, shared verse at the end. This is the only time we’ve ever structured a song that way. We recorded this two days before I moved out of California and we had absolutely no time to practice it with Travis. We tracked our instruments to a click track (unlike most Polyorchids songs, which we record live as a full band) and let Pat at Earth Tone play the percussion after the fact — also something we’d never done before. — Justin

Track 6 of 10: Down in the Desert

This song was written after a trip to Arizona for my uncle Jeff’s funeral. My brother and I grew up with our uncle around a ton, bringing us those little popper/snappers and just generally being the best. As we grew older, we came to realize how truly bizarre and fucking hilarious this person was. Eccentric and witty to his absolute core. He joined the Army out of high school and was stationed in Germany, which I think clouds this song in a bit of confusion because “shipped out to Germany…” really sounds like WWII, but it was actually decades later during a peace-time in Germany. My uncle enjoyed room-temperature tall cans of beer — a taste he said he developed during those years in Germany. After the Army, he got into theater and ultimately became a union-carded makeup artist in Hollywood, working on stuff like the sitcom Major Dad and a TV adaptation of the movie Weird Science among many other projects. Before the funeral, my dad received a letter from one of Jeff’s old makeup artist friends/colleagues. He read that full letter at the funeral and it was just about the most real and beautiful thing I’ve heard in my whole life... Just a human being remembering another human being through the specific memories they shared — the kinds of specifics that send you inward to think about your own memories. I cried hard and felt extremely happy at the same time.

The whole extended family stayed at a desert motel that night and passed a couple of tall cans around in a circle and took turns sharing stories. I liked the idea of letting that evening with family be the chorus and Jeff’s life be the verses, so that’s the basic structure of the song. I started the first couple of lines during that road trip to the desert, but the rest came one line at a time over like a half a year. I never hit a wall, but I never hit a groove either. It was a challenge to write, and yet I felt strongly about seeing it through. It wasn’t until I played an almost-finished version for Tony that it became a potential Polyorchids song at his insistence. I played it once at an open mic but the first time we played it live as a band was at Danny Secretion’s Fuck Cancer benefit almost exactly a year later. — Justin

Track 7 of 10: Back off, Warchild

I started this as a sparse and mellow folk song on acoustic guitar, but abandoned it after about a month of frustration over the lyrics. It started as a sort of abstract story about conflict and tension, but I had a hard time keeping it moving. I liked the first verse on its own but didn’t see a path forward. But then we tried it as a band right after the Popgun EP was done while floating some new song ideas. This came right after we’d found some momentum with The Lark, and I got excited about the dynamics of the full band banging it out. It added something new and took some pressure off the lyrics, which I still feel a bit lukewarm about to be totally honest. The binding theme of the song is frustration and tension and negativity. Verse one is childhood, verse two is early adulthood, and verse three is the old age and death. The chorus is sort of an anthemic reveling in that pessimism, which is no way to live but real nonetheless. The one lyric I really love is the chorus line: “...Not our tax brackets not the weather / could pull the graphite out of the letters...” The song title comes from a line in Point Break when Keanu is about to get in a fight at the beach. We spent our teens and 20s camping and boogie boarding at that beach (Leo Carrillo) and rinsing off in those same outdoor showers. — Justin

Track 8 of 10: Low Class Love Song

Low Class Love Song was started in October of 2017. It started out as a baseline I couldn't get outa my head (I'm not 100% sure but I feel like I might have stolen the chords from "runaround sue"). It ended up being a song about the feeling of dating above your class and knowing it's not gonna end well but pursuing it anyway because the pain of a broken heart is worth the experience of sharing some time with that person. Music really is cheaper than a therapist. — Tony

Track 9 of 10: Preachers in Private Jets

This song started as a jam session groove at a practice. Our old band wrote some songs that way, but The Polyorchids never really have. We loved playing it but didn’t know how to treat it because there was no chord progression, just this looping riff. Eventually we added a palm-muted version of the riff and I started yelling nonsense over that part sort of in the style of Fugazi’s Waiting Room. Around that time I saw a video of two televangelist preachers shooting this shit about why God is very pumped about them being super rich. More than half of the lines in this song are lifted almost directly from that YouTube clip. A week before recording, Hurricane Harvey hit Houston and Joel Osteen locked up his megachurch doors, keeping out the affected. That last verse was finished right before recording. The chorus chords were written separately by Tony for a different song, but we were elated to find that they fit right into this one and added a nice melodic part that contrasted the verses and the riff. We took a long time to start playing it live, but Jake from Pisscat nudged us to play it every night of a tour we did together around Lake Tahoe. Pisscat pal Becky wrote it on a set list as Pee Pee Jay one time and I regret not calling it that. From there it felt complete. — Justin

Track 10 of 10: Readiness for Radio

After a life spent not caring either way about Bruce Springsteen, I found my way to his Nebraska album and loved it like many before me. I did the obligatory deep-dive into its origin story: DIY four-track demos that he’d recorded in his basement with plans of doing a proper full-band studio album, only to release the raw demos instead because they served the songs better. I liked the idea of writing something that referenced the themes of the album and its story without ever doing so explicitly. The result, I think, is one of those songs that lets the listener find their own meaning. It’s not an autobiographical song for me, and yet I identify with plenty of it personally. The main chords were adapted out of an old mewithoutyou song. I thought I’d spun them off to be totally unrecognizable, but my brother’s wife Veronica spotted it like four years after I wrote it! If you listen to that band, let me know if you can spot it. I recorded it live in the big drum room at Earth Tone, soaking it in open space and reverb. Pat left the loooong ringing sound of the final chord and then abruptly ended it when I slap the strings shut. I love those final seconds. — Justin

[datavan]

Cassandra Demo

In this second blog post, I am going to show everyone how to create your very own 3 node Cassandra cluster. You will have to have some items set up beforehand. The first item that will need to be created are three different virtual machines, each with a working operation system. In this exercise, I have created three different VM using the VMware Work Station; each with a working Linux Ubuntu OS. (Why Linux Ubuntu? No real reason, I just like that OS. Beware that for different OS, there will be different commands that I might not cover).

The second item that will need to be set up is a two-parter. Both the Java Development Kit and the Python Software Development Kit need to be functional in each VM, for Cassandra to be able to execute properly. In this exercise, I have installed the most current stable version the JDK available. The only thing I will mention, in case anyone is following along with the blog, do remember to include the following line of code in your .bashrc user profile file:

#$ export PATH=$PATH:~/Documents/jdk1.8.0_202/bin

It is the only way Cassandra will recognize that the JDK is running on your OS.

As for the Python SDK, that is a whole another animal all together. The following commands (2 commands) need to be entered on command line, within the Python directory:

#$ ./configure --prefix=/usr/local

#$ make

Once this is done, the source code for Python itself has been compiled. You will also need to download PIP, which lets you manage libraries, directories and drivers for Python. Now with the way Python works, you can have several versions of Python present on the same OS. You need to make sure the version you are working with is Python 2.7 (Documentation does say that it supports 3.6, 3.7 and 3.8). The last item you will download for the SDK is the Cassandra-driver, which lets the python interpreter talk to the ./cqlsh program (more on that later).

#$ pip install cassandra-driver.

Why both Java and Python? Cause nothing in programming in ever truly easy. Java is what your Cassandra node uses to execute its programming, because Cassandra itself was written in Java. Now, the CQL Shell or cqlsh for short is the command line shell use to interact with your Cassandra nodes. Python is the native protocol driver for this shell. There is indication when I read the cqlsh documentation, that other languages can be used for talking to the cqlsh; but for the purposes of this blog I will be using Python. I did not go into further research about that particular topic.

The last item you need to research before we can further and start the set up of our Cassandra nodes, is probably the most complicated one of them all. You need to find out the IP address for each of the VM. A simple ip addr, will do the trick. The three ip address for my VM are the following:

Cassandra Node 1 – 192.168.8.135

Cassandra Node 2 – 192.168.8.136

Cassandra Node 3 – 192.168.8.137

Once, the VMs are setup (each with a working OS, JDK, SDK and the IP address are recorded) Cassandra can finally be downloaded. I am working with the latest stable version of Cassandra 3.11.10. Once unzip, the configuration file cassandra.yaml is the only thing that needs to be modified and/or touched.

Just a quick intro before we move on. YAML (or YAML Ain’t Markup Language) is a human-readable data-serialization language, commonly used for configuration files where data is being sorted or transmitted. I just wanted to make sure everyone knows that bit of information; there is a lot more to YAML.

With that out of the way, we are going to start setting up our first Cassandra Node, or cass1. There are several things that can to be configured, but there are only two decision that have to be made in this YAML file (When looking from the perspective of this test cluster, in industry a lot more settings would be considered). The first decision is naming the cluster; for the cluster to work, all of the cluster nodes must have a shared name between them. Its how they first recognize themselves within the cluster ring. In my case, I used the cluster name ‘INTP – 362’.

Cluster Name

It is important that you make the name simple and easy to reproduce. My first test cluster had a more complicated name in the intent to be funny, and two of my nodes would not “gossip” to one another (more on gossiping later). And I used copy and paste, which sometimes does not work.

Once the cluster name is decided on. The next decision are the seed nodes and non-seed nodes. A seed node serves two functions:

When a new node joins the cluster, it will learn about the topology of the cluster or ring by contacting a seed node.

 They are also what assist other nodes in gossip convergence.

A seed node is still not a single point of failure; if a seed node “dies”, a cluster can survive without. I choose cass1 and cass2 to be my seed nodes. It is industry standard to at least have 3 seed nodes per cluster; the typical small sized cluster is around 5 nodes. Since, I only have 3 nodes, I decide to just do 2 seed nodes to demonstrate what they do. To set up the seed nodes, the IP address for each of the selected nodes are to be place, in between the double quotes; separate by commas but with no spaces in between (see image below).

Seed Nodes

With the seeds nodes and the cluster name taken care of, the basic decision-making process to get this cluster running is done. I do want to point out that there are many other settings and configurations that can be made through this YAML file. Everything from how many concurrent read or write can be done at a time, which ports each node will use to communicate thought TCP/UDP (Ports 7000, 9042), what is a cache size for different types of operations; so many different settings I am not getting into because really there is no time. But I will speak about to two particular settings that gave a lot of problems for several days. Those are Listen Address and RPC Address.

Just to expand out knowledge base, RPC is a framework or set of tools that allow programmer to call a piece of code in a remote process. Again, there is a lot more to this framework; but that is the bare minimum just to understand why this address is important.

As a default, Listen Address and RPC Address come with the value ‘Localhost’; which should work since they do use the localhost to work. They even suggest just leaving it blank, since that will activate:

InetAddress.getLocalHost()

A protocol that will find the local IP address of the machine and retrieve for use. Except its not reliable, it even mentioned in the configuration file that it might not work. The documentation for both Cassandra and the YAML configuration file does not, to my knowledge, ever mention how to deal with this.  Why do I mention this? Because in this case, the nodes will not actually wake up (at least in my experience). The actual best thing to do, is to actually use the IP Address number itself. My lesson learned here is that sometimes hardcoding an important value is necessary.

What is going on in the background is that the nodes can’t gossip. What is gossip? It’s the protocol that Cassandra uses to communicate between nodes. It’s a peer-to-peer system, that periodically exchanges state information about themselves and about other nodes in the ring. Basically, Cassandra nodes are just gossiping all the time, about how they are doing.

The gossiping protocol is very similar to the TCP three-way handshake; so much so that in the Cassandra server start up process, it is called a handshake. In the image below, you can the different Cassandra nodes handshaking each other.

Handshake

I think that is enough for now about the YAML configuration file; there is a lot more to it, entire Wikipedia pages just dedicated to explaining each one of the different settings. We are moving to yet another program that needs to be install for Cassandra to run. Why didn’t I mention this one before? Because its not mentioned anywhere (Note: I am not bitter about this).

iptables is this cool linux utility that lets you block or allow traffic, it’s a neat firewall. Cassandra needs it install and running to be able to gossip to other nodes. In iptables, there are policy chains, which are:

Input - this is for incoming connections.

Forward - incoming connections not being delivered locally, think a router.

Output - this is for outgoing connections.

Now, I only had so much time to actually research iptables and all its useful commands. Due to time constraints I concentrated on understanding the command I needed to run my Cassandra nodes. The command is:

#$ sudo iptables -A INPUT -p tcp -s 192.168.8.135 -m multiport --dports 7000,9042 -m state --state NEW,ESTABLISHED -j ACCEPT

A – Type of policy

p – Type of connection the protocol uses

s – Is the IP address to listen for

m multiport – is when there are multiple ports

dport – The ports to listen for

m state – The state of the connection (The only states I know of are NEW and ESTABLISHED)

j – Is the command for the response policy (Accept, Drop or Reject)

This command must be done on each node, with the other nodes IP address (so the command must be entered twice in each node). Finally, Cassandra will be run. There is an order to these things. Seed nodes must be woken up first before non-seed nodes, it is the only caveat to waking up Cassandra nodes to start gossiping.

To confirm that the nodes are running and gossiping, Cassandra comes with application called nodetool. The application will take different commands, the only one we care about at the moment is the status command.

Nodetool program

The UN means Up and Normal, which is really the piece of information we care about. This means each node on the rack is running. Since we have confirmed all the Cassandra nodes are up and running. The CQL shell program can be started. In the bin directory, the following commands needs to be typed:

#$ ./cqlsh 192.168.8.135

The IP address at the end of the command must be the IP address of the node you want to access. As you can see from the image below, I am still in Cassandra node 1. But I am able to access another Cassandra node though its IP address.

Accessing different nodes

With the CQL shell running, we can finally explore the CQL language. It is very similar to SQL, super similar. It is basically the same thing (at least syntax-wise it does not behave the same way), with some key exception. All the relational part of SQL is non-existent in CQL. That means no JOINS, no FOREIGN KEYS, none of that stuff. But the following commands, are all permissible (and again Syntax is the same, but the behavior of the command might be different):

Alter

Create

Delete

Insert

Select

Update

Where

There are more commands, I am just showcasing the classic ones. Let’s start with the creation of a KEYSPACE (Database in the SQL world). The command is the following:

#$ CREATE KEYSPACE test WITH replication = {‘class’:’SimpleStrategy’, ‘replication_factor’ : 3};

Finally, replication at work. There are two replication classes. The SimpleStrategy class, which will assign the same replication factor to the entire cluster. This is used for evaluation purposes, single data center test (Like what I am doing in this blog), and development environments. In industry they use the second class, called ‘NetworkTopologyStrategy’. This strategy is for assigning the replication factor to each data center in a comma separated list, giving you more flexibility and control. The Data center names must match the snitches data center name. In a real data center, there are snitch nodes; in basic terms the snitch determines which data centers and racks nodes belong to. The snitch allows network topology to be discovered, thus making routing more efficient.

A note about replication factor for both strategies, the number does not have match the number of nodes present in your cluster. It is not a requirement for the command to run. There can be a KEYSPACE with a replication factor of 2, in a 5 nodes cluster. It is documented that it is recommended that your replication factor does not exceed the number of nodes present in your cluster (But again this will not cause any immediate problems). The following command is not recommended, with my current cluster set up:

#$ CREATE KEYSPACE test WITH replication = {‘class’:’SimpleStrategy’, ‘replication_factor’ : 4};

But it is permissible. Why? The idea of scaling. I could start setting up KEYSPACEs with replication factor of 4 in my cluster right now, and add a new node (cass4) in the future.

Now that we have our KEYSPACE set up. We can now proceed to create a table and inserting some data.

#$ CREATE TABLE student (name text PRIMARY KEY, id int, age int);

#$ INSERT INTO student(name,id,age) VALUES (‘alex’,105,32);

With everything set up correctly, we can see the replication happening. I used cass1 to insert my data. And the KEYSPACE, TABLE and data was replicated into the other nodes.

Cassandra Node 1 – test data

Cassandra Node 2 – test data

Cassandra Node 3 – test data

As observed in all three different nodes, the student table is present.

The last cool thing I am going to show you, is how UPDATEs are a bit different in CQL vs SQL. In SQL an UPDATE command is both a read and a write; and this is important to note, because it first reads the tablespace and if the WHERE clause is not present the UPDATE will not happen. In CQL, the UPDATE command is only a write. This means that if the WHERE clause of an UPDATE command is based on a primary key (see example below), the UPDATE will happen as an INSERT if the row does not exist. I will showcase this in action, in the demo video.

UPDATE command in CQL

I hope this blog brought to light some of the lessons I learned while trying to navigate my way through Cassandra. Lessons like the value of documentation, but that ultimately there might be vital information missing; further research into some unexpected places might be need; and even some trial and error might be a possible avenue. I also hope I help shed some light on the world of NOSQL, and the cool application (cool to me at least) that is Cassandra.

Thank you so much for reading my blog

Here is the Demo Video.

[felicityb-reviews]

Review Roundup - Week 1 January 2018

Hello babies!! Welcome to your debut Review Roundup for Week 1 of January 2018!!! I'm really excited to launch this series, because while I do love doing reviews, sometimes the only thing I can say about a song is "I like it, it was good". I also wanted a place I could spotlight releases from less popular acts (or even less conspicuous releases, sometimes) who don't exactly have 2309342 million fandom pages. This is a great way to combine that, I guess.

Before we begin, some ~rules~

For a song to eligible, it has to have an official video. Even if it's basically some shit an intern made in Final Cut Pro in five seconds, before uploading it. I just need to know that it's an ~official~ release.

No OSTs!! 90% of them are dry ass ballads, and I do not have the time, sis!! No OSTs!! /Edna Mode voice

And on that note, I might choose to skip a certain release, because I have nothing to say about it. Or nothing nice that isn't constructive criticism.

Yes, each video has a Rating™. Do not get hung up on said Rating, cause it's basically meaningless; it's just an arbitrary number based on how much I liked the particle song, mixed with how well I thought the song was written.

Just like with my Feature Spotlights, the blurbs here are just my opinion, sis. Please do not get hung up on what some gay bitch on the Internet has to say about your fave. I'm hella arrogant, but my words are not of God.

So now that we got that out of the way (Even though I'm 90% sure some bitch is gonna try my ass), our list begins with...

Grown Up (Soyou)

Grown Up is pretty standard fare for a Starship ballad. The company has always submerged themselves in RnB and Gospel sensibilities, and it shows here. Miss Soyou takes us to church with Grown Up. A very nice song which I appreciate, but will probably not listen to much, unless I'm in a Ballad Bitch™ mood.

Rating - 3.5/5

TRCNG - Wolf Baby

"Ooh bitch... You mighta just did something there"

That was my first reaction to Wolf Baby, fam. I was ready and willing to write the song off, because the teaser did not show it off in the best light (it sounded like a demo of Hyosung's Into You, according to a friend) and the visual was more of the boys showing off their dance skill. Which is never a bad thing... Except when it's literally the same shit we've seen 20 million times from similar boy bands. But Wolf Baby delivers in full. Unlike the God awful Spectrum which takes after B.A.P in the worst of ways, Wolf Baby sounds and feels more like a Secret song (which sounds a lot better than you think it would). Wolf Baby shows that these boys have personality that can translate to the music, and Lord knows we need more of that in K-pop boy bands. I'm so tired of being charmed by these boys in variety, but utterly bored by their music.

Rating - 4/5

Think about (Seo Ji An featuring KLANG)

Lissen... Whoever wrote this song needs to give me a refund. That intro had me thinking this was gonna a bombastic radio ballad. Like, they were about to hit me with that Ryan Tedder throwback shit. But instead, all I got was soft falsetto and a limp piano line.

Talk about a boner killer, sis.

But once I got over myself (and the song started to pick up), I realized that it was actually pretty nice. Nothing I'd put into heavy rotation, but this would be good shuffle bait.

(Sidenote - if anyone can find me anything on the female vocalist, KLANG, I will give you a hug and a cookie, because I really liked her voice)

Rating - 3/5

XOXO (Soyeon of LABOUM x Park Jae Jung)

We're getting a jump start on the Springtime love duets, I see. I can't say I'm entirely mad, tho. XOXO, like Seo Ji An's Think about, falls within a category of songs I like to call shuffle bait. They're not terrible songs, but they're also not ones I feel obligated to put on heavy rotation. They're good for those days when you don't know what you wanna listen to or need some soft background sounds, so you put your music on shuffle. Not a category one should aspire to be in, but not one to be mad at for falling into, either.

I'm very happy that Global H made this a duet, cause Soyeon's overly bright tone could have tired out the ears very easily if she had to sing this by herself. And not only that, but Park Jae Jung provides a nice foil to Soyeon's voice with his smooth tone. All in all, a very nice song.

Rating - 3.5/5

Honey Tea (OOHYO)

Miss OOHYO is givin us a little Bassa Nova in her Honey Tea, you guise!!

Honey Tea is another shuffle bait song that almost makes it in the Heavy Rotation camp with it's interesting choice of instrumental interludes; but alas, she doesn't quite make the cut. There's something about the production here that doesn't quite mesh right; the song elements don't meld into one another like they should, especially with such ~agreeable~ (for lack of a better word) elements as these. This song is really nice for what it is (the melancholic atmosphere nice for those days when you just wanna brood like an angsty teenager), but I needed just a little bit more.

Rating - 2.5/5

Like Paradise (Kriesha Chu)

Something tells me that Future Bass is going to be everywhere in Kpop this year like Tropical House was last year, and I'm not quite sure how I feel about that. On one hand, you have Svt's Don't Wanna Cry and LONG:D x Kim Doyeon's All Night that are masterfully made songs. But then you have BTS's Best of Me and Kriesha Chu's Like Paradise, both of which are so fucking beige it makes me wanna slam my face into a wall. And it's really sad because, unlike Best of Me, Like Paradise starts out with a great verse. But then the prechorus goes right into generic territory with a chorus that's so anybody, it's almost frightening.

Kriesha Chu exploded onto the scene with a familiar formula in Trouble, but she did enough to make it her bitch, so idk what happened here. A friend mentioned that she feels as though she's heard this melody fifteen times, and I wouldn't be surprised if she has. This song isn't bad, but it don't got no soul. Which is a shame, because Miss Kriesha Chu has plenty to go around.

Rating - 2/5

Blah (Planetarium Case #1)

Now this is a song that took me by surprise. I was not expecting that Tropical style beat to kick in when the verse started, but I mean... Y'all know how I am with anything and everything Tropical inspired. And then they had the nerve to combine that heaux with RnB style instrumation?!?!!

Bitch...

I wanna be mad at how much I like this song. I really do. I wanna care about how the vocalist's voice is a touch too bright and whiny for that kind of vocal processing (it's faint, but it's there). I wanna feel some type of way about how that kind of vocal processing isn't really suited to this type of song. I would like to have some kind of critique here, but everything just slots together in a way that I can ignore the little things I don't care for.

Sis, idk how these underground labels know me well enough to make such targeted attacks against me like this, but I'm not mad. In fact, I'm very okay with that if I get to walk away with songs like Blah. Can we get more of this, instead of Future Bass or whatever other kooky trends are gonna rule K-pop this year?!?!!

Rating - 4/5

Foresight Dream (Younha)

Hello, Miss Younha!! It's nice to see you giving us something other than classical ballads like some kind of Baek JiYoung knockoff.

...was that mean?!?!!? Okay yeah, that was mean. Oh whatever, it isn't like other people weren't thinking it.

Copious amounts of shade aside, I'm been very here for what Younha has been doing, musically, since Get It. She's swapped out the ballads for a more RnB/Pop sound that's very in line with what the K-RnB World has been doing lately, and I couldn't be happier. Foresight Dream is a dreamy piano driven song that's a bit too downtempo in groove to qualify as an Acoustic Coffee Shop RnB Midtempo, but still has enough drive to feel like it's actually going somewhere. And Younha's voice sounds amazing. She's got a voice very similar to Alice from HV's, but Younha has more depth to her tone. All in all, a very magical experience.

One critique I have (and it's not even of the music) is that I'd have liked if Younha had released Foresight Dream before the GroovyRoom produced Parade. With the way Parade followed the ph-1 assisted Hello, I had assumed that she was done releasing songs. But with Foresight Dream coming after those two, it kind feels like it dampens her momentum. Idk, I'm just being a picky bitch.

Rating - 4/5

wewantourmoneyback (Giriboy)

*sigh*

This nigga talmbout how he want his money back, but I want my fucking time back from listening to this hot mess.

Okay, let me roll back the shade for a second. This song really isn't that bad. I've heard F A R worse from the likes Jay Park, Zico, and Dok2. But dude, this is a touch too fucking generic for a winter release. You couldn't have saved this for summer?!?!? When niggas is actually trynna shake they ass to generic trap beats?!?!

To be honestly, I'm tired of hearing these kinds of songs in K-HipHop. Especially from dudes who have tones like Giriboy. Their voices are whiny as fuck all, and these kinds of beats usually have a lot of higher tones in the mix (for those who are too bougie to listen to trap, producers typically use high, tinny synths as the main instrument in trap beats), so it's just a headache in the making. It's already hard enough to make a trap song without it sounding too repetitive, but these fools have truly tired me out with this genre. I can't even think of something to say about this song, cause it's just so generic.

Rating - 1/5

Paint Me (Mamamoo)

I'm sorry... MamaWHOMST?!?!?!!

Jokes aside, I'm not quite sure how I feel about this song. Mamamoo is a group that I once loved, but all that went sour when they decided to do blackface in concert (and then post a BTS video of getting into costume for said stage a week after posting an apology). And if I'm being honest here, their only good songs are You're The Best and Piano Man. I stanned for their other tracks for the culture; I liked what they did with the songs live. I didn't really listen to them, but tis the life of a K-Pop stan.

In retrospect, it's quite interesting how Mamawhomst Mamamoo haven't promoted a big power ballad like Paint Me before. The instrumentation is basic as all fuck, but it allows emphasis to be put on their vocals. Which are half the reason Mamawhomst Mamamoo survived Nugudom, in the first place. But as great as their voices are in this song, it just doesn't go anywhere. It throws you from one extreme to the other, and then ends. It's hella polarizing, and not something I really wanna put myself through with repeated listens.

Rating - 2.5/5

A Day I Want To Love (HEYDAY featuring Lim Eun Young)

A Day I Want To Love is a very typical classical ballad, and while that usually has me running for the hills, I decided to give it a chance. And I mean, this isn't a song that I'd put into Heavy Rotation, but it'd fit in very nicely with all the songs I download to use as shuffle bait. I'd also quite like to hear this sung live. Idk, I just feel like it'd come off better that way.

Rating - 3/5

OGZ (Jo Woochan x Park Hyunjin x Achillo)

I don't understand this song.

That's not to say that it's bad. The beat reminds me of wewantourmoneyback, but GroovyRoom decided to make a more interesting remix of it. And the boys all hand in amazing verses. But idk, yo. This song just feels weird as all fuck.

Rating - 4/5

Missing You (VOISPER)

How fitting that this is the song that closes out the main list week. Missing You is another lowtempo shuffle bait track (the mood for this week, apparently), but this time around, we get some horns in the mix. Which I greatly appreciate, because without them, this song would have been extremely boring. VOISPER have nice voices, but their technique is kind of sloppy. And I don't usually sweat shit like that, but it's really noticeable here.

Rating - 3/5

The Fabulous Five

So... You've made it to the end of the post (thank you, btw), and are now wondering what in the actual fuck a Fabulous Five are. Well, it's simply a fancy title (because your bitch is hella dramatic) for my favorite songs of the week. In fact, if you payed any mind to the (badly made) gifs at the top of the post, you'd notice they're from the following videos. Anyway, there's no real metric for what goes here, just songs that I stan a lot.

5. Lower (f(Amber+Luna))

MY WIG!!

MY QUEENS!!

M Y W I G!!

Lower is God tier, sis. I've read a few people's reviews of the song, and the one thread of commonality between them all is that Lower is generic and not worthy of the f(x) brand. And while I'm not gonna sit here and act like Lower isn't something I'd expect to hear at a European gay club (or any gay club for that matter), I really like what Amber and Luna did with this song.

I also think that Lower should be considered a performance piece above all. I view EXO's Monster this way - I don't care for the song by itself, but I'm hype as fuck when there's an accompanying visual. Amber and Luna could have made this beat their bitch (Luna certainly has the vocal chops for it, and Amber could have done ha thing with a lil rappy rap), but the main focus of the song is the breakdown. And they dance for their fucking lives to said breakdown.

I can't tell you if I'd have liked this song so much from another duo in K-Pop or if I'd have liked it if it didn't come with a video, but the reality is that like it.

Me Likey Likey a lot!!

I'm really hoping that SM sees how well of a unit these two make, and decides to debut them, officially. Cause God only knows we aren't getting any new material from f(x) anytime soon. Victoria is too busy livin ha best life in China, and Krystal is too busy looking fed up for no reason with Jessica, whilst people throw money at BLANC & ECLARE.

Rating - 3/5

4. Hot Potato (N.FLYING)

Before I start in on my review of this song, I just wanna ask what the fuck is up with idol bands being filled with beautiful ass humans?!?! Like?!?!?! Anytime I watch anything with Day6, I can't help but wanna cry at how hot they are. And watching N.FLYING's Music Core comeback stages, I got the same feeling. I could barely pay attention to the songs. Am I really just that thirsty?!?!?

Nobody fucking answer that, I know I'm thirsty heaux. I don't need you shady bitches dragging me for it.

Existential crisis aside, Hot Potato is a banger. I'm really hoping 2018 is the year idol bands start thriving, because I need more songs like these in my life. The verses are pure octane fun, while the choruses are power pop crack. I dare one of you to tell me you wouldn't sing along to that chorus if you knew Korean. I fuckin D A R E you!! And whoever's idea it was to add Yoo Hweseung from Produce 101, I wanna kiss you silly. His chemistry with Lee Seunghyub is ridiculous!! And in addition to that, an added vocalist allows them added flexibility with with N.Flying's rap/sing vocal style. I'm just so happy with this song, especially with how little love I had for The Real. It's great, sis.

Rating - 5/5

3. Her (Drug Restaurant)

Raise your hand if you had no idea that Jung Joon Young's band changed their name to Drug Resturaunt!?!?!?

...

Oh that was just me, not paying attention to anything?!?! Okay...

The first time I heard Her, I was immediately mesmerized by that opening chord progression. Some part of my musically trained brain knows how overused that progression is, but the rest of me is too busy blissing out to it to care (to be fair, most chord progressions in popular music are overused, because there's only so many that actually sound good to our ears). Her is no one trick pony, tho; she may come back to the oddly dissonant and melancholic texture of the intro now and again, but she always makes sure to give you something new with it.

The rest of the song is pretty great, too. Jung Joon Young has a very smooth texture to his baritone, very similar to BTS's Kim Taehyung (and if y'all know anything about my gay ass, y'all know I'm a H E A U X for baritones), and it's a great contrast to the grit of the instrumental.

Her is a very nice intro (err... reintrduction) to a great band. I keep telling myself I'll get back into rock like I was in middle school (the only good thing about being a weeb is J-rock and VISUAL KEI, I will fight you if you say otherwise), and it looks like God decided to help a girl out.

Rating - 4.5/5

2. Twenty Something (Alice featuring Yooyoung of HELLOVENUS)

Hello?!?!? Fantagio?!?!?! Starship Entertainment called; they want their Acoustic Coffee Shop RnB Midtempo back.

Yes, I realize I'm not that funny, but it's not gonna stop me from cracking jokes

So... If you don't know what an Acoustic Coffee Shop RnB Midtempo is, it's basically the RnB version of an acoustic midtempo ballad (hence the acoustic coffee shop bit). They're usually not acoustic at all, but they still have the same feeling as an acoustic ballad, if that makes sense.

And can I make a bold statement here?!?!!? Fantagio just declared a turf war against Starship with this song. Yes babies, it's that fucking good. Starship is usually my go to for Acoustic Coffee Shop RnB Midtempos, but it looks like Fantagio wants to throw their hat in the ring for consideration.

Alice has the right amount of grit to her voice to really hook you in, but a decent amount of brightness to help uplift the track. And Yooyoung's rap is just... Oh my God, it's so good!! I wanted it to be longer, sis. A++ content!!! She provides a nice texture change that makes Alice's voice pop when she takes over the track again. And the instrumentation just makes my brain happy tingle. God, I'm just so in love with this song!!

My only complaint is about that flat ass, limp ass, needs to be put out of it's misery ass high shriek Alice does over the final chorus. Guys, I am so tired of my ears being accosted by these singers trying to belt. Most of K-Pop's vocalists are sopranos with bright ass tones and absolutely no power behind their voices. This obsession with high belted notes at the end of songs is just so weird, and if y'all are gonna continue to do it, I need y'all to integrate that shit into the song better. Don't just have a vocalist do their best "OH MY GOD, THEY'RE TRYING TO KILL ME" shriek. It's so irritating!!

And apparently, this is the first of a monthly song single campaign Fantagio is doing for 2018?!?!!? Someone at that company wants me to die, sis. First, they inflict Ong Seungwoo and Park Jinwoo on my ass, and now this.

Rating - 4.5/5

1. Bboom Boom (MOMOLAND)

First of all, can we give S. Tiger a round of applause for throwing it back to EXID's Nyam Nyam Jeop Jeop?!?!?!? That is a top five favorite b side of mines, so the second I heard the guitar in the teaser, I fucking Knew™ my edges were about to get snatched right off my face.

Secondly, Queen JooE is outchea livin ha best life, and I'm just so here for it. People love to talk shit about girl groups cause they only do cutesy and sexy concepts (nevermind the fact that boy bands do the same shit, but I guess y'all not trynna hear that), but anytime girl groups give you something different, y'all not trynna stan. So, I'm so fucking here for JooE serving you basics Unapologetic Joy™ in the New Year.

Hallelujah, Thank You Jesus!!

For those of you who can't tell (although it's position in the Fab Five should've tipped you off), I fucking love Bboom Bboom. I was ready for Bboom Bboom the second the teasers started rolling in, and my excitement hit an all time peak with the Great! highlight medley showing that the entire mini was Banger Central™. My only complaint about the song is that the transition from the trap beat to the regular beat in the second verse was so throwed together and clunky. Did y'all run out of time to really integrate that right, cause?!?!?!?! I love that section, but that it could have been handled way better.

Still my favorite song of the week.

Rating - 4.5/5

And that's that, folks!! Tune in next week at 6pm EST to see my round up of this week's new releases. And don't forget about Friday's Feature Splotlight at 6pm EST!! There's been a little (Okay, it's a pretty big ) change to the schedule. Wanna know what it is?!?!?! Be sure to check it out!!!

[saveloadreset]

OneShot

This post is gonna be an experiment, to see how we handle branching out to topics that aren’t really related to Undertale at all. The first thing on my list is . . . OneShot.

This review will be partitioned into two pieces. The first is the intro. A largely spoiler-free segment which is safe to read. It’ll include my initial thoughts The second, the content, will be put under a cut and will include spoilers, to make it easy to skip.

Intro

OneShot is a charming game about trying to help a child stranded in a foreign world get home, and save that world in the process. But be careful! After all, you only have One Shot. 

The main character is Niko, a child from another world who is stranded here and wants to get home. You play as the God of this world, and it is your job to help them. And that’s pretty much all I can tell you about the story right now.

It is built in RPGmaker with a few extra moving parts, and using the engine as a mechanism to build a game built around exploration and interaction with the world. There is no combat, and so instead by and the large the game is about interacting with the world and engaging with meta content which may remind players of the UNDERTALE demo.  

The game’s greatest strength is its self-awareness as a game and how much it pushes the envelope on what that can mean. While UNDERTALE played with the idea of meta narratives in this way, at a certain point it flinched away, unwilling or unable to push further on.

OneShot doesn’t flinch away. If you like exploration and talking, get a tickle at the idea of perhaps the most meta of meta games I’ve played and the lack of combat isn’t a dealbreaker for you, I recommend you pick up this game.

Content

If you’re seeing this part of the post, either you’ve played the game or decided you don’t care about spoilers. So . . .

For those of you who decided caring about spoilers was for chumps, I’ll give you the quick rundown on OneShot. As the God of this world, you guide Niko through three distinct areas, holding the ‘sun,’ which is basically a giant lightbulb that glows in Niko’s hands. The original sun of this world shattered a long time ago, and now, this new world is bathed in a deep darkness and decay as it slowly dies. Only replacing the sun will save this world

(Or will it?) 

Along the way, you interact with what can only be called ‘the voice of the world.’ You first hear it speak to you through a system message at the beginning of the game ,and it continues to interfere with the game in odd ways. It seems deeply aware of the fact that this world is a program, and manipulates your machine. Creating files in your documents, changing your wallpaper, and otherwise requiring you to interact with things outside the world in order to progress.

This is the deepest reflection of the metanarrative of the game, which joins into the actual narrative. The game knows that it’s a game, a program on your machine, and it seems to regard you with a sort of disdain for coming here. 

I’ll leave the details vague, but in time, you come to understand that the voice of world is indeed the voice of the world. The sum of its existence. The absolute total of its pieces, added together. 

And the world wants to die.

In the end, it is revealed that the nature of this world is one that is tied to the sun in Niko’s hands.  And the light of that sun is bound to Niko. Without Niko, the sun will not glow, and the world die. While the sun still exists, Niko cannot go home.

You need to make a choice. Will the sun shatter and this world die? Or will Niko place the sun on its pedestal and become a part of this strange, unfamiliar world forever?

A choice must be made. NOT choosing is also a valid choice. After that, booting up the game will show you the same scene over and over, depending on the ending you picked. And there it is. That’s your One Shot. Game Over.

. . . 

Or, is it? (Are you intrigued? Do you want to play this game? Or did you play and think it ended there? Well, then I recommend you play, check your Documents folder when you’re done, and do what comes naturally. This post will still be up when you’re done)

See, this is where OneShot starts to get interesting. Not only because of what happens, but because of the history. How it initially happened.

After you check your documents folder, you find a little note, like it’s been scribbled in a journal, about how there may yet remain a way to make EVERYONE happy. The creator of the game appeals to you that he thinks he can make it better, so please, play as much as you want (telling you how to hack the game so that you CAN play it again) . . . We’re not done yet.

When the game was originally released, this was pretty much all that was there to see. The only exception,was a single room in the red region. On repeat plays, the way the area looks will have changed slightly. Above a door that would not open, there was a steady countdown on display, to a date and time several weeks in the future.

This experiment is what fascinates me such about OneShot. It is a game which today cannot truly be experienced in the same way that it was by those who first played it. Part video game, part performing art, a long moment which outside that instant of time, cannot be replicated.

OneShot took advantage of the idea of patches and used them to tell a story that could not have been told without it. 

As the date neared, several smaller patches changed the content of the game slightly, with dialogue shifting slightly to reflect that something was about to happen. When the countdown reached zero, the SOLSTICE update went live, opening up a path for a fourth ending that could only be achieved after you have already finished the game once.

Ultimately, the nature of the voice of the world is made abundantly clear to us, and the game starts jumping as hard on the meta aspect of itself as it can.

OneShot is so interesting! I was worried going into it that I would find myself put off by a story in which the player has such an explicit role, but I have no mixed feelings about it now. Niko demonstrates so much of their own character and personality apart from the player and their input, making them seem less like an avatar and ore like a friend that we guide.

I won’t tell you the end like this. But I will say, I can’t convince myself to boot up the game again. Wouldn’t be the same.

[offgridthegame]

Off Grid Development blog 8.11.2017 - Changing Times!

The times-they-are-a-changin.’  New horizons, a shake up, big things happening - this has been a heck of a sprint!

Blocktober

Completely unaware of our social media surroundings, Rich managed to spend a good portion of this sprint during October whiteboxing and completely miss the whiteboxing trend on Twitter that was #Blocktober! Nothing nearly as fancy as the timelapsed art passes from the Naughtly Dog team on how they constructed key hero sequences in the latest Uncharted, but we do have a new building for the intro scene in the player’s apartment. If you haven’t seen this yet at a demo I won’t give away any spoilers, but this level is where your hacking journey begins!

Indies Unplayed

We were extremely fortunate to be asked along to Indies Unplayed at Secret Weapon Loading Bar in Stratford. It’s always great to show the game and get player feedback. Many thanks to Lauren Francis for having us along, it was a very cool little event and we had some really inspiring titles along side us. Below you can see a player learning the setup to our hero’s story in the intro cutscene we are currently making playable.

We got to play some fun new indie games and catch up with some old friends too, including old chum Tim Constant, who we last saw at Nottingham Gamecity in 2013!!!

Tim is working on a very cool dystopian job sim.  It’s a #PapersPlease-like game, where you play an immigrant bouncer in a post-Brexit apocalypse:

‘Settings’ it up

It’s been quite short and quick sprint, so there are no new amazing game features to talk about from Pontus. But as promised, our settings system has now evolved from a bunch of background systems and code into an actual menu. With some actual settings you can adjust!

The graphics will definitely need more work, but the plan is to fill in more options and then do a second pass on the artwork and layout to make sure everything works well with the content. For now, everything is functional at least.

Web work

Apart from that, things were polished up in the web side, with some imrpovements and additions to our wiki and to automate our newsletter. That’s going to make our life easier, and hopefully also help any players/modders to find the right Lua API and instructions for how to set things up in LevelKit in the future. I would say “go and check it out” but there’s not really much interesting things in the wiki yet, at least unless you are one of the lucky ones who have access to our builds and the LevelKit already. In which case, you of course should go and check it out to get you started testing how to create your own content for the game!

No funny bugs fixed by Pontus this sprint, and no interesting game design work either. But there definitely will be next time, he’s already spent the past few days with XMind open for plotting some pretty big changes for the game…

Mod testing

This sprint Josh, our modding and level design intern, challenged himself to build a level using the modding tools. The aim was to learn how to build a typical level with a focus on the Lua scripting side of things rather than art, and then take those learnings and see where he could fill in the gaps on the wiki that he found wanting.

We’ll let him tell you a bit more himself though:

“So I started out by blocking out the map that I wanted to create. Once I had the basic level that I was happy with I got stuck in with the Lua scripting with which I managed to learn a great deal upon completion of the level.

One of my favourite parts of creating the mod was the conversations, as it was super simple to create but also great fun generating branching dialogue between characters.            Following this, I began work on a guide to building a level mod which has been added to the wiki.This is something that I felt would be important for potential modders to have to help make the modding experience more accessible.

This also resulted in a few new pages being created to explain some sections not covered on the wiki yet, such as the ability to add characters to your level. This is a very exciting and interesting feature which will allow you to create many gameplay elements, from conversations to patrolling guards.

I also had the pleasure of testing the new ability to upload mods to the steam workshop using the Level-kit tools.

Shortly after that it was decided that we should create a mod level that people can download that would demonstrate some of the pre-made devices that any modder can essentially drag and drop into their own mod. It will also be playable which I will turn into an interactive tutorial of how these devices were made to help new modders create their own from scratch.”

Farewell Harry

Harry had his last sprint with us this month as he is moving to join the development team at Unity, but we made sure he had time to part with a gift for any of our followers who are devs interested in making their games moddable too.

In his time on the team, Harry's done great work pushing modding in Unity 3d, and so we’ve open sourced his work on the Lua framework that makes Off Grid moddable, enjoy!

https://github.com/Semaeopus/Unity-Lua

Out with the New in with the Old ;)

And with our youngest team member Harry heading to Unity we have gained the wonderful Steve Allen in his place. Steve comes with a bundle of  AAA and Indie experience, so much so that he qualifies for ‘industry veteran’ status, and we are pumped to have him aboard the good ship Semaeopus. I’ll stop rambling and let him introduce himself though:

Hello! I’m new here. I’ve joined the Off Grid team as a programmer, though will no doubt stick my nose in elsewhere. I’ve been programming games for, well, rather a long time, and am really excited to be part of the project. There’s lots of interesting stuff that still needs to be done and it’s already been a welcome change from the larger, corporate games I’ve been working on over the last few years. And who knows, next time I write one of these updates I might have done some work! - Steve

You’ll hear a lot more from Steve in the coming sprints, he’s already made good strides into impletmenting and extending new features in the Lua API for modders to play with, so watch this space!

Fixes and additions

Harry’s last couple of weeks were also a great opportunity for us to dig into some of the bugs in our backlog that haven’t been top priority, but would be welcome fixes with a little effort. We had a fantastic flurry of small fixes from the team, with Harry leading the charge.

Main game:

Messaging with CryptoChat

We setup a small notification to say that a character is typeing while you are waiting for them to respond to you in a conversation. It’s essentially a ‘Smedley is typing’ animation much like you’d see when using a messaging app like whatsapp or imessage.

We also and fixed the pause time between messages, which just needed a little finessing to feel more real.

And most importantly, we set up ‘B’ to skip single messages instead of all of the incoming messages from another character.

Include Mods in use, in save games

We now have save games recording what mods you have subsribed to so you can progress with your mods intact!

Saving NFC

NFC data is now being saved correctly.

Trailer video

We fixed a strange long wait at the end of our trailer that had been bugging us.

Player Phone

We fixed a bug to do with interactions when the player phone didn't appear when doing swipe interaction or scanning things.

Stuck Running

We had a somewhat funny but awkward bug in our animation state machine where the player can get stuck if you were crawling and spammed the run button while getting up - the player would get stuck runnning in circles!  That is now fixed ;)

Look around you

The player character’s look-at IK needed more restriction on target height so that you didnt look at interesting objects on the floors above or below you.

Invisible walls and soft bathroom sinks

Lots of missing colliders were fixed.

LevelKit:

UV Warning

We updated asset importer post processing script to warn about missing normals and UVs on new models. This means as you are modding and making new geometry, the LevelKit tool will tell you if it is missing anything that could cause a later error.

Mod Content structure

We re-structured level directories so that the content a modder makes is in a neater structure.

Non Steam works / DRM free mod exports

Added Export as Zip option to build tab so that you can upload your mod anywhere for anyone (with a copy of the game) to try it out.

That’s all folks

Lots of big things happening so we’ll look forward to catching you next time.

Pontus, Rich, Sarah, Steve & Josh